Are you over 18 and want to see adult content?
More Annotations
![A complete backup of mavisupansiyon.com](https://www.archivebay.com/archive5/images/27399309-d312-421c-b959-8d4de7244692.png)
A complete backup of mavisupansiyon.com
Are you over 18 and want to see adult content?
![A complete backup of andtradition.com](https://www.archivebay.com/archive5/images/cb2e9e2e-5b71-42d5-990b-e66212cf819a.png)
A complete backup of andtradition.com
Are you over 18 and want to see adult content?
![A complete backup of forumlibertas.com](https://www.archivebay.com/archive5/images/c356fb8d-5321-48e3-a8f1-c0c55c254b14.png)
A complete backup of forumlibertas.com
Are you over 18 and want to see adult content?
![A complete backup of wideanglesoftware.com](https://www.archivebay.com/archive5/images/6b0bbee0-a1a2-46ea-9436-15516d12f3ee.png)
A complete backup of wideanglesoftware.com
Are you over 18 and want to see adult content?
![A complete backup of verzekeringen.be](https://www.archivebay.com/archive5/images/967396d7-f65a-4a50-9714-76fec01fad43.png)
A complete backup of verzekeringen.be
Are you over 18 and want to see adult content?
Favourite Annotations
![A complete backup of https://investlister.com](https://www.archivebay.com/archive6/images/e243e411-f917-49a7-81dc-049cb83fd2eb.png)
A complete backup of https://investlister.com
Are you over 18 and want to see adult content?
![A complete backup of https://emergencyreleasefund.com](https://www.archivebay.com/archive6/images/de58b62f-278a-4607-8a0c-d4317f7376c2.png)
A complete backup of https://emergencyreleasefund.com
Are you over 18 and want to see adult content?
![A complete backup of https://ymcali.org](https://www.archivebay.com/archive6/images/6815b2da-2c68-43d6-a367-893785e7d2d0.png)
A complete backup of https://ymcali.org
Are you over 18 and want to see adult content?
![A complete backup of https://osf.digital](https://www.archivebay.com/archive6/images/af0b7656-1419-4be3-9487-a3be2fcfcd50.png)
A complete backup of https://osf.digital
Are you over 18 and want to see adult content?
![A complete backup of https://airmaxshoes2016.org](https://www.archivebay.com/archive6/images/5d19431a-d2d5-4b69-bb21-5ebd4547a444.png)
A complete backup of https://airmaxshoes2016.org
Are you over 18 and want to see adult content?
![A complete backup of https://game-guide.fr](https://www.archivebay.com/archive6/images/a4619109-f731-4543-b77a-e81918f37fe8.png)
A complete backup of https://game-guide.fr
Are you over 18 and want to see adult content?
![A complete backup of https://jeeptourshanoi.com](https://www.archivebay.com/archive6/images/c75415a1-4ec2-4ba8-bf97-1253b1138a8b.png)
A complete backup of https://jeeptourshanoi.com
Are you over 18 and want to see adult content?
![A complete backup of https://rotogrip.com](https://www.archivebay.com/archive6/images/47d6eedc-b0ac-4ab0-94a5-260ec915cabc.png)
A complete backup of https://rotogrip.com
Are you over 18 and want to see adult content?
![A complete backup of https://arielgordonjewelry.com](https://www.archivebay.com/archive6/images/34d2640b-de76-4738-9320-0cd439d349fc.png)
A complete backup of https://arielgordonjewelry.com
Are you over 18 and want to see adult content?
![A complete backup of https://wp-demos.com](https://www.archivebay.com/archive6/images/308a31b3-277b-4a9c-a858-a3129f7b34eb.png)
A complete backup of https://wp-demos.com
Are you over 18 and want to see adult content?
![A complete backup of https://bethhatfiloh.org](https://www.archivebay.com/archive6/images/cf202ef1-c899-4c58-91fd-33efbb7dd8d7.png)
A complete backup of https://bethhatfiloh.org
Are you over 18 and want to see adult content?
Text
career. Gary Kurtz.
THE FILMING OF ALIEN This article originally appeared in AC August 1979. When, as a director, you are offered a project like Alien — or any science-fiction film, really — it is an offer to start with and becomes a confrontation afterwards. The problems gradually emerge, and on Alien there were many, many, many of them. People ask me, “Whatis the single
BACK ISSUES
The ASC STORE. For almost a century, American Cinematographer has been the magazine of record for motion-picture professionals all over the world. The ASC Store offers a range of items of interest to filmmakers, including books, DVDs, apparel and accessories. MULTI-TALENTED: DONALD A. MORGAN, ASC Morgan’s father, Al, with Esquire’s 1944 Bass Player of the Year All American Band trophy. Morgan would, in fact, eventually go on to shoot such popular series as Home Improvement, Girlfriends and My Wife and Kids, winning 10 Emmy Awards in the process. Most recently, he won a 2019 Emmy for the Netflix series The Ranch (“Reckless”). FRAME.IO UNVEILS CAMERA TO CLOUD Frame.io C2C eliminates that, allowing users to simultaneously view a live stream of footage as it is being shot while automatically capturing and uploading proxies as soon as the camera stops rolling. The camera-to-cloud workflow requires a Frame.io C2C-certified device connected to compatible cameras from Arri, Red and Sony. THE CINEMATOGRAPHY OF E.T. The Cinematography of E.T. The Cinematography of. E.T. This article originally appeared in the January 1983 issue of AC. Some images are additional or alternate. In this archival article, Allen Daviau, ASC details his collaboration with director Steven Spielberg and the art of adding life to his extra-terrestrial star in this 1982 sci-fi PANTHER EVOLVES DOLLY DESIGN The new S-Type Dolly combines the advantages of scissor-arm and center-column dolly concepts. The S-Type Dolly from Panther has scissor arm, which makes a 100-percent linear movement with compact double-arm design to ensure low energy expenditure and maximum stability. New full-range technology allows the scissor arm to move the same way up and down, and despite its compact DISCUSSING THE SET DESIGN OF BLADE RUNNER This story was originally published in AC, July 1982. Some images may be additional or alternate. Syd Mead, an industrial designer who was the “visual futurist” for Blade Runner, describes the sociological assumptions behind the production design: “The consumer delivery system has sort of broken down.The available capital is all going to research and development and the consumer base is THE AMERICAN SOCIETY OF CINEMATOGRAPHERSARTICLESPODCASTSVIDEOSBLOGSARCHIVEESPAÑOL Capturing the perfect single image depends upon a variety of creative criteria, as well as the intent of the photographer. In this special issue, ASC members and other JUNE 2021 ISSUE OF AC OFFERS SPECIAL FOCUS ON STILLAUTHOR: ASC STAFF At top, our cover and a landscape of the NYC skyline by M. David Mullen, ASC — who likes to unwind after a long day of shooting his series The Marvelous Mrs. Maisel by engaging in street photography.. The upcoming June issue of American Cinematographer is a special collectors edition devoted to still photography. Presented are a selection of images from the ASC Photo Gallery, a BEYOND THE FRAME: AMERICAN GRAFFITI Released in the summer of 1973, the picture was a sleeper hit, launched a wave of 1950s-’60s nostalgia and became an American classic. Wexler died on December 27, 2015, and the ASC Student Heritage Award for documentary work is named in his honor, as non-fiction film was a passion throughout his long, illustriouscareer. Gary Kurtz.
THE FILMING OF ALIEN This article originally appeared in AC August 1979. When, as a director, you are offered a project like Alien — or any science-fiction film, really — it is an offer to start with and becomes a confrontation afterwards. The problems gradually emerge, and on Alien there were many, many, many of them. People ask me, “Whatis the single
BACK ISSUES
The ASC STORE. For almost a century, American Cinematographer has been the magazine of record for motion-picture professionals all over the world. The ASC Store offers a range of items of interest to filmmakers, including books, DVDs, apparel and accessories. MULTI-TALENTED: DONALD A. MORGAN, ASC Morgan’s father, Al, with Esquire’s 1944 Bass Player of the Year All American Band trophy. Morgan would, in fact, eventually go on to shoot such popular series as Home Improvement, Girlfriends and My Wife and Kids, winning 10 Emmy Awards in the process. Most recently, he won a 2019 Emmy for the Netflix series The Ranch (“Reckless”). FRAME.IO UNVEILS CAMERA TO CLOUD Frame.io C2C eliminates that, allowing users to simultaneously view a live stream of footage as it is being shot while automatically capturing and uploading proxies as soon as the camera stops rolling. The camera-to-cloud workflow requires a Frame.io C2C-certified device connected to compatible cameras from Arri, Red and Sony. THE CINEMATOGRAPHY OF E.T. The Cinematography of E.T. The Cinematography of. E.T. This article originally appeared in the January 1983 issue of AC. Some images are additional or alternate. In this archival article, Allen Daviau, ASC details his collaboration with director Steven Spielberg and the art of adding life to his extra-terrestrial star in this 1982 sci-fi PANTHER EVOLVES DOLLY DESIGN The new S-Type Dolly combines the advantages of scissor-arm and center-column dolly concepts. The S-Type Dolly from Panther has scissor arm, which makes a 100-percent linear movement with compact double-arm design to ensure low energy expenditure and maximum stability. New full-range technology allows the scissor arm to move the same way up and down, and despite its compact DISCUSSING THE SET DESIGN OF BLADE RUNNER This story was originally published in AC, July 1982. Some images may be additional or alternate. Syd Mead, an industrial designer who was the “visual futurist” for Blade Runner, describes the sociological assumptions behind the production design: “The consumer delivery system has sort of broken down.The available capital is all going to research and development and the consumer base is JUNE 2021 ISSUE OF AC OFFERS SPECIAL FOCUS ON STILL At top, our cover and a landscape of the NYC skyline by M. David Mullen, ASC — who likes to unwind after a long day of shooting his series The Marvelous Mrs. Maisel by engaging in street photography.. The upcoming June issue of American Cinematographer is a special collectors edition devoted to still photography. Presented are a selection of images from the ASC Photo Gallery, a FLYING HIGH WITH TOP GUN Director Tony Scott, cinematographer Jeffrey L. Kimball and other key collaborators capture dramatic aerial action. At top, LT Pete "Maverick" Mitchell (Tom Cruise) at home in the cockpit. ACCELERATED EVOLUTION Mat Beck, ASC. Mat Beck, ASC started out shooting personal films and documentary footage, then began designing digital tools for the VFX industry, including likely the first microcomputer motion-control system. Simultaneously, he worked as a camera operator, progressing to cinematographer and VFX supervisor. He founded Entity FX (Los Angeles,Vancouver) in 2002.
SUBSCRIPTIONS
The ASC STORE. For almost a century, American Cinematographer has been the magazine of record for motion-picture professionals all over the world. The ASC Store offers a range of items of interest to filmmakers, including books, DVDs, apparel and accessories. ALL QUIET ON THE WESTERN FRONT: THE GREATEST HUMAN A look back to 1930, and the reception of the film based on the 1929 novel by Erich Maria Remarque. At top, one of the film's classic battle scenes, as soldiers prepare for a gas attack. TICKET TO RIDE: STEPHEN GOLDBLATT, ASC, BSC The veteran cinematographer recalls his adventures as a still photographer. At top, Goldblatt’s most famous image of the Beatles, from 1968 — John, Ringo, Paul and George. WRAP SHOT: SCANDAL FOR SALE Cinematographer Karl Freund, ASC frames up his stills camera on actor Charles Bickford during the production of the newspaper drama Scandal for Sale (1932).. Examining this archival image almost 90 years later, ASC Photo Gallery Committee chair and Society member Charlie Lieberman determined that Freund is shooting with a Leica I camera fitted with an Elmar 135mm f/4.5 lens — a LETTER FROM THE PRESIDENT: THE DECISIVE MOMENT Photography remains the root technology of cinematography, and one of the best tools for teaching cinematography. (Photo by Michael M.Pessah, ASC)
ARTICLES : THE AMERICAN SOCIETY OF CINEMATOGRAPHERS Subscribe Today. Act now to receive 12 issues of the award-winning AC magazine — the world’s finest cinematography resource. Print Edition Digital Edition ALIEN AND ITS PHOTOGRAPHIC CHALLENGES Alien. and Its Photographic Challenges. Lighting a gigantic spaceship with low-ceilinged, four-walled sets and many special effects — plus the vast terrain of an alien planet, called for methods that were out-of-the-ordinary, to say the least. This article originally appeared in AC August 1979. THE AMERICAN SOCIETY OF CINEMATOGRAPHERSARTICLESPODCASTSVIDEOSBLOGSARCHIVEESPAÑOL Capturing the perfect single image depends upon a variety of creative criteria, as well as the intent of the photographer. In this special issue, ASC members and other JUNE 2021 ISSUE OF AC OFFERS SPECIAL FOCUS ON STILLAUTHOR: ASC STAFF At top, our cover and a landscape of the NYC skyline by M. David Mullen, ASC — who likes to unwind after a long day of shooting his series The Marvelous Mrs. Maisel by engaging in street photography.. The upcoming June issue of American Cinematographer is a special collectors edition devoted to still photography. Presented are a selection of images from the ASC Photo Gallery, a BEYOND THE FRAME: AMERICAN GRAFFITI Released in the summer of 1973, the picture was a sleeper hit, launched a wave of 1950s-’60s nostalgia and became an American classic. Wexler died on December 27, 2015, and the ASC Student Heritage Award for documentary work is named in his honor, as non-fiction film was a passion throughout his long, illustriouscareer. Gary Kurtz.
THE FILMING OF ALIEN This article originally appeared in AC August 1979. When, as a director, you are offered a project like Alien — or any science-fiction film, really — it is an offer to start with and becomes a confrontation afterwards. The problems gradually emerge, and on Alien there were many, many, many of them. People ask me, “Whatis the single
BACK ISSUES
The ASC STORE. For almost a century, American Cinematographer has been the magazine of record for motion-picture professionals all over the world. The ASC Store offers a range of items of interest to filmmakers, including books, DVDs, apparel and accessories. MULTI-TALENTED: DONALD A. MORGAN, ASC Morgan’s father, Al, with Esquire’s 1944 Bass Player of the Year All American Band trophy. Morgan would, in fact, eventually go on to shoot such popular series as Home Improvement, Girlfriends and My Wife and Kids, winning 10 Emmy Awards in the process. Most recently, he won a 2019 Emmy for the Netflix series The Ranch (“Reckless”). FRAME.IO UNVEILS CAMERA TO CLOUD Frame.io C2C eliminates that, allowing users to simultaneously view a live stream of footage as it is being shot while automatically capturing and uploading proxies as soon as the camera stops rolling. The camera-to-cloud workflow requires a Frame.io C2C-certified device connected to compatible cameras from Arri, Red and Sony. THE CINEMATOGRAPHY OF E.T. The Cinematography of E.T. The Cinematography of. E.T. This article originally appeared in the January 1983 issue of AC. Some images are additional or alternate. In this archival article, Allen Daviau, ASC details his collaboration with director Steven Spielberg and the art of adding life to his extra-terrestrial star in this 1982 sci-fi PANTHER EVOLVES DOLLY DESIGN The new S-Type Dolly combines the advantages of scissor-arm and center-column dolly concepts. The S-Type Dolly from Panther has scissor arm, which makes a 100-percent linear movement with compact double-arm design to ensure low energy expenditure and maximum stability. New full-range technology allows the scissor arm to move the same way up and down, and despite its compact DISCUSSING THE SET DESIGN OF BLADE RUNNER This story was originally published in AC, July 1982. Some images may be additional or alternate. Syd Mead, an industrial designer who was the “visual futurist” for Blade Runner, describes the sociological assumptions behind the production design: “The consumer delivery system has sort of broken down.The available capital is all going to research and development and the consumer base is THE AMERICAN SOCIETY OF CINEMATOGRAPHERSARTICLESPODCASTSVIDEOSBLOGSARCHIVEESPAÑOL Capturing the perfect single image depends upon a variety of creative criteria, as well as the intent of the photographer. In this special issue, ASC members and other JUNE 2021 ISSUE OF AC OFFERS SPECIAL FOCUS ON STILLAUTHOR: ASC STAFF At top, our cover and a landscape of the NYC skyline by M. David Mullen, ASC — who likes to unwind after a long day of shooting his series The Marvelous Mrs. Maisel by engaging in street photography.. The upcoming June issue of American Cinematographer is a special collectors edition devoted to still photography. Presented are a selection of images from the ASC Photo Gallery, a BEYOND THE FRAME: AMERICAN GRAFFITI Released in the summer of 1973, the picture was a sleeper hit, launched a wave of 1950s-’60s nostalgia and became an American classic. Wexler died on December 27, 2015, and the ASC Student Heritage Award for documentary work is named in his honor, as non-fiction film was a passion throughout his long, illustriouscareer. Gary Kurtz.
THE FILMING OF ALIEN This article originally appeared in AC August 1979. When, as a director, you are offered a project like Alien — or any science-fiction film, really — it is an offer to start with and becomes a confrontation afterwards. The problems gradually emerge, and on Alien there were many, many, many of them. People ask me, “Whatis the single
BACK ISSUES
The ASC STORE. For almost a century, American Cinematographer has been the magazine of record for motion-picture professionals all over the world. The ASC Store offers a range of items of interest to filmmakers, including books, DVDs, apparel and accessories. MULTI-TALENTED: DONALD A. MORGAN, ASC Morgan’s father, Al, with Esquire’s 1944 Bass Player of the Year All American Band trophy. Morgan would, in fact, eventually go on to shoot such popular series as Home Improvement, Girlfriends and My Wife and Kids, winning 10 Emmy Awards in the process. Most recently, he won a 2019 Emmy for the Netflix series The Ranch (“Reckless”). FRAME.IO UNVEILS CAMERA TO CLOUD Frame.io C2C eliminates that, allowing users to simultaneously view a live stream of footage as it is being shot while automatically capturing and uploading proxies as soon as the camera stops rolling. The camera-to-cloud workflow requires a Frame.io C2C-certified device connected to compatible cameras from Arri, Red and Sony. THE CINEMATOGRAPHY OF E.T. The Cinematography of E.T. The Cinematography of. E.T. This article originally appeared in the January 1983 issue of AC. Some images are additional or alternate. In this archival article, Allen Daviau, ASC details his collaboration with director Steven Spielberg and the art of adding life to his extra-terrestrial star in this 1982 sci-fi PANTHER EVOLVES DOLLY DESIGN The new S-Type Dolly combines the advantages of scissor-arm and center-column dolly concepts. The S-Type Dolly from Panther has scissor arm, which makes a 100-percent linear movement with compact double-arm design to ensure low energy expenditure and maximum stability. New full-range technology allows the scissor arm to move the same way up and down, and despite its compact DISCUSSING THE SET DESIGN OF BLADE RUNNER This story was originally published in AC, July 1982. Some images may be additional or alternate. Syd Mead, an industrial designer who was the “visual futurist” for Blade Runner, describes the sociological assumptions behind the production design: “The consumer delivery system has sort of broken down.The available capital is all going to research and development and the consumer base is JUNE 2021 ISSUE OF AC OFFERS SPECIAL FOCUS ON STILL At top, our cover and a landscape of the NYC skyline by M. David Mullen, ASC — who likes to unwind after a long day of shooting his series The Marvelous Mrs. Maisel by engaging in street photography.. The upcoming June issue of American Cinematographer is a special collectors edition devoted to still photography. Presented are a selection of images from the ASC Photo Gallery, a FLYING HIGH WITH TOP GUN Director Tony Scott, cinematographer Jeffrey L. Kimball and other key collaborators capture dramatic aerial action. At top, LT Pete "Maverick" Mitchell (Tom Cruise) at home in the cockpit. ACCELERATED EVOLUTION Mat Beck, ASC. Mat Beck, ASC started out shooting personal films and documentary footage, then began designing digital tools for the VFX industry, including likely the first microcomputer motion-control system. Simultaneously, he worked as a camera operator, progressing to cinematographer and VFX supervisor. He founded Entity FX (Los Angeles,Vancouver) in 2002.
SUBSCRIPTIONS
The ASC STORE. For almost a century, American Cinematographer has been the magazine of record for motion-picture professionals all over the world. The ASC Store offers a range of items of interest to filmmakers, including books, DVDs, apparel and accessories. ALL QUIET ON THE WESTERN FRONT: THE GREATEST HUMAN A look back to 1930, and the reception of the film based on the 1929 novel by Erich Maria Remarque. At top, one of the film's classic battle scenes, as soldiers prepare for a gas attack. TICKET TO RIDE: STEPHEN GOLDBLATT, ASC, BSC The veteran cinematographer recalls his adventures as a still photographer. At top, Goldblatt’s most famous image of the Beatles, from 1968 — John, Ringo, Paul and George. WRAP SHOT: SCANDAL FOR SALE Cinematographer Karl Freund, ASC frames up his stills camera on actor Charles Bickford during the production of the newspaper drama Scandal for Sale (1932).. Examining this archival image almost 90 years later, ASC Photo Gallery Committee chair and Society member Charlie Lieberman determined that Freund is shooting with a Leica I camera fitted with an Elmar 135mm f/4.5 lens — a LETTER FROM THE PRESIDENT: THE DECISIVE MOMENT Photography remains the root technology of cinematography, and one of the best tools for teaching cinematography. (Photo by Michael M.Pessah, ASC)
ARTICLES : THE AMERICAN SOCIETY OF CINEMATOGRAPHERS Subscribe Today. Act now to receive 12 issues of the award-winning AC magazine — the world’s finest cinematography resource. Print Edition Digital Edition ALIEN AND ITS PHOTOGRAPHIC CHALLENGES Alien. and Its Photographic Challenges. Lighting a gigantic spaceship with low-ceilinged, four-walled sets and many special effects — plus the vast terrain of an alien planet, called for methods that were out-of-the-ordinary, to say the least. This article originally appeared in AC August 1979. THE AMERICAN SOCIETY OF CINEMATOGRAPHERSARTICLESPODCASTSVIDEOSBLOGSARCHIVEESPAÑOL Capturing the perfect single image depends upon a variety of creative criteria, as well as the intent of the photographer. In this special issue, ASC members and other THE MANDALORIAN: THIS IS THE WAY For decades, green- and bluescreen compositing was the go-to solution for bringing fantastic environments and actors together on the screen. (Industrial Light & Magic did pioneering work with the technology for the original Star Wars movie.)However, when characters are wearing highly reflective costumes, as is the case with Mando (Pedro Pascal), the title character of The Mandalorian, THE DISCIPLE: CHASING A DREAM The Disciple was directed by Chaitanya Tamhane and executive-produced by renowned filmmaker Alfonso Cuaroń.The acclaim Tamhane received for his first feature, Court, led to his selection for a Rolex-sponsored protégé program, which in turn allowed him to shadow Cuaron throughout prep, production and post of the latter’s autobiographical feature Roma. ROE VISUAL ILLUMINATES NEW NANTSTUDIOS STAGE Featuring an in-camera VFX soundstage that integrates Roe Visual LEDs, the facility is hosting Epic Games' newest Los Angeles Lab. NantStudios has opened a virtual-production campus in El Segundo, Calif., that features a 24,000-square-foot in-camera VFX soundstage designed in collaboration with Lux Machina. Located at 202 Nash St., the new facility also provides 25,000 square feet of set THE CINEMATOGRAPHY OF E.T. The Cinematography of E.T. The Cinematography of. E.T. This article originally appeared in the January 1983 issue of AC. Some images are additional or alternate. In this archival article, Allen Daviau, ASC details his collaboration with director Steven Spielberg and the art of adding life to his extra-terrestrial star in this 1982 sci-fi MULTI-TALENTED: DONALD A. MORGAN, ASC Morgan’s father, Al, with Esquire’s 1944 Bass Player of the Year All American Band trophy. Morgan would, in fact, eventually go on to shoot such popular series as Home Improvement, Girlfriends and My Wife and Kids, winning 10 Emmy Awards in the process. Most recently, he won a 2019 Emmy for the Netflix series The Ranch (“Reckless”). BEYOND THE FRAME: ROSEMARY’S BABY In midtown Manhattan and suffering from paranoid panic, a very pregnant Rosemary Woodhouse (Mia Farrow) prepares to make an emergency call to her obstetrician as director Roman Polanski (at camera) and cinematographer William A. Fraker, ASC, BSC (partially obscured) plot their coverage for this scene from the fright classic Rosemary’sBaby (1968).
FILMING THE I LOVE LUCY SHOW The show is photographed with three Mitchell 35mm BNC cameras, all shooting simultaneously. Camera (1) in center makes all the long shots, while closeups are filmed by cameras (2) and (3) at either side. Besides floor marks and memorized instructions, technical staff also is monitored by script clerk via intercom phone system as showprogresses
FILMING PLANET OF THE APES Filming. Planet Of The Apes. At top, Cornelius and Zira with the captive Taylor (played by Roddy McDowell, Kim Hunter and Charlton Heston). In less competent hands, the APJAC-20th Century-Fox production of Pierre Boulle’s Planet of the Apes might have been just another science-fiction film fantasy which, in this case, makes monkeys out of actors. CREATING THE NIGHT OF THE HUNTER “For this picture, a group got together every night over a couple of drinks at a restaurant down on La Cienega, the Frascatti Inn. It consisted of Charles, Hilly Brown , Milt Carter , Bob Golden , and sometimes RubyRosenberg .
THE AMERICAN SOCIETY OF CINEMATOGRAPHERSARTICLESPODCASTSVIDEOSBLOGSARCHIVEESPAÑOL Capturing the perfect single image depends upon a variety of creative criteria, as well as the intent of the photographer. In this special issue, ASC members and other THE MANDALORIAN: THIS IS THE WAY For decades, green- and bluescreen compositing was the go-to solution for bringing fantastic environments and actors together on the screen. (Industrial Light & Magic did pioneering work with the technology for the original Star Wars movie.)However, when characters are wearing highly reflective costumes, as is the case with Mando (Pedro Pascal), the title character of The Mandalorian, THE DISCIPLE: CHASING A DREAM The Disciple was directed by Chaitanya Tamhane and executive-produced by renowned filmmaker Alfonso Cuaroń.The acclaim Tamhane received for his first feature, Court, led to his selection for a Rolex-sponsored protégé program, which in turn allowed him to shadow Cuaron throughout prep, production and post of the latter’s autobiographical feature Roma. ROE VISUAL ILLUMINATES NEW NANTSTUDIOS STAGE Featuring an in-camera VFX soundstage that integrates Roe Visual LEDs, the facility is hosting Epic Games' newest Los Angeles Lab. NantStudios has opened a virtual-production campus in El Segundo, Calif., that features a 24,000-square-foot in-camera VFX soundstage designed in collaboration with Lux Machina. Located at 202 Nash St., the new facility also provides 25,000 square feet of set THE CINEMATOGRAPHY OF E.T. The Cinematography of E.T. The Cinematography of. E.T. This article originally appeared in the January 1983 issue of AC. Some images are additional or alternate. In this archival article, Allen Daviau, ASC details his collaboration with director Steven Spielberg and the art of adding life to his extra-terrestrial star in this 1982 sci-fi MULTI-TALENTED: DONALD A. MORGAN, ASC Morgan’s father, Al, with Esquire’s 1944 Bass Player of the Year All American Band trophy. Morgan would, in fact, eventually go on to shoot such popular series as Home Improvement, Girlfriends and My Wife and Kids, winning 10 Emmy Awards in the process. Most recently, he won a 2019 Emmy for the Netflix series The Ranch (“Reckless”). BEYOND THE FRAME: ROSEMARY’S BABY In midtown Manhattan and suffering from paranoid panic, a very pregnant Rosemary Woodhouse (Mia Farrow) prepares to make an emergency call to her obstetrician as director Roman Polanski (at camera) and cinematographer William A. Fraker, ASC, BSC (partially obscured) plot their coverage for this scene from the fright classic Rosemary’sBaby (1968).
FILMING THE I LOVE LUCY SHOW The show is photographed with three Mitchell 35mm BNC cameras, all shooting simultaneously. Camera (1) in center makes all the long shots, while closeups are filmed by cameras (2) and (3) at either side. Besides floor marks and memorized instructions, technical staff also is monitored by script clerk via intercom phone system as showprogresses
FILMING PLANET OF THE APES Filming. Planet Of The Apes. At top, Cornelius and Zira with the captive Taylor (played by Roddy McDowell, Kim Hunter and Charlton Heston). In less competent hands, the APJAC-20th Century-Fox production of Pierre Boulle’s Planet of the Apes might have been just another science-fiction film fantasy which, in this case, makes monkeys out of actors. CREATING THE NIGHT OF THE HUNTER “For this picture, a group got together every night over a couple of drinks at a restaurant down on La Cienega, the Frascatti Inn. It consisted of Charles, Hilly Brown , Milt Carter , Bob Golden , and sometimes RubyRosenberg .
JUNE 2021 ISSUE OF AC OFFERS SPECIAL FOCUS ON STILL At top, our cover and a landscape of the NYC skyline by M. David Mullen, ASC — who likes to unwind after a long day of shooting his series The Marvelous Mrs. Maisel by engaging in street photography.. The upcoming June issue of American Cinematographer is a special collectors edition devoted to still photography. Presented are a selection of images from the ASC Photo Gallery, aTHE ASC STORE
For almost a century, American Cinematographer has been the magazine of record for motion-picture professionals all over the world. The ASC Store offers a range of items of interest to filmmakers, including books, DVDs, apparel and accessories. ACCELERATED EVOLUTION Mat Beck, ASC. Mat Beck, ASC started out shooting personal films and documentary footage, then began designing digital tools for the VFX industry, including likely the first microcomputer motion-control system. Simultaneously, he worked as a camera operator, progressing to cinematographer and VFX supervisor. He founded Entity FX (Los Angeles,Vancouver) in 2002.
LETTER FROM THE PRESIDENT: THE DECISIVE MOMENT Photography remains the root technology of cinematography, and one of the best tools for teaching cinematography. (Photo by Michael M.Pessah, ASC)
ALL QUIET ON THE WESTERN FRONT: THE GREATEST HUMAN A look back to 1930, and the reception of the film based on the 1929 novel by Erich Maria Remarque. At top, one of the film's classic battle scenes, as soldiers prepare for a gas attack. TICKET TO RIDE: STEPHEN GOLDBLATT, ASC, BSC The veteran cinematographer recalls his adventures as a still photographer. At top, Goldblatt’s most famous image of the Beatles, from 1968 — John, Ringo, Paul and George. WRAP SHOT: SCANDAL FOR SALE Cinematographer Karl Freund, ASC frames up his stills camera on actor Charles Bickford during the production of the newspaper drama Scandal for Sale (1932).. Examining this archival image almost 90 years later, ASC Photo Gallery Committee chair and Society member Charlie Lieberman determined that Freund is shooting with a Leica I camera fitted with an Elmar 135mm f/4.5 lens — a CLUBHOUSE CONVERSATIONS Interviewer Larry Sher, ASC is joined by cinematographer Adriano Goldman, ASC, ABC, BSC for this 75-minute discussion about his camerawork in Season Four of the award-winning Netflix period drama, which brings its insider story of the British monarchy into the modern age.. Seeking a distinct look for this season of the show, largely set in the difficult years of the 1980s, Goldman (pictured CLUBHOUSE CONVERSATIONS Photos by Jackson James, Zak Piper and Allison Walsh, courtesy of Chicago Story Film, LLC Interviewer Kirsten Johnson, ASC talks to director Steve James and cinematographer Jackson James in this 57-minute episode about their Nat Geo docu-series, which offers a complex portrait of how cultural, political and social forces are reshaping the urban center of Chicago. TRIBE7 TEAMS WITH SECOND REEF FOR DISTRIBUTION Second Reef is now the exclusive distributor of Tribe7 Blackwing7 lenses in Europe, Australia and New Zealand. Second Reef GmbH has become the exclusive distributor of Tribe7 Blackwing7 lenses in Europe, Australia and New Zealand. The timing coincides with the release of the newest Blackwing7 lens, the 20.7mm.An International
Publication of the ASCSearch
* Articles
* Podcasts
* Videos
* Blogs
* Current Issue
* Store
* Your Account
* American Society ofCinematographers
CREATIVE POST-FLASHING TECHNIQUE FOR _THE LONG GOODBYE_ Variable flashing after photography as a technique for modifying the characteristics of the color negative produces results that are aesthetically exciting, while solving technical problems. DUAL NATURE: _SHADOW_ Zhao Xiaoding, ASC, CNSC helps bring the visual language of Chinese ink-brush painting to the action and intimacy of this stylish drama. ASC ANNOUNCES FEATURE FILM NOMINEES FOR 34TH ANNUAL AWARDS Five nominees in the Theatrical Release category and three nominees in the Spotlight Award category were revealed at the ASC Clubhouse today. THE ACADEMY 2019 INTERNATIONAL FEATURE FILM SHORTLIST A look at the 10 films shortlisted for the Academy Award for Best International Feature of 2019 — and one notable omission. _FORD V FERRARI_: LAP OF HONOR Phedon Papamichael, ASC, GSC helps director James Mangold re-create the road to and through the historic 1966 24 Hours of Le Mans auto race for this period drama. 2019 CAMERA COMPARISON CHART - UPDATED The latest edition of this informative tool, created by ASC associate member Tom Fletcher and Gary Adcock, has arrived. SOCIETY, LEICA COLLABORATE ON M10-P “ASC 100 EDITION” ASC members and associates discuss their contributions to creating this limited-edition tribute to the Society's centennial. — NOW AVAILABLE FROM OUR STORE _HONEY BOY:_ FATHER AND SON Natasha Braier, ASC, ADF brings cinematic lighting and an improvisational shooting style to this revealing drama. CREATIVE POST-FLASHING TECHNIQUE FOR _THE LONG GOODBYE_ Variable flashing after photography as a technique for modifying the characteristics of the color negative produces results that are aesthetically exciting, while solving technical problems. DUAL NATURE: _SHADOW_ Zhao Xiaoding, ASC, CNSC helps bring the visual language of Chinese ink-brush painting to the action and intimacy of this stylish drama. ASC ANNOUNCES FEATURE FILM NOMINEES FOR 34TH ANNUAL AWARDS Five nominees in the Theatrical Release category and three nominees in the Spotlight Award category were revealed at the ASC Clubhouse today. THE ACADEMY 2019 INTERNATIONAL FEATURE FILM SHORTLIST A look at the 10 films shortlisted for the Academy Award for Best International Feature of 2019 — and one notable omission.❮
❯
JANUARY 2020
1917
_Volume 101, Issue 1_Subscribe
FEATURED VIDEO
The Making of Joker with Lawrence Sher, ASCAll Videos
PODCASTS
*
Episode 103
_JOKER_ / LAWRENCE SHER, ASC*
Episode 102
_JOJO RABBIT_ / MIHAI MĂLAIMARE JR.*
Episode 101
_CHERNOBYL_ / JAKOB IHRE, FSF*
Episode 100
_THE MAN WHO KILLED DON QUIXOTE _– PART II: DIRECTING*
Episode 99
_THE MAN WHO KILLED DON QUIXOTE _– PART I: CINEMATOGRAPHYAll Podcasts
ARTICLES
* Feature
WAGES OF SIN: _THE IRISHMAN_* Interview
LIVES UNDER SIEGE: _THE GOLDFINCH_ AND _1917_* Interview
STORMY ISLE: _THE LIGHTHOUSE_* Interview
DUAL NATURE: _SHADOW_All Articles
FLASHBACK
Historical
BACK TO GOTHAM: _BATMAN RETURNS_ All Historical Articles NEW PRODUCTS & SERVICES*
DUCLOS LENSES UNVEILS ANGÉNIEUX OPTIMO ULTRA ACCESSORIES*
PORTRAIT DISPLAYS RELEASES CALMAN 2019 R3, UPDATES CLIENT3 FORWINDOWS
*
DMXCAT FUNCTIONALITY EXPANDS WITH MULTI-FIXTURE FEATURE All New Products & ServicesOUR BLOGS
*
President's Desk
PRESIDENT’S DESK: FILM SCHOOL MISERY*
John's Bailiwick
THE ACADEMY 2019 INTERNATIONAL FEATURE FILM SHORTLIST*
Shot Craft
SOUND TRACK
*
TheFilmBook
MAKING WAVES - A CONVERSATION WITH DIRECTOR TREY EDWARD SHULTS*
Parallax View
THE FUTURE OF CINEMATOGRAPHY (PART 2 OF 2)*
Filmmaker's Forum
DON’T PANIC, IT’S ORGANIC: A SWAMP THING DISCOVERY SAGAAll Blogs
SUBSCRIBE TODAY
Act now to receive 12 issues of the award-winning AC magazine — the world’s finest cinematography resource. Print Edition DigitalEdition
Newsletter
CONNECT
*
*
*
*
* ©2019 American Society of Cinematographers* Terms of Use
* Privacy Policy
* Contact
* Advertising
* FAQ
Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0