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CINEMA – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART We are constantly exploring the limits and corners of the film medium in all its diversity. We present films on the verge of cinema and visual arts, documentaries, animations, genre cinema, experimental cinema, as well as features representing the most significant and interesting phenomena in contemporary cinematography and its peripheries. We also hold meetings with authors and organize ABOUT US – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART The Ujazdowski Castle Centre for Contemporary Art is one of Poland’s most prestigious art centres with a various program including exhibitions, performances, film screenings, and artist residencies. Poland’s first centre for contemporary art, it is a place in which various fields of art coexist with each other, interact, and transgress their own boundaries, in order to create new qualitiesPERFORMANCE WORKS
Editor: Joanna Zielińska Graphic design: Krzysztof Pyda Texts in English Format 170 x 240 mm, 272 pages Softcover ISBN: 978-88-6749-430-9 Published by the Ujazdowski Castle Centre for Contemporary Art and Mousse Publishing Warsaw 2019KAROL RADZISZEWSKI
What is queer memory and can it be built in a common effort? The Power of Secrets at the Ujazdowski Castle Centre for Contemporary Art is an experimental solo exhibition – the first such broad presentation of Karol Radziszewski’s art.. Artist, curator, collector, amateur historian and a man of many fascinations, Radziszewski skilfully manoeuvres between visual and performance arts.CALENDAR OF EVENTS
Library and reading room opening hours. Tuesday to Friday 11:00—18:00. Saturday 10:00—14:00. For safety reasons only 3 readers may remain at the library and the reading room at the sametime.
BEANPOLE – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART Ticket 15 zł. In Kantemir Balagov’s film, awarded at Cannes, overwhelming and dense with emotions, we watch a city and its people rising from ruins. The film tells the story of a difficult relationship between two girls in post-war Leningrad in 1945, which is recovering after years of siege. The heroines of Beanpole, Masha and Iya, try not only to forget about what they experienced, butHOMEPAGE OBIEG
We welcome texts or other visual materials etc. related to the current and forthcoming issue. If you have a submission we encourage you to contact us. obieg@u-jazdowski.pl We reserve the right to respond to selected coorespondence. DEFOSSILIZATION AND REFOSSILIZATION OBIEG A New Manual . 1. (Un-)Doing StrataThe Anthropocene sets in motion unprecedented flows of matter that is scraped and excavated from the Earth’s lithosphere and streams into the energy and manufacturing industries. These anthropogenic flows vastly exceed those of materials moved around Earth through natural processes, making humans the greatest geomorphic agent on the planet. 12 While mining SELF-PORTRAIT IN TEARS: A STUDY OF A 1961 WORK BY AHMED The two works presented, therefore, the portraits of a Berber woman and a Berber man using the same material, painted in different colours on the same white-grey background. Cut out in jute, the two head shapes were different, but complemented each other, comprising an image of the ethnic group of Berbers of both genders. Due to its oval shape, Self-Portrait with Tears approximated the form of THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART Library and reading room opening hours. Tuesday to Friday 11:00—18:00. Saturday 10:00—14:00. For safety reasons only 3 readers may remain at the library and the reading room at the sametime.
CINEMA – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART We are constantly exploring the limits and corners of the film medium in all its diversity. We present films on the verge of cinema and visual arts, documentaries, animations, genre cinema, experimental cinema, as well as features representing the most significant and interesting phenomena in contemporary cinematography and its peripheries. We also hold meetings with authors and organize ABOUT US – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART The Ujazdowski Castle Centre for Contemporary Art is one of Poland’s most prestigious art centres with a various program including exhibitions, performances, film screenings, and artist residencies. Poland’s first centre for contemporary art, it is a place in which various fields of art coexist with each other, interact, and transgress their own boundaries, in order to create new qualitiesPERFORMANCE WORKS
Editor: Joanna Zielińska Graphic design: Krzysztof Pyda Texts in English Format 170 x 240 mm, 272 pages Softcover ISBN: 978-88-6749-430-9 Published by the Ujazdowski Castle Centre for Contemporary Art and Mousse Publishing Warsaw 2019KAROL RADZISZEWSKI
What is queer memory and can it be built in a common effort? The Power of Secrets at the Ujazdowski Castle Centre for Contemporary Art is an experimental solo exhibition – the first such broad presentation of Karol Radziszewski’s art.. Artist, curator, collector, amateur historian and a man of many fascinations, Radziszewski skilfully manoeuvres between visual and performance arts.CALENDAR OF EVENTS
Library and reading room opening hours. Tuesday to Friday 11:00—18:00. Saturday 10:00—14:00. For safety reasons only 3 readers may remain at the library and the reading room at the sametime.
BEANPOLE – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART Ticket 15 zł. In Kantemir Balagov’s film, awarded at Cannes, overwhelming and dense with emotions, we watch a city and its people rising from ruins. The film tells the story of a difficult relationship between two girls in post-war Leningrad in 1945, which is recovering after years of siege. The heroines of Beanpole, Masha and Iya, try not only to forget about what they experienced, butHOMEPAGE OBIEG
We welcome texts or other visual materials etc. related to the current and forthcoming issue. If you have a submission we encourage you to contact us. obieg@u-jazdowski.pl We reserve the right to respond to selected coorespondence. DEFOSSILIZATION AND REFOSSILIZATION OBIEG A New Manual . 1. (Un-)Doing StrataThe Anthropocene sets in motion unprecedented flows of matter that is scraped and excavated from the Earth’s lithosphere and streams into the energy and manufacturing industries. These anthropogenic flows vastly exceed those of materials moved around Earth through natural processes, making humans the greatest geomorphic agent on the planet. 12 While mining SELF-PORTRAIT IN TEARS: A STUDY OF A 1961 WORK BY AHMED The two works presented, therefore, the portraits of a Berber woman and a Berber man using the same material, painted in different colours on the same white-grey background. Cut out in jute, the two head shapes were different, but complemented each other, comprising an image of the ethnic group of Berbers of both genders. Due to its oval shape, Self-Portrait with Tears approximated the form of ABOUT US – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART The Ujazdowski Castle Centre for Contemporary Art is one of Poland’s most prestigious art centres with a various program including exhibitions, performances, film screenings, and artist residencies. Poland’s first centre for contemporary art, it is a place in which various fields of art coexist with each other, interact, and transgress their own boundaries, in order to create new qualitiesURSULA MAYER
Distant sci-fi scenarios have now become our reality. Today, it is impossible to uphold a clear division between nature and culture. We live in the future in which humans are no longer the measure of all things, but just an element of the universe. Ursula Mayer’s first solo exhibition in Poland, What Will Survive of Us at the Ujazdowski Castle Centre for Contemporary Art, explores this newRESIDENCIES
The residencies constitute an important branch of U–jazdowski’s programme.Since 2002, we have hosted in Warsaw over 250 art professionals, curators, artists, researchers, educators, organisers, individuals and collectives representing more than 50 countries from Europe, Asia, North America, South America and Africa.. Residencies: our vision . Artist first . We emphasise direct cooperationPERFORMANCE WORKS
Editor: Joanna Zielińska Graphic design: Krzysztof Pyda Texts in English Format 170 x 240 mm, 272 pages Softcover ISBN: 978-88-6749-430-9 Published by the Ujazdowski Castle Centre for Contemporary Art and Mousse Publishing Warsaw 2019 SOCIAL DESIGN FOR SOCIAL LIVING Social Design for Social Living is a two-year project based on cooperation between Polish and Indonesian artistic communities comprising artistic and research residencies, artistic activities at the crossroads of visual arts, design and architecture, and an exhibition at the National Gallery of Indonesia in Jakarta. Within the exhibition, we not only present selected socially engaged practicesPOSTHUMAN CINEMA
Posthuman Cinema is a film review at the U–jazdowski cinema, devoted to the question of the animals’ perspective in cinema. About twenty experimental, artistic and documentary films will be presented, in which animals – dogs, cats, monkeys, parrots – are not only a subject or a metaphor, but also become a real object of the film. Films and works on the border of visual arts and cinema BEANPOLE – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART Ticket 15 zł. In Kantemir Balagov’s film, awarded at Cannes, overwhelming and dense with emotions, we watch a city and its people rising from ruins. The film tells the story of a difficult relationship between two girls in post-war Leningrad in 1945, which is recovering after years of siege. The heroines of Beanpole, Masha and Iya, try not only to forget about what they experienced, but THE DISCREET DASH OBIEG Half drunk, in-shock, and badly injured, Susan still looked impressive. Wearing a trapeze-line dress in a deep burgundy colour; a long thin scarf was loosely tied at the neck into a floppy bow. The outfit echoed the casual elegance of the surroundings. “Pass me that book on the table would you Dora—Circe is sitting on it, just push her off.. The cat gave Dora a disparaging glare before PLASTIC AQUA SHOES FROM YUGOSLAVIA OBIEG However, the fashionistas’ choice of Gucci sandals would not be based on the same symbolic value that a Yugoslav-born member of the population would share. Symbolically, the “original” version of sandals represents the return of the repressed, albeit with a higher price tag. Everything, in post-transitional and post-socialist states, that feeds the ignorance of the West about socialist LET’S GET BEYOND THE “BAMBOMENTALITY” OBIEG Do you get the feeling that Polish people, overworked as they are, find music and dance a fun way of spending time?. When it comes to dancing, things are weird in Poland. I was a DJ in quite a few clubs in Warsaw, so I know what I’m talking about. There is a kind of embarrassment when it comes to dancing, especially with guys. Of course, I mean dancing when sober. THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART Soon at the Ujazdowski Castle Centre for Contemporary Art. announcement. U–jazdowski in 2021. January — July. 11 / 06 — 26 / 09 / 2021. upcoming exhibition. Jacek Adamas. Go. 23 / 07 / 2021. THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART directed by Kelly Reichardt, USA 2019, 121 '. exhibition. Collection Co–selection. exhibition. Ludwika Ogorzelec. I’m Looking for a Moment of Equilibrium. More events a. 15 / 01 — 13 / 06 / 2021.exhibition.
CINEMA – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART We are constantly exploring the limits and corners of the film medium in all its diversity. We present films on the verge of cinema and visual arts, documentaries, animations, genre cinema, experimental cinema, as well as features representing the most significant and interesting phenomena in contemporary cinematography and its peripheries. We also hold meetings with authors and organize ABOUT US – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART The Ujazdowski Castle Centre for Contemporary Art is one of Poland’s most prestigious art centres with a various program including exhibitions, performances, film screenings, and artist residencies. Poland’s first centre for contemporary art, it is a place in which various fields of art coexist with each other, interact, and transgress their own boundaries, in order to create new qualities U–JAZDOWSKI IN 2020 In 2020, the Ujazdowski Castle Centre for Contemporary Art will stage many solo exhibitions of Polish artists, an exhibition curated by the collective Slavs and Tatars, a solo presentation of Ursula Mayer, and a new exhibition of artworks from the collection chosen by audience in an online poll. We will host artists and curators in residence. We have also prepared numerous workshops and guidedEXHIBITIONS
Ujazdowski Castle Centre for Contemporary Art is open. Exhibitions and bookshop opening hours . Tuesday, Wednesday 11:00—18:00; Thursday, Friday 12:00—20:00 BEANPOLE – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART Ticket 15 zł. In Kantemir Balagov’s film, awarded at Cannes, overwhelming and dense with emotions, we watch a city and its people rising from ruins. The film tells the story of a difficult relationship between two girls in post-war Leningrad in 1945, which is recovering after years of siege. The heroines of Beanpole, Masha and Iya, try not only to forget about what they experienced, butJACEK ADAMAS
The aim of the exhibition Go at Ujazdowski Castle Centre for Contemporary Art is to demonstrate the creative dialogue between the works of Jacek Adamas – the author of art installations and initiator of participatory actions in the public space – and the poetry of Zbigniew Herbert. Adamas literally brings the words of the poet to light, addressing their relevance in the current socialKAROL RADZISZEWSKI
The Power of Secrets at the Ujazdowski Castle Centre for Contemporary Art is an experimental solo exhibition – the first such broad presentation of Karol Radziszewski ’ s art. Artist, curator, collector, amateur historian and a man of many fascinations, Radziszewski skilfully manoeuvres between visual and performance arts.POSTHUMAN CINEMA
Posthuman Cinema is a film review at the U–jazdowski cinema, devoted to the question of the animals’ perspective in cinema. About twenty experimental, artistic and documentary films will be presented, in which animals – dogs, cats, monkeys, parrots – are not only a subject or a metaphor, but also become a real object of the film. Films and works on the border of visual arts and cinema THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART Soon at the Ujazdowski Castle Centre for Contemporary Art. announcement. U–jazdowski in 2021. January — July. 11 / 06 — 26 / 09 / 2021. upcoming exhibition. Jacek Adamas. Go. 23 / 07 / 2021. THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART directed by Kelly Reichardt, USA 2019, 121 '. exhibition. Collection Co–selection. exhibition. Ludwika Ogorzelec. I’m Looking for a Moment of Equilibrium. More events a. 15 / 01 — 13 / 06 / 2021.exhibition.
CINEMA – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART We are constantly exploring the limits and corners of the film medium in all its diversity. We present films on the verge of cinema and visual arts, documentaries, animations, genre cinema, experimental cinema, as well as features representing the most significant and interesting phenomena in contemporary cinematography and its peripheries. We also hold meetings with authors and organize ABOUT US – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART The Ujazdowski Castle Centre for Contemporary Art is one of Poland’s most prestigious art centres with a various program including exhibitions, performances, film screenings, and artist residencies. Poland’s first centre for contemporary art, it is a place in which various fields of art coexist with each other, interact, and transgress their own boundaries, in order to create new qualities U–JAZDOWSKI IN 2020 In 2020, the Ujazdowski Castle Centre for Contemporary Art will stage many solo exhibitions of Polish artists, an exhibition curated by the collective Slavs and Tatars, a solo presentation of Ursula Mayer, and a new exhibition of artworks from the collection chosen by audience in an online poll. We will host artists and curators in residence. We have also prepared numerous workshops and guidedEXHIBITIONS
Ujazdowski Castle Centre for Contemporary Art is open. Exhibitions and bookshop opening hours . Tuesday, Wednesday 11:00—18:00; Thursday, Friday 12:00—20:00 BEANPOLE – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART Ticket 15 zł. In Kantemir Balagov’s film, awarded at Cannes, overwhelming and dense with emotions, we watch a city and its people rising from ruins. The film tells the story of a difficult relationship between two girls in post-war Leningrad in 1945, which is recovering after years of siege. The heroines of Beanpole, Masha and Iya, try not only to forget about what they experienced, butJACEK ADAMAS
The aim of the exhibition Go at Ujazdowski Castle Centre for Contemporary Art is to demonstrate the creative dialogue between the works of Jacek Adamas – the author of art installations and initiator of participatory actions in the public space – and the poetry of Zbigniew Herbert. Adamas literally brings the words of the poet to light, addressing their relevance in the current socialKAROL RADZISZEWSKI
The Power of Secrets at the Ujazdowski Castle Centre for Contemporary Art is an experimental solo exhibition – the first such broad presentation of Karol Radziszewski ’ s art. Artist, curator, collector, amateur historian and a man of many fascinations, Radziszewski skilfully manoeuvres between visual and performance arts.POSTHUMAN CINEMA
Posthuman Cinema is a film review at the U–jazdowski cinema, devoted to the question of the animals’ perspective in cinema. About twenty experimental, artistic and documentary films will be presented, in which animals – dogs, cats, monkeys, parrots – are not only a subject or a metaphor, but also become a real object of the film. Films and works on the border of visual arts and cinemaRESIDENCIES
The residencies constitute an important branch of U–jazdowski’s programme.Since 2002, we have hosted in Warsaw over 250 art professionals, curators, artists, researchers, educators, organisers, individuals and collectives representing more than 50 countries from Europe, Asia, North America, South America and Africa.. Residencies: our vision . Artist first . We emphasise direct cooperationEXHIBITIONS
Ujazdowski Castle Centre for Contemporary Art is open. Exhibitions and bookshop opening hours . Tuesday, Wednesday 11:00—18:00; Thursday, Friday 12:00—20:00 FOR RENT – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART For rent. A historic building in the heart of the capital on the Royal Route. Formerly, a summer residence of the kings of Poland; today, the seat of the Centre for Contemporary Art. Due to its location and architecture, it is a more than ideal place for organizing conferences, seminars, promotional meetings, banquets or concerts.POSTHUMAN CINEMA
Posthuman Cinema is a film review at the U–jazdowski cinema, devoted to the question of the animals’ perspective in cinema. About twenty experimental, artistic and documentary films will be presented, in which animals – dogs, cats, monkeys, parrots – are not only a subject or a metaphor, but also become a real object of the film. Films and works on the border of visual arts and cinema BEANPOLE – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART Ticket 15 zł. In Kantemir Balagov’s film, awarded at Cannes, overwhelming and dense with emotions, we watch a city and its people rising from ruins. The film tells the story of a difficult relationship between two girls in post-war Leningrad in 1945, which is recovering after years of siege. The heroines of Beanpole, Masha and Iya, try not only to forget about what they experienced, but ULA SICKLE – THE UJAZDOWSKI CASTLE CENTRE FOR CONTEMPORARY ART Free Gestures is a choreographic exhibition, activated by a group of dancers for five hours each day. The starting point is the question of how ideologies become incorporated into our bodies and language. Here, it is not the performers’ bodies or objects that are the works of art, but rather the performed texts, gestures, and movement. The first individual exhibition of Ula Sickle, a EVERYDAY FORMS OF RESISTANCE Everyday Forms of Resistance is a project scheduled for several years which investigates in its broadest sense the role of art within society and the daily use of forms of resistance, in Palestine, as well as worldwide. How do we, as civilians, deal on a daily basis with the challenges of these times?What are the everyday gestures that allow us to resist, but also how does art come into play?LATE POLISHNESS
(The term "Late Polishness" has been borrowed from the texts of Tomasz Kozak) The project Late Polishness is dedicated to the forms which Polish contemporary identity assumes. Acting as the main space for deliberations is the exhibition, which consists of more than a hundred works and projects from dozens of contemporary artists working in the fields of visual arts, cinema, and theatre. SELF-PORTRAIT IN TEARS: A STUDY OF A 1961 WORK BY AHMED The two works presented, therefore, the portraits of a Berber woman and a Berber man using the same material, painted in different colours on the same white-grey background. Cut out in jute, the two head shapes were different, but complemented each other, comprising an image of the ethnic group of Berbers of both genders. Due to its oval shape, Self-Portrait with Tears approximated the form of DEFOSSILIZATION AND REFOSSILIZATION OBIEG De-and refossilization in their respective connotations as mapped out below capture with some precision what is happening to the planet in the early Anthropocene. Beyond the scope of the present paper, the terminological shift from territorialization to fossilization signals a sea change in the intellectual climate that comes with a whole series of new conceptual priorities and intuitions (Fig_×_
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22_/_08_—_29_/_09_/_2019wystawa
WIKTORIA WALENDZIK
_PLEASE SOMEBODY GAME END ME_ 05_/_07_—_31_/_10_/_2019projekt
OGRÓD MIEJSKI JAZDÓW _DBAJ O WODĘ I KĄP SIĘ Z PRZYJACIÓŁMI _ 01_/_06_—_20_/_10_/_2019wystawa
_DOTKNIJ SZTUKI_
12_/_04_—_22_/_09_/_2019wystawa
MARIA LOBODA
_SIEDZĄC TUTAJ ZNUDZONA JAK LAMPARCICA_ 15_/_03_—_22_/_09_/_2019wystawa
_BEZLUDZKA ZIEMIA_
W RAMACH PROJEKTU _PLASTYCZNOŚĆ PLANETY_ 15_/_03_—_22_/_09_/_2019wystawa
FORENSIC ARCHITECTURE _CENTRUM NATURY WSPÓŁCZESNEJ _W RAMACH PROJEKTU _PLASTYCZNOŚĆPLANETY_
KINO
MAGAZYN _THE RESIDENTS_01_/_07_/_2019
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__„__OBIEG__”__ NR 11__:__ _GOŚĆ_-__INNOŚĆ REDAKCJA__:__ AGNIESZKA SOSNOWSKA28_/_03_/_2019
cykl wystaw
_{_PROJECT ROOM_}_ 2019 WYSTAWY MŁODYCH POLSKICH ARTYSTÓW W_ U_–_JAZDOWSKIM__<_ _>_
DZIŚ, 15_/_08 _(_CZWARTEK_)_18:00
film
_Truposze nie umierają_ ___,_ reż_._ Jim Jarmusch_,_ USA_/_Szwecja 2019_,_ 104_'_20:00
film
_Pewnego razu_.__.__._ w Hollywood_ ___,_ reż_._ Quentin Tarantino_,_ USA_/_ Wielka Brytania 2019_,_ 160_'_projekt
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_SIEDZĄC TUTAJ ZNUDZONA JAK LAMPARCICA_ 15_/_03_—_22_/_09_/_2019wystawa
Forensic Architecture _CENTRUM NATURY WSPÓŁCZESNEJ _W RAMACH PROJEKTU _PLASTYCZNOŚĆPLANETY_
15_/_03_—_22_/_09_/_2019wystawa
_Bezludzka Ziemia_
W RAMACH PROJEKTU _PLASTYCZNOŚĆ PLANETY_ Za dużo_,_ by zmieścić w jednej instytucji LIESBETH BIK I JOS VAN DER POL TWORZĄCY KOLEKTYW BIK VAN DER POL ROZMAWIAJĄ Z AGNIESZKĄ SURAL O UŻYTECZNOŚCI, WYCZUCIU MIEJSCA I UZUPEŁNIANIU BRAKÓW. PODCZAS REZYDENCJI W WARSZAWIE PRACOWALI NAD WYSTAWĄ KOLEKCJI CENTRUM SZTUKI WSPÓŁCZESNEJ ZAMEK UJAZDOWSKIRezydencje
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__„__Obieg__”__ nr 11__:__ _Gość_-__Inność REDAKCJA__:__ AGNIESZKA SOSNOWSKAzapowiedź
Zbigniew Libera
_Art of Liberation_._ Studium prasoznawcze 1988_–_2018_ TOM 1_:_ 1988_–_1997Publikacje
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* środa_–_czwartek 10_:_00_–_18_:_00 * piątek 11_:_00_–_15_:_00 * W piątek 9_/_08 oraz w środę 14_/_08_/_2019 biblioteka będzienieczynna
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Księgarnia Art Bookstore Centrum Sztuki WspółczesnejZamek Ujazdowski
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wtorek 11_:_00_–_19_:_00*
środa 11_:_00_–_19_:_00*
czwartek 11_:_00_–_20_:_00*
piątek 11_:_00_–_20_:_00*
sobota 10_:_00_–_19_:_00*
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