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STAFF & BOARD
Nicholas Aloisio-Shearer is an artist and curator whose practice is concerned with the digital conditions of contemporary life. He has also been Co-Director of Queensland’s oldest ARI, Boxcopy. Nicholas graduated with Honours from a Bachelor of Design in Photography and Situated Media at UTS in 2014 and received a Masters of Fine Art (Research) at UNSW Art and Design in 2019. IMA WINTER GALA 2021 Gala and Benefit Auction. Save the date: Friday 18 June 2021, 6:30pm–late. We are thrilled to announce our premiere fundraising event—the IMA’s Gala and Benefit Auction—is back on for 2021. This year the Gala is held in honour of two seminal Australian artists— Jenny Watson and the late Laurie Nilsen. Jenny Watson is aleading
MONO 38 | INSTITUTE OF MODERN ART Note: this event has been updated due to changes in travel restrictions: Kusum Normoyle will replace Lisa Lerkenfeldt. If you have already purchased a ticket and would prefer a refund, please contact us via ima@ima.org.au.. Well, just like the rest of the world we took a little breatherbut MONO is back for 2021, ever hungry for new sonic curiosities and evolving sound worlds. KHADIM ALI | INSTITUTE OF MODERN ART In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community ofHazara
VERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works. LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of works ANNOUNCING A NEW $80,000 COMMISSIONING OPPORTUNITY Each year one visual artist or collective will be selected from a competitive application process to develop and present a major new commission with the partner organisation, with an overall budget of $80,000 (plus GST). Mid-career and established visual artists working in all media are eligible to apply. Applications for the 2021-22 grantare
SANCINTYA MOHINI SIMPSON Sancintya Mohini Simpson completed a Bachelor of Photography with Honours at Queensland College of Art, Griffith University (2014) and a Graduate Certificate in Writing, Editing and Publishing at The University of Queensland (2016).Her solo exhibitions include Remnants of my ancestors, Boxcopy, Hobiennale (upcoming), Natal’s Coolie Women, CARPARK, Milani Gallery (2019) GORDON HOOKEY, SUMMONING TIME: PAINTING & POLITIKILL Gordon Hookey’s cycle of monumental paintings MURRILAND! (2015–ongoing) re-envisions the history of his home state of Queensland, Australia, surveying pre-colonisation to the present day, unravelling received versions of history and confronting non-Indigenous narratives.This publication GORDON HOOKEY: Summoning Time, Painting & Politikill Transition in MURRILAND! INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.STAFF & BOARD
Nicholas Aloisio-Shearer is an artist and curator whose practice is concerned with the digital conditions of contemporary life. He has also been Co-Director of Queensland’s oldest ARI, Boxcopy. Nicholas graduated with Honours from a Bachelor of Design in Photography and Situated Media at UTS in 2014 and received a Masters of Fine Art (Research) at UNSW Art and Design in 2019. IMA WINTER GALA 2021 Gala and Benefit Auction. Save the date: Friday 18 June 2021, 6:30pm–late. We are thrilled to announce our premiere fundraising event—the IMA’s Gala and Benefit Auction—is back on for 2021. This year the Gala is held in honour of two seminal Australian artists— Jenny Watson and the late Laurie Nilsen. Jenny Watson is aleading
MONO 38 | INSTITUTE OF MODERN ART Note: this event has been updated due to changes in travel restrictions: Kusum Normoyle will replace Lisa Lerkenfeldt. If you have already purchased a ticket and would prefer a refund, please contact us via ima@ima.org.au.. Well, just like the rest of the world we took a little breatherbut MONO is back for 2021, ever hungry for new sonic curiosities and evolving sound worlds. KHADIM ALI | INSTITUTE OF MODERN ART In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community ofHazara
VERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works. LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of works ANNOUNCING A NEW $80,000 COMMISSIONING OPPORTUNITY Each year one visual artist or collective will be selected from a competitive application process to develop and present a major new commission with the partner organisation, with an overall budget of $80,000 (plus GST). Mid-career and established visual artists working in all media are eligible to apply. Applications for the 2021-22 grantare
SANCINTYA MOHINI SIMPSON Sancintya Mohini Simpson completed a Bachelor of Photography with Honours at Queensland College of Art, Griffith University (2014) and a Graduate Certificate in Writing, Editing and Publishing at The University of Queensland (2016).Her solo exhibitions include Remnants of my ancestors, Boxcopy, Hobiennale (upcoming), Natal’s Coolie Women, CARPARK, Milani Gallery (2019) GORDON HOOKEY, SUMMONING TIME: PAINTING & POLITIKILL Gordon Hookey’s cycle of monumental paintings MURRILAND! (2015–ongoing) re-envisions the history of his home state of Queensland, Australia, surveying pre-colonisation to the present day, unravelling received versions of history and confronting non-Indigenous narratives.This publication GORDON HOOKEY: Summoning Time, Painting & Politikill Transition in MURRILAND! PRODUCTS | INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years. ANNOUNCING A NEW $80,000 COMMISSIONING OPPORTUNITY Each year one visual artist or collective will be selected from a competitive application process to develop and present a major new commission with the partner organisation, with an overall budget of $80,000 (plus GST). Mid-career and established visual artists working in all media are eligible to apply. Applications for the 2021-22 grantare
LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of worksMICHAEL CANDY
Michael Candy‘s IMA Belltower façade projection FIELDS combines drone footage of local Brisbane antennas with live radio signal recordings taken in the same area, exploring the invisible realm of radio through video.. Most radio transmissions are digital, yet they can still be heard as stereo audio when scanning the airwaves. These sounds range from beeps and boops to harsh static chunksTO THE CURVE OF YOU
Working closely with collaborators from different disciplines and with the particularities of sites, Caitlin Franzmann creates participatory works which take shape around slow practices, conversation, critical listening, and collective forms of care. Co-commissioned with Tarrawarra Biennial, to the curve of you is a series of sonic and relational artworks focused on the movement andLAWRENCE ABU HAMDAN
The first solo exhibition in Australia by Beirut-based artist and ‘private ear’ Lawrence Abu Hamdan presents a new co-commission, Earwitness Theatre . Abu Hamdan’s practice examines the politics of listening through installations acutely attuned to sound. Presenting an expanded library of over 90 sourced and custom-designed objectsSEBASTIAN MOODY
Sebastian Moody is a conceptual artist whose characteristic text works speak to the general public as messages in communal transitionary spaces, such as vehicular underpasses and building walls. Memorable as mantras or philosophical propositions, they offer moments of pause and contemplation within busy urban environments. JENNA LEE | INSTITUTE OF MODERN ART Multidisciplinary artist, Jenna Lee ’s practice explores the act of identification and labelling, and the relationship between language and object. Lee is a mixed Larrakia, Wardaman, and Karajarri woman who is currently living and working between Brisbane and the United Kingdom. While in the UK she has been exploring museum and archival ANA PAULA ESTRADA: ‘I WAS THERE (VOL. I AND II Ana Paula Estrada is a Mexican–Australian artist based in Brisbane. In 2015, she was the recipient of the SLQ Siganto Foundation Artists’ Books Fellowship for her artist book ‘Memorandum’, which was awarded the AAANZ Best Artist Book Prize 2017, as well as a silver award with distinction by the Australian Professional Photography Awards and a commended prize by the Australian Photobook BRIGHT EYED LITTLE DORMITORY GIRLS vii Fig. 11 Fiona Foley, Land Deal, 1995 Fig. 12 Felix Gonzalez-Torres, Untitled, 1991 Fig. 13 Yhonnie Scarce, The Day We Went Away, 2004 Fig. 14 Julie Gough, Some Tasmanian Aboriginal children living with non-Aboriginal people before 1840, 2008 Fig. 15Felix
INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.STAFF & BOARD
Jahlia Aird is a woman of Aboriginal, South-Sea, and Scottish heritage, who values diversity and the impact in which culture has on art and society. Having spent much of her life within cultural institutions, she has a deep passion and respect for both art and fashion. Jahlia worked at Queensland Art Gallery and Gallery of Modern Art stores from 2014–2020, where she was able to learn about IMA WINTER GALA 2021 Gala and Benefit Auction. Save the date: Friday 18 June 2021, 6:30pm–late. We are thrilled to announce our premiere fundraising event—the IMA’s Gala and Benefit Auction—is back on for 2021. This year the Gala is held in honour of two seminal Australian artists— Jenny Watson and the late Laurie Nilsen. Jenny Watson is aleading
LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of works KHADIM ALI | INSTITUTE OF MODERN ART In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community ofHazara
VERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works.DANIEL MCKEWEN
After an open call for applications across Queensland, Daniel McKewen has been selected to exhibit as part of the IMA Belltower program. He will present a temporary public artwork, to be projected on the façade of the Judith Wright Centre of Contemporary Arts. Daniel McKewen’s practice investigates the intersections of contemporaryart
GORDON HOOKEY, SUMMONING TIME: PAINTING & POLITIKILL Gordon Hookey’s cycle of monumental paintings MURRILAND! (2015–ongoing) re-envisions the history of his home state of Queensland, Australia, surveying pre-colonisation to the present day, unravelling received versions of history and confronting non-Indigenous narratives.This publication GORDON HOOKEY: Summoning Time, Painting & Politikill Transition in MURRILAND!STUART RINGHOLT
09 August–20 September 201409 Aug–20 Sep 2014. The Institute of Modern Art presents Kraft, the first survey exhibition of Melbourne-based artist Stuart Ringholt. As part of his diverse practice, Ringholt leads audiences on naturist gallery tours, anger workshops, and participatory performances that invoke embarrassment,fear, laughter, and
RESPONSE AND RIPOSTE IN THE ART OF GORDON BENNETT AND Response and Riposte in the Art of Gordon Bennett and Peter Robinson Zara Stanhope Part I: How Do You Think It Feels? Common Ground? Since the late 1980s and early 1990s respectively, Gordon Bennett and Peter Robinson have been intent on exposing, INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.STAFF & BOARD
Jahlia Aird is a woman of Aboriginal, South-Sea, and Scottish heritage, who values diversity and the impact in which culture has on art and society. Having spent much of her life within cultural institutions, she has a deep passion and respect for both art and fashion. Jahlia worked at Queensland Art Gallery and Gallery of Modern Art stores from 2014–2020, where she was able to learn about IMA WINTER GALA 2021 Gala and Benefit Auction. Save the date: Friday 18 June 2021, 6:30pm–late. We are thrilled to announce our premiere fundraising event—the IMA’s Gala and Benefit Auction—is back on for 2021. This year the Gala is held in honour of two seminal Australian artists— Jenny Watson and the late Laurie Nilsen. Jenny Watson is aleading
LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of works KHADIM ALI | INSTITUTE OF MODERN ART In his largest Australian solo exhibition to date, Hazara artist Khadim Ali explores the normalisation of war and the experience of refugees through a series of poetic installations and textile works. Invisible Border comprises sound installation, miniature painting, and a monumental 9-metre-long tapestry, hand woven by a community ofHazara
VERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works.DANIEL MCKEWEN
After an open call for applications across Queensland, Daniel McKewen has been selected to exhibit as part of the IMA Belltower program. He will present a temporary public artwork, to be projected on the façade of the Judith Wright Centre of Contemporary Arts. Daniel McKewen’s practice investigates the intersections of contemporaryart
GORDON HOOKEY, SUMMONING TIME: PAINTING & POLITIKILL Gordon Hookey’s cycle of monumental paintings MURRILAND! (2015–ongoing) re-envisions the history of his home state of Queensland, Australia, surveying pre-colonisation to the present day, unravelling received versions of history and confronting non-Indigenous narratives.This publication GORDON HOOKEY: Summoning Time, Painting & Politikill Transition in MURRILAND!STUART RINGHOLT
09 August–20 September 201409 Aug–20 Sep 2014. The Institute of Modern Art presents Kraft, the first survey exhibition of Melbourne-based artist Stuart Ringholt. As part of his diverse practice, Ringholt leads audiences on naturist gallery tours, anger workshops, and participatory performances that invoke embarrassment,fear, laughter, and
RESPONSE AND RIPOSTE IN THE ART OF GORDON BENNETT AND Response and Riposte in the Art of Gordon Bennett and Peter Robinson Zara Stanhope Part I: How Do You Think It Feels? Common Ground? Since the late 1980s and early 1990s respectively, Gordon Bennett and Peter Robinson have been intent on exposing, PRODUCTS | INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years. THE CHURCHIE EMERGING ART PRIZE 2021 Thanks to generous supporters, ‘the churchie’ offers a prize pool of $25,000, with the overall winner receiving a non-acquisitive $15,000 cash prize donated by long-standing sponsor, BSPN Architecture. Entry is open to Australian visual artists working inany medium. The
ANNOUNCING A NEW $80,000 COMMISSIONING OPPORTUNITY Each year one visual artist or collective will be selected from a competitive application process to develop and present a major new commission with the partner organisation, with an overall budget of $80,000 (plus GST). Mid-career and established visual artists working in all media are eligible to apply. Applications for the 2021-22 grantare
MICHAEL CANDY
Michael Candy‘s IMA Belltower façade projection FIELDS combines drone footage of local Brisbane antennas with live radio signal recordings taken in the same area, exploring the invisible realm of radio through video.. Most radio transmissions are digital, yet they can still be heard as stereo audio when scanning the airwaves. These sounds range from beeps and boops to harsh static chunksDANIEL MCKEWEN
After an open call for applications across Queensland, Daniel McKewen has been selected to exhibit as part of the IMA Belltower program. He will present a temporary public artwork, to be projected on the façade of the Judith Wright Centre of Contemporary Arts. Daniel McKewen’s practice investigates the intersections of contemporaryart
JAMES ANGUS
James Angus’s works combine conceptual twists with consumate craft. He takes iconic and everyday forms—classic modernist buildings, an old racing car, a soccer ball, a rhino—and inverts, twists, recolours, divides, realigns, down-sizes, distorts and otherwise transforms them. A spruce scale-model of the Seagram Building lies onits back
DALE HARDING
After having exhibited extensively nationally and internationally, Current Iterations is Dale Harding ’s (Bidjara, Garingbal, and Ghungalu peoples) largest exhibition to date. This show brings together new and recent works focusing on objects dislocated by museum practices, as well as living culture activated in and outside theconfines of art.
SEBASTIAN MOODY
Sebastian Moody is a conceptual artist whose characteristic text works speak to the general public as messages in communal transitionary spaces, such as vehicular underpasses and building walls. Memorable as mantras or philosophical propositions, they offer moments of pause and contemplation within busy urban environments.STUART RINGHOLT
09 August–20 September 201409 Aug–20 Sep 2014. The Institute of Modern Art presents Kraft, the first survey exhibition of Melbourne-based artist Stuart Ringholt. As part of his diverse practice, Ringholt leads audiences on naturist gallery tours, anger workshops, and participatory performances that invoke embarrassment,fear, laughter, and
BRIGHT EYED LITTLE DORMITORY GIRLS vii Fig. 11 Fiona Foley, Land Deal, 1995 Fig. 12 Felix Gonzalez-Torres, Untitled, 1991 Fig. 13 Yhonnie Scarce, The Day We Went Away, 2004 Fig. 14 Julie Gough, Some Tasmanian Aboriginal children living with non-Aboriginal people before 1840, 2008 Fig. 15Felix
INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.STAFF & BOARD
Jahlia Aird is a woman of Aboriginal, South-Sea, and Scottish heritage, who values diversity and the impact in which culture has on art and society. Having spent much of her life within cultural institutions, she has a deep passion and respect for both art and fashion. Jahlia worked at Queensland Art Gallery and Gallery of Modern Art stores from 2014–2020, where she was able to learn about IMA WINTER GALA 2021 Ticket Types. Select a Collector Pass to celebrate our honourees and for best access to the Benefit Auction. Ticket gives access between 6.30pm and 10pm. Choose an Experience Pass to stay up late and dance the night away. Ticket includes access to the after party from 10pm. A discounted rate for 6 or more Experience Pass tickets will be appliedat checkout.
MONO 38 | INSTITUTE OF MODERN ART Note: this event has been updated due to changes in travel restrictions: Kusum Normoyle will replace Lisa Lerkenfeldt. If you have already purchased a ticket and would prefer a refund, please contact us via ima@ima.org.au.. Well, just like the rest of the world we took a little breatherbut MONO is back for 2021, ever hungry for new sonic curiosities and evolving sound worlds. LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of worksVERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works. KHADIM ALI | INSTITUTE OF MODERN ART Born 1978 Quetta, Pakistan, Khadim Ali currently lives and works in Sydney, Australia. After growing up in Pakistan as a refugee, Ali was trained in classical miniature painting at the National College of Arts in Lahore and in mural painting and calligraphy in Tehran.LAWRENCE ABU HAMDAN
The first solo exhibition in Australia by Beirut-based artist and ‘private ear’ Lawrence Abu Hamdan presents a new co-commission, Earwitness Theatre. Abu Hamdan’s practice examines the politics oflistening
SANCINTYA MOHINI SIMPSON Sancintya Mohini Simpson completed a Bachelor of Photography with Honours at Queensland College of Art, Griffith University (2014) and a Graduate Certificate in Writing, Editing and Publishing at The University of Queensland (2016).Her solo exhibitions include Remnants of my ancestors, Boxcopy, Hobiennale (upcoming), Natal’s Coolie Women, CARPARK, Milani Gallery (2019) RESPONSE AND RIPOSTE IN THE ART OF GORDON BENNETT AND Response and Riposte in the Art of Gordon Bennett and Peter Robinson Zara Stanhope Part I: How Do You Think It Feels? Common Ground? Since the late 1980s and early 1990s respectively, Gordon Bennett and Peter Robinson have been intent on exposing, INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.STAFF & BOARD
Jahlia Aird is a woman of Aboriginal, South-Sea, and Scottish heritage, who values diversity and the impact in which culture has on art and society. Having spent much of her life within cultural institutions, she has a deep passion and respect for both art and fashion. Jahlia worked at Queensland Art Gallery and Gallery of Modern Art stores from 2014–2020, where she was able to learn about IMA WINTER GALA 2021 Ticket Types. Select a Collector Pass to celebrate our honourees and for best access to the Benefit Auction. Ticket gives access between 6.30pm and 10pm. Choose an Experience Pass to stay up late and dance the night away. Ticket includes access to the after party from 10pm. A discounted rate for 6 or more Experience Pass tickets will be appliedat checkout.
MONO 38 | INSTITUTE OF MODERN ART Note: this event has been updated due to changes in travel restrictions: Kusum Normoyle will replace Lisa Lerkenfeldt. If you have already purchased a ticket and would prefer a refund, please contact us via ima@ima.org.au.. Well, just like the rest of the world we took a little breatherbut MONO is back for 2021, ever hungry for new sonic curiosities and evolving sound worlds. LONG WATER | INSTITUTE OF MODERN ART Susan Balbunga is an artist and cultural teacher at Milingimbi Art and Culture centre who works with fibre. Her work has been included in recent group exhibitions: Open Hands, Tarnanthi, Art Gallery of South Australia (2020) and Gapu ga rangithirri ga ngurruthirri (the water is coming up, the water is going away) at Woolloongabba Art Gallery (2017) and Yiribana Gallery (a selection of worksVERNON AH KEE
Vernon Ah Kee’s cantchant was first presented at the IMA, and then the work was included in Once Removed (2009), representing Australia at the 53rd Venice Biennale. Afterwards, IMA toured the cant chant exhibition across Australia.The installation involved large text works, surfboards printed with Yidinji shield designs and portraits of the artist’s family and three video works. KHADIM ALI | INSTITUTE OF MODERN ART Born 1978 Quetta, Pakistan, Khadim Ali currently lives and works in Sydney, Australia. After growing up in Pakistan as a refugee, Ali was trained in classical miniature painting at the National College of Arts in Lahore and in mural painting and calligraphy in Tehran.LAWRENCE ABU HAMDAN
The first solo exhibition in Australia by Beirut-based artist and ‘private ear’ Lawrence Abu Hamdan presents a new co-commission, Earwitness Theatre. Abu Hamdan’s practice examines the politics oflistening
SANCINTYA MOHINI SIMPSON Sancintya Mohini Simpson completed a Bachelor of Photography with Honours at Queensland College of Art, Griffith University (2014) and a Graduate Certificate in Writing, Editing and Publishing at The University of Queensland (2016).Her solo exhibitions include Remnants of my ancestors, Boxcopy, Hobiennale (upcoming), Natal’s Coolie Women, CARPARK, Milani Gallery (2019) RESPONSE AND RIPOSTE IN THE ART OF GORDON BENNETT AND Response and Riposte in the Art of Gordon Bennett and Peter Robinson Zara Stanhope Part I: How Do You Think It Feels? Common Ground? Since the late 1980s and early 1990s respectively, Gordon Bennett and Peter Robinson have been intent on exposing, IMA EVENTS | INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years. THE CHURCHIE EMERGING ART PRIZE 2021 ‘the churchie’ is one of Australia’s leading prizes for emerging artists. Presented at the IMA since 2019, the finalists’ exhibition provides a survey of the compelling and PRODUCTS | INSTITUTE OF MODERN ART The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years. ANNOUNCING A NEW $80,000 COMMISSIONING OPPORTUNITY The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Australia Council for the Arts, and the Visual Arts and Craft Strategy, an initiative of the Australian Federal, State, and Territory Governments.LAWRENCE ABU HAMDAN
The first solo exhibition in Australia by Beirut-based artist and ‘private ear’ Lawrence Abu Hamdan presents a new co-commission, Earwitness Theatre. Abu Hamdan’s practice examines the politics oflistening
JAMES ANGUS
James Angus’s works combine conceptual twists with consumate craft. He takes iconic and everyday forms—classic modernist buildings, an old racing car, a soccer ball, a rhino—and inverts, twists, recolours, divides, realigns, down-sizes, distorts and otherwisetransforms them.
TO THE CURVE OF YOU
Working closely with collaborators from different disciplines and with the particularities of sites, Caitlin Franzmann creates participatory works which take shape around slow practices, conversation, critical listening, and collective forms of care. Co-commissioned with Tarrawarra Biennial, to the curve of you is a series of sonic and relational artworks focused on the movement andMADONNA STAUNTON
The Institute of Modern Art has been the leading independent forum in Brisbane, Australia, for the production, presentation, and circulation of contemporary art and discourse for over 40 years.REUBEN PATERSON
In his show He Aha Te Mea Nui/What Is The Greatest Thing? Maori artist Reuben Peterson rewrites Maoritanga through bling. He uses shimmer disks to picture a postcard beach scene, animating it with an artificial zephyr provided by an electric fan; and creates an ‘island’ of accumulated glitter-encrusted shoes.ANGELICA MESITI
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Talk Date: 27 February 2020 Recording of Marianna Simnett's performance Birds scream at the topof...
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INSTITUTE OF MODERN ART Free Public Art GalleryTue–Sat
11am–6pm
First Thursday of Every Month11am–9pm
Ground Floor, Judith Wright Centre 420 Brunswick StreetFortitude Valley
Brisbane QLD 4006,
Australia
TEL
+61-7-3252-5750
FAX
+61-7-3252-5072
ima(at)ima.org.au
PRINCIPAL FUNDERS
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The IMA is supported by the Queensland Government through Arts Queensland, the Australian Government through Australia Council for the Arts, and the Visual Arts and Craft Strategy, an initiative of the Australian Federal, State, and Territory Governments. The IMA is a member of Contemporary Art Organisations Australia. PARTNERS AND SUPPORTERS*
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OUR ARCHIVES 00–18 AGATHA GOTHE-SNAPE AND WRONG SOLOCERTAIN SITUATIONS
29 Jun–31 Aug 2019 We acknowledge the Traditional Custodians of the lands where the IMA now stands. We pay our respect to Elders past, present, and emerging.Shopping Cart
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