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television, as it
TOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound."DAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the OutlandersCARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with special THE ROLE OF TECHNOLOGY IN THE ART OF NAM JUNE PAIK: PAIK'S Paik is the preeminent pioneer in the field of video art, both because he was one of the earliest artists to work with the medium, (and as such has probably worked with it the longest), and because he has, since the very beginning of his video career, forseen the ramifications of his medium and conveyed these ideas to both his fellow artists and public alike.GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and Director SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades BILL VIOLA: INSTALLATIONS AND VIDEOTAPES THE POETICS OF For more than sixteen years Bill Viola has consistently used the most contemporary electronic technologies to create deceptively spare, provocative videotapes and video-and-sound installations that pursue an ancient theme: the revelation of the layers of human consciousness, Although based on realistic images, his projects go beyond representation to challenge the viewer's THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
TOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound."DAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the OutlandersCARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with special THE ROLE OF TECHNOLOGY IN THE ART OF NAM JUNE PAIK: PAIK'S Paik is the preeminent pioneer in the field of video art, both because he was one of the earliest artists to work with the medium, (and as such has probably worked with it the longest), and because he has, since the very beginning of his video career, forseen the ramifications of his medium and conveyed these ideas to both his fellow artists and public alike.GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and Director SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades BILL VIOLA: INSTALLATIONS AND VIDEOTAPES THE POETICS OF For more than sixteen years Bill Viola has consistently used the most contemporary electronic technologies to create deceptively spare, provocative videotapes and video-and-sound installations that pursue an ancient theme: the revelation of the layers of human consciousness, Although based on realistic images, his projects go beyond representation to challenge the viewer's THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
ABOUT | THE EXPERIMENTAL TELEVISION CENTER The Center was founded in 1971, an outgrowth of a media access program established by Ralph Hocking at Binghamton University in 1969; today, the Center continues to provide support and services to the media arts community.Missionto encourage the creation of work using new electronic media technologiesto encourage an informed appreciation of media art to help honor our ARTISTS | THE EXPERIMENTAL TELEVISION CENTER Artists. These are some of the many artists who have participated in the Residency Program, worked on a Sponsored Artist Project or received an award through the Center since we began the program in 1971. Mara Alper. Amoeba Tech. Anney Bonney. Benton-C Bainbridge. Irit Batsry. Zoe Beloff. Alan Berliner. VIDEO HISTORY PROJECT Welcome to the Video History Project website. Please feel free to browse the site for articles and information pertaining to the history of video art. The pages on the Video History Project menu provide links to views of citations of writings on various topics. The bibliography includes all of the texts on the site (other than eventsand bios).
THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force. GRANTS | THE EXPERIMENTAL TELEVISION CENTER ETC closed all of its Grants Programs in the Summer 2011. The information below pertains to past programs.Since 1989 over one million dollars has been awarded to organizations and artists in New York State.Presentation Funds provides support to NYS organizations for in-person appearances by film and media artists. The program brings innovative cinema programming, includingLANESVILLE TV
On March t9, 1972, Channel 3, Lanesville TV, began broadcasting. After the initial tests, we drove along the highway and recorded reactions of some Lanesvillians to the prospect of having their own TV station. Jerry Doyle, owner of one of the two bars in town, had the test pattern on over the bar. THE ROLE OF TECHNOLOGY IN THE ART OF NAM JUNE PAIK: PAIK'S Paik is the preeminent pioneer in the field of video art, both because he was one of the earliest artists to work with the medium, (and as such has probably worked with it the longest), and because he has, since the very beginning of his video career, forseen the ramifications of his medium and conveyed these ideas to both his fellow artists and public alike.CARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with specialTALI HINKIS
Tali Hinkis graduated in 2001 from Ecole des Beaux-Arts in Paris. When she arrived in New York, Hinkis became interested in live video and collaborations with musicians and other visual artists. These collaborations were performed and exhibited at the Knitting Factory, Tonic, Exit Art, and Art in General. Hinkis' single channel videoshave been
THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with goodTOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera.DAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the OutlandersTALI HINKIS
Tali Hinkis graduated in 2001 from Ecole des Beaux-Arts in Paris. When she arrived in New York, Hinkis became interested in live video and collaborations with musicians and other visual artists. These collaborations were performed and exhibited at the Knitting Factory, Tonic, Exit Art, and Art in General. Hinkis' single channel videoshave been
TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound."GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and Director PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades BILL VIOLA: INSTALLATIONS AND VIDEOTAPES THE POETICS OF For more than sixteen years Bill Viola has consistently used the most contemporary electronic technologies to create deceptively spare, provocative videotapes and video-and-sound installations that pursue an ancient theme: the revelation of the layers of human consciousness, Although based on realistic images, his projects go beyond representation to challenge the viewer's THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with goodTOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera.DAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the OutlandersTALI HINKIS
Tali Hinkis graduated in 2001 from Ecole des Beaux-Arts in Paris. When she arrived in New York, Hinkis became interested in live video and collaborations with musicians and other visual artists. These collaborations were performed and exhibited at the Knitting Factory, Tonic, Exit Art, and Art in General. Hinkis' single channel videoshave been
TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound."GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and Director PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades BILL VIOLA: INSTALLATIONS AND VIDEOTAPES THE POETICS OF For more than sixteen years Bill Viola has consistently used the most contemporary electronic technologies to create deceptively spare, provocative videotapes and video-and-sound installations that pursue an ancient theme: the revelation of the layers of human consciousness, Although based on realistic images, his projects go beyond representation to challenge the viewer's ABOUT | THE EXPERIMENTAL TELEVISION CENTER The Center was founded in 1971, an outgrowth of a media access program established by Ralph Hocking at Binghamton University in 1969; today, the Center continues to provide support and services to the media arts community.Missionto encourage the creation of work using new electronic media technologiesto encourage an informed appreciation of media art to help honor our HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with good ARTISTS | THE EXPERIMENTAL TELEVISION CENTER These are some of the many artists who have participated in the Residency Program, worked on a Sponsored Artist Project or received an award through the Center since we began the program in 1971.Mara AlperAmoeba TechAnney BonneyBenton-C BainbridgeIrit BatsryZoe BeloffAlan BerlinerMichael BetancourtKjell BjorgeengenDavid BlairBless Bless ProductionsPeer BodeBarbara EXPERIMENTAL TELEVISION CENTER: A BRIEF HISTORY The Experimental Television Center was founded in 1971, an outgrowth of a media access program established by Ralph Hocking at Binghamton University in 1969. Today the Center continues to provide support and services to the media arts community. Visit the timeline below for a chronological view of the Center’s activities over nearly fourdecades.
RESIDENCY PROGRAM
The Center ended the Residency Program in the Summer 2011 after 40 years. The Center offers creative residencies to about 40 media artists annually from around the world. Since its beginning in 1972 the Residency Program has offered residencies to over 1600 artists. The Residency Program supports projects which approach media as a contemporary electronic and cinematic art COLLECTIONS AND DISTRIBUTION Thousands of original videotapes created by pioneering individuals and organizations are held by organizations throughout the US. The works offer many possibilities for research, scholarship, education and public programming in the arts, social sciences and humanities. This historical and cultural legacy remains largely unknown outside themedia field.
GRANTS | THE EXPERIMENTAL TELEVISION CENTER ETC closed all of its Grants Programs in the Summer 2011. The information below pertains to past programs.Since 1989 over one million dollars has been awarded to organizations and artists in New York State.Presentation Funds provides support to NYS organizations for in-person appearances by film and media artists. The program brings innovative cinema programming, including THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force. HOW A MONITOR AND CAMERA WORK: THE SCANNING PROCESS RASTER Raster refers to the scanned cathode ray tube (CRT); it appears as a rectangular block of light. The picture tube of a television receiver or monitor is a CRT and the display of an oscilloscope is also a CRT. The raster is produced by the electron beam inside the tube moving horizontally and slightly downward to create 525 blank lines when there is no video input. LECTROTECH INSTRUCTION MANUAL FOR MODEL V-7 COLOR Keywords: bibliographic Abstract: Lectrotech Instruction Manual for Model V-7 Color Generator and Vectorscope. Illustrated with descriptions and screen shots. THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with goodTOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
DAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the Outlanders SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound." PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decadesGERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and Director BILL VIOLA: INSTALLATIONS AND VIDEOTAPES THE POETICS OF For more than sixteen years Bill Viola has consistently used the most contemporary electronic technologies to create deceptively spare, provocative videotapes and video-and-sound installations that pursue an ancient theme: the revelation of the layers of human consciousness, Although based on realistic images, his projects go beyond representation to challenge the viewer's SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with goodTOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
DAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the Outlanders SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound." PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decadesGERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and Director BILL VIOLA: INSTALLATIONS AND VIDEOTAPES THE POETICS OF For more than sixteen years Bill Viola has consistently used the most contemporary electronic technologies to create deceptively spare, provocative videotapes and video-and-sound installations that pursue an ancient theme: the revelation of the layers of human consciousness, Although based on realistic images, his projects go beyond representation to challenge the viewer's SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service ABOUT | THE EXPERIMENTAL TELEVISION CENTER The Center was founded in 1971, an outgrowth of a media access program established by Ralph Hocking at Binghamton University in 1969; today, the Center continues to provide support and services to the media arts community.Missionto encourage the creation of work using new electronic media technologiesto encourage an informed appreciation of media art to help honor our HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with good ARTISTS | THE EXPERIMENTAL TELEVISION CENTER These are some of the many artists who have participated in the Residency Program, worked on a Sponsored Artist Project or received an award through the Center since we began the program in 1971.Mara AlperAmoeba TechAnney BonneyBenton-C BainbridgeIrit BatsryZoe BeloffAlan BerlinerMichael BetancourtKjell BjorgeengenDavid BlairBless Bless ProductionsPeer BodeBarbaraRESIDENCY PROGRAM
The Center ended the Residency Program in the Summer 2011 after 40 years. The Center offers creative residencies to about 40 media artists annually from around the world. Since its beginning in 1972 the Residency Program has offered residencies to over 1600 artists. The Residency Program supports projects which approach media as a contemporary electronic and cinematic art COLLECTIONS AND DISTRIBUTION Thousands of original videotapes created by pioneering individuals and organizations are held by organizations throughout the US. The works offer many possibilities for research, scholarship, education and public programming in the arts, social sciences and humanities. This historical and cultural legacy remains largely unknown outside themedia field.
GRANTS | THE EXPERIMENTAL TELEVISION CENTER ETC closed all of its Grants Programs in the Summer 2011. The information below pertains to past programs.Since 1989 over one million dollars has been awarded to organizations and artists in New York State.Presentation Funds provides support to NYS organizations for in-person appearances by film and media artists. The program brings innovative cinema programming, includingTHE GATE THEATER
The Gate Theater My first theatrical experience took place when I danced inside a five-foot papier mache screw Topped with a U.S. flag at the entrance of the Museum of Modern Art in New York City on 12 July, 1962. While I danced, accompanied by three teen-age Puerto Rican rock-and-roll singers, Aldo Tamellini presented the museum with the Award of the Golden Screw. THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force. SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service LECTROTECH INSTRUCTION MANUAL FOR MODEL V-7 COLOR Keywords: bibliographic Abstract: Lectrotech Instruction Manual for Model V-7 Color Generator and Vectorscope. Illustrated with descriptions and screen shots. THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with goodTOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
DAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the Outlanders SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound." PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decadesGERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and Director BILL VIOLA: INSTALLATIONS AND VIDEOTAPES THE POETICS OF For more than sixteen years Bill Viola has consistently used the most contemporary electronic technologies to create deceptively spare, provocative videotapes and video-and-sound installations that pursue an ancient theme: the revelation of the layers of human consciousness, Although based on realistic images, his projects go beyond representation to challenge the viewer's SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with goodTOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
DAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the Outlanders SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound." PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decadesGERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and Director BILL VIOLA: INSTALLATIONS AND VIDEOTAPES THE POETICS OF For more than sixteen years Bill Viola has consistently used the most contemporary electronic technologies to create deceptively spare, provocative videotapes and video-and-sound installations that pursue an ancient theme: the revelation of the layers of human consciousness, Although based on realistic images, his projects go beyond representation to challenge the viewer's SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service ABOUT | THE EXPERIMENTAL TELEVISION CENTER The Center was founded in 1971, an outgrowth of a media access program established by Ralph Hocking at Binghamton University in 1969; today, the Center continues to provide support and services to the media arts community.Missionto encourage the creation of work using new electronic media technologiesto encourage an informed appreciation of media art to help honor our HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with good ARTISTS | THE EXPERIMENTAL TELEVISION CENTER These are some of the many artists who have participated in the Residency Program, worked on a Sponsored Artist Project or received an award through the Center since we began the program in 1971.Mara AlperAmoeba TechAnney BonneyBenton-C BainbridgeIrit BatsryZoe BeloffAlan BerlinerMichael BetancourtKjell BjorgeengenDavid BlairBless Bless ProductionsPeer BodeBarbaraRESIDENCY PROGRAM
The Center ended the Residency Program in the Summer 2011 after 40 years. The Center offers creative residencies to about 40 media artists annually from around the world. Since its beginning in 1972 the Residency Program has offered residencies to over 1600 artists. The Residency Program supports projects which approach media as a contemporary electronic and cinematic art COLLECTIONS AND DISTRIBUTION Thousands of original videotapes created by pioneering individuals and organizations are held by organizations throughout the US. The works offer many possibilities for research, scholarship, education and public programming in the arts, social sciences and humanities. This historical and cultural legacy remains largely unknown outside themedia field.
GRANTS | THE EXPERIMENTAL TELEVISION CENTER ETC closed all of its Grants Programs in the Summer 2011. The information below pertains to past programs.Since 1989 over one million dollars has been awarded to organizations and artists in New York State.Presentation Funds provides support to NYS organizations for in-person appearances by film and media artists. The program brings innovative cinema programming, includingTHE GATE THEATER
The Gate Theater My first theatrical experience took place when I danced inside a five-foot papier mache screw Topped with a U.S. flag at the entrance of the Museum of Modern Art in New York City on 12 July, 1962. While I danced, accompanied by three teen-age Puerto Rican rock-and-roll singers, Aldo Tamellini presented the museum with the Award of the Golden Screw. THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force. SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service LECTROTECH INSTRUCTION MANUAL FOR MODEL V-7 COLOR Keywords: bibliographic Abstract: Lectrotech Instruction Manual for Model V-7 Color Generator and Vectorscope. Illustrated with descriptions and screen shots. THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
TOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force.GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and DirectorDAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the Outlanders TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound."TALI HINKIS
Tali Hinkis graduated in 2001 from Ecole des Beaux-Arts in Paris. When she arrived in New York, Hinkis became interested in live video and collaborations with musicians and other visual artists. These collaborations were performed and exhibited at the Knitting Factory, Tonic, Exit Art, and Art in General. Hinkis' single channel videoshave been
CARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with special PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
TOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force.GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and DirectorDAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the Outlanders TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound."TALI HINKIS
Tali Hinkis graduated in 2001 from Ecole des Beaux-Arts in Paris. When she arrived in New York, Hinkis became interested in live video and collaborations with musicians and other visual artists. These collaborations were performed and exhibited at the Knitting Factory, Tonic, Exit Art, and Art in General. Hinkis' single channel videoshave been
CARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with special PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with good ARTISTS | THE EXPERIMENTAL TELEVISION CENTER These are some of the many artists who have participated in the Residency Program, worked on a Sponsored Artist Project or received an award through the Center since we began the program in 1971.Mara AlperAmoeba TechAnney BonneyBenton-C BainbridgeIrit BatsryZoe BeloffAlan BerlinerMichael BetancourtKjell BjorgeengenDavid BlairBless Bless ProductionsPeer BodeBarbara THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force.THE GATE THEATER
The Gate Theater My first theatrical experience took place when I danced inside a five-foot papier mache screw Topped with a U.S. flag at the entrance of the Museum of Modern Art in New York City on 12 July, 1962. While I danced, accompanied by three teen-age Puerto Rican rock-and-roll singers, Aldo Tamellini presented the museum with the Award of the Golden Screw.LANESVILLE TV
On March t9, 1972, Channel 3, Lanesville TV, began broadcasting. After the initial tests, we drove along the highway and recorded reactions of some Lanesvillians to the prospect of having their own TV station. Jerry Doyle, owner of one of the two bars in town, had the test pattern on over the bar.SCOTT MACDONALD
B.A., De Pauw University; M.A., Ph.D., University of Florida. Recipient: Clark Award for Outstanding Scholarship, NEH Fellowship. Anthology Film Archives Film Preservation honoree. Programmed events and film series at Anthology Film Archives, Pacific Film Archive, Robert Flaherty Seminar, Centre Georges Pompidou, NEH summer institutes. Books include A Critical Cinema; TheTHE BUCHLA BOX
Keywords: bibliographic Abstract: The Buchla Box. In File Folder Format, illustrated with photographs, one featuring Buchla near the instrument, patch chart, Buchla Electronic Music System No. 1 and No. 2 Modules List, Prices, Some History, Description of Modules, approx. 30 page illustrated User's Manual written by Dr. Hubert Howe of QueensCollege, NYC.
SHARAN SKLAR
Sharan Sklar founded Sklar Media in 2000 to provide business strategy, marketing and organizational management services to media related businesses and nonprofit organizations. Sharan works with leaders to identify, organize and prioritize goals and to develop the strategies to realize them. Prior to forming Sklar Media, Sharan launched and headed Blow Up Pictures, a leading BILL VIOLA: INSTALLATIONS AND VIDEOTAPES THE POETICS OF For more than sixteen years Bill Viola has consistently used the most contemporary electronic technologies to create deceptively spare, provocative videotapes and video-and-sound installations that pursue an ancient theme: the revelation of the layers of human consciousness, Although based on realistic images, his projects go beyond representation to challenge the viewer's SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
TOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force.GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and DirectorDAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the Outlanders TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound."TALI HINKIS
Tali Hinkis graduated in 2001 from Ecole des Beaux-Arts in Paris. When she arrived in New York, Hinkis became interested in live video and collaborations with musicians and other visual artists. These collaborations were performed and exhibited at the Knitting Factory, Tonic, Exit Art, and Art in General. Hinkis' single channel videoshave been
CARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with special PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
TOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force.GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and DirectorDAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the Outlanders TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound."TALI HINKIS
Tali Hinkis graduated in 2001 from Ecole des Beaux-Arts in Paris. When she arrived in New York, Hinkis became interested in live video and collaborations with musicians and other visual artists. These collaborations were performed and exhibited at the Knitting Factory, Tonic, Exit Art, and Art in General. Hinkis' single channel videoshave been
CARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with special PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with good ARTISTS | THE EXPERIMENTAL TELEVISION CENTER Artists. These are some of the many artists who have participated in the Residency Program, worked on a Sponsored Artist Project or received an award through the Center since we began the program in 1971. Mara Alper. Amoeba Tech. Anney Bonney. Benton-C Bainbridge. Irit Batsry. Zoe Beloff. Alan Berliner. THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force.THE GATE THEATER
The Gate Theater My first theatrical experience took place when I danced inside a five-foot papier mache screw Topped with a U.S. flag at the entrance of the Museum of Modern Art in New York City on 12 July, 1962. While I danced, accompanied by three teen-age Puerto Rican rock-and-roll singers, Aldo Tamellini presented the museum with the Award of the Golden Screw.LANESVILLE TV
On March t9, 1972, Channel 3, Lanesville TV, began broadcasting. After the initial tests, we drove along the highway and recorded reactions of some Lanesvillians to the prospect of having their own TV station. Jerry Doyle, owner of one of the two bars in town, had the test pattern on over the bar.SCOTT MACDONALD
B.A., De Pauw University; M.A., Ph.D., University of Florida. Recipient: Clark Award for Outstanding Scholarship, NEH Fellowship. Anthology Film Archives Film Preservation honoree. Programmed events and film series at Anthology Film Archives, Pacific Film Archive, Robert Flaherty Seminar, Centre Georges Pompidou, NEH summer institutes. Books include A Critical Cinema; TheTHE BUCHLA BOX
Keywords: bibliographic Abstract: The Buchla Box. In File Folder Format, illustrated with photographs, one featuring Buchla near the instrument, patch chart, Buchla Electronic Music System No. 1 and No. 2 Modules List, Prices, Some History, Description of Modules, approx. 30 page illustrated User's Manual written by Dr. Hubert Howe of QueensCollege, NYC.
SHARAN SKLAR
Sharan Sklar founded Sklar Media in 2000 to provide business strategy, marketing and organizational management services to media related businesses and nonprofit organizations. Sharan works with leaders to identify, organize and prioritize goals and to develop the strategies to realize them. Prior to forming Sklar Media, Sharan launched and headed Blow Up Pictures, a leading BILL VIOLA: INSTALLATIONS AND VIDEOTAPES THE POETICS OF For more than sixteen years Bill Viola has consistently used the most contemporary electronic technologies to create deceptively spare, provocative videotapes and video-and-sound installations that pursue an ancient theme: the revelation of the layers of human consciousness, Although based on realistic images, his projects go beyond representation to challenge the viewer's SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
TOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force.GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and Director TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound."DAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the OutlandersTALI HINKIS
Tali Hinkis graduated in 2001 from Ecole des Beaux-Arts in Paris. When she arrived in New York, Hinkis became interested in live video and collaborations with musicians and other visual artists. These collaborations were performed and exhibited at the Knitting Factory, Tonic, Exit Art, and Art in General. Hinkis' single channel videoshave been
CARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with special PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
TOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
THE INTERNET ACTIVITIES BOARD The Internet Activities Board (IAB) was created in 1983 to guide the evolution of the TCP/IP Protocol Suite and to provide research advice to the Internet community. During the course of its existence, the IAB has reorganized several times. It now has two primary components: the Internet Engineering Task Force and the Internet Research Task Force.GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and Director TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Electronic image processing uses as art-making material those properties inherent in the medium of video. Artists work at a fundamental level with various parameters of the electronic signal, for example, frequency, amplitude, or phase, which actually define the resulting image and sound."DAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the OutlandersTALI HINKIS
Tali Hinkis graduated in 2001 from Ecole des Beaux-Arts in Paris. When she arrived in New York, Hinkis became interested in live video and collaborations with musicians and other visual artists. These collaborations were performed and exhibited at the Knitting Factory, Tonic, Exit Art, and Art in General. Hinkis' single channel videoshave been
CARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with special PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. ABOUT | THE EXPERIMENTAL TELEVISION CENTER The Center was founded in 1971, an outgrowth of a media access program established by Ralph Hocking at Binghamton University in 1969; today, the Center continues to provide support and services to the media arts community.Missionto encourage the creation of work using new electronic media technologiesto encourage an informed appreciation of media art to help honor our HISTORIES | THE EXPERIMENTAL TELEVISION CENTER The mission of E.A.T., founded in 1966 by engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman, was to act as an intermediary and to promote interaction between the arts and technology. Independent film site with good ARTISTS | THE EXPERIMENTAL TELEVISION CENTER Artists. These are some of the many artists who have participated in the Residency Program, worked on a Sponsored Artist Project or received an award through the Center since we began the program in 1971. Mara Alper. Amoeba Tech. Anney Bonney. Benton-C Bainbridge. Irit Batsry. Zoe Beloff. Alan Berliner. VIDEO HISTORY PROJECT Welcome to the Video History Project website. Please feel free to browse the site for articles and information pertaining to the history of video art. The pages on the Video History Project menu provide links to views of citations of writings on various topics. The bibliography includes all of the texts on the site (other than eventsand bios).
RESIDENCY PROGRAM
The Center ended the Residency Program in the Summer 2011 after 40 years. The Center offers creative residencies to about 40 media artists annually from around the world. Since its beginning in 1972 the Residency Program has offered residencies to over 1600 artists. The Residency Program supports projects which approach media as a contemporary electronic and cinematic art GRANTS | THE EXPERIMENTAL TELEVISION CENTER ETC closed all of its Grants Programs in the Summer 2011. The information below pertains to past programs.Since 1989 over one million dollars has been awarded to organizations and artists in New York State.Presentation Funds provides support to NYS organizations for in-person appearances by film and media artists. The program brings innovative cinema programming, includingTHE GATE THEATER
The Gate Theater My first theatrical experience took place when I danced inside a five-foot papier mache screw Topped with a U.S. flag at the entrance of the Museum of Modern Art in New York City on 12 July, 1962. While I danced, accompanied by three teen-age Puerto Rican rock-and-roll singers, Aldo Tamellini presented the museum with the Award of the Golden Screw.THE BUCHLA BOX
Keywords: bibliographic Abstract: The Buchla Box. In File Folder Format, illustrated with photographs, one featuring Buchla near the instrument, patch chart, Buchla Electronic Music System No. 1 and No. 2 Modules List, Prices, Some History, Description of Modules, approx. 30 page illustrated User's Manual written by Dr. Hubert Howe of QueensCollege, NYC.
SHARAN SKLAR
Sharan Sklar founded Sklar Media in 2000 to provide business strategy, marketing and organizational management services to media related businesses and nonprofit organizations. Sharan works with leaders to identify, organize and prioritize goals and to develop the strategies to realize them. Prior to forming Sklar Media, Sharan launched and headed Blow Up Pictures, a leading SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
TOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Video wallpaper special effects computer art high-tech video image synthesis image manipulation image processing these are some of the terms that have been used to describe a type of video produced by artists who have been experimenting since the late 1960s with electronic imaging tools. None of these terms are particularly useful: they are too generalTALI HINKIS
LoVid is Tali Hinkis and Kyle Lapidus. Using homemade electronic devices and DIY sculptural instruments, LoVid overwhelms the senseswith new media
GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and DirectorDAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the OutlandersCARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with special PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service THE EXPERIMENTAL TELEVISION CENTER The Experimental Television Center’s Video History Project is an on-going research initiative which documents video art and communitytelevision, as it
TOOLS BY BILL HEARN
Hearn Vidium Hearn Colorizer Hearn Videolab Vidium The Vidium was designed by Bill Hearn, and depended on a color modulation system patented in his name. Hearn described the Vidium as a "large console that made complex lissajous patterns. It is an X-Y lissojous display with color modulation designed to follow the contours of the pseudo 3Dimage.
TRACKING VIDEO ART: IMAGE PROCESSING AS A GENRE Video wallpaper special effects computer art high-tech video image synthesis image manipulation image processing these are some of the terms that have been used to describe a type of video produced by artists who have been experimenting since the late 1960s with electronic imaging tools. None of these terms are particularly useful: they are too generalTALI HINKIS
LoVid is Tali Hinkis and Kyle Lapidus. Using homemade electronic devices and DIY sculptural instruments, LoVid overwhelms the senseswith new media
GERALD O'GRADY
Founder/Director of Media Study (Buffalo) and Initiator/Director of Center for Media Study (S.U.N.Y. Buffalo, Buffalo, NY) Dr. O'Grady came to the University at Buffalo in 1967 as a medieval specialist in the Department of English. He had become interested while at Rice University in Texas with the new media as a code of communication; at UB he was the initiator and DirectorDAVID ROSENBLOOM
Avant-garde guitarist and composer David Rosenbloom has been active in New York since the No Wave period in the late seventies; prior, he performed and wrote for experimental theatre and solo performance in Cambridge and Berkeley. His groups have included Chinese Puzzle (electric instrumental trio), the Electric Orchestra (mixed acoustic/electric ensemble), and the OutlandersCARL GEIGER
Carl Geiger is an artist, technologist and teacher with many years of experience in video, photography and computers. He is a co-founder of the Synapse Video Center at Syracuse University and Innervisions Media Systems, both non-profit organizations working with video as art. Presently he works for Enable, where he adapts computers and other technology for people with special PROCESSING TRAUMA: THE MEDIA ART OF DANIEL REEVES Obsessive Becoming by Daniel Reeves Distributed by Video Data Bank The Hand That Holds Up All This Falling: The Works of Daniel Reeves October 7- December 14, 1998 Handwerker Gallery Ithaca College Ithaca, New York Daniel Reeves, an expatriate American currently residing in Scotland and France, is best-known in the United States for his contributions over the last two decades SONY AV-3400 PORTA PAK From AV 3400 Owner's Manual, 1969 Sony EIAJ 1, ᄑ" open reel portable recording and playback system. Sony Price List 3/1//70 $1495 Sony Price List 1972 $1650 AV 3400 was listed in SONY product literature in 1977 from the Owner's Manual from Product Literature The SONY AV-3400 is a portable record/playback Videocorder designed to operate with the SONY AVC-3400 Video Camera. SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides service ABOUT | THE EXPERIMENTAL TELEVISION CENTER The Center was founded in 1971, an outgrowth of a media access program established by Ralph Hocking at Binghamton University in 1969; today, the Center continues to provide support and services to the media arts community.Missionto encourage the creation of work using new electronic media technologiesto encourage an informed appreciation of media art to help honor our ARTISTS | THE EXPERIMENTAL TELEVISION CENTER These are some of the many artists who have participated in the Residency Program, worked on a Sponsored Artist Project or received an award through the Center since we began the program in 1971.Mara AlperAmoeba TechAnney BonneyBenton-C BainbridgeIrit BatsryZoe BeloffAlan BerlinerMichael BetancourtKjell BjorgeengenDavid BlairBless Bless ProductionsPeer BodeBarbara HISTORIES | THE EXPERIMENTAL TELEVISION CENTER This is a linked list to sites which offer histories and chronologies devoted to media culture, systems and tools. VIDEO HISTORY PROJECT Welcome to the Video History Project website. Please feel free to browse the site for articles and information pertaining to the history of video art. The pages on the Video History Project menu provide links to views of citations of writings on various topics. The bibliography includes all of the texts on the site (other than eventsand bios).
RESIDENCY PROGRAM
The Center ended the Residency Program in the Summer 2011 after 40 years. The Center offers creative residencies to about 40 media artists annually from around the world. Since its beginning in 1972 the Residency Program has offered residencies to over 1600 artists. The Residency Program supports projects which approach media as a contemporary electronic and cinematic artTHE GATE THEATER
The Gate Theater My first theatrical experience took place when I danced inside a five-foot papier mache screw Topped with a U.S. flag at the entrance of the Museum of Modern Art in New York City on 12 July, 1962. While I danced, accompanied by three teen-age Puerto Rican rock-and-roll singers, Aldo Tamellini presented the museum with the Award of the Golden Screw. GRANTS | THE EXPERIMENTAL TELEVISION CENTER ETC closed all of its Grants Programs in the Summer 2011. The information below pertains to past programs.Since 1989 over one million dollars has been awarded to organizations and artists in New York State.Presentation Funds provides support to NYS organizations for in-person appearances by film and media artists. The program brings innovative cinema programming, includingTHE BUCHLA BOX
Keywords: bibliographic Abstract: The Buchla Box. In File Folder Format, illustrated with photographs, one featuring Buchla near the instrument, patch chart, Buchla Electronic Music System No. 1 and No. 2 Modules List, Prices, Some History, Description of Modules, approx. 30 page illustrated User's Manual written by Dr. Hubert Howe of QueensCollege, NYC.
SHARAN SKLAR
Sharan Sklar founded Sklar Media in 2000 to provide business strategy, marketing and organizational management services to media related businesses and nonprofit organizations. Sharan works with leaders to identify, organize and prioritize goals and to develop the strategies to realize them. Prior to forming Sklar Media, Sharan launched and headed Blow Up Pictures, a leading SERIES CV-2100/2200 VIDEOCORDER DECKS SERVICE MANUAL, 1968 Sony 2100 and 2200 The CV 2000 was announced by Sony in Japan in October 1964. It was a 2-rotary head unit which used a half-inch tape, and was intended for the consumer market. Sony Videocorder Educational Price Schedule for 2000 Series (E/P/S 11/67) CV 2100 $795.00 TCV 2110 $1050.00 CV 2200 $850 From the Service Manual 2100/2200 series This manual provides serviceETC NEWS
ETC HOME
------------------------- SIGNAL TO CODE - HERBERT F. JOHNSON MUSEUM OF ART Lynne Sachs, _Window Work_ Herbert F. Johnson Museum of Art, Ithaca September 9 - December 18,2016
_SIGNAL TO CODE_
provides a special emphasis on the influential history of video art in the Central New York region. Sampling forty years of video art held in the Rose Goldsen Archive of New Media in the Cornell Library, the exhibition features works created in the pioneering facilities of the Experimental Television Center (ETC) in Binghamton and Owego, New York. Founded by Ralph Hocking, ETC offered artist residencies from 1971–2011 to more than 1,600 international artists for work with the Center’s innovative electronic tools. Most American video artists received some form of support from ETC, whether through residencies or grants, thus positioning the Central New York region as pivotal to the history of video art. Additionally, the exhibition includes artists screened in the country’s first video... ------------------------- SIGNAL TO CODE: 50 YEARS OF MEDIA ART IN THE ROSE GOLDSEN ARCHIVE March 17 - October 14, 2016 Hirshland Exhibition Gallery Carl A. Kroch Library “Signal to Code: 50 Years of Media Art in The Rose Goldsen Archive” explores 50 years of electronic and digital artwork and ephemera held in the Rose Goldsen Archive of New Media Art. The exhibition, on display in the Hirshland Gallery of the Carl A. Kroch Library from March 17 to Oct. 14, 2016, offers a unique opportunity to experience more than 60 original electronic and digital artworks in video, sound, portable media and the Internet, on 15 separate media display stations. The exhibition also features posters, pamphlets and other items documenting the work of international media artists and the granting agencies and cultural centers that have supported this work across artistic boundaries and geopolitical zones. “Signal to Code” provides a special emphasis on the influential histories of media art in Ithaca and the Central New York region, along with the Goldsen Archive’s extensive... ------------------------- THE EXPERIMENTAL TELEVISION CENTER: A HISTORY, ETC... AN EXHIBITION AT HUNTER COLLEGE ART GALLERY Hunter College Art Galleries Presents: The Experimental Television Center: A History, ETC . . . _Opening Reception_: September 24, 2015, 7–9 pm September 25–November 21, 2015 Gallery Hours: Wednesday–Saturday, 12–6 pm 205 Hudson Street Gallery Hunter College MFA CampusNew York, New York
Gallery entrance is on the south side of Canal between Hudson andGreenwich Streets
Organized by: Sarah Watson, Chief Curator of the Hunter College Art Galleries, Timothy Murray, Curator of the Rose Golden Archive of New Media Art, and Sherry Miller Hocking, Assistant Director of the Experimental Television Center.THE EXHIBITION:
For over forty years, the Experimental Television Center (ETC) in Owego, New York, was one of North America’s preeminent organizations for video art, fostering a community for creativity and... -------------------------ARCHIVING THE ARTS
Independent Media Arts Preservation (IMAP) celebrates the launch of its new web resource _Archiving the Arts_ and the recent publication of THE EMERGENCE OF VIDEO PROCESSING TOOLS : TELEVISION BECOMING UNGLUED (eds.,Kathy High, Sherry Miller Hocking and Mona Jimenez) with a symposium and public program on June 13, 2015 at Burchfield Penney Art Center (BPAC), SUNY Buffalo State. Target participants are professionals and students with some level of expertise in audiovisual preservation. Conveners and facilitators include Andrew Ingall, Executive Director of IMAP, Archivist and Time- Based Art Conservator Jeff Martin, and Carolyn Tennant, Director of Archives and Migrating Media at Hallwalls Contemporary Art Center. Speakers include Desiree Alexander, Rose Goldsen Archive of New Media Art; Madeleine Casad, Rose Goldsen Archive of New Media Art; Tom Colley, Collection Manager, Video Data Bank; Dianne Dietrich, Rose Goldsen Archive of New Media Art; Athena Christa Holbrook, The Museum of Modern Art; Joan Logue, Artist; Bill Seery, Mercer Media; and Maria Elena Venuto, The Standby... ------------------------- EARLY MEDIA INSTRUMENTS: A SET OF 8 DVDS The _EARLY MEDIA INSTRUMENTS_ DVD Set features demonstrations by Dave Jones, Hank Rudolph and Benton C Bainbridge of some of the most influential real-time analog video processing tools used by media artists internationally. Many were designed in the 1970s. Each of the 8 DVDs covers the purpose, operation and function of a specific instrument. Instruments include:• Jones Colorizer
• Jones Frame Buffer• Jones Keyer
• Jones Sequencer
• Paik / Abe Video Synthesizer • Raster Manipulation Unit - Wobbulator • Rutt / Etra Model RE-4 Video Synthesizer • Sandin Image Processor Documentation by Carolyn Tennant, Pamela Susan Hawkins, Hank Rudolph, Mona Jimenez and Kathy High with... ------------------------- BOOK LAUNCH FOR THE EMERGENCE OF VIDEO PROCESSING TOOLS: TELEVISION BECOMING UNGLUED, EDITED BY KATHY HIGH, SHERRY MILLER HOCKING AND MONA JIMENEZ (INTELLECT BOOKS, 2014). NEW MUSEUM, NYC, JULY 13, 2014. THE EMERGENCE OF VIDEO PROCESSING TOOLS - BOOK LAUNCH PANEL @ NEWMUSEUM, NYC
Video of The Emergence of Video Processing Tools - Book Launch Panel@ New Museum, NYC
Beginning in the late 1960s, artists and technologists began to custom-create hardware and software for real-time manipulation of video signals through original designs or as hacks to devices common to television production. Contemporary artists and tool designers continue this work in analog and digital domains in an expanded media environment. This program will bring focus to the social and artistic dimensions of custom tool development, and to the dual impulses to create new instruments and conserve and use older ones. In conversation will be inventor Dave Jones, whose video instruments span forty years, artists-designers Kyle Lapidus and Tali Hinkis of LoVid, Rhizome conservator Dragan Espenschied, and Hank Rudolph of the artist space Signal Culture and the Experimental Television Center. The panel marks and celebrates the publication of The Emergence of Video Processing Tools: Television Becoming Unglued, edited by Kathy High, Sherry Miller Hocking, and Mona Jimenez (Intellect Books, 2014). The book discusses such early video instruments including the Raster Manipulation Unit (aka the Wobbulator), the Paik/Abe Video... ------------------------- THE EMERGENCE OF VIDEO PROCESSING TOOLS: BOOK LAUNCH AND DISCUSSION _NEW MUSEUM THEATER_ _SUNDAY, JULY 13, 2014 AT 3PM_ $6 Members, $8 General Public Beginning in the late 1960s, artists and technologists began to custom-create hardware and software for real-time manipulation of video signals through original designs or as hacks to devices common to television production. Contemporary artists and tool designers continue this work in analog and digital domains in an expanded media environment. This program will bring focus to the social and artistic dimensions of custom tool development, and to the... ------------------------- THE EMERGENCE OF VIDEO PROCESSING TOOLS _THE EMERGENCE OF VIDEO PROCESSING TOOLS _presents stories of the development of early video tools and systems designed and built by artists and technologists during the late 1960s and 70s. Split over two volumes, the contributors examine the intersection of art and science and look at collaborations among inventors, designers, and artists trying to create new tools to capture and manipulate images in revolutionary ways. The contributors include “video pioneers,” who have been active since the emergence of the aesthetic, and technologists, who continue to design, build, and hack media tools. The book also looks at contemporary toolmakers and the relationshipbetween these...
------------------------- VIDEO DATA BANK DISTRIBUTES EXPERIMENTAL TELEVISION CENTER 1969-2009DVD SET
_ETC: EXPERIMENTAL TELEVISION CENTER 1969-2009_Purchase DVD
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