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EDITORS GUILD
The Motion Picture Editors Guild (MPEG) is a national labor organization currently representing over 7,500 freelance and staff post-production professionals. Ours is the world's premiere craft guild that sets the standards for excellence in the post-productionindustry.
EDITORS GUILD
The Motion Picture Editors Guild negotiates new collective bargaining agreements (union contracts) and enforces existing agreements with employers involved in post-production. We provide assistance for securing better conditions, including but not limited to financial (better pay), medical (better health insurance), safety (turnaround time) and artistic concerns (assignment of credit).EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S. WAGES, CONTRACTS, AND HOLIDAYS Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S.MEMBER LOGIN
If you are a Local 700 MPEG member or authorized employer you may sign in below using your username and password. Logging in will enable features of the site that are provided exclusively to members and authorized employers.EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 7,500 members working throughout post-production in the U.S. WAGES, CONTRACTS, AND HOLIDAYS Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079EDITORS GUILD
Budgets of more than $25,000 per minute will receive both Pension and Health contributions. *** Live action dramatic new media productions commencing as of October 1, 2019. Rates subject to negotiation. Download PDF for altered provisions. **** Download PDF for rates. Rates reflect a roll back of one contract cycle from the currentVideotape
ORGANIZING FAQ: WHAT ARE THE ARGUMENTS AGAINST UNIONIZING? What are the arguments against unionizing? When employees organize, management often campaigns aggressively to dissuade them. The National Labor Relations Act protects the right to organize; it is illegal for employers to interfere with the exercise of that right through heavy-handed tactics such as retaliation against pro-union employees. But management is legally entitled to argue that PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF 2018 _____ THIS AGREEMENT, executed in the City of Los Angeles, California, as of the 1st day of August, 2018, effective as of such date byEDITORS GUILD
The Motion Picture Editors Guild (MPEG) is a national labor organization currently representing over 7,500 freelance and staff post-production professionals. Ours is the world's premiere craft guild that sets the standards for excellence in the post-productionindustry.
EDITORS GUILD
The Motion Picture Editors Guild negotiates new collective bargaining agreements (union contracts) and enforces existing agreements with employers involved in post-production. We provide assistance for securing better conditions, including but not limited to financial (better pay), medical (better health insurance), safety (turnaround time) and artistic concerns (assignment of credit).EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S. WAGES, CONTRACTS, AND HOLIDAYS Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S.MEMBER LOGIN
If you are a Local 700 MPEG member or authorized employer you may sign in below using your username and password. Logging in will enable features of the site that are provided exclusively to members and authorized employers.EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 7,500 members working throughout post-production in the U.S. WAGES, CONTRACTS, AND HOLIDAYS Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079EDITORS GUILD
Budgets of more than $25,000 per minute will receive both Pension and Health contributions. *** Live action dramatic new media productions commencing as of October 1, 2019. Rates subject to negotiation. Download PDF for altered provisions. **** Download PDF for rates. Rates reflect a roll back of one contract cycle from the currentVideotape
ORGANIZING FAQ: WHAT ARE THE ARGUMENTS AGAINST UNIONIZING? What are the arguments against unionizing? When employees organize, management often campaigns aggressively to dissuade them. The National Labor Relations Act protects the right to organize; it is illegal for employers to interfere with the exercise of that right through heavy-handed tactics such as retaliation against pro-union employees. But management is legally entitled to argue that PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF 2018 _____ THIS AGREEMENT, executed in the City of Los Angeles, California, as of the 1st day of August, 2018, effective as of such date byEDITORS GUILD
The Motion Picture Editors Guild (MPEG) is a national labor organization currently representing over 7,500 freelance and staff post-production professionals. Ours is the world's premiere craft guild that sets the standards for excellence in the post-productionindustry.
EDUCATION - EDITORS GUILD - IATSE LOCAL 700 > LOCAL 700 The Motion Picture Editors Guild provides state-of-the-art educational facilities in Los Angeles and New York. Keep your skills up-to-date in our practice rooms. The facilities feature the most modern equipment, popular software, a comprehensive library and access to onlinetraining programs
EDITORS GUILD
Editing with DaVinci Resolve 17 Certification class. Monday, June 7, 2021. 8:00 AM - 12:00 PM (Pacific Time) 11:00 AM - 3:00 PM (Eastern Time) Training/Technology. Nationwide. This class is a five day certification class where you’ll work with multiple projects to learn advanced, practical techniques used in several editingEDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S.EDITORS GUILD
Contract Services Administration Trust Fund ("CSATF") is a non-profit organization that administers a variety of programs for the benefit of the motion picture and television industry. CSATF is provided for and governed by the collective bargaining agreement (Basic Agreement of 1996, Article XXV) by and between the Producers, The InternationalLAUREN CRIST
Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079EDITORS GUILD
Budgets of more than $25,000 per minute will receive both Pension and Health contributions. *** Live action dramatic new media productions commencing as of October 1, 2019. Rates subject to negotiation. Download PDF for altered provisions. **** Download PDF for rates. Rates reflect a roll back of one contract cycle from the currentVideotape
ORGANIZING FAQ: WHAT IS A SCALE RATE? A scale rate is a contractually determined minimum rate of pay for a given classification. You are always free to individually negotiate a wage in excess of scale, but, if you are working under an IATSE contract, your employer can never pay you less than the appropriate scale in its contract. We routinely negotiate language ensuring thatthose
RICHARD J. WIRTH
Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079 AGREEMENT OF AUGUST 1, 2015 BETWEEN PRODUCER AND … AGREEMENT OF AUGUST 1, 2015 BETWEEN PRODUCER AND I.A.T.S.E. & M.P.T.A.A.C. AND LOCAL #700 THEREOF THIS AGREEMENT, executed as of August 1, 2015 between the International Alliance of Theatrical Stage Employees and MovingEDITORS GUILD
The Motion Picture Editors Guild (MPEG) is a national labor organization currently representing over 7,500 freelance and staff post-production professionals. Ours is the world's premiere craft guild that sets the standards for excellence in the post-productionindustry.
EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S. WAGES, CONTRACTS, AND HOLIDAYS Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079MEMBER LOGIN
If you are a Local 700 MPEG member or authorized employer you may sign in below using your username and password. Logging in will enable features of the site that are provided exclusively to members and authorized employers.EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 7,500 members working throughout post-production in the U.S.EDITORS GUILD
Contract Services Administration Trust Fund ("CSATF") is a non-profit organization that administers a variety of programs for the benefit of the motion picture and television industry. CSATF is provided for and governed by the collective bargaining agreement (Basic Agreement of 1996, Article XXV) by and between the Producers, The InternationalEDITORS GUILD
Budgets of more than $25,000 per minute will receive both Pension and Health contributions. *** Live action dramatic new media productions commencing as of October 1, 2019. Rates subject to negotiation. Download PDF for altered provisions. **** Download PDF for rates. Rates reflect a roll back of one contract cycle from the currentVideotape
ORGANIZING FAQ: WHAT ARE THE ARGUMENTS AGAINST UNIONIZING? What are the arguments against unionizing? When employees organize, management often campaigns aggressively to dissuade them. The National Labor Relations Act protects the right to organize; it is illegal for employers to interfere with the exercise of that right through heavy-handed tactics such as retaliation against pro-union employees. But management is legally entitled to argue that PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF 2018 _____ THIS AGREEMENT, executed in the City of Los Angeles, California, as of the 1st day of August, 2018, effective as of such date byALEX ULLRICH, MPSE
Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079EDITORS GUILD
The Motion Picture Editors Guild (MPEG) is a national labor organization currently representing over 7,500 freelance and staff post-production professionals. Ours is the world's premiere craft guild that sets the standards for excellence in the post-productionindustry.
EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S. WAGES, CONTRACTS, AND HOLIDAYS Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079MEMBER LOGIN
If you are a Local 700 MPEG member or authorized employer you may sign in below using your username and password. Logging in will enable features of the site that are provided exclusively to members and authorized employers.EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 7,500 members working throughout post-production in the U.S.EDITORS GUILD
Contract Services Administration Trust Fund ("CSATF") is a non-profit organization that administers a variety of programs for the benefit of the motion picture and television industry. CSATF is provided for and governed by the collective bargaining agreement (Basic Agreement of 1996, Article XXV) by and between the Producers, The InternationalEDITORS GUILD
Budgets of more than $25,000 per minute will receive both Pension and Health contributions. *** Live action dramatic new media productions commencing as of October 1, 2019. Rates subject to negotiation. Download PDF for altered provisions. **** Download PDF for rates. Rates reflect a roll back of one contract cycle from the currentVideotape
ORGANIZING FAQ: WHAT ARE THE ARGUMENTS AGAINST UNIONIZING? What are the arguments against unionizing? When employees organize, management often campaigns aggressively to dissuade them. The National Labor Relations Act protects the right to organize; it is illegal for employers to interfere with the exercise of that right through heavy-handed tactics such as retaliation against pro-union employees. But management is legally entitled to argue that PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF 2018 _____ THIS AGREEMENT, executed in the City of Los Angeles, California, as of the 1st day of August, 2018, effective as of such date byALEX ULLRICH, MPSE
Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079EDITORS GUILD
The Motion Picture Editors Guild (MPEG) is a national labor organization currently representing over 7,500 freelance and staff post-production professionals. Ours is the world's premiere craft guild that sets the standards for excellence in the post-productionindustry.
EDUCATION - EDITORS GUILD - IATSE LOCAL 700 > LOCAL 700 The Motion Picture Editors Guild provides state-of-the-art educational facilities in Los Angeles and New York. Keep your skills up-to-date in our practice rooms. The facilities feature the most modern equipment, popular software, a comprehensive library and access to onlinetraining programs
EDITORS GUILD
An Age of Transition and Turmoil: Editors Guild History 1965-75. Editor Lynn McCallon in 1969. Courtesy of Lynn McCallon. Post-Production Pioneers: The Guild’s Earliest Members – West Coast. Marge Sokolow, right, with fellow negative cutters, from left, Sara Santos, Lucille Reed and Edna McCance in the Desilu cutting roomat the CFI lab in
EDITORS GUILD
The new Availability Portal has smarter search options, more contact info at your fingertips, better resume functionality and ensures more accurate, up-to-date information. Search by skills, specializations, languages, personal demographics and more. Review members’ network of work associates for referrals.EDITORS GUILD
IATSE National Benefit Funds ( https://www.iatsenbf.org) The IATSE National Benefit Funds include the Pension, Annuity, Health & Welfare, Vacation and 401 (k) Funds. You are eligible to participate in the Funds as an employee only if you are covered by a collective bargaining agreement providing contributions to one or more of theseFunds.
EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S.EDITORS GUILD
Contract Services Administration Trust Fund ("CSATF") is a non-profit organization that administers a variety of programs for the benefit of the motion picture and television industry. CSATF is provided for and governed by the collective bargaining agreement (Basic Agreement of 1996, Article XXV) by and between the Producers, The International ORGANIZING FAQ: WHAT IS A SCALE RATE? A scale rate is a contractually determined minimum rate of pay for a given classification. You are always free to individually negotiate a wage in excess of scale, but, if you are working under an IATSE contract, your employer can never pay you less than the appropriate scale in its contract. We routinely negotiate language ensuring thatthose
"MAINSTREAM" VIRTUAL SCREENING AND Q&A Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S. AGREEMENT OF AUGUST 1, 2015 BETWEEN PRODUCER AND … AGREEMENT OF AUGUST 1, 2015 BETWEEN PRODUCER AND I.A.T.S.E. & M.P.T.A.A.C. AND LOCAL #700 THEREOF THIS AGREEMENT, executed as of August 1, 2015 between the International Alliance of Theatrical Stage Employees and MovingEDITORS GUILD
The Motion Picture Editors Guild (MPEG) is a national labor organization currently representing over 7,500 freelance and staff post-production professionals. Ours is the world's premiere craft guild that sets the standards for excellence in the post-productionindustry.
EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S. WAGES, CONTRACTS, AND HOLIDAYS Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079MEMBER LOGIN
If you are a Local 700 MPEG member or authorized employer you may sign in below using your username and password. Logging in will enable features of the site that are provided exclusively to members and authorized employers.EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 7,500 members working throughout post-production in the U.S.EDITORS GUILD
Contract Services Administration Trust Fund ("CSATF") is a non-profit organization that administers a variety of programs for the benefit of the motion picture and television industry. CSATF is provided for and governed by the collective bargaining agreement (Basic Agreement of 1996, Article XXV) by and between the Producers, The InternationalEDITORS GUILD
Budgets of more than $25,000 per minute will receive both Pension and Health contributions. *** Live action dramatic new media productions commencing as of October 1, 2019. Rates subject to negotiation. Download PDF for altered provisions. **** Download PDF for rates. Rates reflect a roll back of one contract cycle from the currentVideotape
ORGANIZING FAQ: WHAT ARE THE ARGUMENTS AGAINST UNIONIZING? What are the arguments against unionizing? When employees organize, management often campaigns aggressively to dissuade them. The National Labor Relations Act protects the right to organize; it is illegal for employers to interfere with the exercise of that right through heavy-handed tactics such as retaliation against pro-union employees. But management is legally entitled to argue that PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF 2018 _____ THIS AGREEMENT, executed in the City of Los Angeles, California, as of the 1st day of August, 2018, effective as of such date byALEX ULLRICH, MPSE
Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079EDITORS GUILD
The Motion Picture Editors Guild (MPEG) is a national labor organization currently representing over 7,500 freelance and staff post-production professionals. Ours is the world's premiere craft guild that sets the standards for excellence in the post-productionindustry.
EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S. WAGES, CONTRACTS, AND HOLIDAYS Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079MEMBER LOGIN
If you are a Local 700 MPEG member or authorized employer you may sign in below using your username and password. Logging in will enable features of the site that are provided exclusively to members and authorized employers.EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 7,500 members working throughout post-production in the U.S.EDITORS GUILD
Contract Services Administration Trust Fund ("CSATF") is a non-profit organization that administers a variety of programs for the benefit of the motion picture and television industry. CSATF is provided for and governed by the collective bargaining agreement (Basic Agreement of 1996, Article XXV) by and between the Producers, The InternationalEDITORS GUILD
Budgets of more than $25,000 per minute will receive both Pension and Health contributions. *** Live action dramatic new media productions commencing as of October 1, 2019. Rates subject to negotiation. Download PDF for altered provisions. **** Download PDF for rates. Rates reflect a roll back of one contract cycle from the currentVideotape
ORGANIZING FAQ: WHAT ARE THE ARGUMENTS AGAINST UNIONIZING? What are the arguments against unionizing? When employees organize, management often campaigns aggressively to dissuade them. The National Labor Relations Act protects the right to organize; it is illegal for employers to interfere with the exercise of that right through heavy-handed tactics such as retaliation against pro-union employees. But management is legally entitled to argue that PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF PRODUCER - I.A.T.S.E. AND M.P.T.A.A.C. BASIC AGREEMENT OF 2018 _____ THIS AGREEMENT, executed in the City of Los Angeles, California, as of the 1st day of August, 2018, effective as of such date byALEX ULLRICH, MPSE
Field Reps. LOS ANGELES. Olie Amarillas (323) 978-1088 oamarillas@editorsguild.com. Ann Hadsell (323) 978-1068 ahadsell@editorsguild.com. Eric Kench (323) 978.1079EDITORS GUILD
The Motion Picture Editors Guild (MPEG) is a national labor organization currently representing over 7,500 freelance and staff post-production professionals. Ours is the world's premiere craft guild that sets the standards for excellence in the post-productionindustry.
EDUCATION - EDITORS GUILD - IATSE LOCAL 700 > LOCAL 700 The Motion Picture Editors Guild provides state-of-the-art educational facilities in Los Angeles and New York. Keep your skills up-to-date in our practice rooms. The facilities feature the most modern equipment, popular software, a comprehensive library and access to onlinetraining programs
EDITORS GUILD
An Age of Transition and Turmoil: Editors Guild History 1965-75. Editor Lynn McCallon in 1969. Courtesy of Lynn McCallon. Post-Production Pioneers: The Guild’s Earliest Members – West Coast. Marge Sokolow, right, with fellow negative cutters, from left, Sara Santos, Lucille Reed and Edna McCance in the Desilu cutting roomat the CFI lab in
EDITORS GUILD
The new Availability Portal has smarter search options, more contact info at your fingertips, better resume functionality and ensures more accurate, up-to-date information. Search by skills, specializations, languages, personal demographics and more. Review members’ network of work associates for referrals.EDITORS GUILD
IATSE National Benefit Funds ( https://www.iatsenbf.org) The IATSE National Benefit Funds include the Pension, Annuity, Health & Welfare, Vacation and 401 (k) Funds. You are eligible to participate in the Funds as an employee only if you are covered by a collective bargaining agreement providing contributions to one or more of theseFunds.
EDITORS GUILD
Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S.EDITORS GUILD
Contract Services Administration Trust Fund ("CSATF") is a non-profit organization that administers a variety of programs for the benefit of the motion picture and television industry. CSATF is provided for and governed by the collective bargaining agreement (Basic Agreement of 1996, Article XXV) by and between the Producers, The International ORGANIZING FAQ: WHAT IS A SCALE RATE? A scale rate is a contractually determined minimum rate of pay for a given classification. You are always free to individually negotiate a wage in excess of scale, but, if you are working under an IATSE contract, your employer can never pay you less than the appropriate scale in its contract. We routinely negotiate language ensuring thatthose
"MAINSTREAM" VIRTUAL SCREENING AND Q&A Post-Production professionals are strongest when they stand together. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S. AGREEMENT OF AUGUST 1, 2015 BETWEEN PRODUCER AND … AGREEMENT OF AUGUST 1, 2015 BETWEEN PRODUCER AND I.A.T.S.E. & M.P.T.A.A.C. AND LOCAL #700 THEREOF THIS AGREEMENT, executed as of August 1, 2015 between the International Alliance of Theatrical Stage Employees and Moving Skip to main content Click to Open Search Box Click to View Contacts Click to View Calendar Page Log In __SEARCH THE WEBSITE__
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FOOD BANK DRIVE-THRU Wednesday April 29, 20209:00 AM - 12:00 PM
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LOS ANGELES
OLIE AMARILLAS
(323) 978-1088
oamarillas@editorsguild.comAnn Hadsell
(323) 978-1068
ahadsell@editorsguild.comERIC KENCH
(323) 978.1079
ekench@editorsguild.comALENIS LEON
(323) 978.1072
aleon@editorsguild.comJessica Pratt
(323) 978-1075
jpratt@editorsguild.comNEW YORK
JENNIFER MADAR
(212) 302-0700, Ext. 204 jmadar@editorsguild.com For all Staff contacts, click here For Board of Directors, click here __REGISTERED USER LOG IN* Password
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MICHAEL J. MCDONALD - SUPERVISING SOUND EDITOR & RE-RECORDING MIXER WHERE ARE YOU CURRENTLY EMPLOYED? My partner Robyn Whitney and I own Private Island Audio, an audio post facility in mid-town Los Angeles.CURRENT PROJECT?
We are just completing the sound mix for “Aftermath,” a psychological thriller directed by industry veteran Peter Winther (“Stargate,” “Independence Day,” “The Patriot”...Read More
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