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CRAFT OF FILMMAKING
IndieWire is an online publication covering film, TV, and digital news, reviews, and interviews for passionate fans and industryinsiders.
TRIBECA 2021: 14 MOST ANTICIPATED FESTIVAL FILMS AND The festival kicks off later this week and runs June 9 through June 20. Want to join in on the excitement? Ahead, we’ve picked out 14 films and events, both in-person and virtual, that highlight ‘BLOSSOMS SHANGHAI’ FOOTAGE: WONG KAR-WAI’S TV SERIES The series is set to debut in 2022 internationally, though a U.S. distributor has yet to be announced. Created, directed, and produced by Wong, “Blossoms Shanghai” offers an homage to the ABC SHOWS DURING DISNEY’S UPFRONT: DOUBLING DOWN ON LONG If it ain’t broke, don’t fix it. That was Disney’s motto during the company virtual upfront presentation on Tuesday afternoon, which emphasized the ABC shows that have served as ratings ‘THE WHITE LOTUS’ TRAILER: MIKE WHITE’S HBO SERIES TO “The White Lotus,” Mike White’s highly-anticipated return to television, is set to premiere on HBO on July 11. HBO has described the series as a social satire set at an exclusive tropical SETH ROGEN AND JAMES FRANCO SPLIT: NO PLANS TO WORK WITH Seth Rogen confirmed in an interview with The Sunday Times that he does not plan to work with James Franco following several allegationsof sexual
ZOMBIE BABY IN ARMY OF THE DEAD, EXPLAINED BY ZACK SNYDER Zack Snyder’s “Army of the Dead” is just the beginning of a Netflix movie and television franchise that will explore the world of a zombie outbreak, and one of the most eyebrow-raising SNL: ELON MUSK ON THE OOLI SHOW AND KATE MCKINNON AS In Saturday night’s new episode of “ SNL ,” hosted by CEO and self-described Tesla “Technoking” Elon Musk, “The Ooli Show” was joined by Frances ‘HACKS’ REVIEW: JEAN SMART LEADS EXCELLENT NEW HBO MAX In about a dozen different ways, “Hacks” could’ve gone horribly wrong. For one, Jean Smart’s new HBO Max series is a showbiz story, which — famous examples notwithstanding — can be ‘GRACE’ REVIEW: PETER JAMES ADAPTATION IS A BRITBOX [Editor’s note: The following review contains spoilers for “Dead Simple,” the first installment of BritBox’s “Grace.”. British crime author Peter James is an unqualified success: He INDIEWIRE | THE VOICE OF CREATIVE INDEPENDENCENEWSVIDEOGALLERIESTHOMPSON ON HOLLYWOODINFLUENCERS: THECRAFT OF FILMMAKING
IndieWire is an online publication covering film, TV, and digital news, reviews, and interviews for passionate fans and industryinsiders.
‘POSER’ REVIEW: ‘SINGLE WHITE FEMALE’ GETS A PUNK EDGE 3 hours ago · Lennon looks the part: teal-tinted hair, cool tattoos, a punky sartorial sense, big headphones. As she sulks around the edges of a gallery opening TRIBECA 2021: 14 MOST ANTICIPATED FESTIVAL FILMS AND The festival kicks off later this week and runs June 9 through June 20. Want to join in on the excitement? Ahead, we’ve picked out 14 films and events, both in-person and virtual, that highlight ‘BLOSSOMS SHANGHAI’ FOOTAGE: WONG KAR-WAI’S TV SERIES The series is set to debut in 2022 internationally, though a U.S. distributor has yet to be announced. Created, directed, and produced by Wong, “Blossoms Shanghai” offers an homage to the ABC SHOWS DURING DISNEY’S UPFRONT: DOUBLING DOWN ON LONG If it ain’t broke, don’t fix it. That was Disney’s motto during the company virtual upfront presentation on Tuesday afternoon, which emphasized the ABC shows that have served as ratings ZOMBIE BABY IN ARMY OF THE DEAD, EXPLAINED BY ZACK SNYDER Zack Snyder’s “Army of the Dead” is just the beginning of a Netflix movie and television franchise that will explore the world of a zombie outbreak, and one of the most eyebrow-raising SETH ROGEN AND JAMES FRANCO SPLIT: NO PLANS TO WORK WITH Seth Rogen confirmed in an interview with The Sunday Times that he does not plan to work with James Franco following several allegationsof sexual
SNL: ELON MUSK ON THE OOLI SHOW AND KATE MCKINNON AS In Saturday night’s new episode of “ SNL ,” hosted by CEO and self-described Tesla “Technoking” Elon Musk, “The Ooli Show” was joined by Frances ‘HACKS’ REVIEW: JEAN SMART LEADS EXCELLENT NEW HBO MAX In about a dozen different ways, “Hacks” could’ve gone horribly wrong. For one, Jean Smart’s new HBO Max series is a showbiz story, which — famous examples notwithstanding — can be ‘GRACE’ REVIEW: PETER JAMES ADAPTATION IS A BRITBOX [Editor’s note: The following review contains spoilers for “Dead Simple,” the first installment of BritBox’s “Grace.”. British crime author Peter James is an unqualified success: He TRIBECA IS TRYING TO PROVE VIDEO GAMES THE FUTURE OF FILM 10 hours ago · In 2011, the Tribeca Film Festival’s unprecedented decision to include a video game as part of the official selection may have seemed like nothing more than a glorified bit of cross-promotion ‘POSER’ REVIEW: ‘SINGLE WHITE FEMALE’ GETS A PUNK EDGE 3 hours ago · Lennon looks the part: teal-tinted hair, cool tattoos, a punky sartorial sense, big headphones. As she sulks around the edges of a gallery opening OPENING MOVIES DAY AND DATE SAVE THEATERS? IT MAY NOT BE 12 hours ago · Those who desire theater primacy in the rollout of feature films have strong evidence for their case. “Godzilla vs. Kong” will soon hit $100 million. In 2019, “Godzilla: King of theMonsters
‘WISH DRAGON’: ‘ALADDIN’ RETURNS TO CHINA WITH A PINK 9 hours ago · Netflix. A final, unexpected twist occurred after the pandemic hit last year. Sony was set to distribute “Wish Dragon,” but, with theaters closed, Netflix came to the rescue, and acquiredthe
‘FARGO’ SEASON 4, EPISODE 9: THE MAKING OF ‘EAST / WEST 11 hours ago · Consider This: Conversations highlight television’s award-worthy productions through panel discussions with the artists themselves. The above video is ‘VORTEX’ FIRST LOOK: GASPAR NOÉ MOVIE STARS DARIO ARGENTO 9 hours ago · Filmmaking provocateur Gaspar Noé is back with a surprise new film, “Vortex.” A mysterious, Instagram-style first-look image from the drama has been released, showing someoneghostlike under
HANNAH WADDINGHAM AND JUNO TEMPLE LOVE ‘TED LASSO’ 7 hours ago · The video above was produced by IndieWire’s Creative Producer Leonardo Adrian Garcia. There’s a horrible phenomenon that occurs from time to time, when a fan of a THE BEST MOVIES NEW TO EVERY MAJOR STREAMING PLATFORM IN And Jack Nicholson’s Oscar-nominated turn as the all bark, some bite First Class Billy “Badass” Buddusky is the kind of performance that reminds you what movie stardom really was. Available ‘TUCA AND BERTIE’ SEASON 2 REVIEW: YES, IT’S BACK AND 10 hours ago · The second episode of “Tuca and Bertie’s” second season starts with a simple promise. On their way to her would-be sister-in-law’s bachelorette party, Bertie (Ali Wong) tellsTuca (Tiffany
‘MARK, MARY & SOME OTHER PEOPLE’ REVIEW: POLYAMORY ROM-COM 7 hours ago · The power imbalance is there from the start: Mark (Ben Rosenfield) goes googly-eyed at the sight of his old college acquaintance Mary (Hayley Law), who is×
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‘THE LODGE’ LEADS QUIET SPECIALIZED DEBUTS AS OSCAR BOUNTY CONTINUES FOR ‘1917,’ ‘PARASITE,’ ‘JOJO RABBIT’ WITH THE OSCARS AT HAND, THE SPECIALIZED WORLD WILL SOON NEED TO LIVE WITHOUT THE INFUSION OF AWARDS TITLES.Tom Brueggemann
Feb 9, 2020 1:57 pm
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“The Lodge”
Neon
With the Oscars at hand, the specialized world will soon need to live without the infusion of titles that started with “Judy” five months ago, and with many successful films that followed. The new blood, though, remains uneven. “The Lodge ” (Neon) is more of a genre play not expected to fill in the gaps ahead. It had a decent initial response, but it remains to be seen how much further interest it has. But the potential is there. Otherwise, “The Assistant ” (Bleecker Street) had mixed results in its initial expansion. Performing well, though with a shortened window with the early Oscar date, the “2020 Oscar-Nominated Short Films” program had a strong showing. But its shelf-life isn’t long. Searchlight’s wide release of “Downhill” post-Sundance and the anticipated strong Valentine’s release of “Portrait of a Lady on Fire” (Neon) lead the new films starting next weekend. They arebadly needed.
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“THE LODGE” (Neon) – Metacritic: 64; Festivals include: Sundance2019
$78,104 in 6 theaters; PTA: $13,017 A year after its Sundance debut, this thriller from the Austrian directors of the well-received “Goodnight Mommy” debuted in six New York/Los Angeles venues. This was not a typical platform play, with two Alamo Drafthouse theaters, two total overall in Brooklyn, and a more commercial, less arthouse combination. The numbers suggest interest, if not breakout potential. This is the kind of niche item that should expect to be maximized by Neon with appeal to youngeraudiences.
_WHAT COMES NEXT:_ This will expand in stages over the upcoming weeksstarting Friday.
“And Then We Danced”Music Box Films
“AND THEN WE DANCED” (Music Box) – Metacritic: 63; Festivals include: Cannes 2019 $14,078 in 2 theaters; PTA: $7,039 Set in Eurasian Georgia but produced by Sweden (it was their International Film submission), this drama takes place in the dance world where local homophobic mores are confronted by the attraction between two performers. This opened in two New York theaters to on par results for subtitled releases. _WHAT COMES NEXT:_ Los Angeles opens Friday. “COME ON DADDY” (Saban) – Metacritic: 63; Festivals include: Tribeca 2019; also on VOD $61,381 in 29 theaters; PTA: $2,116 Elijah Wood is another name actor working the Nicolas Cage route of genre titles, having fun and providing the basis for combined theatrical/streaming play. This actually isn’t a bad result for its multi-city runs with home-viewing competition. _WHAT COMES NEXT:_ This doesn’t look to expand theatrically, but has accomplished what was planned with these dates.“Cane River”
Oscilloscope
“CANE RIVER” (Oscilloscope) – Metacritic: 80 $10,240 in 2 theaters; PTA: $5,120 The numbers for the initial theaters — one in Brooklyn, the other in New Orleans, a partial setting for this 1982 film rescued from obscurity after director Horace B. Jenkins died shortly after completion. A romance between two very different young people, it then as now offers a bracing portrait of African-American made life. The theatrical component is important for getting this attention, but this feels like a film that will prosper as well, with nontheatrical playahead.
_WHAT COMES NEXT:_ Until then, this will have a slow multi-city rollout in major cities.WEEK TWO
2020 OSCAR-NOMINATED SHORT FILMS (Magnolia) $825,000 in 535 theaters (+70); PTA: $1,542; Cumulative: $2,655,000 With a truncated awards calendar this year, the annual shorts compilation is about a half million ahead of the second weekend last year. It may fall a bit short of that $3.5 million total, with most interest ramping up before the awards, but in some ways this is justas impressive.
“THE ASSISTANT” (Bleecker Street) $122,585 in 25 theaters (+21); PTA: $4,903; Cumulative: $225,711 Last weekend’s leading platform opener expanded to more major theaters this weekend. Still getting decent reviews, it had a modest response and doesn’t look likely to break out beyond specializeddates.
“The Traitor”
“THE TRAITOR” (Sony Pictures Classics) $44,567 in 17 theaters (+14); PTA: $2,622; Cumulative: $79,088 Veteran Italian director Marco Bellocchio’s story of a Sicilian mafia informant added top big city theaters to mediocre results. “INCITEMENT” (Greenwich) $30,000 in 9 theaters (+7); PTA: $3,333; Cumulative: $58,409 This Israeli drama recreating the lead-up to the assassination of Prime Minister Rabin added Los Angeles and other theaters to modest results. That said, expect this to get national specialized play at the high end of non-awards-contending subtitled films. “CREATED EQUAL: CLARENCE THOMAS IN HIS OWN WORDS” (Blue Fox) $52,618 in 40 theaters (+17); PTA: $1,354; Cumulative: $157,399 The Supreme Court Justice has his fans, but at least in terms of documentary interest, he’s no match for colleague Ruth BaderGinsberg.
ONGOING/EXPANDING (GROSSES OVER $50,000) “1917” (Universal) Week 8 $9,000,000 in 3,548 theaters (-439); Cumulative: $132,540,000 The last-minute Oscar-viewing rush left the frontrunner down only 5%. With wins expected tonight, $200 million domestic remains possible. It’s hard to imagine a more perfectly played Oscar theatrical run. “JUST MERCY” (Warner Bros.) Week 8 $1,540,000 in 1,315 theaters (-492); Cumulative: $33,390,000 This has fallen just short of the top 10 in recent weeks, but the Michael B. Jordan/Jamie Foxx prison-set story continues to do respectable numbers despite not getting hoped-for awards attention. “JOJO RABBIT” (Searchlight) Week 17 $1,534,000 in 1,096 theaters (-77); Cumulative: $30,281,000 Searchlight decided (atypically for nominees past window minimums) to hold off the home release date until February 4. As a result, they will add about 50% to their gross since nominations were announced.“Parasite”
Neon
“PARASITE” (Neon) Week 18 $1,500,000 in 1,060 theaters (no change); Cumulative: $35,472,000 Despite having home availability a majority of the time since the nominations, this high-end performer has added $10 million so far. With potential multiple wins tonight, this could yet reach $40million.
“UNCUT GEMS” (A24) Week 9 $658,936 in 1,142 theaters (+650); Cumulative: $49,244,000 Now A24’s biggest grossing film, “Uncut Gems” with no nominations (though that was the play including, the platform release and Christmas release) has grossed more than 10 of the films competing in the top six categories. “BOMBSHELL” (Lionsgate) Week 9 $237,000 in 272 theaters (-206); Cumulative: $31,273,000 With two acting Oscar nominees and a likely Makeup & Hairstyling win, this Fox News #MeToo recreation has managed to stick around a bit. This will end up at around $32 million. “THE LAST FULL MEASURE” (Roadside Attractions) Week 3 $189,400 in 279 theaters (-338); Cumulative: $2,509,000 The remaining theaters for the Vietnam war hero recognition story actually had a higher average than the wider venues last week. But this won’t stick around much longer, topping off somewhere under $3million.
“WEATHERING WITH YOU” (GKIDS) Week 4 $141,932 in 106 theaters (+15); Cumulative: $7,556,000 This well-received Japanese animated film keeps adding to its, initially at least, event-showing-fueled start. “COLOR OUT OF SPACE” (RLJE) Week 3 $55,362 in 54 theaters (-14); Cumulative: $677.283 Nicolas Cage’s latest foray into genre film continues to get noticed ahead of its late February home availability. “PAIN AND GLORY” (Sony Pictures Classics) Week 19; alsostreaming
$60,616 in 118 theaters (+59); Cumulative: $4,507,000 Pedro Almodóvar’s Best Actor and International Film Oscar nominee needs to reach $4,580,000 to match last year’s “Cold War” among recent specialized subtitled releases. It might get close, but with home availability in play and no wins expected, it will be a close call. The difficulty in getting to the $5 million mark, other than “Parasite,” among similar films is still a big concern. (Fellow nominee “Les Misérables,” despite a big push, won’t gross atenth of that).
“THE SONG OF NAMES” (Sony Pictures Classics) Week 7 $56,710 in 78 theaters (-62); Cumulative: $925,213 Despite mixed reviews and not ever standing out among the holiday releases, SPC might get this post-World War II drama about the search for a lost violinist to $1 million._ALSO NOTED: _
“LES MISÉRABLES” (Amazon) – $29,316 in 38 theaters; Cumulative:$323,210
“CLEMENCY” (Neon) – $12,575 in 25 theaters; Cumulative: $339,489 “HONEYLAND” (Neon) – $11,387 in 16 theaters; Cumulative:$786,726
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