Are you over 18 and want to see adult content?
More Annotations
A complete backup of https://gangala.com
Are you over 18 and want to see adult content?
A complete backup of https://internetworld.de
Are you over 18 and want to see adult content?
A complete backup of https://designmuseumgent.be
Are you over 18 and want to see adult content?
A complete backup of https://lnwasiaslot168.com
Are you over 18 and want to see adult content?
A complete backup of https://dogo.or.jp
Are you over 18 and want to see adult content?
A complete backup of https://stepitupwithsteph.com
Are you over 18 and want to see adult content?
A complete backup of https://rekparsan.com
Are you over 18 and want to see adult content?
A complete backup of https://1plus1serial.site
Are you over 18 and want to see adult content?
A complete backup of https://heyevent.com
Are you over 18 and want to see adult content?
A complete backup of https://mattb.net.nz
Are you over 18 and want to see adult content?
A complete backup of https://baoviet.com.vn
Are you over 18 and want to see adult content?
Favourite Annotations
A complete backup of http://kiwiirc.com/
Are you over 18 and want to see adult content?
A complete backup of https://payko.ir/tag/www-sida-medu-ir
Are you over 18 and want to see adult content?
A complete backup of https://www.keyfora.com/site/efinance.com.eg
Are you over 18 and want to see adult content?
A complete backup of https://www.escobarvip.me/corlulu-hatice/
Are you over 18 and want to see adult content?
A complete backup of http://xn--hahasprt-fz7c.com/
Are you over 18 and want to see adult content?
Text
WILL NOT FADE
Standard. Just Neighbors are an awesome math-rock band from Gainsville, Florida. They play wonderful happy tappy music with care-free vibes. They are about to release a new album, Inside Voices, which showcases a slightly different sound for the band. Will NotFade: Here in
ALBUM REVIEW: HUBRIS. Hubris. was birthed amongst giants, playing their first ever show with our very own Jakob in May 2015, which also happened to be the release show for their debut album Emersion.. Five years on the Swiss post-rock quartet have made a bold statement with their third album Metempsychosis, a stunning musical exploration of Greek myths and legends.. I’ll begin by discussing the first track I LIVE REVIEW: JAKOB AT SAN FRAN, WELLINGTON (JUNE 2021 Jakob w/ Hiboux Saturday 5 June 2021 San Fran, Wellington Local post-rockers Hiboux have gained a lot of great support slots over the years – Alcest, Tortoise, Head Like a Hole, and recently, Mono. But it seemed overdue that they’d get the chance to play with Jakob.Something I
FROM THE PIT 2021
From The Pit is a curated exhibition of images of New Zealand musicians and a celebration of the craft and art of live musicphotography.
LIVE REVIEW WITH PHOTOS: PEACHY KEEN FESTIVAL, BASIN Basin Reserve, Wellington. Saturday 3 April 2021. After a week of truly abysmal weather, Wellington seemingly changed its mind and decided to about turn, blessing us with a beautiful sunny day at the Basin Reserve – ideal for a festival. Peachy Keen felt different from your usual festival as well. One of the key things that stood outis that
THE TUNING FORK ARCHIVES Jakob w/ Potions of Magic Friday 4 June 2021 The Tuning Fork, Auckland. It’s been quite some time since our Aotearoa instrumental heroes Jakob have treated us to a gig. LIVE REVIEW: JAKOB AT THE TUNING FORK 8TH BIRTHDAY Legendary post-rock trio Jakob are back for their first gig in years, celebrating The Tuning Fork venue's eighth birthday THE TESKEY BROTHERS ARCHIVES Standard. Australian blues musician Ash Grunwald was the first person I interviewed for Will Not Fade, back in 2015. It was just before his upcoming NZ tour. During our talk he mentioned plans for his upcoming record, including some people he was hoping to collaborate with. Fast forward four years, and he has just dropped said album, Mojo. 10 PORTUGUESE POST-ROCK BANDS YOU SHOULD LISTEN TO! The Portuguese Post-Rock scene has grown over the years and solid acts have pushed the limits. Take a listen! 10 – Okkur. Okkur (from Barcelos) is one of those bands that astounds you in a way that is different from all the others. The band takes some influences from bands like The Last Days and Líam. This music will speak to your souland
JUMP ROPE GAZERS ARCHIVES I think I can safely speak for all of us when I say it has been a rough year. Personally, I had a lot of amazing plans that got cancelled. I was planning on traveling throughout Europe, seeing the world, touring with my dear friends Ranges and attending festivals such as dunk!festival and ArcTanGent. Then a pesky virus spread around the globe and put an end to all of that.WILL NOT FADE
Standard. Just Neighbors are an awesome math-rock band from Gainsville, Florida. They play wonderful happy tappy music with care-free vibes. They are about to release a new album, Inside Voices, which showcases a slightly different sound for the band. Will NotFade: Here in
ALBUM REVIEW: HUBRIS. Hubris. was birthed amongst giants, playing their first ever show with our very own Jakob in May 2015, which also happened to be the release show for their debut album Emersion.. Five years on the Swiss post-rock quartet have made a bold statement with their third album Metempsychosis, a stunning musical exploration of Greek myths and legends.. I’ll begin by discussing the first track I LIVE REVIEW: JAKOB AT SAN FRAN, WELLINGTON (JUNE 2021 Jakob w/ Hiboux Saturday 5 June 2021 San Fran, Wellington Local post-rockers Hiboux have gained a lot of great support slots over the years – Alcest, Tortoise, Head Like a Hole, and recently, Mono. But it seemed overdue that they’d get the chance to play with Jakob.Something I
FROM THE PIT 2021
From The Pit is a curated exhibition of images of New Zealand musicians and a celebration of the craft and art of live musicphotography.
LIVE REVIEW WITH PHOTOS: PEACHY KEEN FESTIVAL, BASIN Basin Reserve, Wellington. Saturday 3 April 2021. After a week of truly abysmal weather, Wellington seemingly changed its mind and decided to about turn, blessing us with a beautiful sunny day at the Basin Reserve – ideal for a festival. Peachy Keen felt different from your usual festival as well. One of the key things that stood outis that
THE TUNING FORK ARCHIVES Jakob w/ Potions of Magic Friday 4 June 2021 The Tuning Fork, Auckland. It’s been quite some time since our Aotearoa instrumental heroes Jakob have treated us to a gig. LIVE REVIEW: JAKOB AT THE TUNING FORK 8TH BIRTHDAY Legendary post-rock trio Jakob are back for their first gig in years, celebrating The Tuning Fork venue's eighth birthday THE TESKEY BROTHERS ARCHIVES Standard. Australian blues musician Ash Grunwald was the first person I interviewed for Will Not Fade, back in 2015. It was just before his upcoming NZ tour. During our talk he mentioned plans for his upcoming record, including some people he was hoping to collaborate with. Fast forward four years, and he has just dropped said album, Mojo. 10 PORTUGUESE POST-ROCK BANDS YOU SHOULD LISTEN TO! The Portuguese Post-Rock scene has grown over the years and solid acts have pushed the limits. Take a listen! 10 – Okkur. Okkur (from Barcelos) is one of those bands that astounds you in a way that is different from all the others. The band takes some influences from bands like The Last Days and Líam. This music will speak to your souland
JUMP ROPE GAZERS ARCHIVES I think I can safely speak for all of us when I say it has been a rough year. Personally, I had a lot of amazing plans that got cancelled. I was planning on traveling throughout Europe, seeing the world, touring with my dear friends Ranges and attending festivals such as dunk!festival and ArcTanGent. Then a pesky virus spread around the globe and put an end to all of that.POST-METAL ARCHIVES
Standard. Philadelphia post-metallers Rosetta have recently released their sixth album entitled Utopioid – a portmanteau of Utopia and Opioid. Utopioid is a concept album composed of four distinct sections that explore the extremes of texture anddynamic.
THE ADULTS ARCHIVES
The Adults’ second album, Haja, is one of the better albums to come out in recent months. Vivacious and upbeat, it combines energetic Sudanese percussion with emerging New Zealand pop and hip-hop talent. I was wondering how they would pull it off in a live context, purely because the album featured a lot of contributors from around NewZealand and Sudan.
BURIED TREASURE: PROBOT The Buried Treasure from this album is the hidden track ‘I am the Warlock’, featuring Jack Black. It’s the last song on the album, playing after four minutes of silence after the final listed track ‘Sweet Dreams’. It’s funny because even though I know that the song is coming, it always gives me a fright when it starts. YouTube.ZACH ZYLA ARCHIVES
Enderson teamed up with local sound engineer Zach Zyla to record this début acoustic pop-punk album, Chasing Light. This is a truly raw recording, done in Zyla’s home studio. Not to say that it is poor quality, but you can really hear the steel strings of the guitar hum and vibrate as Enderson strums. It soudns intimate and close. ALBUM REVIEW: LOST IN KIEV For their second album, Parisian post-metallers Lost In Kiev have gone all out and released an epic, sprawling opus named Nuit Noire. Following on from their previous work, the band has chosen to add spoken word samples to their music.They stray from common post-rock convention however, by writing and recording their own tracks, rather STEVE BREMNER ARCHIVES The rest of the band came on after Biza’s set. Trinity Root’s Ben Lemi on drums, Steve Bremner on percussion, Emily Browning on guitar and vocals, Estere on roto toms, percussion, vocals and synth, and the main man himself, Jon Toogood on bass and vocals. A fairly star-studded line-up. LE ROCK PSICOPHONIQUE ARCHIVES Montana post-rockers Ranges have really come to prominence since the release of their last album, The Ascensionist, which saw them touring across The USA and Europe, playing some of the biggest festivals within the scene, and selling out of multiple pressings of the record.Their success has also led to the growth of A Thousand Arms, a screen-printing business which evolved into a distro-come HOMEM EM CATARSE ARCHIVES 8- Juseph Juseph is a band formed in Vale de Cambra in 2009 whose discovery was quite a surprise. With a unique sound, distortion-driven guitars and wild grooves, they produce the sort of musical landscape that takes you to an alternative dimension and leaves you mesmerizedwith the sound.
ALBUM REVIEW: SILVERSUN PICKUPS Standard. Better Nature is Californian quartet Silversun Pickups’ fourth album, the follow-up to 2012’s superb Neck of the Woods. They’ve always written brilliant dreamy shoegaze songs with a hint of danger, but never managed to receive much attention in New Zealand. New World supermarkets started to use ‘Lazy Eye’ in their CULT OF PERSONALITY: AN INTERVIEW WITH WILL CALHOUN 0:00 / 4:53. Live. •. Despite the amount of time passed since Living Colour were at the height of prominence, the themes of their music remain as current as ever. Calhoun shares how the band wrote their biggest hit, ‘Cult of Personality’. “We wrote that song in 1988. The fact that people still love itWILL NOT FADE
Standard. Just Neighbors are an awesome math-rock band from Gainsville, Florida. They play wonderful happy tappy music with care-free vibes. They are about to release a new album, Inside Voices, which showcases a slightly different sound for the band. Will NotFade: Here in
LIVE REVIEW: JAKOB AT SAN FRAN, WELLINGTON (JUNE 2021 Jakob w/ Hiboux Saturday 5 June 2021 San Fran, Wellington Local post-rockers Hiboux have gained a lot of great support slots over the years – Alcest, Tortoise, Head Like a Hole, and recently, Mono. But it seemed overdue that they’d get the chance to play with Jakob.Something I
ALBUM REVIEW: HUBRIS. Hubris. was birthed amongst giants, playing their first ever show with our very own Jakob in May 2015, which also happened to be the release show for their debut album Emersion.. Five years on the Swiss post-rock quartet have made a bold statement with their third album Metempsychosis, a stunning musical exploration of Greek myths and legends.. I’ll begin by discussing the first track I LIVE REVIEW WITH PHOTOS: PEACHY KEEN FESTIVAL, BASIN Basin Reserve, Wellington. Saturday 3 April 2021. After a week of truly abysmal weather, Wellington seemingly changed its mind and decided to about turn, blessing us with a beautiful sunny day at the Basin Reserve – ideal for a festival. Peachy Keen felt different from your usual festival as well. One of the key things that stood outis that
THE TESKEY BROTHERS ARCHIVES Standard. Australian blues musician Ash Grunwald was the first person I interviewed for Will Not Fade, back in 2015. It was just before his upcoming NZ tour. During our talk he mentioned plans for his upcoming record, including some people he was hoping to collaborate with. Fast forward four years, and he has just dropped said album, Mojo.ZHAOZE ARCHIVES
Zhaoze. Chinese act Zhaoze started of the weekend on the main stage, albeit slightly late due to sound issues. Central to their sound is a guqin – a traditional Chinese instrument that looks like a slide guitar crossed with a harp. The guqin is played with a bow or plucked,much like a violin.
10 PORTUGUESE POST-ROCK BANDS YOU SHOULD LISTEN TO! The Portuguese Post-Rock scene has grown over the years and solid acts have pushed the limits. Take a listen! 10 – Okkur. Okkur (from Barcelos) is one of those bands that astounds you in a way that is different from all the others. The band takes some influences from bands like The Last Days and Líam. This music will speak to your souland
HOMEM EM CATARSE ARCHIVES 8- Juseph Juseph is a band formed in Vale de Cambra in 2009 whose discovery was quite a surprise. With a unique sound, distortion-driven guitars and wild grooves, they produce the sort of musical landscape that takes you to an alternative dimension and leaves you mesmerizedwith the sound.
ALBUM REVIEW: LOST IN KIEV For their second album, Parisian post-metallers Lost In Kiev have gone all out and released an epic, sprawling opus named Nuit Noire. Following on from their previous work, the band has chosen to add spoken word samples to their music.They stray from common post-rock convention however, by writing and recording their own tracks, rather CULT OF PERSONALITY: AN INTERVIEW WITH WILL CALHOUN 0:00 / 4:53. Live. •. Despite the amount of time passed since Living Colour were at the height of prominence, the themes of their music remain as current as ever. Calhoun shares how the band wrote their biggest hit, ‘Cult of Personality’. “We wrote that song in 1988. The fact that people still love itWILL NOT FADE
Standard. Just Neighbors are an awesome math-rock band from Gainsville, Florida. They play wonderful happy tappy music with care-free vibes. They are about to release a new album, Inside Voices, which showcases a slightly different sound for the band. Will NotFade: Here in
LIVE REVIEW: JAKOB AT SAN FRAN, WELLINGTON (JUNE 2021 Jakob w/ Hiboux Saturday 5 June 2021 San Fran, Wellington Local post-rockers Hiboux have gained a lot of great support slots over the years – Alcest, Tortoise, Head Like a Hole, and recently, Mono. But it seemed overdue that they’d get the chance to play with Jakob.Something I
ALBUM REVIEW: HUBRIS. Hubris. was birthed amongst giants, playing their first ever show with our very own Jakob in May 2015, which also happened to be the release show for their debut album Emersion.. Five years on the Swiss post-rock quartet have made a bold statement with their third album Metempsychosis, a stunning musical exploration of Greek myths and legends.. I’ll begin by discussing the first track I LIVE REVIEW WITH PHOTOS: PEACHY KEEN FESTIVAL, BASIN Basin Reserve, Wellington. Saturday 3 April 2021. After a week of truly abysmal weather, Wellington seemingly changed its mind and decided to about turn, blessing us with a beautiful sunny day at the Basin Reserve – ideal for a festival. Peachy Keen felt different from your usual festival as well. One of the key things that stood outis that
THE TESKEY BROTHERS ARCHIVES Standard. Australian blues musician Ash Grunwald was the first person I interviewed for Will Not Fade, back in 2015. It was just before his upcoming NZ tour. During our talk he mentioned plans for his upcoming record, including some people he was hoping to collaborate with. Fast forward four years, and he has just dropped said album, Mojo.ZHAOZE ARCHIVES
Zhaoze. Chinese act Zhaoze started of the weekend on the main stage, albeit slightly late due to sound issues. Central to their sound is a guqin – a traditional Chinese instrument that looks like a slide guitar crossed with a harp. The guqin is played with a bow or plucked,much like a violin.
10 PORTUGUESE POST-ROCK BANDS YOU SHOULD LISTEN TO! The Portuguese Post-Rock scene has grown over the years and solid acts have pushed the limits. Take a listen! 10 – Okkur. Okkur (from Barcelos) is one of those bands that astounds you in a way that is different from all the others. The band takes some influences from bands like The Last Days and Líam. This music will speak to your souland
HOMEM EM CATARSE ARCHIVES 8- Juseph Juseph is a band formed in Vale de Cambra in 2009 whose discovery was quite a surprise. With a unique sound, distortion-driven guitars and wild grooves, they produce the sort of musical landscape that takes you to an alternative dimension and leaves you mesmerizedwith the sound.
ALBUM REVIEW: LOST IN KIEV For their second album, Parisian post-metallers Lost In Kiev have gone all out and released an epic, sprawling opus named Nuit Noire. Following on from their previous work, the band has chosen to add spoken word samples to their music.They stray from common post-rock convention however, by writing and recording their own tracks, rather CULT OF PERSONALITY: AN INTERVIEW WITH WILL CALHOUN 0:00 / 4:53. Live. •. Despite the amount of time passed since Living Colour were at the height of prominence, the themes of their music remain as current as ever. Calhoun shares how the band wrote their biggest hit, ‘Cult of Personality’. “We wrote that song in 1988. The fact that people still love it POTIONS OF MAGIC ARCHIVES Jakob w/ Potions of Magic Friday 4 June 2021 The Tuning Fork, Auckland. It’s been quite some time since our Aotearoa instrumental heroes Jakob have treated us to a gig. THE WILL NOT FADE TEAM The Will Not Fade Team. Page. Will Not Fade founder Joseph James is a teacher living in Wellington, New Zealand. Highlights from his time running Will Not Fade include joining Ranges on tour across the USA and Europe, attending two dunk!festivals, playing onstage with Guitar Wolf, providing guest vocals for some of his friends’ releases BURIED TREASURE: PROBOT The Buried Treasure from this album is the hidden track ‘I am the Warlock’, featuring Jack Black. It’s the last song on the album, playing after four minutes of silence after the final listed track ‘Sweet Dreams’. It’s funny because even though I know that the song is coming, it always gives me a fright when it starts. YouTube. 10 PORTUGUESE POST-ROCK BANDS YOU SHOULD LISTEN TO! The Portuguese Post-Rock scene has grown over the years and solid acts have pushed the limits. Take a listen! 10 – Okkur. Okkur (from Barcelos) is one of those bands that astounds you in a way that is different from all the others. The band takes some influences from bands like The Last Days and Líam. This music will speak to your souland
ALBUM REVIEW: LOST IN KIEV For their second album, Parisian post-metallers Lost In Kiev have gone all out and released an epic, sprawling opus named Nuit Noire. Following on from their previous work, the band has chosen to add spoken word samples to their music.They stray from common post-rock convention however, by writing and recording their own tracks, rather LE ROCK PSICOPHONIQUE ARCHIVES Montana post-rockers Ranges have really come to prominence since the release of their last album, The Ascensionist, which saw them touring across The USA and Europe, playing some of the biggest festivals within the scene, and selling out of multiple pressings of the record.Their success has also led to the growth of A Thousand Arms, a screen-printing business which evolved into a distro-come EP REVIEW: FAR FROM HERE A dance beat slowly emerges before everything cuts out. It’s a delicate balance – the sad guitars and the uptempo beat – and although the two elements shouldn’t work together on paper, they somehow create something compelling radiates hope. Just as it seems to gain momentum, the song ends. I wish it was longer. STEVE BREMNER ARCHIVES The rest of the band came on after Biza’s set. Trinity Root’s Ben Lemi on drums, Steve Bremner on percussion, Emily Browning on guitar and vocals, Estere on roto toms, percussion, vocals and synth, and the main man himself, Jon Toogood on bass and vocals. A fairly star-studded line-up. BEING EMPTY : BEING FILLED ARCHIVES After a few songs Smith stopped to thank us for the applause, before opening the floor for a Q&A sessions. Turns out Smith’s favourite colour is black – yes it is a colour – (I thought October was his favourite colour?), but no-one had decent questions worth addressing so the band delved back into their set.Valhalla is traditionally Wellington’s venue for metal music, so it seemed like ALBUM REVIEW: SILVERSUN PICKUPS Standard. Better Nature is Californian quartet Silversun Pickups’ fourth album, the follow-up to 2012’s superb Neck of the Woods. They’ve always written brilliant dreamy shoegaze songs with a hint of danger, but never managed to receive much attention in New Zealand. New World supermarkets started to use ‘Lazy Eye’ in theirWILL NOT FADE
Standard. Just Neighbors are an awesome math-rock band from Gainsville, Florida. They play wonderful happy tappy music with care-free vibes. They are about to release a new album, Inside Voices, which showcases a slightly different sound for the band. Will NotFade: Here in
LIVE REVIEW: JAKOB AT SAN FRAN, WELLINGTON (JUNE 2021 Jakob w/ Hiboux Saturday 5 June 2021 San Fran, Wellington Local post-rockers Hiboux have gained a lot of great support slots over the years – Alcest, Tortoise, Head Like a Hole, and recently, Mono. But it seemed overdue that they’d get the chance to play with Jakob.Something I
ALBUM REVIEW: HUBRIS. Hubris. was birthed amongst giants, playing their first ever show with our very own Jakob in May 2015, which also happened to be the release show for their debut album Emersion.. Five years on the Swiss post-rock quartet have made a bold statement with their third album Metempsychosis, a stunning musical exploration of Greek myths and legends.. I’ll begin by discussing the first track IPOST-METAL ARCHIVES
Standard. Philadelphia post-metallers Rosetta have recently released their sixth album entitled Utopioid – a portmanteau of Utopia and Opioid. Utopioid is a concept album composed of four distinct sections that explore the extremes of texture anddynamic.
LIVE REVIEW WITH PHOTOS: PEACHY KEEN FESTIVAL, BASIN Basin Reserve, Wellington. Saturday 3 April 2021. After a week of truly abysmal weather, Wellington seemingly changed its mind and decided to about turn, blessing us with a beautiful sunny day at the Basin Reserve – ideal for a festival. Peachy Keen felt different from your usual festival as well. One of the key things that stood outis that
ZHAOZE ARCHIVES
Zhaoze. Chinese act Zhaoze started of the weekend on the main stage, albeit slightly late due to sound issues. Central to their sound is a guqin – a traditional Chinese instrument that looks like a slide guitar crossed with a harp. The guqin is played with a bow or plucked,much like a violin.
ADAM TORNBLAD ARCHIVES Dreamer On The Run was a gem of an album. Fronted by Oscar Gulbrandsen and Adam Tornblad of Moonlit Sailor fame, U137 writes texturally deep and spiritually honest songs that dive right into the heart. It’s the kind of music that plays at the edges of that emotive gap highlighted in the study above. On November 17th U137 will bereleasing a
JAKOB ARCHIVES
The future of Westfest 16 is up in the air. NOFX have confirmed that they will not be coming. Somewhat related, Australian festival Soundwave has ended. Promoter AJ Maddah has a history of dodgy dealings, and it sounds like the responsibility for the festival canbe
10 PORTUGUESE POST-ROCK BANDS YOU SHOULD LISTEN TO! The Portuguese Post-Rock scene has grown over the years and solid acts have pushed the limits. Take a listen! 10 – Okkur. Okkur (from Barcelos) is one of those bands that astounds you in a way that is different from all the others. The band takes some influences from bands like The Last Days and Líam. This music will speak to your souland
ALBUM REVIEW: LOST IN KIEV For their second album, Parisian post-metallers Lost In Kiev have gone all out and released an epic, sprawling opus named Nuit Noire. Following on from their previous work, the band has chosen to add spoken word samples to their music.They stray from common post-rock convention however, by writing and recording their own tracks, ratherWILL NOT FADE
Standard. Just Neighbors are an awesome math-rock band from Gainsville, Florida. They play wonderful happy tappy music with care-free vibes. They are about to release a new album, Inside Voices, which showcases a slightly different sound for the band. Will NotFade: Here in
LIVE REVIEW: JAKOB AT SAN FRAN, WELLINGTON (JUNE 2021 Jakob w/ Hiboux Saturday 5 June 2021 San Fran, Wellington Local post-rockers Hiboux have gained a lot of great support slots over the years – Alcest, Tortoise, Head Like a Hole, and recently, Mono. But it seemed overdue that they’d get the chance to play with Jakob.Something I
ALBUM REVIEW: HUBRIS. Hubris. was birthed amongst giants, playing their first ever show with our very own Jakob in May 2015, which also happened to be the release show for their debut album Emersion.. Five years on the Swiss post-rock quartet have made a bold statement with their third album Metempsychosis, a stunning musical exploration of Greek myths and legends.. I’ll begin by discussing the first track IPOST-METAL ARCHIVES
Standard. Philadelphia post-metallers Rosetta have recently released their sixth album entitled Utopioid – a portmanteau of Utopia and Opioid. Utopioid is a concept album composed of four distinct sections that explore the extremes of texture anddynamic.
LIVE REVIEW WITH PHOTOS: PEACHY KEEN FESTIVAL, BASIN Basin Reserve, Wellington. Saturday 3 April 2021. After a week of truly abysmal weather, Wellington seemingly changed its mind and decided to about turn, blessing us with a beautiful sunny day at the Basin Reserve – ideal for a festival. Peachy Keen felt different from your usual festival as well. One of the key things that stood outis that
ZHAOZE ARCHIVES
Zhaoze. Chinese act Zhaoze started of the weekend on the main stage, albeit slightly late due to sound issues. Central to their sound is a guqin – a traditional Chinese instrument that looks like a slide guitar crossed with a harp. The guqin is played with a bow or plucked,much like a violin.
ADAM TORNBLAD ARCHIVES Dreamer On The Run was a gem of an album. Fronted by Oscar Gulbrandsen and Adam Tornblad of Moonlit Sailor fame, U137 writes texturally deep and spiritually honest songs that dive right into the heart. It’s the kind of music that plays at the edges of that emotive gap highlighted in the study above. On November 17th U137 will bereleasing a
JAKOB ARCHIVES
The future of Westfest 16 is up in the air. NOFX have confirmed that they will not be coming. Somewhat related, Australian festival Soundwave has ended. Promoter AJ Maddah has a history of dodgy dealings, and it sounds like the responsibility for the festival canbe
10 PORTUGUESE POST-ROCK BANDS YOU SHOULD LISTEN TO! The Portuguese Post-Rock scene has grown over the years and solid acts have pushed the limits. Take a listen! 10 – Okkur. Okkur (from Barcelos) is one of those bands that astounds you in a way that is different from all the others. The band takes some influences from bands like The Last Days and Líam. This music will speak to your souland
ALBUM REVIEW: LOST IN KIEV For their second album, Parisian post-metallers Lost In Kiev have gone all out and released an epic, sprawling opus named Nuit Noire. Following on from their previous work, the band has chosen to add spoken word samples to their music.They stray from common post-rock convention however, by writing and recording their own tracks, rather LIVE REVIEW: JAKOB AT SAN FRAN, WELLINGTON (JUNE 2021 Jakob w/ Hiboux Saturday 5 June 2021 San Fran, Wellington Local post-rockers Hiboux have gained a lot of great support slots over the years – Alcest, Tortoise, Head Like a Hole, and recently, Mono. But it seemed overdue that they’d get the chance to play with Jakob.Something I
LIVE REVIEW: JAKOB AT THE TUNING FORK 8TH BIRTHDAY Legendary post-rock trio Jakob are back for their first gig in years, celebrating The Tuning Fork venue's eighth birthday THE WILL NOT FADE TEAM The Will Not Fade Team. Page. Will Not Fade founder Joseph James is a teacher living in Wellington, New Zealand. Highlights from his time running Will Not Fade include joining Ranges on tour across the USA and Europe, attending two dunk!festivals, playing onstage with Guitar Wolf, providing guest vocals for some of his friends’ releases LIVE REVIEW WITH PHOTOS: PEACHY KEEN FESTIVAL, BASIN Basin Reserve, Wellington. Saturday 3 April 2021. After a week of truly abysmal weather, Wellington seemingly changed its mind and decided to about turn, blessing us with a beautiful sunny day at the Basin Reserve – ideal for a festival. Peachy Keen felt different from your usual festival as well. One of the key things that stood outis that
THE TUNING FORK ARCHIVES Jakob w/ Potions of Magic Friday 4 June 2021 The Tuning Fork, Auckland. It’s been quite some time since our Aotearoa instrumental heroes Jakob have treated us to a gig.BLUES ARCHIVES
Standard. Australian blues musician Ash Grunwald was the first person I interviewed for Will Not Fade, back in 2015. It was just before his upcoming NZ tour. During our talk he mentioned plans for his upcoming record, including some people he was hoping to collaborate with. Fast forward four years, and he has just dropped said album, Mojo.HIP-HOP ARCHIVES
It was obvious from the first single that Jon Toogood’s new The Adults album possessed something different. The African influence and feminist leanings made the video look like it’d been lifted directly from the recent Black Panther movie.“Bloodlines” is a banger of a track, with raw primal energy, incredible percussion, powerful themes and a hip-hop direction.THE ADULTS ARCHIVES
The Adults’ second album, Haja, is one of the better albums to come out in recent months. Vivacious and upbeat, it combines energetic Sudanese percussion with emerging New Zealand pop and hip-hop talent. I was wondering how they would pull it off in a live context, purely because the album featured a lot of contributors from around NewZealand and Sudan.
10 PORTUGUESE POST-ROCK BANDS YOU SHOULD LISTEN TO! The Portuguese Post-Rock scene has grown over the years and solid acts have pushed the limits. Take a listen! 10 – Okkur. Okkur (from Barcelos) is one of those bands that astounds you in a way that is different from all the others. The band takes some influences from bands like The Last Days and Líam. This music will speak to your souland
ALBUM REVIEW: SILVERSUN PICKUPS Standard. Better Nature is Californian quartet Silversun Pickups’ fourth album, the follow-up to 2012’s superb Neck of the Woods. They’ve always written brilliant dreamy shoegaze songs with a hint of danger, but never managed to receive much attention in New Zealand. New World supermarkets started to use ‘Lazy Eye’ in theirSidebar
WILL NOT FADE
CONTENT FOR MUSIC LOVERSMENU
Skip to content
* Home
* About
* About
* The Will Not Fade Team* Live Music
* Live Music Reviews * Will Not Fade Photography* Album Reviews
* Interviews
* Tour Blog
* Ranges European Tour 2018 * Ranges The Ascensionist Tour* Other
* Buried Treasure
* Film Reviews
* Other Articles
* Genres
* Blues
* Hip-Hop
* Hardcore
* Metal
* NZ Music
* Pop
* Post-Rock
* Punk
* Rock
WANT THE LATEST UPDATES? Click to follow this blog and receive notifications about new contentby email.
Enter your email address to follow this blog and receive notifications about new content by email.Follow
Search for:
* Latest
* Popular
*
Album Review: Petricor – First Breath*
10 Portuguese Post-Rock Bands You Should Listen To!*
Album
Review: Pillars – Cavum*
Live Review: Bob Log III and Labretta Suede & The Motel 6*
Album Review: Undersound – No More Shooting Stars * Today Week Month All*
EP Review: Toe - Our Latest Number*
Album Review: Tenacious D - Post-Apocalypto*
20 Years On: Tool - Ænima*
Album Review: Listener - Being Empty : Being Filled*
Live Review: Thundercat at NZ Festival, WellingtonStandard
PETRICOR enter our awareness with their debut release on Fluttery Records. What better place to start! _First Breath_ releases during a year that has seen a resurgence of quality releases after what some have said has been a drought in instrumental music. Fitting that Petricor is the name they chose to help frame their identity. Emotive, crescendo brimming Post Rock at its finest. Even the album art can be seen as the duality of the internal narrative. Their music toes the thin line between introspect and what we project to those around us to see, or hear for that matter. _First Breath_ rises from the sediment and ash like a heat wave you can see through the distance. Frail waves of texture deftly coat your senses, and slowly lift your mood like an Elysian zephyr weaving beneath a deep canopy. Melodies that shimmer with an ethereal construct designed to reconcile our varied perception into one accord. Each track begins with a coy hook to ignite my interest and cement my commitment to listen beyond a long proven Post Rock formula. Prudent synths augment the whole versus overshadowing their arrangements. Petricor do a classy job in staving off overproduction and do not succumb to the addition of too many elements. The only song with vocals, the album’s title track, articulates the dichotomy that lies within the debilitating manifests of emotion, that wanting to flee that which perils us to feel. But no matter how far you run, you are still right there. The old adage of “Time heals all wounds” is only superficially sound in its context. Surface wounds yield in time, but those that exist beneath have their own life cycle. Petricor’s first musical statement urges us to shake off the saddle of the ties that bind us to a static being and embrace growth as a mission, not only a far flung idea. There is no silver bullet for Post Rock. And yes, we have heard this musical equation before, but Petricor execute it just right! Listen further. Trust me.PETRICOR LINKS:
Facebook: https://www.facebook.com/petricortheband Bandcamp: https://petricor-band.bandcamp.com/album/first-breath Fluttery Records page: https://flutteryrecords.com/flttry173LANCE TURNER
*
Date June 27, 2019
*
Author Lance Turner
*
Tags Album Review ,
Experimental , First Breath, Fluttery Records
, Instrumental
, Italy
, Petricor
, Post-Rock
*
Comments Leave a comment 10 PORTUGUESE POST-ROCK BANDS YOU SHOULD LISTEN TO!Standard
The Post-Rock scene is not only diverse but extremely rich worldwide. The boundaries of this genre have been pushed far and wide over the years and Portugal was not indifferent to it. The Portuguese Post-Rock scene has grown over the years and solid acts have pushed the limits.Take a listen!
10 – OKKUR
Okkur (from Barcelos) is one of those bands that astounds you in a way that is different from all the others. The band takes some influences from bands like The Last Days and Líam. This music will speak to your soul and you will not be the same person after listening to this. Every instrument is like a perfect piece in a perfect puzzle that is not only wholesome, but also pure, raw and magical for every second ofit!
9 – CERCA
Cerca is the project and vision of Né Alves. With strong, vibrant riffs, each song is a story of its own, always surprising you, always pulling you in. Live, they are intense and unique. Like a punch in the stomach that instead of sending you to the stars, it pulls you down to the Earth and grounds you in a way you did not think it was possible. Cerca released their album _VII_ in September 2017 and it’s amust-listen!
8- JUSEPH
Juseph is a band formed in Vale de Cambra in 2009 whose discovery was quite a surprise. With a unique sound, distortion-driven guitars and wild grooves, they produce the sort of musical landscape that takes you to an alternative dimension and leaves you mesmerized with the sound. They have two releases: 2013’s _Novae EP,_ and recent 2019 album _Óreida_. One of the most positive surprises that the Portuguese post-rock scene has to offer. 7 – THEN THEY FLEW Hailing from Lisbon, Then They Flew is a band that leads you to a dreamscape in which vivid imagery comes to life with each note and every chord played. Soothing melodies and intense riffs bring just about the exact intensity for each moment of each song. Their style is inspired by many artists and you will find strong resemblances to If These Trees Could Talk. They released their album _Stable as the Earth Stops Spinning _in 2015. 6 – IMPLODING STARS Imploding Stars can best be defined as rich melodies and emotional uplifting music that takes you to the outer reaches of space. Hailing from the city of Braga, Imploding Stars have made a journey that not only contributed for their own personal growth and definition as a band but also to the pleasure of every post-rock listener who had the grace to find their music. They count three albums in their discography and one of them was made as a soundtrack for the movie _From Earth to the Universe_¸ produced for Casa da Ciência de Braga. 5 – FIRST BREATH AFTER COMA Founded in 2012, First Breath after Coma are a unique band. With three albums in their discography, they have risen to great heights and joined the platoon of international Portuguese bands. In March 2019 they released their last album _NU_, after the acclaimed 2016 _Drifter_. _NU_ is an experience worth listening to. Experiencing and pushing musical boundaries, First Breath After Coma are surely bound to continue to grow and present us with amazing art. 4 – HOMEM EM CATARSE Homem em Catarse is the project of indignu’s guitarist Afonso Dorido. Counting with one EP: _Homem em Catarse_ and two albums: _Guarda-Rios_ and _Viagem Interior_, Homem em Catarse is the combination of Post-Rock looped guitars and the traditional Portuguese Fado singing. His latest album,_ Viagem Interior_ is a recollection of experience and lives from the rural areas of Portugal that were left behind and sometimes forgotten. It’s a journey to the deepest roots of what Portugal has to offer.3 – CATACOMBE
Starting in 2007 in the town of Vale de Cambra, Catambe carved a journey over the years that lead them to the release of an EP: Memoirs in 2008 and two albums in 2010 and 2014. In 2013 they appeared as the surprise band in Amplifest, participating with bands such as Deafheaven, Russian Circles, Year of no Light, amongst others. They have shared the stage with other bands such as Tides from Nebula and Minsk and on the 7th of June they are going to release the album _Scintilla_. This album represents a journey to the origins, and as the band puts it: “_Scintilla_ leads us back to that primordial moment when man discovers fire, so that millions of years alter a band can discover the course, or the maturity.” 2 – BEFORE AND AFTER SCIENCE Born in Oporto in 2009, Before and After Science have made their presence known over the past couple of years. In 2013 they released the EP _Vital Signs of a Fallen World_ and finally in 2017, their album _Relics & Cycles_. Taking influences from bands like If These Trees Could Talk and Russian Circles, they stand out in the Portugal Post-Rock/Post-Metal scene with their strong riffs and intense music. A band definitely worth listening to if you’re looking for heavy and powerful music that will not leave you indifferent.1 – INDIGNU
And finally, for the first place! Indignu is one of the most prominent Portuguese acts out there. Originally from the small town of Barcelos, they released their fourth album _Umbra _in May 2018. The band called _Umbra_ “a record in memory of all the souls left in the gloom of a tragedy that raped our homeland last year. A black, painful, haunted set that describes the penumbra in which a man lives immersed in the dark chaos, in the apocalypse.”. This is the kind of band whose intense and emotional way of playing will trigger deep, strong emotions that are hard to grasp and comprehend. In September, they will be playing VIVID. a post_rock festival in Norway, with what will surely be an intense and immersive show.JOÃO SEIXO
*
Date June 5, 2019
*
Author Joao Seixo
*
Tags Ambient , Before and AfterScience ,
Catacombe , Cerca
, First Breath After Coma, Homem em
Catarse , Imploding
Stars , indignu
, Instrumental
, Juseph
, Okkur
, Portugal
, Post-Metal
, Post-Rock
, Then They Flew
*
Comments Leave a comment ALBUM REVIEW: PILLARS – CAVUMStandard
Despite having only one album to their name, Indiana post-rockers PILLARS have already built an impressive reputation for themselves. Of course, being major players behind Post. Festival certainly helps, but they’ve more than earnt their place within the scene based off their musicalone.
Put simply this second album, _Cavum_, is worth your time. Conceptually, the album explores the dichotomy we find ourselves in, in this current day and age. Technology connects us more than ever, yet also isolates us. Mankind is reaching all manner of pinnacles, yet depression is ever prevalent. Somehow our lives are increasingly intertwined, yet somehow many of us feel more lost than ever. I, for one, find this super relatable, and after having listened to the record a great deal, can see how the music represents both the lightand the dark.
_Cavum _commences with a brooding riff, primal drumming and eerie swells reminiscent of the almighty Jakob.And of
course, anyone even remotely familiar with the world of post-rock should know that there is virtually no higher praise than a comparisonwith Jakob
.
It builds steadily with nice pacing before the explosive overdriven phase knocks your head in. A groove laden breakdown transitions back into crescendos – and I must say, as someone who reviews a fair deal of post-rock music, I do tire of the same old crescendo cliches. But this isn’t stale, no, no. This, ladies and gentleman, is how to write a damn tasty song. It hooks you in with just enough primal attraction, and then hammers itself into your consciousness. If that dense riffy goodness wasn’t enough for you, maybe the killer double-bass drumming and urgent guitar line that starts “Dissolution” will tickle your fancy. Heck, it could tickle your eyebrows for all I care, just get a load of the sheer power behind this incredible music. The intensity does ease off after a period, but as Sir Isaac Newton said: “For every action there is an equal and opposite reaction”. So according to that, for every quiet passage, we should get some awesome metal passage too. Is that how scienceworks?
I’m a drummer. The drumming on this album rules. Shout outs to Zach Frizzell for being a percussive beast. Zach, I hope to meet you during my travels some day. Maybe I can come to a future Post. Festival and make a drunken scene like I did at dunk!USA.
Or you could come to New Zealand and I’ll give you some home-made beard oil and confuse you with my weird accent. It’s probably best if I come meet you though, because then we can also have Taco Bell, which my country does not have (criminal, I know!). “Black Prayer” is an absolute belter. Think along the lines of when you have a Caspian record spinning and it reaches a part that’s so good you just want to scream and thrash about, knowing that you, a mere mortal, will never be able to craft such perfection. Well goshdarnit, PILLARS just have to rub it in, because they’ve managed to reach such unobtainable heights. There’s a section towards the end of this track, where the bass cuts out, the drum sticks are rapping on the rims, the guitar line is soaring, and then everything comes back in like an angelic tonne of bricks. It somehow crushes my soul and elevates my spirit at the same time. Don’t ask me how. I’m not a priest. (Nor am I a scientist, as you would know if you’d read the paragraph about “Dissolution”). Just know that you may need to change your pants after listening to this track. I’m half tempted to photoshop myself into this photo to see if anyone would notice. I have glasses and a beard, and have been known to frown at times, so I think I could fit right in Listen closely to album closer, “Coda” and you’ll hear interesting snippets hidden in the background. It’s a touching piano ballad that evokes strong emotions, especially once the light guitar swells kick in. Surprising, considering the quality, but the piano recording was done on an iphone. Marc Ertel sat down at the piano and recorded with his phone while his family made breakfast and got ready for the day. The background noises – you can hear Ertel’s children playing, and his wife washing dishes – give a nice sentimental feel that’s homely and authentic. It’s a great reflective piece to enda superb album.
So yeah, if PILLARS aren’t on your radar yet, then _Cavum _should see to it that they are. It’s a fine album worthy of your time. It’s a devastating monument to beauty, heaviness, and musicaltalent.
-------------------------PILLARS LINKS:
Facebook: https://www.facebook.com/pillarstheband/
Bandcamp: https://pillarstheband.bandcamp.com/ Spotify: https://open.spotify.com/artist/7g7Tu2bp4W9NtG3NZIaUwB Instagram: https://www.instagram.com/pillarstheband/
Twitter: https://twitter.com/pillarstheband Soundcloud: https://soundcloud.com/pillarstheband ORDER PHYSICAL COPIES OF _CAVUM:_ A Thousand Arms (USA): https://athousandarms.store/collections/pillars dunk!records (EU): https://dunkrecords.com/products/pillars-cavum-lpJOSEPH JAMES
*
Date May 16, 2019
*
Author Joseph James
*
Tags A Thousand Arms , Cavum , dunk!records, Indiana
, Pillars
, post.recordings
, Young Epoch
*
Comments Leave a comment LIVE REVIEW: BOB LOG III AND LABRETTA SUEDE & THE MOTEL 6Standard
BOB LOG III
W/ LABRETTA SUEDE & THE MOTEL 6 VALHALLA, WELLINGTONTHURSDAY 9 MAY 2018
Picture – if you will – a venn diagram. This diagram represents most live musical acts. In one circle there are technically proficient bands that you’d see because you can appreciate how well they play (such as an orchestra); and in the other are bands that you wouldn’t usually listen to, but you know they’d put on an awesome show. An example for the latter category is German metallers Rammstein. They sounded damn awful when I saw them play, but their notorious live spectacle of pyrotechnics and stage theatrics makes them an unmissableact.
Obviously there is crossover within this diagram – bands who play well _and _put on a great show (Iron Maiden being the finest example I’ve come across in both respects), but given the choice, I’ll take the option of a wild spectacle anyday. Which is why I missed notable punk band Propagandhi last night to see some backwards sounding novelty act from Arizona. ------------------------- Opening the night was Labretta Suede & The Motel 6, an NZ band who have made the shift to the States in recent years. Fronted by the larger-than-life Mrs Suede, they offer an entertaining mix that I’d compare to a rockabilly B-52s. Boosting a recent line-up change with a fresh rhythm section, they played a fun set that got the mostly-fullvenue grooving.
Labretta herself was the centre of attention. She wore a bra and some high waisted shorts that did little to cover much, with a large flower in her hair. She gyrated about the stage, contorting into crazy positions and standing upon the stage rail above the crowd. To her right was her hubby, Johnny Moondog, on guitar, with long hair, sunglasses and a tassled sleeveless shirt. And to her left was the young guitarist, Tweedy Bird – a muscly hulk in a tank top. He copped a lot of flack for being the young one, who hadn’t played in any bands before, but looked like he deserved his spot – experienced or not. Visually, Boots the drummer (of Sticky Filth fame) didn’t appear to fit in with the odd band, but his beats and grooves show that looks can be deceiving. And then we had the main attraction – Mr Bob Log III. He waltzed in from the the rear door of the venue, dressed in a sparkly zip-up onepiece – think Elvis impersonator. His identity was a mystery because his face was covered by a motorbike helmet with an old telephone receiver attached . Throughout the night he complained about his lack of vision due to a dark visor blocking his view, but the reason he wore the helmet is because the telephone worked as a hands-free microphone setup.
He let loose with a rough-and-ready blues number. The sound was a bit murky – probably because some idiot was perched in front of the speakers to take photographs, blocking the sound. . And the heavy distortion didn’t help. But we didn’t come here for articulate guitar virtuosity, we came to party! After an introductory song, Log handed out a packet of balloons and asked the audience to inflate them for him. The next song involved him popping said balloons by stomping on them to punctuate points in thesong.
And the interactions didn’t stop there. He crowdsurfed in an inflatable dinghy, shouting “FEET FIRST!” as the audience pushed him back onto stage the wrong way. He generously offered everyone free champagne, using a dogbowl and an inflatable duck as drinking vessels. In a stroke of marketing genius, he invited people up onstage to sit on his knee and take selfies with him to send to their mums as he played. Way to go viral! One oblivious drunk lady came onstage and stepped all over his pedals, interrupting the song. But that just added to the wild charm of the set. I’ll be honest: virtually all the songs sounded the same. At the start of his set he demonstrated his 8 sounds: the kick drum, tambourine, high chords, low chords, and a few other triggered pedals. The songs all revolved around filthy blue riffs with a slide, heavily muffled vocals, and looped drums that he played through the use of thepedals at his feet.
Log actually changed guitars half way through the set, and I have no idea why. Usually guitarists switch up because they need to change tunings, but he had been tuning his other guitar already, and this one looked exactly the same. Truth be told, the sound wasn’t amazing. It was hard to tell the songs apart. But it didn’t matter. The place was alive. Everyone was dancing and drinking and hollering and choosing to ignore the fact that it was late on a Thursday night. Bob Log III promised a party, and he sure delivered. WORDS AND PHOTOS BY JOSEPH JAMES*
Date May 11, 2019
*
Author Joseph James
*
Tags Bob Log III , Labretta Suede , Rock 'n' RollRuin , The Motel 6
, Valhalla
, Wellington
*
Comments 1 Comment
ALBUM REVIEW: UNDERSOUND – NO MORE SHOOTING STARSStandard
Undersound is Gareth Evans, a Welsh producer bringing 90’s styled hip-hop back with latest album _No More Shooting Stars._ You know the sound – funky, with DJ scratches and slower, enunciated rapping. Think along the lines of Jurassic 5.
Reading Evans’ bio reveals that he used to play in ska bands. He’s clearly put that experience to use, adding gorgeous horn sections to some of the songs. This is one of Chance The Rapper’s signature – adding trumpet to everything he touches, and Evans is wise to replicate the idea. If you browse his Facebook page you can see clips of Evans recording multiple instruments, including trombone, trumpet and french horn, as well as guitar and piano. There’s a fair bit of variety on the album: from the eerie, mystic “Intro”; to the funky horns and jangly guitar the typifies many of the songs; to the samples and scratches of “Party Arrangements”, to the more down tempo title track that segues into a pianointermission.
In fact, this title track shows a mature aching that stands out from the more party hip-hop feel that many of the other tracks exude. Evans also sings on this one, unlike most of the other songs that he rapsover.
The best track is “Another Catastrophe”, a fun number with carefree rapping that revolves around brass hooks. The slight shuffle on the drumbeat makes it feel more laid back, while smooth basslines and faint organ bring Motown to Cardiff. Another favourite is “No More Lies”, reminiscent of Kids These Days – the under-rated Chicago group that spawned the likes of Vic Mensa and Donnie Trumpet. The laid back beat and brass section atop gospel organs and soulful singing provide a wonderful feel. Ben Thorpe helped out with trombone and singer Bella Collins sang vocals that are especially similar to the KTD song “A Man’s Medley“.
Collins also features on album closer “Should’ve Known Better”. In fact, Evans recruits half a dozen collaborators to add different influences to the album. Some add soulful feel, like Collins and Harri Davies. Others distinctive hip-hop parts, like the scratches courtesy of MC Sober, and rapping from Redeye. _No More Shooting Stars _is a fun, funk-lite throwback with good vibes. It’s hip-hop that subtly borrows from other genres to enhance the music, and works wonderfully to offer laid back listening. -------------------------UNDERSOUND LINKS:
Spotify: https://open.spotify.com/album/2QpFxtJWlWlkOJtWvYdpZY?si=b5brU8xgTm2HqNNghlT61g NextGen music: https://www.nexgenmusicgroup.com/artists/undersound Twitter: https://twitter.com/undersounduk Soundcloud: https://soundcloud.com/undersound-1 Facebook: https://www.facebook.com/Undersounduk/JOSEPH JAMES
*
Date April 28, 2019
*
Author Joseph James
*
Tags Gareth Evans , HipHop , Lander PR
, NexGen Music
, No More Shooting Stars, Undersound
*
Comments Leave a commentPOST NAVIGATION
Older posts
Will Not Fade
Proudly powered by WordPress Theme: Writr.Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0