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VELENO GUITARS
The Rhythm Masters. John Veleno was born in 1934 and began studying guitar in Massachusetts in around 1958, eventually playing part-time in a rock and country band called the Rhythm Masters. From 1961 to ’62 he worked as a guitar teacher at the studio where he had beentaking lessons.
GRAMMER GUITARS
Photo: Kelsey Vaughn. Instrument courtesy Jason Davis. Grammer guitars, made in Nashville in the ’60s, are easily recognizable by their oversized pegheads, pickguards and bridges – not to mention the typical blue, yellow, or green sunburst finishes – and they seem a perfect complement for the gaudy stage clothing worn by countryartists of the
G&L F-100 | VINTAGE GUITAR® MAGAZINE G&L F-100. By Michael Wright. 8393. 1981 G&L F-100-I. If guitars are in your blood – really in your blood – you can’t walk away from them. That was certainly the case with Clarence Leonidas Fender, born August 10, 1909 (100 years ago), in Fullerton, California. There’sno
GIBSON JOHNNY SMITH
In 1961, Gibson’s Johnny Smith model not only associated Gibson with one of the most popular guitar stylists of the day, it also brought high-quality amplification and high-quality acoustic sound together for the first time. From Gibson’s first electric “Spanish” guitar, the ES-150 of 1936, Gibson had fashioned an electric guitar bycutting a hole
SIGMA BY MARTIN
25 MOST VALUABLE AMPLIFIERS Text by Dave Hunter Data compiled by Alan Greenwood and Gil Hembree. Vintage Guitar is marking 25 years of publication with a year full of features. Using data compiled for The Official Vintage Guitar Price Guide 2011, we continue the celebration with a list of the 25 most valuable amplifiers – those that helped create the tones made famous by virtually every genre of pop music.MARSHALL AMPLIFIERS
From the first JTM to models for Clapton and Townshend, Jim Marshall has been building amps since the early 1960s. Though inspired by others, his amps are entities unto themselves. Marshall amplifiers have remained the choice of artists who wanted their sound to be as impressive as their look. VINTAGE GUITAR® MAGAZINE Vintage Guitar always delivers the most interesting info on all kinds of vintage guitars, the great companies that built them and the artists who have been in SUBSCRIPTION SERVICES Complete guitar coverage all starts with a new subscription to VG! Get 12 months of bright, glorious vintage instruments and the latest new gear. Your best deal is 1‑Year Print Subscription which automatically renews to ensure your loved one never misses an issue. SAVE 20% → $19.95 $24.95. ›› Check Subscription – If you need help call 800-844-1197 (domestic) or 701-255-1197 (foreign 25 MOST VALUABLE GUITARS See VG’s 30 Most Valuable Guitars!. Data compiled by Alan Greenwood and Gil Hembree. Vintage Guitar is marking 25 years of publication with a year full of cool giveaways and features. This month, we continue the celebration with a list of the 25 guitars that, thanks to certain players, songs, and the laws of supply and demand, have become exceedingly valuable.VELENO GUITARS
The Rhythm Masters. John Veleno was born in 1934 and began studying guitar in Massachusetts in around 1958, eventually playing part-time in a rock and country band called the Rhythm Masters. From 1961 to ’62 he worked as a guitar teacher at the studio where he had beentaking lessons.
GRAMMER GUITARS
Photo: Kelsey Vaughn. Instrument courtesy Jason Davis. Grammer guitars, made in Nashville in the ’60s, are easily recognizable by their oversized pegheads, pickguards and bridges – not to mention the typical blue, yellow, or green sunburst finishes – and they seem a perfect complement for the gaudy stage clothing worn by countryartists of the
G&L F-100 | VINTAGE GUITAR® MAGAZINE G&L F-100. By Michael Wright. 8393. 1981 G&L F-100-I. If guitars are in your blood – really in your blood – you can’t walk away from them. That was certainly the case with Clarence Leonidas Fender, born August 10, 1909 (100 years ago), in Fullerton, California. There’sno
GIBSON JOHNNY SMITH
In 1961, Gibson’s Johnny Smith model not only associated Gibson with one of the most popular guitar stylists of the day, it also brought high-quality amplification and high-quality acoustic sound together for the first time. From Gibson’s first electric “Spanish” guitar, the ES-150 of 1936, Gibson had fashioned an electric guitar bycutting a hole
SIGMA BY MARTIN
25 MOST VALUABLE AMPLIFIERS Text by Dave Hunter Data compiled by Alan Greenwood and Gil Hembree. Vintage Guitar is marking 25 years of publication with a year full of features. Using data compiled for The Official Vintage Guitar Price Guide 2011, we continue the celebration with a list of the 25 most valuable amplifiers – those that helped create the tones made famous by virtually every genre of pop music.MARSHALL AMPLIFIERS
From the first JTM to models for Clapton and Townshend, Jim Marshall has been building amps since the early 1960s. Though inspired by others, his amps are entities unto themselves. Marshall amplifiers have remained the choice of artists who wanted their sound to be as impressive as their look. 2021 JULY ISSUE ON SPOTIFY Don’t miss Vintage Guitar magazine’s monthly playlist on the music-streaming service Spotify.Each month, Karl Markgraf curates a playlist featuring artists and songs mentioned in the pages of VG, arranged in order to play along as you read the issue, or just enjoy on its own! Karl holds bachelor’s degree in Jazz Guitar from the University of Northern Colorado, and works as a performing | VINTAGE GUITAR® MAGAZINE Don’t miss Vintage Guitar magazine’s monthly playlist on the music-streaming service Spotify.Each month, Karl Markgraf curates a playlist featuring artists and songs mentioned in the pages of VG, arranged in order to play along as you read the issue, or just enjoy on its own! Karl holds bachelor’s degree in Jazz Guitar from the University of Northern Colorado, and works as a performing 25 MOST VALUABLE GUITARS See VG’s 30 Most Valuable Guitars!. Data compiled by Alan Greenwood and Gil Hembree. Vintage Guitar is marking 25 years of publication with a year full of cool giveaways and features. This month, we continue the celebration with a list of the 25 guitars that, thanks to certain players, songs, and the laws of supply and demand, have become exceedingly valuable. 2021_06_09_2021_GIBSONGARAGE_WEB_2000X1200 Welcome! Log into your account. Forgot your password? Recover yourpassword
VELENO GUITARS
Throughout the years luthiers have built guitars out of a lot of exotic materials, from Torres’ paper mache acoustics to Danelectro’s masonite to Dan Armstrong’s lucite guitars to Steinberger’s all-graphite headless wonders. While all of these instruments are absolutely cool, few have the magic of those shiny metal guitars with bird-like headstocks and gleaming rubyFIRST ’BURST
While 8 3087 stayed out of the public eye with Griffiths, its “brother” from the May 28, 1958, shipment achieved notoriety when Yasuhiko Iwanade’s The Beauty of the Burst was published in the late ’90s. The first guitar pictured was 9 3096, which was owned by Slash, guitarist with Guns N’ Roses. A story on Gibson’s websitein ’98
HAVE GUITAR WILL TRAVEL 052 -CESAR GUEIKIAN Gibson’s newly appointed Brand President, Caeser Gueikian, returns to “Have Guitar Will Travel,” with host James Patrick Regan. Caeser is supremely passionate about Gibson and its guitars, and here he talks about the company’s acquisition of Mesa-Boogie, Gibson’s artist model program, their vision for Epiphone on its 150th anniversary, revived archtop construction at the Custom FENDER’S “MARY KAYE” STRATOCASTER The Fender “Mary Kaye” Stratocaster. A term guitar aficionados have come to associate with a ’50s Strat with blond finish with gold-plated hardware Although Mary Kaye never owned one and Fender never offically listed a “Mary Kaye” model, her name has become synonymous with this Strat. Though there are rarer custom-color or one-off prototypes, the GRETSCH G5622T ELECTROMATIC Enamored with the Cadillac of guitars, can’t quite spring for a Coupe de Ville, and don’t want to get stuck with an econobox? Take one of Gretsch’s new center-block Electromatics for a test drive. Simply put, it’s an incredible amount of guitar for the money. TheG5622T picks up
HOMESTEAD AMPS HS50
The HS50’s control panel carries Master, Volume, Treble, Bass, and Reverb controls, along with Standby, Power, and Half/Full power switches. Three pull switches on the Volume and Tone controls provide Bass Cut, Mid Boost, and Bright functions. There are two input jacks – Hi and Lo – and dual 60-watt Celestion Vintage 30 speakers are VINTAGE GUITAR® MAGAZINE Vintage Guitar always delivers the most interesting info on all kinds of vintage guitars, the great companies that built them and the artists who have been inCURRENT ISSUE
GET YOUR VG FIX. Your complete guitar coverage all starts with a new subscription to VG!. Subscribe Now. Print Copies Order print copies of the current issue or back issues in the VG Store. Vintage Guitar’s 33 year archive of the best guitar related info is a customizable tribute to the memories shared with your best friend, band mates, you name it.. Commemorate a life event by gifting SUBSCRIPTION SERVICES Complete guitar coverage all starts with a new subscription to VG! Get 12 months of bright, glorious vintage instruments and the latest new gear. Your best deal is 1‑Year Print Subscription which automatically renews to ensure your loved one never misses an issue. SAVE 20% → $19.95 $24.95. ›› Check Subscription – If you need help call 800-844-1197 (domestic) or 701-255-1197 (foreign 25 MOST VALUABLE GUITARS See VG’s 30 Most Valuable Guitars!. Data compiled by Alan Greenwood and Gil Hembree. Vintage Guitar is marking 25 years of publication with a year full of cool giveaways and features. This month, we continue the celebration with a list of the 25 guitars that, thanks to certain players, songs, and the laws of supply and demand, have become exceedingly valuable.SIGMA BY MARTIN
25 MOST VALUABLE BASSES Vintage Guitar is marking 25 years of publication with a year full of features. This month, using data compiled for The Official Vintage Guitar Price Guide 2011, we continue the celebration with a list of the 25 most valuable basses. 1. 1960-’62 Fender Jazz Bass ($25,000 to $38,000 in custom-color finish) The holiest of FenderBUDDY WHITTINGTON
Though his status as a member of John Mayall’s Bluesbreakers has changed since VG last talked to him, guitarist Buddy Whittington has forged ahead with a solo career. In ’07, he was lead guitarist for Mayall, but the entire band was “kicked out of the nest” the following year. “I’d been there for 15 years 25 MOST VALUABLE AMPLIFIERS Text by Dave Hunter Data compiled by Alan Greenwood and Gil Hembree. Vintage Guitar is marking 25 years of publication with a year full of features. Using data compiled for The Official Vintage Guitar Price Guide 2011, we continue the celebration with a list of the 25 most valuable amplifiers – those that helped create the tones made famous by virtually every genre of pop music. THE FRAMPTONE TALKBOX The Framptone Talkbox When you hear the words “Do you feel,” what comes to mind? If you’re of a certain age demographic, you know how ubiquitous Peter Frampton’s Frampton Comes Alive was in the 1970s. It made Frampton an international mega-star. Commercial success aside, Frampton’s abilities with the guitar are somewhat underappreciated. CUSTOM-ORDER GIBSON B-45-12 A custom-order Gibson B-45-12 bearing serial number 62997, this instrument was made in 1963 and is highly unusual. Its orange-oval label indicates model designation but makes no mention of it being a custom order; however, its specifications deviate greatly from a standard, and especially noteworthy is an accompanying letter onGibson
VINTAGE GUITAR® MAGAZINE Vintage Guitar always delivers the most interesting info on all kinds of vintage guitars, the great companies that built them and the artists who have been inCURRENT ISSUE
GET YOUR VG FIX. Your complete guitar coverage all starts with a new subscription to VG!. Subscribe Now. Print Copies Order print copies of the current issue or back issues in the VG Store. Vintage Guitar’s 33 year archive of the best guitar related info is a customizable tribute to the memories shared with your best friend, band mates, you name it.. Commemorate a life event by gifting SUBSCRIPTION SERVICES Complete guitar coverage all starts with a new subscription to VG! Get 12 months of bright, glorious vintage instruments and the latest new gear. Your best deal is 1‑Year Print Subscription which automatically renews to ensure your loved one never misses an issue. SAVE 20% → $19.95 $24.95. ›› Check Subscription – If you need help call 800-844-1197 (domestic) or 701-255-1197 (foreign 25 MOST VALUABLE GUITARS See VG’s 30 Most Valuable Guitars!. Data compiled by Alan Greenwood and Gil Hembree. Vintage Guitar is marking 25 years of publication with a year full of cool giveaways and features. This month, we continue the celebration with a list of the 25 guitars that, thanks to certain players, songs, and the laws of supply and demand, have become exceedingly valuable.SIGMA BY MARTIN
25 MOST VALUABLE BASSES Vintage Guitar is marking 25 years of publication with a year full of features. This month, using data compiled for The Official Vintage Guitar Price Guide 2011, we continue the celebration with a list of the 25 most valuable basses. 1. 1960-’62 Fender Jazz Bass ($25,000 to $38,000 in custom-color finish) The holiest of FenderBUDDY WHITTINGTON
Though his status as a member of John Mayall’s Bluesbreakers has changed since VG last talked to him, guitarist Buddy Whittington has forged ahead with a solo career. In ’07, he was lead guitarist for Mayall, but the entire band was “kicked out of the nest” the following year. “I’d been there for 15 years 25 MOST VALUABLE AMPLIFIERS Text by Dave Hunter Data compiled by Alan Greenwood and Gil Hembree. Vintage Guitar is marking 25 years of publication with a year full of features. Using data compiled for The Official Vintage Guitar Price Guide 2011, we continue the celebration with a list of the 25 most valuable amplifiers – those that helped create the tones made famous by virtually every genre of pop music. THE FRAMPTONE TALKBOX The Framptone Talkbox When you hear the words “Do you feel,” what comes to mind? If you’re of a certain age demographic, you know how ubiquitous Peter Frampton’s Frampton Comes Alive was in the 1970s. It made Frampton an international mega-star. Commercial success aside, Frampton’s abilities with the guitar are somewhat underappreciated. CUSTOM-ORDER GIBSON B-45-12 A custom-order Gibson B-45-12 bearing serial number 62997, this instrument was made in 1963 and is highly unusual. Its orange-oval label indicates model designation but makes no mention of it being a custom order; however, its specifications deviate greatly from a standard, and especially noteworthy is an accompanying letter onGibson
CURRENT ISSUE
Current Issue Young bands playing bombastic guitar rock often trod to gain acceptance. Jake Kiszka and his bandmates in Greta Van Fleet have dealt with comparisons and criticism, but shrugged it off while creating their new album, The Battle at Garden’s Gate. We chat with him. Our discussion of new music continues with Tony Iommi, | VINTAGE GUITAR® MAGAZINE 13 hours ago · Don’t miss Vintage Guitar magazine’s monthly playlist on the music-streaming service Spotify.Each month, Karl Markgraf curates a playlist featuring artists and songs mentioned in the pages of VG, arranged in order to play along as you read the issue, or just enjoy on its own! Karl holds bachelor’s degree in Jazz Guitar from the University of Northern Colorado, and works as aperforming
2021 JULY ISSUE ON SPOTIFY 13 hours ago · Don’t miss Vintage Guitar magazine’s monthly playlist on the music-streaming service Spotify.Each month, Karl Markgraf curates a playlist featuring artists and songs mentioned in the pages of VG, arranged in order to play along as you read the issue, or just enjoy on its own! Karl holds bachelor’s degree in Jazz Guitar from the University of Northern Colorado, and works as aperforming
BUDDY WHITTINGTON
Though his status as a member of John Mayall’s Bluesbreakers has changed since VG last talked to him, guitarist Buddy Whittington has forged ahead with a solo career. In ’07, he was lead guitarist for Mayall, but the entire band was “kicked out of the nest” the following year. “I’d been there for 15 years HAVE GUITAR WILL TRAVEL 052 -CESAR GUEIKIAN 19 hours ago · Gibson’s newly appointed Brand President, Caeser Gueikian, returns to “Have Guitar Will Travel,” with host James Patrick Regan. Caeser is supremely passionate about Gibson and its guitars, and here he talks about the company’s acquisition of Mesa-Boogie, Gibson’s artist model program, their vision for Epiphone on its 150th anniversary, revived archtop construction at theCustom
TOP 50 GUITAR SONGS OF THE ’70S By the Readers and Staff of Vintage Guitar Vintage Guitar marked 25 years of publication with a year full of cool features that relied on feedback from readers who visit VintageGuitar.com. This month, we offer the results of a poll to determine what readers believe to be the 50 coolest guitar-driven songs of the 1970s.FENDER 5E3 DELUXE
Fender 5E3 Deluxe Preamp tubes: one 12AY7, 12AX7 PI Output tubes: two 6V6GT, cathode-bias Rectifier: 5Y3 tube Controls: Independent Volumes for each channel, shared Tone. Output: 15 watts RMS +/- Speaker: Jensen P12R or P12Q Ah, the glorious Nar-row-panel 5E3 tweed Fender Deluxe – such a ubiquitous design it would seem there’s no pointdetailing
FENDER’S “MARY KAYE” STRATOCASTER The Fender “Mary Kaye” Stratocaster. A term guitar aficionados have come to associate with a ’50s Strat with blond finish with gold-plated hardware Although Mary Kaye never owned one and Fender never offically listed a “Mary Kaye” model, her name has become synonymous with this Strat. Though there are rarer custom-color or one-off prototypes, the TED NUGENT’S 1962 GIBSON BYRDLAND Ted Nugent live in 2013. Photo: Willie G. Moeley. Anyone who’s ever caught Ted Nugent on tour has seen this instrument, and during the Summer of 2003 it was intended to be the only guitar used by the Motor City Madman during his one-hour slot. “That was pretty much due to time restraints,” said Dean Mitchell, who has been Nugent’s guitar tech for a number of years. 1968 FENDER VIBROLUX REVERB Amplifier collectors swarm to models with descriptors like “first year” and “golden age,” but other types can be far more interesting; a transitional model or amp from a short-lived evolutionary crossroads – especially in “mint” condition – is enough to send goosebumps up the flesh. Such is the case with thisone. Other than a
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Artists
JEFF PLANKENHORN
New Innovations For Lap Steel Jeff Plankenhorn has always made music his way, using stringed instruments he created. He picked up guitar at age 10, influencd by his older brother who played bass and listened to the Beatles and Hendrix. Later, his focus turned to slide instruments. “In college, a fiddle-player friend put together a bluegrass band and said,‘You’re …
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_by_ Willie G. MoseleyVG Approved Gear
DANELECTRO BABY SITARPaint It Sunburst
Legend has it that during a break in the filming of Help!, George Harrison picked up a sitar left behind by the prop men and attempted to play it. Soon after, he began taking lessons from sitar virtuoso Ravi Shankar. Then, when John Lennon brought forward the droning drop-D composition that became “Norwegian Wood (This …Ray Wuolo
VG Approved Gear
DUTCH KAZOO ANALOG FUZZ PEDALOD Treat
Dutch Kazoo Analog Fuzz Pedal Price: $225 retail Info: www.dutchkazoo.com It’s not easy for a new boutique overdrive or distortion pedal to stand out in today’s thick fog of clipped signals, high gains, and crunchy fuzz. After all, properly tweaked, they all can be made to sound about the same, right? This may not be…
Ray Wuolo
Artists
JIM MARSHALL
Father of the Mighty Marshall Stack When it comes to guitar amplifiers, two names stand tall beyond the others: Leo Fender and Jim Marshall. Even “civilians” recognize these names. Two names, from two different countries, with two very individual sounds. Although Marshall’s original amplifier designs were largely influenced by Fender’s original Bassman, the resulting amplifier later took on a whole new …Lisa Sharken
Music
THE MAVERICKS
Brand New Day
Since reforming five years ago, the Mavericks have released two studio albums and 2016’s All Night Live, Vol. 1. And again here, the core quartet of vocalist-guitarist Raul Malo, guitarist Eddie Perez, keyboard player Jerry Dale McFadden, and drummer Paul Deakin are augmented by added musicians. Malo’s original tunes remain powerful and eclectic, beginning with …Rich Kienzle
Classic Instruments
VOX PACEMAKER V-3
1965 Vox Pacemaker v-3 Preamp tubes: three Mullard ECC83 (12AX7) Output tubes: two Mullard EL84, cathode-biased, no negative feedback Rectifier: Mullard EZ81 Controls: Volume, Treble, Bass, Speed, Depth Speaker: gold 10″ Oxford “Vox Bulldog” Output: approximately 17 watts RMS No doubt the mere appearance of that Vox logo and the diamond grillecloth beneath it has …Dave Hunter
Artists
RICHIE KOTZEN
Fight For Familiarity So he’s not burning up the Top 40, but Richie Kotzen has been a soul-crooning monster guitarist for a very long time. With almost 20 solo albums and group projects with Greg Howe, Poison, Mr. Big, Stanley Clarke, and most recently, The Winery Dogs, the guitarist would like you to get to know him a …Oscar Jordan
Classic Instruments
BEAT PORTRAITS: BURNS VOLUME 8 Late ’65: Transistors, Troubles, and Takeover! In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 7 and 8 for this special edition of VG Overdrive. Watch for the complete history in the upcoming weeks. By 1965, Ormston-Burns Ltd. had become the major guitarmaker in the U.K. and, to a …Peter Stuart Kohman
Classic Instruments
AMPEG GEMINI II G-15 Preamp tubes: three 12AX7, one 6CG7, one 7199. Output tubes: two 7868. Rectifier: solidstate Controls: volume, treble and bass on each channel; echo (reverb) and speed and intensity (tremolo) on channel two. Speaker: 15″ Jensen Concert. Output: approximately 30 watts RMS. Catch but a glimpse of an Ampeg combo like this 1966 Gemini IIG-15 …
Dave Hunter
VG Approved Gear
ELEKTRON ANALOG DRIVEBig Swede
Take a look at your pedalboard. You probably have three or four overdrives and fuzzes hooked up – and are looking to find the cash and real estate to add more. Hold your horses and consider instead Swedish maker Elektron’s Analog Drive. Yes, it’s large and needs 12-volt power. But then again it holds eight …Michael Dregni
Artists
NICOLAS MEIER
Jeff Beck Sideman Steps Out If you’ve been to a Jeff Beck concert in the past few years, you may have said to yourself, “Who’s that other guy onstage?” It happens to be Nicolas Meier, a Swiss virtuoso who for more than a decade has also led his own groups, such as the world-metal group Seven7. A monster picker, Meier …Pete Prown
VG Approved Gear
FRALIN’S WIDE-RANGE HUMBUCKER Gibson and Fender have a long history of influencing each other’s designs. When hard rock and warm, jazzier textures were on the rise in the early ’70s, Fender wanted some of that double-coil action, so they hired PAF inventor Seth Lover to come up with something new. The result was the Wide-Range humbucker that turned …Pete Prown
Have Guitar Will Travel HAVE GUITAR WILL TRAVEL – 012 KEN EMERSON In this episode of Have Guitar Will Travel Podcast James speaks with Ken Emerson. Ken is one of the world’s most highly regarded traditional Hawaiian slack key & steel guitarists living today. He is an excellent player of both and he switches easily between them during his performances. We speak about his connection and playing …James Patrick Regan
VG Approved Gear
SUPRO COMET 1610RT
Desert-Island Jams
Supro’s Comet 1610RT just may be the perfect desert island amp – a high-gain, low-watt 1×10 combo that maybe doesn’t do it all, but does most everything you’ll ever need on your balmy isle paradise. Think ’30s Gibson EH-150, ’50s Fender tweed Champ, or ’60s Supro Bantam. The Comet is a small amp with big …Michael Dregni
Classic Instruments
GIBSON TAL FARLOW
The Tal Farlow is one guitar in a quartet of full-depth Gibson Artists models first cataloged in the early 1960s. Introduced in ’62, it was based on the ES-350 – the guitar Farlow used with Red Norvo and his own trio in the mid ’50s. A truly professional instrument, built in the tradition of ’50s Gibson …Kevin Vey
VG Approved Gear
HEADWAY EDB-2 EQUALIZER DIRECT BLEND PREAMPMake Way
Headway EDB-2 Equalizer Direct Blend Preamp Price: $475 (retail)/$320 (street) Info: www.headwaymusicaudio.com. Designed in England and manufactured in Korea, the Headway EDB-2 is a 5.75″ x 3.75″ x 1.5″ box with a feature set that makes it ideal for acoustic guitarists who need an ultra-low-distortion connection to a PA or sound-reinforcement amplifier. The EDB-2 has …Steven Stone
Music
MARTY STUART AND HIS FABULOUS SUPERLATIVESWay Out West
For decades, Stuart has been one of country music’s biggest champions, and may yet be its savior. His Fabulous Superlatives are one of the tightest, most authentic country bands and possibly the most versatile – as demonstrated on the RFD Channel’s “Marty Stuart Show,” where they’ve backed everyone from Kitty Wells toSam Moore. As …
Dan Forte
Classic Instruments
BEAT PORTRAITS: BURNS VOLUME 6 1964: Nu-Sonics and Transistor Trials In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of VG Overdrive. Watch for the complete history in the upcoming weeks. Recent installments of “The (Way) Back Beat” have followed the London-based Ormston Burns Ltd. …Peter Stuart Kohman
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