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VASHIVISUALS.COM
THE ASPECT RATIO OF 2.00 : 1 IS EVERYWHERE Technically, the first use of the 2.00:1 aspect ratio was in the RKO SUPERSCOPE format for the 1954 production of VERA CRUZ. Gary Cooper and Burt Lancaster in VERA CRUZ (1954) In 1998, DP Vittorio Storaro proposed UNIVISIUM as a new film format with an aspect ratio of 2 to 1. He felt that the rise of electronic screens (TV, computer, portable 15 SPLIT DIOPTER SHOTS IN BRIAN DE PALMA'S 'BLOW OUT SPLIT DIOPTER . A Split Focus Diopter is half convex glass that attaches in front of the camera’s main lens to make half the lens nearsighted. The lens can focus on a plane in the background and the diopter on a foreground element. In the 1970’s and 1980’s, Brian De Palma championed the use of this tool to enhance the visual and emotional experience of his films. RAIDERS OF THE LOST ARK STORYBOARD/FILM COMPARISON In pre-production for RAIDERS OF THE LOST ARK, Steven Spielberg gave illustrator Ed Verreaux 3 scenes to storyboards over the course of a weekend as a test. Ed passed the trial and was hired for his first major feature film as a storyboard artist. Ed was tasked with tackling the climax of the film where Belloq opens the Ark and its great power wreaks havoc upon the Nazis, cleansing themPOLAROID SX 70
THE EVERYONE CAMERA. The SX-70 is still readily available on eBay, Etsy and a thrift stores but the functionality of a 44-year old camera sometimes is questionable. Fully operating SX-70s can cost $200 to $400 and since Polaroid stopped making instant film in 2008the only option is The Impossible Project.They purchased an old Polaroid factory and created new instant film packs for PENTATONIX - MARY DID YOU KNOW? PENTATONIX – Mary Did You Know? In November 2014, director Laura Merians asked me to edit and color grade a music video. I had a week available in-between projects so I jumped in with both feet. 6 days later I finished post production and we put it on YouTube.DAVID FINCHER
With the release of GONE GIRL this weekend, many filmmakers and film fans want to learn more about David Fincher and his filmmaking style. His precision, artistry and impeccable style of storytelling is the result of decades of fine-tuning the filmmaking craft. FILM EDITOR VASHI NEDOMANSKY Film editing & cinematic explorations for a creatively erect audience dispersed across every country on the globe. OVER 335 FREE PREMIERE PRO TEMPLATES & PRESETS Jarle’s Presets 4.0. A collection of 106 free presets for Premiere Pro that I use every day. Creative Impatience. 4 Premiere Pro plugins (Feathered Crop, Vignette, Power Window, Temperature) Film Dog Pro’s HD Letterbox Template Pack. 70 Aspect Ratio presets for all video editing software. 1080 and 720 sized PNGs. EXTENDING PREMIERE PRO MARKERS A marker is usually placed on one frame but I like to extend that marker to cover minutes or whole swaths of footage. I then assign a name to the marker and this allows me to visually spot my assets very easily inside my timeline. Click the image below to see how to extend markers in Premiere Pro. Extending Markers in Premiere Pro. THE FIRST 6K NATIVE WORKFLOW IN PREMIERE PROSEE MORE ONVASHIVISUALS.COM
THE ASPECT RATIO OF 2.00 : 1 IS EVERYWHERE Technically, the first use of the 2.00:1 aspect ratio was in the RKO SUPERSCOPE format for the 1954 production of VERA CRUZ. Gary Cooper and Burt Lancaster in VERA CRUZ (1954) In 1998, DP Vittorio Storaro proposed UNIVISIUM as a new film format with an aspect ratio of 2 to 1. He felt that the rise of electronic screens (TV, computer, portable 15 SPLIT DIOPTER SHOTS IN BRIAN DE PALMA'S 'BLOW OUT SPLIT DIOPTER . A Split Focus Diopter is half convex glass that attaches in front of the camera’s main lens to make half the lens nearsighted. The lens can focus on a plane in the background and the diopter on a foreground element. In the 1970’s and 1980’s, Brian De Palma championed the use of this tool to enhance the visual and emotional experience of his films. RAIDERS OF THE LOST ARK STORYBOARD/FILM COMPARISON In pre-production for RAIDERS OF THE LOST ARK, Steven Spielberg gave illustrator Ed Verreaux 3 scenes to storyboards over the course of a weekend as a test. Ed passed the trial and was hired for his first major feature film as a storyboard artist. Ed was tasked with tackling the climax of the film where Belloq opens the Ark and its great power wreaks havoc upon the Nazis, cleansing themPOLAROID SX 70
THE EVERYONE CAMERA. The SX-70 is still readily available on eBay, Etsy and a thrift stores but the functionality of a 44-year old camera sometimes is questionable. Fully operating SX-70s can cost $200 to $400 and since Polaroid stopped making instant film in 2008the only option is The Impossible Project.They purchased an old Polaroid factory and created new instant film packs for PENTATONIX - MARY DID YOU KNOW? PENTATONIX – Mary Did You Know? In November 2014, director Laura Merians asked me to edit and color grade a music video. I had a week available in-between projects so I jumped in with both feet. 6 days later I finished post production and we put it on YouTube.DAVID FINCHER
With the release of GONE GIRL this weekend, many filmmakers and film fans want to learn more about David Fincher and his filmmaking style. His precision, artistry and impeccable style of storytelling is the result of decades of fine-tuning the filmmaking craft. VASHI FRAMES: BETTER CALL SAUL (2020) “Vashi Frames” is my project of capturing every individual shot from my favorite films / shows and compiling them into a single high-resolution image for cinematic analysis.Here is t FREE ANAMORPHIC AFTER EFFECTS PLUGIN VashiMorphic40. The VashiMorphic40 After Effects template was designed so that every filmmaker, on any budget, can capture the aesthetics and visual style of the Anamorphic lens. The plugins used in this project are included in After Effects or are free to download. 3K 4K 5K 6K FREE ASPECT RATIO TEMPLATES One of the most post popular posts on VashiVisuals over the last 2 years is The Ultimate Aspect Ratio Guide which shows 70 film frame sizes covering the history of cinema. It also includes 70 FREE widescreen templates in 1080 and 720 resolutions for filmmakers. HERE’S THE LATEST UPDATE. In the past few years, 2K / 3K / 4K / 5K /6K cameras
THE ASPECT RATIO OF 2.00 : 1 IS EVERYWHERE Technically, the first use of the 2.00:1 aspect ratio was in the RKO SUPERSCOPE format for the 1954 production of VERA CRUZ. Gary Cooper and Burt Lancaster in VERA CRUZ (1954) In 1998, DP Vittorio Storaro proposed UNIVISIUM as a new film format with an aspect ratio of 2 to 1. He felt that the rise of electronic screens (TV, computer, portable THE FIRST 6K NATIVE WORKFLOW IN PREMIERE PRO As a filmmaker, I always want to challenge myself both creatively and technically. I pursue projects that can stimulate me on several levels. If I am going to commit a year of my life to a feature filmit is crucial that I walk away with new skills, a successful storytelling experience and a lot of fun in the trenches with my team. 5 EQ AUDIO FOR VIDEO TIPS FOR FILMMAKERS Here are several specific tweaks that can help you conquer these issues. *Add Male Power = Parametric EQ at 160Hz with +2db and Q=1. *Nasally Dialog = EQ reduction between 2kHZ to 4kHz by several db. *Add Female Thickness= EQ boost at 150hz by several db.4K AND BEYOND
It’s called ProRes 4444 XQ and it’s a mother-scratching beast. At 4K (4096 x 2160) it registers 1697 Mbps which equals 764 GB/hour of 4K video footage. A single camera large Hollywood production can often shoot 100 hours of footage. That’s 76 TB of 4K ProRes 4444 XQ footage. David Fincher’s GONE GIRL crept up on 500 hours of rawfootage
RAIDERS OF THE LOST ARK In a previous post, I discussed the power of the “long take” during two scenes in “Raiders of the Lost Ark”.This time around, let’s focus on the oppositefast edits and how Steven Spielberg “cuts in camera” to tell the story quickly, efficiently andvisually. He
FILM EDITORS: WHAT IS A RADIO EDIT? A RADIO EDIT is a way to edit a project (short film, feature film, music video – anything) and tell the story by laying out all the audio first.. This goes back to the original radio programs where there was ONLY audioso rhythm, timing, inflections, pacing and everything else was in your head and you would fill the pictures infor yourself.
THE EDITING OF MAD MAX THE MOVIE One of the many reasons MAD MAX: FURY ROAD is so successful as an action film is the editing style. By using “Eye Trace” and “Crosshair Framing” techniques during the shooting, the editor could keep the important visual information vital in one spotthe Center of the Frame. Because almost every shot was center framed, comprehending the action requires no hunting of each new shot for FILM EDITOR VASHI NEDOMANSKY Film editing & cinematic explorations for a creatively erect audience dispersed across every country on the globe. OVER 335 FREE PREMIERE PRO TEMPLATES & PRESETS Jarle’s Presets 4.0. A collection of 106 free presets for Premiere Pro that I use every day. Creative Impatience. 4 Premiere Pro plugins (Feathered Crop, Vignette, Power Window, Temperature) Film Dog Pro’s HD Letterbox Template Pack. 70 Aspect Ratio presets for all video editing software. 1080 and 720 sized PNGs. FREE ANAMORPHIC AFTER EFFECTS PLUGIN VashiMorphic40. The VashiMorphic40 After Effects template was designed so that every filmmaker, on any budget, can capture the aesthetics and visual style of the Anamorphic lens. The plugins used in this project are included in After Effects or are free to download. EXTENDING PREMIERE PRO MARKERS A marker is usually placed on one frame but I like to extend that marker to cover minutes or whole swaths of footage. I then assign a name to the marker and this allows me to visually spot my assets very easily inside my timeline. Click the image below to see how to extend markers in Premiere Pro. Extending Markers in Premiere Pro. THE ASPECT RATIO OF 2.00 : 1 IS EVERYWHERE Technically, the first use of the 2.00:1 aspect ratio was in the RKO SUPERSCOPE format for the 1954 production of VERA CRUZ. Gary Cooper and Burt Lancaster in VERA CRUZ (1954) In 1998, DP Vittorio Storaro proposed UNIVISIUM as a new film format with an aspect ratio of 2 to 1. He felt that the rise of electronic screens (TV, computer, portable 5 EQ AUDIO FOR VIDEO TIPS FOR FILMMAKERS 15 SPLIT DIOPTER SHOTS IN BRIAN DE PALMA'S 'BLOW OUT SPLIT DIOPTER . A Split Focus Diopter is half convex glass that attaches in front of the camera’s main lens to make half the lens nearsighted. The lens can focus on a plane in the background and the diopter on a foreground element. In the 1970’s and 1980’s, Brian De Palma championed the use of this tool to enhance the visual and emotional experience of his films. RAIDERS OF THE LOST ARK In a previous post, I discussed the power of the “long take” during two scenes in “Raiders of the Lost Ark”.This time around, let’s focus on the oppositefast edits and how Steven Spielberg “cuts in camera” to tell the story quickly, efficiently andvisually. He
4K AND BEYOND
It’s called ProRes 4444 XQ and it’s a mother-scratching beast. At 4K (4096 x 2160) it registers 1697 Mbps which equals 764 GB/hour of 4K video footage. A single camera large Hollywood production can often shoot 100 hours of footage. That’s 76 TB of 4K ProRes 4444 XQ footage. David Fincher’s GONE GIRL crept up on 500 hours of rawfootage
PENTATONIX - MARY DID YOU KNOW? PENTATONIX – Mary Did You Know? In November 2014, director Laura Merians asked me to edit and color grade a music video. I had a week available in-between projects so I jumped in with both feet. 6 days later I finished post production and we put it on YouTube. FILM EDITOR VASHI NEDOMANSKY Film editing & cinematic explorations for a creatively erect audience dispersed across every country on the globe. OVER 335 FREE PREMIERE PRO TEMPLATES & PRESETS Jarle’s Presets 4.0. A collection of 106 free presets for Premiere Pro that I use every day. Creative Impatience. 4 Premiere Pro plugins (Feathered Crop, Vignette, Power Window, Temperature) Film Dog Pro’s HD Letterbox Template Pack. 70 Aspect Ratio presets for all video editing software. 1080 and 720 sized PNGs. FREE ANAMORPHIC AFTER EFFECTS PLUGIN VashiMorphic40. The VashiMorphic40 After Effects template was designed so that every filmmaker, on any budget, can capture the aesthetics and visual style of the Anamorphic lens. The plugins used in this project are included in After Effects or are free to download. EXTENDING PREMIERE PRO MARKERS A marker is usually placed on one frame but I like to extend that marker to cover minutes or whole swaths of footage. I then assign a name to the marker and this allows me to visually spot my assets very easily inside my timeline. Click the image below to see how to extend markers in Premiere Pro. Extending Markers in Premiere Pro. THE ASPECT RATIO OF 2.00 : 1 IS EVERYWHERE Technically, the first use of the 2.00:1 aspect ratio was in the RKO SUPERSCOPE format for the 1954 production of VERA CRUZ. Gary Cooper and Burt Lancaster in VERA CRUZ (1954) In 1998, DP Vittorio Storaro proposed UNIVISIUM as a new film format with an aspect ratio of 2 to 1. He felt that the rise of electronic screens (TV, computer, portable 5 EQ AUDIO FOR VIDEO TIPS FOR FILMMAKERS 15 SPLIT DIOPTER SHOTS IN BRIAN DE PALMA'S 'BLOW OUT SPLIT DIOPTER . A Split Focus Diopter is half convex glass that attaches in front of the camera’s main lens to make half the lens nearsighted. The lens can focus on a plane in the background and the diopter on a foreground element. In the 1970’s and 1980’s, Brian De Palma championed the use of this tool to enhance the visual and emotional experience of his films. RAIDERS OF THE LOST ARK In a previous post, I discussed the power of the “long take” during two scenes in “Raiders of the Lost Ark”.This time around, let’s focus on the oppositefast edits and how Steven Spielberg “cuts in camera” to tell the story quickly, efficiently andvisually. He
4K AND BEYOND
It’s called ProRes 4444 XQ and it’s a mother-scratching beast. At 4K (4096 x 2160) it registers 1697 Mbps which equals 764 GB/hour of 4K video footage. A single camera large Hollywood production can often shoot 100 hours of footage. That’s 76 TB of 4K ProRes 4444 XQ footage. David Fincher’s GONE GIRL crept up on 500 hours of rawfootage
PENTATONIX - MARY DID YOU KNOW? PENTATONIX – Mary Did You Know? In November 2014, director Laura Merians asked me to edit and color grade a music video. I had a week available in-between projects so I jumped in with both feet. 6 days later I finished post production and we put it on YouTube. 117 FREE FILM GRAIN & LIGHT LEAK FILES Even though they are freethey are high quality and when applied properlycreate a convincing and authentic effect. Enjoy! 1. Projector Films – 23 Light Leaks and Lens Flares (1920×1080 ProRes) 2. Creative Dojo – 16 Light Leaks (1920×1080 JPEG MOVs) 3. Vegasaur – 20 Light Leaks (1920×1080 h.264 .MOVs) 4. THE ULTIMATE HISTORY OF CGI IN FILM The history of CGI goes back to the 1950’s, when mechanical computers were repurposed to create patterns onto animation cels which were then incorporated into a feature film. That first film which used CGI was Alfred Hitchcock’s VERTIGO (1958). 3K 4K 5K 6K FREE ASPECT RATIO TEMPLATES In the past few years, 2K / 3K / 4K / 5K / 6K cameras have surged onto the filmmaking scene, so I have created 56 FREE templates (available to download from this blog post) to cover all these new frame sizes and resolutions. They are all PNG files (with transparencies) that can be imported into any NLE/VFX software and then dropped onto your full resolution footage to create cinematic framings. RAIDERS OF THE LOST ARK In a previous post, I discussed the power of the “long take” during two scenes in “Raiders of the Lost Ark”.This time around, let’s focus on the oppositefast edits and how Steven Spielberg “cuts in camera” to tell the story quickly, efficiently andvisually. He
4K AND BEYOND
It’s called ProRes 4444 XQ and it’s a mother-scratching beast. At 4K (4096 x 2160) it registers 1697 Mbps which equals 764 GB/hour of 4K video footage. A single camera large Hollywood production can often shoot 100 hours of footage. That’s 76 TB of 4K ProRes 4444 XQ footage. David Fincher’s GONE GIRL crept up on 500 hours of rawfootage
THE FIRST 6K NATIVE WORKFLOW IN PREMIERE PRO This is how I spend the bulk of my day so I made sure to make it as simple as possible: 1) Open sequence with select footage into Source panel (keyboard shortcut) 2) Open sequence in timeline from Source panel (keyboard shortcut) 3) Enable Timeline preference “Set focus on the timeline for edits”. 18 FREE EFFECTS FOR AFTER EFFECTS & PREMIERE PRO Jarle’s Free Premiere Plugins. MOTION ARRAY – 5 FREE GLITCH PRESETS. Motion Array has many free presets and templates for Premiere Pro and After Effects and this is one of my favorites. The 5 Free Glitch presets add chaos and frenetic energy to your images, video or even text files that will all play back in real-time. ULTIMATE ASPECT RATIO GUIDE The boundaries of the canvas that filmmakers use can take many forms. The Aspect Ratio of the frame size varies from The Kid’s 1.33 to Ben Hur’s 2.67 and everything between and beyond. There is the Academy Standard of 1.37, the HDTV standard of 1.78, Vistavision’s 1.85 andmore.
MY ADOBE PREMIERE TIPS: NEW SEQUENCE FROM CLIP Here's my latest Quick Tip showing you the quickest & easiest way to ensure your sequence settings match your raw footage in Adobe PremierePro. Until next
LUMETRI LOOKS IN ADOBE PREMIERE CC Lumetri Looks is a collection of presets that lives inside your Premiere Pro effects bin and supports grades created in Speedgrade as well as LUTs. It harnesses the power of the Lumetri Deep Color Engine inside Speedgrade and allows for continuous 32-bit processing of your footage. What sets it apart from Magic Bullet Looks or other presetBLOG
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