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ALBUM REVIEW: AJR
ALBUM REVIEW: AJR – ‘OK Orchestra’. There’s a certain amount of re-evaluation that needs to be offered to AJR, if only to fully isolate where they fall in modern music. That’s largely because, outside of dedicated online circles where their presence has been amplified exponentionally along with the criticism that’ssubsequently
ALBUM REVIEW: ‘MILK TEETH’ BY MILK TEETH ALBUM REVIEW: ‘Milk Teeth’ by Milk Teeth. It’s a common reviewer trope to say that a self-titled album is usually called as such because it represents the definitive version of the band, but with Milk Teeth, that really feels like the case. Between 2016’s Vile Child and now, they’ve undergone some sizable changes in lineup,most
ALBUM REVIEW: HOLDING ABSENCE ALBUM REVIEW: Holding Absence – ‘The Greatest Mistake Of My Life’. Maybe it was a bit premature to expect Holding Absence to spearhead an entirely new branch of Britrock, mostly because theirs is a sound that feels as though it only has room for one real success story, and at that point in time, even they themselves weren’t atthat
ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
REVIEW ROUND-UP: THE SMASHING PUMPKINS, GAMA BOMB, DAVE This isn’t some grand forwarding move for The Smashing Pumpkins, but rather a go at clocking in and bloating up a legacy that’s already got a pretty dense shadow over it to many. Cyr isn’t really helping in that regard either; if anything, it might the greatest example of waste within The Smashing Pumpkins’ catalogue to date. 4/10. ALBUM REVIEW: ‘AMERICAN SUN’ BY FIRE FROM THE GODS ALBUM REVIEW: ‘American Sun’ by Fire From The Gods. For all the bands in hard rock and metal circles current immersed in dissecting the current political state of the US, it’s safe to say that Fire From The Gods have probably made the biggest impression on a sonic level. Their inclusion within that scene can’t really be debated,but
ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: WATERPARKS For the first time in a long time, Waterparks feel like more than just a singles band; as an album, it’s still flabby and inconsistent, but there’s a sparkle to Greatest Hits that’s more creatively robust, and makes for a more engaging end product. It’s probably their best full-length since their debut, truth be told, in that it gives ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: AJR
ALBUM REVIEW: AJR – ‘OK Orchestra’. There’s a certain amount of re-evaluation that needs to be offered to AJR, if only to fully isolate where they fall in modern music. That’s largely because, outside of dedicated online circles where their presence has been amplified exponentionally along with the criticism that’ssubsequently
ALBUM REVIEW: ‘MILK TEETH’ BY MILK TEETH ALBUM REVIEW: ‘Milk Teeth’ by Milk Teeth. It’s a common reviewer trope to say that a self-titled album is usually called as such because it represents the definitive version of the band, but with Milk Teeth, that really feels like the case. Between 2016’s Vile Child and now, they’ve undergone some sizable changes in lineup,most
ALBUM REVIEW: HOLDING ABSENCE ALBUM REVIEW: Holding Absence – ‘The Greatest Mistake Of My Life’. Maybe it was a bit premature to expect Holding Absence to spearhead an entirely new branch of Britrock, mostly because theirs is a sound that feels as though it only has room for one real success story, and at that point in time, even they themselves weren’t atthat
ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
REVIEW ROUND-UP: THE SMASHING PUMPKINS, GAMA BOMB, DAVE This isn’t some grand forwarding move for The Smashing Pumpkins, but rather a go at clocking in and bloating up a legacy that’s already got a pretty dense shadow over it to many. Cyr isn’t really helping in that regard either; if anything, it might the greatest example of waste within The Smashing Pumpkins’ catalogue to date. 4/10. ALBUM REVIEW: ‘AMERICAN SUN’ BY FIRE FROM THE GODS ALBUM REVIEW: ‘American Sun’ by Fire From The Gods. For all the bands in hard rock and metal circles current immersed in dissecting the current political state of the US, it’s safe to say that Fire From The Gods have probably made the biggest impression on a sonic level. Their inclusion within that scene can’t really be debated,but
JUNE 2021 – THE SOUNDBOARD 3 posts published by thesoundboardreviews during June 2021. Even as an improvement to their current lacklustre wave, AFI’s newest album is too slight and forgettable to have much of an impact. ALBUM REVIEW: WATERPARKS Maybe even more than that though, Greatest Hits feels like one of the most consistent platforms yet to justify Awsten Knight as a songwriter who’s far smarter and more insightful than he’s given credit.It’s often striking how the writing on Waterparks songs will contrast the persona that they give off, particularly online, but Greatest Hits brings together an impressively tight WHAT TO EXPECT FROM… DOWNLOAD PILOT 2021 What more can be said about Creeper in any capacity? Wherever and whenever they show up, they’re going to be excellent, and with a new EP on the way that’s already giving off that exact same vibe, a set like this is a guaranteed home run before they’ve even steppedonstage.
BODIES – THE SOUNDBOARD Posts about Bodies written by thesoundboardreviews. Even as an improvement to their current lacklustre wave, AFI’s newest album is too slight and forgettable to have much of an impact.ALBUM REVIEW: AFI
Though even despite that, after the sluggishness of both Burials and The Blood Album, the fact that Bodies does have a bit more of an uptick in pace is a nice sign overall.The needle has shifted far towards pop-rock in the overall vibrancy and fizziness that goes on, and when you’ve got a vocalist like Davey Havok that traffics in a lot of showmanship and bravado, there’s a nice payoff THE SOUNDBOARD’S WORST ALBUMS OF 2020 The more thought that’s given to this album, the more its spot on a worst of the year list seems justified. The fact that Steve Harris – he of Iron Maiden fame and a metal legend through and through – lends his services to British Lion should make for an easy win, but the fact that The Burning is such a monumental failure is just REVIEW ROUND-UP: WOLF ALICE, ATREYU, HACKTIVIST Hacktivist have always had the mentality of working at their own pace, and it’s surprising that it’s only just now catching up with them. Their debut Outside The Box took a long while to arrive, but when it did, its fusion of tech-metal and grime still felt fresh, and arguably the most cutting-edge form of rap-metal at the time.That was in 2016 though, and between grime falling away in ALBUM REVIEW: HOLDING ABSENCE ALBUM REVIEW: Holding Absence – ‘The Greatest Mistake Of My Life’. Maybe it was a bit premature to expect Holding Absence to spearhead an entirely new branch of Britrock, mostly because theirs is a sound that feels as though it only has room for one real success story, and at that point in time, even they themselves weren’t atthat
ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to the ALBUM REVIEW: ‘AMERICAN SUN’ BY FIRE FROM THE GODS ALBUM REVIEW: ‘American Sun’ by Fire From The Gods. For all the bands in hard rock and metal circles current immersed in dissecting the current political state of the US, it’s safe to say that Fire From The Gods have probably made the biggest impression on a sonic level. Their inclusion within that scene can’t really be debated,but
ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: WATERPARKS For the first time in a long time, Waterparks feel like more than just a singles band; as an album, it’s still flabby and inconsistent, but there’s a sparkle to Greatest Hits that’s more creatively robust, and makes for a more engaging end product. It’s probably their best full-length since their debut, truth be told, in that it gives ALBUM REVIEW: ROYAL BLOOD ALBUM REVIEW: Royal Blood – ‘Typhoons’. There’s always been an inevitability surrounding Royal Blood and how their rise wasn’t to last. Carrying themselves like the biggest and best band in the world at their height was all well and good, but it’s also worth remembering that their hugely acclaimed debut came at a lucrative timefor
ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: AJR
ALBUM REVIEW: AJR – ‘OK Orchestra’. There’s a certain amount of re-evaluation that needs to be offered to AJR, if only to fully isolate where they fall in modern music. That’s largely because, outside of dedicated online circles where their presence has been amplified exponentionally along with the criticism that’ssubsequently
ALBUM REVIEW: HOLDING ABSENCE ALBUM REVIEW: Holding Absence – ‘The Greatest Mistake Of My Life’. Maybe it was a bit premature to expect Holding Absence to spearhead an entirely new branch of Britrock, mostly because theirs is a sound that feels as though it only has room for one real success story, and at that point in time, even they themselves weren’t atthat
ALBUM REVIEW: ARCHITECTS A song like Black Lungs is an obvious scene-setter, a broadside at those in power who are well aware of the responsibilities they have to make change and yet continue to deny or shirk, but For Those That Wish To Exist is a far more pragmatic listen than just resting on that one side of the argument. Carter will target people who persecute those ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to the ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: WATERPARKS For the first time in a long time, Waterparks feel like more than just a singles band; as an album, it’s still flabby and inconsistent, but there’s a sparkle to Greatest Hits that’s more creatively robust, and makes for a more engaging end product. It’s probably their best full-length since their debut, truth be told, in that it gives ALBUM REVIEW: ROYAL BLOOD ALBUM REVIEW: Royal Blood – ‘Typhoons’. There’s always been an inevitability surrounding Royal Blood and how their rise wasn’t to last. Carrying themselves like the biggest and best band in the world at their height was all well and good, but it’s also worth remembering that their hugely acclaimed debut came at a lucrative timefor
ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: AJR
ALBUM REVIEW: AJR – ‘OK Orchestra’. There’s a certain amount of re-evaluation that needs to be offered to AJR, if only to fully isolate where they fall in modern music. That’s largely because, outside of dedicated online circles where their presence has been amplified exponentionally along with the criticism that’ssubsequently
ALBUM REVIEW: HOLDING ABSENCE ALBUM REVIEW: Holding Absence – ‘The Greatest Mistake Of My Life’. Maybe it was a bit premature to expect Holding Absence to spearhead an entirely new branch of Britrock, mostly because theirs is a sound that feels as though it only has room for one real success story, and at that point in time, even they themselves weren’t atthat
ALBUM REVIEW: ARCHITECTS A song like Black Lungs is an obvious scene-setter, a broadside at those in power who are well aware of the responsibilities they have to make change and yet continue to deny or shirk, but For Those That Wish To Exist is a far more pragmatic listen than just resting on that one side of the argument. Carter will target people who persecute those ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to the ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
THE SOUNDBOARD
The Soundboard Stereo – May 2021. by thesoundboardreviews. Posted on. May 28, 2021. May 28, 2021. See what we’ve been listening to this month in our newest edition of The Soundboard Stereo, ft. Muse, Dua Lipa, Rise Against, Tame Impala, Marianas Trench and Trophy Eyes.Read More.
ALBUMS – THE SOUNDBOARD by thesoundboardreviews. Posted on March 17, 2021March 17, 2021. In this Review Round-Up, new albums from Rob Zombie, Tom Grennan and ERRA lead a wide variety of sounds and quality levels, from The Blue Stones, LANDMVRKS, Kali Masi, Saint JUNE 2021 – THE SOUNDBOARD 3 posts published by thesoundboardreviews during June 2021. Even as an improvement to their current lacklustre wave, AFI’s newest album is too slight and forgettable to have much of an impact. WHAT TO EXPECT FROM… DOWNLOAD PILOT 2021 What more can be said about Creeper in any capacity? Wherever and whenever they show up, they’re going to be excellent, and with a new EP on the way that’s already giving off that exact same vibe, a set like this is a guaranteed home run before they’ve even steppedonstage.
ALBUM REVIEW: AFI
Though even despite that, after the sluggishness of both Burials and The Blood Album, the fact that Bodies does have a bit more of an uptick in pace is a nice sign overall.The needle has shifted far towards pop-rock in the overall vibrancy and fizziness that goes on, and when you’ve got a vocalist like Davey Havok that traffics in a lot of showmanship and bravado, there’s a nice payoff THE SOUNDBOARD’S WORST ALBUMS OF 2020 The more thought that’s given to this album, the more its spot on a worst of the year list seems justified. The fact that Steve Harris – he of Iron Maiden fame and a metal legend through and through – lends his services to British Lion should make for an easy win, but the fact that The Burning is such a monumental failure is just REVIEW ROUND-UP: WOLF ALICE, ATREYU, HACKTIVIST Hacktivist have always had the mentality of working at their own pace, and it’s surprising that it’s only just now catching up with them. Their debut Outside The Box took a long while to arrive, but when it did, its fusion of tech-metal and grime still felt fresh, and arguably the most cutting-edge form of rap-metal at the time.That was in 2016 though, and between grime falling away in ALBUM REVIEW: ARCHITECTS A song like Black Lungs is an obvious scene-setter, a broadside at those in power who are well aware of the responsibilities they have to make change and yet continue to deny or shirk, but For Those That Wish To Exist is a far more pragmatic listen than just resting on that one side of the argument. Carter will target people who persecute thoseNOWHERE GENERATION
Posts about Nowhere Generation written by thesoundboardreviews. Rise Against’s ninth album is another excellent example of how they’re one of the most consistent bands around. ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to the THE SOUNDBOARDABOUT / CONTACTFEATURESINTERVIEWSPHOTOSREVIEWSFESTIVALS The Soundboard Stereo – May 2021. by thesoundboardreviews. Posted on. May 28, 2021. May 28, 2021. See what we’ve been listening to this month in our newest edition of The Soundboard Stereo, ft. Muse, Dua Lipa, Rise Against, Tame Impala, Marianas Trench and Trophy Eyes.Read More.
ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: WATERPARKS For the first time in a long time, Waterparks feel like more than just a singles band; as an album, it’s still flabby and inconsistent, but there’s a sparkle to Greatest Hits that’s more creatively robust, and makes for a more engaging end product. It’s probably their best full-length since their debut, truth be told, in that it gives ALBUM REVIEW: ROYAL BLOOD ALBUM REVIEW: Royal Blood – ‘Typhoons’. There’s always been an inevitability surrounding Royal Blood and how their rise wasn’t to last. Carrying themselves like the biggest and best band in the world at their height was all well and good, but it’s also worth remembering that their hugely acclaimed debut came at a lucrative timefor
ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: AJR
ALBUM REVIEW: AJR – ‘OK Orchestra’. There’s a certain amount of re-evaluation that needs to be offered to AJR, if only to fully isolate where they fall in modern music. That’s largely because, outside of dedicated online circles where their presence has been amplified exponentionally along with the criticism that’ssubsequently
ALBUM REVIEW: HOLDING ABSENCE ALBUM REVIEW: Holding Absence – ‘The Greatest Mistake Of My Life’. Maybe it was a bit premature to expect Holding Absence to spearhead an entirely new branch of Britrock, mostly because theirs is a sound that feels as though it only has room for one real success story, and at that point in time, even they themselves weren’t atthat
ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to the ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
THE SOUNDBOARDABOUT / CONTACTFEATURESINTERVIEWSPHOTOSREVIEWSFESTIVALS The Soundboard Stereo – May 2021. by thesoundboardreviews. Posted on. May 28, 2021. May 28, 2021. See what we’ve been listening to this month in our newest edition of The Soundboard Stereo, ft. Muse, Dua Lipa, Rise Against, Tame Impala, Marianas Trench and Trophy Eyes.Read More.
ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: WATERPARKS For the first time in a long time, Waterparks feel like more than just a singles band; as an album, it’s still flabby and inconsistent, but there’s a sparkle to Greatest Hits that’s more creatively robust, and makes for a more engaging end product. It’s probably their best full-length since their debut, truth be told, in that it gives ALBUM REVIEW: ROYAL BLOOD ALBUM REVIEW: Royal Blood – ‘Typhoons’. There’s always been an inevitability surrounding Royal Blood and how their rise wasn’t to last. Carrying themselves like the biggest and best band in the world at their height was all well and good, but it’s also worth remembering that their hugely acclaimed debut came at a lucrative timefor
ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: AJR
ALBUM REVIEW: AJR – ‘OK Orchestra’. There’s a certain amount of re-evaluation that needs to be offered to AJR, if only to fully isolate where they fall in modern music. That’s largely because, outside of dedicated online circles where their presence has been amplified exponentionally along with the criticism that’ssubsequently
ALBUM REVIEW: HOLDING ABSENCE ALBUM REVIEW: Holding Absence – ‘The Greatest Mistake Of My Life’. Maybe it was a bit premature to expect Holding Absence to spearhead an entirely new branch of Britrock, mostly because theirs is a sound that feels as though it only has room for one real success story, and at that point in time, even they themselves weren’t atthat
ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to the ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
THE SOUNDBOARD
The Soundboard Stereo – May 2021. by thesoundboardreviews. Posted on. May 28, 2021. May 28, 2021. See what we’ve been listening to this month in our newest edition of The Soundboard Stereo, ft. Muse, Dua Lipa, Rise Against, Tame Impala, Marianas Trench and Trophy Eyes.Read More.
ALBUMS – THE SOUNDBOARD by thesoundboardreviews. Posted on March 17, 2021March 17, 2021. In this Review Round-Up, new albums from Rob Zombie, Tom Grennan and ERRA lead a wide variety of sounds and quality levels, from The Blue Stones, LANDMVRKS, Kali Masi, Saint JUNE 2021 – THE SOUNDBOARD 3 posts published by thesoundboardreviews during June 2021. Even as an improvement to their current lacklustre wave, AFI’s newest album is too slight and forgettable to have much of an impact.ALBUM REVIEW: AFI
Though even despite that, after the sluggishness of both Burials and The Blood Album, the fact that Bodies does have a bit more of an uptick in pace is a nice sign overall.The needle has shifted far towards pop-rock in the overall vibrancy and fizziness that goes on, and when you’ve got a vocalist like Davey Havok that traffics in a lot of showmanship and bravado, there’s a nice payoff THE SOUNDBOARD’S WORST ALBUMS OF 2020 The more thought that’s given to this album, the more its spot on a worst of the year list seems justified. The fact that Steve Harris – he of Iron Maiden fame and a metal legend through and through – lends his services to British Lion should make for an easy win, but the fact that The Burning is such a monumental failure is just ALBUM REVIEW: RISE AGAINST The sound doesn’t hurt either, mind, even with a lack of retooling that, to be perfectly honest, has never really been needed. At least on Broken Dreams, Inc. and Monarch, there’s a bit more of a regular punk bite that’s appreciated, but by now, Rise Against’s bread-and-butter is well-known, and they’re still great at pulling it off.The arena-rock sensibilities of the title track and REVIEW ROUND-UP: WOLF ALICE, ATREYU, HACKTIVIST Hacktivist have always had the mentality of working at their own pace, and it’s surprising that it’s only just now catching up with them. Their debut Outside The Box took a long while to arrive, but when it did, its fusion of tech-metal and grime still felt fresh, and arguably the most cutting-edge form of rap-metal at the time.That was in 2016 though, and between grime falling away in ALBUM REVIEW: ARCHITECTS A song like Black Lungs is an obvious scene-setter, a broadside at those in power who are well aware of the responsibilities they have to make change and yet continue to deny or shirk, but For Those That Wish To Exist is a far more pragmatic listen than just resting on that one side of the argument. Carter will target people who persecute thoseNOWHERE GENERATION
Posts about Nowhere Generation written by thesoundboardreviews. Rise Against’s ninth album is another excellent example of how they’re one of the most consistent bands around. ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to the ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: ROYAL BLOOD ALBUM REVIEW: Royal Blood – ‘Typhoons’. There’s always been an inevitability surrounding Royal Blood and how their rise wasn’t to last. Carrying themselves like the biggest and best band in the world at their height was all well and good, but it’s also worth remembering that their hugely acclaimed debut came at a lucrative timefor
ALBUM REVIEW: WATERPARKS For the first time in a long time, Waterparks feel like more than just a singles band; as an album, it’s still flabby and inconsistent, but there’s a sparkle to Greatest Hits that’s more creatively robust, and makes for a more engaging end product. It’s probably their best full-length since their debut, truth be told, in that it gives ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: AJR
ALBUM REVIEW: AJR – ‘OK Orchestra’. There’s a certain amount of re-evaluation that needs to be offered to AJR, if only to fully isolate where they fall in modern music. That’s largely because, outside of dedicated online circles where their presence has been amplified exponentionally along with the criticism that’ssubsequently
ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
REVIEW ROUND-UP: THE SMASHING PUMPKINS, GAMA BOMB, DAVE This isn’t some grand forwarding move for The Smashing Pumpkins, but rather a go at clocking in and bloating up a legacy that’s already got a pretty dense shadow over it to many. Cyr isn’t really helping in that regard either; if anything, it might the greatest example of waste within The Smashing Pumpkins’ catalogue to date. 4/10. ALBUM REVIEW: ‘AMERICAN SUN’ BY FIRE FROM THE GODS ALBUM REVIEW: ‘American Sun’ by Fire From The Gods. For all the bands in hard rock and metal circles current immersed in dissecting the current political state of the US, it’s safe to say that Fire From The Gods have probably made the biggest impression on a sonic level. Their inclusion within that scene can’t really be debated,but
ALBUM REVIEW: ‘THE CORRELATION BETWEEN ENTRANCE AND EXIT The relationship between metalcore and nostalgia is an interesting one, mostly because there’s never really been a general consensus on where the most potent nostalgic stimulus falls. It’s still a relatively new genre for one, and while emo and post-hardcore have recently been reaching back to their mid-2000s variants to capitalise on that familiarity factor, ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: ROYAL BLOOD ALBUM REVIEW: Royal Blood – ‘Typhoons’. There’s always been an inevitability surrounding Royal Blood and how their rise wasn’t to last. Carrying themselves like the biggest and best band in the world at their height was all well and good, but it’s also worth remembering that their hugely acclaimed debut came at a lucrative timefor
ALBUM REVIEW: WATERPARKS For the first time in a long time, Waterparks feel like more than just a singles band; as an album, it’s still flabby and inconsistent, but there’s a sparkle to Greatest Hits that’s more creatively robust, and makes for a more engaging end product. It’s probably their best full-length since their debut, truth be told, in that it gives ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: AJR
ALBUM REVIEW: AJR – ‘OK Orchestra’. There’s a certain amount of re-evaluation that needs to be offered to AJR, if only to fully isolate where they fall in modern music. That’s largely because, outside of dedicated online circles where their presence has been amplified exponentionally along with the criticism that’ssubsequently
ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
REVIEW ROUND-UP: THE SMASHING PUMPKINS, GAMA BOMB, DAVE This isn’t some grand forwarding move for The Smashing Pumpkins, but rather a go at clocking in and bloating up a legacy that’s already got a pretty dense shadow over it to many. Cyr isn’t really helping in that regard either; if anything, it might the greatest example of waste within The Smashing Pumpkins’ catalogue to date. 4/10. ALBUM REVIEW: ‘AMERICAN SUN’ BY FIRE FROM THE GODS ALBUM REVIEW: ‘American Sun’ by Fire From The Gods. For all the bands in hard rock and metal circles current immersed in dissecting the current political state of the US, it’s safe to say that Fire From The Gods have probably made the biggest impression on a sonic level. Their inclusion within that scene can’t really be debated,but
ALBUM REVIEW: ‘THE CORRELATION BETWEEN ENTRANCE AND EXIT The relationship between metalcore and nostalgia is an interesting one, mostly because there’s never really been a general consensus on where the most potent nostalgic stimulus falls. It’s still a relatively new genre for one, and while emo and post-hardcore have recently been reaching back to their mid-2000s variants to capitalise on that familiarity factor, JUNE 2021 – THE SOUNDBOARD 3 posts published by thesoundboardreviews during June 2021. Even as an improvement to their current lacklustre wave, AFI’s newest album is too slight and forgettable to have much of an impact. ALBUM REVIEW: RISE AGAINST The sound doesn’t hurt either, mind, even with a lack of retooling that, to be perfectly honest, has never really been needed. At least on Broken Dreams, Inc. and Monarch, there’s a bit more of a regular punk bite that’s appreciated, but by now, Rise Against’s bread-and-butter is well-known, and they’re still great at pulling it off.The arena-rock sensibilities of the title track andALBUM REVIEW: AFI
Though even despite that, after the sluggishness of both Burials and The Blood Album, the fact that Bodies does have a bit more of an uptick in pace is a nice sign overall.The needle has shifted far towards pop-rock in the overall vibrancy and fizziness that goes on, and when you’ve got a vocalist like Davey Havok that traffics in a lot of showmanship and bravado, there’s a nice payoff REVIEW ROUND-UP: WOLF ALICE, ATREYU, HACKTIVIST Hacktivist have always had the mentality of working at their own pace, and it’s surprising that it’s only just now catching up with them. Their debut Outside The Box took a long while to arrive, but when it did, its fusion of tech-metal and grime still felt fresh, and arguably the most cutting-edge form of rap-metal at the time.That was in 2016 though, and between grime falling away in THE SOUNDBOARD’S WORST ALBUMS OF 2020 The more thought that’s given to this album, the more its spot on a worst of the year list seems justified. The fact that Steve Harris – he of Iron Maiden fame and a metal legend through and through – lends his services to British Lion should make for an easy win, but the fact that The Burning is such a monumental failure is just ALBUM REVIEW: HOLDING ABSENCE ALBUM REVIEW: Holding Absence – ‘The Greatest Mistake Of My Life’. Maybe it was a bit premature to expect Holding Absence to spearhead an entirely new branch of Britrock, mostly because theirs is a sound that feels as though it only has room for one real success story, and at that point in time, even they themselves weren’t atthat
ALBUM REVIEW: ARCHITECTS A song like Black Lungs is an obvious scene-setter, a broadside at those in power who are well aware of the responsibilities they have to make change and yet continue to deny or shirk, but For Those That Wish To Exist is a far more pragmatic listen than just resting on that one side of the argument. Carter will target people who persecute those KELE – THE SOUNDBOARD Posts about Kele written by thesoundboardreviews. In this Review Round-Up, there are disappointments from Red Fang, easy life and Kele, strong emo from Hot Mulligan and Latewaves, and more from Blackberry Smoke, Boss Keloid and Worm Shepherd. ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to theLUKE NUTTALL
Posts about Luke Nuttall written by thesoundboardreviews. Just as punk will never die, neither will its all-stars. The Clash and The Ramones ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: ROYAL BLOOD ALBUM REVIEW: Royal Blood – ‘Typhoons’. There’s always been an inevitability surrounding Royal Blood and how their rise wasn’t to last. Carrying themselves like the biggest and best band in the world at their height was all well and good, but it’s also worth remembering that their hugely acclaimed debut came at a lucrative timefor
ALBUM REVIEW: WATERPARKS For the first time in a long time, Waterparks feel like more than just a singles band; as an album, it’s still flabby and inconsistent, but there’s a sparkle to Greatest Hits that’s more creatively robust, and makes for a more engaging end product. It’s probably their best full-length since their debut, truth be told, in that it gives ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: AJR
ALBUM REVIEW: AJR – ‘OK Orchestra’. There’s a certain amount of re-evaluation that needs to be offered to AJR, if only to fully isolate where they fall in modern music. That’s largely because, outside of dedicated online circles where their presence has been amplified exponentionally along with the criticism that’ssubsequently
ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
REVIEW ROUND-UP: THE SMASHING PUMPKINS, GAMA BOMB, DAVE This isn’t some grand forwarding move for The Smashing Pumpkins, but rather a go at clocking in and bloating up a legacy that’s already got a pretty dense shadow over it to many. Cyr isn’t really helping in that regard either; if anything, it might the greatest example of waste within The Smashing Pumpkins’ catalogue to date. 4/10. ALBUM REVIEW: ‘AMERICAN SUN’ BY FIRE FROM THE GODS ALBUM REVIEW: ‘American Sun’ by Fire From The Gods. For all the bands in hard rock and metal circles current immersed in dissecting the current political state of the US, it’s safe to say that Fire From The Gods have probably made the biggest impression on a sonic level. Their inclusion within that scene can’t really be debated,but
ALBUM REVIEW: ‘THE CORRELATION BETWEEN ENTRANCE AND EXIT The relationship between metalcore and nostalgia is an interesting one, mostly because there’s never really been a general consensus on where the most potent nostalgic stimulus falls. It’s still a relatively new genre for one, and while emo and post-hardcore have recently been reaching back to their mid-2000s variants to capitalise on that familiarity factor, ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: ROYAL BLOOD ALBUM REVIEW: Royal Blood – ‘Typhoons’. There’s always been an inevitability surrounding Royal Blood and how their rise wasn’t to last. Carrying themselves like the biggest and best band in the world at their height was all well and good, but it’s also worth remembering that their hugely acclaimed debut came at a lucrative timefor
ALBUM REVIEW: WATERPARKS For the first time in a long time, Waterparks feel like more than just a singles band; as an album, it’s still flabby and inconsistent, but there’s a sparkle to Greatest Hits that’s more creatively robust, and makes for a more engaging end product. It’s probably their best full-length since their debut, truth be told, in that it gives ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: AJR
ALBUM REVIEW: AJR – ‘OK Orchestra’. There’s a certain amount of re-evaluation that needs to be offered to AJR, if only to fully isolate where they fall in modern music. That’s largely because, outside of dedicated online circles where their presence has been amplified exponentionally along with the criticism that’ssubsequently
ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
REVIEW ROUND-UP: THE SMASHING PUMPKINS, GAMA BOMB, DAVE This isn’t some grand forwarding move for The Smashing Pumpkins, but rather a go at clocking in and bloating up a legacy that’s already got a pretty dense shadow over it to many. Cyr isn’t really helping in that regard either; if anything, it might the greatest example of waste within The Smashing Pumpkins’ catalogue to date. 4/10. ALBUM REVIEW: ‘AMERICAN SUN’ BY FIRE FROM THE GODS ALBUM REVIEW: ‘American Sun’ by Fire From The Gods. For all the bands in hard rock and metal circles current immersed in dissecting the current political state of the US, it’s safe to say that Fire From The Gods have probably made the biggest impression on a sonic level. Their inclusion within that scene can’t really be debated,but
ALBUM REVIEW: ‘THE CORRELATION BETWEEN ENTRANCE AND EXIT The relationship between metalcore and nostalgia is an interesting one, mostly because there’s never really been a general consensus on where the most potent nostalgic stimulus falls. It’s still a relatively new genre for one, and while emo and post-hardcore have recently been reaching back to their mid-2000s variants to capitalise on that familiarity factor, JUNE 2021 – THE SOUNDBOARD 3 posts published by thesoundboardreviews during June 2021. Even as an improvement to their current lacklustre wave, AFI’s newest album is too slight and forgettable to have much of an impact. ALBUM REVIEW: RISE AGAINST The sound doesn’t hurt either, mind, even with a lack of retooling that, to be perfectly honest, has never really been needed. At least on Broken Dreams, Inc. and Monarch, there’s a bit more of a regular punk bite that’s appreciated, but by now, Rise Against’s bread-and-butter is well-known, and they’re still great at pulling it off.The arena-rock sensibilities of the title track andALBUM REVIEW: AFI
Though even despite that, after the sluggishness of both Burials and The Blood Album, the fact that Bodies does have a bit more of an uptick in pace is a nice sign overall.The needle has shifted far towards pop-rock in the overall vibrancy and fizziness that goes on, and when you’ve got a vocalist like Davey Havok that traffics in a lot of showmanship and bravado, there’s a nice payoff REVIEW ROUND-UP: WOLF ALICE, ATREYU, HACKTIVIST Hacktivist have always had the mentality of working at their own pace, and it’s surprising that it’s only just now catching up with them. Their debut Outside The Box took a long while to arrive, but when it did, its fusion of tech-metal and grime still felt fresh, and arguably the most cutting-edge form of rap-metal at the time.That was in 2016 though, and between grime falling away in THE SOUNDBOARD’S WORST ALBUMS OF 2020 The more thought that’s given to this album, the more its spot on a worst of the year list seems justified. The fact that Steve Harris – he of Iron Maiden fame and a metal legend through and through – lends his services to British Lion should make for an easy win, but the fact that The Burning is such a monumental failure is just ALBUM REVIEW: HOLDING ABSENCE ALBUM REVIEW: Holding Absence – ‘The Greatest Mistake Of My Life’. Maybe it was a bit premature to expect Holding Absence to spearhead an entirely new branch of Britrock, mostly because theirs is a sound that feels as though it only has room for one real success story, and at that point in time, even they themselves weren’t atthat
ALBUM REVIEW: ARCHITECTS A song like Black Lungs is an obvious scene-setter, a broadside at those in power who are well aware of the responsibilities they have to make change and yet continue to deny or shirk, but For Those That Wish To Exist is a far more pragmatic listen than just resting on that one side of the argument. Carter will target people who persecute those KELE – THE SOUNDBOARD Posts about Kele written by thesoundboardreviews. In this Review Round-Up, there are disappointments from Red Fang, easy life and Kele, strong emo from Hot Mulligan and Latewaves, and more from Blackberry Smoke, Boss Keloid and Worm Shepherd. ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to theLUKE NUTTALL
Posts about Luke Nuttall written by thesoundboardreviews. Just as punk will never die, neither will its all-stars. The Clash and The Ramones ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: ROYAL BLOOD ALBUM REVIEW: Royal Blood – ‘Typhoons’. There’s always been an inevitability surrounding Royal Blood and how their rise wasn’t to last. Carrying themselves like the biggest and best band in the world at their height was all well and good, but it’s also worth remembering that their hugely acclaimed debut came at a lucrative timefor
ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: ‘MILK TEETH’ BY MILK TEETH ALBUM REVIEW: ‘Milk Teeth’ by Milk Teeth. It’s a common reviewer trope to say that a self-titled album is usually called as such because it represents the definitive version of the band, but with Milk Teeth, that really feels like the case. Between 2016’s Vile Child and now, they’ve undergone some sizable changes in lineup,most
ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
ALBUM REVIEW: ‘VICTORIOUS’ BY SKILLET The worst thing is it looks like this is their existence for the long haul now, embracing the cycle of a band guaranteed to find success through their tepid, unfulfilling means, and if calling this album Victorious is the taunt that Skillet know how well this works for them, that’s just an unnecessary amount of extra salt in the wound.2/10.
ALBUM REVIEW: ‘FOREVER WHATEVER’ BY OCTOBER DRIFT The path taken by October Drift up to now is a well-trodden one, getting their sea legs on the blogosphere where the amicable but tremendously misguided practice of giving everything a chance to become huge can lead to a very uncertain mindset when it ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to the EP REVIEW: ‘SIDE ONE’ BY THE CRUEL KNIVES As much as The Cruel Knives would want you to think the success of their PledgeMusic campaign to fund this debut EP is a surprise, going back through the band's lineage will prove it to be anything but. After all, guitarist Sid Glover and bassist Rob ALBUM REVIEW: TWENTY ONE PILOTS The rollout for Scaled And Icy has felt very non-traditional for Twenty One Pilots, and that might be cause for concern for them.They’ve become known for having one of the most rapacious and hostile stan armies of anyone not from South Korea, who’d usually delight in poring over any insignificant morsel of information to predict a new era, but no such phenomenon has occurred this time. ALBUM REVIEW: ROYAL BLOOD ALBUM REVIEW: Royal Blood – ‘Typhoons’. There’s always been an inevitability surrounding Royal Blood and how their rise wasn’t to last. Carrying themselves like the biggest and best band in the world at their height was all well and good, but it’s also worth remembering that their hugely acclaimed debut came at a lucrative timefor
ALBUM REVIEW: THE OFFSPRING Perhaps the most glaring example of that comes in The Offspring’s vanity around being a punk band, and how the particular course correction on Let The Bad Times Roll is so evidently geared in that direction.There’s clearly an acknowledgment made of the turbulence of modern times, and how the cloud of darkness only seems to descend further and further, which is probably the absolute ALBUM REVIEW: ‘MILK TEETH’ BY MILK TEETH ALBUM REVIEW: ‘Milk Teeth’ by Milk Teeth. It’s a common reviewer trope to say that a self-titled album is usually called as such because it represents the definitive version of the band, but with Milk Teeth, that really feels like the case. Between 2016’s Vile Child and now, they’ve undergone some sizable changes in lineup,most
ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
ALBUM REVIEW: ‘BLOOD RUSH DÉJÀ VU’ BY SUNSET SONS But on the whole, Blood Rush Déjà Vu is just so uneventful as an album that it’s difficult to know what to really say. From an instrumental and production standpoint, Sunset Sons have sunk themselves deeply into the modern indie school of thought, with clean expanse taking pride of place on Superman and a generally undercookedcrop of
ALBUM REVIEW: ‘VICTORIOUS’ BY SKILLET The worst thing is it looks like this is their existence for the long haul now, embracing the cycle of a band guaranteed to find success through their tepid, unfulfilling means, and if calling this album Victorious is the taunt that Skillet know how well this works for them, that’s just an unnecessary amount of extra salt in the wound.2/10.
ALBUM REVIEW: ‘FOREVER WHATEVER’ BY OCTOBER DRIFT The path taken by October Drift up to now is a well-trodden one, getting their sea legs on the blogosphere where the amicable but tremendously misguided practice of giving everything a chance to become huge can lead to a very uncertain mindset when it ALBUM REVIEW: ‘I LET IT IN AND IT TOOK EVERYTHING’ BY Sometimes it can feel like heavy music scenes are the only places where musical experimentation is actually allowed to flourish. Be it less pressure to shift units than more mainstream-centric acts or a more open listener-base who can be willing to dip further out of their comfort zone, but the current generation of hardcore and metal bands really are leading the charge when it comes to the EP REVIEW: ‘SIDE ONE’ BY THE CRUEL KNIVES As much as The Cruel Knives would want you to think the success of their PledgeMusic campaign to fund this debut EP is a surprise, going back through the band's lineage will prove it to be anything but. After all, guitarist Sid Glover and bassist RobTHE SOUNDBOARD
The Soundboard Stereo – May 2021. by thesoundboardreviews. Posted on. May 28, 2021. May 28, 2021. See what we’ve been listening to this month in our newest edition of The Soundboard Stereo, ft. Muse, Dua Lipa, Rise Against, Tame Impala, Marianas Trench and Trophy Eyes.Read More.
ALBUM REVIEW: AFI
Though even despite that, after the sluggishness of both Burials and The Blood Album, the fact that Bodies does have a bit more of an uptick in pace is a nice sign overall.The needle has shifted far towards pop-rock in the overall vibrancy and fizziness that goes on, and when you’ve got a vocalist like Davey Havok that traffics in a lot of showmanship and bravado, there’s a nice payoff ALBUM REVIEW: RISE AGAINST The sound doesn’t hurt either, mind, even with a lack of retooling that, to be perfectly honest, has never really been needed. At least on Broken Dreams, Inc. and Monarch, there’s a bit more of a regular punk bite that’s appreciated, but by now, Rise Against’s bread-and-butter is well-known, and they’re still great at pulling it off.The arena-rock sensibilities of the title track and ALBUM REVIEW: THE PRETTY RECKLESS February 9, 2021. There’s always been a rather pronounced sense of awkwardness about The Pretty Reckless in modern rock, in that they’re a band whose rather high-profile spot has been held time and time again, without any sort of expectation to deliver or actually earn it. There’s indeed a lot of heavy lifting done by Taylor Momsenas the
THE SOUNDBOARD’S WORST ALBUMS OF 2020 The more thought that’s given to this album, the more its spot on a worst of the year list seems justified. The fact that Steve Harris – he of Iron Maiden fame and a metal legend through and through – lends his services to British Lion should make for an easy win, but the fact that The Burning is such a monumental failure is just ALBUM REVIEW: ‘MILK TEETH’ BY MILK TEETH ALBUM REVIEW: ‘Milk Teeth’ by Milk Teeth. It’s a common reviewer trope to say that a self-titled album is usually called as such because it represents the definitive version of the band, but with Milk Teeth, that really feels like the case. Between 2016’s Vile Child and now, they’ve undergone some sizable changes in lineup,most
ALBUM REVIEW: DEFTONES That’s an almost mandatory viewpoint to look at Ohms with, as it does come bearing all the hallmarks of a Deftones album. It has the weight and tension balanced with a real sense of beauty and liberating experimentation, but also like the albums that have come before it, it’s never standing still, and always looking to further what thiscan
ALBUM REVIEW: ARCHITECTS A song like Black Lungs is an obvious scene-setter, a broadside at those in power who are well aware of the responsibilities they have to make change and yet continue to deny or shirk, but For Those That Wish To Exist is a far more pragmatic listen than just resting on that one side of the argument. Carter will target people who persecute thoseLUKE NUTTALL
Posts about Luke Nuttall written by thesoundboardreviews. It’s easy to see why people don’t like King 810. Looking past the chest-beating posturing ALBUM REVIEW: ‘SAY NOTHING’ BY THEORY OF A DEADMAN Everyone seems to have realised that the performative hate for Nickelback is getting really played out now; in the grand scheme of things, they’re not that bad, and even within post-grunge and radio-rock, there’s far bigger fish to fry as far as that hate goes.In those terms, the proverbial shark in the pond has always been Theory Of A Deadman (or just Theory as this current incarnationSkip to content
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ALBUM REVIEW: ‘BORN AGAIN’ BY ELLIS An inevitability within trends and scenes in music (or anything, to be honest) is that not everyone gets remembered. Typically, it’s the first to do it and the ones that By thesoundboardreviewsPosted
on 16 hours ago
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ALBUM REVIEW: ‘COMPELLED TO REPEAT’ BY BEGGAR Well, this seems almost too appropriate, doesn’t it? At a time when life feels its most uncertain and COVID-19 has effectively put the entire globe on lockdown until further notice, By thesoundboardreviewsPosted
on 2 days ago
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ALBUM REVIEW: ‘GUARDIANS’ BY AUGUST BURNS RED Hailing from Pennsylvania, August Burns Red continue to push themselves with each album, and it’s clear that their hard work pays off. The two-time Grammy Award-nominated metallers have made a By thesoundboardreviewsPosted
on 2 days ago
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ALBUM REVIEW: ‘WAKE UP, SUNSHINE’ BY ALL TIME LOW Well, doesn’t this feel like a familiar situation? Back in 2012 when All Time Low released Don’t Panic, it was viewed by many as a step back towards their fan-pleasing By thesoundboardreviewsPosted
on 3 days ago
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ALBUM REVIEW: ‘MOTHER’ BY IN THIS MOMENT For as hokey as they can often appear, there is a genuinely understandable reason for why people like In This Moment. In a hard rock scene that’s glutted with facsimiles By thesoundboardreviewsPosted
on 4 days ago
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ALBUM REVIEW: ‘CALM’ BY 5 SECONDS OF SUMMER In order to understand how 5 Seconds Of Summer have ended up where they currently are, it’s worth acknowledging that they were never a band that was built to last. By thesoundboardreviewsPosted
on 4 days ago
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ALBUM REVIEW: ‘MILK TEETH’ BY MILK TEETH It’s a common reviewer trope to say that a self-titled album is usually called as such because it represents the definitive version of the band, but with Milk Teeth, that By thesoundboardreviewsPosted
on 5 days ago
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ALBUM REVIEW: ‘FUTURE NOSTALGIA’ BY DUA LIPA There’s a lot that can be gleaned from an album title like Future Nostalgia. In recent years, pop music hasn’t been shy about openly pulling from its past in order By thesoundboardreviewsPosted
on 5 days ago
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ALBUM REVIEW: ‘GIGATON’ BY PEARL JAM Evaluating Pearl Jam has become an increasingly difficult task over the years, because they’ve unwittingly found themselves in a class of rock that they shouldn’t really belong in. Between them, By thesoundboardreviewsPosted
on 5 days ago
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THE SOUNDBOARD STEREO – MARCH 2020 Given that the last few weeks have essentially brought the planet to a standstill and carved a wedge out of the live music industry the likes of which has probably By thesoundboardreviewsPosted
on 1 week ago
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ALBUM REVIEW: ‘EVERYTHING IS A-OK’ BY VIOLENT SOHO Violent Soho are the sort of band for whom it’s easy to look at and wonder how they’ve been around for as long as they have. It’s notbecause they’re
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ALBUM REVIEW: ‘CELEBRATED BY STRANGERS’ BY CATHOLIC ACTION On the surface, it is possible to dismiss Catholic Action as just another indie-rock band. We’ve got metric tons of them at this point, and when a potted biography can By thesoundboardreviewsPosted
on 1 week ago
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ALBUM REVIEW: ‘STATE OF BEING’ BY IMONOLITH Here we are again, with another band being liberally offered the tag of ‘supergroup’ (perhaps overly so), despite that feeling like very much of a stretch. To be perfectly fair, By thesoundboardreviewsPosted
on 1 week ago
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ALBUM REVIEW: ‘…AND THEN THE RAIN STOPPED’ BY BIRTHMARKS It seems to be said a lot, but the parameters of alt-rock moving ever outward to allow newer, more inventive bands an opportunity to shine feels imperative in the rise By thesoundboardreviewsPosted
on 1 week ago
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ALBUM REVIEW: ‘925’ BY SORRY Whenever the phrase ‘the most exciting new guitar band’ comes up in conversation, it’s not unnatural to have the kneejerk reaction of not believing a single word of it. Looking By thesoundboardreviewsPosted
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ALBUM REVIEW: ‘BRUISE’ BY LIZZY FARRALL The measures that Lizzy Farrall has undergone to find her artistic feet so quickly have been quite impressive to see unfold. What began as a pleasantly folky pop-rock sound on By thesoundboardreviewsPosted
on 2 weeks ago
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