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KEITH CROWN
Keith Crown Raised in Indiana, Keith Crown first drove through Taos in the late 1940s, on a cross-country trip from Chicago. He studied at the School of the Art Institute of Chicago and took a teaching position at the University of Southern California in Los Angeles.While
ED GARMAN - PEYTON WRIGHT GALLERY An artist whose modernist style grew during the Depression and World War II eras, Ed Garman had several experiences that directed him to his signature style of Geometric Abstraction, which he called Dynamic Painting. In 1933, he studied modern stage design at the University of New Mexico with Adolph Appia and Edward Gordon Craig, who were pioneers in stark, simple theatre sets. PEDRO ANTONIO FRESQUÍS Pedro Antonio Fresquís, a santero believed to be of Flemish decent, was born at Santa Cruz parish on October 29, 1749. He married Maria Dolores Vigil in the 1760s and they had 5 children: Mariana de Jesus (Micela?), Juana Catarina, Ana Gregoria, Juan Bautista, and another child named Mariana de Jesus. Works attributed to Fresquís span many years, dating up to the time of his death in 1831.ANDRÉS DE ISLAS
A painter that is still relatively unknown, but who has been gaining recent attention as a valuable member of the Mexican school. Islas is most well known for his ambitious, large-format paintings found at the college in Mexico City, yet, was also adept at capturing expression and personality in his exquisite portraits. In 1753, Islas--a well-regarded painter in the academic circles--signedTOM PALMORE
Tom Palmore realistically renders "every sort of creature, from parrots to bears to rams, in circumstances that are not impossible, perhaps, but certainly unlikely. He likes to think that if these animals could commission their own portraits, these would be their chosen settings" (Indyke). Palmore was born in 1945 in Ada, Oklahoma,population 16,000.
EMIL JAMES BISTTRAM
Bisttram founded the Taos School of Art as well as the first commercial gallery in Taos. Together with Raymond Johnson and others, Bisttram started the Transcendental Painting Group in Santa Fe in 1938. He was very active in fostering the growth of the arts in New Mexico up until his death at 81. Emil James Bisttram Hungarian-bornEmil James
JOSÉ RAFAEL ARAGÓN José Rafael Aragón is considered to be one of the most prolific and highly regarded classic santeros in early New Mexico. His working period spanned four decades, during which he produced not only altar screens and carvings for churches, but also hundreds of images for private clients. He was extremely versatile as an artist, proficient both in painting panels and carving images, and he PEDRO ANTONIO FRESQUÍS: SAN ISIDRO Pedro Antonio Fresquís, a santero believed to be of Flemish decent, was born at Santa Cruz parish on October 29, 1749. He married Maria Dolores Vigil in the 1760s and they had five children. He is sometimes known as the Truchas Master, after the village north of Santa Fe where the artist’s major works were found. PEYTON WRIGHT GALLERY PEYTON WRIGHT GALLERY – American Modern paintings and sculpture thoughtfully displayed in the fifteen room Spiegelberg House, a National Register architectural treasure. The gallery is the exclusive representative of the estates of Herbert Bayer and Stanton MacDonald-Wright, a representative of the estates of John Stephan, Art Brenner, and Margo Hoff, and exhibiting many of America’s LEON KELLY - PEYTON WRIGHT GALLERY Leon Kelly, born in 1901, studied at the Pennsylvania Academy of the Fine Arts, Philadelphia. Awarded a traveling scholarship from that institution in 1924, he studied in Paris, France at the Grande Chaumiere. Other teachers included Arthur B. Carles, Jean Auguste Adolphe, Earl Horter and Alexandre Portinoff. Essentially a Surrealist painter, Kelly did wide-ranging work that went fromKEITH CROWN
Keith Crown Raised in Indiana, Keith Crown first drove through Taos in the late 1940s, on a cross-country trip from Chicago. He studied at the School of the Art Institute of Chicago and took a teaching position at the University of Southern California in Los Angeles.While
ED GARMAN - PEYTON WRIGHT GALLERY An artist whose modernist style grew during the Depression and World War II eras, Ed Garman had several experiences that directed him to his signature style of Geometric Abstraction, which he called Dynamic Painting. In 1933, he studied modern stage design at the University of New Mexico with Adolph Appia and Edward Gordon Craig, who were pioneers in stark, simple theatre sets. PEDRO ANTONIO FRESQUÍS Pedro Antonio Fresquís, a santero believed to be of Flemish decent, was born at Santa Cruz parish on October 29, 1749. He married Maria Dolores Vigil in the 1760s and they had 5 children: Mariana de Jesus (Micela?), Juana Catarina, Ana Gregoria, Juan Bautista, and another child named Mariana de Jesus. Works attributed to Fresquís span many years, dating up to the time of his death in 1831.ANDRÉS DE ISLAS
A painter that is still relatively unknown, but who has been gaining recent attention as a valuable member of the Mexican school. Islas is most well known for his ambitious, large-format paintings found at the college in Mexico City, yet, was also adept at capturing expression and personality in his exquisite portraits. In 1753, Islas--a well-regarded painter in the academic circles--signedTOM PALMORE
Tom Palmore realistically renders "every sort of creature, from parrots to bears to rams, in circumstances that are not impossible, perhaps, but certainly unlikely. He likes to think that if these animals could commission their own portraits, these would be their chosen settings" (Indyke). Palmore was born in 1945 in Ada, Oklahoma,population 16,000.
EMIL JAMES BISTTRAM
Bisttram founded the Taos School of Art as well as the first commercial gallery in Taos. Together with Raymond Johnson and others, Bisttram started the Transcendental Painting Group in Santa Fe in 1938. He was very active in fostering the growth of the arts in New Mexico up until his death at 81. Emil James Bisttram Hungarian-bornEmil James
JOSÉ RAFAEL ARAGÓN José Rafael Aragón is considered to be one of the most prolific and highly regarded classic santeros in early New Mexico. His working period spanned four decades, during which he produced not only altar screens and carvings for churches, but also hundreds of images for private clients. He was extremely versatile as an artist, proficient both in painting panels and carving images, and he PEDRO ANTONIO FRESQUÍS: SAN ISIDRO Pedro Antonio Fresquís, a santero believed to be of Flemish decent, was born at Santa Cruz parish on October 29, 1749. He married Maria Dolores Vigil in the 1760s and they had five children. He is sometimes known as the Truchas Master, after the village north of Santa Fe where the artist’s major works were found. HISTORIC - PEYTON WRIGHT GALLERY Thursday, July 2 2020. Peyton Wright Gallery is pleased to announce the publication and forthcoming release of William Frej’s book, Maya Ruins Revisited: In the Footsteps of Teobert Maler inSPANISH COLONIAL
Featuring Spanish Colonial Viceregal paintings, sculpture, furniture, silverwork, and objects from the former Spanish and Portuguese colonies – present-day Bolivia, Peru, Argentina, Mexico, Ecuador, Chile, Venezuela, Guatemala and the Philippines. Read a review in the New York Times of “Painted in Mexico, 1700-1790: Pinxit Mexici”, a major exhibition of Spanish Colonial work at the CADY WELLS - PEYTON WRIGHT GALLERY Originally from Massachusetts, Cady Wells relocated to New Mexico in 1931 in order to study with Andrew Dasburg, who instructed Wells in watercolor technique. Wells was a student at the Fogg Art Museum at Harvard in the early 1930s. In 1935 he went to Japan specifically to BEING AND BECOMING: FIRST AND SECOND GENERATION ABSTRACT Vivian Springford was born in Milwaukee, Wisconsin, and educated at the Spence School in New York City, and then the Art Students League. Born to a prominent family (her father was the former president and chairman of the board of Sevel, Inc, an early maker of refrigerators), she was pictured in The New York Times “Debutantes of the Winter Season in New York” in 1932.ROBERT GRIBBROEK
A painter, illustrator and commercial art director, Robert Gribbroek spent the prime of his career in southern California but was a frequent visitor to Taos, New Mexico where he was a member of the Transcendental Painting Group that espoused abstract and non-objective painting. Gribbroek was born in Rochester, New York. He studied at the Rochester Institute of Technology, the PennsylvaniaJOCHEN SEIDEL
Jochen Seidel Jochen Seidel was born in 1924 in the German industrial town of Bitterfeld. He was the son of an engineer, and counted several artists among his extended family. In 1941 he was drafted into the army. After a brief period of imprisonment he returned inGENEVIÈVE CLAISSE
Geneviève Claisse was born in 1935, in Quievy, France. She studied at the École des Beaux-Arts in Paris. Her approach to painting was influenced by reading Art d’Aujourd’hui, Tribune of Geometrical Abstraction. Claisse was the great niece of artist Auguste Herbin, a founder of the French group of artists known asAbstraction-Création. In the late 1950s, Genevieve worked as an assistantCHARLES GREEN SHAW
During his successful painting career, which spanned four decades of modernism, Charles Green Shaw skillfully explored several abstract idioms. A native New Yorker, Shaw’s early work was in writing; in the 1920s he contributed to publications including the New Yorker and Vanity Fair. During travels to Europe from 1929 to 1932, he gainedfirst
HERBERT BAYER
Herbert Bayer (1900-1985) was born in Austria, where he entered into an apprenticeship under the architect and designer, Georg Smidthammer, with whom Bayer learned drawing, painting, and architectural drafting, inspired by nature and without formal knowledge of art history. In 1920, Bayer discovered the theoretical writings of the artistEMIL JAMES BISTTRAM
237 East Palace Avenue Santa Fe, NM 87501 800 879-8898 505 989-9888 505 989-9889 Fax fineart@peytonwright.com In the historic Spiegelberg House Palace Avenue at Paseo de PeraltaHISTORIC
MODERN
HISTORIC
EXPLORE COLLECTIONS
Pre-Columbian, Spanish Colonial and European objects, artworks andfurnishings
MODERN
EXPLORE WORKS & ESTATES American mid-century paintings, sculpture and prints»
PEYTON WRIGHT GALLERY – American Modern paintings and sculpture thoughtfully displayed in the fifteen room Spiegelberg House, a National Register architectural treasure. The gallery is the exclusive representative of the estates of Herbert Bayer and Stanton MacDonald-Wright, a representative of the estates of John Stephan, Art Brenner, and Margo Hoff, and exhibiting many of America’s leading mid-century painters and sculptors. Renowned for museum-quality exhibitions of Spanish Colonial Art, the Peyton Wright Gallery offers the most comprehensive collection of 17th – 19th century Spanish Colonial Viceregal paintings, sculpture, silver and furniture in the world as well as significant Pre-Columbian textiles, objects and gold.Details
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