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women artists.
SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
T.B. HARLEM
T.B. Harlem. Like many of Alice Neel’s portraits of her Spanish Harlem neighbors, T.B. Harlem calls attention to poverty as a social issue without sacrificing the subject’s individuality. In this painting, Neel portrayed Carlos Negrón, the brother of the artist’s then-lover, José Santiago. Negrón, 24 years old here, had moved toNew
JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue toCROOKHEY HALL
The Artist, Leonora Carrington Through her paintings and sculptures, Leonora Carrington often explored notions of femininity in the whimsical, dreamlike style of Surrealism.CHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a Guggenheim ELIZABETH ADELA ARMSTRONG FORBES Elizabeth Adela Armstrong Forbes. 1859–1912. As a young girl, Forbes studied drawing in her native Canada and in England. She later studied with William Merritt Chase at the Art Students League of New York. In 1882 she moved to Pont-Aven, Brittany, where she experimented with plein-air painting, a technique that impacted her future oeuvre.YANI PECANINS
Yani Pecanins. 1957–2019. Born in Mexico to immigrant German and Catalan parents, Pecanins grew up in a family dedicated to the arts. Her mother owned an art gallery and saw to it that her daughter was immersed in the arts at a young age. Pecanins began her professional work in the book arts in 1977, when she established the home-based NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
T.B. HARLEM
T.B. Harlem. Like many of Alice Neel’s portraits of her Spanish Harlem neighbors, T.B. Harlem calls attention to poverty as a social issue without sacrificing the subject’s individuality. In this painting, Neel portrayed Carlos Negrón, the brother of the artist’s then-lover, José Santiago. Negrón, 24 years old here, had moved toNew
JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue toCROOKHEY HALL
The Artist, Leonora Carrington Through her paintings and sculptures, Leonora Carrington often explored notions of femininity in the whimsical, dreamlike style of Surrealism.CHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a Guggenheim ELIZABETH ADELA ARMSTRONG FORBES Elizabeth Adela Armstrong Forbes. 1859–1912. As a young girl, Forbes studied drawing in her native Canada and in England. She later studied with William Merritt Chase at the Art Students League of New York. In 1882 she moved to Pont-Aven, Brittany, where she experimented with plein-air painting, a technique that impacted her future oeuvre.YANI PECANINS
Yani Pecanins. 1957–2019. Born in Mexico to immigrant German and Catalan parents, Pecanins grew up in a family dedicated to the arts. Her mother owned an art gallery and saw to it that her daughter was immersed in the arts at a young age. Pecanins began her professional work in the book arts in 1977, when she established the home-based VIRTUAL HAPPY HOUR: MARY VAUX WALCOTT CELEBRATION Mary Vaux Walcott, Plate 24 - Southern Magnolia (flower) (from North American Wild Flowers, Vol.1), 1925; Colored lithograph, 14 1/8 x 11 1/8 in.; National Museum of Women in NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. MODERN MAKERS: BIANCA NEGRON Bianca’s Design Shop features rad pins, creative goods, and other cute accessories made with love by queer Latinx artist Bianca Negron. We spoke with Negron about the shop’s genesis, her inspirations, and her hopes for a more inclusive future. Check out HARVARD PROJECT ZERO THINKING ROUTINES Harvard Project Zero Thinking Routines . Educators at the National Museum of Women in the Arts (NMWA) often employ Harvard Project Zero (HPZ) Thinking Routines during school tours NOW ON VIEW: HER FLAG To commemorate the 100th anniversary of the passage of the 19th Amendment, NMWA has partnered with Her Flag, a nationwide art and travel project led by artist Marilyn Artus. DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a new URSULA VON RYDINGSVARD Ursula Von Rydingsvard was born in Germany to Polish and Ukrainian parents, peasant farmers who worked in forced labor under the Nazis during World War II. The family moved among nine displacement camps for Polish refugees in Germany following the war. They immigrated to Plainville, Connecticut, in 1950. Although von Rydingsvard’ssculptures
JULIE CHEN: TRUE TO LIFE The internationally recognized artist and teacher Julie Chen creates elaborate books that call for readers to do more than simply turn pages to uncover her poetic reflections. Readers may be called upon to peer through a tunnel created by accordioned pages or flip the slats of a Venetian blind-like structure in order to read the text. J ulie Chen: True to Life will exhibit more than a dozen LA LLAMADA (THE CALL) La llamada (The Call) Remedios Varo. Like many figures in Remedios Varo’s paintings, the subject of The Call (1961) projects a sense of solemn preoccupation, as though in the midst of a momentous adventure. Wearing flowing robes and carrying alchemical tools, including a mortar and pestle at her collar, she traverses a sort of courtyard.JUSTINE KURLAND
Kurland was born in Warsaw, New York. Her mother sold costumes at Renaissance fairs, so Kurland and her sister lived a somewhat nomadic lifestyle. At 15, Kurland ran away to Manhattan, moved in with a sympathetic aunt, and concentrated on becoming an artist. NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a newCHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a Guggenheim ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
T.B. HARLEM
T.B. Harlem. Like many of Alice Neel’s portraits of her Spanish Harlem neighbors, T.B. Harlem calls attention to poverty as a social issue without sacrificing the subject’s individuality. In this painting, Neel portrayed Carlos Negrón, the brother of the artist’s then-lover, José Santiago. Negrón, 24 years old here, had moved toNew
ELIZABETH ADELA ARMSTRONG FORBES Elizabeth Adela Armstrong Forbes. 1859–1912. As a young girl, Forbes studied drawing in her native Canada and in England. She later studied with William Merritt Chase at the Art Students League of New York. In 1882 she moved to Pont-Aven, Brittany, where she experimented with plein-air painting, a technique that impacted her future oeuvre. NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodies in Western art. Through her work, Martin aims to create a newCHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a Guggenheim ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
T.B. HARLEM
T.B. Harlem. Like many of Alice Neel’s portraits of her Spanish Harlem neighbors, T.B. Harlem calls attention to poverty as a social issue without sacrificing the subject’s individuality. In this painting, Neel portrayed Carlos Negrón, the brother of the artist’s then-lover, José Santiago. Negrón, 24 years old here, had moved toNew
ELIZABETH ADELA ARMSTRONG FORBES Elizabeth Adela Armstrong Forbes. 1859–1912. As a young girl, Forbes studied drawing in her native Canada and in England. She later studied with William Merritt Chase at the Art Students League of New York. In 1882 she moved to Pont-Aven, Brittany, where she experimented with plein-air painting, a technique that impacted her future oeuvre. VIRTUAL EDUCATOR SUMMER CAMP Independent, 90-minute sessions on a variety of topics are offered Mondays, Wednesdays, and Fridays, Monday, July 12, through Friday, July 30. Camp topics include: Step-by-step bookmaking Easy art making at home Conversations about art Introductions to women artists 2021 guest instructors include book artists Carol Barton, Julie Chen, Jamila Zahra Felton, and Priya Pereira, and VIRTUAL HAPPY HOUR: MARY VAUX WALCOTT CELEBRATION Mary Vaux Walcott, Plate 24 - Southern Magnolia (flower) (from North American Wild Flowers, Vol.1), 1925; Colored lithograph, 14 1/8 x 11 1/8 in.; National Museum of Women in JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue to NOW ON VIEW: HER FLAG To commemorate the 100th anniversary of the passage of the 19th Amendment, NMWA has partnered with Her Flag, a nationwide art and travel project led by artist Marilyn Artus. SONYA CLARK AUDIO GUIDE Sonya Clark, Mom’s Wisdom or Cotton Candy.This piece is an homage to my most recent ancestor, my mother, Lilleth Ruby (McHardy) Clark, who passed away in 2018. She routinely saved her hair for me, and I would separate the dark strands from the white to preserve her wisdom. LA LLAMADA (THE CALL) La llamada (The Call) Remedios Varo. Like many figures in Remedios Varo’s paintings, the subject of The Call (1961) projects a sense of solemn preoccupation, as though in the midst of a momentous adventure. Wearing flowing robes and carrying alchemical tools, including a mortar and pestle at her collar, she traverses a sort of courtyard.BOOKS (ALL)
Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers.LIFESTYLE (ALL)
Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. HOME (ALL) – NMWA SHOP Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers.HANNAH HÖCH
Hannah Höch. Höch was born in Gotha, Germany and moved to Berlin in 1912 to study calligraphy, embroidery, wallpaper design, and graphic arts. With Raoul Hausmann, George Grosz, and others, Höch founded Berlin Dada. This international avant-garde movement was reacting to the horrors of World War I and brazenly rejected traditional artforms.
NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
T.B. HARLEM
T.B. Harlem. Like many of Alice Neel’s portraits of her Spanish Harlem neighbors, T.B. Harlem calls attention to poverty as a social issue without sacrificing the subject’s individuality. In this painting, Neel portrayed Carlos Negrón, the brother of the artist’s then-lover, José Santiago. Negrón, 24 years old here, had moved toNew
JAR | ARTWORK | NMWA Jar. Maria Martinez made this jar by mixing clay with volcanic ash found on her pueblo and building up the basic form with coils of clay that she scraped and smoothed with a gourd tool. Once the jar had dried and hardened, she polished its surface with a small stone. Her husband Julian then painted on the design with liquid clay, producinga
CHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a GuggenheimCROOKHEY HALL
The Artist, Leonora Carrington Through her paintings and sculptures, Leonora Carrington often explored notions of femininity in the whimsical, dreamlike style of Surrealism. ELIZABETH ADELA ARMSTRONG FORBES Elizabeth Adela Armstrong Forbes. 1859–1912. As a young girl, Forbes studied drawing in her native Canada and in England. She later studied with William Merritt Chase at the Art Students League of New York. In 1882 she moved to Pont-Aven, Brittany, where she experimented with plein-air painting, a technique that impacted her future oeuvre.HOLLIS SIGLER
Hollis Sigler. 1948–2001. Sigler said that she utilized a childlike, faux-naïf style as a reaction against a patriarchal culture that treated women as little more than children. Her style was also a means of conveying difficult emotional content in a way that viewers could easily understand. Born in Gary, Indiana, Sigler earned her Master of NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
SONYA CLARK: TATTER, BRISTLE, AND MEND Mar 03 to Jun 27, 2021. Textile and social practice artist Sonya Clark (b. 1967) is renowned for her mixed-media works that address race and visibility, explore Blackness, and redress history. This exhibition—the first survey of Clark’s 25-year career—includes the artist’s well-known sculptures made from black pocket combs,human hair
SONYA CLARK
Lexie’s Curl. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride. Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign. Over the next five years, she created 42 additional Afro Abe pieces to honorhis place as the
ON GUARD | ARTWORK | NMWA On Guard is part of a series of photographs Neshat created in the 1990s that depict parts of women’s bodies. To make these images, she or her models put on a chador, a large black cloth worn by some Iranian women to cover their head and body while in a public space. She photographed the parts of the body that the chador left uncovered:eyes
T.B. HARLEM
T.B. Harlem. Like many of Alice Neel’s portraits of her Spanish Harlem neighbors, T.B. Harlem calls attention to poverty as a social issue without sacrificing the subject’s individuality. In this painting, Neel portrayed Carlos Negrón, the brother of the artist’s then-lover, José Santiago. Negrón, 24 years old here, had moved toNew
JAR | ARTWORK | NMWA Jar. Maria Martinez made this jar by mixing clay with volcanic ash found on her pueblo and building up the basic form with coils of clay that she scraped and smoothed with a gourd tool. Once the jar had dried and hardened, she polished its surface with a small stone. Her husband Julian then painted on the design with liquid clay, producinga
CHAKAIA BOOKER
Booker received a B.A. in sociology from Rutgers University in 1976, and an M.F.A. from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with It’s So Hard to Be Green (2000), her 12.5 x 21 foot wall-hung tire sculpture. Booker received the Pollock-Krasner Grant in 2002 and a GuggenheimCROOKHEY HALL
The Artist, Leonora Carrington Through her paintings and sculptures, Leonora Carrington often explored notions of femininity in the whimsical, dreamlike style of Surrealism. ELIZABETH ADELA ARMSTRONG FORBES Elizabeth Adela Armstrong Forbes. 1859–1912. As a young girl, Forbes studied drawing in her native Canada and in England. She later studied with William Merritt Chase at the Art Students League of New York. In 1882 she moved to Pont-Aven, Brittany, where she experimented with plein-air painting, a technique that impacted her future oeuvre.HOLLIS SIGLER
Hollis Sigler. 1948–2001. Sigler said that she utilized a childlike, faux-naïf style as a reaction against a patriarchal culture that treated women as little more than children. Her style was also a means of conveying difficult emotional content in a way that viewers could easily understand. Born in Gary, Indiana, Sigler earned her Master of VIRTUAL HAPPY HOUR: MARY VAUX WALCOTT CELEBRATION Mary Vaux Walcott, Plate 24 - Southern Magnolia (flower) (from North American Wild Flowers, Vol.1), 1925; Colored lithograph, 14 1/8 x 11 1/8 in.; National Museum of Women in NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers. ARCHIVES OF WOMEN ARTISTS The Archives of Women Artists is dedicated to collecting and preserving the papers and primary records of women visual artists and organizations that promote women’s contributions to the arts. The archive includes personal papers, correspondence, gallery guides, sketches, photographs and slides, and other unique materials. SUPERWOMAN | ARTWORK | NMWA Superwoman. Kiki Kogelnik. Kiki Kogelnik’s paintings from the 1970s, including Superwoman, engaged with feminist perspectives on the representation of women’s bodies. In particular, she addressed the body’s ubiquity in advertising. With characteristic deadpan humor, Kogelnik drew her figures in an imposing, larger-than-life scale. NOW ON VIEW: HER FLAG To commemorate the 100th anniversary of the passage of the 19th Amendment, NMWA has partnered with Her Flag, a nationwide art and travel project led by artist Marilyn Artus. PORTRAIT OF A NOBLEWOMAN Portrait of a Noblewoman illustrates Lavinia Fontana’s ability to render sumptuous clothing and jewels in astonishing detail.The contrast between the woman and the painting’s plain, dark background is especially strong, ensuring that viewers will focus on the figure.SWISS ARMY BOOK
Swiss Army Book was inspired by the Swiss army knife, “a tool so ludicrously elaborate, as to include toothpicks, saws, bottle openers, etc.,” muses artist M. L. Van Nice.She constructed a number of tiny folios growing out of the main body of the book to articulate the idea that knowledge derives from previously accumulated wisdom. HOME (ALL) – NMWA SHOP Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers.WEARABLES (ALL)
Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers.MARGUERITE GÉRARD
Marguerite Gérard. 1761–1837. Gérard, who never married and apparently never demonstrated any interest in joining the Academy, had a tremendously successful career. She won three medals for her work, which she exhibited regularly once the Salons were opened to women in the 1790s. Her pictures were acquired by luminaries such as Napoleonand
NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers.SONYA CLARK
Afro Abe II. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride.Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign.Over the next five years, she created 42 additional Afro Abe pieces to honor his place as the 44th President of the United States of America. ON GUARD | ARTWORK | NMWA Space to Soar. Help us restore, revitalize, and reimagine our iconic home in Washington, D.C. Support our ambitious $66 million campaign. SONYA CLARK: TATTER, BRISTLE, AND MEND Sonya Clark, Madam C. J. Walker, 2008; Plastic combs, 122 x 87 in.; Blanton Museum of Art, University of Texas at Austin, Purchase through the generosity of Marilyn D. Johnson; Beverly Dale; Buckingham Foundation, Inc.; Jeanne and Michael Klein; Fredericka and David Middleton; H-E-B; Joseph and Tam Hawkins; Carmel and Gregory Fenves; The National Council of Negro Women (Austin Section); LoneSELF-PORTRAIT
Aside from the figure’s three-quarter-turn pose, this painting presents an avant-garde version of the traditional artist’s self-portrait. Through her training and travels, Alice Bailly became attuned to many vital European art movements of the early 20thcentury.
JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue to DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodiesin Western art.
ALICE BAILLY
While she was exhibiting her early wood engravings in Paris, Fauvism came to the fore. Bailly was inspired by the style’s bold use of intense colors, dark outlines,CLAIRE VAN VLIET
Dido and Aeneas. Dido and Aeneas celebrates the 300th anniversary of the Baroque opera by Henry Purcell, which was first performed in London in 1689.Nahum Tate’s libretto tells the drama of Dido, the betrayed and abandoned queen of Carthage who throws herself on a funerary pyre as the ship of her lover, Aeneas, leaves the harbor. NATIONAL MUSEUM OF WOMEN IN THE ARTS Located in Washington, D.C., The National Museum of Women in the Arts the world's only major art museum solely dedicated to championingwomen artists.
NMWA SHOP - NATIONAL MUSEUM OF WOMEN IN THE ARTS Inspired by the museum’s mission to champion women through the arts, the NMWA shop only carries merchandise by women-owned and -operated businesses. It also features products created specifically for the shop by local women artists and designers.SONYA CLARK
Afro Abe II. In Afro Abe II, Sonya Clark transformed a U.S. five-dollar bill to reveal connections between money, power, and pride.Clark made her first two Afro Abe artworks in 2007 when then-Senator Barack Obama began his presidential campaign.Over the next five years, she created 42 additional Afro Abe pieces to honor his place as the 44th President of the United States of America. ON GUARD | ARTWORK | NMWA Space to Soar. Help us restore, revitalize, and reimagine our iconic home in Washington, D.C. Support our ambitious $66 million campaign. SONYA CLARK: TATTER, BRISTLE, AND MEND Sonya Clark, Madam C. J. Walker, 2008; Plastic combs, 122 x 87 in.; Blanton Museum of Art, University of Texas at Austin, Purchase through the generosity of Marilyn D. Johnson; Beverly Dale; Buckingham Foundation, Inc.; Jeanne and Michael Klein; Fredericka and David Middleton; H-E-B; Joseph and Tam Hawkins; Carmel and Gregory Fenves; The National Council of Negro Women (Austin Section); LoneSELF-PORTRAIT
Aside from the figure’s three-quarter-turn pose, this painting presents an avant-garde version of the traditional artist’s self-portrait. Through her training and travels, Alice Bailly became attuned to many vital European art movements of the early 20thcentury.
JUDY CHICAGO—THE END: A MEDITATION ON DEATH AND EXTINCTION Judy Chicago has built her career on pushing boundaries. Her latest body of work, a series titled The End: A Meditation on Death and Extinction, is no exception. In nearly 40 works of painted porcelain and glass, as well as two large bronze sculptures, Chicago tackles human mortality and species extinction. NMWA is the first venue to DELITA MARTIN: CALLING DOWN THE SPIRITS Delita Martin (b. 1972, Conroe, Texas) creates large-scale prints onto which she draws, sews, collages, and paints. Martin claims space for her subjects, particularly black women, creating a powerful presence that simultaneously highlights the historical absence of black bodiesin Western art.
ALICE BAILLY
While she was exhibiting her early wood engravings in Paris, Fauvism came to the fore. Bailly was inspired by the style’s bold use of intense colors, dark outlines,CLAIRE VAN VLIET
Dido and Aeneas. Dido and Aeneas celebrates the 300th anniversary of the Baroque opera by Henry Purcell, which was first performed in London in 1689.Nahum Tate’s libretto tells the drama of Dido, the betrayed and abandoned queen of Carthage who throws herself on a funerary pyre as the ship of her lover, Aeneas, leaves the harbor.PLAN YOUR VISIT
Blue Star Museums. The museum will offer free admission to military personnel and their families this summer through the Blue Star Museums program starting on Armed Services Day May 15, 2021. Advanced reservation of free tickets is highly encouraged. The free admission program is available for those currently serving in the United States Military—Army, Navy, Air Force, Marine Corps and Coast ART FIX FRIDAY: JUNE 4, 2021 In a bilingual essay, Annette Lin, journalist and winner of the 2020 Y.ES Contemporary Art Writers Grant, interviews queer, women, and genderqueer Salvadoran diaspora artists. As Lin explains, designer Lilliana Castro, visual artist Johanna Toruño, painter Ana Díaz, and comic artist Breena Nuñez each explore sexual, gender, and racial experience in their respective oeuvres, crafting an 25 X 25: ARTISTS’ BOOKS FROM THE NMWA COLLECTION The exhibition celebrates the generosity of donors who helped NMWA to build a foremost collection of artists’ books—among them many artists who have given their works. JAR | ARTWORK | NMWA Maria Martinez and Julian Martinez, Jar, ca. 1939; Blackware, 11 1/8 x 13 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay View Larger Version of JarMARGUERITE GÉRARD
Prelude to a Concert. By the early 1780s, Marguerite Gérard had produced many genre paintings featuring affluent women making music, taking lessons or, as here, rehearsing for informal concerts.KIKI KOGELNIK
Superwoman. Kiki Kogelnik’s paintings from the 1970s, including Superwoman, engaged with feminist perspectives on the representation of women’s bodies.In particular, she addressed the body’s ubiquity in advertising. With characteristic deadpan humor, Kogelnik drew herfigures in
THE SHEPHERD DAVID
The Shepherd David is based on the biblical story (I Samuel 17:34) in which David proves his worthiness to fight Goliath by recounting that he fought wild beasts threatening his flock.Elizabeth Jane Gardner Bouguereau depicts a young David kneeling victoriously on a BACCHUS #3 | ARTWORK | NMWA Bacchus #3 appears at first glance to be a non-representational abstraction, but its black lines and broad swathes of grays and greens gradually resolve into a figure group. This work is part of series of paintings and watercolors that Elaine de Kooning generated over seven years beginning in 1976. She was captivated by a 19th-century sculpture of the Roman god Bacchus, which she saw in theHANNAH HÖCH
Höch was born in Gotha, Germany and moved to Berlin in 1912 to study calligraphy, embroidery, wallpaper design, and graphic arts. WithRaoul Hausmann,
LEONORA CARRINGTON
Carrington was born into an upper-class, Irish-Catholic family in England, but struggled to conform to societal standards (her father wanted her to be a debutante, for example).Skip to content
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CHAMPION WOMEN THROUGH THE ARTSHero Image Caption
The National Museum of Women in the Arts is the only major museum in the world solely dedicated to championing women through the arts.*
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VISIT US
Located in the heart of Washington, D.C., the National Museum of Women in the Arts brings recognition to the achievements of women artists of all periods and nationalities.Plan Your Visit
NOTES FOR TODAY
The museum has reopened! Find information about our new policies. Laure Tixier, _Plaid Houses (Maquettes)_ (detail), 2005–11; National Museum of Women in the Arts, Gift of Les Amis du NMWA, Paris, France; Laure Tixier; Photo by Cameron Robinson Just 11% of all acquisitions at prominent American museums over the past decade were of work by women artists.— Artnet News
WHAT WE DO
Our rotating special exhibitions showcase work by established and emerging women artists. Museum programs build strong, engaged local communities and foster conversations and connections that inspire change. Our collections feature more than 5,500 works from the 16th century to today created by more than 1,000 artists.See What’s On
Photo credit: Kevin AllenRELATED QUOTE
> Great art should be viewed, valued, and supported especially work by> women.”
NMWA Member
SHARE YOUR SUPPORT OF NMWA BY GIFTING A MEMBERSHIP! Give a gift membership today to share a meaningful present that lasts all year. Members receive benefits including a Museum Shop discount and a _Women in the Arts_ magazine subscription. To make your gift even more special, you can add-on an exclusive Alma Woodsey Thomasface mask.
Give a Gift Membership, opens in new tab Photo Credit: Sessalie GoreRELATED QUOTE
> People in the art world want to think we are achieving parity more > quickly than we are.” Susan Fisher Sterling, The Alice West DirectorADVOCATE FOR WOMEN
Women artists have been marginalized for centuries. Gender bias is less overt today, but contemporary women artists still face many obstacles and disparities, as well as persistent underrepresentation in museum collections and exhibitions worldwide. Their historical precursors still deserve to have their stories told.Take Action
Faith Ringgold, _American Collection #4: Jo Baker’s Bananas_ (detail), 1997; Photo credit: Emily Haight, NMWA EXPLORE THINGS TO DO @ NMWA*
Nov 30, 12 to 1 pm
CURATIVE COLLECTIVE CONVERSATION: CARE FOR CREATIVES Date: Nov, 30 Time: 12 to 1 pm*
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Dec 6, 11 am to 12 pm STUDENT PERSPECTIVES: THE ART OF (SOCIAL) DISTANCE Date: Dec, 06 Time: 11 am to 12 pm*
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CURATIVE COLLECTIVE CONVERSATION: DREAMING OUT LOUD Date: Dec, 07 Time: 12 to 1 pm*
Dec 8, 12 to 12:45 pm BMA X NMWA MONTHLY TALK SHOW: AMERICA Date: Dec, 08 Time: 12 to 12:45 pmView Calendar
PAPER ROUTES—WOMEN TO WATCH 2020 Oct 08, 2020 to Jan 18, 2021 Ranging in size from minutely detailed, small-scale works to large, sculptural installations, the sixth installment of NMWA’s _Women to Watch_ exhibition series explores artists’ ability to transform paper into a surprising array of shapes and structures.View Exhibition
Rachel Farbiarz, _Memorial Hill_, 2013; Graphite and collage on paper, 31 ½ x 71 ¾ in.; Collection of Tobie Whitman and Daniel Yates; Photo by Greg Staley Oct 08, 2020 to Jan 18, 2021FEATURED BLOG POST
Broad Strokes Blog
WOMEN TO WATCH 2020: JULIA GOODMAN Artist Julia Goodman talks about her process and work, which is featured in Paper Routes, the latest installment of NMWA’s Women to Watch exhibition series. Julia Goodman, _Waning (August 19, 2007–July 14, 2008) & Waxing (July 27, 2018–May 10, 2019)_, 2020; Pulped bedsheets and T-shirts, 33 x 98 x in.; Courtesy of the artist; Photo by Josef Jacques Julia Goodman, _Waning (August 19, 2007–July 14, 2008) & Waxing (July 27, 2018–May 10, 2019)_, 2020; Pulped bedsheets and T-shirts, 33 x 98 x ½ in.; Courtesy of the artist; Photo by Josef Jacques@WomenInTheArts
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