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conundrum!
SAÏD SAYRAFIEZADEH: "A, S, D, F" I t’s been a while since we had a story from Sayrafiezadeh, though if I think back on the early days of tracking The New Yorker fiction on this site it feels he was a regular. Looking back, I see we had a story from him in 2010, 2011, 2012. His debut story collection, Brief Encounters with the Enemy, came out in 2013 and was a finalist for the PEN/Robert W. Bingham Award, the PEN America STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he J.M. HOLMES: "CHILDREN OF THE GOOD BOOK" Here we have his debut New Yorker fiction, “Children of the Good Book.”. I have read the (very good) author interview with Deborah Treisman, so I am intrigued. There Holmes talks about Black masculinity. And Black boys, we tend to grow up a whole lot faster, since there is still a not-so-subtle undercurrent of fear surroundingour bodies
SALMAN RUSHDIE: "THE OLD MAN IN THE PIAZZA" I haven’t liked much of Rushdie’s work lately, but “The Old Man in the Piazza” struck me just right.. Every day, at about four o’clock in the afternoon, when the sun’s heat has begun to diminish, the old man comes into the piazza. He walks slowly, shuffling his feet, which are encased in dusty brown loafers. CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. MARGARET ATWOOD: "OLD BABES IN THE WOOD" An hour earlier, Nell was toasting her laundry on the dock, which was the best place to dry it: it had been the best place for seventy years. But she didn’t put rocks on top of her cotton yoga pants, though she ought to have known better, and then she went back up the hill to the house, through the sighing and rustling trees. JANE GARDAM: "THE TRIBUTE" Jane Gardam: "The Tribute" | The Mookse and the Gripes. “And knew her place.”. “Oh yes, she knew her place.”. “The Tribute” is slightly harsher, a little more acrid than most Gardam tales. It’s also a little more cynical, angrier, and puts its pointed, unequivocal cards on the table right from the off. Gardam is always happy to ALICE MUNRO: "PRIDE" T he narrator of “Pride” is a man with a hare-lip, making this one of only a few Munro stories that I know of to be narrated by a man. Of course, and this is no fault, the story is still centered on a woman. Oneida Jantzen was born into a wealthy family, so wealthy that they weren’t in a category with anybody else in town, even the well-to-doones.”
ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. KEITH RIDGWAY: "THE PARTY" K eith Ridgway is a long-time favorite, and I’m thrilled to see him in The New Yorker again! He has a new novel, A Shock, coming out from New Directions in July.“The Party” comes from this novel. I have a copy and plan to start it soon, so I’m not sure whether to read this as a primer or just wait until I come across a party in A Shock.A goodconundrum!
SAÏD SAYRAFIEZADEH: "A, S, D, F" I t’s been a while since we had a story from Sayrafiezadeh, though if I think back on the early days of tracking The New Yorker fiction on this site it feels he was a regular. Looking back, I see we had a story from him in 2010, 2011, 2012. His debut story collection, Brief Encounters with the Enemy, came out in 2013 and was a finalist for the PEN/Robert W. Bingham Award, the PEN America STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he J.M. HOLMES: "CHILDREN OF THE GOOD BOOK" Here we have his debut New Yorker fiction, “Children of the Good Book.”. I have read the (very good) author interview with Deborah Treisman, so I am intrigued. There Holmes talks about Black masculinity. And Black boys, we tend to grow up a whole lot faster, since there is still a not-so-subtle undercurrent of fear surroundingour bodies
SALMAN RUSHDIE: "THE OLD MAN IN THE PIAZZA" I haven’t liked much of Rushdie’s work lately, but “The Old Man in the Piazza” struck me just right.. Every day, at about four o’clock in the afternoon, when the sun’s heat has begun to diminish, the old man comes into the piazza. He walks slowly, shuffling his feet, which are encased in dusty brown loafers. CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. MARGARET ATWOOD: "OLD BABES IN THE WOOD" An hour earlier, Nell was toasting her laundry on the dock, which was the best place to dry it: it had been the best place for seventy years. But she didn’t put rocks on top of her cotton yoga pants, though she ought to have known better, and then she went back up the hill to the house, through the sighing and rustling trees. JANE GARDAM: "THE TRIBUTE" Jane Gardam: "The Tribute" | The Mookse and the Gripes. “And knew her place.”. “Oh yes, she knew her place.”. “The Tribute” is slightly harsher, a little more acrid than most Gardam tales. It’s also a little more cynical, angrier, and puts its pointed, unequivocal cards on the table right from the off. Gardam is always happy to ALICE MUNRO: "PRIDE" T he narrator of “Pride” is a man with a hare-lip, making this one of only a few Munro stories that I know of to be narrated by a man. Of course, and this is no fault, the story is still centered on a woman. Oneida Jantzen was born into a wealthy family, so wealthy that they weren’t in a category with anybody else in town, even the well-to-doones.”
ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. AYSEGÜL SAVAS: "FUTURE SELVES" I don’t know much about the work of Aysegül Savas. A couple of years ago she published her debut novel, Walking on the Ceiling, and later this year we will get her follow-up White on White.I do not believe “Future Selves” is an excerpt. ALICE MUNRO: "WHAT IS REMEMBERED" The whole book is an exploration of what women have to do when they find themselves trapped in a 50’s marriage. Although they flirt with it, they don’t find the answer in philosophy. Their situations are dire — they are near death. If they are able, it is ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. ROBERT WALSER: LITTLE SNOW LANDSCAPE Robert Walser's Little Snow Landscape, recently published by NYRB Classics, is the perfect book to start as we get into spring. It will also be perfect for summer, fall, and, believe it or not, winter. I recommend it in perpetuity. ALICE MUNRO: "A REAL LIFE" Betsy. M unro places “sentimentality” front and center in “A Real Life.” On page one, Munro remarks about the main character (who is the wife of a prosperous farmer in the 1930’s): Millicent, who was shrewd and practical in some ways, was stubbornly sentimental inothers.
JHUMPA LAHIRI: "BROTHERLY LOVE" Click here to read the story in its entirety on The New Yorker webpage. Jhumpa Lahiri’s “Brotherly Love” was originally published in the June 10 & 17, 2013 issue of The New Yorker. Betsy “Brotherly Love” takes place in India more than 40 years ago. Two brothers, so close they are practically twins, grow up in Calcutta, ED PARK: "SLIDE TO UNLOCK" Ed Park’s “Slide to Unlock” was originally published in the June 10 & 17, 2013 issue of The New Yorker. Click for a larger image. I know little about Ed Park. I believe the first thing I read knowing it was by him was the introduction to the forthcoming NYRB Classicsedition of
ALLEGRA GOODMAN: "APPLE CAKE" Betsy. In “Apple Cake,” Allegra Goodman tells the story of a woman’s death. It is touching and unsentimental, maybe funny and tough at the same time. Jeanne is 74 and dying of lung cancer. She has reached the stage where she is mostly in bed, sleeping quite a bit, but still working out what’s what in this current situation. ALICE MUNRO: "HOW I MET MY HUSBAND" Betsy. I loved “How I Met My Husband.” Its tenderness towards all of its characters touched me, its gentle tone and humor entertained me, its spectacular middle surprised and delighted me, and I liked very much the complications set up by the last sentence. KEITH RIDGWAY: "THE PARTY" K eith Ridgway is a long-time favorite, and I’m thrilled to see him in The New Yorker again! He has a new novel, A Shock, coming out from New Directions in July.“The Party” comes from this novel. I have a copy and plan to start it soon, so I’m not sure whether to read this as a primer or just wait until I come across a party in A Shock.A goodconundrum!
SAÏD SAYRAFIEZADEH: "A, S, D, F" I t’s been a while since we had a story from Sayrafiezadeh, though if I think back on the early days of tracking The New Yorker fiction on this site it feels he was a regular. Looking back, I see we had a story from him in 2010, 2011, 2012. His debut story collection, Brief Encounters with the Enemy, came out in 2013 and was a finalist for the PEN/Robert W. Bingham Award, the PEN America STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he J.M. HOLMES: "CHILDREN OF THE GOOD BOOK" Here we have his debut New Yorker fiction, “Children of the Good Book.”. I have read the (very good) author interview with Deborah Treisman, so I am intrigued. There Holmes talks about Black masculinity. And Black boys, we tend to grow up a whole lot faster, since there is still a not-so-subtle undercurrent of fear surroundingour bodies
SALMAN RUSHDIE: "THE OLD MAN IN THE PIAZZA" I haven’t liked much of Rushdie’s work lately, but “The Old Man in the Piazza” struck me just right.. Every day, at about four o’clock in the afternoon, when the sun’s heat has begun to diminish, the old man comes into the piazza. He walks slowly, shuffling his feet, which are encased in dusty brown loafers. JANE GARDAM: "THE TRIBUTE" Jane Gardam: "The Tribute" | The Mookse and the Gripes. “And knew her place.”. “Oh yes, she knew her place.”. “The Tribute” is slightly harsher, a little more acrid than most Gardam tales. It’s also a little more cynical, angrier, and puts its pointed, unequivocal cards on the table right from the off. Gardam is always happy to CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. MARGARET ATWOOD: "OLD BABES IN THE WOOD" An hour earlier, Nell was toasting her laundry on the dock, which was the best place to dry it: it had been the best place for seventy years. But she didn’t put rocks on top of her cotton yoga pants, though she ought to have known better, and then she went back up the hill to the house, through the sighing and rustling trees. ALICE MUNRO: "PRIDE" T he narrator of “Pride” is a man with a hare-lip, making this one of only a few Munro stories that I know of to be narrated by a man. Of course, and this is no fault, the story is still centered on a woman. Oneida Jantzen was born into a wealthy family, so wealthy that they weren’t in a category with anybody else in town, even the well-to-doones.”
ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. KEITH RIDGWAY: "THE PARTY" K eith Ridgway is a long-time favorite, and I’m thrilled to see him in The New Yorker again! He has a new novel, A Shock, coming out from New Directions in July.“The Party” comes from this novel. I have a copy and plan to start it soon, so I’m not sure whether to read this as a primer or just wait until I come across a party in A Shock.A goodconundrum!
SAÏD SAYRAFIEZADEH: "A, S, D, F" I t’s been a while since we had a story from Sayrafiezadeh, though if I think back on the early days of tracking The New Yorker fiction on this site it feels he was a regular. Looking back, I see we had a story from him in 2010, 2011, 2012. His debut story collection, Brief Encounters with the Enemy, came out in 2013 and was a finalist for the PEN/Robert W. Bingham Award, the PEN America STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he J.M. HOLMES: "CHILDREN OF THE GOOD BOOK" Here we have his debut New Yorker fiction, “Children of the Good Book.”. I have read the (very good) author interview with Deborah Treisman, so I am intrigued. There Holmes talks about Black masculinity. And Black boys, we tend to grow up a whole lot faster, since there is still a not-so-subtle undercurrent of fear surroundingour bodies
SALMAN RUSHDIE: "THE OLD MAN IN THE PIAZZA" I haven’t liked much of Rushdie’s work lately, but “The Old Man in the Piazza” struck me just right.. Every day, at about four o’clock in the afternoon, when the sun’s heat has begun to diminish, the old man comes into the piazza. He walks slowly, shuffling his feet, which are encased in dusty brown loafers. JANE GARDAM: "THE TRIBUTE" Jane Gardam: "The Tribute" | The Mookse and the Gripes. “And knew her place.”. “Oh yes, she knew her place.”. “The Tribute” is slightly harsher, a little more acrid than most Gardam tales. It’s also a little more cynical, angrier, and puts its pointed, unequivocal cards on the table right from the off. Gardam is always happy to CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. MARGARET ATWOOD: "OLD BABES IN THE WOOD" An hour earlier, Nell was toasting her laundry on the dock, which was the best place to dry it: it had been the best place for seventy years. But she didn’t put rocks on top of her cotton yoga pants, though she ought to have known better, and then she went back up the hill to the house, through the sighing and rustling trees. ALICE MUNRO: "PRIDE" T he narrator of “Pride” is a man with a hare-lip, making this one of only a few Munro stories that I know of to be narrated by a man. Of course, and this is no fault, the story is still centered on a woman. Oneida Jantzen was born into a wealthy family, so wealthy that they weren’t in a category with anybody else in town, even the well-to-doones.”
ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. AYSEGÜL SAVAS: "FUTURE SELVES" I don’t know much about the work of Aysegül Savas. A couple of years ago she published her debut novel, Walking on the Ceiling, and later this year we will get her follow-up White on White.I do not believe “Future Selves” is an excerpt. ALICE MUNRO: "WHAT IS REMEMBERED" The whole book is an exploration of what women have to do when they find themselves trapped in a 50’s marriage. Although they flirt with it, they don’t find the answer in philosophy. Their situations are dire — they are near death. If they are able, it is ROBERT WALSER: LITTLE SNOW LANDSCAPE Robert Walser's Little Snow Landscape, recently published by NYRB Classics, is the perfect book to start as we get into spring. It will also be perfect for summer, fall, and, believe it or not, winter. I recommend it in perpetuity. ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. ALICE MUNRO: "A REAL LIFE" Betsy. M unro places “sentimentality” front and center in “A Real Life.” On page one, Munro remarks about the main character (who is the wife of a prosperous farmer in the 1930’s): Millicent, who was shrewd and practical in some ways, was stubbornly sentimental inothers.
ED PARK: "SLIDE TO UNLOCK" Ed Park’s “Slide to Unlock” was originally published in the June 10 & 17, 2013 issue of The New Yorker. Click for a larger image. I know little about Ed Park. I believe the first thing I read knowing it was by him was the introduction to the forthcoming NYRB Classicsedition of
JHUMPA LAHIRI: "BROTHERLY LOVE" Click here to read the story in its entirety on The New Yorker webpage. Jhumpa Lahiri’s “Brotherly Love” was originally published in the June 10 & 17, 2013 issue of The New Yorker. Betsy “Brotherly Love” takes place in India more than 40 years ago. Two brothers, so close they are practically twins, grow up in Calcutta, ALLEGRA GOODMAN: "APPLE CAKE" Betsy. In “Apple Cake,” Allegra Goodman tells the story of a woman’s death. It is touching and unsentimental, maybe funny and tough at the same time. Jeanne is 74 and dying of lung cancer. She has reached the stage where she is mostly in bed, sleeping quite a bit, but still working out what’s what in this current situation. ALICE MUNRO: "HOW I MET MY HUSBAND" Betsy. I loved “How I Met My Husband.” Its tenderness towards all of its characters touched me, its gentle tone and humor entertained me, its spectacular middle surprised and delighted me, and I liked very much the complications set up by the last sentence. KEITH RIDGWAY: "THE PARTY" K eith Ridgway is a long-time favorite, and I’m thrilled to see him in The New Yorker again! He has a new novel, A Shock, coming out from New Directions in July.“The Party” comes from this novel. I have a copy and plan to start it soon, so I’m not sure whether to read this as a primer or just wait until I come across a party in A Shock.A goodconundrum!
SAÏD SAYRAFIEZADEH: "A, S, D, F" I t’s been a while since we had a story from Sayrafiezadeh, though if I think back on the early days of tracking The New Yorker fiction on this site it feels he was a regular. Looking back, I see we had a story from him in 2010, 2011, 2012. His debut story collection, Brief Encounters with the Enemy, came out in 2013 and was a finalist for the PEN/Robert W. Bingham Award, the PEN America STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he J.M. HOLMES: "CHILDREN OF THE GOOD BOOK" Here we have his debut New Yorker fiction, “Children of the Good Book.”. I have read the (very good) author interview with Deborah Treisman, so I am intrigued. There Holmes talks about Black masculinity. And Black boys, we tend to grow up a whole lot faster, since there is still a not-so-subtle undercurrent of fear surroundingour bodies
SALMAN RUSHDIE: "THE OLD MAN IN THE PIAZZA" I haven’t liked much of Rushdie’s work lately, but “The Old Man in the Piazza” struck me just right.. Every day, at about four o’clock in the afternoon, when the sun’s heat has begun to diminish, the old man comes into the piazza. He walks slowly, shuffling his feet, which are encased in dusty brown loafers. JANE GARDAM: "THE TRIBUTE" Jane Gardam: "The Tribute" | The Mookse and the Gripes. “And knew her place.”. “Oh yes, she knew her place.”. “The Tribute” is slightly harsher, a little more acrid than most Gardam tales. It’s also a little more cynical, angrier, and puts its pointed, unequivocal cards on the table right from the off. Gardam is always happy to CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. MARGARET ATWOOD: "OLD BABES IN THE WOOD" An hour earlier, Nell was toasting her laundry on the dock, which was the best place to dry it: it had been the best place for seventy years. But she didn’t put rocks on top of her cotton yoga pants, though she ought to have known better, and then she went back up the hill to the house, through the sighing and rustling trees. ALICE MUNRO: "PRIDE" T he narrator of “Pride” is a man with a hare-lip, making this one of only a few Munro stories that I know of to be narrated by a man. Of course, and this is no fault, the story is still centered on a woman. Oneida Jantzen was born into a wealthy family, so wealthy that they weren’t in a category with anybody else in town, even the well-to-doones.”
ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. KEITH RIDGWAY: "THE PARTY" K eith Ridgway is a long-time favorite, and I’m thrilled to see him in The New Yorker again! He has a new novel, A Shock, coming out from New Directions in July.“The Party” comes from this novel. I have a copy and plan to start it soon, so I’m not sure whether to read this as a primer or just wait until I come across a party in A Shock.A goodconundrum!
SAÏD SAYRAFIEZADEH: "A, S, D, F" I t’s been a while since we had a story from Sayrafiezadeh, though if I think back on the early days of tracking The New Yorker fiction on this site it feels he was a regular. Looking back, I see we had a story from him in 2010, 2011, 2012. His debut story collection, Brief Encounters with the Enemy, came out in 2013 and was a finalist for the PEN/Robert W. Bingham Award, the PEN America STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he J.M. HOLMES: "CHILDREN OF THE GOOD BOOK" Here we have his debut New Yorker fiction, “Children of the Good Book.”. I have read the (very good) author interview with Deborah Treisman, so I am intrigued. There Holmes talks about Black masculinity. And Black boys, we tend to grow up a whole lot faster, since there is still a not-so-subtle undercurrent of fear surroundingour bodies
SALMAN RUSHDIE: "THE OLD MAN IN THE PIAZZA" I haven’t liked much of Rushdie’s work lately, but “The Old Man in the Piazza” struck me just right.. Every day, at about four o’clock in the afternoon, when the sun’s heat has begun to diminish, the old man comes into the piazza. He walks slowly, shuffling his feet, which are encased in dusty brown loafers. JANE GARDAM: "THE TRIBUTE" Jane Gardam: "The Tribute" | The Mookse and the Gripes. “And knew her place.”. “Oh yes, she knew her place.”. “The Tribute” is slightly harsher, a little more acrid than most Gardam tales. It’s also a little more cynical, angrier, and puts its pointed, unequivocal cards on the table right from the off. Gardam is always happy to CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. MARGARET ATWOOD: "OLD BABES IN THE WOOD" An hour earlier, Nell was toasting her laundry on the dock, which was the best place to dry it: it had been the best place for seventy years. But she didn’t put rocks on top of her cotton yoga pants, though she ought to have known better, and then she went back up the hill to the house, through the sighing and rustling trees. ALICE MUNRO: "PRIDE" T he narrator of “Pride” is a man with a hare-lip, making this one of only a few Munro stories that I know of to be narrated by a man. Of course, and this is no fault, the story is still centered on a woman. Oneida Jantzen was born into a wealthy family, so wealthy that they weren’t in a category with anybody else in town, even the well-to-doones.”
ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. AYSEGÜL SAVAS: "FUTURE SELVES" I don’t know much about the work of Aysegül Savas. A couple of years ago she published her debut novel, Walking on the Ceiling, and later this year we will get her follow-up White on White.I do not believe “Future Selves” is an excerpt. ALICE MUNRO: "WHAT IS REMEMBERED" The whole book is an exploration of what women have to do when they find themselves trapped in a 50’s marriage. Although they flirt with it, they don’t find the answer in philosophy. Their situations are dire — they are near death. If they are able, it is ROBERT WALSER: LITTLE SNOW LANDSCAPE Robert Walser's Little Snow Landscape, recently published by NYRB Classics, is the perfect book to start as we get into spring. It will also be perfect for summer, fall, and, believe it or not, winter. I recommend it in perpetuity. ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. ALICE MUNRO: "A REAL LIFE" Betsy. M unro places “sentimentality” front and center in “A Real Life.” On page one, Munro remarks about the main character (who is the wife of a prosperous farmer in the 1930’s): Millicent, who was shrewd and practical in some ways, was stubbornly sentimental inothers.
ED PARK: "SLIDE TO UNLOCK" Ed Park’s “Slide to Unlock” was originally published in the June 10 & 17, 2013 issue of The New Yorker. Click for a larger image. I know little about Ed Park. I believe the first thing I read knowing it was by him was the introduction to the forthcoming NYRB Classicsedition of
JHUMPA LAHIRI: "BROTHERLY LOVE" Click here to read the story in its entirety on The New Yorker webpage. Jhumpa Lahiri’s “Brotherly Love” was originally published in the June 10 & 17, 2013 issue of The New Yorker. Betsy “Brotherly Love” takes place in India more than 40 years ago. Two brothers, so close they are practically twins, grow up in Calcutta, ALLEGRA GOODMAN: "APPLE CAKE" Betsy. In “Apple Cake,” Allegra Goodman tells the story of a woman’s death. It is touching and unsentimental, maybe funny and tough at the same time. Jeanne is 74 and dying of lung cancer. She has reached the stage where she is mostly in bed, sleeping quite a bit, but still working out what’s what in this current situation. ALICE MUNRO: "HOW I MET MY HUSBAND" Betsy. I loved “How I Met My Husband.” Its tenderness towards all of its characters touched me, its gentle tone and humor entertained me, its spectacular middle surprised and delighted me, and I liked very much the complications set up by the last sentence. KEITH RIDGWAY: "THE PARTY" K eith Ridgway is a long-time favorite, and I’m thrilled to see him in The New Yorker again! He has a new novel, A Shock, coming out from New Directions in July.“The Party” comes from this novel. I have a copy and plan to start it soon, so I’m not sure whether to read this as a primer or just wait until I come across a party in A Shock.A goodconundrum!
HOME | THE MOOKSE AND THE GRIPESBOOK AND STORY REVIEWSFILM REVIEWSPODCASTSTHE MOOKSE AND THE GRIPES PANTHEONABOUT US The kids are celebrating the last day of school, and I’m enjoying this lovely volume from Europa Editions Compass. Gideon Defoe’s An Atlas of Extinct Countries is a STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he JANE GARDAM: "THE TRIBUTE" Jane Gardam: "The Tribute" | The Mookse and the Gripes. “And knew her place.”. “Oh yes, she knew her place.”. “The Tribute” is slightly harsher, a little more acrid than most Gardam tales. It’s also a little more cynical, angrier, and puts its pointed, unequivocal cards on the table right from the off. Gardam is always happy to SALMAN RUSHDIE: "THE OLD MAN IN THE PIAZZA" I haven’t liked much of Rushdie’s work lately, but “The Old Man in the Piazza” struck me just right.. Every day, at about four o’clock in the afternoon, when the sun’s heat has begun to diminish, the old man comes into the piazza. He walks slowly, shuffling his feet, which are encased in dusty brown loafers. J.M. HOLMES: "CHILDREN OF THE GOOD BOOK" Here we have his debut New Yorker fiction, “Children of the Good Book.”. I have read the (very good) author interview with Deborah Treisman, so I am intrigued. There Holmes talks about Black masculinity. And Black boys, we tend to grow up a whole lot faster, since there is still a not-so-subtle undercurrent of fear surroundingour bodies
ALICE MUNRO: "WHAT IS REMEMBERED" The whole book is an exploration of what women have to do when they find themselves trapped in a 50’s marriage. Although they flirt with it, they don’t find the answer in philosophy. Their situations are dire — they are near death. If they are able, it is KEITH RIDGWAY: "THE PARTY" K eith Ridgway is a long-time favorite, and I’m thrilled to see him in The New Yorker again! He has a new novel, A Shock, coming out from New Directions in July.“The Party” comes from this novel. I have a copy and plan to start it soon, so I’m not sure whether to read this as a primer or just wait until I come across a party in A Shock.A goodconundrum!
HOME | THE MOOKSE AND THE GRIPESBOOK AND STORY REVIEWSFILM REVIEWSPODCASTSTHE MOOKSE AND THE GRIPES PANTHEONABOUT US The kids are celebrating the last day of school, and I’m enjoying this lovely volume from Europa Editions Compass. Gideon Defoe’s An Atlas of Extinct Countries is a STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he JANE GARDAM: "THE TRIBUTE" Jane Gardam: "The Tribute" | The Mookse and the Gripes. “And knew her place.”. “Oh yes, she knew her place.”. “The Tribute” is slightly harsher, a little more acrid than most Gardam tales. It’s also a little more cynical, angrier, and puts its pointed, unequivocal cards on the table right from the off. Gardam is always happy to SALMAN RUSHDIE: "THE OLD MAN IN THE PIAZZA" I haven’t liked much of Rushdie’s work lately, but “The Old Man in the Piazza” struck me just right.. Every day, at about four o’clock in the afternoon, when the sun’s heat has begun to diminish, the old man comes into the piazza. He walks slowly, shuffling his feet, which are encased in dusty brown loafers. J.M. HOLMES: "CHILDREN OF THE GOOD BOOK" Here we have his debut New Yorker fiction, “Children of the Good Book.”. I have read the (very good) author interview with Deborah Treisman, so I am intrigued. There Holmes talks about Black masculinity. And Black boys, we tend to grow up a whole lot faster, since there is still a not-so-subtle undercurrent of fear surroundingour bodies
ALICE MUNRO: "WHAT IS REMEMBERED" The whole book is an exploration of what women have to do when they find themselves trapped in a 50’s marriage. Although they flirt with it, they don’t find the answer in philosophy. Their situations are dire — they are near death. If they are able, it is STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he SAÏD SAYRAFIEZADEH: "A, S, D, F" I t’s been a while since we had a story from Sayrafiezadeh, though if I think back on the early days of tracking The New Yorker fiction on this site it feels he was a regular. Looking back, I see we had a story from him in 2010, 2011, 2012. His debut story collection, Brief Encounters with the Enemy, came out in 2013 and was a finalist for the PEN/Robert W. Bingham Award, the PEN America CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. MARGARET ATWOOD: "OLD BABES IN THE WOOD" An hour earlier, Nell was toasting her laundry on the dock, which was the best place to dry it: it had been the best place for seventy years. But she didn’t put rocks on top of her cotton yoga pants, though she ought to have known better, and then she went back up the hill to the house, through the sighing and rustling trees. ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. ALICE MUNRO: "A REAL LIFE" Betsy. M unro places “sentimentality” front and center in “A Real Life.” On page one, Munro remarks about the main character (who is the wife of a prosperous farmer in the 1930’s): Millicent, who was shrewd and practical in some ways, was stubbornly sentimental inothers.
ALICE MUNRO: "POSTCARD" Betsy “P ostcard” is a tour-de-force of comic pacing. It has a dry wit, depending as it does on two things: one, the reader seeing through the narrator’s guises, and two, the reader figuring out why the post card that ought to shake the narrator up doesn’t. ALICE MUNRO: "FRIEND OF MY YOUTH" Betsy. 1 “F riend of my Youth” is a series of nesting stories: a frame story about a writer who yearns for forgiveness from her mother; another frame story about a Scottish Presbyterian who murdered a bishop and thus engendered a religious sect; an interior story about two provincial sisters; an interior dialogue regarding the nature of ideology; and another interior dialogue regarding the JHUMPA LAHIRI: "BROTHERLY LOVE" Click here to read the story in its entirety on The New Yorker webpage. Jhumpa Lahiri’s “Brotherly Love” was originally published in the June 10 & 17, 2013 issue of The New Yorker. Betsy “Brotherly Love” takes place in India more than 40 years ago. Two brothers, so close they are practically twins, grow up in Calcutta, ALICE MUNRO: "HOW I MET MY HUSBAND" Betsy. I loved “How I Met My Husband.” Its tenderness towards all of its characters touched me, its gentle tone and humor entertained me, its spectacular middle surprised and delighted me, and I liked very much the complications set up by the last sentence. KEITH RIDGWAY: "THE PARTY" K eith Ridgway is a long-time favorite, and I’m thrilled to see him in The New Yorker again! He has a new novel, A Shock, coming out from New Directions in July.“The Party” comes from this novel. I have a copy and plan to start it soon, so I’m not sure whether to read this as a primer or just wait until I come across a party in A Shock.A goodconundrum!
HOME | THE MOOKSE AND THE GRIPESBOOK AND STORY REVIEWSFILM REVIEWSPODCASTSTHE MOOKSE AND THE GRIPES PANTHEONABOUT USTHE MOOKSEAND THE GRIPES
The kids are celebrating the last day of school, and I’m enjoying this lovely volume from Europa Editions Compass. Gideon Defoe’s An Atlas of Extinct Countries is a STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he JANE GARDAM: "THE TRIBUTE" Jane Gardam: "The Tribute" | The Mookse and the Gripes. “And knew her place.”. “Oh yes, she knew her place.”. “The Tribute” is slightly harsher, a little more acrid than most Gardam tales. It’s also a little more cynical, angrier, and puts its pointed, unequivocal cards on the table right from the off. Gardam is always happy to SALMAN RUSHDIE: "THE OLD MAN IN THE PIAZZA" I haven’t liked much of Rushdie’s work lately, but “The Old Man in the Piazza” struck me just right.. Every day, at about four o’clock in the afternoon, when the sun’s heat has begun to diminish, the old man comes into the piazza. He walks slowly, shuffling his feet, which are encased in dusty brown loafers. J.M. HOLMES: "CHILDREN OF THE GOOD BOOK" Here we have his debut New Yorker fiction, “Children of the Good Book.”. I have read the (very good) author interview with Deborah Treisman, so I am intrigued. There Holmes talks about Black masculinity. And Black boys, we tend to grow up a whole lot faster, since there is still a not-so-subtle undercurrent of fear surroundingour bodies
ALICE MUNRO: "WHAT IS REMEMBERED" The whole book is an exploration of what women have to do when they find themselves trapped in a 50’s marriage. Although they flirt with it, they don’t find the answer in philosophy. Their situations are dire — they are near death. If they are able, it is ALICE MUNRO: "PRIDE" T he narrator of “Pride” is a man with a hare-lip, making this one of only a few Munro stories that I know of to be narrated by a man. Of course, and this is no fault, the story is still centered on a woman. Oneida Jantzen was born into a wealthy family, so wealthy that they weren’t in a category with anybody else in town, even the well-to-doones.”
ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. JHUMPA LAHIRI: "BROTHERLY LOVE" Click here to read the story in its entirety on The New Yorker webpage. Jhumpa Lahiri’s “Brotherly Love” was originally published in the June 10 & 17, 2013 issue of The New Yorker. Betsy “Brotherly Love” takes place in India more than 40 years ago. Two brothers, so close they are practically twins, grow up in Calcutta, KEITH RIDGWAY: "THE PARTY" K eith Ridgway is a long-time favorite, and I’m thrilled to see him in The New Yorker again! He has a new novel, A Shock, coming out from New Directions in July.“The Party” comes from this novel. I have a copy and plan to start it soon, so I’m not sure whether to read this as a primer or just wait until I come across a party in A Shock.A goodconundrum!
HOME | THE MOOKSE AND THE GRIPESBOOK AND STORY REVIEWSFILM REVIEWSPODCASTSTHE MOOKSE AND THE GRIPES PANTHEONABOUT USTHE MOOKSEAND THE GRIPES
The kids are celebrating the last day of school, and I’m enjoying this lovely volume from Europa Editions Compass. Gideon Defoe’s An Atlas of Extinct Countries is a STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he JANE GARDAM: "THE TRIBUTE" Jane Gardam: "The Tribute" | The Mookse and the Gripes. “And knew her place.”. “Oh yes, she knew her place.”. “The Tribute” is slightly harsher, a little more acrid than most Gardam tales. It’s also a little more cynical, angrier, and puts its pointed, unequivocal cards on the table right from the off. Gardam is always happy to SALMAN RUSHDIE: "THE OLD MAN IN THE PIAZZA" I haven’t liked much of Rushdie’s work lately, but “The Old Man in the Piazza” struck me just right.. Every day, at about four o’clock in the afternoon, when the sun’s heat has begun to diminish, the old man comes into the piazza. He walks slowly, shuffling his feet, which are encased in dusty brown loafers. J.M. HOLMES: "CHILDREN OF THE GOOD BOOK" Here we have his debut New Yorker fiction, “Children of the Good Book.”. I have read the (very good) author interview with Deborah Treisman, so I am intrigued. There Holmes talks about Black masculinity. And Black boys, we tend to grow up a whole lot faster, since there is still a not-so-subtle undercurrent of fear surroundingour bodies
ALICE MUNRO: "WHAT IS REMEMBERED" The whole book is an exploration of what women have to do when they find themselves trapped in a 50’s marriage. Although they flirt with it, they don’t find the answer in philosophy. Their situations are dire — they are near death. If they are able, it is ALICE MUNRO: "PRIDE" T he narrator of “Pride” is a man with a hare-lip, making this one of only a few Munro stories that I know of to be narrated by a man. Of course, and this is no fault, the story is still centered on a woman. Oneida Jantzen was born into a wealthy family, so wealthy that they weren’t in a category with anybody else in town, even the well-to-doones.”
ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. JHUMPA LAHIRI: "BROTHERLY LOVE" Click here to read the story in its entirety on The New Yorker webpage. Jhumpa Lahiri’s “Brotherly Love” was originally published in the June 10 & 17, 2013 issue of The New Yorker. Betsy “Brotherly Love” takes place in India more than 40 years ago. Two brothers, so close they are practically twins, grow up in Calcutta, STERLING HOLYWHITEMOUNTAIN: "FEATHERWEIGHT" I don’t know the work of Sterling HolyWhiteMountain, but I’m looking forward to trying it out. Googling him (so please do let me know if there is more information I’m missing), it appears he currently teaches at Stanford after getting his MFA from the University of Iowa, and that he SAÏD SAYRAFIEZADEH: "A, S, D, F" I t’s been a while since we had a story from Sayrafiezadeh, though if I think back on the early days of tracking The New Yorker fiction on this site it feels he was a regular. Looking back, I see we had a story from him in 2010, 2011, 2012. His debut story collection, Brief Encounters with the Enemy, came out in 2013 and was a finalist for the PEN/Robert W. Bingham Award, the PEN America CLARE SESTANOVICH: "SEPARATION" I ‘m away this week, so I haven’t had a chance to really look at Clare Sestanovich’s story, “Separation,” in any way yet. I see she has a new story collection, Objects of Desire, coming this summer from Knopf.That’s exciting news! I don’t know a lot about Sestanovich’s work, but I did think “Old Hope,” which showed up in late 2019, was promising. MARGARET ATWOOD: "OLD BABES IN THE WOOD" An hour earlier, Nell was toasting her laundry on the dock, which was the best place to dry it: it had been the best place for seventy years. But she didn’t put rocks on top of her cotton yoga pants, though she ought to have known better, and then she went back up the hill to the house, through the sighing and rustling trees. ALICE MUNRO: "THANKS FOR THE RIDE" Trevor “T hanks for the Ride” might, on first examination, seem slight and straightforward. Dickie, our male narrator who is just out of high school, has gone with his mother to a type of health spa. He and his cousin George, bored one day, decide to go explore a small, rundown town they’ve never seen before, their main goal is to find bootleggers and girls. ALICE MUNRO: "A REAL LIFE" Betsy. M unro places “sentimentality” front and center in “A Real Life.” On page one, Munro remarks about the main character (who is the wife of a prosperous farmer in the 1930’s): Millicent, who was shrewd and practical in some ways, was stubbornly sentimental inothers.
ALICE MUNRO: "POSTCARD" Betsy “P ostcard” is a tour-de-force of comic pacing. It has a dry wit, depending as it does on two things: one, the reader seeing through the narrator’s guises, and two, the reader figuring out why the post card that ought to shake the narrator up doesn’t. ALICE MUNRO: "FRIEND OF MY YOUTH" Betsy. 1 “F riend of my Youth” is a series of nesting stories: a frame story about a writer who yearns for forgiveness from her mother; another frame story about a Scottish Presbyterian who murdered a bishop and thus engendered a religious sect; an interior story about two provincial sisters; an interior dialogue regarding the nature of ideology; and another interior dialogue regarding the JHUMPA LAHIRI: "BROTHERLY LOVE" Click here to read the story in its entirety on The New Yorker webpage. Jhumpa Lahiri’s “Brotherly Love” was originally published in the June 10 & 17, 2013 issue of The New Yorker. Betsy “Brotherly Love” takes place in India more than 40 years ago. Two brothers, so close they are practically twins, grow up in Calcutta, ALICE MUNRO: "HOW I MET MY HUSBAND" Betsy. I loved “How I Met My Husband.” Its tenderness towards all of its characters touched me, its gentle tone and humor entertained me, its spectacular middle surprised and delighted me, and I liked very much the complications set up by the last sentence.Skip to content
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HomeTrevor Berrett
2017-08-02T16:55:47-04:00*
J. Robert Lennon: “The Loop”Gallery
J. ROBERT LENNON: “THE LOOP”New Yorker Fiction
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J. ROBERT LENNON: “THE LOOP” This week's New Yorker fiction is J. Robert Lennon's "The Loop."By Trevor Berrett
|2019-08-19T11:44:10-04:00August 19th, 2019|Categories: New Yorker Fiction|Tags:
2019 New Yorker Fiction|1
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Anniversaries Readalong: August 21 – 27, 1967Gallery
_ANNIVERSARIES_ READALONG: AUGUST 21 – 27, 1967 Anniversaries Readalong*
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_ANNIVERSARIES_ READALONG: AUGUST 21 – 27, 1967 Here we go! Here is the first post for all of us to talk about Uwe Johnson's _Anniversaries_.By Trevor Berrett
|2019-08-19T10:39:57-04:00August 18th, 2019|Categories: Anniversaries Readalong|17
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Jacques Becker: Touchez pas au grisbiGallery
JACQUES BECKER: _TOUCHEZ PAS AU GRISBI_Film Reviews
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Becker
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JACQUES BECKER: _TOUCHEZ PAS AU GRISBI_ Jacques Becker's _Touchez pas au grisbi_ welcomed Jean Gabin back from a career slump, and I'm hoping its appearance on Blu-ray from Kino welcomes Jean Gabin to the screens and hearts of a new generation ofcinephiles.
By Trevor Berrett
|2019-08-15T18:44:13-04:00August 15th, 2019|Categories: Film Reviews, Jacques
Becker |0
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The Criterion Collection Announces November 2019 ReleasesGallery
THE CRITERION COLLECTION ANNOUNCES NOVEMBER 2019 RELEASESNews
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THE CRITERION COLLECTION ANNOUNCES NOVEMBER 2019 RELEASES The Criterion Collection has announced what they'll be releasing inNovember.
By Trevor Berrett
|2019-08-15T14:17:49-04:00August 15th, 2019|Categories: News|0 Comments
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Kevin Barry: Night Boat to TangierGallery
KEVIN BARRY: _NIGHT BOAT TO TANGIER_Book Reviews
, Kevin
Barry
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KEVIN BARRY: _NIGHT BOAT TO TANGIER_ Paul reviews Kevin Barry's _Night Boat to Tangier_, which was recently longlisted for this year's Booker Prize.By Paul Fulcher
|2019-08-14T15:54:42-04:00August 14th, 2019|Categories: Book Reviews, Kevin
Barry |Tags:
2010s , 2019
, 2019 Booker Prize
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Alan J. Pakula: KluteGallery
ALAN J. PAKULA: _KLUTE_Alan J. Pakula
, Film
Reviews
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ALAN J. PAKULA: _KLUTE_ The Criterion Collection recently released Alan J. Pakula's 1971 film _Klute_, starring Jane Fonda and Donald Sutherland.By Trevor Berrett
|2019-08-13T14:45:01-04:00August 13th, 2019|Categories: Alan J. Pakula, Film
Reviews
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Criterion Collection|2
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George Saunders: “Elliott Spencer”Gallery
GEORGE SAUNDERS: “ELLIOTT SPENCER”George Saunders
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Yorker Fiction
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GEORGE SAUNDERS: “ELLIOTT SPENCER” George Saunders returns to _The New Yorker_ with his new story"Elliott Spencer."
By Trevor Berrett
|2019-08-12T14:32:21-04:00August 12th, 2019|Categories: George Saunders, New
Yorker Fiction
|Tags:
2019 New Yorker Fiction|6
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