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NON-PLACES
Non-Places his blue card, skirted Paris on the pbipherique and took the A 1 to Roissy. He parked in row J of underground level 2, slid his parking ticket into his wallet and hurried to the Air COLONIALITY: THE DARKER SIDE OF MODERNITY 39 Coloniality: The Darker Side of Modernity 1 The article is available in English: ‘Coloniality and Modernity/Rationality’, Cultural Studies, vol. 21, nos. 2–3, pp. 155–67 (2007). AN INTRODUCTION TO SEMIOTICS VI Contents 4 Symptom 46 Icon 50 Index 53 Symbol 55 Name 59 On the Being, Behaving, and Becoming of Signs 61 Symptom Signs 65 5 The Meaning of Symptom 66 The Peircean View 70 Symptoms and the Medical Origins of Semiotics 72 Interpreting Symptoms 76 Indexical Signs 83Indexicality 84
MORPHOLOGY OF THE FOLKTALE Morphology of the Folktale by V. Propp First Edition Translated by Laurence Scott with an Introduction by Svatava Pirkova-Jakobson Second Edition Revised and Edited with a Preface by Louis A.THE - MONOSKOP.ORG
1111\ l'V 'II have to face the infamy of murder, because when "11It'1l acquire who can acquire, they will be praised or not blamed" (Chapter 3).Those criminals who are infamous have merely been on the losing side. Machiavelli and Machi avellian politics are famous or infamousfor their willing
MIND - MONOSKOP.ORG
GREGORY BATESON was born in 1904, the son of William Bateson, a leading British biologist and a pioneering geneticist. Resisting family pressures to fol low in his father's footsteps, he completed his degree in anthropology instead of POSTDRAMATIC THEATRE Postdramatic Theatre Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s has become a key reference point in inter- BLACK SKIN, WHITE MASKS ~;i: FOREWORD: REMEMBERING FANON Self, Psyche and the Colonial Condition tf!lo my body, make of me always a man who questions! Black Skin, White Masks In the popular memory of English socialism the mention of Frantz Fanon stirs a dim, deceiving echo. IL FAUT DÉFENDRE LA SOCIÉTÉ Michel Foucault « Il faut défendre la société » Cours au Collège de France (1975-1976) Édition établie, dans le cadre de l’Association pour le Centre Michel Foucault, sous la WE HAVE NEVER BEEN MODERN viii CONTENTS 3 REVOLUTION 49 3.1 The Moderns, Victims of Their Own Success 49 3.2 What Is a Quasi-Object? 51 3.3 Philosophies Stretched Over the Yawning Gap 55 3.4 The End of Ends 59 3.5 Semiotic Turns 62 3.6 Who Has Forgotten Being? 65 3.7 The Beginning of the Past 67 3.8 The Revolutionary Miracle 70 3.9 The End of the Passing Past 72 3.10 Triage and Multiple Times 74 COLONIALITY: THE DARKER SIDE OF MODERNITY 39 Coloniality: The Darker Side of Modernity 1 The article is available in English: ‘Coloniality and Modernity/Rationality’, Cultural Studies, vol. 21, nos. 2–3, pp. 155–67 (2007).NON-PLACES
Non-Places his blue card, skirted Paris on the pbipherique and took the A 1 to Roissy. He parked in row J of underground level 2, slid his parking ticket into his wallet and hurried to the Air AN INTRODUCTION TO SEMIOTICS VI Contents 4 Symptom 46 Icon 50 Index 53 Symbol 55 Name 59 On the Being, Behaving, and Becoming of Signs 61 Symptom Signs 65 5 The Meaning of Symptom 66 The Peircean View 70 Symptoms and the Medical Origins of Semiotics 72 Interpreting Symptoms 76 Indexical Signs 83Indexicality 84
THE - MONOSKOP.ORG
1111\ l'V 'II have to face the infamy of murder, because when "11It'1l acquire who can acquire, they will be praised or not blamed" (Chapter 3).Those criminals who are infamous have merely been on the losing side. Machiavelli and Machi avellian politics are famous or infamousfor their willing
HISTORY OF PHOTOGRAPHY Lttle History of Photography The fog that surrounds the beginnings of photography is not quite as thick as that which shrouds the early days of printing; more obviously than inMIND - MONOSKOP.ORG
GREGORY BATESON was born in 1904, the son of William Bateson, a leading British biologist and a pioneering geneticist. Resisting family pressures to fol low in his father's footsteps, he completed his degree in anthropology instead of BLACK SKIN, WHITE MASKS ~;i: FOREWORD: REMEMBERING FANON Self, Psyche and the Colonial Condition tf!lo my body, make of me always a man who questions! Black Skin, White Masks In the popular memory of English socialism the mention of Frantz Fanon stirs a dim, deceiving echo. IL FAUT DÉFENDRE LA SOCIÉTÉ Michel Foucault « Il faut défendre la société » Cours au Collège de France (1975-1976) Édition établie, dans le cadre de l’Association pour le Centre Michel Foucault, sous la MONOSKOP.ORGTRANSLATE THIS PAGEmonoskop.org
ART AND TECHNOLOGY CENTRES Literature . Stewart Brand, The Media Lab: Inventing the Future at MIT, New York: Viking, 1987, 285 pp. Access-Space.org, Grow Your Own Media Lab, Sheffield: AccessMONOSKOP
“This artist’s book is the first comprehensive monograph on sound and media artist Paul DeMarinis. DeMarinis has avidly followed the development of communication media, interested in discoveries being made in the realm of physical phenomena and the corresponding objects and devices that have been invented as well as in their cultural andsocial aspects.
THE VISIBLE AND THE INVISIBLE Contents Editor’s Foreword / xi Editorial Note / xxxiv Translatofs Preface / xl The Visible and the Invisible: Philosophical Interrogation i Reflection and Interrogation / 3 a Interrogation and Dialectic / 50 3 Interrogation and Intuition / 105THE - MONOSKOP.ORG
1111\ l'V 'II have to face the infamy of murder, because when "11It'1l acquire who can acquire, they will be praised or not blamed" (Chapter 3).Those criminals who are infamous have merely been on the losing side. Machiavelli and Machi avellian politics are famous or infamousfor their willing
POSTDRAMATIC THEATRE Postdramatic Theatre Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s has become a key reference point in inter- THE NON - OBJECTIVE WORLD - MONOSKOP.ORG THE NON-OBJECTIVE WORLD . Kasimir Malevich . Paul Theobald and Company, Chicago . Thomas J. Bata Library . TRENT UNIVERSITY . PETERBOROUGH, ONTARt FILE:BECKETT SAMUEL EN ATTENDANT GODOT 1957.PDF File:Beckett Samuel En attendant Godot 1957.pdf. Beckett_Samuel_En_attendant_Godot_1957.pdf (file size: 9.32 MB, MIME type: application/pdf) Samuel Beckett, En attendant Godot, Paris: Les Éditions de Minuit, 1952, 1953, 1957. MEDIA LABS - MONOSKOP Wiki for Collaborative Studies of Arts, Media and Humanities FILE:SUSAN SONTAG ILLNESS AS METAPHOR 1978.PDF Click on a date/time to view the file as it appeared at that time. Date/Time Dimensions User Comment; current: 09:24, 21 December 2013 (6.27 MB) Sorindanut (talk | contribs): Susan Sontag, Illness asMetaphor, 1978
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From Monoskop
Jump to navigation Jump to search Welcome to Monoskop , a wiki for the arts, media andhumanities.
This page shows a selection of the latest additions to the website. For more detailed listings see the Log , Recent , Contents and Index sections. Selected updates are posted on RSSand Instagram
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RECENT ENTRIES
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Decolonial aesthetics*
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Monoskop Index
MONOSKOP LOG
ELVIA WILK: OVAL (2019) “In the near future, Berlin’s real estate is being flipped in the name of “sustainability,” only to make the city even more unaffordable; artists are employed by corporations as consultants, and the weather is acting strange. When Anja and Louis are offered a rent-free home on an artificial mountain–yet another eco-friendly initiative run by a corporation–they seize the opportunity, but it isn’t long before the experimental house begins malfunctioning. After Louis’s mother dies, Anja is convinced he has changed. At work, Louis has become obsessed with a secret project: a pill called Oval that temporarily rewires the user’s brain to be more generous. While Anja is horrified, Louis believes he has found the solution to Berlin’s income inequality. Oval is a fascinating portrait of the unbalanced relationships that shape our world, as well as a prescient warning of what the future may hold.” Publisher Soft Skull, New York, 2019 ISBN 9781593764050, 1593764057pages
Reviews: Katy Waldman (New Yorker, 2019), Angelica Frey (Hyperallergic, 2019), Michael Friedrich (LA Review of Books, 2019), Jason Sheehan (NPR, 2019), Yvonne C.Garrett
(Brooklyn Rail, 2019), Will Preston (Full Stop, 2019), Alex Ronan (Nation, 2019), Stan Portus(C Magazine, 2020).
Publisher
WorldCat
HTML
MCKENZIE WARK: REVERSE COWGIRL (2020) “Another genre for another gender. What if you were trans and didn’t know it? What if there were some hole in your life and you didn’t even know it was there? What if you went through life not knowing why you only felt at home in your body at peak moments of drugs and sex? What if you expended your days avoiding an absence, a hole in being? Reverse Cowgirl is not exactly a memoir. The author doesn’t, in the end, have any answers as to who she really is or was, although maybe she figures out what she couldbecome.
Traveling from Sydney in the 1980s to New York today, _Reverse Cowgirl_ is a comedy of errors, chronicling the author’s failed attempts at being gay and at being straight across the shifting political and media landscapes of the late twentieth century. Finding that the established narratives of being transgender don’t seem to apply to her, Wark borrows from the genres of autofiction, fictocriticism, and new narrative to create a writing practice that can discover the form of a life outside existing accounts of trans experience: an auto-ethnography of the opacity of the self.” Publisher Semiotext(e), South Pasadena, CA, 2020 Native Agents series ISBN 9781635901184, 1635901189199 pages
Interviews with author: Mattilda Bernstein Sycamore(BOMB, 2020),
Juliet Jacques
(Frieze, 2020).
Distributor
WorldCat
Open access
Diagram & Essay HTMLDiagram PDF
Essay PDF
JENNIFER IVERSON: ELECTRONIC INSPIRATIONS: TECHNOLOGIES OF THE COLD WAR MUSICAL AVANT-GARDE (2018) “Cold War electronic music—made with sine tone and white-noise generators, filters, and magnetic tape—was the driving force behind the evolution of both electronic and acoustic music in the second half of the twentieth century. Electronic music blossomed at the Westdeutscher Rundfunk (WDR ) in Cologne in the 1950s, when technologies were plentiful and the need for cultural healing was great. Building an electronic studio, West Germany confronted the decimation of the “Zero Hour” and began to rebuild its cultural prowess. The studio’s greatest asset was its laboratory culture, where composers worked under a paradigm of invisible collaboration with technicians, scientists, performers, intellectuals, and the machines themselves. Composers and their invisible collaborators repurposed military machinery in studio spaces that were formerly fascist broadcasting propaganda centers. Composers of Cold War electronic music reappropriated information theory and experimental phonetics, creating aesthetic applications from military discourses. In performing such reclamations, electronic music optimistically signaled cultural growth and progress, even as it also sonified technophobic anxieties. Electronic music—a synthesis of technological, scientific, and aesthetic discourses—was the ultimate Cold War innovation, and its impacts reverberate today.” Publisher Oxford University Press, New York, 2018 The New Cultural History of Music series ISBN 9780190868192, 0190868198xi+303 pages
Reviews: Lucie Vágnerová (Integral, 2019), Ted Gordon (Current Musicology, 2019), James Davis (Music & Letters, 2019), Maurice Windleburn(Sound Studies,
2020).
Publisher
WorldCat
(32 MB)
COLLEEN MCQUILLEN, JULIA VAINGURT (EDS.): THE HUMAN REIMAGINED: POSTHUMANISM IN RUSSIA (2018) “The enmeshment of the human body with various forms of technology is a phenomenon that characterizes lived and imagined experiences in Russian arts of the modernist and postmodernist eras. In contrast to the postrevolutionary fixation on mechanical engineering, industrial progress, and the body as a machine, the postmodern, postindustrial period probes the meaning of being human not only from a physical, bodily perspective, but also from the philosophical perspectives of subjectivity and consciousness. The Human Reimagined examines the ways in which literary and artistic representations of the body, selfhood, subjectivity, and consciousness illuminate late- and post-Soviet ideas about the changing relationships among the individual, the environment, technology, and society.” Contributors include: Alex Anikina, Keti Chukhrov, Jacob Emery, Elana Gomel, Sofya Khagi, Katerina Lakhmitko, Colleen McQuillen, Jonathan Brooks Platt, Kristina Toland, Julia Vaingurt, Diana Kurkovsky West,Trevor Wilson
Publisher Academic Studies Press, Boston, 2018 Cultural Revolutions: Russia in the 20th and 21st Centuries series ISBN 9781618117328, 1618117327viii+268 pages
Reviews: Aaron Winslow (LA Review of Books, 2019), Maria Rubins (Slavonic and East European Review, 2019).Publisher
WorldCat
(3 MB)
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