Are you over 18 and want to see adult content?
More Annotations
A complete backup of https://www.mundotecnico.info/viewtopic.php?t=2148
Are you over 18 and want to see adult content?
A complete backup of https://como-seria-jimin-en-una-relacion.yump3.me/
Are you over 18 and want to see adult content?
A complete backup of https://dramasq.com/hk201214/19.html
Are you over 18 and want to see adult content?
A complete backup of https://komikmama.net/manga/apotheosis/
Are you over 18 and want to see adult content?
A complete backup of https://kaufmichladies.wordpress.com/tag/kaufmich/
Are you over 18 and want to see adult content?
A complete backup of http://www.musclehunks.com/
Are you over 18 and want to see adult content?
A complete backup of https://labinaction.com/be-cool-be-caravan-2/
Are you over 18 and want to see adult content?
A complete backup of http://www.adorocinema.com/filmes/filme-120719/vod/
Are you over 18 and want to see adult content?
A complete backup of https://chinaq.tv/legend-of-zu/
Are you over 18 and want to see adult content?
Favourite Annotations
A complete backup of www.amarujala.com/photo-gallery/entertainment/movie-review/shubh-mangal-zyada-saavdhan-review-by-pankaj-shu
Are you over 18 and want to see adult content?
A complete backup of www.espn.com/soccer/uefa-champions-league/story/4054232/champions-league-last-16-preview-dont-miss-dortmund
Are you over 18 and want to see adult content?
Text
thousand years.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Ghaseet. Ghaseet is a technique of plucking a note and then, within the resonance generated, gliding the other hand along the string over the frets (on the sitar) and along the steel plate (in the case of the sarode). A Ghaseet is fast paced and differs only in speed from other alankars in the Meend category. ITC SANGEET RESEARCH ACADEMY Krintan is the opposite of Sparsh. The movement of notes in the Krintan is descending. For example in G R, the forefinger is placed on R and the middle or ring finger is placed on G and immediately after plucking G, the finger on it is moved transversely across the string to produce a secondary plucking (without the help of the right hand) so that R is sounded. ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY Distinguishing between Ragas Bhupali-Deshkar-Shudh Kalyan. Raga Bhupali, also known as Bhoop, is a common evening raga describing melancholy. Pandit Arun Bhaduri starts with comparing Bhupali and Deshkar. Both ragas use the same 5 swaras – Sa, Re, Ga, Pa, Dha – that is, they share a common scale. The Arohan and Avrohan areAudav-Audav for
ITC SANGEET RESEARCH ACADEMY :: THAAT A thaat is a very different musical entity from a raga. It is a musical scale, with the seven notes presented in their order of ascent. According to Vishnu Narayan Bhatkhande (1860-1936) each traditional raga is based on, or is a variation of, ten basic thaats : Bilawal, Kalyan, Khamaj, Bhairav, Poorvi, Marwa, Kafi, Asavari,Bhairavi and Todi.
ITC SANGEET RESEARCH ACADEMY Abdul Karim Khan. Ustad abdul Karim Khan. Ustad Abdul Karim Khan was born on November 11,1882 in Kirana, a village in Uttar Pradesh. His original ancestors were Hindu musicians. They later embraced Islam. Kale Khan was an outstanding Khayal singer and Abdul Karim Khan was his eldest son. Abdul Karim Khan received training in music from his ITC SANGEET RESEARCH ACADEMY :: HOMEABOUT USGURU SHISHYA PARAMPARARESEARCH ARCHIVEKNOW YOUR RAGAPERFORMANCES ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map. +91-33-23773395 / 23810559. +91-33-23774371. info@itcsra.org.in. LISTEN TO HINDUSTANI CLASSICAL MUSIC ONLINE Listen to Hindustani Classical Music online from ITC SRA’s archives. Categorized by Raga, Artiste and instrumental, here explore the heritage of Indian classical music online. INDIAN CLASSICAL MUSIC Sitar, sarod, tabla, sarangi or dhrupad, khayal, ghazal or raga, tala, gharana- these are known the world over today. They represent Hindustani Art Music - in reality, a part of Indian Classical music. Indian music has developed through very complex interactions between different peoples of different races and cultures over severalthousand years.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Ghaseet. Ghaseet is a technique of plucking a note and then, within the resonance generated, gliding the other hand along the string over the frets (on the sitar) and along the steel plate (in the case of the sarode). A Ghaseet is fast paced and differs only in speed from other alankars in the Meend category. ITC SANGEET RESEARCH ACADEMY Krintan is the opposite of Sparsh. The movement of notes in the Krintan is descending. For example in G R, the forefinger is placed on R and the middle or ring finger is placed on G and immediately after plucking G, the finger on it is moved transversely across the string to produce a secondary plucking (without the help of the right hand) so that R is sounded. ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY Distinguishing between Ragas Bhupali-Deshkar-Shudh Kalyan. Raga Bhupali, also known as Bhoop, is a common evening raga describing melancholy. Pandit Arun Bhaduri starts with comparing Bhupali and Deshkar. Both ragas use the same 5 swaras – Sa, Re, Ga, Pa, Dha – that is, they share a common scale. The Arohan and Avrohan areAudav-Audav for
ITC SANGEET RESEARCH ACADEMY :: THAAT A thaat is a very different musical entity from a raga. It is a musical scale, with the seven notes presented in their order of ascent. According to Vishnu Narayan Bhatkhande (1860-1936) each traditional raga is based on, or is a variation of, ten basic thaats : Bilawal, Kalyan, Khamaj, Bhairav, Poorvi, Marwa, Kafi, Asavari,Bhairavi and Todi.
ITC SANGEET RESEARCH ACADEMY Abdul Karim Khan. Ustad abdul Karim Khan. Ustad Abdul Karim Khan was born on November 11,1882 in Kirana, a village in Uttar Pradesh. His original ancestors were Hindu musicians. They later embraced Islam. Kale Khan was an outstanding Khayal singer and Abdul Karim Khan was his eldest son. Abdul Karim Khan received training in music from his ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY Ghaseet. Ghaseet is a technique of plucking a note and then, within the resonance generated, gliding the other hand along the string over the frets (on the sitar) and along the steel plate (in the case of the sarode). A Ghaseet is fast paced and differs only in speed from other alankars in the Meend category. ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Gurukul. Aldeen. Nestling in the idyllic ambience of a 200-year-old, magnificent building called 'Aldeen' in Tollygunge in south Kolkata, originally belonging to an heir of Tipu Sultan, ITC-SRA's locale is appropriate to its musical mission. It seems the natural home for the rebirth of the Guru-Shishya Parampara of Hindustani Classical Music. ITC SANGEET RESEARCH ACADEMY Rama was an expert in gandharva, the 'classical' music of the time. The term Marga sangeet is also used in the epic to denote the accepted and prestigious mode of music. There were three important features of Marga Sangeet. It was created and propagated by Brahma and otherdeities. It
ITC SANGEET RESEARCH ACADEMY The legendary Tansen too came under its influence. 'Haveli sangeet' was the temple music practised by the 'Pushti Margi Sampradaya'. Nathadwara in Rajasthan was the main seat of this Vaishnava devotional cult. The cult has created a rich historical tradition of temple-based music described as 'Haveli sangeet'. ITC SANGEET RESEARCH ACADEMY Distinguishing between Similar Ragas. There are many ragas in Hindustani Classical Music that use the same swaras or notes but differ in other subtler aspects. Other ragas have very different swaras but strongly resemble another raga. As a result of these close resemblances, one raga is often confused with another. A raga is morethan a scale.
ITC SANGEET RESEARCH ACADEMY In the context of Indian classical music, the application of an alankar is essentially to embellish or enhance the inherent beauty of the genre. The earliest reference to the term Alankar has been found in Bharata’s Natyashastra written sometime between 200 BC and 200 AD. This treatise on dramaturgy mentions 33 types of Alankars. ITC SANGEET RESEARCH ACADEMY Abdul Karim Khan. Ustad abdul Karim Khan. Ustad Abdul Karim Khan was born on November 11,1882 in Kirana, a village in Uttar Pradesh. His original ancestors were Hindu musicians. They later embraced Islam. Kale Khan was an outstanding Khayal singer and Abdul Karim Khan was his eldest son. Abdul Karim Khan received training in music from his ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY :: HOMEABOUT USGURU SHISHYA PARAMPARARESEARCH ARCHIVEKNOW YOUR RAGAPERFORMANCES ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map. +91-33-23773395 / 23810559. +91-33-23774371. info@itcsra.org.in. LISTEN TO HINDUSTANI CLASSICAL MUSIC ONLINE Listen to Hindustani Classical Music online from ITC SRA’s archives. Categorized by Raga, Artiste and instrumental, here explore the heritage of Indian classical music online. INDIAN CLASSICAL MUSIC Sitar, sarod, tabla, sarangi or dhrupad, khayal, ghazal or raga, tala, gharana- these are known the world over today. They represent Hindustani Art Music - in reality, a part of Indian Classical music. Indian music has developed through very complex interactions between different peoples of different races and cultures over severalthousand years.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Ghaseet. Ghaseet is a technique of plucking a note and then, within the resonance generated, gliding the other hand along the string over the frets (on the sitar) and along the steel plate (in the case of the sarode). A Ghaseet is fast paced and differs only in speed from other alankars in the Meend category. ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY Krintan is the opposite of Sparsh. The movement of notes in the Krintan is descending. For example in G R, the forefinger is placed on R and the middle or ring finger is placed on G and immediately after plucking G, the finger on it is moved transversely across the string to produce a secondary plucking (without the help of the right hand) so that R is sounded. ITC SANGEET RESEARCH ACADEMY Distinguishing between Ragas Bhupali-Deshkar-Shudh Kalyan. Raga Bhupali, also known as Bhoop, is a common evening raga describing melancholy. Pandit Arun Bhaduri starts with comparing Bhupali and Deshkar. Both ragas use the same 5 swaras – Sa, Re, Ga, Pa, Dha – that is, they share a common scale. The Arohan and Avrohan areAudav-Audav for
ITC SANGEET RESEARCH ACADEMY :: THAAT A thaat is a very different musical entity from a raga. It is a musical scale, with the seven notes presented in their order of ascent. According to Vishnu Narayan Bhatkhande (1860-1936) each traditional raga is based on, or is a variation of, ten basic thaats : Bilawal, Kalyan, Khamaj, Bhairav, Poorvi, Marwa, Kafi, Asavari,Bhairavi and Todi.
ITC SANGEET RESEARCH ACADEMY Abdul Karim Khan. Ustad abdul Karim Khan. Ustad Abdul Karim Khan was born on November 11,1882 in Kirana, a village in Uttar Pradesh. His original ancestors were Hindu musicians. They later embraced Islam. Kale Khan was an outstanding Khayal singer and Abdul Karim Khan was his eldest son. Abdul Karim Khan received training in music from his ITC SANGEET RESEARCH ACADEMY :: HOMEABOUT USGURU SHISHYA PARAMPARARESEARCH ARCHIVEKNOW YOUR RAGAPERFORMANCES ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map. +91-33-23773395 / 23810559. +91-33-23774371. info@itcsra.org.in. LISTEN TO HINDUSTANI CLASSICAL MUSIC ONLINE Listen to Hindustani Classical Music online from ITC SRA’s archives. Categorized by Raga, Artiste and instrumental, here explore the heritage of Indian classical music online. INDIAN CLASSICAL MUSIC Sitar, sarod, tabla, sarangi or dhrupad, khayal, ghazal or raga, tala, gharana- these are known the world over today. They represent Hindustani Art Music - in reality, a part of Indian Classical music. Indian music has developed through very complex interactions between different peoples of different races and cultures over severalthousand years.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Ghaseet. Ghaseet is a technique of plucking a note and then, within the resonance generated, gliding the other hand along the string over the frets (on the sitar) and along the steel plate (in the case of the sarode). A Ghaseet is fast paced and differs only in speed from other alankars in the Meend category. ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY Krintan is the opposite of Sparsh. The movement of notes in the Krintan is descending. For example in G R, the forefinger is placed on R and the middle or ring finger is placed on G and immediately after plucking G, the finger on it is moved transversely across the string to produce a secondary plucking (without the help of the right hand) so that R is sounded. ITC SANGEET RESEARCH ACADEMY Distinguishing between Ragas Bhupali-Deshkar-Shudh Kalyan. Raga Bhupali, also known as Bhoop, is a common evening raga describing melancholy. Pandit Arun Bhaduri starts with comparing Bhupali and Deshkar. Both ragas use the same 5 swaras – Sa, Re, Ga, Pa, Dha – that is, they share a common scale. The Arohan and Avrohan areAudav-Audav for
ITC SANGEET RESEARCH ACADEMY :: THAAT A thaat is a very different musical entity from a raga. It is a musical scale, with the seven notes presented in their order of ascent. According to Vishnu Narayan Bhatkhande (1860-1936) each traditional raga is based on, or is a variation of, ten basic thaats : Bilawal, Kalyan, Khamaj, Bhairav, Poorvi, Marwa, Kafi, Asavari,Bhairavi and Todi.
ITC SANGEET RESEARCH ACADEMY Abdul Karim Khan. Ustad abdul Karim Khan. Ustad Abdul Karim Khan was born on November 11,1882 in Kirana, a village in Uttar Pradesh. His original ancestors were Hindu musicians. They later embraced Islam. Kale Khan was an outstanding Khayal singer and Abdul Karim Khan was his eldest son. Abdul Karim Khan received training in music from his ITC SANGEET RESEARCH ACADEMY Ghaseet. Ghaseet is a technique of plucking a note and then, within the resonance generated, gliding the other hand along the string over the frets (on the sitar) and along the steel plate (in the case of the sarode). A Ghaseet is fast paced and differs only in speed from other alankars in the Meend category. ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Rama was an expert in gandharva, the 'classical' music of the time. The term Marga sangeet is also used in the epic to denote the accepted and prestigious mode of music. There were three important features of Marga Sangeet. It was created and propagated by Brahma and otherdeities. It
ITC SANGEET RESEARCH ACADEMY A gamak can be defined as a fast meend (spanning 2-3 notes normally) delivered with deliberate force and vigour and repeated in an oscillatory manner. R G is a meend if it is a glide from R to G at a moderately slow tempo. But the same R G repeated twice or more at a relatively faster tempo, often forcefully, is termed as gamak. ITC SANGEET RESEARCH ACADEMY Ancient,structured form of classical music reigning supreme for centuries in North India before the advent of Khayal. Form of semi-classical compositions / idiom. A regional version of music, more flexible than the classical style. A drum instrument mainly prevalentin
ITC SANGEET RESEARCH ACADEMY Sitar, sarod, tabla, sarangi or dhrupad, khayal, ghazal or raga, tala, gharana- these are known the world over today. They represent Hindustani Art Music - in reality, a part of Indian Classical music. Indian music has developed through very complex interactions between different peoples of different races and cultures over severalthousand years.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Abdul Karim Khan. Ustad abdul Karim Khan. Ustad Abdul Karim Khan was born on November 11,1882 in Kirana, a village in Uttar Pradesh. His original ancestors were Hindu musicians. They later embraced Islam. Kale Khan was an outstanding Khayal singer and Abdul Karim Khan was his eldest son. Abdul Karim Khan received training in music from his ITC SANGEET RESEARCH ACADEMY :: NEWS ITC-SRA scholar Supratik Sengupta was the artiste on Wednesday July 20, 2005. He is a disciple of ITC-SRA Guru Pandit Buddhadev Dasgupta. He presented a sitar recital. He began with alap, jod, vilambit gat, drut gat and jhala in Raga Miyan ki Malhar, followed by ITC SANGEET RESEARCH ACADEMY :: HOMEABOUT USGURU SHISHYA PARAMPARARESEARCH ARCHIVEKNOW YOUR RAGAPERFORMANCES ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map. +91-33-23773395 / 23810559. +91-33-23774371. info@itcsra.org.in. LISTEN TO HINDUSTANI CLASSICAL MUSIC ONLINE Listen to Hindustani Classical Music online from ITC SRA’s archives. Categorized by Raga, Artiste and instrumental, here explore the heritage of Indian classical music online. INDIAN CLASSICAL MUSIC Sitar, sarod, tabla, sarangi or dhrupad, khayal, ghazal or raga, tala, gharana- these are known the world over today. They represent Hindustani Art Music - in reality, a part of Indian Classical music. Indian music has developed through very complex interactions between different peoples of different races and cultures over severalthousand years.
ITC SANGEET RESEARCH ACADEMY Rama was an expert in gandharva, the 'classical' music of the time. The term Marga sangeet is also used in the epic to denote the accepted and prestigious mode of music. There were three important features of Marga Sangeet. It was created and propagated by Brahma and otherdeities. It
ITC SANGEET RESEARCH ACADEMY Krintan is the opposite of Sparsh. The movement of notes in the Krintan is descending. For example in G R, the forefinger is placed on R and the middle or ring finger is placed on G and immediately after plucking G, the finger on it is moved transversely across the string to produce a secondary plucking (without the help of the right hand) so that R is sounded. ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY Distinguishing between Ragas Bhupali-Deshkar-Shudh Kalyan. Raga Bhupali, also known as Bhoop, is a common evening raga describing melancholy. Pandit Arun Bhaduri starts with comparing Bhupali and Deshkar. Both ragas use the same 5 swaras – Sa, Re, Ga, Pa, Dha – that is, they share a common scale. The Arohan and Avrohan areAudav-Audav for
ITC SANGEET RESEARCH ACADEMY Distinguishing between Similar Ragas. There are many ragas in Hindustani Classical Music that use the same swaras or notes but differ in other subtler aspects. Other ragas have very different swaras but strongly resemble another raga. As a result of these close resemblances, one raga is often confused with another. A raga is morethan a scale.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY :: HOMEABOUT USGURU SHISHYA PARAMPARARESEARCH ARCHIVEKNOW YOUR RAGAPERFORMANCES ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map. +91-33-23773395 / 23810559. +91-33-23774371. info@itcsra.org.in. LISTEN TO HINDUSTANI CLASSICAL MUSIC ONLINE Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 INDIAN CLASSICAL MUSIC Sitar, sarod, tabla, sarangi or dhrupad, khayal, ghazal or raga, tala, gharana- these are known the world over today. They represent Hindustani Art Music - in reality, a part of Indian Classical music. Indian music has developed through very complex interactions between different peoples of different races and cultures over severalthousand years.
ITC SANGEET RESEARCH ACADEMY Rama was an expert in gandharva, the 'classical' music of the time. The term Marga sangeet is also used in the epic to denote the accepted and prestigious mode of music. There were three important features of Marga Sangeet. It was created and propagated by Brahma and otherdeities. It
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Krintan is the opposite of Sparsh. The movement of notes in the Krintan is descending. For example in G R, the forefinger is placed on R and the middle or ring finger is placed on G and immediately after plucking G, the finger on it is moved transversely across the string to produce a secondary plucking (without the help of the right hand) so that R is sounded. ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY Distinguishing between Ragas Bhupali-Deshkar-Shudh Kalyan. Raga Bhupali, also known as Bhoop, is a common evening raga describing melancholy. Pandit Arun Bhaduri starts with comparing Bhupali and Deshkar. Both ragas use the same 5 swaras – Sa, Re, Ga, Pa, Dha – that is, they share a common scale. The Arohan and Avrohan areAudav-Audav for
ITC SANGEET RESEARCH ACADEMY Distinguishing between Similar Ragas. There are many ragas in Hindustani Classical Music that use the same swaras or notes but differ in other subtler aspects. Other ragas have very different swaras but strongly resemble another raga. As a result of these close resemblances, one raga is often confused with another. A raga is morethan a scale.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Ghaseet. Ghaseet is a technique of plucking a note and then, within the resonance generated, gliding the other hand along the string over the frets (on the sitar) and along the steel plate (in the case of the sarode). A Ghaseet is fast paced and differs only in speed from other alankars in the Meend category. ITC SANGEET RESEARCH ACADEMY There are three ways of doing this: using a swift short glide (meend or a ghaseet), a Sparsh (not to be confused with the sparsh-swar) and a Krintan. Sparsh (the technique) is a special way of playing a note on plucked stringed instruments. The direction of note is ascending. For playing R G, the forefinger of the left-hand is placed on R and ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY BETA His list of awards consist of the prestigious Sanskriti Award, instituted by the Sanskriti Foundation New Delhi, 2006, The Yuvak Sadhak Award by the Sangeetendu Lal Mani Mishra Foundation Bhopal 2007, the The Raza Award 2007 by the Raza Foundation; New Delhi and The Sangeet Natak Akademi Award for 2012- 2013 He is an ‘A’ Gradeartist at All
ITC SANGEET RESEARCH ACADEMY :: THAAT A thaat is a very different musical entity from a raga. It is a musical scale, with the seven notes presented in their order of ascent. According to Vishnu Narayan Bhatkhande (1860-1936) each traditional raga is based on, or is a variation of, ten basic thaats : Bilawal, Kalyan, Khamaj, Bhairav, Poorvi, Marwa, Kafi, Asavari,Bhairavi and Todi.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Sitar, sarod, tabla, sarangi or dhrupad, khayal, ghazal or raga, tala, gharana- these are known the world over today. They represent Hindustani Art Music - in reality, a part of Indian Classical music. Indian music has developed through very complex interactions between different peoples of different races and cultures over severalthousand years.
ITC SANGEET RESEARCH ACADEMY Abdul Karim Khan. Ustad abdul Karim Khan. Ustad Abdul Karim Khan was born on November 11,1882 in Kirana, a village in Uttar Pradesh. His original ancestors were Hindu musicians. They later embraced Islam. Kale Khan was an outstanding Khayal singer and Abdul Karim Khan was his eldest son. Abdul Karim Khan received training in music from his ITC SANGEET RESEARCH ACADEMY :: HOMEABOUT USGURU SHISHYA PARAMPARARESEARCH ARCHIVEKNOW YOUR RAGAPERFORMANCES ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map. +91-33-23773395 / 23810559. +91-33-23774371. info@itcsra.org.in. LISTEN TO HINDUSTANI CLASSICAL MUSIC ONLINE Listen to Hindustani Classical Music online from ITC SRA’s archives. Categorized by Raga, Artiste and instrumental, here explore the heritage of Indian classical music online. INDIAN CLASSICAL MUSIC Sitar, sarod, tabla, sarangi or dhrupad, khayal, ghazal or raga, tala, gharana- these are known the world over today. They represent Hindustani Art Music - in reality, a part of Indian Classical music. Indian music has developed through very complex interactions between different peoples of different races and cultures over severalthousand years.
ITC SANGEET RESEARCH ACADEMY Rama was an expert in gandharva, the 'classical' music of the time. The term Marga sangeet is also used in the epic to denote the accepted and prestigious mode of music. There were three important features of Marga Sangeet. It was created and propagated by Brahma and otherdeities. It
ITC SANGEET RESEARCH ACADEMY Krintan is the opposite of Sparsh. The movement of notes in the Krintan is descending. For example in G R, the forefinger is placed on R and the middle or ring finger is placed on G and immediately after plucking G, the finger on it is moved transversely across the string to produce a secondary plucking (without the help of the right hand) so that R is sounded. ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY Distinguishing between Ragas Bhupali-Deshkar-Shudh Kalyan. Raga Bhupali, also known as Bhoop, is a common evening raga describing melancholy. Pandit Arun Bhaduri starts with comparing Bhupali and Deshkar. Both ragas use the same 5 swaras – Sa, Re, Ga, Pa, Dha – that is, they share a common scale. The Arohan and Avrohan areAudav-Audav for
ITC SANGEET RESEARCH ACADEMY Distinguishing between Similar Ragas. There are many ragas in Hindustani Classical Music that use the same swaras or notes but differ in other subtler aspects. Other ragas have very different swaras but strongly resemble another raga. As a result of these close resemblances, one raga is often confused with another. A raga is morethan a scale.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY :: HOMEABOUT USGURU SHISHYA PARAMPARARESEARCH ARCHIVEKNOW YOUR RAGAPERFORMANCES ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map. +91-33-23773395 / 23810559. +91-33-23774371. info@itcsra.org.in. LISTEN TO HINDUSTANI CLASSICAL MUSIC ONLINE Listen to Hindustani Classical Music online from ITC SRA’s archives. Categorized by Raga, Artiste and instrumental, here explore the heritage of Indian classical music online. INDIAN CLASSICAL MUSIC Sitar, sarod, tabla, sarangi or dhrupad, khayal, ghazal or raga, tala, gharana- these are known the world over today. They represent Hindustani Art Music - in reality, a part of Indian Classical music. Indian music has developed through very complex interactions between different peoples of different races and cultures over severalthousand years.
ITC SANGEET RESEARCH ACADEMY Rama was an expert in gandharva, the 'classical' music of the time. The term Marga sangeet is also used in the epic to denote the accepted and prestigious mode of music. There were three important features of Marga Sangeet. It was created and propagated by Brahma and otherdeities. It
ITC SANGEET RESEARCH ACADEMY Krintan is the opposite of Sparsh. The movement of notes in the Krintan is descending. For example in G R, the forefinger is placed on R and the middle or ring finger is placed on G and immediately after plucking G, the finger on it is moved transversely across the string to produce a secondary plucking (without the help of the right hand) so that R is sounded. ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY Distinguishing between Ragas Bhupali-Deshkar-Shudh Kalyan. Raga Bhupali, also known as Bhoop, is a common evening raga describing melancholy. Pandit Arun Bhaduri starts with comparing Bhupali and Deshkar. Both ragas use the same 5 swaras – Sa, Re, Ga, Pa, Dha – that is, they share a common scale. The Arohan and Avrohan areAudav-Audav for
ITC SANGEET RESEARCH ACADEMY Distinguishing between Similar Ragas. There are many ragas in Hindustani Classical Music that use the same swaras or notes but differ in other subtler aspects. Other ragas have very different swaras but strongly resemble another raga. As a result of these close resemblances, one raga is often confused with another. A raga is morethan a scale.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Ghaseet. Ghaseet is a technique of plucking a note and then, within the resonance generated, gliding the other hand along the string over the frets (on the sitar) and along the steel plate (in the case of the sarode). A Ghaseet is fast paced and differs only in speed from other alankars in the Meend category. ITC SANGEET RESEARCH ACADEMY There are three ways of doing this: using a swift short glide (meend or a ghaseet), a Sparsh (not to be confused with the sparsh-swar) and a Krintan. Sparsh (the technique) is a special way of playing a note on plucked stringed instruments. The direction of note is ascending. For playing R G, the forefinger of the left-hand is placed on R and ITC SANGEET RESEARCH ACADEMY Shiksha is the first branch of Vedic learning. It deals with the science of correct pronunciation of vowels, consonants and syllables. Basically six aspects are dealt with: Varna (syllable), Swara (notes), Matra (duration), Bala (articulation), Sama (a kind of balance in the ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY :: THAAT A thaat is a very different musical entity from a raga. It is a musical scale, with the seven notes presented in their order of ascent. According to Vishnu Narayan Bhatkhande (1860-1936) each traditional raga is based on, or is a variation of, ten basic thaats : Bilawal, Kalyan, Khamaj, Bhairav, Poorvi, Marwa, Kafi, Asavari,Bhairavi and Todi.
ITC SANGEET RESEARCH ACADEMY Sitar, sarod, tabla, sarangi or dhrupad, khayal, ghazal or raga, tala, gharana- these are known the world over today. They represent Hindustani Art Music - in reality, a part of Indian Classical music. Indian music has developed through very complex interactions between different peoples of different races and cultures over severalthousand years.
ITC SANGEET RESEARCH ACADEMY Stay Connected. ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040. Click here to view map +91-33-23773395 / 23810559 ITC SANGEET RESEARCH ACADEMY Abdul Karim Khan. Ustad abdul Karim Khan. Ustad Abdul Karim Khan was born on November 11,1882 in Kirana, a village in Uttar Pradesh. His original ancestors were Hindu musicians. They later embraced Islam. Kale Khan was an outstanding Khayal singer and Abdul Karim Khan was his eldest son. Abdul Karim Khan received training in music from his ITC Sangeet Research AcademyBetaRaga Online
RAGA ONLINE
My Music Room __
MY SRA X
* My Music Room
* Edit Profile
* Log Out
MY MUSIC ROOM X
User Name *
Password *
Enter Security Code *__
Forgot Password New UserUser Name
Email ID
User Name*
Enter Security Code *__
Login New User* Home
* About Us
* Origin of ITC-SRA
* Story of Hindustani Classical Music* Vision
* Aims and Objective * Facilities & Library * Guru Shishya Parampara * Indian Oral Tradition* Gurukul
* Gurus and Shishyas* Gharana
* Training, Teaching Method & Pedagogy* Guru Speak
* Research Archive
* Performance Research * Scholastic Research * Compilation of compositions * Documentation of compositions * Documentation of Gayakis * Analysis of styles of Great Masters* Study of Alankars
* Scientific Research* Visual Archives
* Publications
* ITC SRA Publication* Other Publication
* Know Your Raga
* Raga Online
* Samay Raga
* Thaat
* Distinction between Ragas* Performances
* Artiste of the Month * Celebrated Masters* Jugalbandi
* The Wednesday Recital * Our Scholars Perform * Treasures from the Past * Tribute to a Maestro* Young Artiste
* Concert Hall
* Courses Offered
* Full Term Scholarship* Talent Search
* Application Procedures * Audition Procedures* Our Academy
* Faculty
* Scholars
* Alumni
* Events
* What’s New
* Events at ITC SRA
* Seminar and Workshops * Upcoming Recital, Sammelan and Tours * Awards and Achievements * Present Scholar Achivement * Past Scholar Achivement * Faculty Achivement* Milestones
* Home
* About Us
* Origin of ITC-SRA
* Story of Hindustani Classical Music* Vision
* Aims and Objective * Facilities & Library * Guru Shishya Parampara * Indian Oral Tradition* Gurukul
* Gurus and Shishyas* Gharana
* Training, Teaching Method & Pedagogy* Guru Speak
* Research Archive
* Performance Research * Scholastic Research * Compilation of compositions * Documentation of compositions * Documentation of Gayakis * Analysis of styles of Great Masters* Study of Alankars
* Scientific Research* Visual Archives
* Publications
* ITC SRA Publication* Other Publication
* Know Your Raga
* Raga Online
* Samay Raga
* Thaat
* Distinction between Ragas* Performances
* Artiste of the Month * Celebrated Masters* Jugalbandi
* The Wednesday Recital * Our Scholars Perform * Treasures from the Past * Tribute to a Maestro* Young Artiste
* Concert Hall
* Courses Offered
* Full Term Scholarship* Talent Search
* Application Procedures * Audition Procedures* Our Academy
* Faculty
* Scholars
* Alumni
* Events
* What’s New
* Events at ITC SRA
* Seminar and Workshops * Upcoming Recital, Sammelan and Tours * Awards and Achievements * Present Scholar Achivement * Past Scholar Achivement * Faculty Achivement* Milestones
*
ITC SANGEET SAMMELAN - 13TH, 14TH & 15TH DECEMBER 2019! We are proud to present the starry Artiste Schedule for the ITC Sangeet Sammelan 2019! Read More What's New*
ITC SANGEET SAMMELAN 2019 We are elated to present ITC Sangeet Sammelan this December! Read More What's New*
SCHOLARS OF ITC SRA
Get to know more about our immensely talented scholars and future maestros of Indian Classical Music! Read More What's New*
ITC SANGEET RESEARCH ACADEMY ITC Limited established the prestigious ITC Sangeet Research Academy(ITC-SRA)
Read More What's New*
FACULTY
Faculty
Read More What's NewPreviousNext
RECOMMENDED VIDEO
View All
ITC-SRA NEWS
* Malhar Festival 2019Read More * ITC SRA Young Maestros 2019Read More * ITC Sangeet Sammelan - Feb 2019Read More * Arpan 2018Read MoreQUICK LINKS
* Obituary
* Music Links
* Glossary
* FAQ
* Privacy Policy
* Terms & Conditions* Site Map
STAY CONNECTED
ITC Sangeet Research Academy 1, Netaji Subhash Chanda Bose Road Tollygunge, Kolkata - 700 040Click here
to view map
+91-33-23773395 / 23810559+91-33-23774371
info@itcsra.org.in
FOLLOW US ON
2001 - 2016 ITC Sangeet Research Academy. A trust promoted by ITC Limited. Powered by Experis ITDetails
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0