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Panasonic.
SENSOR CLEANING IN MIRRORLESS There are two primary reasons why Olympus users in particular never notice things on their sensor: (1) they rarely are shooting at even f/8, let alone smaller, because of diffraction impacts; and (2) Olympus uses a very thick filter stack above the sensor, which makes it much more difficult to see how dirty the sensor is in the pixeldata.
NIKON 24-200MM F/4-6.3 LENS REVIEW At 20.2 ounces (570g), the 24-200mm isn't particularly heavy, either, and most of its weight is back towards the camera body. The 24-200mm f4-6.3 is made in Thailand, and the HB-93 lens hood is included at the US$899 price. Source of the reviewed lens: purchased. Nikon's Web pagefor the lens.
SONY FE MOUNT LENSES In October 2013 Sony announced full frame models (A7, A7r), and a variation on the mount, called the FE-mount. In 2014 they introduced a third body with the E-mount, the A7s, and updated the A7 to the A7II. NIKON 14-30MM F/4 S LENS REVIEW The 14-30mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 14mm, 16mm, 20mm, 24mm, and 30mm positions and rotates in less than a quarter turn from widest to wide (again, there's a "retracted point, which requires moving FUJIFILM 14MM F/2.8 LENS REVIEW The 14mm f/2.8 is a wide angle lens that provides about 80° horizontal coverage on the X series cameras. The 1.5x field of view change for the Fujifilm APS-based cameras means that you're getting about the same field of view as a 21mm on a full frame (35mm film sized) sensor. That's significantly wide, and we need to discuss thisright up front.
NIKKOR 24-70MM F/4 S LENS REVIEW The 24-70mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 24, 28, 35, 50, and 70mm and rotates about a quarter turn from wide to tele (again, there's a "retracted point, which requires moving the lens another 1/8 of a turn from 24mm). The focus ring is narrow, unmarked, and closest to the camera. OLYMPUS 12MM F/2 LENS REVIEW The 17mm f/2.8 Olympus sticks barely 3/4" (2cm) out of the mount, but the 12mm f/2 extends nearly 2" (45mm) from the mount. It's small, but it's not pocketable small when mounted on any of the m4/3 bodies as some of the pancakes are. Inside are 11 elements in 8 groups, with all kinds of special elements (DSA, aspherical, ED, and Super HR).PANASONIC G9
Panasonic G9. The eighth generation (!) of the basic DSLR-like m4/3 camera from Panasonic. The G9 is weather sealed. Sensor: 20.3mp Panasonic CMOS sensor, no AA filter, 17.3 x 13mm (2x crop), five-axis on-sensor IS (up to 6 stops CIPA with lens OIS) Images: 5184 x 3888 pixel JPEG or 12-bit raw maximum, 9 fps with mechanical shutter andfocus
ISN'T THE SENSOR TOO EXPOSED WHEN CHANGING LENSES? Yes, it is quite exposed on most of these mirrorless cameras. The biggest danger is changing lenses in wet conditions (mist, light rain, etc.), where if any of that moisture gets directly to the sensor you're likely to end up with either smears (if you try HOW DO I CHOOSE A MIRRORLESS CAMERA? JPEG shooters should pay some attention to how good the in-camera processing really is. For example, pretty much from the beginning the quality and impact of the Oympus JPEGs has been better than the Panasonic JPEGs, even from the same sensor! If all else were equal and I was a JPEG shooter, I'd tend to pick an Olympus model over aPanasonic.
SENSOR CLEANING IN MIRRORLESS There are two primary reasons why Olympus users in particular never notice things on their sensor: (1) they rarely are shooting at even f/8, let alone smaller, because of diffraction impacts; and (2) Olympus uses a very thick filter stack above the sensor, which makes it much more difficult to see how dirty the sensor is in the pixeldata.
NIKON 24-200MM F/4-6.3 LENS REVIEW At 20.2 ounces (570g), the 24-200mm isn't particularly heavy, either, and most of its weight is back towards the camera body. The 24-200mm f4-6.3 is made in Thailand, and the HB-93 lens hood is included at the US$899 price. Source of the reviewed lens: purchased. Nikon's Web pagefor the lens.
SONY FE MOUNT LENSES In October 2013 Sony announced full frame models (A7, A7r), and a variation on the mount, called the FE-mount. In 2014 they introduced a third body with the E-mount, the A7s, and updated the A7 to the A7II. NIKON 14-30MM F/4 S LENS REVIEW The 14-30mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 14mm, 16mm, 20mm, 24mm, and 30mm positions and rotates in less than a quarter turn from widest to wide (again, there's a "retracted point, which requires moving FUJIFILM 14MM F/2.8 LENS REVIEW The 14mm f/2.8 is a wide angle lens that provides about 80° horizontal coverage on the X series cameras. The 1.5x field of view change for the Fujifilm APS-based cameras means that you're getting about the same field of view as a 21mm on a full frame (35mm film sized) sensor. That's significantly wide, and we need to discuss thisright up front.
NIKKOR 24-70MM F/4 S LENS REVIEW The 24-70mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 24, 28, 35, 50, and 70mm and rotates about a quarter turn from wide to tele (again, there's a "retracted point, which requires moving the lens another 1/8 of a turn from 24mm). The focus ring is narrow, unmarked, and closest to the camera. OLYMPUS 12MM F/2 LENS REVIEW The 17mm f/2.8 Olympus sticks barely 3/4" (2cm) out of the mount, but the 12mm f/2 extends nearly 2" (45mm) from the mount. It's small, but it's not pocketable small when mounted on any of the m4/3 bodies as some of the pancakes are. Inside are 11 elements in 8 groups, with all kinds of special elements (DSA, aspherical, ED, and Super HR).PANASONIC G9
Panasonic G9. The eighth generation (!) of the basic DSLR-like m4/3 camera from Panasonic. The G9 is weather sealed. Sensor: 20.3mp Panasonic CMOS sensor, no AA filter, 17.3 x 13mm (2x crop), five-axis on-sensor IS (up to 6 stops CIPA with lens OIS) Images: 5184 x 3888 pixel JPEG or 12-bit raw maximum, 9 fps with mechanical shutter andfocus
ISN'T THE SENSOR TOO EXPOSED WHEN CHANGING LENSES? Yes, it is quite exposed on most of these mirrorless cameras. The biggest danger is changing lenses in wet conditions (mist, light rain, etc.), where if any of that moisture gets directly to the sensor you're likely to end up with either smears (if you tryYEARLY SITE CLEANUP
Sansmirror site maintenance is done. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 FUJIFILM 14MM F/2.8 LENS REVIEW The 14mm f/2.8 is a wide angle lens that provides about 80° horizontal coverage on the X series cameras. The 1.5x field of view change for the Fujifilm APS-based cameras means that you're getting about the same field of view as a 21mm on a full frame (35mm film sized) sensor. That's significantly wide, and we need to discuss thisright up front.
THE "NEW" GH5
Panasonic GH5 II. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 I COULD USE SOME SUGGESTIONS AND HELP Sans Mirror Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 WHAT'S KNOWN ABOUT THE CANON R3 What's known about the upcoming Canon R3 mirrorless cameraSAMSUNG LENS FAQ
Frequentely asked questions about Samsung lenses. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 OMDS ANNOUNCES OLYMPUS E-P7 Dials, Panda Style (even an albino panda, above), small soap bar design and size, the old compact camera overloaded direction padbutton cluster,
NIKKOR 1 18.5MM F/1.8 Nikkor 1 18.5mm f/1.8 lens information. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 NIKKOR 1 11-27.5MM F/3.5-5.6 Nikkor 1 11-27.5mm f/3.5-5.6 information. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 NIKON 1 CX MOUNT LENSES Summary of Nikon 1 (CX) lenses. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 WELCOME TO SANS MIRROR byThom sans Mirror covers mirrorless cameras, such as the Canon EOS M, EOS R, Olympus and Panasonic m4/3, Sony E and FE, and Nikon Z products NIKON GOES LOW WITH THE NEW Z5 The Canon RP with the 24-105mm f/4-7.1 targets the same customer that the Nikon Z5 does. At US$1399 — often selling for a bit less these days—the RP has already established the baseline for full frame mirrorless. While I'm sure most of the Internet will run around trying to compare the RP and Z5 and annoit a winner, that's not the way Canon A SYSTEM GUIDE TO NIKON 1 (CX) A System Guide to Nikon 1 (CX) Items on same line indicate model updates. Different lines indicate varying model levels. Note: Nikon discontinued the CX system in 2018. The factory that was making these products has been closed down. No new Nikon 1 products will appear. Nikon surprised the world in 2011 with the introduction of the Nikon 1 NIKON 24-200MM F/4-6.3 LENS REVIEW At 20.2 ounces (570g), the 24-200mm isn't particularly heavy, either, and most of its weight is back towards the camera body. The 24-200mm f4-6.3 is made in Thailand, and the HB-93 lens hood is included at the US$899 price. Source of the reviewed lens: purchased. Nikon's Web pagefor the lens.
NIKON 14-30MM F/4 S LENS REVIEW The 14-30mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 14mm, 16mm, 20mm, 24mm, and 30mm positions and rotates in less than a quarter turn from widest to wide (again, there's a "retracted point, which requires moving NIKON Z50 CAMERA REVIEW A bit of a surprise to some when Nikon announced it in October 2019, the Z50 shows that Nikon is indeed serious about making the Z-mount their ILC future. To a large degree, the Z50 is a “parts bin” camera. The 20mp APS-C (DX) sensor comes from the D500/D7500 with the tweaks necessary for mirrorless (plus a positive change to the videospecs).
NIKON 35MM F/1.8 S LENS REVIEW The 35mm f/1.8 S is clearly sharper in the center at f/4, but as you approach the frame edges the zoom is actually holding up really well and almost matches the prime. Almost. Like the 24-70mm f/4, the 35mm f/1.8 S seems to be remarkably free of distance bias. It's as sharp at its closest focus distance as it is at infinity as far as I can tell NIKKOR 24-70MM F/4 S LENS REVIEW The 24-70mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 24, 28, 35, 50, and 70mm and rotates about a quarter turn from wide to tele (again, there's a "retracted point, which requires moving the lens another 1/8 of a turn from 24mm). The focus ring is narrow, unmarked, and closest to the camera. SONY 24-105MM F/4 G OSS LENS REVIEW The 24-70mm f/4 is a half pound lighter (230g lighter), and with a third generation A7 body and the 24-105mm f/4 you're talking about hanging almost three pounds from your neck strap (1320+g). Note that the 24-70mm f/2.8 is 31.3 ounces (886g), so significantly heavier thanthe 24-105mm f/4.
ISN'T THE SENSOR TOO EXPOSED WHEN CHANGING LENSES? Yes, it is quite exposed on most of these mirrorless cameras. The biggest danger is changing lenses in wet conditions (mist, light rain, etc.), where if any of that moisture gets directly to the sensor you're likely to end up with either smears (if you try WELCOME TO SANS MIRROR byThom sans Mirror covers mirrorless cameras, such as the Canon EOS M, EOS R, Olympus and Panasonic m4/3, Sony E and FE, and Nikon Z products NIKON GOES LOW WITH THE NEW Z5 The Canon RP with the 24-105mm f/4-7.1 targets the same customer that the Nikon Z5 does. At US$1399 — often selling for a bit less these days—the RP has already established the baseline for full frame mirrorless. While I'm sure most of the Internet will run around trying to compare the RP and Z5 and annoit a winner, that's not the way Canon A SYSTEM GUIDE TO NIKON 1 (CX) A System Guide to Nikon 1 (CX) Items on same line indicate model updates. Different lines indicate varying model levels. Note: Nikon discontinued the CX system in 2018. The factory that was making these products has been closed down. No new Nikon 1 products will appear. Nikon surprised the world in 2011 with the introduction of the Nikon 1 NIKON 24-200MM F/4-6.3 LENS REVIEW At 20.2 ounces (570g), the 24-200mm isn't particularly heavy, either, and most of its weight is back towards the camera body. The 24-200mm f4-6.3 is made in Thailand, and the HB-93 lens hood is included at the US$899 price. Source of the reviewed lens: purchased. Nikon's Web pagefor the lens.
NIKON 14-30MM F/4 S LENS REVIEW The 14-30mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 14mm, 16mm, 20mm, 24mm, and 30mm positions and rotates in less than a quarter turn from widest to wide (again, there's a "retracted point, which requires moving NIKON Z50 CAMERA REVIEW A bit of a surprise to some when Nikon announced it in October 2019, the Z50 shows that Nikon is indeed serious about making the Z-mount their ILC future. To a large degree, the Z50 is a “parts bin” camera. The 20mp APS-C (DX) sensor comes from the D500/D7500 with the tweaks necessary for mirrorless (plus a positive change to the videospecs).
NIKON 35MM F/1.8 S LENS REVIEW The 35mm f/1.8 S is clearly sharper in the center at f/4, but as you approach the frame edges the zoom is actually holding up really well and almost matches the prime. Almost. Like the 24-70mm f/4, the 35mm f/1.8 S seems to be remarkably free of distance bias. It's as sharp at its closest focus distance as it is at infinity as far as I can tell NIKKOR 24-70MM F/4 S LENS REVIEW The 24-70mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 24, 28, 35, 50, and 70mm and rotates about a quarter turn from wide to tele (again, there's a "retracted point, which requires moving the lens another 1/8 of a turn from 24mm). The focus ring is narrow, unmarked, and closest to the camera. SONY 24-105MM F/4 G OSS LENS REVIEW The 24-70mm f/4 is a half pound lighter (230g lighter), and with a third generation A7 body and the 24-105mm f/4 you're talking about hanging almost three pounds from your neck strap (1320+g). Note that the 24-70mm f/2.8 is 31.3 ounces (886g), so significantly heavier thanthe 24-105mm f/4.
ISN'T THE SENSOR TOO EXPOSED WHEN CHANGING LENSES? Yes, it is quite exposed on most of these mirrorless cameras. The biggest danger is changing lenses in wet conditions (mist, light rain, etc.), where if any of that moisture gets directly to the sensor you're likely to end up with either smears (if you try PENTAX MIRRORLESS CAMERAS Pentax Mirrorless Cameras. Pentax was acquired by Ricoh, though the name on the cameras currently remains Pentax. This was the second time Pentax was acquired in less than a decade, so Pentax’s camera development seems a little less cohesive and slower to the mark than some of the other brands. Pentax’s mirrorless cameras also seem tobe
HOW DO I CHOOSE A MIRRORLESS CAMERA? JPEG shooters should pay some attention to how good the in-camera processing really is. For example, pretty much from the beginning the quality and impact of the Oympus JPEGs has been better than the Panasonic JPEGs, even from the same sensor! If all else were equal and I was a JPEG shooter, I'd tend to pick an Olympus model over aPanasonic.
I COULD USE SOME SUGGESTIONS AND HELP Sans Mirror Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 IS SONY NOW BETTER THAN NIKON? Why Sony is now better than Nikon. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009THE "NEW" GH5
Panasonic GH5 II. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 WHAT'S KNOWN ABOUT THE CANON R3 What's known about the upcoming Canon R3 mirrorless cameraSAMSUNG LENS FAQ
Frequentely asked questions about Samsung lenses. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 SAMSUNG 50-150MM F/2.8 ED OIS S Information about the Samsung 50-150mm f/2.8 lens. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009PANASONIC GH5
Information about Panasonic GH5 mirrorless m4/3 camera. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 SIRUI 75MM F/1.8 1.33X ANAMORPHIC Sirui 75mm f/1.8 anamorphic lens for mirrorless cameras. Reviews, news, data, and techniques for mirrorless cameras of all brands, since2009
WELCOME TO SANS MIRROR byThom sans Mirror covers mirrorless cameras, such as the Canon EOS M, EOS R, Olympus and Panasonic m4/3, Sony E and FE, and Nikon Z products NIKON GOES LOW WITH THE NEW Z5 The Canon RP with the 24-105mm f/4-7.1 targets the same customer that the Nikon Z5 does. At US$1399 — often selling for a bit less these days—the RP has already established the baseline for full frame mirrorless. While I'm sure most of the Internet will run around trying to compare the RP and Z5 and annoit a winner, that's not the way Canon A SYSTEM GUIDE TO NIKON 1 (CX) A System Guide to Nikon 1 (CX) Items on same line indicate model updates. Different lines indicate varying model levels. Note: Nikon discontinued the CX system in 2018. The factory that was making these products has been closed down. No new Nikon 1 products will appear. Nikon surprised the world in 2011 with the introduction of the Nikon 1 NIKON 24-200MM F/4-6.3 LENS REVIEW At 20.2 ounces (570g), the 24-200mm isn't particularly heavy, either, and most of its weight is back towards the camera body. The 24-200mm f4-6.3 is made in Thailand, and the HB-93 lens hood is included at the US$899 price. Source of the reviewed lens: purchased. Nikon's Web pagefor the lens.
NIKON 14-30MM F/4 S LENS REVIEW The 14-30mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 14mm, 16mm, 20mm, 24mm, and 30mm positions and rotates in less than a quarter turn from widest to wide (again, there's a "retracted point, which requires moving NIKON Z50 CAMERA REVIEW A bit of a surprise to some when Nikon announced it in October 2019, the Z50 shows that Nikon is indeed serious about making the Z-mount their ILC future. To a large degree, the Z50 is a “parts bin” camera. The 20mp APS-C (DX) sensor comes from the D500/D7500 with the tweaks necessary for mirrorless (plus a positive change to the videospecs).
NIKON 35MM F/1.8 S LENS REVIEW The 35mm f/1.8 S is clearly sharper in the center at f/4, but as you approach the frame edges the zoom is actually holding up really well and almost matches the prime. Almost. Like the 24-70mm f/4, the 35mm f/1.8 S seems to be remarkably free of distance bias. It's as sharp at its closest focus distance as it is at infinity as far as I can tell NIKKOR 24-70MM F/4 S LENS REVIEW The 24-70mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 24, 28, 35, 50, and 70mm and rotates about a quarter turn from wide to tele (again, there's a "retracted point, which requires moving the lens another 1/8 of a turn from 24mm). The focus ring is narrow, unmarked, and closest to the camera. SONY 24-105MM F/4 G OSS LENS REVIEW The 24-70mm f/4 is a half pound lighter (230g lighter), and with a third generation A7 body and the 24-105mm f/4 you're talking about hanging almost three pounds from your neck strap (1320+g). Note that the 24-70mm f/2.8 is 31.3 ounces (886g), so significantly heavier thanthe 24-105mm f/4.
ISN'T THE SENSOR TOO EXPOSED WHEN CHANGING LENSES? Yes, it is quite exposed on most of these mirrorless cameras. The biggest danger is changing lenses in wet conditions (mist, light rain, etc.), where if any of that moisture gets directly to the sensor you're likely to end up with either smears (if you try WELCOME TO SANS MIRROR byThom sans Mirror covers mirrorless cameras, such as the Canon EOS M, EOS R, Olympus and Panasonic m4/3, Sony E and FE, and Nikon Z products NIKON GOES LOW WITH THE NEW Z5 The Canon RP with the 24-105mm f/4-7.1 targets the same customer that the Nikon Z5 does. At US$1399 — often selling for a bit less these days—the RP has already established the baseline for full frame mirrorless. While I'm sure most of the Internet will run around trying to compare the RP and Z5 and annoit a winner, that's not the way Canon A SYSTEM GUIDE TO NIKON 1 (CX) A System Guide to Nikon 1 (CX) Items on same line indicate model updates. Different lines indicate varying model levels. Note: Nikon discontinued the CX system in 2018. The factory that was making these products has been closed down. No new Nikon 1 products will appear. Nikon surprised the world in 2011 with the introduction of the Nikon 1 NIKON 24-200MM F/4-6.3 LENS REVIEW At 20.2 ounces (570g), the 24-200mm isn't particularly heavy, either, and most of its weight is back towards the camera body. The 24-200mm f4-6.3 is made in Thailand, and the HB-93 lens hood is included at the US$899 price. Source of the reviewed lens: purchased. Nikon's Web pagefor the lens.
NIKON 14-30MM F/4 S LENS REVIEW The 14-30mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 14mm, 16mm, 20mm, 24mm, and 30mm positions and rotates in less than a quarter turn from widest to wide (again, there's a "retracted point, which requires moving NIKON Z50 CAMERA REVIEW A bit of a surprise to some when Nikon announced it in October 2019, the Z50 shows that Nikon is indeed serious about making the Z-mount their ILC future. To a large degree, the Z50 is a “parts bin” camera. The 20mp APS-C (DX) sensor comes from the D500/D7500 with the tweaks necessary for mirrorless (plus a positive change to the videospecs).
NIKON 35MM F/1.8 S LENS REVIEW The 35mm f/1.8 S is clearly sharper in the center at f/4, but as you approach the frame edges the zoom is actually holding up really well and almost matches the prime. Almost. Like the 24-70mm f/4, the 35mm f/1.8 S seems to be remarkably free of distance bias. It's as sharp at its closest focus distance as it is at infinity as far as I can tell NIKKOR 24-70MM F/4 S LENS REVIEW The 24-70mm f/4 S has one switch (A/M) and two rings. The zoom ring is the frontmost ring and marked at 24, 28, 35, 50, and 70mm and rotates about a quarter turn from wide to tele (again, there's a "retracted point, which requires moving the lens another 1/8 of a turn from 24mm). The focus ring is narrow, unmarked, and closest to the camera. SONY 24-105MM F/4 G OSS LENS REVIEW The 24-70mm f/4 is a half pound lighter (230g lighter), and with a third generation A7 body and the 24-105mm f/4 you're talking about hanging almost three pounds from your neck strap (1320+g). Note that the 24-70mm f/2.8 is 31.3 ounces (886g), so significantly heavier thanthe 24-105mm f/4.
ISN'T THE SENSOR TOO EXPOSED WHEN CHANGING LENSES? Yes, it is quite exposed on most of these mirrorless cameras. The biggest danger is changing lenses in wet conditions (mist, light rain, etc.), where if any of that moisture gets directly to the sensor you're likely to end up with either smears (if you tryADAPTING LENSES
Adapting Lenses. June 2012: added information on CPU chips on legacy lenses to increase compatibility. Mirrorless cameras tend to have smaller-than-film sensors and shorter than DSLR/SLR distances from lens mount to film plane. This combination makes them strong candidates for adapting existing interchangeable lenses from almostany 35mm mount.
PENTAX MIRRORLESS CAMERAS Pentax Mirrorless Cameras. Pentax was acquired by Ricoh, though the name on the cameras currently remains Pentax. This was the second time Pentax was acquired in less than a decade, so Pentax’s camera development seems a little less cohesive and slower to the mark than some of the other brands. Pentax’s mirrorless cameras also seem tobe
HOW DO I CHOOSE A MIRRORLESS CAMERA? JPEG shooters should pay some attention to how good the in-camera processing really is. For example, pretty much from the beginning the quality and impact of the Oympus JPEGs has been better than the Panasonic JPEGs, even from the same sensor! If all else were equal and I was a JPEG shooter, I'd tend to pick an Olympus model over aPanasonic.
I COULD USE SOME SUGGESTIONS AND HELP Sans Mirror Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 WHAT'S KNOWN ABOUT THE CANON R3 What's known about the upcoming Canon R3 mirrorless cameraTHE "NEW" GH5
Panasonic GH5 II. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 IS SONY NOW BETTER THAN NIKON? Why Sony is now better than Nikon. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 FOUR SMALL MIRRORLESS CAMERA PACKAGES SUITABLE FOR TRAVEL Sony A6300 body. 11.5 ounces (325g) Sony 16-70mm f/4 lens. 10.9 ounces (308g) Sony 55-210mm f/4.5-6.3 lens. 12.1 ounces (345g) Total weight: 34.5 ounces (978g) I’ll admit right up front that while I've used the Sony A6300 as my travel camera, this is not the exact kit I tendedto carry.
PANASONIC GH5
Information about Panasonic GH5 mirrorless m4/3 camera. Reviews, news, data, and techniques for mirrorless cameras of all brands, since 2009 SIRUI 75MM F/1.8 1.33X ANAMORPHIC Sirui 75mm f/1.8 anamorphic lens for mirrorless cameras. Reviews, news, data, and techniques for mirrorless cameras of all brands, since2009
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* E-M10 Mark IV
* Pen-F
* E-PL10
* Panasonic m4/3
* BGH1
* G80/G85
* G100/G110
* G9
* GH5
* GH5s
* GX80 / GX85
* GX9
* GM5
* Panasonic L
* S5
* S1
* S1R
* S1H
* Sigma
* sd Quattro
* sd Quattro H
* fp
* fp L
* Sony E (APS-C)
* A5100
* A6100
* A6400
* A6600
* Sony FE (full frame)* A1
* A7C
* A7 Mark III
* A7R Mark IV
* A7S Mark III
* A9 Mark II
* FX3
* Sony Mirrorless Issues* Other Cameras
* Pocket Cinema
* Pocket Cinema 4K
* Pocket Cinema 4K
* Pocket Cinema Micro* Z Cam E1
* Z Cam E2
* Older Camera Data
* Canon EOS M (APS-C) * Fujifilm XF (APS-C)* X-E3
* Leica M, CL, SL, TL Cameras* Hasselblad XCD
* Nikon 1(CX)
* Olympus m4/3
* Panasonic m4/3
* Sony E (APS-C)
* Sony FE (full frame)* Other Makes
* FAQ
* Recent Firmware Updates* Lenses
* Lens Articles
* Angle of View
* Adapting Lenses
* The 35, 50, 70 Game * Best Sony APS-C Lenses * Three Perfect Lenses * Where is the Perfect Prime Set?* Lens Reviews
* Lenses for Canon EOS M * Lenses for Canon EOS RF * Lenses for Fujifilm * Lenses for m4/3 (Olympus/Panasonic cameras) * Lenses for Nikon 1 (CX) * Lenses for Nikon Z* 14-24mm f/2.8 S
* 24-50mm f/4-6.3
* 50-250mm f/4.5-6.3 DX* 70-200mm f/2.8 S
* Lenses for Sony E/FE Mount* Lens Database
* Lenses from Camera Makers* Canon M
* Canon RF
* Fujifilm GF
* Fujifilm XF
* Hasselblad XCD
* Leica L Mount Lenses (CL, TL, SL) * 70-300mm f/4.5-5.6 * Nikon 1 CX Mount Lenses * Nikon Z Mount Lenses * OM Digital Solutions m4/3 Mount Lenses* 8mm f/1.8
* 9mm f/8
* 12mm f/2
* 15mm f/8
* 17mm f/1.2 PRO
* 17mm f/1.8
* 17mm f/2.8
* 25mm f/1.2 PRO
* 25mm f/1.8
* 30mm f/3.5 PRO macro* 45mm f/1.2 PRO
* 45mm f/1.8
* 60mm f/2.8 macro
* 75mm f/1.8
* 300mm f/4 PRO
* 7-14mm f/2.8 PRO
* 9-18mm f/4-5.6
* 12-40mm f/2.8
* 12-45mm f/4
* 12-100mm f/2.8 PRO * 12-200mm f/3.5-6.3* 12-50mm f/3.5-6.3
* 14-42mm f/3.5-5.6 EZ * 14-42mm f/3.5-5.6 IIR* 14-150mm f/4-5.6
* 14-150mm f/4-5.6 II * 40-150mm f/2.8 Pro* 40-150mm f/4-5.6
* 75-300mm f/4.8-6.7 * 75-300mm f/4.8-6.7 II* 100-400mm f/5-6.3
* 150-400mm f/4.5
* Panasonic m4/3 Lenses* 7-14mm f/4
* 8-18mm f/2.8-4
* 12-35mm f/2.8
* 12-35mm f/2.8 II
* 12-32mm f/3.5-5.6
* 12-60mm f/2.8-4
* 12-60mm f/3.5-5.6
* 14-42mm f/3.5-5.6
* 14-42mm f/3.5-5.6 II* 14-42mm f/3.5-5.6
* 14-45mm f/3.5-5.6
* 14-140mm f/4-5.8
* 14-140mm f/3.5-5.6* 35-100mm f4-5.6
* 35-100mm f/2.8
* 35-100mm f/2.8
* 45-200mm f/4-5.6
* 45-175mm f/4-5.6
* 45-200mm f/4-5.6
* 100-300mm f/4-5.6
* 100-400mm f/4-6.3
* 8mm f/3.5
* 12.5mm f/12 3D
* 14mm f/2.5
* Lumix 15mm f/1.7 Summilux* 20mm f/1.7
* 20mm f/1.7 II
* 25mm f/1.7
* 25mm f/1.4
* 25mm f/1.4
* 30mm f/2.8 Macro
* 42.5mm f/1.7 OIS
* 42.5mm f/1.2 OIS
* 45mm f/2.8
* 50-200mm f/2.8-4
* 200mm f/2.8
* Panasonic Lens FAQ * Panasonic L Mount Lenses* 24-70mm f/2.8
* 14-140mm f/3.5-5.6* 24-70mm f/2.8
* 24-105mm f/4
* 50mm f/1.4
* 70-200mm f/4
* 70-200mm f/2.8
* 70-300mm f/4.5-5.6* 85mm f/1.8
* Pentax Q Mount Lenses * Pentax Q 5-15mm f/2.8-4.5 * Pentax Q 3.8-5.9 f/3.7-4 * Pentax Q 15-45mm f/2.8 * Pentax Q 3.2mm f/5.6 fisheye * Pentax Q 6.3mm f/7.1 Toy Wide Angle * Pentax Q 8.5mm f/1.9 * Pentax Q 11.5mm f/9 Body Cap Lens * Pentax Q 18mm f/8 Toy Telephoto * Samsung NX Mount Lenses* 12-24mm f/4-5.6
* 16-50mm f/2-2.8
* 16-50mm f/3.5-5.6
* 18-55mm f/3.5-5.6
* 18-55mm f/3.5-5.6
* 18-200mm f/3.5-6.3* 20-50mm f/3.5-5.6
* 50-150mm f/2.8 OIS* 50-200mm f/4-5.6
* 50-200mm f/4-5.6
* 10mm f/3.5 fisheye* 16mm f/2.4
* 20mm f/2.8
* 30mm f/2
* 45mm f/1.8
* 60mm f/2.8
* 85mm f/1.4
* Samsung Lens FAQ
* Samsung NX Mini Lenses* NXM 9mm f/3.5
* NXM 9-27mm f/3.5-5.6* NXM 17mm f/1.8
* Sony E-Mount Lenses* 10-18mm f/4
* 16-50mm f/3.5-5.6
* 16-55mm f/2.8 G
* 16-70mm f/4
* 18-55mm f/3.5-5.6
* 18-105mm f/4
* 18-110mm f/4
* 18-110mm f/4
* 18-200mm f/3.5-6.3 * 18-200mm f/3.5-6.3 2nd Ver * 18-200mm f/3.5-6.3 PZ * 55-210mm f/4.5-6.3* 16mm f/2.8
* 20mm f/2.8
* 24mm f/1.8
* 30mm f/3.5 macro
* 35mm f/1.8
* 50mm f/1.8
* 50mm f/1.8
* Sony FE Mount Lenses * 12-24mm f/2.8 GM FE* 12-24mm f/4 FE
* 16-35mm f/4 FE
* 16-35mm f/2.8 FE
* 24-70mm f/2.8 GM FE* 24-70mm f/4 FE
* 24-105mm f/4 FE
* 24-240mm f/3.5-6.3 FE * 28-60mm f/4-5.6 FE * 28-70mm f/3.5-5.6 FE* 28-135mm f/4 FE
* 70-200mm f/2.8 GM OSS FE* 70-200mm f/4 FE
* 70-300mm f/4.5-5.6 FE* 100-400mm GM
* 200-600mm f/5.6-6.3G* 14mm f/1.8GM FE
* 20mm f/1.8 G FE
* 24mm f/1.4 GM FE
* 24mm f/2.8G FE
* 28mm f/2 FE
* 35mm f/1.4 FE
* 35mm f/1.8 FE
* 35mm f/1.8 FE
* 35mm f/2.8 FE
* 40mm f/2.5G FE
* 50mm f/1.2GM FE
* 50mm f/2.5G FE
* 50mm f/1.8 FE
* 50mm f/2.8 FE
* 50mm f/2.8 FE macro* 55mm f/1.8 FE
* 85mm f/1.4 GM FE
* 85mm f/1.8 FE
* 90mm f/2.8 Macro
* 100mm f/2.8 GM
* 135mm f/1.8 GM
* 400mm f/2.8 GM
* 600mm f/4 GM
* Top Quality FE Lens Sets * Everything That's Native FE* Other Lens Makers
* 7Artisans
* 35mm f/1.2 MF
* 35mm f/5.6 Pancake* 50mm f/1.05 MF
* DZOfilm
* 20-70mm t/2.9
* 10-24mm t/2.9
* Funleader
* 18mm f/8 MF
* Fujinon Lenses (XF, FE, m4/3)* MK18-55mm t/2.9
* MK50-135mm t/2.9
* HanDEVision
* Irix Lenses
* Kipon
* Kamlan
* Kowa Prominar Lenses * Laowa Lenses (Venus Optics)* 11mm f/4.5 MF
* 15mm f/2
* Laowa 65mm f/2.8 Ultra-Macro APO* Lomography
* Meike Lenses
* 35mm f/1.4 MF
* 50mm f/1.2 MF
* Meyer-Optik-Goerlitz* Mitakon Lenses
* 17mm t/1 MF
* 25mm t/1.0 MF
* 35mm t/1 MF
* Nisi
* 15mm f/4 MF
* 25mm t/2.1 F3
* 35mm t/2 F3
* 50mm t/2 F3
* 75mm t/2 F3
* 100mm t/2 F3
* Oprema Jena
* Opteka
* Opteka 12mm f/2.8
* Pergear
* 7.5mm f/2.8 fisheye MF * 7.5mm f/2.8 MF fisheye* 12mm f/2 MF
* 7.5mm f/2.8 fisheye MF * Pergear 35mm f/1.6 * Pergear 50mm f/1.8* Rockstar
* 7.5mm f/2.8 fisheye MF* Samyang Lenses
* Samyang 8mm f/2.8 AS IF UMC Fisheye * 28-60mm f/4-5.6 FE* Sigma Lenses
* 14mm f/1.8 DG HSM Art * 14-24mm f/2.8 DG DN Art * 20mm f/1.4 DG HSM Art * 24mm f/1.4 DG HSM Art * Sigma 24-70mm f/2.8 DG DN Art * 35mm f/1.2 DG DN Art * 35mm f/1.4 DG HSM Art* 45mm f/2.8 DG DN
* 50mm f/1.4 EX DG HSM Art * 56mm f/1.4 DC DN Contemporary * 85mm f/1.4 EX DG HSM Art * 85mm f/1.4 DG DN (FE, L) * 100-400mm f/5-6.3 DG DN OS (FE/L mounts) * 105mm f/1.4 DG HSM Art* 105mm f/2.8 macro
* Sirui
* Skybeam
* 25mm t/2 Cinema II * 35mm t/1.8 Cinema II * 50mm t/2 Cinema II* SLR Magic Lenses
* Tamron Lenses
* 11-20mm f/2.8
* 150-500mm f/5-6.7 AF* Tokina
* TTArtisans
* 21mm f/1.5 MF
* Veydra Video Lenses* Viltrox
* Voigtlander Lenses* Yashuhara Lenses
* Yongnuo
* 25mm f/1.7
* 35mm f/2
* 50mm f/1.8
* 85mm f/1.4
* Zeiss Lenses
* Zenit Lenses
* Zhong Yi Optics
* 35mm f/2 MF
* Additional Lenses
* Lens FAQ
* Can you explain the crop factor thing? * Can I use my existing lenses with a mirrorless camera? * What lenses can I use with the adapter on the Nikon 1? * Panasonic m4/3 100-300mm or 100-400mm versus big camera and lens? * Is there a tripod mount for the Panasonic 100-300mm? * Can I Use Panasonic Lenses on Olympus Bodies? * What the heck is "rattlesnaking" on m4/3 lenses? * What's the Difference between the Olympus 14-42mm Lenses? * What About Third Party Lens Support?* Books
* Nikon J1/V1 Guide
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* Nikon Z6/Z7 Guide
* Nikon Z50 Guide
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* Sony A7/A7R Mark III* byThom Books FAQ
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SANS MIRROR
Reviews, news, data, and techniques for mirrorless cameras of allbrands, since 2009
WELCOME TO SANS MIRROR This site covers all mirrorless cameras and related products and isupdated regularly.
Canon and Nikon DSLR cameras are covered on dslrbodies.com.
_NIKON Z CAMERA OWNERS_: MORE INFO AND ARTICLES ARE AVAILABLE ATZSYSTEMUSER.COM
_MOST RECENT NEWS/VIEWS ON SANSMIRROR:_ * Canon's R3 Development Announcement* Numerology
* Where is Sony Optically Weak? * The Not New New Model * The US$1000 Crop Sensor Mirrorless Camera * Sigma Adds L to fp* Post CP+
_Other Things Posted Recently on Sansmirror:_ * Tamron 11-20mm f/2.8 APS-C * Tamron 150-500mm f/5-6.7 FE * 7Artisans 60mm f/2.8 Macro II* Mitakon 17mm t/1
,
25mm t/1
,
35mm t/1
cinema lenses
* Sony 14mm f/1.8GM
* Fujifilm 18mm f/1.4 * Canon 100mm f/2.8 macro,
400mm f/2.8L
,
600mm f/4L
* Samyang 24mm f/1.8 FE * TTArtisans 21mm f/1.5 * Nikon Z6 II review posted * Nikon 14-24mm f/2.8 S review posted _OTHER THINGS THE SANSMIRROR SITE CONTAINS:_ Thorough and thoughtful reviews by technologist and photographer Thom Hogan of mirrorless cameras from Canon, Fujifilm, Leica, Nikon, Olympus, Panasonic, Samsung, and Sony cameras. Full analysis of the handling and performance of these cameras. CLICK FOR CAMERA REVIEWS Reviews of Canon EOS M mount, Canon EOS RF mount, Fujifilm XF mount, Nikon CX (1) and Z mount, Olympus and Panasonic m4/3 mount, Samsung NX mount, and Sony E and FE-mount lenses. Non-nonsense descriptions of how these lenses perform. CLICK FOR LENS REVIEWS But there’s much, much more on this site: * ARTICLES AND ESSAYS OF INTEREST TO MIRRORLESS CAMERA USERS * CAMERA DATABASE WITH FULL FEATURE SETS OF EVERY MIRRORLESS CAMERA * LENS DATABASE WITH FULL FEATURE SETS OF EVERY MIRRORLESS LENS This site first appeared separately in 2011—it had been part of another site starting in 2009—after I’d been using m4/3 mirrorless cameras in my photography work for two years. Since then, I’ve expanded the site to its current form, where it covers the entire mirrorless camera marketplace in a way no other Web property does. Don't be fooled by the simple look of this site: it's filled with articles, reviews, data, and more, with even more coming in thefuture.
_Help me improve this site. If you find incorrect or incomplete information, let me know. Use the email contact at the bottom of this page to let me know what you found (link after Copyright message)._Apr 22, 2021
Looking for gear-specific information? Check out our other Web sites: DSLRS: dslrbodies.com | general: bythom.com | Z System: zsystemuser.com | film SLR: filmbodies.com sansmirror: all text and original images © 2021 Thom Hogan portions Copyright 1999-2020 Thom Hogan-- All Rights Reserved Follow us on Twitter : @bythom , hashtags #bythom, #sansmirrorDetails
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