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TARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITCOLLECTIONEXHIBITIONSACTIVITIESPUBLICATIONSHOURS ANDTICKETS
The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.SALVADOR DALÍ
The 1930s saw a new addition to Dalí’s themes relating to Surrealism, this time the historic figure of Adolf Hitler, who the artist identified with Maldoror, inspiring works like The Enigma of Hitler, from 1939.For the Surrealists – who had never been comfortable with the brazen way in which Salvador Dalí exhibited his sexual obsessions in public – Dalí’s representation of HitlerRICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in Newcastle ACTIVIDAD - DÍA INTERNACIONAL DE LOS MUSEOS 2021 - ELTRANSLATE THISPAGE
El futuro está detrás. Domingo 16, lunes 17 y martes 18 de mayo, 2021 / Consultar programa. Vista del barrio de Lavapiés desde la terraza del Edificio Nouvel, Museo Reina Sofía. Con motivo del Día Internacional de los Museos, el acceso será gratuito el domingo 16 y el lunes 17 de mayo. Reserva tu entrada general gratuita aquí.GORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
LAS MUJERES DURANTE LA II REPÚBLICA LAS MODERNAS. Los años correspondientes al gobierno de la II República (1931-1936) fueron clave para avanzar en el proceso ya iniciado de emancipación femenina, finalmente truncado por la victoria del bando sublevado en la Guerra Civil. Se asiste al desarrollo de lo que se había denominado “la mujer moderna”, provocando la ruptura conSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 hadGORDON MATTA-CLARK
Splitting (1974) shows the complex intervention of Gordon Matta-Clark on a building purchased by Horace and Holly Solomon, located in a mostly black neighbourhood of New Jersey, and slated for demolition as part of an urban renewal project.In the process, the local government had very quickly evacuated the families that resided in the building. The speed with which it was done left theJOSEPH KOSUTH
Joseph Kosuth escribió: «El arte que yo denomino conceptual lo es porque se basa en una investigación en torno a la naturaleza del arte». One and Three Chairs (Una y tres sillas) se considera una de las primeras obras conceptuales que el artista concibió, siguiendo un criterio que él mismo calificó como «antiformalista» y que, con un sentido tautológico, se aproxima a una misma MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITCOLLECTIONEXHIBITIONSACTIVITIESPUBLICATIONSHOURS ANDTICKETS
The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.SALVADOR DALÍ
The 1930s saw a new addition to Dalí’s themes relating to Surrealism, this time the historic figure of Adolf Hitler, who the artist identified with Maldoror, inspiring works like The Enigma of Hitler, from 1939.For the Surrealists – who had never been comfortable with the brazen way in which Salvador Dalí exhibited his sexual obsessions in public – Dalí’s representation of HitlerRICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in Newcastle ACTIVIDAD - DÍA INTERNACIONAL DE LOS MUSEOS 2021 - ELTRANSLATE THISPAGE
El futuro está detrás. Domingo 16, lunes 17 y martes 18 de mayo, 2021 / Consultar programa. Vista del barrio de Lavapiés desde la terraza del Edificio Nouvel, Museo Reina Sofía. Con motivo del Día Internacional de los Museos, el acceso será gratuito el domingo 16 y el lunes 17 de mayo. Reserva tu entrada general gratuita aquí.GORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
LAS MUJERES DURANTE LA II REPÚBLICA LAS MODERNAS. Los años correspondientes al gobierno de la II República (1931-1936) fueron clave para avanzar en el proceso ya iniciado de emancipación femenina, finalmente truncado por la victoria del bando sublevado en la Guerra Civil. Se asiste al desarrollo de lo que se había denominado “la mujer moderna”, provocando la ruptura conSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 hadGORDON MATTA-CLARK
Splitting (1974) shows the complex intervention of Gordon Matta-Clark on a building purchased by Horace and Holly Solomon, located in a mostly black neighbourhood of New Jersey, and slated for demolition as part of an urban renewal project.In the process, the local government had very quickly evacuated the families that resided in the building. The speed with which it was done left theJOSEPH KOSUTH
Joseph Kosuth escribió: «El arte que yo denomino conceptual lo es porque se basa en una investigación en torno a la naturaleza del arte». One and Three Chairs (Una y tres sillas) se considera una de las primeras obras conceptuales que el artista concibió, siguiendo un criterio que él mismo calificó como «antiformalista» y que, con un sentido tautológico, se aproxima a una misma COLLECTION | MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones. OPENING HOURS AND TICKET PRICES Opening hours and ticket prices. Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación en red.ARTES EN VIVO
image/svg+xml Museo Nacional Centro de Arte Reina Sofía. Menú . Press Library and Documentation Centre Education Study Centre Support Visit Collection Exhibitions Activities Publications FREE ADMISSION WITH ACCREDITATION Free admission with accreditation. Tickets are collected at the Museo ticket offices upon submitting the official accreditation document that is valid for each case. This must clearly show the expiry date. All visitors that are able to accredit this condition can benefit, regardless of their nationality.INVESTIGACIÓN
Alternate Fridays, from 21 May to 16 July 2021 - 4pm . Embracing Uncertainty. Driving Evil Away II . Study GroupCOMUNIDADES
Esta sección propone actividades y proyectos para la infancia, jóvenes, familias y personas mayores con el objetivo de crear vínculos que generen espacios afectivos de conocimientoVISITA COMENTADA
image/svg+xml Museo Nacional Centro de Arte Reina Sofía. Menú . Press Library and Documentation Centre Education Study Centre Support Visit Collection Exhibitions Activities PublicationsEXPOSICIÓN
Design, Publish, Liberate. Alberto Corazón (Madrid, 1942–2021) is a pivotal figure in understanding the processes around the theoretical and artistic modernisation of Spain during the period of late Francoism and the early years of the democracy. Setting out from the materials conserved in the Marchán/Quevedo Archive, the present show denotes an approach to the work Corazón produced fromSALVADOR DALÍ
According to Rafael Santos Torroella, one of the great Salvador Dalí scholars, between 1923 and 1926 the painter did at least a dozen portraits of his sister Anna Maria, including the two in the Museo Reina Sofía collection, Figura en una finestra (Figure at the Window) and Retrato (Portrait). After they were shown in 1925 at the Dalmau gallery, certain critics, including Folch i Torres INTERNOS DEL CENTRO DE INTERNAMIENTO DE MENORES DE Internos del Centro de Internamiento de Menores de Mozhaisk: Untitled. image/svg+xml Museo Nacional Centro de Arte Reina Sofía MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in NewcastleGORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio station BIBLIOTECA Y CENTRO DE DOCUMENTACIÓN Biblioteca y centro de documentación. Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación en red.CAROLEE SCHNEEMANN
The installation Up to and Including Her Limits (1971-1976) has its origin in the performance Tracking (1973), executed by the artist in an abandoned rail car, using the same method of drawing on a piece of paper placed on the floor while hanging from a rope and harness. The current version shows the artist herself in action, on a group ofSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 hadCINE Y VÍDEO
Leer más sobre El ciclo Futuros posibles. Cine y mundos por venir examina las ideologías de futuro representadas en el cine realizado entre 1920 y 2020; El ciclo MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in NewcastleGORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio station BIBLIOTECA Y CENTRO DE DOCUMENTACIÓN Biblioteca y centro de documentación. Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación en red.CAROLEE SCHNEEMANN
The installation Up to and Including Her Limits (1971-1976) has its origin in the performance Tracking (1973), executed by the artist in an abandoned rail car, using the same method of drawing on a piece of paper placed on the floor while hanging from a rope and harness. The current version shows the artist herself in action, on a group ofSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 hadCINE Y VÍDEO
Leer más sobre El ciclo Futuros posibles. Cine y mundos por venir examina las ideologías de futuro representadas en el cine realizado entre 1920 y 2020; El ciclo FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
DORA MAAR | REPENSAR GUERNICA Dora Maar. Henriette Theodora Markovitz (1907–1997) was one of the pre-eminent photographers from the sphere of French Surrealists, drawing admiration from Man Ray, André Breton and Paul Éluard, to name but a few. With her camera she documented the process of creation and transformations of Guernica between 11 May and 4 June 1937 inPicasso
JAVIER TÉLLEZ
Téllez, Javier: A Season in Hell. Long-term loan of Fundación Museo Reina Sofía, 2019. Donation of Patricia Phelps de Cisneros in honour of Manuel Borja-Villel JUAN GRIS (JOSÉ VICTORIANO GONZÁLEZ PÉREZ) AD01033. On display in: Room 208. In 1920 Juan Gris moved to the coastal town of Bandol-sur-Mer, where in 1921 he did most of the paintings in his “open window” series. The painter would complete the series with a few paintings done some months later in Céret. At that point, then, the group can be considered closed, although JuanGris was
MA IN ARTS PRACTICE AND VISUAL CULTURE The Master’s Degree in Arts Practice and Visual Culture, developed with the patronage of the Fundación Banco Santander, provides a practical research setting to experiment and develop projects and critically debate, question and reflect upon the relationship between theory and practice.It constitutes a space for creators and researchers interested in developing new work strategies throughEXPOSICIÓN
Dada and Constructivism. Dada and Constructivism, two art movements characterised by having emerged at critical moments in history: World War I and the Russian Revolution. Nevertheless, despite these similarities, they have often been considered by historians as counter-posed given that the first focuses on intuitive thought and the transrational while Constructivism delves into objectiveJEAN FAUTRIER
Sarah, an emblematic name in Jewish history that gives the work its title, is a key piece in Jean Fautrier’s oeuvre, which is forthright in its embodiment of the wounds and human tragedy caused by World War II.Fautrier was part of the French Resistance during the German occupation of France and, after being arrested, took refuge in a psychiatric hospital in the suburbs of Paris.SALVADOR DALÍ
According to Rafael Santos Torroella, one of the great Salvador Dalí scholars, between 1923 and 1926 the painter did at least a dozen portraits of his sister Anna Maria, including the two in the Museo Reina Sofía collection, Figura en una finestra (Figure at the Window) and Retrato (Portrait). After they were shown in 1925 at the Dalmau gallery, certain critics, including Folch i TorresSALVADOR DALÍ
Dalí, Salvador: Uranium and Atomica Melancholica Idyll. Salvador Dalí’s desire to “see things differently” – appealing to the subconscious, to memory, to the irrational content of dreams, in order to go beyond the vision of the human eye – is the basis of his Paranoid-Critical Method, which represents a new way of interpreting reality and his main contribution to Surrealism.ÁNGELES SANTOS
This situation even extended to Santos’s family life, as Casamartina highlights: “One fruit of this conflict is the painting Familia cenando (Family Dining), also titled Familia (Family) and Cena familiar (Family Dinner), probably painted after the 1929 Autumn Salon. In this work, the influence of Goya’s Black Paintings isobvious.
EXPOSICIÓN
Las formas del cubismo. Escultura 1909-1919. Between 1909 and 1918 figurative sculpture becomes a constructive syntax, which denies perspective and a unique point of view. Cubism, characterised by a deep reflection on the values of flat plane and volumes, makes the leap into three-dimensional objects. Pablo Picasso’s 1909 piece, Cabeza de mujer (Fernande) is considered the firstEXPOSICIÓN
Silensis: 24 Artists In 25 Exhibitions. To summarise so far the exhibitory history of the Museo Nacional Centro de Arte Reina Sofía at the Abbey de Santo Domingo de Silos, this exhibition shows the work of each of the twenty-four Spanish artists who have participated until now. This project started in 1998 through the collaboration between the Ministry of Culture, the Monastery of Santo MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in NewcastleGORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio station BIBLIOTECA Y CENTRO DE DOCUMENTACIÓN Biblioteca y centro de documentación. Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación en red.CAROLEE SCHNEEMANN
The installation Up to and Including Her Limits (1971-1976) has its origin in the performance Tracking (1973), executed by the artist in an abandoned rail car, using the same method of drawing on a piece of paper placed on the floor while hanging from a rope and harness. The current version shows the artist herself in action, on a group ofSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 hadCINE Y VÍDEO
Leer más sobre El ciclo Futuros posibles. Cine y mundos por venir examina las ideologías de futuro representadas en el cine realizado entre 1920 y 2020; El ciclo FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
DORA MAAR | REPENSAR GUERNICA Dora Maar. Henriette Theodora Markovitz (1907–1997) was one of the pre-eminent photographers from the sphere of French Surrealists, drawing admiration from Man Ray, André Breton and Paul Éluard, to name but a few. With her camera she documented the process of creation and transformations of Guernica between 11 May and 4 June 1937 inPicasso
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in NewcastleGORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio station BIBLIOTECA Y CENTRO DE DOCUMENTACIÓN Biblioteca y centro de documentación. Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación en red.JAVIER TÉLLEZ
Téllez, Javier: A Season in Hell. Long-term loan of Fundación Museo Reina Sofía, 2019. Donation of Patricia Phelps de Cisneros in honour of Manuel Borja-Villel JUAN GRIS (JOSÉ VICTORIANO GONZÁLEZ PÉREZ) AD01033. On display in: Room 208. In 1920 Juan Gris moved to the coastal town of Bandol-sur-Mer, where in 1921 he did most of the paintings in his “open window” series. The painter would complete the series with a few paintings done some months later in Céret. At that point, then, the group can be considered closed, although JuanGris was
MA IN ARTS PRACTICE AND VISUAL CULTURE The Master’s Degree in Arts Practice and Visual Culture, developed with the patronage of the Fundación Banco Santander, provides a practical research setting to experiment and develop projects and critically debate, question and reflect upon the relationship between theory and practice.It constitutes a space for creators and researchers interested in developing new work strategies throughEXPOSICIÓN
Dada and Constructivism. Dada and Constructivism, two art movements characterised by having emerged at critical moments in history: World War I and the Russian Revolution. Nevertheless, despite these similarities, they have often been considered by historians as counter-posed given that the first focuses on intuitive thought and the transrational while Constructivism delves into objectiveJEAN FAUTRIER
Sarah, an emblematic name in Jewish history that gives the work its title, is a key piece in Jean Fautrier’s oeuvre, which is forthright in its embodiment of the wounds and human tragedy caused by World War II.Fautrier was part of the French Resistance during the German occupation of France and, after being arrested, took refuge in a psychiatric hospital in the suburbs of Paris.SALVADOR DALÍ
According to Rafael Santos Torroella, one of the great Salvador Dalí scholars, between 1923 and 1926 the painter did at least a dozen portraits of his sister Anna Maria, including the two in the Museo Reina Sofía collection, Figura en una finestra (Figure at the Window) and Retrato (Portrait). After they were shown in 1925 at the Dalmau gallery, certain critics, including Folch i TorresSALVADOR DALÍ
Dalí, Salvador: Uranium and Atomica Melancholica Idyll. Salvador Dalí’s desire to “see things differently” – appealing to the subconscious, to memory, to the irrational content of dreams, in order to go beyond the vision of the human eye – is the basis of his Paranoid-Critical Method, which represents a new way of interpreting reality and his main contribution to Surrealism.ÁNGELES SANTOS
This situation even extended to Santos’s family life, as Casamartina highlights: “One fruit of this conflict is the painting Familia cenando (Family Dining), also titled Familia (Family) and Cena familiar (Family Dinner), probably painted after the 1929 Autumn Salon. In this work, the influence of Goya’s Black Paintings isobvious.
EXPOSICIÓN
Las formas del cubismo. Escultura 1909-1919. Between 1909 and 1918 figurative sculpture becomes a constructive syntax, which denies perspective and a unique point of view. Cubism, characterised by a deep reflection on the values of flat plane and volumes, makes the leap into three-dimensional objects. Pablo Picasso’s 1909 piece, Cabeza de mujer (Fernande) is considered the firstEXPOSICIÓN
Silensis: 24 Artists In 25 Exhibitions. To summarise so far the exhibitory history of the Museo Nacional Centro de Arte Reina Sofía at the Abbey de Santo Domingo de Silos, this exhibition shows the work of each of the twenty-four Spanish artists who have participated until now. This project started in 1998 through the collaboration between the Ministry of Culture, the Monastery of Santo MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITCOLLECTIONEXHIBITIONSACTIVITIESPUBLICATIONSHOURS ANDTICKETS
The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.GORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in Newcastle ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio stationSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 had CARNÉ DE USUARIO DE LA BIBLIOTECA JULIA MARGARET CAMERON Ellen Terry, at the Age of Sixteen. Julia Margaret Cameron began to take photographs at the age of 48, specialising in portraits: she began with her family and friends and later photographed celebrities she met through her friendship with the poet Lord Tennyson. She also created Pictorialist-style photographic scenes on literary, historicaland
FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
ANTONIO SAURA
Grito n.º 7. Antonio Saura muestra ya su lenguaje informalista en su exposición monográfica celebrada en el año 1956 en el Museo de Arte Contemporáneo de Madrid. En esta década, Saura inicia una producción basada en motivos restringidos de la morfología humana, que trabaja obsesivamente en diferentes series de obras como lasdenominadas
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITCOLLECTIONEXHIBITIONSACTIVITIESPUBLICATIONSHOURS ANDTICKETS
The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.GORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in Newcastle ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio stationSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 had CARNÉ DE USUARIO DE LA BIBLIOTECA JULIA MARGARET CAMERON Ellen Terry, at the Age of Sixteen. Julia Margaret Cameron began to take photographs at the age of 48, specialising in portraits: she began with her family and friends and later photographed celebrities she met through her friendship with the poet Lord Tennyson. She also created Pictorialist-style photographic scenes on literary, historicaland
FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
ANTONIO SAURA
Grito n.º 7. Antonio Saura muestra ya su lenguaje informalista en su exposición monográfica celebrada en el año 1956 en el Museo de Arte Contemporáneo de Madrid. En esta década, Saura inicia una producción basada en motivos restringidos de la morfología humana, que trabaja obsesivamente en diferentes series de obras como lasdenominadas
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.PASEO DEL ARTE CARD
Paseo del Arte Card. Valid for a visit to the collections in the following 3 museums: Museo Thyssen-Bornemisza, Museo Nacional del Prado and Museo Reina Sofía, as well as some of the temporary exhibitions in the second and third museums mentioned. The ticket is valid for a one-year period from the date of purchase in themuseums’ ticket
GORDON MATTA-CLARK
Splitting (1974) shows the complex intervention of Gordon Matta-Clark on a building purchased by Horace and Holly Solomon, located in a mostly black neighbourhood of New Jersey, and slated for demolition as part of an urban renewal project.In the process, the local government had very quickly evacuated the families that resided in the building. The speed with which it was done left theALEXANDER CALDER
The Constellations series, begun in 1943, owes its title to the influence of Marcel Duchamp and the critic James Johnson Sweeney. Alexander Calder did a group of hanging mobiles and standing mobiles (‘stabiles’) in wood and wire which, decades later, in 1971, he related to Joan Miró’s Constelaciones, a series of 23 tempera paintings done between 1940 and 1941, which Calder saw in 1944JOAN JONAS - WIND
Museo en red. Collaboration with different agents and international political and cultural collectives RETHINKING GUERNICA. PICASSO'S TWENTIETH-CENTURY WORK-ICON Rethinking Guernica. Guernica. On 26 April 1937, at the height of the Spanish Civil War, the Basque city of Gernika was bombed by the German and Italian armies as a show of support for the nationalist forces fighting against the government of the Second Republic. This event inspired Pablo Picasso to paint Guernica.JOSEPH KOSUTH
Joseph Kosuth escribió: «El arte que yo denomino conceptual lo es porque se basa en una investigación en torno a la naturaleza del arte». One and Three Chairs (Una y tres sillas) se considera una de las primeras obras conceptuales que el artista concibió, siguiendo un criterio que él mismo calificó como «antiformalista» y que, con un sentido tautológico, se aproxima a una mismaEXPOSICIÓN
Joan Miró en Silos. In the same room of the Santo Domingo de Silos Monastery that exhibited the works of Antoni Tàpies and José María Sicilia, works by Joan Miró (Barcelona, 1893 - Palma de Mallorca, 1983) one of the most representative Spanish artists can now be seen. After numerous exhibitions of the artist in the Sabatini building dedicated to aspects of his career such as Miró FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
EXPOSICIÓN
Eugenio D'Ors, del arte a la letra. The writer and philosopher Eugenio d'Ors (Barcelona, 1882 - Vilanova i la Geltrú, 1954) is one of the key figures of art criticism in Spain. He is the creator of the Noucentisme concept, which includes a large group of Catalan artists who are Renaixença (Renaissance) heirs. d'Ors has a wealth of literary, critical and historiographical production. MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITCOLLECTIONEXHIBITIONSACTIVITIESPUBLICATIONSHOURS ANDTICKETS
The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.GORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in Newcastle ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio stationSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 had CARNÉ DE USUARIO DE LA BIBLIOTECA JULIA MARGARET CAMERON Ellen Terry, at the Age of Sixteen. Julia Margaret Cameron began to take photographs at the age of 48, specialising in portraits: she began with her family and friends and later photographed celebrities she met through her friendship with the poet Lord Tennyson. She also created Pictorialist-style photographic scenes on literary, historicaland
FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
ANTONIO SAURA
Grito n.º 7. Antonio Saura muestra ya su lenguaje informalista en su exposición monográfica celebrada en el año 1956 en el Museo de Arte Contemporáneo de Madrid. En esta década, Saura inicia una producción basada en motivos restringidos de la morfología humana, que trabaja obsesivamente en diferentes series de obras como lasdenominadas
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITCOLLECTIONEXHIBITIONSACTIVITIESPUBLICATIONSHOURS ANDTICKETS
The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.GORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in Newcastle ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio stationSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 had CARNÉ DE USUARIO DE LA BIBLIOTECA JULIA MARGARET CAMERON Ellen Terry, at the Age of Sixteen. Julia Margaret Cameron began to take photographs at the age of 48, specialising in portraits: she began with her family and friends and later photographed celebrities she met through her friendship with the poet Lord Tennyson. She also created Pictorialist-style photographic scenes on literary, historicaland
FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
ANTONIO SAURA
Grito n.º 7. Antonio Saura muestra ya su lenguaje informalista en su exposición monográfica celebrada en el año 1956 en el Museo de Arte Contemporáneo de Madrid. En esta década, Saura inicia una producción basada en motivos restringidos de la morfología humana, que trabaja obsesivamente en diferentes series de obras como lasdenominadas
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.PASEO DEL ARTE CARD
Paseo del Arte Card. Valid for a visit to the collections in the following 3 museums: Museo Thyssen-Bornemisza, Museo Nacional del Prado and Museo Reina Sofía, as well as some of the temporary exhibitions in the second and third museums mentioned. The ticket is valid for a one-year period from the date of purchase in themuseums’ ticket
GORDON MATTA-CLARK
Splitting (1974) shows the complex intervention of Gordon Matta-Clark on a building purchased by Horace and Holly Solomon, located in a mostly black neighbourhood of New Jersey, and slated for demolition as part of an urban renewal project.In the process, the local government had very quickly evacuated the families that resided in the building. The speed with which it was done left theALEXANDER CALDER
The Constellations series, begun in 1943, owes its title to the influence of Marcel Duchamp and the critic James Johnson Sweeney. Alexander Calder did a group of hanging mobiles and standing mobiles (‘stabiles’) in wood and wire which, decades later, in 1971, he related to Joan Miró’s Constelaciones, a series of 23 tempera paintings done between 1940 and 1941, which Calder saw in 1944JOAN JONAS - WIND
Museo en red. Collaboration with different agents and international political and cultural collectives RETHINKING GUERNICA. PICASSO'S TWENTIETH-CENTURY WORK-ICON Rethinking Guernica. Guernica. On 26 April 1937, at the height of the Spanish Civil War, the Basque city of Gernika was bombed by the German and Italian armies as a show of support for the nationalist forces fighting against the government of the Second Republic. This event inspired Pablo Picasso to paint Guernica.JOSEPH KOSUTH
Joseph Kosuth escribió: «El arte que yo denomino conceptual lo es porque se basa en una investigación en torno a la naturaleza del arte». One and Three Chairs (Una y tres sillas) se considera una de las primeras obras conceptuales que el artista concibió, siguiendo un criterio que él mismo calificó como «antiformalista» y que, con un sentido tautológico, se aproxima a una mismaEXPOSICIÓN
Joan Miró en Silos. In the same room of the Santo Domingo de Silos Monastery that exhibited the works of Antoni Tàpies and José María Sicilia, works by Joan Miró (Barcelona, 1893 - Palma de Mallorca, 1983) one of the most representative Spanish artists can now be seen. After numerous exhibitions of the artist in the Sabatini building dedicated to aspects of his career such as Miró FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
EXPOSICIÓN
Eugenio D'Ors, del arte a la letra. The writer and philosopher Eugenio d'Ors (Barcelona, 1882 - Vilanova i la Geltrú, 1954) is one of the key figures of art criticism in Spain. He is the creator of the Noucentisme concept, which includes a large group of Catalan artists who are Renaixença (Renaissance) heirs. d'Ors has a wealth of literary, critical and historiographical production. MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITCOLLECTIONEXHIBITIONSACTIVITIESPUBLICATIONSHOURS ANDTICKETS
The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.GORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in Newcastle ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio stationSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 had CARNÉ DE USUARIO DE LA BIBLIOTECA JULIA MARGARET CAMERON Ellen Terry, at the Age of Sixteen. Julia Margaret Cameron began to take photographs at the age of 48, specialising in portraits: she began with her family and friends and later photographed celebrities she met through her friendship with the poet Lord Tennyson. She also created Pictorialist-style photographic scenes on literary, historicaland
FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
ANTONIO SAURA
Grito n.º 7. Antonio Saura muestra ya su lenguaje informalista en su exposición monográfica celebrada en el año 1956 en el Museo de Arte Contemporáneo de Madrid. En esta década, Saura inicia una producción basada en motivos restringidos de la morfología humana, que trabaja obsesivamente en diferentes series de obras como lasdenominadas
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍATRANSLATE THIS PAGEVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITCOLLECTIONEXHIBITIONSACTIVITIESPUBLICATIONSHOURS ANDTICKETS
The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.GORDON MATTA-CLARK
Day's End. The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas. The historic waterfront area, derelict and empty, was a centre of experimentationfor many
RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in Newcastle ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio stationSALVADOR DALÍ
Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is key to the works he produced in this time period. In Confesiones inconfesables (The Unspeakable Confessions, Bruguera, 1975) he recalled how “the atomic explosion from 6 August 1945 had CARNÉ DE USUARIO DE LA BIBLIOTECA JULIA MARGARET CAMERON Ellen Terry, at the Age of Sixteen. Julia Margaret Cameron began to take photographs at the age of 48, specialising in portraits: she began with her family and friends and later photographed celebrities she met through her friendship with the poet Lord Tennyson. She also created Pictorialist-style photographic scenes on literary, historicaland
FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
ANTONIO SAURA
Grito n.º 7. Antonio Saura muestra ya su lenguaje informalista en su exposición monográfica celebrada en el año 1956 en el Museo de Arte Contemporáneo de Madrid. En esta década, Saura inicia una producción basada en motivos restringidos de la morfología humana, que trabaja obsesivamente en diferentes series de obras como lasdenominadas
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.PASEO DEL ARTE CARD
Paseo del Arte Card. Valid for a visit to the collections in the following 3 museums: Museo Thyssen-Bornemisza, Museo Nacional del Prado and Museo Reina Sofía, as well as some of the temporary exhibitions in the second and third museums mentioned. The ticket is valid for a one-year period from the date of purchase in themuseums’ ticket
GORDON MATTA-CLARK
Splitting (1974) shows the complex intervention of Gordon Matta-Clark on a building purchased by Horace and Holly Solomon, located in a mostly black neighbourhood of New Jersey, and slated for demolition as part of an urban renewal project.In the process, the local government had very quickly evacuated the families that resided in the building. The speed with which it was done left theALEXANDER CALDER
The Constellations series, begun in 1943, owes its title to the influence of Marcel Duchamp and the critic James Johnson Sweeney. Alexander Calder did a group of hanging mobiles and standing mobiles (‘stabiles’) in wood and wire which, decades later, in 1971, he related to Joan Miró’s Constelaciones, a series of 23 tempera paintings done between 1940 and 1941, which Calder saw in 1944JOAN JONAS - WIND
Museo en red. Collaboration with different agents and international political and cultural collectives RETHINKING GUERNICA. PICASSO'S TWENTIETH-CENTURY WORK-ICON Rethinking Guernica. Guernica. On 26 April 1937, at the height of the Spanish Civil War, the Basque city of Gernika was bombed by the German and Italian armies as a show of support for the nationalist forces fighting against the government of the Second Republic. This event inspired Pablo Picasso to paint Guernica.JOSEPH KOSUTH
Joseph Kosuth escribió: «El arte que yo denomino conceptual lo es porque se basa en una investigación en torno a la naturaleza del arte». One and Three Chairs (Una y tres sillas) se considera una de las primeras obras conceptuales que el artista concibió, siguiendo un criterio que él mismo calificó como «antiformalista» y que, con un sentido tautológico, se aproxima a una mismaEXPOSICIÓN
Joan Miró en Silos. In the same room of the Santo Domingo de Silos Monastery that exhibited the works of Antoni Tàpies and José María Sicilia, works by Joan Miró (Barcelona, 1893 - Palma de Mallorca, 1983) one of the most representative Spanish artists can now be seen. After numerous exhibitions of the artist in the Sabatini building dedicated to aspects of his career such as Miró FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
EXPOSICIÓN
Eugenio D'Ors, del arte a la letra. The writer and philosopher Eugenio d'Ors (Barcelona, 1882 - Vilanova i la Geltrú, 1954) is one of the key figures of art criticism in Spain. He is the creator of the Noucentisme concept, which includes a large group of Catalan artists who are Renaixença (Renaissance) heirs. d'Ors has a wealth of literary, critical and historiographical production. MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITCOLLECTIONEXHIBITIONSACTIVITIESPUBLICATIONSHOURS ANDTICKETS
The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.GORDON MATTA-CLARK
The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas.RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in NewcastleSALVADOR DALÍ
Dalí, Salvador: Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio station CARNÉ DE USUARIO DE LA BIBLIOTECA JULIA MARGARET CAMERON Julia Margaret Cameron began to take photographs at the age of 48, specialising in portraits: she began with her family and friends and later photographed celebrities she met through her friendship with thepoet Lord Tennyson.
ANTONIO SAURA
Saura, Antonio: Grito n.º 7. Año de ingreso: 1988 (procedente de la ordenación de fondos del Museo Español de Arte Contemporáneo, MEAC) FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITACOLECCIÓNEXPOSICIONESACTIVIDADESPUBLICACIONESHORARIOS YTARIFAS
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación enred.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍAVISITCOLLECTIONEXHIBITIONSACTIVITIESPUBLICATIONSHOURS ANDTICKETS
The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.GORDON MATTA-CLARK
The deindustrialisation of New York City during the post-war period peaked in the early seventies and Gordon Matta-Clark was one of the people primarily responsible for the physical and social transformation of these disused industrial areas.RICHARD HAMILTON
In 1955, when Hamilton was a professor at the University of Newcastle upon Tyne, then Durham University, he conceived the project Man, Machine and Motion as an exhibition that would represent "a visual study of man’s relationship with moving machines", initially entitled Human Motion in Relation to Adaptive Appliances.The work was first mounted in 1955 in the Hatton Gallery, in NewcastleSALVADOR DALÍ
Dalí, Salvador: Maximum Speed of Raphael's Madonna. Salvador Dalí’s interest in new scientific discoveries, particularly quantum physics and nuclear physics, is ÁNGELA GARCÍA CODOÑER García Codoñer, Ángela: Self-Distraction. The Museo Reina Sofía radio station. The Museo Reina Sofía radio station CARNÉ DE USUARIO DE LA BIBLIOTECA JULIA MARGARET CAMERON Julia Margaret Cameron began to take photographs at the age of 48, specialising in portraits: she began with her family and friends and later photographed celebrities she met through her friendship with thepoet Lord Tennyson.
ANTONIO SAURA
Saura, Antonio: Grito n.º 7. Año de ingreso: 1988 (procedente de la ordenación de fondos del Museo Español de Arte Contemporáneo, MEAC) FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA The Collection of Museo Reina Sofía starts with the end of the 19th Century, addressing the conflicts between a dominant Modernity, understood as progress, and its multiple discontents, as an ideology under constant challenge both in the social and the political fronts, and the cultural and artistic ones.PASEO DEL ARTE CARD
Paseo del Arte Card. Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación en red. RETHINKING GUERNICA. PICASSO'S TWENTIETH-CENTURY WORK-ICON Museo Reina Sofía. Since it was first unveiled to the public at the Spanish Pavilion in Paris, 1937, Guernica travelled extensively around Europe and the Americas, before being sent to Spain in 1981, where it was housed in the Casón del Buen Retiro and, from 1992, in the MuseoReina Sofía.
GORDON MATTA-CLARK
Splitting (1974) shows the complex intervention of Gordon Matta-Clark on a building purchased by Horace and Holly Solomon, located in a mostly black neighbourhood of New Jersey, and slated for demolition as part of an urban renewal project.In the process, the local government had very quickly evacuated the families that resided in the building. The speed with which it was done left theALEXANDER CALDER
The Constellations series, begun in 1943, owes its title to the influence of Marcel Duchamp and the critic James Johnson Sweeney. Alexander Calder did a group of hanging mobiles and standing mobiles (‘stabiles’) in wood and wire which, decades later, in 1971, he related to Joan Miró’s Constelaciones, a series of 23 tempera paintings done between 1940 and 1941, which Calder saw in 1944JOAN JONAS - WIND
Museo en red. Collaboration with different agents and international political and cultural collectives PINTURA (HOMBRE CON PIPA) (PAINTING ) Jacques Dupin gives the name “oneiric paintings” to the group of pictures Joan Miró did in Paris in 1925, 1926 and 1927, which is to say the period that the artist was closest to Surrealist poetics.JOSEPH KOSUTH
Joseph Kosuth escribió: «El arte que yo denomino conceptual lo es porque se basa en una investigación en torno a la naturaleza del arte». One and Three Chairs (Una y tres sillas) se considera una de las primeras obras conceptuales que el artista concibió, siguiendo un criterio que él mismo calificó como «antiformalista» y que, con un sentido tautológico, se aproxima a una misma FUERA DEL CANON. LAS ARTISTAS POP EN LA COLECCIÓN A finales de la década de 1960 y durante la siguiente, el feminismo se convirtió en una lengua franca de carácter internacional que sirvió de eje para la obra de muchas artistas. En España, y pese a la dictadura, estos discursos reivindicativos tuvieron interesantes propuestas bajo el paraguas de un arte pop de acento local y discursoantifranquista.
EXPOSICIÓN
Joan Miró en Silos. In the same room of the Santo Domingo de Silos Monastery that exhibited the works of Antoni Tàpies and José María Sicilia, works by Joan Miró (Barcelona, 1893 - Palma de Mallorca, 1983) one of the most representative Spanish artists can now be seen. After numerous exhibitions of the artist in the Sabatini building dedicated to aspects of his career such as Miró Entradas Guías informativasHorarios y tarifas
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La Colección comienza a finales del siglo XIX, planteando los conflictos entre una modernidad dominante entendida como progreso y sus múltiples descontentos, siendo una ideología en impugnación constante tanto en los frentes social y político, como cultural y artístico. La vanguardia, en su reinvención del sujeto, del público y del medio artístico, se convierte en síntoma del nuevo siglo XX. Mientras que el Cubismo define la moderna mirada, el Dadaísmo y el Surrealismo liberan al sujeto de la represión moral y social. COLECCIÓN LA IRRUPCIÓN DEL SIGLO XX: UTOPÍAS Y CONFLICTOS ABIERTAPERMANENTEMENTE
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