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FACIAL CAPTURE
FLUX. Pioneered by Industrial Light & Magic engineers for Martin Scorsese’s Academy Award®-nominated film The Irishman, the FLUX system allows for filmmakers to capture facial data on set without the need for traditional head-mounted cameras on the actor. This allows creatives to immerse their talent in their scenes without thetechnology
3 NEW ILM STAGECRAFT STAGES COMING SOON & GLOBAL … Industrial Light & Magic today announced the next phase of its global expansion plan for the company’s virtual production and StageCraft LED volume services. ANT-MAN | INDUSTRIAL LIGHT & MAGIC Ant-Man. ILM was largely responsible for the design, development and visuals effects for the Quantum Realm sequences in Ant-Man. Inspired by images taken through electron microscopes, the visual effects team created specialized software which would allow artists to procedurally generate subatomic elements which could be visualized infinitely. MARVEL’S THE AVENGERS As the Visual Effects Supervisor for ILM, Jeff White supervised the creation of 700 shots that encompassed a wide variety of sequences. During production, he collaborated on-set with production VFX supervisor Janek Sirrs to oversee plate photography for ILM shots.GRADY COFER
Grady Cofer has been a creative catalyst at Industrial Light & Magic for over a decade. Committed to exploring the intersection of art and innovation and passionate about visual storytelling, Cofer has contributed to a number of ILM’s most groundbreaking visual effects projects. In 2009, Grady served as the Visual Effects Supervisor for NOAH | INDUSTRIAL LIGHT & MAGIC Noah. In addition to creating the Ark and the great flood as depicted in the biblical epic, ILM was tasked with helping Darren Aronofsky envision creatures such as the Watchers. Another challenge posed by the director was how to create a time-lapse depiction of 14 billion years of evolution. That took some time. 1. LONDON | INDUSTRIAL LIGHT & MAGIC ILM opened its London studio in 2014 with Creative Director, Ben Morris, and Executive in Charge of Production, Sue Lyster, at the helm. With increasing numbers of blockbuster films shooting in the U.K., the London studio was a natural step in ILM’s globalexpansion.
ROB BREDOW | INDUSTRIAL LIGHT & MAGIC Rob Bredow is a strategic and visionary leader with a unique understanding of how media and innovation can join forces to tell great stories and create groundbreaking experiences. As SVP, Chief Creative Officer of Industrial Light & Magic, Bredow is responsible for the company’s overall creative strategy, technology roadmap, PR,and Marketing.
VANCOUVER | INDUSTRIAL LIGHT & MAGIC Industrial Light & Magic. 21 Water St Suite 400 Vancouver, BC V6B 1A1 Canada. contact-van@ilm.com. 415-746-4700 415-746-4700 F9 | INDUSTRIAL LIGHT & MAGIC F9. F9 is the ninth chapter in the Fast & Furious Saga, which has endured for two decades and has earned more than $5 billion around the world. Vin Diesel’s Dom Toretto is leading a quiet life off the grid with Letty and his son, little Brian, but they know that danger always lurks just over their peaceful horizon.FACIAL CAPTURE
FLUX. Pioneered by Industrial Light & Magic engineers for Martin Scorsese’s Academy Award®-nominated film The Irishman, the FLUX system allows for filmmakers to capture facial data on set without the need for traditional head-mounted cameras on the actor. This allows creatives to immerse their talent in their scenes without thetechnology
3 NEW ILM STAGECRAFT STAGES COMING SOON & GLOBAL … Industrial Light & Magic today announced the next phase of its global expansion plan for the company’s virtual production and StageCraft LED volume services. ANT-MAN | INDUSTRIAL LIGHT & MAGIC Ant-Man. ILM was largely responsible for the design, development and visuals effects for the Quantum Realm sequences in Ant-Man. Inspired by images taken through electron microscopes, the visual effects team created specialized software which would allow artists to procedurally generate subatomic elements which could be visualized infinitely. MARVEL’S THE AVENGERS As the Visual Effects Supervisor for ILM, Jeff White supervised the creation of 700 shots that encompassed a wide variety of sequences. During production, he collaborated on-set with production VFX supervisor Janek Sirrs to oversee plate photography for ILM shots.GRADY COFER
Grady Cofer has been a creative catalyst at Industrial Light & Magic for over a decade. Committed to exploring the intersection of art and innovation and passionate about visual storytelling, Cofer has contributed to a number of ILM’s most groundbreaking visual effects projects. In 2009, Grady served as the Visual Effects Supervisor for NOAH | INDUSTRIAL LIGHT & MAGIC Noah. In addition to creating the Ark and the great flood as depicted in the biblical epic, ILM was tasked with helping Darren Aronofsky envision creatures such as the Watchers. Another challenge posed by the director was how to create a time-lapse depiction of 14 billion years of evolution. That took some time. 1. LONDON | INDUSTRIAL LIGHT & MAGIC ILM opened its London studio in 2014 with Creative Director, Ben Morris, and Executive in Charge of Production, Sue Lyster, at the helm. With increasing numbers of blockbuster films shooting in the U.K., the London studio was a natural step in ILM’s globalexpansion.
ROB BREDOW | INDUSTRIAL LIGHT & MAGIC Rob Bredow is a strategic and visionary leader with a unique understanding of how media and innovation can join forces to tell great stories and create groundbreaking experiences. As SVP, Chief Creative Officer of Industrial Light & Magic, Bredow is responsible for the company’s overall creative strategy, technology roadmap, PR,and Marketing.
INDUSTRIAL LIGHT & MAGIC Industrial Light & Magic |. Ahsoka Tano (Rosario Dawson) and the Magistrate (Diana Lee Inosanto) in Lucasfilm’s The Mandalorian (Season Two) with StageCraft real-time environments created by ILM's San Francisco studio. Augustine (George Clooney) sits in the Barbeau Observatory in The Midnight Sky. ABOUT US | INDUSTRIAL LIGHT & MAGIC Industrial Light & Magic is a Lucasfilm Ltd. company serving the digital needs of the entertainment industry for visual effects. ILM has been awarded 3 Emmy Awards, 15 Academy Awards for Best Visual Effects, and received 33 Academy Awards for Scientific and Technical Achievements that have had an indelible impact on the art offilmmaking.
MEET THE SUPES
MEET THE SUPES: FRAZER CHURCHILL. by Andrea Zavala | Jun 11, 2021 | Meet the Supes, Sydney News. Why did you decide to move to Sydney from London? My wife’s Australian so we’d been thinking about it for a while and the Australian government is getting very serious about incentivising and supporting film production, VFX and animation. AWARDS | INDUSTRIAL LIGHT & MAGIC Outstanding Animated Character in an Episode or Real-Time Project. 2021. VES|visual effects society. The Mandalorian: Chapter 9: The Marshal; Krayt Dragon. Nominated. Outstanding Animated Character in an Episode or Real-Time Project. 2021. VES|visual effects society. The Mandalorian: Chapter 15: The Believer; Morak Jungle.VFX PRODUCTIONS
industrial light & magic, ilm, the bulb and gear design logo are all registered service marks or service marks of lucasfilm ltd. © & ™2020 lucasfilm ltd.
ANT-MAN | INDUSTRIAL LIGHT & MAGIC Ant-Man. ILM was largely responsible for the design, development and visuals effects for the Quantum Realm sequences in Ant-Man. Inspired by images taken through electron microscopes, the visual effects team created specialized software which would allow artists to procedurally generate subatomic elements which could be visualized infinitely. NOAH | INDUSTRIAL LIGHT & MAGIC Noah. In addition to creating the Ark and the great flood as depicted in the biblical epic, ILM was tasked with helping Darren Aronofsky envision creatures such as the Watchers. Another challenge posed by the director was how to create a time-lapse depiction of 14 billion years of evolution. That took some time. 1.AVENGERS: ENDGAME
Although ILM had previously worked on eleven films in the Marvel Cinematic Universe, Avengers: Endgame brought a host of new and interesting challenges to the effects team. ILM Visual Effects Supervisor Russell Earl and Animation Supervisor Kevin Martel and their crew tackled some of the film’s most demanding work including the reinvention of Hulk who harnesses his power but at the same time RAIDERS OF THE LOST ARK Raiders of the Lost Ark. Renowned archeologist, Dr. Indiana Jones, is hired by the U.S. Government to find the Ark of the Covenant, which is believed to still hold the Ten commandments. Unfortunately, agents of Hitler are also after the Ark. ILM was instrumental in creating many of the notable sequences in Raiders, including the finale when the ROB BREDOW | INDUSTRIAL LIGHT & MAGIC Rob Bredow is a strategic and visionary leader with a unique understanding of how media and innovation can join forces to tell great stories and create groundbreaking experiences. As SVP, Chief Creative Officer of Industrial Light & Magic, Bredow is responsible for the company’s overall creative strategy, technology roadmap, PR,and Marketing.
INDUSTRIAL LIGHT & MAGIC | Industrial Light & Magic |. Ahsoka Tano (Rosario Dawson) and the Magistrate (Diana Lee Inosanto) in Lucasfilm’s The Mandalorian (Season Two) with StageCraft real-time environments created by ILM's San Francisco studio. Augustine (George Clooney) sits in the Barbeau Observatory in The Midnight Sky. VANCOUVER | INDUSTRIAL LIGHT & MAGIC Industrial Light & Magic. 21 Water St Suite 400 Vancouver, BC V6B 1A1 Canada. contact-van@ilm.com. 415-746-4700 415-746-4700 STAGECRAFT | INDUSTRIAL LIGHT & MAGICINDUSTRIAL LIGHT AND MAGICDOCUMENTARY
StageCraft. Innovation is in ILM’s DNA. Over the course of the past two decades, we have focused our R&D team on virtual production. Today, those tools & techniques are all incorporated together into ILM StageCraft, an end-to-end solution supporting all aspects of virtual production. StageCraft allows filmmakers to explore new ideas F9 | INDUSTRIAL LIGHT & MAGIC F9. F9 is the ninth chapter in the Fast & Furious Saga, which has endured for two decades and has earned more than $5 billion around the world. Vin Diesel’s Dom Toretto is leading a quiet life off the grid with Letty and his son, little Brian, but they know that danger always lurks just over their peaceful horizon.DRAGONSLAYER
Dragonslayer. Dragonslayer is notable as Industrial Light & Magic’s first non-Lucasfilm production. The film inspired the development of the Go-Motion process, where ILM’s motion-control technology was adapted to stop-motion-style puppet animation. Go Motion created the film’s realistic motion blur and smooth character articulation LONDON | INDUSTRIAL LIGHT & MAGIC ILM opened its London studio in 2014 with Creative Director, Ben Morris, and Executive in Charge of Production, Sue Lyster, at the helm. With increasing numbers of blockbuster films shooting in the U.K., the London studio was a natural step in ILM’s globalexpansion.
3 NEW ILM STAGECRAFT STAGES COMING SOON & GLOBAL … Industrial Light & Magic today announced the next phase of its global expansion plan for the company’s virtual production and StageCraft LED volume services.AVENGERS: ENDGAME
Although ILM had previously worked on eleven films in the Marvel Cinematic Universe, Avengers: Endgame brought a host of new and interesting challenges to the effects team. ILM Visual Effects Supervisor Russell Earl and Animation Supervisor Kevin Martel and their crew tackled some of the film’s most demanding work including the reinvention of Hulk who harnesses his power but at the same time INNERSPACE | INDUSTRIAL LIGHT & MAGIC Innerspace. After a science experiment gone wrong, a miniaturized Marine finds himself in the body of a hypochondriac — trying to outwit saboteurs who want the device that shrank him. ILM constructed (larger than life) scale sets representing internal body organs and pathways, which were photographed and composited with blue screenfootage of
HAL HICKEL | INDUSTRIAL LIGHT & MAGIC Hal Hickel joined Industrial Light & Magic in 1996 as an animator for The Lost World: Jurassic Park. His special interest in animation lies in the challenge of integrating fantastic characters and creatures into live-action films. He was promoted to Lead Animator on his second film and was responsible for animating several characters in Star INDUSTRIAL LIGHT & MAGIC | Industrial Light & Magic |. Ahsoka Tano (Rosario Dawson) and the Magistrate (Diana Lee Inosanto) in Lucasfilm’s The Mandalorian (Season Two) with StageCraft real-time environments created by ILM's San Francisco studio. Augustine (George Clooney) sits in the Barbeau Observatory in The Midnight Sky. VANCOUVER | INDUSTRIAL LIGHT & MAGIC Industrial Light & Magic. 21 Water St Suite 400 Vancouver, BC V6B 1A1 Canada. contact-van@ilm.com. 415-746-4700 415-746-4700 STAGECRAFT | INDUSTRIAL LIGHT & MAGICINDUSTRIAL LIGHT AND MAGICDOCUMENTARY
StageCraft. Innovation is in ILM’s DNA. Over the course of the past two decades, we have focused our R&D team on virtual production. Today, those tools & techniques are all incorporated together into ILM StageCraft, an end-to-end solution supporting all aspects of virtual production. StageCraft allows filmmakers to explore new ideas F9 | INDUSTRIAL LIGHT & MAGIC F9. F9 is the ninth chapter in the Fast & Furious Saga, which has endured for two decades and has earned more than $5 billion around the world. Vin Diesel’s Dom Toretto is leading a quiet life off the grid with Letty and his son, little Brian, but they know that danger always lurks just over their peaceful horizon.DRAGONSLAYER
Dragonslayer. Dragonslayer is notable as Industrial Light & Magic’s first non-Lucasfilm production. The film inspired the development of the Go-Motion process, where ILM’s motion-control technology was adapted to stop-motion-style puppet animation. Go Motion created the film’s realistic motion blur and smooth character articulation LONDON | INDUSTRIAL LIGHT & MAGIC ILM opened its London studio in 2014 with Creative Director, Ben Morris, and Executive in Charge of Production, Sue Lyster, at the helm. With increasing numbers of blockbuster films shooting in the U.K., the London studio was a natural step in ILM’s globalexpansion.
3 NEW ILM STAGECRAFT STAGES COMING SOON & GLOBAL … Industrial Light & Magic today announced the next phase of its global expansion plan for the company’s virtual production and StageCraft LED volume services.AVENGERS: ENDGAME
Although ILM had previously worked on eleven films in the Marvel Cinematic Universe, Avengers: Endgame brought a host of new and interesting challenges to the effects team. ILM Visual Effects Supervisor Russell Earl and Animation Supervisor Kevin Martel and their crew tackled some of the film’s most demanding work including the reinvention of Hulk who harnesses his power but at the same time INNERSPACE | INDUSTRIAL LIGHT & MAGIC Innerspace. After a science experiment gone wrong, a miniaturized Marine finds himself in the body of a hypochondriac — trying to outwit saboteurs who want the device that shrank him. ILM constructed (larger than life) scale sets representing internal body organs and pathways, which were photographed and composited with blue screenfootage of
HAL HICKEL | INDUSTRIAL LIGHT & MAGIC Hal Hickel joined Industrial Light & Magic in 1996 as an animator for The Lost World: Jurassic Park. His special interest in animation lies in the challenge of integrating fantastic characters and creatures into live-action films. He was promoted to Lead Animator on his second film and was responsible for animating several characters in Star STAGECRAFT | INDUSTRIAL LIGHT & MAGIC StageCraft. Innovation is in ILM’s DNA. Over the course of the past two decades, we have focused our R&D team on virtual production. Today, those tools & techniques are all incorporated together into ILM StageCraft, an end-to-end solution supporting all aspects of virtual production. StageCraft allows filmmakers to explore new ideas CREDITS | INDUSTRIAL LIGHT & MAGIC industrial light & magic, ilm, the bulb and gear design logo are all registered service marks or service marks of lucasfilm ltd. © & ™2020 lucasfilm ltd.
CONCEPT ART
industrial light & magic, ilm, the bulb and gear design logo are all registered service marks or service marks of lucasfilm ltd. © & ™2020 lucasfilm ltd.
READY PLAYER ONE
Ready Player One is set i n 2045, the planet is on the brink of chaos and collapse, but people find salvation in the OASIS: an expansive virtual reality universe that filmmaker Steven Spielberg challenged ILM to bring to life. Production Visual Effects Supervisor Roger Guyett, Animation Supervisor David Shirk, and the ILM visual effects teams in San Francisco, Singapore, Vancouver, and LondonTHE MIDNIGHT SKY
The Midnight Sky. For George Clooney’s The Midnight Sky, ILM provided virtual production services via ILM StageCraft as well as post visual effects work. Our visual effects team was responsible for terrestrial visual effects work depicting the fictional Barbeau Observatory and views from within as well as the lake crossing andflashback
3 NEW ILM STAGECRAFT STAGES COMING SOON & GLOBAL … Industrial Light & Magic today announced the next phase of its global expansion plan for the company’s virtual production and StageCraft LED volume services. MARVEL’S THE AVENGERS Marvel’s The Avengers. As the Visual Effects Supervisor for ILM, Jeff White supervised the creation of 700 shots that encompassed a wide variety of sequences. During production, he collaborated on-set with production VFX supervisor Janek Sirrs to oversee plate photography for ILM shots.GRADY COFER
Grady Cofer has been a creative catalyst at Industrial Light & Magic for over a decade. Committed to exploring the intersection of art and innovation and passionate about visual storytelling, Cofer has contributed to a number of ILM’s most groundbreaking visual effectsprojects.
ROB BREDOW | INDUSTRIAL LIGHT & MAGIC Rob Bredow is a strategic and visionary leader with a unique understanding of how media and innovation can join forces to tell great stories and create groundbreaking experiences. As SVP, Chief Creative Officer of Industrial Light & Magic, Bredow is responsible for the company’s overall creative strategy, technology roadmap, PR,and Marketing.
SAVING PRIVATE RYAN
Saving Private Ryan. Following the Normandy landings, a group of U.S. soldiers go behind enemy lines to retrieve a paratrooper whose brothers have been killed in action. ILM has always needed to react to what George Lucas wanted — that is, to add effects to footage* VISUAL EFFECTS
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Ahsoka Tano (Rosario Dawson) and the Magistrate (Diana Lee Inosanto) in Lucasfilm’s The Mandalorian (Season Two) with StageCraft real-time environments created by ILM's San Francisco studio.*
Augustine (George Clooney) sits in the Barbeau Observatory in The Midnight Sky. The view out the windows was rendered in real-time via Helios in ILM StageCraft.*
Elizabeth Olsen as Wanda Maximoff in Marvel Studios' Wandavision with effects by ILM's London studio.*
Visual effects play a key role in Paramount's The Stand. ILM's London & Vancouver TV teams contributed all manner of effects to the series.*
The Krayt dragon as created by ILM's Singapore studio in a scene from Lucasfilm's The Mandalorian, (Season Two)*
Rocket Racoon as seen in Marvel's Avengers: Endgame.*
Owen Grady (Chris Pratt) attempts to distract a T-Rex in Jurassic World: Fallen Kingdom.*
The Mandalorian (Pedro Pascal) and Grogu in Lucasfilm's The Mandalorian, (Season Two) as created by ILM's London Studio.*
Augustine (George Clooney) in the Barbeau Observatory in The Midnight Sky. Lighting and exterior snowscape provided by ILM StageCraft.1
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