Are you over 18 and want to see adult content?
More Annotations
A complete backup of https://mantradao.com
Are you over 18 and want to see adult content?
A complete backup of https://ryanckulp.com
Are you over 18 and want to see adult content?
A complete backup of https://3trois3.com
Are you over 18 and want to see adult content?
A complete backup of https://athleta.com
Are you over 18 and want to see adult content?
A complete backup of https://beefmagazine.com
Are you over 18 and want to see adult content?
A complete backup of https://callforcode.org
Are you over 18 and want to see adult content?
A complete backup of https://rockserwis.pl
Are you over 18 and want to see adult content?
A complete backup of https://cvonline.hu
Are you over 18 and want to see adult content?
A complete backup of https://albamargroup.com
Are you over 18 and want to see adult content?
A complete backup of https://fanboyplanet.com
Are you over 18 and want to see adult content?
A complete backup of https://natomasunified.org
Are you over 18 and want to see adult content?
A complete backup of https://mstdn.mx
Are you over 18 and want to see adult content?
Favourite Annotations
IMCC — International Medical Cooperation Committee
Are you over 18 and want to see adult content?
The Best Vintage and Professional Saxophones - www.GetASax.com
Are you over 18 and want to see adult content?
Fashiola.de - Kleidung online kaufen: vergleich und spar!
Are you over 18 and want to see adult content?
SDxCentral | Trusted News and Resources for SDx, SDN, NFV
Are you over 18 and want to see adult content?
A complete backup of topbabygears.com
Are you over 18 and want to see adult content?
Czytadelko.pl - Kochamy czytać książki.
Are you over 18 and want to see adult content?
Text
LESSIG
* home
* writing
* books
* articles
* essays
* medium __
* blog v.2 __
* blog v.1 __
* wiki __
* media
* video
*
* audio
* pics
* about
* Bio
* CV
* Disclosure
* gigs
* contact
_facebook_
_twitter_
_instagram_
_youtube_
_flickr_
__ __
* books
* articles
* essays
* medium __
* blog v.2 __
* blog v.1 __
* wiki __
FREE CULTURE
* About the Book
* Table of Contents
* Links & References * Derivatives/Remixes/Free Content Published by Penguin BooksPURCHASE FROM:
* Amazon: supporting the Creative Commons project * Amazon: supporting Public Knowledge * or support your local booksellerABOUT THE BOOK
Lawrence Lessig could be called a cultural environmentalist. One of America’s most original and influential public intellectuals, his focus is the social dimension of creativity: how creative work builds on the past and how society encourages or inhibits that building with laws and technologies. In his two previous books, CODE and THE FUTURE OF IDEAS , Lessig concentrated on the destruction of much of the original promise of the Internet. Now, in FREE CULTURE, he widens his focus to consider the diminishment of the larger public domain of ideas. In this powerful wake-up call he shows how short-sighted interests blind to the long-term damage they’re inflicting are poisoning the ecosystem that fosters innovation. All creative works—books, movies, records, software, and so on—are a compromise between what can be imagined and what is possible—technologically and legally. For more than two hundred years, laws in America have sought a balance between rewarding creativity and allowing the borrowing from which new creativity springs. The original term of copyright set by the First Congress in 1790 was 14 years, renewable once. Now it is closer to two hundred. Thomas Jefferson considered protecting the public against overly long monopolies on creative works an essential government role. What did he know that we’ve forgotten? Lawrence Lessig shows us that while new technologies always lead to new laws, never before have the big cultural monopolists used the fear created by new technologies, specifically the Internet, to shrink the public domain of ideas, even as the same corporations use the same technologies to control more and more what we can and can’t do with culture. As more and more culture becomes digitized, more and more becomes controllable, even as laws are being toughened at the behest of the big media groups. What’s at stake is our freedom—freedom to create, freedom to build, and ultimately, freedom to imagine. ------------------------- > "FREE CULTURE is an entertaining and important look at the past and > future of the cold war between the media industry and new> technologies."
>
> -- Marc Andreessen, cofounder of Netscape ------------------------- > "The twenty-first century could be the century of unprecedented > creativity, but only if we embrace the brilliantly articulated > messages in Lawrence Lessig's FREE CULTURE. This book is beautifully > written, crisply argued, and deeply provocative. Please read it!">
> -- John Seely Brown, coauthor of THE SOCIAL LIFE OF INFORMATION and > former Chief Scientist, Xerox PARC ------------------------- > "America needs a national conversation about the way in which > so-called 'intellectual property rights' have come to dominate the > rights of scholars, researchers, and everyday citizens. A copyright > cartel, bidding for absolute control over digital worlds, music, and > movies, now has a veto over technological innovation and has halted > most contributions to the public domain from which so many have > benefited. The patent system has spun out of control, giving > enormous power to entrenched interests, and even trademarks are > being misused. Lawrence Lessig's latest book is essential reading > for anyone who want to join this conversation. He explains how > technology and the law are robbing us of the public domain; but for > all his educated pessimism, Professor Lessig offers some solutions, > too, because he recognizes that technology can be the catalyst for > freedom. If you care about the future of innovation, read this> book."
>
> -- Dan Gillmor, author of MAKING THE NEWS, an upcoming book on the > collision of media and technology ------------------------- > "FREE CULTURE goes beyond illuminating the catastrophe to our > culture of increasing regulation to show examples of how we can make > a different future. These new-style heroes and examples are rooted > in the traditions of the founding fathers in ways that seem obvious > after reading this book. Recommended reading to those trying to > unravel the shrill hype around 'intellectual property.'">
> -- Brewster Kahle, founder of the Internet ArchiveTAGS:
TABLE OF CONTENTS
PREFACE
xiii
INTRODUCTION
1
“PIRACY”
15
CHAPTER ONE: Creators21
CHAPTER TWO: “Mere Copyists”31
CHAPTER THREE: Catalogs48
CHAPTER FOUR: “Pirates”53
Film
53
Recorded Music
55
Radio
58
Cable TV
59
CHAPTER FIVE: “Piracy”62
Piracy I
63
Piracy II
66
“PROPERTY”
81
CHAPTER SIX: Founders85
CHAPTER SEVEN: Recorders95
CHAPTER EIGHT: Transformers100
CHAPTER NINE: Collectors108
CHAPTER TEN: “Property”116
Why Hollywood Is Right124
Beginnings
130
Law: Duration
133
Law: Scope
136
Law and Architecture: Reach139
Architecture and Law: Force147
Market: Concentration161
Together
168
PUZZLES
175
CHAPTER ELEVEN: Chimera177
CHAPTER TWELVE: Harms183
Constraining Creators184
Constraining Innovators188
Corrupting Citizens
199
BALANCES
209
CHAPTER THIRTEEN: Eldred213
CHAPTER FOURTEEN: Eldred II248
CONCLUSION
257
AFTERWORD
273
Us, Now
276
Rebuilding Freedoms Previously Presumed: Examples277
Rebuilding Free Culture: One Idea282
Them, Soon
287
1. More Formalities
287
Registration and Renewal289
Marking
290
2. Shorter Terms
292
3. Free Use Vs. Fair Use294
4. Liberate the Music—Again296
5. Fire Lots of Lawyers304
NOTES
307
ACKNOWLEDGMENTS
331
INDEX
333
LINKS & REFERENCES
Throughout FREE CULTURE, there are references to links on the World Wide Web. As anyone who has tried to use the Web knows, these links can be highly unstable. This page attempts to remedy the instability. If the original link remains alive, you will be redirected to that link. If the original link has disappeared, you will be redirected to an appropriate reference for the material. To report a broken link, email findkalvin@gmail.com.1
http://fecha.org/saints.htm2
http://www.pewinternet.org/reports/toc.asp?Report=88.3
http://www.s-t.com/daily/08-96/08-23-96/b02li056.htm4
http://wso.williams.edu/~dgerstei/cartoonmusic5
http://writ.news.findlaw.com/commentary/20020305_sprigman.html6
"Copyright Registration and Renewals"7
http://www.cadalyst.com/solutions/adt/0202adt/0202adt.htm8
http://www.eonline.com/news/article/index.jsp?uuid=810574d5-1caf-4ca0-b6ae-e2c063faf29e9
http://pc.ign.com/articles/135/135330p1.html10
http://www.ojr.org/ojr/kramer/1044260857.php11
http://www.cobbles.com/simpp_archive/edison_trust.htm12
http://web.archive.org/web/20030223012726/ http://www.silentsmajority.com/Bison/article1.htm13
http://www.nmpa.org/music101/copyrights.asp14
http://www.ifpi.org/content/library/piracy2003.pdf15
http://www.riaa.com/news/marketingdata/pdf/year_end_2002.pdf16
http://www.riaa.com/news/newsletter/062503_c.asp17
http://www.interaction-ivrea.it/theses/2002-03/m.chiesa/websites/07/07.htm18
http://www.futureofmusic.org/images/FMC_testimony_4.3.01.pdf19
http://www.bookhunterpress.com/index.cgi/survey.html?id=IYimYaeP20
http://www.narm.com/research_stats/annualsurveys/annualreport.pdf21
http://news.findlaw.com/hdocs/docs/napster/transcript071101.pdf22
http://www.acquisition.gov/comp/seven_steps/library/SevenSteps_execversion.pdf23
http://www.businessweek.com/1999/99_31/b3640098.htm24
http://www.forbes.com/2003/10/06/cz_cs_1006kodak.html?partner=cmp25
http://www.dklevine.com/archive/copyright1790.pdf26
http://www.legalaffairs.org/issues/July-August-2003/feature_zittrain_julaug03.html27
http://www.eff.org/IP/DMCA/Felten_v_RIAA/faq_felten.html28
http://wc.wustl.edu/cg/HillSpeech.PDF29
http://streaming.wustl.edu/weidenbaum/conferences/entertainment-economics/30
http://www.senate.gov/~commerce/pdf/kimmelman052203.pdf31
http://www.alternet.org/story.html?StoryID=1576832
http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2003/06/16/BA205637.DTL33
http://cyber.law.harvard.edu/home/uploads/254/2003-05.pdf34
http://www.latimes.com/la-fi-berman17jul17,0,6392172.story35
http://media.www.redandblack.com/media/storage/paper871/news/2003/08/26/News/Downloading.Could.Lead.To.Fines-2578287.shtml36
http://www.boston.com/dailyglobe2/220/business/ RIAA_steps_up_bid_to_force_BC_MIT_to_name_students+.shtml37
global.mci.com/news/news2.xml?newsid=8030&mode=long&lang=en&mode=long&width=530&root=/ca/&subroot=news/news2.xml38
http://www.ama-assn.org/amednews/2003/07/28/gvl10728.htm39
http://www.cbsnews.com/stories/2003/07/08/politics/main562133.shtml40
http://www.wired.com/news/culture/0,1284,59501,00.html41
http://www.illegal-art.org/42
http://dir.salon.com/tech/feature/2001/06/01/digital_music/index.html?sid=103263443
http://www.free-culture.cc/notes/43.pdf44
http://cyber.law.harvard.edu/home/uploads/254/2003-05.pdf45
http://cyber.law.harvard.edu/JZCARP.pdf46
http://www.pewinternet.org47
Dead link-- current location unknown48
http://www.internetnews.com/bus-news/article.php/157710149
Dead link-- current location unknown50
http://www2.cnn.com/ALLPOLITICS/1998/08/10/cq/disney.html51
http://eon.law.harvard.edu/openlaw/eldredvashcroft/supct/opp-amici/nashville.pdf52
http://eon.law.harvard.edu/openlaw/eldredvashcroft/supct/opening-brief.pdf53
http://cyber.law.harvard.edu/openlaw/eldredvashcroft/cert/archive-amicus.html54
http://www.lessig.org/blog/archives/jasonfinal.pdf55
http://www.iprcommission.org56
http://www.wipo.org/about-ip/en/studies/pdf/iipi_hiv.pdf57
http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/1999/05/24/MN104738.DTL58
http://www.foreignpolicy-infocus.org/briefs/vol4/v4n23aids.html59
http://www.washingtonpost.com/wp-dyn/articles/A23422-2003Aug20.html60
http://nationaljournal.com/cgi-bin/ifetch4?ENG+ALL-_-ALL_PUBS+7-cr0199+1188370-DBSCORE+256+28+30821+F+1+3+1+Global+AND+Group%27s+AND+Shift61
http://nationaljournal.com/cgi-bin/ifetch4?ENG+TECHNOLOGY_DAILY-_-TD_SITE+7-techdaily0199+1175186-REVERSE+0+0+30822+F+2+2+1+u%2es%2e+AND+official+AND+opposes+AND+open+AND+source62
http://www.aei.brookings.org/publications/abstract.php?pid=29663
http://www.microsoft.com/presspass/exec/craig/05-03sharedsource.asp64
http://www.washingtonpost.com/wp-dyn/articles/A23422-2003Aug20.html65
http://news.com.com/2100-1023-5072564.html66
http://money.cnn.com/2003/09/08/technology/riaa_suits/67
http://www.wired.com/news/digiwood/0,1412,60366,00.html68
http://www.mtv.com/news/articles/1478649/20030917/eminem.jhtml?headlines=true69
Dead link-- current location unknown70
http://www.bbc.co.uk/pressoffice/pressreleases/stories/ 2003/08_august/24/dyke_dunn_lecture.shtml71
http://creativecommons.org/weblog/entry/378872
http://stlr.stanford.edu/STLR/Articles/01_STLR_1/index.htm73
http://www.willfulinfringement.com74
http://www.economist.com/opinion/displayStory.cfm?story_id=154722375
http://www.vba.va.gov/pubs/forms/21-526.pdf76
http://www.japaninc.com/mmw1277
http://www.law.harvard.edu/faculty/tfisher/Music.html78
http://cyber.law.harvard.edu/people/tfisher/PTKChapter6.pdf79
http://papers.ssrn.com/sol3/papers.cfm?abstract_id=46818080
http://www.ipuf.org/ipuf/BidenReportLetterBA.htm81
http://www.ipuf.org/ipuf/ipuf.htm82
http://www.usatoday.com/tech/news/2002/05/14/music-kazaa.htm83
http://ieeexplore.ieee.org/iel5/6/21153/981857/981857.html?tp=&arnumber=981857&isnumber=2115384
http://news.com.com/2008-1082-955417.html85
http://www.wired.com/wired/archive/1.03/1.3_stallman.copyright.html86
http://papers.ssrn.com/sol3/papers.cfm?abstract_id=414162 DERIVATIVES/REMIXES/FREE CONTENT FREE CULTURE is available for FREE under a Creative Commons license. You may redistribute, copy, or otherwise reuse/remix this book provided that you do so for non-commercial purposes and creditProfessor Lessig.
For the full license, click here.
To make your creative work more easily available to others, click here.
This video
(or .ogg
)
and this video
(or
.ogg )
explain why this is so important.As does this book:
Click to Download FREE CULTURE(PDF)
(also available in many other formats)
or
FREE CULTURE (bittorrent)PRE-MIXES
Free Culture - The Flash Presentation(or .pdf
w/P22 font or audio-only .mp3/.ogg)
Free Culture - The Book (.pdf)TRANSLATIONS
Chinese , Catalan
, French (PDF
,
on paper from lulu.com,
ePub
,MOBI
,
wiki ), Hungarian
, Italian
, Norwegian
,
on paper from lulu.com,
ePub
,
MOBI
),
Polish , Spanish
AUDIO/SPOKEN
AKMA , "Free
Culture" popup audiobook , Noa Resare (single download) , Pirates (PJ,Groklaw)
AUDIO/SYNTHESIZED
Ted Gilchrist
EXTENDED OUTLINE
Dan Krimm
HTML
ebooks.helptools.net , Hans Schou, Trevor Smith
,
Elegant Ebooks ,
NowIs (with improved footnotes)NEWTON
freeculture.hmkdt.id.auPALM
Sander Claassen
, Mark Jordan
,
portrait
),
Plain Text
PC: firasd.org
, Paul
Schreiber
(Canadian Edition) MAC:FreeCulture.txtand FreeCulture.sit
(from
spiritwritings.com) LINUX/UNIX: SiSU (Ralph Amissah)PLUCKER
NowIs (with improved footnotes)POSTSCRIPT
Alphamonkey.org
SGML
Petter Reinholdtsen
,
Hans Schou
DOCBOOK XML
Petter Reinholdtsen
WINDOWS CHM
eBooks
updated: 1 year ago
* They Don't
Represent US
* Fidelity &
Constraint
* America,
Compromised
* Republic, Lost v2
* The USA is
Lesterland
* One Way Forward
* Republic, Lost
* Remix
* Codev2
* Free Culture
* The Future of
Ideas
* Code
Lessig Website by Lessig is licensed under a Creative Commons Attribution 4.0 International Licensea site
Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0