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November 2018
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Essay
END OF AN ERA
by Leah Baltus and Amanda Manitach and Dan Paulus and Gemma Wilson and Jonathan ZwickelNovember 8, 2018
We have some big, sad news. A message from our editorial team.Premiere
VERNOX, “FLESHYFORMS”by Jonathan Zwickel
November 7, 2018
Q&A
EXIT INTERVIEW: WESLEY FRUGÉ AND FORWARD FLUXby Gemma Wilson
November
6, 2018
TOP STORIES
1.
CONSTANT LOVERS ROCK BARBOZA, HALLOWEEN WITH BRUCE BICKFORD, INUA ELLAMS’ HIT PLAY, MARGIE LIVINGSTON’S “DRAG” PAINTINGS ANDMORE
by City Arts Staff
2.
MANIFESTING OPTIMAL GRATITUDEby Brett Hamil
3.
SHOUT YOUR ABORTION’S AMELIA BONOW IS READY TO FIGHTby Leah Baltus
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Review
THE WILLIAMS PROJECT’S ‘A BRIGHT ROOM CALLED DAY’by Dusty Somers
November
6, 2018
A thin membrane between reality and nightmare and past and present runs through Tony Kushner’s 1985 play, set in 1930s Germany.Review
HAS SOCIAL MEDIA MADE MIKE DAISEY OBSOLETE?by Gemma Wilson
November
2, 2018
I only saw one episode of the monologist’s new 18-part work ‘A People’s History,’ inspired by Howard Zinn. He's still a great performer, but is he saying anything we haven't heard before?Feature
HISTORICAL PRESERVATION: WHAT’S WORTH SAVING?by Margo Vansynghel
October 26, 2018
In a city changing under our feet, holding onto the past can be an existential endeavor. But what gets preserved? Historical buildings associated with minorities are less likely to get landmarked—so some are working to set the record straight.Q&A
AT GLASS BOX, ZACK BENT BLURS ART AND LIFEby Margo Vansynghel
November 1, 2018
Q&A
DANCER / CHOREOGRAPHER KYLE DAVIS ON HIS MOST AMBITIOUS WORK YETby Rachel Gallaher
November 1, 2018
Review
‘RE/33: 33 FAINTING SPELLS REVISITED’ TRACES AN EMOTIONAL AND AESTHETIC DANCE LINEAGEby Kaitlin McCarthy
October 31, 2018
Preview
STRANGER THAN PARADISE: THE GRAND ILLUSION SHOWCASES EARLY JIMJARMUSCH
by Tony Kay
October 31, 2018
FROM THE MAGAZINE
Feature
PAYING THEATER ARTISTS FAIR WAGES IS HARD. BUT WHY DO WE CONSIDER ITOPTIONAL?
by Gemma Wilson
October
26, 2018
We need to talk about money. MORE FROM THIS ISSUE __CALENDAR
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November 5, 2018
BOUNCE QUEEN BIG FREEDIA, CLYDE PETERSEN AT BAM, ‘JUAN PALMIERI,’ SIFF’S ITALIAN FILM FESTIVAL, ‘MATILDA THE MUSICAL’ AND MOREReview
THE ENDURING EFFECTS OF ‘OSLO’by Gemma Wilson
October
31, 2018
Preview
‘THE PRICE OF EVERYTHING’: A DOC ABOUT THE FRENZIED ART MARKETCOMES TO NWFF
by Margo Vansynghel
October 30, 2018
Premiere
“GET YOU ALONE” BY GOLDEN IDOLSby Jonathan Zwickel
October 29, 2018
Preview
‘ROUTES OF SLAVERY’ PRESERVES HUMANITYby Maggie Molloy
October
26, 2018
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