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AMERICAN SUBURB X
Since 2008, an Epicenter for Art & Photography. Jardín de Mi Padre: An Interview with Luis Carlos Tovar. Kosuke Okahara Blue Affair. Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
JARDÍN DE MI PADRE: AN INTERVIEW WITH LUIS CARLOS TOVAR The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his SEIICHI FURUYA & CHRISTINE GÖSSLER FACE TO FACE Seiichi Furuya & Christine Gössler’s Face to Face (Chose Commune, Dec. 2020) is a proposition which sees Furuya completing his life’s work with the final cycle of his Mémoires. Mémoires is essentially an homage to Christine Gössler; his partner and their son. The Mémoires cycle exists in a somewhat mythological state due to its THE MISSING PHOTOGRAPHS: AN EXAMINATION OF DIANE ARBUS’S Seated Transvestite with Crossed Ankles, N.Y.C., 1966 Since there were few spaces for photographers to exhibit or sell their work in the late fifties, Arbus had to continually seek out magazine work. The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestitesand Homos
RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. AN INTERVIEW WITH ANDY WARHOL An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981) Posted on May 24, 2013. March 26, 2019. by Editorial @ ASX. Jean-Micheal Basquiat. This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As aportraitist
ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) Robert Adams -“Summer Nights Walking” (2009) As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of security as you button BILLY MONK – “CAPE TOWN NIGHTCLUB” (1967-1969) – AMERICAN Billy Monk worked as a bouncer in the notorious Catacombs club in the dock area of Cape Town during the 1960s. For just two years, 1967 to 1969, he captured the raw energy of the club, its decadence and tragedy, its humanity and joy. They provideAMERICAN SUBURB X
Since 2008, an Epicenter for Art & Photography. Jardín de Mi Padre: An Interview with Luis Carlos Tovar. Kosuke Okahara Blue Affair. Thana Faroq: I Don’t Recognize Me in the Shadows. Keld Helmer-Petersen Photographs 1941-2013. Alexander Rosenkranz: CITY CUT OFF. GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
JARDÍN DE MI PADRE: AN INTERVIEW WITH LUIS CARLOS TOVAR The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his SEIICHI FURUYA & CHRISTINE GÖSSLER FACE TO FACE Seiichi Furuya & Christine Gössler’s Face to Face (Chose Commune, Dec. 2020) is a proposition which sees Furuya completing his life’s work with the final cycle of his Mémoires. Mémoires is essentially an homage to Christine Gössler; his partner and their son. The Mémoires cycle exists in a somewhat mythological state due to its THE MISSING PHOTOGRAPHS: AN EXAMINATION OF DIANE ARBUS’S Seated Transvestite with Crossed Ankles, N.Y.C., 1966 Since there were few spaces for photographers to exhibit or sell their work in the late fifties, Arbus had to continually seek out magazine work. The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestitesand Homos
RALPH EUGENE MEATYARD: LEARNING TO SEE ‘NO-FOCUS’ (2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.”. Working roughly 30 years before Uta Barth, Meatyard, an optician who practiced photography, began the project because of his initial attraction to the out-of-focus backgrounds in some of his images. AN INTERVIEW WITH ANDY WARHOL An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981) Posted on May 24, 2013. March 26, 2019. by Editorial @ ASX. Jean-Micheal Basquiat. This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As aportraitist
ARIANNA ARCARA & LUCA SANTESE Arianna Arcara and Luca Santese, both Italian photographers, also went to the Motor City to explore these blighted American landscapes, instead they found photographs and took a different, and remarkable approach. The result, Found Photos in Detroit, is an oversized hardcover with brown paper binding and no dust jacket. ROBERT ADAMS -“SUMMER NIGHTS WALKING” (2009) Robert Adams -“Summer Nights Walking” (2009) As the summer night falls and the crickets chirp, the sky slightly aglow from the street lamps, the stillness comes. And the stillness of the summer dark lays over the land like a warm blanket surrounding a child and it becomes a paradox. The blanket gives the impression of security as you button BILLY MONK – “CAPE TOWN NIGHTCLUB” (1967-1969) – AMERICAN Billy Monk worked as a bouncer in the notorious Catacombs club in the dock area of Cape Town during the 1960s. For just two years, 1967 to 1969, he captured the raw energy of the club, its decadence and tragedy, its humanity and joy. They provide GALLERIES – AMERICAN SUBURB X Richard Billingham: “Ray’s a Laugh”. MALICK SIDIBE: “PORTRAITS” (1960-1980) Roswell Angier: “Combat Zone”. HenryK: “My Kind of Town”. Dorothea Lange: San Francisco (1935-1939) Billy Monk – “Cape Town Nightclub” (1967-1969) Alexis Penney – Sore, 2014. William Reagh Loved Los Angeles and He Was Faithful to Her for50
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Explore the latest photography. Robert Adams on Working at Home and Photography as Metaphor (2009) Shape of Light: One Hundred Years of Zombietude. An Interview with Anna Fox (2013) Daido Moriyama – “An Evening with Daido Moriyama” (2011) Feng Li: White Nights & The Grayness of Skies. Aaron Schuman: Remote Hereditary Object-hood inFOLK.
CONTEMPORARY PHOTOGRAPHY Explore Contemporary Photography. An Open Letter to Felicity Hammond From Art Rotterdam/The New Unseen. Gaechter & Clahsen: Fünf Finger Föhn Frisur. Roger Ballen – “Selfportrait” (2011) Alec Soth – Photographer (2019) Anton Roland Laub Last Christmas (of Ceaușescu) Monsanto’s Corporate Horror: An Interview with Mathieu Asselin. LOGO 3 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture.WARHOL GRID
Since 2008, an epicenter for photography, art and culture. PINK 2 – AMERICAN SUBURB X Since 2008, an epicenter for photography, art and culture. FIRE – AMERICAN SUBURB X “Searles believes that everything in nature has a soul, and these images show her desire to connect with it, calibrating color and composition to establish actual and abstract relations between time, culture, and the natural world.” KOSUKE OKAHARA BLUE AFFAIR I do not remember the majority of my dreams. I am told that I often erupt from the fugue state of sleep in panic, screaming, and moaning. The times that I do remember my dreams, something awful is occurring in them. They seem to be hinged on the anxiety associated with flightor
A STATEMENT BY ROBERT FRANK (1958) A Statement by Robert Frank (1958) With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion. I am grateful to the Guggenheim Foundation for their confidence and the provisions they made for me to work freely in my medium over a protracted period. AN INTERVIEW WITH EDWARD HOPPER, JUNE 17, 1959 The interview was conducted by John Morse for the Archives of American Art, Smithsonian Institution. JOHN MORSE: This is an interview with the American painter and etcher Edward Hopper conducted by John D. Morse for the Archives of. American Art. It is being recorded in the board room of the Whitney museum on June 17, 1959.Skip to content
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SINCE 2008, AN EPICENTER FOR ART & PHOTOGRAPHY. The Flame’s Virtues: Leslie Searles’ ¿Quién inicia esteincendio?
Anne Immelé Oublie Oublie Interview: How To Look Natural in Photos Jenna Westra Afternoons Jardín de Mi Padre: An Interview with Luis Carlos Tovar Kosuke Okahara Blue Affair Thana Faroq: I Don’t Recognize Me in the Shadows Keld Helmer-Petersen Photographs 1941-2013 Alexander Rosenkranz: CITY CUT OFF The Modesty of Fundamental Signs: Recent Books by Pablo López Luz Massimiliano Tommaso Rezza PSALM Eiko Grimberg RÜCKSCHAUFEHLER Gerry Johansson Esker Eiji Ohashi: Roadside Lights Seasons: Winter Marco Marzocchi: How To Destroy Everything Pacifico Silano I Wish I Never Saw the Sunshine Jermaine Francis Something That Seems So Familiar Becomes Distant Erik Gustafsson This is Farewell INTERVIEW HIGHLIGHTS. An Interview with Thomas Sauvin: On Smoker’s Ettiquette and theRight to Nitrate
A Short Interview with Saul Leiter (2013) A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’ Francis Bacon – Photographs, Painting, Destructive Criticism andMore
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Maja Daniels: The Elf Dalia Interview Interview of Lise Sarfati by François Adragna (2012) Antoine d’Agata: Your Dishonesty is the Codex for My Vitriol Lewis Baltz on ‘New Topographics and Exhibition ‘Remakes’ (‘AVery Bad Idea’)
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Andreas Gursky and ‘The Iron Cage of Boredom’ Thomas Ruff: Aesthetic of the Pixel Notes on Five Key Jean-Michel Basquiat Works Jean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000) The Animals and Their Keepers: Garry Winogrand and Photography AfterSeptember 11th
Diane Arbus MoMA Exhibition Wall Label Text (1972)REVIEW HIGHLIGHTS.
Xiaopeng Yuan: The Liminality of Capitalist Anxiety William Klein’s Tokyo Pop Where You Weren’t When We Were: SMILER We Continue On Blithely With Our Own Economic Flagellation (2014) Walter Keller: Beruf: Verleger. A Tribute Vincent Ferrané: Iconography XXV Figures of Jeanne Damas Vasantha Yogananthan’s Afterlife Ute and Werner Mahler: Kleinstadt Keep and Kin Ursula Schulz-Dornburg: Yerevan 1996/1997 Understanding Guido Guidi: In Veneto and Lunario Udo Hesse: Tagesvisum Ost-Berlin Torbjørn Rødland’s Confabulations! Sweet Box Cutter ButterA SiteOrigin Theme
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