Are you over 18 and want to see adult content?
More Annotations
![DomZdrowia.pl - informacje o zdrowiu i urodzie](https://www.archivebay.com/archive/15ef819c-d494-4de2-8aee-80bdd94d3d5d.png)
DomZdrowia.pl - informacje o zdrowiu i urodzie
Are you over 18 and want to see adult content?
![zauberbox.at: Magicshop für Zaubertricks und Zauberartikel](https://www.archivebay.com/archive/122c7c87-8506-433d-8192-5ac3672bc3bb.png)
zauberbox.at: Magicshop für Zaubertricks und Zauberartikel
Are you over 18 and want to see adult content?
![Custom Clothing | Made-to-order | Less-waste | Fame & Partners](https://www.archivebay.com/archive/42bce376-b355-45e7-9ecb-d2447a81fa5f.png)
Custom Clothing | Made-to-order | Less-waste | Fame & Partners
Are you over 18 and want to see adult content?
![Помидор (томат) - свойства, сорта, выращивание, теплице, рецепты, листья, болезни.](https://www.archivebay.com/archive/5fea9f2c-46f8-4cea-8f6a-2c4d68998a5f.png)
Помидор (томат) - свойства, сорта, выращивание, теплице, рецепты, листья, болезни.
Are you over 18 and want to see adult content?
![Всё для развития детей - Сайт для детей и их родителей - Gamejulia](https://www.archivebay.com/archive/c407035b-6a43-42d9-853a-fa4fc5c45f6e.png)
Всё для развития детей - Сайт для детей и их родителей - Gamejulia
Are you over 18 and want to see adult content?
![Empregos RJ - O seu guia de Empregos no Rio de Janeiro](https://www.archivebay.com/archive/183109d2-f575-4113-a1d3-db96029b8b25.png)
Empregos RJ - O seu guia de Empregos no Rio de Janeiro
Are you over 18 and want to see adult content?
![Condado Vanderbilt Hotel | Luxury Hotel in San Juan, Puerto Rico](https://www.archivebay.com/archive/0eb3d409-7c82-4a26-bc32-2bef8e4de811.png)
Condado Vanderbilt Hotel | Luxury Hotel in San Juan, Puerto Rico
Are you over 18 and want to see adult content?
Favourite Annotations
![A complete backup of berlevaagnytt.com](https://www.archivebay.com/archive2/1621ee3e-dda0-4b64-8cc0-488e85680f30.png)
A complete backup of berlevaagnytt.com
Are you over 18 and want to see adult content?
![A complete backup of welcomehomeblog.com](https://www.archivebay.com/archive2/18928a90-abfa-4b7b-9cd7-72d94c8fb2c8.png)
A complete backup of welcomehomeblog.com
Are you over 18 and want to see adult content?
![A complete backup of simplemindsimplemath.weebly.com](https://www.archivebay.com/archive2/a480a04c-4085-47d5-8c56-6a2085d08fca.png)
A complete backup of simplemindsimplemath.weebly.com
Are you over 18 and want to see adult content?
![A complete backup of refranenmano.blogspot.com](https://www.archivebay.com/archive2/6047aea6-e910-43f1-b2ae-8732a1a76a20.png)
A complete backup of refranenmano.blogspot.com
Are you over 18 and want to see adult content?
Text
apply
TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING These weights however do refer to a specific width measurement within the font: the average stem width. Stems are the upright strokes in any character, such as an H, T, I, b, f, 1 etc. My original, Rig Shaded, had three weights: Light, Medium and Bold*. These were created with two Masters** whose weights were Light, with a stem width of 47, and “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING 4. Choose the Right Font. It’s important to find the right type of font for the purpose of the design. Optical size is based on factors such as weight, x-height, spacing and contrast. For example, if you need a font for a short space, display fonts offer high-contrast characters and a narrower width. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING José Scaglione and Veronika Burian, 2009. Chosen 3 times. Adelle is a slab serif typeface conceived for intensive editorial use, mainly in newspapers and magazines but its personality and flexibility make it very adaptable.“Adelle Sans manages to capture one of the most desired of human emotions: cheerfulness.”. NINETEENTH CENTURY ORNAMENTED TYPES AND TITLE... Nineteenth Century Ornamented Types and Title Pages, Nicolette Gray, 1938 I managed to get a copy of this wonderful book this week. Flicking through the pages, I realised that I’m familiar with many of the specimens as they’ve been shared online before. I’ve hastily pulled together some snaps here just to give a feel for the content. Gray documents the origins of many font styles that we GLOSSARY OF DESIGN TERMS I LOVE THESE LITTLE... Glossary of Design Terms I love these little design booklets by Turkish designer, Volkan Olmez. They were created for presentation at the Turkish Society of Graphic Designers. Each colourful pocket size book describes a common design term such as Amorphous, Contour, Transform or Vector. MONOTYPE RECORDER: RELAUNCH IF YOU’VE BEEN TO ANY Monotype Recorder: Relaunch If you’ve been to any of the Monotype exhibitions over the last couple of years you may have seen the beautiful, faded copies of the Monotype Recorder, a printed magazine that seemed to recede with metal type. The original magazine first published over 100 years ago has been redesigned and re-imagined, reinvigorating its original beauty and compelling content. The XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING The official blog of 8 Faces magazine. Featuring inspirational typography, beautiful lettering, reviews, interviews with leading designers. Curated by Jamie Clarke with Elliot Jay Stocks. TYPOGRAPHER’S TYPEFACES THE 25 MOST ADMIRED... Typographer’s typefaces The 25 most admired typefaces by typographers, type designers and letterers. Selecting the right typeface makes all the difference to effective design and communication. But with over 100,000 font families to pick from it can be a daunting task. There are some excellent guides on how to choose a typeface and helpful methods for pairing typefaces but in order toapply
TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING These weights however do refer to a specific width measurement within the font: the average stem width. Stems are the upright strokes in any character, such as an H, T, I, b, f, 1 etc. My original, Rig Shaded, had three weights: Light, Medium and Bold*. These were created with two Masters** whose weights were Light, with a stem width of 47, and “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING 4. Choose the Right Font. It’s important to find the right type of font for the purpose of the design. Optical size is based on factors such as weight, x-height, spacing and contrast. For example, if you need a font for a short space, display fonts offer high-contrast characters and a narrower width. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING José Scaglione and Veronika Burian, 2009. Chosen 3 times. Adelle is a slab serif typeface conceived for intensive editorial use, mainly in newspapers and magazines but its personality and flexibility make it very adaptable.“Adelle Sans manages to capture one of the most desired of human emotions: cheerfulness.”. NINETEENTH CENTURY ORNAMENTED TYPES AND TITLE... Nineteenth Century Ornamented Types and Title Pages, Nicolette Gray, 1938 I managed to get a copy of this wonderful book this week. Flicking through the pages, I realised that I’m familiar with many of the specimens as they’ve been shared online before. I’ve hastily pulled together some snaps here just to give a feel for the content. Gray documents the origins of many font styles that we GLOSSARY OF DESIGN TERMS I LOVE THESE LITTLE... Glossary of Design Terms I love these little design booklets by Turkish designer, Volkan Olmez. They were created for presentation at the Turkish Society of Graphic Designers. Each colourful pocket size book describes a common design term such as Amorphous, Contour, Transform or Vector. MONOTYPE RECORDER: RELAUNCH IF YOU’VE BEEN TO ANY Monotype Recorder: Relaunch If you’ve been to any of the Monotype exhibitions over the last couple of years you may have seen the beautiful, faded copies of the Monotype Recorder, a printed magazine that seemed to recede with metal type. The original magazine first published over 100 years ago has been redesigned and re-imagined, reinvigorating its original beauty and compelling content. The XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for8 FACES
In 2010, I was a web designer, tired of seeing my work disappear. I wanted to create something real; something that would last; something I could put on my bookshelf. So, perhaps selfishly, I decided to launch 8 Faces: a printed magazine about type, typography, and lettering. But it turns out that TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING These weights however do refer to a specific width measurement within the font: the average stem width. Stems are the upright strokes in any character, such as an H, T, I, b, f, 1 etc. My original, Rig Shaded, had three weights: Light, Medium and Bold*. These were created with two Masters** whose weights were Light, with a stem width of 47, and TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Flawless Typography Checklist. Every designer should be aware of Typewolf, a typography resource that’s helped designers choose, pair and use web fonts since 2013.. The latest in its suite of resources is the Flawless Typography Checklist—a complete typography master course in the form of an interactive visual checklist.. Representing almost a years’ work by its creator, Jeremiah Shoaf “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with A GRAPHIC DESIGNER'S GUIDE TO USING FONTS ON THE... A Graphic Designer’s Guide to Using Fonts on the Web. Following our Typographers’ Typefaces post, listing the top 25 font choices from our industry experts, Lexie Lu has written this insightful guest post to help you get the most from fonts on the web.. Fonts are one of the biggest parts of design. Choose the wrong font, and the entire designis off.
TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Type Treasure. Over on TYPE Magazine’s blog, Paul Barnes explores a few of the hidden gems of the St. Bride Library, London in a article, The Treasure of St. Bride—Part II.. The concise article takes a look at a few of the punches, matrices, the molds that London’s preeminent type foundries used to create printing type between the 18th to the 20th centuries. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING This book is a delight. Accessible and inspirational. Inside Paragraphs, Cyrus Highsmith. (a recent addition to the list) The visual explanations for each item and succinct style makes this a brilliant reference. William Addison Dwiggins, WAD to RR. (PDF) An historical, insightful snapshot, of the design process from 1940 in afew pages.
XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese. First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Type and Lettering round-up. It’s been a busy start to the year with some fantastic designs featured on the Type Worship Instagram account. Here’s a summary of the images above, top-down: • Beautiful chromatic printing on Thomas Mayo’s website. He worked TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING typeworship:. Making the invisible visible, with ink and type. After documenting its progress on Twitter for over a month, Laura Hudson’s inky typographic project reached its zenith this weekend. As part of her final degree project, Laura has created a time-lapse film of ink being absorbed into a lettered design to reveal a message about the invisible nature of mental illness. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING The official blog of 8 Faces magazine. Featuring inspirational typography, beautiful lettering, reviews, interviews with leading designers. Curated by Jamie Clarke with Elliot Jay Stocks. TYPOGRAPHER’S TYPEFACES THE 25 MOST ADMIRED... Typographer’s typefaces The 25 most admired typefaces by typographers, type designers and letterers. Selecting the right typeface makes all the difference to effective design and communication. But with over 100,000 font families to pick from it can be a daunting task. There are some excellent guides on how to choose a typeface and helpful methods for pairing typefaces but in order toapply
TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Alisal is an Oldstyle wedge serif typeface designed by legendary type designer Matthew Carter. It is a three font family of two weights (regular and bold) and a companion italic. Published in 1995 by Agfa Monotype, Alisal was originally conceived 26 years earlier in 1979 when Matthew was a designer at Linotype. It began as a pet project. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING These weights however do refer to a specific width measurement within the font: the average stem width. Stems are the upright strokes in any character, such as an H, T, I, b, f, 1 etc. My original, Rig Shaded, had three weights: Light, Medium and Bold*. These were created with two Masters** whose weights were Light, with a stem width of 47, and “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING José Scaglione and Veronika Burian, 2009. Chosen 3 times. Adelle is a slab serif typeface conceived for intensive editorial use, mainly in newspapers and magazines but its personality and flexibility make it very adaptable.“Adelle Sans manages to capture one of the most desired of human emotions: cheerfulness.”. NINETEENTH CENTURY ORNAMENTED TYPES AND TITLE... Nineteenth Century Ornamented Types and Title Pages, Nicolette Gray, 1938 I managed to get a copy of this wonderful book this week. Flicking through the pages, I realised that I’m familiar with many of the specimens as they’ve been shared online before. I’ve hastily pulled together some snaps here just to give a feel for the content. Gray documents the origins of many font styles that we GLOSSARY OF DESIGN TERMS I LOVE THESE LITTLE... Glossary of Design Terms I love these little design booklets by Turkish designer, Volkan Olmez. They were created for presentation at the Turkish Society of Graphic Designers. Each colourful pocket size book describes a common design term such as Amorphous, Contour, Transform or Vector. MONOTYPE RECORDER: RELAUNCH IF YOU’VE BEEN TO ANY Monotype Recorder: Relaunch If you’ve been to any of the Monotype exhibitions over the last couple of years you may have seen the beautiful, faded copies of the Monotype Recorder, a printed magazine that seemed to recede with metal type. The original magazine first published over 100 years ago has been redesigned and re-imagined, reinvigorating its original beauty and compelling content. The XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING The official blog of 8 Faces magazine. Featuring inspirational typography, beautiful lettering, reviews, interviews with leading designers. Curated by Jamie Clarke with Elliot Jay Stocks. TYPOGRAPHER’S TYPEFACES THE 25 MOST ADMIRED... Typographer’s typefaces The 25 most admired typefaces by typographers, type designers and letterers. Selecting the right typeface makes all the difference to effective design and communication. But with over 100,000 font families to pick from it can be a daunting task. There are some excellent guides on how to choose a typeface and helpful methods for pairing typefaces but in order toapply
TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Alisal is an Oldstyle wedge serif typeface designed by legendary type designer Matthew Carter. It is a three font family of two weights (regular and bold) and a companion italic. Published in 1995 by Agfa Monotype, Alisal was originally conceived 26 years earlier in 1979 when Matthew was a designer at Linotype. It began as a pet project. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING These weights however do refer to a specific width measurement within the font: the average stem width. Stems are the upright strokes in any character, such as an H, T, I, b, f, 1 etc. My original, Rig Shaded, had three weights: Light, Medium and Bold*. These were created with two Masters** whose weights were Light, with a stem width of 47, and “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING José Scaglione and Veronika Burian, 2009. Chosen 3 times. Adelle is a slab serif typeface conceived for intensive editorial use, mainly in newspapers and magazines but its personality and flexibility make it very adaptable.“Adelle Sans manages to capture one of the most desired of human emotions: cheerfulness.”. NINETEENTH CENTURY ORNAMENTED TYPES AND TITLE... Nineteenth Century Ornamented Types and Title Pages, Nicolette Gray, 1938 I managed to get a copy of this wonderful book this week. Flicking through the pages, I realised that I’m familiar with many of the specimens as they’ve been shared online before. I’ve hastily pulled together some snaps here just to give a feel for the content. Gray documents the origins of many font styles that we GLOSSARY OF DESIGN TERMS I LOVE THESE LITTLE... Glossary of Design Terms I love these little design booklets by Turkish designer, Volkan Olmez. They were created for presentation at the Turkish Society of Graphic Designers. Each colourful pocket size book describes a common design term such as Amorphous, Contour, Transform or Vector. MONOTYPE RECORDER: RELAUNCH IF YOU’VE BEEN TO ANY Monotype Recorder: Relaunch If you’ve been to any of the Monotype exhibitions over the last couple of years you may have seen the beautiful, faded copies of the Monotype Recorder, a printed magazine that seemed to recede with metal type. The original magazine first published over 100 years ago has been redesigned and re-imagined, reinvigorating its original beauty and compelling content. The XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for8 FACES
In 2010, I was a web designer, tired of seeing my work disappear. I wanted to create something real; something that would last; something I could put on my bookshelf. So, perhaps selfishly, I decided to launch 8 Faces: a printed magazine about type, typography, and lettering. But it turns out that “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Flawless Typography Checklist. Every designer should be aware of Typewolf, a typography resource that’s helped designers choose, pair and use web fonts since 2013.. The latest in its suite of resources is the Flawless Typography Checklist—a complete typography master course in the form of an interactive visual checklist.. Representing almost a years’ work by its creator, Jeremiah Shoaf TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Especially the quick-fire evolution of new styles, like the fat face and Clarendons (1845), all in response to new advertising demands and changing fashions. Stanley Morrison hated them. In 1926 he wrote “The type cut between 1810 and 1850 represent the worst that has ever been.”. * Eye Magazine, Winter 1994. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Type Treasure. Over on TYPE Magazine’s blog, Paul Barnes explores a few of the hidden gems of the St. Bride Library, London in a article, The Treasure of St. Bride—Part II.. The concise article takes a look at a few of the punches, matrices, the molds that London’s preeminent type foundries used to create printing type between the 18th to the 20th centuries. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Type and Lettering round-up. It’s been a busy start to the year with some fantastic designs featured on the Type Worship Instagram account. Here’s a summary of the images above, top-down: • Beautiful chromatic printing on Thomas Mayo’s website. He worked XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese. First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING This book is a delight. Accessible and inspirational. Inside Paragraphs, Cyrus Highsmith. (a recent addition to the list) The visual explanations for each item and succinct style makes this a brilliant reference. William Addison Dwiggins, WAD to RR. (PDF) An historical, insightful snapshot, of the design process from 1940 in afew pages.
TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING typeworship:. Making the invisible visible, with ink and type. After documenting its progress on Twitter for over a month, Laura Hudson’s inky typographic project reached its zenith this weekend. As part of her final degree project, Laura has created a time-lapse film of ink being absorbed into a lettered design to reveal a message about the invisible nature of mental illness. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING This list of 6 represents jut a few of the many renowned UK type designers. Add; Jonathan Barnbrook, Rian Hughes, Edward Johnston, Walter Tracy, Phil Garnham, Paul Barnes, Jeremy Tankard & Margaret Calvert, and you have a rough starting point. There are many nations that could easily fill 6 stamps with their type designers. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING The official blog of 8 Faces magazine. Featuring inspirational typography, beautiful lettering, reviews, interviews with leading designers. Curated by Jamie Clarke with Elliot Jay Stocks. TYPOGRAPHER’S TYPEFACES THE 25 MOST ADMIRED... Typographer’s typefaces The 25 most admired typefaces by typographers, type designers and letterers. Selecting the right typeface makes all the difference to effective design and communication. But with over 100,000 font families to pick from it can be a daunting task. There are some excellent guides on how to choose a typeface and helpful methods for pairing typefaces but in order toapply
TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING A Powerful 3D Typeface. My new typeface Rig Solid in now live on MyFonts. These shaded display styles extend your typography toolkit with a range of powerful 3D designs. • 13 styles across four weights. • Solid and gradient designs. • Based on clean, ‘unbreakable’ geometric shapes. • “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING 4. Choose the Right Font. It’s important to find the right type of font for the purpose of the design. Optical size is based on factors such as weight, x-height, spacing and contrast. For example, if you need a font for a short space, display fonts offer high-contrast characters and a narrower width. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING José Scaglione and Veronika Burian, 2009. Chosen 3 times. Adelle is a slab serif typeface conceived for intensive editorial use, mainly in newspapers and magazines but its personality and flexibility make it very adaptable.“Adelle Sans manages to capture one of the most desired of human emotions: cheerfulness.”. NINETEENTH CENTURY ORNAMENTED TYPES AND TITLE... Nineteenth Century Ornamented Types and Title Pages, Nicolette Gray, 1938 I managed to get a copy of this wonderful book this week. Flicking through the pages, I realised that I’m familiar with many of the specimens as they’ve been shared online before. I’ve hastily pulled together some snaps here just to give a feel for the content. Gray documents the origins of many font styles that we GLOSSARY OF DESIGN TERMS I LOVE THESE LITTLE... Glossary of Design Terms I love these little design booklets by Turkish designer, Volkan Olmez. They were created for presentation at the Turkish Society of Graphic Designers. Each colourful pocket size book describes a common design term such as Amorphous, Contour, Transform or Vector. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Type and Lettering round-up. It’s been a busy start to the year with some fantastic designs featured on the Type Worship Instagram account. Here’s a summary of the images above, top-down: • Beautiful chromatic printing on Thomas Mayo’s website. He worked XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING The official blog of 8 Faces magazine. Featuring inspirational typography, beautiful lettering, reviews, interviews with leading designers. Curated by Jamie Clarke with Elliot Jay Stocks. TYPOGRAPHER’S TYPEFACES THE 25 MOST ADMIRED... Typographer’s typefaces The 25 most admired typefaces by typographers, type designers and letterers. Selecting the right typeface makes all the difference to effective design and communication. But with over 100,000 font families to pick from it can be a daunting task. There are some excellent guides on how to choose a typeface and helpful methods for pairing typefaces but in order toapply
TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING A Powerful 3D Typeface. My new typeface Rig Solid in now live on MyFonts. These shaded display styles extend your typography toolkit with a range of powerful 3D designs. • 13 styles across four weights. • Solid and gradient designs. • Based on clean, ‘unbreakable’ geometric shapes. • “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING 4. Choose the Right Font. It’s important to find the right type of font for the purpose of the design. Optical size is based on factors such as weight, x-height, spacing and contrast. For example, if you need a font for a short space, display fonts offer high-contrast characters and a narrower width. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING José Scaglione and Veronika Burian, 2009. Chosen 3 times. Adelle is a slab serif typeface conceived for intensive editorial use, mainly in newspapers and magazines but its personality and flexibility make it very adaptable.“Adelle Sans manages to capture one of the most desired of human emotions: cheerfulness.”. NINETEENTH CENTURY ORNAMENTED TYPES AND TITLE... Nineteenth Century Ornamented Types and Title Pages, Nicolette Gray, 1938 I managed to get a copy of this wonderful book this week. Flicking through the pages, I realised that I’m familiar with many of the specimens as they’ve been shared online before. I’ve hastily pulled together some snaps here just to give a feel for the content. Gray documents the origins of many font styles that we GLOSSARY OF DESIGN TERMS I LOVE THESE LITTLE... Glossary of Design Terms I love these little design booklets by Turkish designer, Volkan Olmez. They were created for presentation at the Turkish Society of Graphic Designers. Each colourful pocket size book describes a common design term such as Amorphous, Contour, Transform or Vector. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Type and Lettering round-up. It’s been a busy start to the year with some fantastic designs featured on the Type Worship Instagram account. Here’s a summary of the images above, top-down: • Beautiful chromatic printing on Thomas Mayo’s website. He worked XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Alisal is an Oldstyle wedge serif typeface designed by legendary type designer Matthew Carter. It is a three font family of two weights (regular and bold) and a companion italic. Published in 1995 by Agfa Monotype, Alisal was originally conceived 26 years earlier in 1979 when Matthew was a designer at Linotype. It began as a pet project. “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING 3 years ago; 0; 113 notes; High-res Typography in Virtual Reality — The New Wild West. Today sees the launch of The Recorder Issue 5, packed with articles on typography and type design, spanning over 100 pages.. One of the features has been published on the Monotype blog, called The Virtual Frontier by Angela Riechers, Illustrated by Bráulio Amado.. It explores how typography might behave TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Flawless Typography Checklist. Every designer should be aware of Typewolf, a typography resource that’s helped designers choose, pair and use web fonts since 2013.. The latest in its suite of resources is the Flawless Typography Checklist—a complete typography master course in the form of an interactive visual checklist.. Representing almost a years’ work by its creator, Jeremiah Shoaf XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese. First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING These weights however do refer to a specific width measurement within the font: the average stem width. Stems are the upright strokes in any character, such as an H, T, I, b, f, 1 etc. My original, Rig Shaded, had three weights: Light, Medium and Bold*. These were created with two Masters** whose weights were Light, with a stem width of 47, and TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Type Treasure. Over on TYPE Magazine’s blog, Paul Barnes explores a few of the hidden gems of the St. Bride Library, London in a article, The Treasure of St. Bride—Part II.. The concise article takes a look at a few of the punches, matrices, the molds that London’s preeminent type foundries used to create printing type between the 18th to the 20th centuries. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Printed in 1874 by William H. Page & Co. The Specimens of Chromatic Wood Type, Borders, Etc. contains over 100 pages of the most colourful, eye-popping type. These excellent photos are by Becca Hirsbrunner. “Chromatic” typefaces are those designed to be printed in multiple colours. The effects are achieved by stacking twoor more
GLOBE JOTTER THESE WONDERFUL HAND-PAINTED GLOBES... Globe Jotter These wonderful hand-painted globes are by Laura Maxcy, of Mississippi. Each vintage globe is drawn on directly using paint pens and then sprayed with a protective coating. As someone who’s not a fan of the pastiche quote posters that seem so ubiquitous, I love the connection between the sayings, the lettering and the globes. It’s this combination that gives the otherwise TAKE THE SURVEY AND GET 15 FREE FONTS FROM... Take the survey and get 15 free fonts from Monotype MyFonts, Adobe Typekit and several other type companies are conducting annual research about the type industry and sharing it publicly to benefit the design community! Participate in this font purchasing habits survey and Monotype will send you 15 fonts for free. Handy fonts like Americana, Neue Plak and Trade Gothic Display are included TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING The official blog of 8 Faces magazine. Featuring inspirational typography, beautiful lettering, reviews, interviews with leading designers. Curated by Jamie Clarke with Elliot Jay Stocks. TYPOGRAPHER’S TYPEFACES THE 25 MOST ADMIRED... Typographer’s typefaces The 25 most admired typefaces by typographers, type designers and letterers. Selecting the right typeface makes all the difference to effective design and communication. But with over 100,000 font families to pick from it can be a daunting task. There are some excellent guides on how to choose a typeface and helpful methods for pairing typefaces but in order toapply
TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING A Powerful 3D Typeface. My new typeface Rig Solid in now live on MyFonts. These shaded display styles extend your typography toolkit with a range of powerful 3D designs. • 13 styles across four weights. • Solid and gradient designs. • Based on clean, ‘unbreakable’ geometric shapes. • “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING 4. Choose the Right Font. It’s important to find the right type of font for the purpose of the design. Optical size is based on factors such as weight, x-height, spacing and contrast. For example, if you need a font for a short space, display fonts offer high-contrast characters and a narrower width. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING José Scaglione and Veronika Burian, 2009. Chosen 3 times. Adelle is a slab serif typeface conceived for intensive editorial use, mainly in newspapers and magazines but its personality and flexibility make it very adaptable.“Adelle Sans manages to capture one of the most desired of human emotions: cheerfulness.”. NINETEENTH CENTURY ORNAMENTED TYPES AND TITLE... Nineteenth Century Ornamented Types and Title Pages, Nicolette Gray, 1938 I managed to get a copy of this wonderful book this week. Flicking through the pages, I realised that I’m familiar with many of the specimens as they’ve been shared online before. I’ve hastily pulled together some snaps here just to give a feel for the content. Gray documents the origins of many font styles that we GLOSSARY OF DESIGN TERMS I LOVE THESE LITTLE... Glossary of Design Terms I love these little design booklets by Turkish designer, Volkan Olmez. They were created for presentation at the Turkish Society of Graphic Designers. Each colourful pocket size book describes a common design term such as Amorphous, Contour, Transform or Vector. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Type and Lettering round-up. It’s been a busy start to the year with some fantastic designs featured on the Type Worship Instagram account. Here’s a summary of the images above, top-down: • Beautiful chromatic printing on Thomas Mayo’s website. He worked XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING The official blog of 8 Faces magazine. Featuring inspirational typography, beautiful lettering, reviews, interviews with leading designers. Curated by Jamie Clarke with Elliot Jay Stocks. TYPOGRAPHER’S TYPEFACES THE 25 MOST ADMIRED... Typographer’s typefaces The 25 most admired typefaces by typographers, type designers and letterers. Selecting the right typeface makes all the difference to effective design and communication. But with over 100,000 font families to pick from it can be a daunting task. There are some excellent guides on how to choose a typeface and helpful methods for pairing typefaces but in order toapply
TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING A Powerful 3D Typeface. My new typeface Rig Solid in now live on MyFonts. These shaded display styles extend your typography toolkit with a range of powerful 3D designs. • 13 styles across four weights. • Solid and gradient designs. • Based on clean, ‘unbreakable’ geometric shapes. • “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING 4. Choose the Right Font. It’s important to find the right type of font for the purpose of the design. Optical size is based on factors such as weight, x-height, spacing and contrast. For example, if you need a font for a short space, display fonts offer high-contrast characters and a narrower width. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING José Scaglione and Veronika Burian, 2009. Chosen 3 times. Adelle is a slab serif typeface conceived for intensive editorial use, mainly in newspapers and magazines but its personality and flexibility make it very adaptable.“Adelle Sans manages to capture one of the most desired of human emotions: cheerfulness.”. NINETEENTH CENTURY ORNAMENTED TYPES AND TITLE... Nineteenth Century Ornamented Types and Title Pages, Nicolette Gray, 1938 I managed to get a copy of this wonderful book this week. Flicking through the pages, I realised that I’m familiar with many of the specimens as they’ve been shared online before. I’ve hastily pulled together some snaps here just to give a feel for the content. Gray documents the origins of many font styles that we GLOSSARY OF DESIGN TERMS I LOVE THESE LITTLE... Glossary of Design Terms I love these little design booklets by Turkish designer, Volkan Olmez. They were created for presentation at the Turkish Society of Graphic Designers. Each colourful pocket size book describes a common design term such as Amorphous, Contour, Transform or Vector. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Type and Lettering round-up. It’s been a busy start to the year with some fantastic designs featured on the Type Worship Instagram account. Here’s a summary of the images above, top-down: • Beautiful chromatic printing on Thomas Mayo’s website. He worked XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Alisal is an Oldstyle wedge serif typeface designed by legendary type designer Matthew Carter. It is a three font family of two weights (regular and bold) and a companion italic. Published in 1995 by Agfa Monotype, Alisal was originally conceived 26 years earlier in 1979 when Matthew was a designer at Linotype. It began as a pet project. “EVERYTHING YOU CAN IMAGINE IS REAL” NEW 8 FACES... “Everything you can imagine is real” New 8 Faces poster When I found out Simon Ålander was to create a poster as part of the 8 Faces series I was thrilled. Simon has supported the Type Worship blog since its very early days and by following his blog, ‘Coffeemademedoit’, I’ve seen a steady stream of excellent design and lettering work. Based in Stockholm, Simon was fuelled with TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING 3 years ago; 0; 113 notes; High-res Typography in Virtual Reality — The New Wild West. Today sees the launch of The Recorder Issue 5, packed with articles on typography and type design, spanning over 100 pages.. One of the features has been published on the Monotype blog, called The Virtual Frontier by Angela Riechers, Illustrated by Bráulio Amado.. It explores how typography might behave TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Flawless Typography Checklist. Every designer should be aware of Typewolf, a typography resource that’s helped designers choose, pair and use web fonts since 2013.. The latest in its suite of resources is the Flawless Typography Checklist—a complete typography master course in the form of an interactive visual checklist.. Representing almost a years’ work by its creator, Jeremiah Shoaf XU BING: THE FUSION OF ENGLISH AND CHINESE FIRST Xu Bing: The fusion of English and Chinese. First, we recently announced that Type Designer, Toshi Omagari, is our new interviewees for the forthcoming book, 8 Faces Collected. Toshi discusses his work on playful designs, such as Sir Quentin Blake’s handwriting typeface and the variable width typeface, Cowhand, through to his groundbreaking Tibetan designs for the monolithic Noto Sans for TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING These weights however do refer to a specific width measurement within the font: the average stem width. Stems are the upright strokes in any character, such as an H, T, I, b, f, 1 etc. My original, Rig Shaded, had three weights: Light, Medium and Bold*. These were created with two Masters** whose weights were Light, with a stem width of 47, and TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Type Treasure. Over on TYPE Magazine’s blog, Paul Barnes explores a few of the hidden gems of the St. Bride Library, London in a article, The Treasure of St. Bride—Part II.. The concise article takes a look at a few of the punches, matrices, the molds that London’s preeminent type foundries used to create printing type between the 18th to the 20th centuries. TYPE WORSHIP: INSPIRATIONAL TYPOGRAPHY & LETTERING Printed in 1874 by William H. Page & Co. The Specimens of Chromatic Wood Type, Borders, Etc. contains over 100 pages of the most colourful, eye-popping type. These excellent photos are by Becca Hirsbrunner. “Chromatic” typefaces are those designed to be printed in multiple colours. The effects are achieved by stacking twoor more
GLOBE JOTTER THESE WONDERFUL HAND-PAINTED GLOBES... Globe Jotter These wonderful hand-painted globes are by Laura Maxcy, of Mississippi. Each vintage globe is drawn on directly using paint pens and then sprayed with a protective coating. As someone who’s not a fan of the pastiche quote posters that seem so ubiquitous, I love the connection between the sayings, the lettering and the globes. It’s this combination that gives the otherwise TAKE THE SURVEY AND GET 15 FREE FONTS FROM... Take the survey and get 15 free fonts from Monotype MyFonts, Adobe Typekit and several other type companies are conducting annual research about the type industry and sharing it publicly to benefit the design community! Participate in this font purchasing habits survey and Monotype will send you 15 fonts for free. Handy fonts like Americana, Neue Plak and Trade Gothic Display are included">
✕
Home Page
8 FACES WAS A TYPOGRAPHY MAGAZINE, THEN A BOOK In 2010, I was a web designer, tired of seeing my work disappear. I wanted to create something real; something that would last; something I could put on my bookshelf. So, perhaps selfishly, I decided to launch 8 Faces: a printed magazine about type, typography, and lettering. But it turns out that other people wanted this, too, and we sold out of 8 Faces #1 in just a couple of hours. And so it went with all eight of our issues, which were published between July 2010 and May 2014. Over the course of 8 Faces’ life, we interviewed 64 graphic designers, web designers, illustrators, and artists, and set some beautiful type specimens for their eight favourite typefaces. We also published forewords and essays by a number of thought-leaders in the design industry, making 8 Faces a source of knowledge as well asinspiration.
Thanks to 1,000 supporters on Kickstarter,
in July 2018, published a huge hardcover book, collecting and
re-designing and re-editing all eight issues, which has since soldout.
In March 2020, our fulfilment company unearthed a few copies of the magazine and the book during a warehouse clear-out, and we’ve now put them up on our online shop , available to buy until stock runs out. We have very limited quantities of theearly issues.
To buy the few remamning copies of 8 Faces, please email me. _~ Elliot Jay Stocks_ TYPE WORSHIP: THE 8 FACES BLOG Launched halfway during the magazine’s run, our blog — run by type designer Jamie Clarke — has gone from strength to strength and is now seen as one of the leading typography destinationson the web.
2010 – 2020 Margin Media, Ltd.Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0