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agriculture.
"EGON SCHIELE'S WOMEN" BY JANE KALLIR Ms. Kallir separates Schiele’s women by the periods in the artist’s life and roles they played in his work. From his sisters Melanie and Gerti Schiele, to his model, lover and muse Wally (Valerie Neuzil) and then finally to Edith Harms-Schiele, the artist’s wife, who was the subject of many of Schiele’s later portraits. THE MUSICIAN BY TAMARA DE LEMPICKA During the Second World War, she left Europe for the luxury of Beverly Hills, hoping to become the “favorite artist of the Hollywood stars.”. She truly lived the wild, carefree exuberance that is the historical fantasy of the time. In The Musician, de Lempicka blended classical and modern elements that you find in much of Art Deco’slegacy.
NATURA MORTA BY GIORGIO MORANDI Brancacci Chapel of the basilica of Santa Maria del Carmine, Florence. Giorgio Morandi, ‘Natura Morta’, 1929 Oil on canvas. Morandi was also deeply interested in Cezanne’s approach to structure, which has long been central to Morandi’s own vision. “During this period, Morandi was increasingly interested in the fact that his pictures FRANTIŠEK KUPKA, 'LOCALISATIONS DE MOBILES GRAPHIQUES I Home › Inventing Abstraction at the Museum of Modern Art › František Kupka, ‘Localisations de mobiles graphiques I’ (Localization of graphic motifs I), 1912–13. Oil on canvas. František Kupka, ‘Localisations de mobiles graphiques I’ (Localization of graphic motifs I), 1912–13. Oil on canvas THE GREAT WAVE OFF KANAGAWA BY KATSUSHIKA HOKUSAI 3 boats, Mt. Fuji and the ferocious curve of the great wave that threatens to consume anything that comes in its way! These are the essential elements of this iconic composition titled The Great Wave off Kanagawa by the Japanese artist Katsushika Hokusai – considered to be a legendary Ukiyo-e artist . This work is from his most famous series called Thirty-Six views of Mount Fuji, circa 1826-33. CHA-U-KAO BY HENRI DE TOULOUSE-LAUTREC The dancer Cha-U-Kao was one of Toulouse-Lautrec’s favourite models of the mid 1890s. She derived her nickname from the sensational chahut (an acrobatic dance derived from the cancan) and “chaos” referring to the uproar that occurred when she came on stage. Toulouse-Lautrec often returned to the same characters that frequented the Moulin TWO SISTERS BY JOHN GRAHAM Look at their embellished dresses, the abundant jewelry on the two sisters, and their formal poses. It’s as if these details were borrowed from Late Italian Renaissance portraits of Spanish nobility. Graham then goes on to contrast the portrait with flattened perspectives (Matisse’s Red Room (Harmony In Red), 1908 ), absolutelack of depth
SELF-PORTRAIT WITH THORN NECKLACE AND HUMMINGBIRD BY FRIDA Perhaps, no other quote describes Frida Kahlo’s Self-Portrait with Thorn Necklace and Hummingbird more succinctly than this one. Many of Frida Kahlo’s paintings are more like painted collages of symbols. Painted after her (first) divorce from Diego Rivera, every symbol in this painting gives specific clues to Frida’s mental state. MYSTERY AND MELANCHOLY OF A STREET BY GIORGIO DE CHIRICO “To become truly immortal, a work of art must escape all human limits: logic and common sense will only interfere.But once these barriers are broken, it will enter the realms of childhood visions and dreams.”. Mystery and Melancholy of a Street is one of Giorgio de Chirico’s unmatched images of deserted public spaces rendered in simple geometric forms. DEMETER BY JEAN ARP. HISTORY BEHIND THE 1964 BRONZE Déméter, conceived in the last decade of the artist’s life, is a culmination of his life-long study of the human form, interpreted here through the classical story lines of Greek mythology. The bronze sculpture was conceived in 1960 and cast in 1964. According to classical myth, Demeter was the goddess of fertility and ofagriculture.
"EGON SCHIELE'S WOMEN" BY JANE KALLIR Ms. Kallir separates Schiele’s women by the periods in the artist’s life and roles they played in his work. From his sisters Melanie and Gerti Schiele, to his model, lover and muse Wally (Valerie Neuzil) and then finally to Edith Harms-Schiele, the artist’s wife, who was the subject of many of Schiele’s later portraits. THE MUSICIAN BY TAMARA DE LEMPICKA During the Second World War, she left Europe for the luxury of Beverly Hills, hoping to become the “favorite artist of the Hollywood stars.”. She truly lived the wild, carefree exuberance that is the historical fantasy of the time. In The Musician, de Lempicka blended classical and modern elements that you find in much of Art Deco’slegacy.
NATURA MORTA BY GIORGIO MORANDI Brancacci Chapel of the basilica of Santa Maria del Carmine, Florence. Giorgio Morandi, ‘Natura Morta’, 1929 Oil on canvas. Morandi was also deeply interested in Cezanne’s approach to structure, which has long been central to Morandi’s own vision. “During this period, Morandi was increasingly interested in the fact that his pictures FRANTIŠEK KUPKA, 'LOCALISATIONS DE MOBILES GRAPHIQUES I Home › Inventing Abstraction at the Museum of Modern Art › František Kupka, ‘Localisations de mobiles graphiques I’ (Localization of graphic motifs I), 1912–13. Oil on canvas. František Kupka, ‘Localisations de mobiles graphiques I’ (Localization of graphic motifs I), 1912–13. Oil on canvas THE GREAT WAVE OFF KANAGAWA BY KATSUSHIKA HOKUSAI 3 boats, Mt. Fuji and the ferocious curve of the great wave that threatens to consume anything that comes in its way! These are the essential elements of this iconic composition titled The Great Wave off Kanagawa by the Japanese artist Katsushika Hokusai – considered to be a legendary Ukiyo-e artist . This work is from his most famous series called Thirty-Six views of Mount Fuji, circa 1826-33. CHA-U-KAO BY HENRI DE TOULOUSE-LAUTREC The dancer Cha-U-Kao was one of Toulouse-Lautrec’s favourite models of the mid 1890s. She derived her nickname from the sensational chahut (an acrobatic dance derived from the cancan) and “chaos” referring to the uproar that occurred when she came on stage. Toulouse-Lautrec often returned to the same characters that frequented the Moulin TWO SISTERS BY JOHN GRAHAM Look at their embellished dresses, the abundant jewelry on the two sisters, and their formal poses. It’s as if these details were borrowed from Late Italian Renaissance portraits of Spanish nobility. Graham then goes on to contrast the portrait with flattened perspectives (Matisse’s Red Room (Harmony In Red), 1908 ), absolutelack of depth
SELF-PORTRAIT WITH THORN NECKLACE AND HUMMINGBIRD BY FRIDA Perhaps, no other quote describes Frida Kahlo’s Self-Portrait with Thorn Necklace and Hummingbird more succinctly than this one. Many of Frida Kahlo’s paintings are more like painted collages of symbols. Painted after her (first) divorce from Diego Rivera, every symbol in this painting gives specific clues to Frida’s mental state. NATURA MORTA BY GIORGIO MORANDI Brancacci Chapel of the basilica of Santa Maria del Carmine, Florence. Giorgio Morandi, ‘Natura Morta’, 1929 Oil on canvas. Morandi was also deeply interested in Cezanne’s approach to structure, which has long been central to Morandi’s own vision. “During this period, Morandi was increasingly interested in the fact that his pictures ICARUS BY HENRI MATISSE Trust Henri Matisse to have a unique approach to well-known narratives of the Greek myths.. Best known as the driving force of Fauvism towards the end of his career Henri Matisse produced an equal number of cut-out “paintings” that are known for their rigid lines, richly saturated colors and dynamic compositions. Icarus, or The Flight of Icarus (click on the detail to see the full image TWO SISTERS BY JOHN GRAHAM Look at their embellished dresses, the abundant jewelry on the two sisters, and their formal poses. It’s as if these details were borrowed from Late Italian Renaissance portraits of Spanish nobility. Graham then goes on to contrast the portrait with flattened perspectives (Matisse’s Red Room (Harmony In Red), 1908 ), absolutelack of depth
MARC QUINN'S "ALL THE TIME IN THE WORLD" AT MARY BOONE GALLERY All the Time in the World – Marc Quinn’s hypnotic sea shells land in Chelsea.. It’s quite a shift in subject for the well-known British artist Marc Quinn (b. 1964), who is most famous for turning to his own body for inspiration and, well, materials. Quinn, is perhaps best-known for creating a sculpture of his own head made of blood – his own – frozen and then displayed. THE ARTIST'S FATHER, READING "L'ÉVÉNEMENT" BY PAUL CEZANNE The newspaper L’Evénement refers to novelist Emile Zola, the childhood friend who championed Cezanne’s bid to study art in Paris and who became art critic for the paper in 1866, the year this painting was completed. Cezanne’s father customarily read another publication. Paul Cezanne was a pioneer of color theory, whose worksinspired
L’AMAZONE BY AMEDEO MODIGLIANI Dressed in a riding habit and captured in an impossibly refined posture Marguerite is literally looking down at us. Her frown gives away a temperament of a powerful woman as well as the tension between her and young Modigliani. L’Amazone was commissioned by Marguerite’s boyfriend – Paul Alexandre, Modigliani’s doctor andpatron.
LYRIC SUITE BY ROBERT MOTHERWELL. ARTEX Robert Motherwell is probably best known for a series of large, human scale paintings from the collections of the Museum of Modern Art and the Metropolitan Museum in New York, titled Elegy For the Spanish Republic. In sharp contrast to the series of over 100 works completed between 1948 and 1967, these Lyric Suite paintings are soft, fluid and DOT, DOT, DOT… PAUL SIGNAC AND THE BIRTH OF DIVISIONISM “Art is a creation of a higher order than a copy of nature which is governed by chance.” Paul Signac’s The Milliners is considerably less famous than George Seurat’s emblematic Pointillist masterpiece A Sunday Afternoon on the Island of la Grande Jatte yet a remarkable example of the genre. “Signac knew these milliners, Berthe Robles is the figure on the left, attempting to pick up PORTRAIT OF CHESS PLAYERS BY MARCEL DUCHAMP The Portrait of Chess Players shows several figures (we counted four) facing the center, their arms merged on lower portion of the canvas. The chess pieces float in the undetermined space, and the whole painting serves as the board. A competitive, award-winning player, Marcel Duchamp incorporated the game into his art throughout hiscareer.
AUCTION ESTIMATES
In 2007, at the height of the previous market cycle, one of Van Gogh’s wheat fields, The Fields failed to sell at Sotheby’s because the estimates were too high. The picture, estimated at $28 – $35 million, would have had a much better chance of reaching $28 million had the estimates been set lower at $20 – $25 million and at least would have sold within those estimates.galleryIntell
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THE GARE SAINT-LAZARE: ARRIVAL OF A TRAIN BY CLAUDE MONET “Monet is only an eye, but my God what an eye!” - Paul Cezanne 'The Gare Saint-Lazare: Arrival of a Train' painted in 1877 isconsidered ...
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