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SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more. FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more.PODCAST - FILM RIOT
The Film Riot Podcast is a conversation with talented and innovative filmmakers. From directors, editors, stunt coordinators, DPs, Actors, VFX artists, & more.CONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
PRODUCTION - FILM RIOT Two 180s of Filmmaking—180 Degree Line & Shutter Angle. Ron Dawson August 3, 2020. In the world of filmmaking there are two “rules” which each share the same name—the. Read More ». DEVELOPING & SELLING FEATURE FILMS Scott Glassgold is a Manager and Producer with well over a decade of experience.After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management, and Production company.From there, he’s gone on to nurture several short films and initial ideas to final feature films – such as Prospect and TheBeyond.
THE IMPORTANCE OF A 1ST AD Hristo Dimitrov. The importance of the First Assistant Director can’t be understated. They set the tone for the crew, keep the production on schedule, and are one of the closest allies of the director. And this is the role Hristo Dimitrov fills with ease. With films like Rambo: Last Blood, Hunter Killer, Paul, Apostle of Christ,and the
HOW TO BE A GREAT 1ST AC (ASSISTANT CAMERA) According to Wikipedia: “A focus puller, or 1st assistant camera, is a member of a film crew’s camera department, whose primary responsibility is to maintain image sharpness on whatever subject or action is being filmed.”. When the camera is rolling, the job of the 1st AC is to pull focus. Granted, it’s a bizarre and magical skillto
COLOR GRADING 101 PT 3 Today is part 3 of our series on Color Grading 101. If you’ve been following it, you know that we’ve now covered two of the three ingredients essential to all filmmaking workflows: 1) human vision and 2) cameras. Now that we understand the way these systems work and interact, we’re ready to take a look at the last of these three ingredients: displays. THERE COMES A KNOCKING RT @JROBproductions: LIFE UPDATE - i’m moving (back to) the dallas, texas, area in june to reclaim my full time job at @filmriot for papa TWO 180S OF FILMMAKING—180 DEGREE LINE & SHUTTER ANGLE In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position of your camera with respect to your actors/subjects. The other has to do with the relation of shutter speed and frame rate. Both “rules” are established to improve the viewing experience of your audience. WHAT NOT TO SAY TO AN ACTOR Make your note specific and concise. Similar to saying nothing, being vague will likely leave your actor feeling as though you don’t know what you want. If that is the case, just tell them. If you are stuck, let them know—they are your partner in this. If you FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more. FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more.PODCAST - FILM RIOT
The Film Riot Podcast is a conversation with talented and innovative filmmakers. From directors, editors, stunt coordinators, DPs, Actors, VFX artists, & more.CONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
PRODUCTION - FILM RIOT Two 180s of Filmmaking—180 Degree Line & Shutter Angle. Ron Dawson August 3, 2020. In the world of filmmaking there are two “rules” which each share the same name—the. Read More ». DEVELOPING & SELLING FEATURE FILMS Scott Glassgold is a Manager and Producer with well over a decade of experience.After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management, and Production company.From there, he’s gone on to nurture several short films and initial ideas to final feature films – such as Prospect and TheBeyond.
THE IMPORTANCE OF A 1ST AD Hristo Dimitrov. The importance of the First Assistant Director can’t be understated. They set the tone for the crew, keep the production on schedule, and are one of the closest allies of the director. And this is the role Hristo Dimitrov fills with ease. With films like Rambo: Last Blood, Hunter Killer, Paul, Apostle of Christ,and the
HOW TO BE A GREAT 1ST AC (ASSISTANT CAMERA) According to Wikipedia: “A focus puller, or 1st assistant camera, is a member of a film crew’s camera department, whose primary responsibility is to maintain image sharpness on whatever subject or action is being filmed.”. When the camera is rolling, the job of the 1st AC is to pull focus. Granted, it’s a bizarre and magical skillto
COLOR GRADING 101 PT 3 Today is part 3 of our series on Color Grading 101. If you’ve been following it, you know that we’ve now covered two of the three ingredients essential to all filmmaking workflows: 1) human vision and 2) cameras. Now that we understand the way these systems work and interact, we’re ready to take a look at the last of these three ingredients: displays. THERE COMES A KNOCKING RT @JROBproductions: LIFE UPDATE - i’m moving (back to) the dallas, texas, area in june to reclaim my full time job at @filmriot for papa TWO 180S OF FILMMAKING—180 DEGREE LINE & SHUTTER ANGLE In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position of your camera with respect to your actors/subjects. The other has to do with the relation of shutter speed and frame rate. Both “rules” are established to improve the viewing experience of your audience. WHAT NOT TO SAY TO AN ACTOR Make your note specific and concise. Similar to saying nothing, being vague will likely leave your actor feeling as though you don’t know what you want. If that is the case, just tell them. If you are stuck, let them know—they are your partner in this. If you FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more. FILM RIOT - A HOW-TO TRIP THROUGH FILMMAKINGBLOGPODCASTSHOWFILMSMAKEFILMCONNECT Film Riot is a how-to trip through filmmaking from the hyper-active minds of the Connolly Brothers. Film Riot explores filmmaking in a wayyou've never seen.
SHOW - FILM RIOT
Watch the Film Riot show with episodes right on our site. You can always watch on Youtube, but the more ways to watch the better.MAKEFILM CHALLENGE
To qualify for the MakeFilm Challenge, entrants are required to produce an original short film that is a minimum of sixty (60) seconds and a maximum of four (4) minutes in length. We are looking for fictional narrative short films that can serve as a proof of concept for a feature film. We want to see your big concepts in every genre.BLOG - FILM RIOT
Two 180s of Filmmaking—180 Degree Line & Shutter Angle. In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position. For over a decade, Film Riot has been dedicated to helping aspiring filmmakers learn about all the tips and tricks that make Hollywood movies COLOR GRADING WORKSPACESCONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
5 SHOT TYPES EVERY FILMMAKER SHOULD KNOW UNDERSTANDING FRAME RATES VS SHUTTER SPEED BAR BRAWL - FILM RIOT https://www.youtube.com/watch?v=-I9GmNlzbK4RYAN THOMPSON
Ryan Thompson is a UK based filmmaker and visual effects artist. He has worked in many fields including – Directing, Editing, Cinematography, Grading, VFX, Sound Design and more.PODCAST - FILM RIOT
The Film Riot Podcast is a conversation with talented and innovative filmmakers. From directors, editors, stunt coordinators, DPs, Actors, VFX artists, & more.CONNECT - FILM RIOT
Connect with the entire Film Riot team. Learn about our core team and follow them on social. Also, learn more about our new blogcontributors!
PRODUCTION - FILM RIOT Two 180s of Filmmaking—180 Degree Line & Shutter Angle. Ron Dawson August 3, 2020. In the world of filmmaking there are two “rules” which each share the same name—the. Read More ». DEVELOPING & SELLING FEATURE FILMS Scott Glassgold is a Manager and Producer with well over a decade of experience.After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management, and Production company.From there, he’s gone on to nurture several short films and initial ideas to final feature films – such as Prospect and TheBeyond.
THE IMPORTANCE OF A 1ST AD Hristo Dimitrov. The importance of the First Assistant Director can’t be understated. They set the tone for the crew, keep the production on schedule, and are one of the closest allies of the director. And this is the role Hristo Dimitrov fills with ease. With films like Rambo: Last Blood, Hunter Killer, Paul, Apostle of Christ,and the
HOW TO BE A GREAT 1ST AC (ASSISTANT CAMERA) According to Wikipedia: “A focus puller, or 1st assistant camera, is a member of a film crew’s camera department, whose primary responsibility is to maintain image sharpness on whatever subject or action is being filmed.”. When the camera is rolling, the job of the 1st AC is to pull focus. Granted, it’s a bizarre and magical skillto
COLOR GRADING 101 PT 3 Today is part 3 of our series on Color Grading 101. If you’ve been following it, you know that we’ve now covered two of the three ingredients essential to all filmmaking workflows: 1) human vision and 2) cameras. Now that we understand the way these systems work and interact, we’re ready to take a look at the last of these three ingredients: displays. THERE COMES A KNOCKING RT @JROBproductions: LIFE UPDATE - i’m moving (back to) the dallas, texas, area in june to reclaim my full time job at @filmriot for papa TWO 180S OF FILMMAKING—180 DEGREE LINE & SHUTTER ANGLE In the world of filmmaking there are two “rules” which each share the same name—the 180 degree rule. One has to do with the position of your camera with respect to your actors/subjects. The other has to do with the relation of shutter speed and frame rate. Both “rules” are established to improve the viewing experience of your audience. WHAT NOT TO SAY TO AN ACTOR Make your note specific and concise. Similar to saying nothing, being vague will likely leave your actor feeling as though you don’t know what you want. If that is the case, just tell them. If you are stuck, let them know—they are your partner in this. If you* Episodes
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