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GRATEFUL DEAD LISTENING GUIDE: 1967 SEPTEMBER 3 GRATEFUL DEAD Sunday, September 3, 1967 Dance Hall, Rio Nido, CA Soundboard Recording In March of 2000, Rio Nido ’67 leaked into circulation. I was a lucky early recipient of the show on CD and found myself compelled to review it almost immediately on the pages of Dead Net Central.Exuberant with not only the music, but with what this tape meant in the fabric of the Dead’s GRATEFUL DEAD LISTENING GUIDE: 1970 NOVEMBER 8 1970 November 8 - Capitol Theater. Ohhhhhh 1970. Over the years I have gone on record saying that 1973 is my favorite year so many times, that I'd be a fool to try to and dispute what easy Googling could prove in a heartbeat (are the pages of DNC still indexed?). But, while '73 is my favorite year, the Dead's best year might well be 1970. GRATEFUL DEAD LISTENING GUIDETHEMATIC UNDERCURRENTSDOWNLOADING INSTRUCTIONSAUDSMUSICAL SATORIINTRO 1970 June 4 - Fillmore West. Few and far between are complete audience tapes of the Grateful Dead in 1970 which include the acoustic opening set, the New Riders of the Purple Sage middle set, and the electric Dead closing set. Fewer still are those that sound as good as any AUD tape could in that year. Here, however, is just such a tape. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Please follow the links below to fully enjoy this Listening Trail. 05/03/69 – It’s almost unfair, and like something from another dimension. Audience tapes in 1969 don’t sound this good, ever. Vocals-shmocals, the mics on stage miss the PA speakers that carried GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Listening Trail - 1980's Grateful Dead. Any fan who begins travelling down the road of Grateful Dead concert tapes will often find the 60’s and 70’s to be the most open entry points. It makes sense since this band was famous for being a pioneer of the “psychedelic 60’s sound,” and then a stadium-rock titan that played 3 plus hour GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL 4/8/72 - Empire Wembley Pool. Highlights (Dark Star-> Caution) are on the Steppin' Out With the Grateful Dead box set, but the whole show deserves mention for tight playing and good vocals. 5-7-77 Boston Garden. I always liked this show better than either GRATEFUL DEAD LISTENING GUIDE: 1981 AUGUST 28 This tape is a great slice of 1981, delivering on many levels, worthy of a listen. Highly under circulating, it’s one of those needles you almost didn’t know was in the haystack at all. 08/28/81 AUD etree source info. 08/28/81 AUD Download. Posted by icepetal at 10:06 AM. GRATEFUL DEAD LISTENING GUIDE: PRIMAL DEAD It's even hard to summarily dismiss 1966 and '67 as paling to 1968 and '69 when the amount of physical evidence is so lopsided. We (most of us) weren't there. Let me just say this: There was a band called the Grateful Dead in 1966 and 1967. They were not exactly the Grateful Dead of 1968-69, nor the Dead of 1972, '82, or '92. GRATEFUL DEAD LISTENING GUIDE: 1976 OCTOBER 3 1976 October 3 - Cobo Arena. GRATEFUL DEAD. Sunday, October 3, 1976. Cobo Arena - Detroit, MI. Audience Recording. One of the first tapes from 1976 that I collected outside of a number of June shows, this date was yet another that I hadn’t seen on any other lists anywhere. It might have been something I picked up just to fill out a trade for GRATEFUL DEAD LISTENING GUIDE: 1973 JULY 27 GRATEFUL DEAD. Friday, July 27, 1973. Grand Prix Racecourse – Watkins Glen, NY. Audience Recording. There are Grateful Dead tapes that often become guideposts in a collector’s journey into tape trading. For me there is no doubt that the 1973 Watkins Glen tapes were just that. The shows from 07/27 and 07/28/73 have played criticalroles in
GRATEFUL DEAD LISTENING GUIDE: 1967 SEPTEMBER 3 GRATEFUL DEAD Sunday, September 3, 1967 Dance Hall, Rio Nido, CA Soundboard Recording In March of 2000, Rio Nido ’67 leaked into circulation. I was a lucky early recipient of the show on CD and found myself compelled to review it almost immediately on the pages of Dead Net Central.Exuberant with not only the music, but with what this tape meant in the fabric of the Dead’s GRATEFUL DEAD LISTENING GUIDE: 1970 NOVEMBER 8 1970 November 8 - Capitol Theater. Ohhhhhh 1970. Over the years I have gone on record saying that 1973 is my favorite year so many times, that I'd be a fool to try to and dispute what easy Googling could prove in a heartbeat (are the pages of DNC still indexed?). But, while '73 is my favorite year, the Dead's best year might well be 1970. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: PODCAST SERIES What's a Grateful Dead Listening Guide without the music? About a year after starting the Guide, the podcast series was born. Hoping to supply a musical backdrop to all the reading material on the site, the podcast series provides a hand held walk through many of GRATEFUL DEAD LISTENING GUIDE: DOWNLOADING DEAD SHOWS FROM 1. Click On The Link – Clicking on that link will take you to the corresponding page on archive.org where that show is waiting for you. That’s all there is to step one for downloading a show. Now you will be at the archive.org website, on that shows particular page. On this page are a lot of links that you can click on. GRATEFUL DEAD LISTENING GUIDE: 1973 MAY 20 GRATEFUL DEAD Sunday, May 20, 1973 Campus Stadium, U.C.S.B. – Santa Barbara, CA Audience & Soundboard Recordings If you've been reading these pages for a long while, here's confirmation that new riches can forever be discovered in the Grateful Dead's concert history. GRATEFUL DEAD LISTENING GUIDE: THE STORIES OF JERRY MOORE Jerry wrote. He wrote a great deal. He wrote and wrote and wrote and wrote. We conversed in e-mail over a multi-year period back then where I was blessed to learn a seemingly endless wealth of knowledge around the life and times of Jerry Moore, the taper. Stories of how he fashioned a telescoping golf ball retrieval tool into his mic stand of GRATEFUL DEAD LISTENING GUIDE: 1981 MARCH 9 1981 March 9 - Madison Square Garden. GRATEFUL DEAD. Monday, March 9, 1981. Madison Square Garden - New York, NY. Audience Recording. The maturation process for a Deadhead tape collector is a very interesting thing indeed. Whether it's in the way one slowly develops an ear to "hear" a year from just a few seconds of a song, or gains the ability GRATEFUL DEAD LISTENING GUIDE: 1974 JULY 31 GRATEFUL DEAD Wednesday July 31, 1974 Dillon Stadium - Hartford, CT Audience Recording Billy Degen ate some mushrooms. Undoubtedly feeling no regret over possibly eating them a little bit earlier than might have been prudent for the task at hand, it is this that left him unable to navigate the complex diodes, plastic coatings, and vibratory electrical fields of his recording gear, each of GRATEFUL DEAD LISTENING GUIDE: 1970 MAY 7 The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: 1970 JUNE 24 1970 June 24 - Capitol Theatre. GRATEFUL DEAD NEW RIDERS OF THE PURPLE SAGE. Wednesday, June 24, 1970. Capitol Theatre – Port Chester, NY. “Oh my GOD.”. There are holy places along the 30 year journey that is the collection of Grateful Dead live recordings; shrines self-manifested by the music created on a particular night. GRATEFUL DEAD LISTENING GUIDE: 1978 MAY 16 & 17 1978 May 16 & 17 - Uptown Theater - Chicago, IL. 1978 is often a year of complete mystery to newbies. Everyone says 1977 is THE YEAR (I won't weigh in on that now), and many disregard '78 as a declining year for Jerry Garcia. While it is true that drugs were taking a toll in 1978, and the band was not knocking it out of the park every night GRATEFUL DEAD LISTENING GUIDETHEMATIC UNDERCURRENTSDOWNLOADING INSTRUCTIONSAUDSMUSICAL SATORIINTRO 1970 June 4 - Fillmore West. Few and far between are complete audience tapes of the Grateful Dead in 1970 which include the acoustic opening set, the New Riders of the Purple Sage middle set, and the electric Dead closing set. Fewer still are those that sound as good as any AUD tape could in that year. Here, however, is just such a tape. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Please follow the links below to fully enjoy this Listening Trail. 05/03/69 – It’s almost unfair, and like something from another dimension. Audience tapes in 1969 don’t sound this good, ever. Vocals-shmocals, the mics on stage miss the PA speakers that carried GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Listening Trail - 1980's Grateful Dead. Any fan who begins travelling down the road of Grateful Dead concert tapes will often find the 60’s and 70’s to be the most open entry points. It makes sense since this band was famous for being a pioneer of the “psychedelic 60’s sound,” and then a stadium-rock titan that played 3 plus hour GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL 4/8/72 - Empire Wembley Pool. Highlights (Dark Star-> Caution) are on the Steppin' Out With the Grateful Dead box set, but the whole show deserves mention for tight playing and good vocals. 5-7-77 Boston Garden. I always liked this show better than either GRATEFUL DEAD LISTENING GUIDE: 1981 AUGUST 28 This tape is a great slice of 1981, delivering on many levels, worthy of a listen. Highly under circulating, it’s one of those needles you almost didn’t know was in the haystack at all. 08/28/81 AUD etree source info. 08/28/81 AUD Download. Posted by icepetal at 10:06 AM. GRATEFUL DEAD LISTENING GUIDE: PRIMAL DEAD It's even hard to summarily dismiss 1966 and '67 as paling to 1968 and '69 when the amount of physical evidence is so lopsided. We (most of us) weren't there. Let me just say this: There was a band called the Grateful Dead in 1966 and 1967. They were not exactly the Grateful Dead of 1968-69, nor the Dead of 1972, '82, or '92. GRATEFUL DEAD LISTENING GUIDE: 1976 OCTOBER 3 1976 October 3 - Cobo Arena. GRATEFUL DEAD. Sunday, October 3, 1976. Cobo Arena - Detroit, MI. Audience Recording. One of the first tapes from 1976 that I collected outside of a number of June shows, this date was yet another that I hadn’t seen on any other lists anywhere. It might have been something I picked up just to fill out a trade for GRATEFUL DEAD LISTENING GUIDE: 1973 JULY 27 GRATEFUL DEAD. Friday, July 27, 1973. Grand Prix Racecourse – Watkins Glen, NY. Audience Recording. There are Grateful Dead tapes that often become guideposts in a collector’s journey into tape trading. For me there is no doubt that the 1973 Watkins Glen tapes were just that. The shows from 07/27 and 07/28/73 have played criticalroles in
GRATEFUL DEAD LISTENING GUIDE: 1967 SEPTEMBER 3 GRATEFUL DEAD Sunday, September 3, 1967 Dance Hall, Rio Nido, CA Soundboard Recording In March of 2000, Rio Nido ’67 leaked into circulation. I was a lucky early recipient of the show on CD and found myself compelled to review it almost immediately on the pages of Dead Net Central.Exuberant with not only the music, but with what this tape meant in the fabric of the Dead’s GRATEFUL DEAD LISTENING GUIDE: 1970 NOVEMBER 8 1970 November 8 - Capitol Theater. Ohhhhhh 1970. Over the years I have gone on record saying that 1973 is my favorite year so many times, that I'd be a fool to try to and dispute what easy Googling could prove in a heartbeat (are the pages of DNC still indexed?). But, while '73 is my favorite year, the Dead's best year might well be 1970. GRATEFUL DEAD LISTENING GUIDETHEMATIC UNDERCURRENTSDOWNLOADING INSTRUCTIONSAUDSMUSICAL SATORIINTRO 1970 June 4 - Fillmore West. Few and far between are complete audience tapes of the Grateful Dead in 1970 which include the acoustic opening set, the New Riders of the Purple Sage middle set, and the electric Dead closing set. Fewer still are those that sound as good as any AUD tape could in that year. Here, however, is just such a tape. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Please follow the links below to fully enjoy this Listening Trail. 05/03/69 – It’s almost unfair, and like something from another dimension. Audience tapes in 1969 don’t sound this good, ever. Vocals-shmocals, the mics on stage miss the PA speakers that carried GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Listening Trail - 1980's Grateful Dead. Any fan who begins travelling down the road of Grateful Dead concert tapes will often find the 60’s and 70’s to be the most open entry points. It makes sense since this band was famous for being a pioneer of the “psychedelic 60’s sound,” and then a stadium-rock titan that played 3 plus hour GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL 4/8/72 - Empire Wembley Pool. Highlights (Dark Star-> Caution) are on the Steppin' Out With the Grateful Dead box set, but the whole show deserves mention for tight playing and good vocals. 5-7-77 Boston Garden. I always liked this show better than either GRATEFUL DEAD LISTENING GUIDE: 1981 AUGUST 28 This tape is a great slice of 1981, delivering on many levels, worthy of a listen. Highly under circulating, it’s one of those needles you almost didn’t know was in the haystack at all. 08/28/81 AUD etree source info. 08/28/81 AUD Download. Posted by icepetal at 10:06 AM. GRATEFUL DEAD LISTENING GUIDE: PRIMAL DEAD It's even hard to summarily dismiss 1966 and '67 as paling to 1968 and '69 when the amount of physical evidence is so lopsided. We (most of us) weren't there. Let me just say this: There was a band called the Grateful Dead in 1966 and 1967. They were not exactly the Grateful Dead of 1968-69, nor the Dead of 1972, '82, or '92. GRATEFUL DEAD LISTENING GUIDE: 1976 OCTOBER 3 1976 October 3 - Cobo Arena. GRATEFUL DEAD. Sunday, October 3, 1976. Cobo Arena - Detroit, MI. Audience Recording. One of the first tapes from 1976 that I collected outside of a number of June shows, this date was yet another that I hadn’t seen on any other lists anywhere. It might have been something I picked up just to fill out a trade for GRATEFUL DEAD LISTENING GUIDE: 1973 JULY 27 GRATEFUL DEAD. Friday, July 27, 1973. Grand Prix Racecourse – Watkins Glen, NY. Audience Recording. There are Grateful Dead tapes that often become guideposts in a collector’s journey into tape trading. For me there is no doubt that the 1973 Watkins Glen tapes were just that. The shows from 07/27 and 07/28/73 have played criticalroles in
GRATEFUL DEAD LISTENING GUIDE: 1967 SEPTEMBER 3 GRATEFUL DEAD Sunday, September 3, 1967 Dance Hall, Rio Nido, CA Soundboard Recording In March of 2000, Rio Nido ’67 leaked into circulation. I was a lucky early recipient of the show on CD and found myself compelled to review it almost immediately on the pages of Dead Net Central.Exuberant with not only the music, but with what this tape meant in the fabric of the Dead’s GRATEFUL DEAD LISTENING GUIDE: 1970 NOVEMBER 8 1970 November 8 - Capitol Theater. Ohhhhhh 1970. Over the years I have gone on record saying that 1973 is my favorite year so many times, that I'd be a fool to try to and dispute what easy Googling could prove in a heartbeat (are the pages of DNC still indexed?). But, while '73 is my favorite year, the Dead's best year might well be 1970. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: PODCAST SERIES What's a Grateful Dead Listening Guide without the music? About a year after starting the Guide, the podcast series was born. Hoping to supply a musical backdrop to all the reading material on the site, the podcast series provides a hand held walk through many of GRATEFUL DEAD LISTENING GUIDE: DOWNLOADING DEAD SHOWS FROM 1. Click On The Link – Clicking on that link will take you to the corresponding page on archive.org where that show is waiting for you. That’s all there is to step one for downloading a show. Now you will be at the archive.org website, on that shows particular page. On this page are a lot of links that you can click on. GRATEFUL DEAD LISTENING GUIDE: 1973 MAY 20 GRATEFUL DEAD Sunday, May 20, 1973 Campus Stadium, U.C.S.B. – Santa Barbara, CA Audience & Soundboard Recordings If you've been reading these pages for a long while, here's confirmation that new riches can forever be discovered in the Grateful Dead's concert history. GRATEFUL DEAD LISTENING GUIDE: THE STORIES OF JERRY MOORE Jerry wrote. He wrote a great deal. He wrote and wrote and wrote and wrote. We conversed in e-mail over a multi-year period back then where I was blessed to learn a seemingly endless wealth of knowledge around the life and times of Jerry Moore, the taper. Stories of how he fashioned a telescoping golf ball retrieval tool into his mic stand of GRATEFUL DEAD LISTENING GUIDE: 1981 MARCH 9 1981 March 9 - Madison Square Garden. GRATEFUL DEAD. Monday, March 9, 1981. Madison Square Garden - New York, NY. Audience Recording. The maturation process for a Deadhead tape collector is a very interesting thing indeed. Whether it's in the way one slowly develops an ear to "hear" a year from just a few seconds of a song, or gains the ability GRATEFUL DEAD LISTENING GUIDE: 1974 JULY 31 GRATEFUL DEAD Wednesday July 31, 1974 Dillon Stadium - Hartford, CT Audience Recording Billy Degen ate some mushrooms. Undoubtedly feeling no regret over possibly eating them a little bit earlier than might have been prudent for the task at hand, it is this that left him unable to navigate the complex diodes, plastic coatings, and vibratory electrical fields of his recording gear, each of GRATEFUL DEAD LISTENING GUIDE: 1970 MAY 7 The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: 1970 JUNE 24 1970 June 24 - Capitol Theatre. GRATEFUL DEAD NEW RIDERS OF THE PURPLE SAGE. Wednesday, June 24, 1970. Capitol Theatre – Port Chester, NY. “Oh my GOD.”. There are holy places along the 30 year journey that is the collection of Grateful Dead live recordings; shrines self-manifested by the music created on a particular night. GRATEFUL DEAD LISTENING GUIDE: 1978 MAY 16 & 17 1978 May 16 & 17 - Uptown Theater - Chicago, IL. 1978 is often a year of complete mystery to newbies. Everyone says 1977 is THE YEAR (I won't weigh in on that now), and many disregard '78 as a declining year for Jerry Garcia. While it is true that drugs were taking a toll in 1978, and the band was not knocking it out of the park every night GRATEFUL DEAD LISTENING GUIDETHEMATIC UNDERCURRENTSDOWNLOADING INSTRUCTIONSAUDSMUSICAL SATORIINTRO 1970 June 4 - Fillmore West. Few and far between are complete audience tapes of the Grateful Dead in 1970 which include the acoustic opening set, the New Riders of the Purple Sage middle set, and the electric Dead closing set. Fewer still are those that sound as good as any AUD tape could in that year. Here, however, is just such a tape. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Please follow the links below to fully enjoy this Listening Trail. 05/03/69 – It’s almost unfair, and like something from another dimension. Audience tapes in 1969 don’t sound this good, ever. Vocals-shmocals, the mics on stage miss the PA speakers that carried GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Listening Trail - 1980's Grateful Dead. Any fan who begins travelling down the road of Grateful Dead concert tapes will often find the 60’s and 70’s to be the most open entry points. It makes sense since this band was famous for being a pioneer of the “psychedelic 60’s sound,” and then a stadium-rock titan that played 3 plus hour GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL 4/8/72 - Empire Wembley Pool. Highlights (Dark Star-> Caution) are on the Steppin' Out With the Grateful Dead box set, but the whole show deserves mention for tight playing and good vocals. 5-7-77 Boston Garden. I always liked this show better than either GRATEFUL DEAD LISTENING GUIDE: 1981 AUGUST 28 This tape is a great slice of 1981, delivering on many levels, worthy of a listen. Highly under circulating, it’s one of those needles you almost didn’t know was in the haystack at all. 08/28/81 AUD etree source info. 08/28/81 AUD Download. Posted by icepetal at 10:06 AM. GRATEFUL DEAD LISTENING GUIDE: PRIMAL DEAD It's even hard to summarily dismiss 1966 and '67 as paling to 1968 and '69 when the amount of physical evidence is so lopsided. We (most of us) weren't there. Let me just say this: There was a band called the Grateful Dead in 1966 and 1967. They were not exactly the Grateful Dead of 1968-69, nor the Dead of 1972, '82, or '92. GRATEFUL DEAD LISTENING GUIDE: 1976 OCTOBER 3 1976 October 3 - Cobo Arena. GRATEFUL DEAD. Sunday, October 3, 1976. Cobo Arena - Detroit, MI. Audience Recording. One of the first tapes from 1976 that I collected outside of a number of June shows, this date was yet another that I hadn’t seen on any other lists anywhere. It might have been something I picked up just to fill out a trade for GRATEFUL DEAD LISTENING GUIDE: 1973 JULY 27 GRATEFUL DEAD. Friday, July 27, 1973. Grand Prix Racecourse – Watkins Glen, NY. Audience Recording. There are Grateful Dead tapes that often become guideposts in a collector’s journey into tape trading. For me there is no doubt that the 1973 Watkins Glen tapes were just that. The shows from 07/27 and 07/28/73 have played criticalroles in
GRATEFUL DEAD LISTENING GUIDE: 1967 SEPTEMBER 3 GRATEFUL DEAD Sunday, September 3, 1967 Dance Hall, Rio Nido, CA Soundboard Recording In March of 2000, Rio Nido ’67 leaked into circulation. I was a lucky early recipient of the show on CD and found myself compelled to review it almost immediately on the pages of Dead Net Central.Exuberant with not only the music, but with what this tape meant in the fabric of the Dead’s GRATEFUL DEAD LISTENING GUIDE: 1970 NOVEMBER 8 1970 November 8 - Capitol Theater. Ohhhhhh 1970. Over the years I have gone on record saying that 1973 is my favorite year so many times, that I'd be a fool to try to and dispute what easy Googling could prove in a heartbeat (are the pages of DNC still indexed?). But, while '73 is my favorite year, the Dead's best year might well be 1970. GRATEFUL DEAD LISTENING GUIDETHEMATIC UNDERCURRENTSDOWNLOADING INSTRUCTIONSAUDSMUSICAL SATORIINTRO 1970 June 4 - Fillmore West. Few and far between are complete audience tapes of the Grateful Dead in 1970 which include the acoustic opening set, the New Riders of the Purple Sage middle set, and the electric Dead closing set. Fewer still are those that sound as good as any AUD tape could in that year. Here, however, is just such a tape. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Please follow the links below to fully enjoy this Listening Trail. 05/03/69 – It’s almost unfair, and like something from another dimension. Audience tapes in 1969 don’t sound this good, ever. Vocals-shmocals, the mics on stage miss the PA speakers that carried GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Listening Trail - 1980's Grateful Dead. Any fan who begins travelling down the road of Grateful Dead concert tapes will often find the 60’s and 70’s to be the most open entry points. It makes sense since this band was famous for being a pioneer of the “psychedelic 60’s sound,” and then a stadium-rock titan that played 3 plus hour GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL 4/8/72 - Empire Wembley Pool. Highlights (Dark Star-> Caution) are on the Steppin' Out With the Grateful Dead box set, but the whole show deserves mention for tight playing and good vocals. 5-7-77 Boston Garden. I always liked this show better than either GRATEFUL DEAD LISTENING GUIDE: 1981 AUGUST 28 This tape is a great slice of 1981, delivering on many levels, worthy of a listen. Highly under circulating, it’s one of those needles you almost didn’t know was in the haystack at all. 08/28/81 AUD etree source info. 08/28/81 AUD Download. Posted by icepetal at 10:06 AM. GRATEFUL DEAD LISTENING GUIDE: PRIMAL DEAD It's even hard to summarily dismiss 1966 and '67 as paling to 1968 and '69 when the amount of physical evidence is so lopsided. We (most of us) weren't there. Let me just say this: There was a band called the Grateful Dead in 1966 and 1967. They were not exactly the Grateful Dead of 1968-69, nor the Dead of 1972, '82, or '92. GRATEFUL DEAD LISTENING GUIDE: 1976 OCTOBER 3 1976 October 3 - Cobo Arena. GRATEFUL DEAD. Sunday, October 3, 1976. Cobo Arena - Detroit, MI. Audience Recording. One of the first tapes from 1976 that I collected outside of a number of June shows, this date was yet another that I hadn’t seen on any other lists anywhere. It might have been something I picked up just to fill out a trade for GRATEFUL DEAD LISTENING GUIDE: 1973 JULY 27 GRATEFUL DEAD. Friday, July 27, 1973. Grand Prix Racecourse – Watkins Glen, NY. Audience Recording. There are Grateful Dead tapes that often become guideposts in a collector’s journey into tape trading. For me there is no doubt that the 1973 Watkins Glen tapes were just that. The shows from 07/27 and 07/28/73 have played criticalroles in
GRATEFUL DEAD LISTENING GUIDE: 1967 SEPTEMBER 3 GRATEFUL DEAD Sunday, September 3, 1967 Dance Hall, Rio Nido, CA Soundboard Recording In March of 2000, Rio Nido ’67 leaked into circulation. I was a lucky early recipient of the show on CD and found myself compelled to review it almost immediately on the pages of Dead Net Central.Exuberant with not only the music, but with what this tape meant in the fabric of the Dead’s GRATEFUL DEAD LISTENING GUIDE: 1970 NOVEMBER 8 1970 November 8 - Capitol Theater. Ohhhhhh 1970. Over the years I have gone on record saying that 1973 is my favorite year so many times, that I'd be a fool to try to and dispute what easy Googling could prove in a heartbeat (are the pages of DNC still indexed?). But, while '73 is my favorite year, the Dead's best year might well be 1970. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: PODCAST SERIES What's a Grateful Dead Listening Guide without the music? About a year after starting the Guide, the podcast series was born. Hoping to supply a musical backdrop to all the reading material on the site, the podcast series provides a hand held walk through many of GRATEFUL DEAD LISTENING GUIDE: DOWNLOADING DEAD SHOWS FROM 1. Click On The Link – Clicking on that link will take you to the corresponding page on archive.org where that show is waiting for you. That’s all there is to step one for downloading a show. Now you will be at the archive.org website, on that shows particular page. On this page are a lot of links that you can click on. GRATEFUL DEAD LISTENING GUIDE: 1973 MAY 20 GRATEFUL DEAD Sunday, May 20, 1973 Campus Stadium, U.C.S.B. – Santa Barbara, CA Audience & Soundboard Recordings If you've been reading these pages for a long while, here's confirmation that new riches can forever be discovered in the Grateful Dead's concert history. GRATEFUL DEAD LISTENING GUIDE: THE STORIES OF JERRY MOORE Jerry wrote. He wrote a great deal. He wrote and wrote and wrote and wrote. We conversed in e-mail over a multi-year period back then where I was blessed to learn a seemingly endless wealth of knowledge around the life and times of Jerry Moore, the taper. Stories of how he fashioned a telescoping golf ball retrieval tool into his mic stand of GRATEFUL DEAD LISTENING GUIDE: 1973 JULY 27 GRATEFUL DEAD. Friday, July 27, 1973. Grand Prix Racecourse – Watkins Glen, NY. Audience Recording. There are Grateful Dead tapes that often become guideposts in a collector’s journey into tape trading. For me there is no doubt that the 1973 Watkins Glen tapes were just that. The shows from 07/27 and 07/28/73 have played criticalroles in
GRATEFUL DEAD LISTENING GUIDE: 1980 MAY 10 The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: 1970 MAY 7 The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: 1970 JUNE 24 1970 June 24 - Capitol Theatre. GRATEFUL DEAD NEW RIDERS OF THE PURPLE SAGE. Wednesday, June 24, 1970. Capitol Theatre – Port Chester, NY. “Oh my GOD.”. There are holy places along the 30 year journey that is the collection of Grateful Dead live recordings; shrines self-manifested by the music created on a particular night. GRATEFUL DEAD LISTENING GUIDE: 1978 MAY 16 & 17 1978 May 16 & 17 - Uptown Theater - Chicago, IL. 1978 is often a year of complete mystery to newbies. Everyone says 1977 is THE YEAR (I won't weigh in on that now), and many disregard '78 as a declining year for Jerry Garcia. While it is true that drugs were taking a toll in 1978, and the band was not knocking it out of the park every night GRATEFUL DEAD LISTENING GUIDETHEMATIC UNDERCURRENTSDOWNLOADING INSTRUCTIONSAUDSMUSICAL SATORIINTRO 1970 June 4 - Fillmore West. Few and far between are complete audience tapes of the Grateful Dead in 1970 which include the acoustic opening set, the New Riders of the Purple Sage middle set, and the electric Dead closing set. Fewer still are those that sound as good as any AUD tape could in that year. Here, however, is just such a tape. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Please follow the links below to fully enjoy this Listening Trail. 05/03/69 – It’s almost unfair, and like something from another dimension. Audience tapes in 1969 don’t sound this good, ever. Vocals-shmocals, the mics on stage miss the PA speakers that carried GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Listening Trail - 1980's Grateful Dead. Any fan who begins travelling down the road of Grateful Dead concert tapes will often find the 60’s and 70’s to be the most open entry points. It makes sense since this band was famous for being a pioneer of the “psychedelic 60’s sound,” and then a stadium-rock titan that played 3 plus hour GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL 4/8/72 - Empire Wembley Pool. Highlights (Dark Star-> Caution) are on the Steppin' Out With the Grateful Dead box set, but the whole show deserves mention for tight playing and good vocals. 5-7-77 Boston Garden. I always liked this show better than either GRATEFUL DEAD LISTENING GUIDE: 1981 AUGUST 28 This tape is a great slice of 1981, delivering on many levels, worthy of a listen. Highly under circulating, it’s one of those needles you almost didn’t know was in the haystack at all. 08/28/81 AUD etree source info. 08/28/81 AUD Download. Posted by icepetal at 10:06 AM. GRATEFUL DEAD LISTENING GUIDE: PRIMAL DEAD It's even hard to summarily dismiss 1966 and '67 as paling to 1968 and '69 when the amount of physical evidence is so lopsided. We (most of us) weren't there. Let me just say this: There was a band called the Grateful Dead in 1966 and 1967. They were not exactly the Grateful Dead of 1968-69, nor the Dead of 1972, '82, or '92. GRATEFUL DEAD LISTENING GUIDE: 1976 OCTOBER 3 1976 October 3 - Cobo Arena. GRATEFUL DEAD. Sunday, October 3, 1976. Cobo Arena - Detroit, MI. Audience Recording. One of the first tapes from 1976 that I collected outside of a number of June shows, this date was yet another that I hadn’t seen on any other lists anywhere. It might have been something I picked up just to fill out a trade for GRATEFUL DEAD LISTENING GUIDE: 1973 JULY 27 GRATEFUL DEAD. Friday, July 27, 1973. Grand Prix Racecourse – Watkins Glen, NY. Audience Recording. There are Grateful Dead tapes that often become guideposts in a collector’s journey into tape trading. For me there is no doubt that the 1973 Watkins Glen tapes were just that. The shows from 07/27 and 07/28/73 have played criticalroles in
GRATEFUL DEAD LISTENING GUIDE: 1967 SEPTEMBER 3 GRATEFUL DEAD Sunday, September 3, 1967 Dance Hall, Rio Nido, CA Soundboard Recording In March of 2000, Rio Nido ’67 leaked into circulation. I was a lucky early recipient of the show on CD and found myself compelled to review it almost immediately on the pages of Dead Net Central.Exuberant with not only the music, but with what this tape meant in the fabric of the Dead’s GRATEFUL DEAD LISTENING GUIDE: 1970 NOVEMBER 8 1970 November 8 - Capitol Theater. Ohhhhhh 1970. Over the years I have gone on record saying that 1973 is my favorite year so many times, that I'd be a fool to try to and dispute what easy Googling could prove in a heartbeat (are the pages of DNC still indexed?). But, while '73 is my favorite year, the Dead's best year might well be 1970. GRATEFUL DEAD LISTENING GUIDETHEMATIC UNDERCURRENTSDOWNLOADING INSTRUCTIONSAUDSMUSICAL SATORIINTRO 1970 June 4 - Fillmore West. Few and far between are complete audience tapes of the Grateful Dead in 1970 which include the acoustic opening set, the New Riders of the Purple Sage middle set, and the electric Dead closing set. Fewer still are those that sound as good as any AUD tape could in that year. Here, however, is just such a tape. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Please follow the links below to fully enjoy this Listening Trail. 05/03/69 – It’s almost unfair, and like something from another dimension. Audience tapes in 1969 don’t sound this good, ever. Vocals-shmocals, the mics on stage miss the PA speakers that carried GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Listening Trail - 1980's Grateful Dead. Any fan who begins travelling down the road of Grateful Dead concert tapes will often find the 60’s and 70’s to be the most open entry points. It makes sense since this band was famous for being a pioneer of the “psychedelic 60’s sound,” and then a stadium-rock titan that played 3 plus hour GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL 4/8/72 - Empire Wembley Pool. Highlights (Dark Star-> Caution) are on the Steppin' Out With the Grateful Dead box set, but the whole show deserves mention for tight playing and good vocals. 5-7-77 Boston Garden. I always liked this show better than either GRATEFUL DEAD LISTENING GUIDE: 1981 AUGUST 28 This tape is a great slice of 1981, delivering on many levels, worthy of a listen. Highly under circulating, it’s one of those needles you almost didn’t know was in the haystack at all. 08/28/81 AUD etree source info. 08/28/81 AUD Download. Posted by icepetal at 10:06 AM. GRATEFUL DEAD LISTENING GUIDE: PRIMAL DEAD It's even hard to summarily dismiss 1966 and '67 as paling to 1968 and '69 when the amount of physical evidence is so lopsided. We (most of us) weren't there. Let me just say this: There was a band called the Grateful Dead in 1966 and 1967. They were not exactly the Grateful Dead of 1968-69, nor the Dead of 1972, '82, or '92. GRATEFUL DEAD LISTENING GUIDE: 1976 OCTOBER 3 1976 October 3 - Cobo Arena. GRATEFUL DEAD. Sunday, October 3, 1976. Cobo Arena - Detroit, MI. Audience Recording. One of the first tapes from 1976 that I collected outside of a number of June shows, this date was yet another that I hadn’t seen on any other lists anywhere. It might have been something I picked up just to fill out a trade for GRATEFUL DEAD LISTENING GUIDE: 1973 JULY 27 GRATEFUL DEAD. Friday, July 27, 1973. Grand Prix Racecourse – Watkins Glen, NY. Audience Recording. There are Grateful Dead tapes that often become guideposts in a collector’s journey into tape trading. For me there is no doubt that the 1973 Watkins Glen tapes were just that. The shows from 07/27 and 07/28/73 have played criticalroles in
GRATEFUL DEAD LISTENING GUIDE: 1967 SEPTEMBER 3 GRATEFUL DEAD Sunday, September 3, 1967 Dance Hall, Rio Nido, CA Soundboard Recording In March of 2000, Rio Nido ’67 leaked into circulation. I was a lucky early recipient of the show on CD and found myself compelled to review it almost immediately on the pages of Dead Net Central.Exuberant with not only the music, but with what this tape meant in the fabric of the Dead’s GRATEFUL DEAD LISTENING GUIDE: 1970 NOVEMBER 8 1970 November 8 - Capitol Theater. Ohhhhhh 1970. Over the years I have gone on record saying that 1973 is my favorite year so many times, that I'd be a fool to try to and dispute what easy Googling could prove in a heartbeat (are the pages of DNC still indexed?). But, while '73 is my favorite year, the Dead's best year might well be 1970. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: PODCAST SERIES What's a Grateful Dead Listening Guide without the music? About a year after starting the Guide, the podcast series was born. Hoping to supply a musical backdrop to all the reading material on the site, the podcast series provides a hand held walk through many of GRATEFUL DEAD LISTENING GUIDE: DOWNLOADING DEAD SHOWS FROM 1. Click On The Link – Clicking on that link will take you to the corresponding page on archive.org where that show is waiting for you. That’s all there is to step one for downloading a show. Now you will be at the archive.org website, on that shows particular page. On this page are a lot of links that you can click on. GRATEFUL DEAD LISTENING GUIDE: 1973 MAY 20 GRATEFUL DEAD Sunday, May 20, 1973 Campus Stadium, U.C.S.B. – Santa Barbara, CA Audience & Soundboard Recordings If you've been reading these pages for a long while, here's confirmation that new riches can forever be discovered in the Grateful Dead's concert history. GRATEFUL DEAD LISTENING GUIDE: THE STORIES OF JERRY MOORE Jerry wrote. He wrote a great deal. He wrote and wrote and wrote and wrote. We conversed in e-mail over a multi-year period back then where I was blessed to learn a seemingly endless wealth of knowledge around the life and times of Jerry Moore, the taper. Stories of how he fashioned a telescoping golf ball retrieval tool into his mic stand of GRATEFUL DEAD LISTENING GUIDE: 1973 JULY 27 GRATEFUL DEAD. Friday, July 27, 1973. Grand Prix Racecourse – Watkins Glen, NY. Audience Recording. There are Grateful Dead tapes that often become guideposts in a collector’s journey into tape trading. For me there is no doubt that the 1973 Watkins Glen tapes were just that. The shows from 07/27 and 07/28/73 have played criticalroles in
GRATEFUL DEAD LISTENING GUIDE: 1980 MAY 10 The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: 1970 MAY 7 The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: 1970 JUNE 24 1970 June 24 - Capitol Theatre. GRATEFUL DEAD NEW RIDERS OF THE PURPLE SAGE. Wednesday, June 24, 1970. Capitol Theatre – Port Chester, NY. “Oh my GOD.”. There are holy places along the 30 year journey that is the collection of Grateful Dead live recordings; shrines self-manifested by the music created on a particular night. GRATEFUL DEAD LISTENING GUIDE: 1978 MAY 16 & 17 1978 May 16 & 17 - Uptown Theater - Chicago, IL. 1978 is often a year of complete mystery to newbies. Everyone says 1977 is THE YEAR (I won't weigh in on that now), and many disregard '78 as a declining year for Jerry Garcia. While it is true that drugs were taking a toll in 1978, and the band was not knocking it out of the park every night GRATEFUL DEAD LISTENING GUIDETHEMATIC UNDERCURRENTSDOWNLOADING INSTRUCTIONSMID '70'SAUDSMUSICAL SATORIINTRO 1970 June 4 - Fillmore West. Few and far between are complete audience tapes of the Grateful Dead in 1970 which include the acoustic opening set, the New Riders of the Purple Sage middle set, and the electric Dead closing set. Fewer still are those that sound as good as any AUD tape could in that year. Here, however, is just such a tape. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Please follow the links below to fully enjoy this Listening Trail. 05/03/69 – It’s almost unfair, and like something from another dimension. Audience tapes in 1969 don’t sound this good, ever. Vocals-shmocals, the mics on stage miss the PA speakers that carried GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Listening Trail - 1980's Grateful Dead. Any fan who begins travelling down the road of Grateful Dead concert tapes will often find the 60’s and 70’s to be the most open entry points. It makes sense since this band was famous for being a pioneer of the “psychedelic 60’s sound,” and then a stadium-rock titan that played 3 plus hour GRATEFUL DEAD LISTENING GUIDE: DOWNLOADING DEAD SHOWS FROM 1. Click On The Link – Clicking on that link will take you to the corresponding page on archive.org where that show is waiting for you. That’s all there is to step one for downloading a show. Now you will be at the archive.org website, on that shows particular page. On this page are a lot of links that you can click on. GRATEFUL DEAD LISTENING GUIDE: PRIMAL DEAD It's even hard to summarily dismiss 1966 and '67 as paling to 1968 and '69 when the amount of physical evidence is so lopsided. We (most of us) weren't there. Let me just say this: There was a band called the Grateful Dead in 1966 and 1967. They were not exactly the Grateful Dead of 1968-69, nor the Dead of 1972, '82, or '92. GRATEFUL DEAD LISTENING GUIDE: 1981 AUGUST 28 This tape is a great slice of 1981, delivering on many levels, worthy of a listen. Highly under circulating, it’s one of those needles you almost didn’t know was in the haystack at all. 08/28/81 AUD etree source info. 08/28/81 AUD Download. Posted by icepetal at 10:06 AM. GRATEFUL DEAD LISTENING GUIDE: 1976 OCTOBER 3 1976 October 3 - Cobo Arena. GRATEFUL DEAD. Sunday, October 3, 1976. Cobo Arena - Detroit, MI. Audience Recording. One of the first tapes from 1976 that I collected outside of a number of June shows, this date was yet another that I hadn’t seen on any other lists anywhere. It might have been something I picked up just to fill out a trade for GRATEFUL DEAD LISTENING GUIDE: 1985 JUNE 30 GRATEFUL DEAD. Sunday, June 30, 1985. Merriweather Post Pavilion – Columbia, MD. Audience & Soundboard Recordings. 1985 has an interesting reputation. Being the 20th anniversary of The Warlocks, the band seemed somehow inspired throughout the year, elevating their game with such sparkle (and a few tremendous breakouts) that mostfolks
GRATEFUL DEAD LISTENING GUIDE: 1973 JUNE 22 GRATEFUL DEAD. Friday, June 22, 1973. P.N.E. Coliseum - Vancouver, BC, Canada. Audience Recording. Confronting some of my own paralysis in knowing where to start, I've decided to plow into my favorite year, 1973. For most seasoned Deadhead tape collectors, the Fall-Winter of '73 reigns supreme. I, on the other hand, am far more partial to the GRATEFUL DEAD LISTENING GUIDETHEMATIC UNDERCURRENTSDOWNLOADING INSTRUCTIONSMID '70'SAUDSMUSICAL SATORIINTRO 1970 June 4 - Fillmore West. Few and far between are complete audience tapes of the Grateful Dead in 1970 which include the acoustic opening set, the New Riders of the Purple Sage middle set, and the electric Dead closing set. Fewer still are those that sound as good as any AUD tape could in that year. Here, however, is just such a tape. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Please follow the links below to fully enjoy this Listening Trail. 05/03/69 – It’s almost unfair, and like something from another dimension. Audience tapes in 1969 don’t sound this good, ever. Vocals-shmocals, the mics on stage miss the PA speakers that carried GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAIL Listening Trail - 1980's Grateful Dead. Any fan who begins travelling down the road of Grateful Dead concert tapes will often find the 60’s and 70’s to be the most open entry points. It makes sense since this band was famous for being a pioneer of the “psychedelic 60’s sound,” and then a stadium-rock titan that played 3 plus hour GRATEFUL DEAD LISTENING GUIDE: DOWNLOADING DEAD SHOWS FROM 1. Click On The Link – Clicking on that link will take you to the corresponding page on archive.org where that show is waiting for you. That’s all there is to step one for downloading a show. Now you will be at the archive.org website, on that shows particular page. On this page are a lot of links that you can click on. GRATEFUL DEAD LISTENING GUIDE: PRIMAL DEAD It's even hard to summarily dismiss 1966 and '67 as paling to 1968 and '69 when the amount of physical evidence is so lopsided. We (most of us) weren't there. Let me just say this: There was a band called the Grateful Dead in 1966 and 1967. They were not exactly the Grateful Dead of 1968-69, nor the Dead of 1972, '82, or '92. GRATEFUL DEAD LISTENING GUIDE: 1981 AUGUST 28 This tape is a great slice of 1981, delivering on many levels, worthy of a listen. Highly under circulating, it’s one of those needles you almost didn’t know was in the haystack at all. 08/28/81 AUD etree source info. 08/28/81 AUD Download. Posted by icepetal at 10:06 AM. GRATEFUL DEAD LISTENING GUIDE: 1976 OCTOBER 3 1976 October 3 - Cobo Arena. GRATEFUL DEAD. Sunday, October 3, 1976. Cobo Arena - Detroit, MI. Audience Recording. One of the first tapes from 1976 that I collected outside of a number of June shows, this date was yet another that I hadn’t seen on any other lists anywhere. It might have been something I picked up just to fill out a trade for GRATEFUL DEAD LISTENING GUIDE: 1985 JUNE 30 GRATEFUL DEAD. Sunday, June 30, 1985. Merriweather Post Pavilion – Columbia, MD. Audience & Soundboard Recordings. 1985 has an interesting reputation. Being the 20th anniversary of The Warlocks, the band seemed somehow inspired throughout the year, elevating their game with such sparkle (and a few tremendous breakouts) that mostfolks
GRATEFUL DEAD LISTENING GUIDE: 1973 JUNE 22 GRATEFUL DEAD. Friday, June 22, 1973. P.N.E. Coliseum - Vancouver, BC, Canada. Audience Recording. Confronting some of my own paralysis in knowing where to start, I've decided to plow into my favorite year, 1973. For most seasoned Deadhead tape collectors, the Fall-Winter of '73 reigns supreme. I, on the other hand, am far more partial to the GRATEFUL DEAD LISTENING GUIDE: LISTENING TRAILS Any fan who begins travelling down the road of Grateful Dead concert tapes will often find the 60’s and 70’s to be the most open entry points. It makes sense since this band was famous for being a pioneer of the “psychedelic 60’s sound,” and then a stadium-rock titan that played 3 plus hour shows of cosmic exploration in the 70’s. GRATEFUL DEAD LISTENING GUIDE: 1967 SEPTEMBER 3 GRATEFUL DEAD Sunday, September 3, 1967 Dance Hall, Rio Nido, CA Soundboard Recording In March of 2000, Rio Nido ’67 leaked into circulation. I was a lucky early recipient of the show on CD and found myself compelled to review it almost immediately on the pages of Dead Net Central.Exuberant with not only the music, but with what this tape meant in the fabric of the Dead’s GRATEFUL DEAD LISTENING GUIDE: 1985 JUNE 30 GRATEFUL DEAD. Sunday, June 30, 1985. Merriweather Post Pavilion – Columbia, MD. Audience & Soundboard Recordings. 1985 has an interesting reputation. Being the 20th anniversary of The Warlocks, the band seemed somehow inspired throughout the year, elevating their game with such sparkle (and a few tremendous breakouts) that mostfolks
GRATEFUL DEAD LISTENING GUIDE: 1973 MAY 20 GRATEFUL DEAD Sunday, May 20, 1973 Campus Stadium, U.C.S.B. – Santa Barbara, CA Audience & Soundboard Recordings If you've been reading these pages for a long while, here's confirmation that new riches can forever be discovered in the Grateful Dead's concert history. GRATEFUL DEAD LISTENING GUIDE: 1981 FEBRUARY 26 GRATEFUL DEAD. Thursday, February 26, 1981. Uptown Theater – Chicago, IL. Audience & Soundboard Recordings. Let’s go back to the Uptown Theater in Chicago. The band played a total of 17 shows at this venue from 1978 to 1981. Early on, we visited the first run from May ’78. Now we will visit the last, from February ’81. GRATEFUL DEAD LISTENING GUIDE: 1976 JUNE 14 GRATEFUL DEAD. Monday, June 14, 1976. Beacon Theater – New York, NY. Soundboard Recording. Just as picking a show from the early 80’s can present a daunting task when it comes to knowing which way to turn first, June 1976 is like a microcosm of the same problem. The Grateful Dead played a lot of shows marking the inaugural run in the band GRATEFUL DEAD LISTENING GUIDE: 1973 JULY 27 GRATEFUL DEAD. Friday, July 27, 1973. Grand Prix Racecourse – Watkins Glen, NY. Audience Recording. There are Grateful Dead tapes that often become guideposts in a collector’s journey into tape trading. For me there is no doubt that the 1973 Watkins Glen tapes were just that. The shows from 07/27 and 07/28/73 have played criticalroles in
GRATEFUL DEAD LISTENING GUIDE: 1973 JUNE 22 GRATEFUL DEAD. Friday, June 22, 1973. P.N.E. Coliseum - Vancouver, BC, Canada. Audience Recording. Confronting some of my own paralysis in knowing where to start, I've decided to plow into my favorite year, 1973. For most seasoned Deadhead tape collectors, the Fall-Winter of '73 reigns supreme. I, on the other hand, am far more partial to the GRATEFUL DEAD LISTENING GUIDE: 1980 MAY 10 The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide my writing. You could also try my current favorite show on the blog, plus there's good reading under the trading community label. Or, take a walk on a Listening Trail. GRATEFUL DEAD LISTENING GUIDE: 1970 NOVEMBER 8 1970 November 8 - Capitol Theater. Ohhhhhh 1970. Over the years I have gone on record saying that 1973 is my favorite year so many times, that I'd be a fool to try to and dispute what easy Googling could prove in a heartbeat (are the pages of DNC still indexed?). But, while '73 is my favorite year, the Dead's best year might well be 1970. skip to main | skip to sidebarSITE SPONSOR
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006-A Grateful Effervescence007-Jerry Band
008–On Down The Less Traveled Road 009-A Leaf Of All Colors 010-In The Days Between 011-Playin' in the Playin'MUSICAL EXPANSION
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REVIEWED SHOWS (CRONOLOGICALLY)1966-07-16 SBD
1967-03-18 SBD
1967-09-03 SBD
1968-01-22 SBD
1968-03-03 AUD
1968-05-18 AUD
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1970-11-06 AUD
1970-11-08 AUD
1970-12-28 AUD
1971-03-18 SBD
1971-07-02 SBD
1971-07-31 AUD
1971-08-06 AUD
1971-11-07 SBD
1971-12-15 SBD
1972-04-14 AUD & SBD1972-07-18 AUD
1972-07-26 SBD
1972-08-24 SBD
1972-09-28 SBD
1972-10-18 SBD
1973-03-24 SBD
1973-03-26 SBD
1973-05-20 AUD & SBD1973-06-22 AUD
1973-06-26 AUD
1973-06-30 AUD
1973-07-01 AUD
1973-07-27 AUD
1973-08-01 AUD
1973-09-07 AUD
1973-11-17 SBD
1974-05-12 AUD
1074-05-25 AUD & SBD1974-06-22/23 AUD
1974-07-21 AUD
1974-07-31 AUD
1974-08-04 AUD
1974-08-06 AUD
1975-06-17 AUD
1975-09-28 AUD
1976-06-09 AUD
1976-06-14 SBD
1976-07-17 AUD
1976-09-28 AUD
1976-10-03 AUD
1976-10-10 AUD
1977-02-26 SBD
1977-03-19 SBD
1977-04-23 AUD
1977-05-08 AUD
1977-05-09 AUD
1977-06-04 AUD
1977-11-04 AUD
1978-02-03 AUD
1978-05-16/17 AUD
1978-07-01 AUD
1978-07-05 AUD
1978-12-19 AUD
1979-01-15 AUD
1979-05-05 AUD
1979-07-01 AUD
1979-09-01 AUD
1979-10-27 AUD
1979-11-05 AUD
1980-05-10 AUD
1980-06-08 AUD
1980-06-21 AUD
1980-08-16 AUD
1980-09-06 AUD
1981-02-26 AUD & SBD1981-03-09 AUD
1981-08-14 AUD
1981-08-28 AUD
1981-09-26 AUD
1982-02-19/20 AUD
1982-03-13 AUD
1982-08-10 AUD
1982-09-05 AUD
1982-09-17 AUD
1983-05-13 AUD
1982-10-09 AUD
1983-09-06 AUD
1983-10-11 AUD
1983-10-17 AUD
1984-06-30 AUD
1984-07-13 AUD
1985-06-30 AUD
1986-03-27 AUD
1990-09-19 AUD
1993-12-18 AUD
NOT SURE WHERE TO BEGIN? The intro posts are always a good start, followed logically by my thoughts on Music & Being, which guide
my writing.You could also try my current favorite show on the blog, plus there's good reading under the trading community label.Or, take a walk on a Listening Trail.
MONDAY, MARCH 11, 2013 1970 JUNE 4 - FILLMORE WESTGrateful Dead
Thursday, June 4, 1970 Fillmore West - San Francisco, CAAudience Recording
Few
and far between are complete audience tapes of the Grateful Dead in 1970 which include the acoustic opening set, the New Riders of the Purple Sage middle set, and the electric Dead closing set. Fewer still are those that sound as good as any AUD tape could in that year. Here, however, is just such a tape. The Dead left the Bay area at the end of April, 1970 and embarked on a six week, 17 show tour hitting mostly college campuses on the east coast, along with a night at the Fillmore East in New York and spending a couple days overseas in England. Despite the spotty completeness of recordings from this run, it’s an epic tour, giving us some of the very best shows of the year - the fabled and iconic May 2nd show at Harpur College easily springs to mind. On those audience tapes we do have from this run, there is no shortage of excited energy in the crowds, something we’ve come to call that “east coast vibe.” This is just the first thing thing that makes the tape from June 4th, 1970 at the Fillmore West in San Francisco an intoxicating experience - the vibe is decidedly “west coast” - the audience is unmistakably lower key than those at Dead shows out east. And that only scratches the surface of what makes the 06/04/70 AUD tape a fantastic listen.If
you’ve listened to a lot of 1969-1971 Grateful Dead, you will quickly pick up the feeling of the band being “at home” on this tape from the Fillmore West. No one is in a hurry. Nothing pushes the evening along. But it’s more than that. There is also the sound of the band in this hall. I’m not just talking about the amazing tape recording - speaking of... my goodness, uh... wow - I’m talking about a particular taste to the sound of the PA, the mic placement, the acoustic guitars, the vocals, the drums (especially cymbals). With Bear still not quite yet on his way to federal prison, he is as much present on this recording as the entire band. The sound here at the Fillmore West exudes a sense that he is truly in his element. The room sounds that good. Perhaps it was just the comfort of a known stomping ground and house equipment, but the sonic nature of space within this room is stunning. While those who need to find fault may point to the less than perfect levels and clarity of low-end on this tape, it’s hard to be disappointed with this listening experience. And again, as a 1970 AUDtape? Whoa.
_Set One - Grateful Dead Acoustic: Monkey and the Engineer, Deep Elem Blues, Candyman, Silver Threads and Golden Needles, Friend of the Devil, Black Peter, Cumberland Blues, Wake Up Little Suzie, Swing Low Sweet Chariot, Uncle John's Band Set Two - New Riders of the Purple Sage: Working Man's Blues, If You Hear Me When I'm Leaving, Whatcha Gonna Do, I Don't Know You, Portland Woman, Truck Drivin' Man, Superman, Louisiana Lady, All I Ever Wanted, Henry, Last Lonely Eagle, Fair Chance To Know, The Race is On, Mama Tried, Honky Tonk Women Set Three - Grateful Dead Electric: Casey Jones, Me and My Uncle, Hard to Handle, It's a Sin, China Cat Sunflower > I Know You Rider, Attics of My Life, It's a Man's World, New, New Minglewood Blues, Good Lovin', St. Stephen > Not Fade Away > Midnight Hour, It's All Over NowBaby Blue_
The acoustic set is about as close to the Grateful Dead’s back porch as we are going to get. Relaxed, and with no expectations (save for a good deal of complaints over getting the monitors to work properly), the set displays a tremendous intimacy. There is a fragile honesty to the proceedings, without a hint of pretension anywhere. The guitars are warm, the vocals round. In Candyman, the drum and cymbal work are so well mixed, they seem to be perched on the listener’s shoulder. More than feeling like you are on stage with the band, it feels like the band is in your head. The song wraps with the band saving a complete vocal train wreck so well, you’re left thinking this was just some alternate way they decided to treat the very end of the tunetonight.
Sublime acoustic Grateful Dead continues. Once David Nelson and Marmaduke from the Riders join them on stage at Cumberland, good goes to great. The closing Uncle John’s Band, again with those drums so well placed up in the mix, is gorgeous. We finally see the audience energy rise - ready for true lift off.When
the New Riders of the Purple Sage take the stage, to obviously state that things become more electric it an understatement. This band (with Jerry on pedal steel from inception through October, 1971 - you knew that already, right?) approaches psychedelia with ninja-like skills. You almost don’t catch it until you start listening just below the surface of this country rock five-piece.Early
Riders music shimmers with a taffy pulling goo. Drums, guitar and pedal steel are all continually appearing, receding and reappearing from a wash of rippling melodies. Mickey Hart (on drums until late November, 1970) is hell bent on being remembered as the most asynchronous country drummer of all time. That he manages to keep the music driving forward is quite a testament to his drumming chops, because he takes advantage of every opportunity to go after beats that are not on the one, two, three or four - as if he is scoring a game measured in such things. He is winning this game, and causing everything in the musical orbit to open into ellipses and other complicated mathematics (see Louisiana Lady - he scores into the bonus round on that tune). David Nelson’s guitar play twangs as if played by fourteen fingers, let alone four. And Garcia on steel... well, the guy knew how to work an instrument - even one he continually admitting to being woefully incapable of finding the time to master. The Riders’ set is fantastic. In their own world of musical documentation, June 1970 is woefully under-represented (this tape marks one of only two June 1970 evenings we have), so catching this complete set in such breathtaking detail is a dream come true. Things continue to swirl and elevate as their set continues. Whatcha Gonna Do, and I Don’t Know You begin to peel back the veil of straightforward country rock completely, as the music drives in a cyclone of song. The evening is becoming more electric on all counts. The Riders are the glue, the transparent fully explored example of how a late 60’s psychedelic juggernaut like the Grateful Dead could so naturally release Working Man’s Dead and American Beauty here in 1970. Through the Riders, it all comes together. It all makes more sense. And then it all explodes into a carnival of colors when the electric Dead take the stage... Casey Jones is delivered in near perfect LP replication. The energy soars and the hi-stepping Grateful Dead march is in full swing. The audience recording brings all of this into intimate focus. It still feels like the entire band is exploding in the palm of your hand. This quality emanating from a 1970 AUD is not something typical, and it forces one to take pause and smile. This is really good. The set list is interesting for its lack of Dark Star or Other One, though perhaps understandable with a long weekend ahead filling out this stand. More interesting is finding a version of “It’s A Sin” showing up. We are missing the first hunk of the song, but still... we have no known previous record of this song being played in 1970 whatsoever. So, pretty cool. The China>Rider (also clipped at the start) is ferocious. It has all the charging madness of a 1968 China Cat Sunflower, and Garcia’s guitar tone blazes with deafening, sun streaming power. The transition into I Know You Rider is nicely done, and the band keeps a quick clip moving which lends even more energy to the tune. The stand alone Attics of My Life is a treat, despite the overdriven vocals. It somehow seems sedate in comparison to the outright spiritual awakening that is communicated in the version a few weekslater on 6/24/70
.
Then
we come to It’s A Man’s World. One of only a dozen known versions, all occurring between April and September 1970, this song is full of sultry swagger. Pigpen howls and howls, with the band cooly chugging below. As Garcia starts working into his solos, everything jells. The band comes alive and casts serpentine phrases and rhythms over the crowd. The song flies with a transcendent “Eleven” vibe, like a jam pulled right out of 1969. Garcia’s notes fly on tiptoes leaving a trail of dancing sparkles. And a special nod to the boys’ backing vocals here - expertly delivered while kicking out such groovyunderpinnings.
Now the band seems to be hitting full stride. Minglewood bores into the chest, taking the giant sound of 1970 Dead directly back into this earliest of band standards. The solo crashes like a meteor on stage. Bobby screams, rips, roars and screams some more. Good Lovin’ picks up directly where Minglewood and It’s A Man’s World leave off. We are rocketing forward. The mid-song Drums is clipped, but we pick up just as the band gets back down to business. All six band members are moving in different direction, and manage to congeal and disperse over and over again. Garcia wails. His notes have become liquid fire, speeding through the sky. Everyone comes back together and concludes the song with knock out force. We are breathless. And then comes St. Stephen. Here the audience tape provides a glimpse into the sonic tidal wave of the Grateful Dead in a fashion not readily available in any other tape this reviewer can bring to memory. After the “lady finger” section of the song proves to be intensely personal - it is so within the head that the head expands to fill all space - the flash pot/gunshot that follows becomes an endgame for the senses. The music becomes enormous, even cataclysmic, as if towering forces are locked in battle. Galaxies collide, exploding in endless eruptions. Above it all, a cymbal swell begins to take form, certainly a mainstay portion of this tune. But this tape brings it into bone bleaching focus. The swell begins to level everything in its path, yet the music muscles its way even higher. Nothing is left of personal space. There is no room left. Here, we are lost to the music. We are gone. And the sound wall continues to roar. This one passage delivers the goods so completely, it starts to make sense why people would religiously follow the band from show to show for decades. You come out on the other side wondering, what just happened? Sensational. Into Not Fade Away we go. More blistering work from Garcia. It’s just a single verse, and the band tumbles into a jam that returns to St Stephen. Garcia is cartwheeling now, flinging plumes of fiery light into space. From here we move into Midnight Hour - only one of five known versions in 1970.The
song is another Pigpen swagger punctuated by the band’s crushing hand of power. Under a lazy Pigpen rap, the band begins to take things in other directions. A very Dancin’ In The Streets style jam ensues. Jerry finds his way into extremely pastoral spaces with his solo, juxtaposed against the strut of the music nicely. His solo is soon crooning and swooning, headed toward some astral plane. The band gets it, and we become utterly lost again. The muse of the band is singing New Potato Caboose, Caution, Dancin’ and anything else it feels like singing. Deep within this spectacular passage we hear the smallest hint from Bobby teasing back to China Cat. Before we fully confirm in our head that we just heard it, Jerry certainly did, and the band gives the theme full treatment before landing back in Midnight Hour on the back of some Garcia volume knob work. Baby Blue (one of just three known versions in 1970) is wickedly cut short on the AUD tape due, undoubtedly, to a lack of blank tape after such a long evening. But I’m not going to scold our taper, Gerry Olsen, in any way. This tape is pure gold. We are blessed completely in our opportunity to hear it, and the window into 1970 Grateful Dead it provides for our ears. Enjoy! 06/04/70 etree source info 06/04/70 AUD download Posted by icepetal at 9:12 AM12 comments
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Labels: 1970 , AUDs
, Early '70's
, Indoor
THURSDAY, SEPTEMBER 27, 2012 GDLG-011 - PLAYIN’ IN THE PLAYIN’ _Listening Session 011__: More
interwoven adventures through the wonderland of Grateful Dead livemusic._
_ _
Posted by icepetal at 7:27 AM11 comments
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Labels: podcasts
SATURDAY, JUNE 16, 2012 UNDER ETERNITY BLUE - CONTEMPORARY PSYCHEDELIC FOLK The thirteenth installment of the Under Eternity Blue radio program hits the Internet airwaves this weekend on Spirit Plants Radio with two show times: Saturday, June 16 at 7pm EST, and Sunday, June 17 at 8am EST. Most fans of this site probably also enjoy a wide variety of psychedelic folk from the 60's and 70's. In this episode, we explore similar musical pleasures produced in the more modern times of our current century. Check out the creative juices that are flowing in the here and now. You will be very glad you did. After this weekend's airings, this episode will be added to the Under Eternity Blue podcast series and if you are subscribed, you will find this broadcast appearing as a new podcast download then. Information for subscribing can be found at the Under Eternity Blue Musicsite itself.
http://www.spiritplantsradio.com/ Under Eternity Blue with DJArkstar
Saturday, June 16: 7pm EST Sunday, June 17: 8am EST The full weekend line up (11am PST Saturday - 11pm PST Sunday) is listed on the Spirit Plants Radio page above. Posted by icepetal at 10:59 AM2 comments
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Labels: non-Dead
, podcasts
WEDNESDAY, NOVEMBER 9, 2011 1980 SEPTEMBER 6 - LEWISTON, MEGRATEFUL DEAD
Saturday, September 6, 1980 State Fairgrounds - Lewiston, MEAudience Recording
Strip away time. Erase the day of the week, the month, the year. Tumble into a kaleidoscope of color. Pass through the membrane. Be the membrane. There never was a membrane. You're back at a Grateful Deadshow.
When they did it well, it was all about the evaporation of everything that grounded you to the here and now, yet allowed you to slip all the way into the here and now just the same. The Dead's musical muse simply was. It didn't evolve so much as slowly turn, ever-present in the light. A telltale sign that the band was coaxing the muse out came with the strong impression that you were no longer hearing music being played right now. More often, the muse simply sounded like the Grateful Dead, echoing backward and forward, un-tethered to "today." Here's a show with the opportunity to echo as far forward as it could backward. Played in 1980, it stands at the center of the Dead's 30 year career. This is too coincidental a reason, I know, but the show is indeed packed with muse-infused moments. On 9/6/80 the music playedthe band.
_Set One: Alabama Getaway > Greatest Story Ever Told, Sugaree, Me & My Uncle > Mexicali Blues, Tennessee Jed, Stranger, Fried of the Devil, Far From Me > Little Red Rooster, China Cat Sunflower > I Know You Rider > Promised Land_ _Set Two: Shakedown Street > Lost Sailor > Saint of Circumstance, Althea, Playin' in the Band > Uncle John's Band > Drums > Space > Not Fade Away > The Wheel > Uncle John's Band > Playin' in the Band > Sugar Magnolia E: One More Saturday Night> Brokedown Palace_ The entire show is worth all of your ear's time. Yet, there are several highlights that bear mentioning – so many, that I'm quite sure I will overlook a few. Sugaree plays on and on, Garcia speeding and swirling effortlessly. The band is locked in with him, everyone adding fuel to the fire. It's a healthy, long version, typical of the time period. Feel Like A Stranger is sublime. The jam is tossed into a heavy syncopation after Bobby missteps a "silky silky silky crazy night" line. It's impossible to tell who in the band slips with him, and who stays in the prescribed beat count of the song. But the result is an extremely extended jam that fires flares off in roller coaster streaming arcs for what feels like an eternity. The phrasing is filled with the standard Stranger themes, but it is peppered with so much more. When they somehow manage to pull together for the final refrain, it's like be shaken from an epic dream. China>Rider had a wonderful tendency to catch fire in the early 80's. After just sort of reappearing in rotation at the start of 1979 (after a 4 year hiatus), the song duo had taken on a more upbeat tempo, and by 1980 it was a pure carnival of light and sound. The China>Rider here on 9/6/80 is flat out perfection. A wonderfully glowing solo section cascades into an I Know You Rider which finds Jerry's tone crisp and clean. He rounds corners and rolls over hills, spraying notes to the horizon. The last solo catches the light of the sun and soars like a bird. We slam into a Promised Land that punctuates the end of the first set with the same elevated energy that has permeated the entire show so far. It will blow your hair back and leave you breathless. And set two is still to come… Leading off with a rousing Shakedown>Saint of Circumstance>Lost Sailor, the second set gets off to a fine start. But it's the huge meat of the show where the Grateful Dead's muse fills every pore. In case you overlooked it above, this is a very long ride: Playin'>Uncle John's>Drums>Space>Not Fade Away>Wheel>Uncle John's>Playin'>Sugar Magnolia. Within this roughly 60 minutes stretch of music, we find the Dead dipping deeply into the well of creative juices they've been tapping throughout this entire early September run. Playin' quickly transports the band to no-time. Jerry's rapid staccato lead lines slowly swirling in and out of view are the only hint that it is still 1980. The jam flies down rails of light, banking around hillsides and tunneling through showers of rich watercolor rain. Footing is easily lost as perception is swept up into the buoyancy of music. When Garcia eventually directs the band into Uncle John's it rings with the message that we have arrived. There is a vast opening of hands and hearts here. You can feel it everywhere. The Dead have brought a crowd of thousands to trusted and familiar place. Here, the musical loping is timeless. As the song's joyful bounce tips over into the 7/8 time signature jam, the band is alive with light. Everything dazzles, and the music pulls into great tracks of ascending smoke. Before Drums, form dissolves into pulsing fragments and regressions. Space is brief, yet bottomless. Phil hurls massive planets, churning with purple lava, over and into the body of the crowd. They take away the space to breathe, as the air is filled with magma over and over again. Suffocating, taffy-like moans expand to fill the fairgrounds. Not Fade Away appears and ignites the crowd's energy. And while it arrives off of a Garcia hip check into the boards, The Wheel which follows swoons with that unmistakable Grateful Dead vibe. A timelessness is returning, and when they deftly transition back into Uncle John's Band, the segue jamming is sensational. The ever-present underpinning of joy and welcoming arms envelope the audience and it becomes easy to lose oneself in the long spiraling cycles of the music's structure. Another nice transition unfolds back into Playin' to bring things home. The music swirls between the 7/8 and 10/4 time signatures. Themes merge and the Dead's music elevates the senses. The song ends with a few extra refrains during which Jerry delivers some unexpected soloing sparkle just when you'd otherwise expect the songto be over.
Sugar Magnolia closes the set, and things end with a Brokedown Palace encore that further solidifies this show's ability to strike the chord of the timeless Grateful Dead muse. Jerry's short solo floats like starlight through a softly swaying summer breeze. It is enough. We are bathed in the band's pure lore of folk-psychedelic Americana music. It is everything Grateful Dead. Fare thee well. 09/06/80 AUD etree source info 09/06/80 AUD Download Posted by icepetal at 3:22 PM27 comments
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Labels: 1980 , AUDs
, Early '80's
, Outdoor
SATURDAY, JULY 30, 2011 UNDER ETERNITY BLUE - SOUL FUNK The twelfth installment of the Under Eternity Blue radio program hits the Internet airwaves this weekend on Spirit Plants Radio with two show times: Saturday, July 30 at 11pm EST, and Sunday, July 31 at 11am EST. It's been a scorcher of a summer so far, and nothing reflects the heat quite as nicely as Soul Funk - that pocked genre of music from the late 60s to very early 70s that was born out of James Brown and had an unmistakable imprint of the dawning of everything we know asFunk today.
After this weekend's airings, this episode will be added to the Under Eternity Blue podcast series and if you are subscribed, you will find this broadcast appearing as a new podcast download then. Information for subscribing can be found at the Under Eternity Blue Musicsite itself.
http://radio.spiritplants.org/ Under Eternity Blue with DJArkstar
Saturday, July 30: 11pm EST Sunday, July 31: 11am EST The full weekend line up (11am PST Saturday - 11pm PST Sunday) is listed on the Spirit Plants Radio page above. Posted by icepetal at 10:55 AM0 comments
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Labels: non-Dead
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