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CHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometric RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
BASEL ABBAS AND RUANNE ABOU-RAHME Basel Abbas and Ruanne Abou-Rahme (b. 1983) work together across a range of sound, image, text, installation and performance practices. They probe a contemporary landscape marked by seemingly perpetual crisis and an endless ‘present’, one that is increasingly shaped by a politics of desire and disaster. They have been developing CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, MARIE LECHNER, 'TORTURE A PLEINS TUBES', LIBERATION Title: Microsoft Word - Marie Lechner, 'Torture a Pleins Tubes', Liberation, August 2010.docx Created Date: 5/10/2016 11:19:10 AM ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
CHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometric RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his lightJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
BASEL ABBAS AND RUANNE ABOU-RAHME Basel Abbas and Ruanne Abou-Rahme (b. 1983) work together across a range of sound, image, text, installation and performance practices. They probe a contemporary landscape marked by seemingly perpetual crisis and an endless ‘present’, one that is increasingly shaped by a politics of desire and disaster. They have been developing CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, MARIE LECHNER, 'TORTURE A PLEINS TUBES', LIBERATION Title: Microsoft Word - Marie Lechner, 'Torture a Pleins Tubes', Liberation, August 2010.docx Created Date: 5/10/2016 11:19:10 AM ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
EVENTS | CARROLL / FLETCHER Carroll / Fletcher Onscreen @ Close-Up Cinema 28 Jun 2017 Ian Bourn: Self Portraits and Other Fictions Three films and a reading Wednesday 28 June, 7.30pm Close-Up Film Centre 97 Sclater St, London E1 6HR Monolog, 1998 (46 mins) Sick Read more "How Did the Computer Learn to See?" Alexander R. Galloway May 24, 2017 7pm £5 tickets available here . How did the computer learn to see? RAFAEL LOZANO-HEMMER Electronic artist Rafael Lozano-Hemmer (b.1967, Mexico City ) develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerised surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his light UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedMISHKA HENNER
Mishka Henner (b.1976, Belgium) is one of the UK's most significant artists working with and interrogating the photographic medium. Based on the collection and mediation of publicly available imagery sourced through the internet, satellites and television, his appropriative practice explores the use and value of photography and itsrelationship with
GUY MANNES-ABBOTT, ‘FUTURE MOVEMENTS JERUSALEM AT THE Darkness contains photographs of the Palestinian hills at night, with very little visual ‘information’. Light is power in Ramallah, connoting Settlements and surveillance. It also forms a nocturnal sea beyond the prison of the ‘West Bank’, A LETTER TO JENNIFER KNOLL Constant Dullaart, ‘A Letter to Jennifer Knoll’, Rhizome, 5 September 2013 (6) A Letter to Jennifer Knoll CONSTANT DULLAART | Thu Sep 5th, 2013 9:30 a.m. ‘NATASCHA SADR HAGHIGHIAN AT CARROLL / FLETCHER, LONDON at Carroll / Fletcher. London until 14 September 2012 In a radical departure from her usual practice of site-specific projects, Natascha Sadr Haghighian's first solo ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
DIANA SEO HYUNG LEE, ‘SEEING SOUND- AN INTERVIEW WITH Diana Seo Hyung Lee, ‘Seeing Sound: An Interview with Christine Sun Kim’, ArtAsiaPacific, 21 June 2013 CHRISTINE SUN KIM, Courtier asCourier, 2013.
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead aCHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsTHOMSON & CRAIGHEAD
Jon Thomson and Alison Craighead work across video, sound, sculpture, installation and online space, using technology as a means to reformulate fundamental human questions for contemporary times. Through sensitive appropriation of images, texts, and data from online sources, the artists produce generous, lyrical works that both exercise the dramatic conventionsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometricJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedCHRISTINE SUN KIM
Christine Sun Kim Exhibitions: Looking at one thing and thinking of something else, Part Two: Observations, 2 - 23 Dec 2016; Christine Sun Kim, Rustle Tustle, 27 Nov 2015 - 30 Jan 2016; Pencil / Line / Eraser,1 Aug - 13 Sep 2014
EULALIA VALLDOSERA
Since graduating from the Gerrit Rietveld Academie in Amsterdam in 1992, Eulalia Valldosera has developed a body of work demystifying the status of the artist as a unique creator, conceiving herself, in her own words, “as a producer of meanings, rather than as a producer of works”. This process began NOW SHOWING: A GROUP EXHIBITION OF ARTISTS’ FILM 17 www.carrollfletcher.com Carroll / Fletcher OnScreen Carroll / Fletcher Onscreen is an online cinema showing a dynamic curated programme ofartists’ and
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead aCHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsTHOMSON & CRAIGHEAD
Jon Thomson and Alison Craighead work across video, sound, sculpture, installation and online space, using technology as a means to reformulate fundamental human questions for contemporary times. Through sensitive appropriation of images, texts, and data from online sources, the artists produce generous, lyrical works that both exercise the dramatic conventionsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometricJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedCHRISTINE SUN KIM
Christine Sun Kim Exhibitions: Looking at one thing and thinking of something else, Part Two: Observations, 2 - 23 Dec 2016; Christine Sun Kim, Rustle Tustle, 27 Nov 2015 - 30 Jan 2016; Pencil / Line / Eraser,1 Aug - 13 Sep 2014
EULALIA VALLDOSERA
Since graduating from the Gerrit Rietveld Academie in Amsterdam in 1992, Eulalia Valldosera has developed a body of work demystifying the status of the artist as a unique creator, conceiving herself, in her own words, “as a producer of meanings, rather than as a producer of works”. This process began NOW SHOWING: A GROUP EXHIBITION OF ARTISTS’ FILM 17 www.carrollfletcher.com Carroll / Fletcher OnScreen Carroll / Fletcher Onscreen is an online cinema showing a dynamic curated programme ofartists’ and
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead a EVENTS | CARROLL / FLETCHER Carroll / Fletcher Onscreen @ Close-Up Cinema 28 Jun 2017 Ian Bourn: Self Portraits and Other Fictions Three films and a reading Wednesday 28 June, 7.30pm Close-Up Film Centre 97 Sclater St, London E1 6HR Monolog, 1998 (46 mins) Sick Read more "How Did the Computer Learn to See?" Alexander R. Galloway May 24, 2017 7pm £5 tickets available here . How did the computer learn to see?THOMSON & CRAIGHEAD
Jon Thomson and Alison Craighead work across video, sound, sculpture, installation and online space, using technology as a means to reformulate fundamental human questions for contemporary times. Through sensitive appropriation of images, texts, and data from online sources, the artists produce generous, lyrical works that both exercise the dramatic conventions UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedMISHKA HENNER
Mishka Henner (b.1976, Belgium) is one of the UK's most significant artists working with and interrogating the photographic medium. Based on the collection and mediation of publicly available imagery sourced through the internet, satellites and television, his appropriative practice explores the use and value of photography and itsrelationship with
THOMSON & CRAIGHEAD
Awards 2014 Nam June Paik Award, shortlisted, Kunstmuseum Krefeld, Germany 2012 The Jarman Award, shortlisted, UK 2011 Current, Folly and Harris Museum, Preston, UK Vital Spark, Creative Scotland, UK 2005 Arts Foundation Fellowship, UK CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new DE PASO - CARROLL / FLETCHER 3 distance between the seats has decreased, the plastic has adopted lighter tones, and the fabric has abandoned plain colours for flecks, mixtures of greys and blues, ‘NATASCHA SADR HAGHIGHIAN AT CARROLL / FLETCHER, LONDON at Carroll / Fletcher. London until 14 September 2012 In a radical departure from her usual practice of site-specific projects, Natascha Sadr Haghighian's first solo ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead aCHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsTHOMSON & CRAIGHEAD
Jon Thomson and Alison Craighead work across video, sound, sculpture, installation and online space, using technology as a means to reformulate fundamental human questions for contemporary times. Through sensitive appropriation of images, texts, and data from online sources, the artists produce generous, lyrical works that both exercise the dramatic conventionsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometricJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedCHRISTINE SUN KIM
Christine Sun Kim Exhibitions: Looking at one thing and thinking of something else, Part Two: Observations, 2 - 23 Dec 2016; Christine Sun Kim, Rustle Tustle, 27 Nov 2015 - 30 Jan 2016; Pencil / Line / Eraser,1 Aug - 13 Sep 2014
EULALIA VALLDOSERA
Since graduating from the Gerrit Rietveld Academie in Amsterdam in 1992, Eulalia Valldosera has developed a body of work demystifying the status of the artist as a unique creator, conceiving herself, in her own words, “as a producer of meanings, rather than as a producer of works”. This process began NOW SHOWING: A GROUP EXHIBITION OF ARTISTS’ FILM 17 www.carrollfletcher.com Carroll / Fletcher OnScreen Carroll / Fletcher Onscreen is an online cinema showing a dynamic curated programme ofartists’ and
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead aCHRISTINE SUN KIM
Berlin-based artist Christine Sun Kim (b.1980, California), who has been deaf since birth, explores the materiality of sound in work that connects sound to drawing, painting, and performance. In the course of developing her own visual language, Kim has explored and employed elements from various information systems. By combining aspectsTHOMSON & CRAIGHEAD
Jon Thomson and Alison Craighead work across video, sound, sculpture, installation and online space, using technology as a means to reformulate fundamental human questions for contemporary times. Through sensitive appropriation of images, texts, and data from online sources, the artists produce generous, lyrical works that both exercise the dramatic conventionsMANFRED MOHR
Since the late 1950s, Manfred Mohr, a pioneer of generative and computer art, has been making rigorously minimal paintings and drawings. His work is stringently conceptual, but with an elegant lyricism which belies its formal underpinnings. During the 1960s, Mohr’s practice evolved from abstract expressionism towards a more hard-edged geometricJUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
JUSTIN HIBBS
Across his practice, Justin Hibbs (b. 1971, Poole, UK) picks apart the mechanics of spatial perception and representation, drawing upon social, political and aesthetic agendas encoded within architectural structures. In particular, much of his work is a renegotiation of the visual language and ideological legacies of modernism, seeking toestablish
UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedCHRISTINE SUN KIM
Christine Sun Kim Exhibitions: Looking at one thing and thinking of something else, Part Two: Observations, 2 - 23 Dec 2016; Christine Sun Kim, Rustle Tustle, 27 Nov 2015 - 30 Jan 2016; Pencil / Line / Eraser,1 Aug - 13 Sep 2014
EULALIA VALLDOSERA
Since graduating from the Gerrit Rietveld Academie in Amsterdam in 1992, Eulalia Valldosera has developed a body of work demystifying the status of the artist as a unique creator, conceiving herself, in her own words, “as a producer of meanings, rather than as a producer of works”. This process began NOW SHOWING: A GROUP EXHIBITION OF ARTISTS’ FILM 17 www.carrollfletcher.com Carroll / Fletcher OnScreen Carroll / Fletcher Onscreen is an online cinema showing a dynamic curated programme ofartists’ and
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead a EVENTS | CARROLL / FLETCHER Carroll / Fletcher Onscreen @ Close-Up Cinema 28 Jun 2017 Ian Bourn: Self Portraits and Other Fictions Three films and a reading Wednesday 28 June, 7.30pm Close-Up Film Centre 97 Sclater St, London E1 6HR Monolog, 1998 (46 mins) Sick Read more "How Did the Computer Learn to See?" Alexander R. Galloway May 24, 2017 7pm £5 tickets available here . How did the computer learn to see?THOMSON & CRAIGHEAD
Jon Thomson and Alison Craighead work across video, sound, sculpture, installation and online space, using technology as a means to reformulate fundamental human questions for contemporary times. Through sensitive appropriation of images, texts, and data from online sources, the artists produce generous, lyrical works that both exercise the dramatic conventions UBERMORGEN | CARROLL / FLETCHER Founded in 1995 by lizvlx and Hans Bernhard. 'If art and art production politicizes itself, it becomes political and ceases to be art' (UBERMORGEN.COM Manifesto, 2009) UBERMORGEN’s research-based practice is driven by a desire to satisfy their own curiosity, without the constraints of having a defined political agenda or preconceivedMISHKA HENNER
Mishka Henner (b.1976, Belgium) is one of the UK's most significant artists working with and interrogating the photographic medium. Based on the collection and mediation of publicly available imagery sourced through the internet, satellites and television, his appropriative practice explores the use and value of photography and itsrelationship with
THOMSON & CRAIGHEAD
Awards 2014 Nam June Paik Award, shortlisted, Kunstmuseum Krefeld, Germany 2012 The Jarman Award, shortlisted, UK 2011 Current, Folly and Harris Museum, Preston, UK Vital Spark, Creative Scotland, UK 2005 Arts Foundation Fellowship, UK CHRISTINE SUN KIM EXPLORES THE POLITICS OF SOUND Christopher Willes, ’Christine Sun Kim explores the politics of sound’, Music Works Issue 123, October 2015 10 musıc works #123 | fall 2015 sound shape These words are handwritten in a drawing that was included in an exhibition of new DE PASO - CARROLL / FLETCHER 3 distance between the seats has decreased, the plastic has adopted lighter tones, and the fabric has abandoned plain colours for flecks, mixtures of greys and blues, ‘NATASCHA SADR HAGHIGHIAN AT CARROLL / FLETCHER, LONDON at Carroll / Fletcher. London until 14 September 2012 In a radical departure from her usual practice of site-specific projects, Natascha Sadr Haghighian's first solo ZACHARIAH WEBB, ‘ODE TO THE LIMITATIONS OF LANGUAGE Zachariah Webb, ‘Ode to the limitations of language: Richard T. Walker ‘the predicament of always (as we are)’, The State Press,October 2014
EVENT: THOMSON & CRAIGHEAD TOUR AND CONVERSATION WITH Thomson & Craighead Tour and Conversation with Perfumer Euan McCall Thursday 14 April 2016, 7pm Carroll / Fletcher Free - Limited capacity, please arrive early to secure a place Thomson & Craighead will present Party Booby Trap , their second solo exhibition at the gallery. The artists will lead aCarroll / Fletcher
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