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“YOU’RE NOT GONNA LIKE THIS”: THE MANSON FAMILY CONSPIRACY But mainly it was the people. It was the young people walking up and down the street trading shirts with each other and throwing flowers and being happy and I just fell in love. I love everything.”. —Charles Manson, post-arrest interview with occult underground newspaper Tuesday’s Child, 1969. “You’re not gonna like this,”I wrote
MUTATING EMPIRE: BRITAINS’ ‘SPACE’ TOYS Mutating Empire: Britains’ ‘Space’ Toys. Of all the weird remnants to have filtered down into British popular culture of the late 20th century, the toy soldier was one of the most pervasive. The British Army had long been an important element—read facilitator and enforcer—of the country’s imperialist culture, and the total war “IT’S FUN, IT’S YOU”: STARSCROLL, 1972 Object Name: Starscroll Maker and Year: XII Signs, 1972 – 1996(?) Object Type: Monthly horoscope and vending machine Description: (Michael Grasso) In the 1970s, public belief in astrology and adherence to horoscopes rose to somewhere between a quarter and a third of Americans, but awareness of one’s own sun sign was quite high, at over 75%. Even those who did not believe Western astrology “IT MUST NOT HAPPEN HERE!”: ‘IS THIS TOMORROW? AMERICA The humble comic book. This artifact from the beginning of the Cold War, Is This Tomorrow? America Under Communism, was published in 1947 by the Catechetical Guild of St. Paul, Minnesota. (A catechism is a religious educational primer and, among Catholics, the word “catechism” is often used as a metonym for Catholic religiouseducation itself.)
SEEING THROUGH THE AIRWAVES: THOMAS DOLBY’S ‘WINDPOWER’ Seeing Through the Airwaves: Thomas Dolby’s ‘Windpower’. It starts as it always does, with the sound of a cold, synthetic wind, whistling tones, and the nervous twitch of a Morse code signal. There’s a short intake of breath, a low om-like hum. A message needs to get through. And then our singer steps up to the mic: “Switch offthe
THE CORVIALE HOUSING PROJECT The Corviale Housing Project. Known colloquially as the Serpentone (“big snake”), the Corviale is a vast housing development on the outskirts of Rome originally intended to collect some 8,500 inhabitants in three structures dominated by a single, kilometer-long, eleven-story block. According to architect Mario Fiorentini’soriginal
WHAT’S ‘THE POINT!’?: THE FORGOTTEN GENIUS OF HARRY NILSSON Mandy Leetch / May 14, 2018. As a little girl in the 1980s, one of my favorite movies was the weird and wild animated adaptation of Harry Nilsson’s folk rock concept album The Point!.I had a well worn VHS copy that my mother had recorded off of the TV when she saw they were airing one of her favorites from the ’70s. The Point! “SHE NEVER FAILS!”: HAVOK SUPER AGENT DOLL, 1974 Object Name: Havoc: Super Agent doll Maker and Year: Model Toys Ltd., 1974-1975 Object Type: Doll Image Source: Havocdoll, Jaselles Daisy Passion Description: Amy Mugglestone. The ’70s was a decade of action figures. In 1972, the Mego Corporation bought toy manufacturing rights for both Marvel and DC comics, along with several popular TV and movie franchises, and two years later PHOTO FROM ‘ANOTHER PAGE’ BY CHRISTOPHER CROSS, 1983 Photo from ‘Another Page’ by Christopher Cross, 1983. Christopher Cross was faced with a tall order in trying to follow up his colossal hit debut LP, Christopher Cross (1979). The album spawned four Top 20 singles and dominated the 23rd Annual Grammys, and Cross hit again in the fall of 1981 with “ Arthur’s Theme (Best That You Can Do WE ARE THE MUTANTSABOUTREVIEWSMARK SHERIDANSPORTS, GAMES & TOYSNOAHBERLATSKYART & ILLUSTRATION We Are the Mutants is an online magazine focusing on Cold War-era sci-fi, fantasy, genre, pulp, cult, occult, and anti-establishmentmedia.
“YOU’RE NOT GONNA LIKE THIS”: THE MANSON FAMILY CONSPIRACY But mainly it was the people. It was the young people walking up and down the street trading shirts with each other and throwing flowers and being happy and I just fell in love. I love everything.”. —Charles Manson, post-arrest interview with occult underground newspaper Tuesday’s Child, 1969. “You’re not gonna like this,”I wrote
MUTATING EMPIRE: BRITAINS’ ‘SPACE’ TOYS Mutating Empire: Britains’ ‘Space’ Toys. Of all the weird remnants to have filtered down into British popular culture of the late 20th century, the toy soldier was one of the most pervasive. The British Army had long been an important element—read facilitator and enforcer—of the country’s imperialist culture, and the total war “IT’S FUN, IT’S YOU”: STARSCROLL, 1972 Object Name: Starscroll Maker and Year: XII Signs, 1972 – 1996(?) Object Type: Monthly horoscope and vending machine Description: (Michael Grasso) In the 1970s, public belief in astrology and adherence to horoscopes rose to somewhere between a quarter and a third of Americans, but awareness of one’s own sun sign was quite high, at over 75%. Even those who did not believe Western astrology “IT MUST NOT HAPPEN HERE!”: ‘IS THIS TOMORROW? AMERICA The humble comic book. This artifact from the beginning of the Cold War, Is This Tomorrow? America Under Communism, was published in 1947 by the Catechetical Guild of St. Paul, Minnesota. (A catechism is a religious educational primer and, among Catholics, the word “catechism” is often used as a metonym for Catholic religiouseducation itself.)
SEEING THROUGH THE AIRWAVES: THOMAS DOLBY’S ‘WINDPOWER’ Seeing Through the Airwaves: Thomas Dolby’s ‘Windpower’. It starts as it always does, with the sound of a cold, synthetic wind, whistling tones, and the nervous twitch of a Morse code signal. There’s a short intake of breath, a low om-like hum. A message needs to get through. And then our singer steps up to the mic: “Switch offthe
THE CORVIALE HOUSING PROJECT The Corviale Housing Project. Known colloquially as the Serpentone (“big snake”), the Corviale is a vast housing development on the outskirts of Rome originally intended to collect some 8,500 inhabitants in three structures dominated by a single, kilometer-long, eleven-story block. According to architect Mario Fiorentini’soriginal
WHAT’S ‘THE POINT!’?: THE FORGOTTEN GENIUS OF HARRY NILSSON Mandy Leetch / May 14, 2018. As a little girl in the 1980s, one of my favorite movies was the weird and wild animated adaptation of Harry Nilsson’s folk rock concept album The Point!.I had a well worn VHS copy that my mother had recorded off of the TV when she saw they were airing one of her favorites from the ’70s. The Point! “SHE NEVER FAILS!”: HAVOK SUPER AGENT DOLL, 1974 Object Name: Havoc: Super Agent doll Maker and Year: Model Toys Ltd., 1974-1975 Object Type: Doll Image Source: Havocdoll, Jaselles Daisy Passion Description: Amy Mugglestone. The ’70s was a decade of action figures. In 1972, the Mego Corporation bought toy manufacturing rights for both Marvel and DC comics, along with several popular TV and movie franchises, and two years later PHOTO FROM ‘ANOTHER PAGE’ BY CHRISTOPHER CROSS, 1983 Photo from ‘Another Page’ by Christopher Cross, 1983. Christopher Cross was faced with a tall order in trying to follow up his colossal hit debut LP, Christopher Cross (1979). The album spawned four Top 20 singles and dominated the 23rd Annual Grammys, and Cross hit again in the fall of 1981 with “ Arthur’s Theme (Best That You Can Do THE BOMB THAT WILL BRING US TOGETHER: RICK VEITCH’S ‘THE ONE’ The Bomb That Will Bring Us Together: Rick Veitch’s ‘The One’. In 1985, the first issue of an unusual new title hit the shelves of North American comic book stores. Part of Marvel Comics’ short-lived creator-owned imprint Epic, Rick Veitch’s The One stood out because its cover was an obvious visual reference to the red, orange, and BETWEEN MUSHROOM CLOUD AND MONASTERY: DOUGLAS COUPLAND’S Eve Tushnet / May 12, 2021. I came to Douglas Coupland’s novel Generation X: Tales for an Accelerated Culture, thirty years after its 1991 publication date, expecting sharp sociocultural observation and maybe some economic critique.After all, Coupland, who said that his generation was “sick of stupid labels,” inadvertently coined the self-effacing generational moniker under which my “BEYOND HUMAN CONJECTURE”: CHARLTON COMICS’ ‘CREEPY THINGS’ The 1970s witnessed the rise of what is known today as folk horror, and Creepy Things was one of the first comic book series to represent the genre, which works by contrasting the modern world’s scientific arrogance to the timeless forces of magic and mysticism. “The Star Of Siva,” an action packed Joe Gill/Rich Larson work from Creepy Things no. 6, presents a deadly clash where earthly USBORNE’S ‘WORLD OF THE UNKNOWN: UFO’S’, 1977 The mandate of British publisher Usborne Books was to produce beautifully illustrated children's publications, designed and written by its in-house team. The first wave of books Usborne released in 1975---which included the popular Spycraft---had sold well, and in 1977 the company followed it up with the World of the Unknown series: a triptych that included “SHE NEVER FAILS!”: HAVOK SUPER AGENT DOLL, 1974 Object Name: Havoc: Super Agent doll Maker and Year: Model Toys Ltd., 1974-1975 Object Type: Doll Image Source: Havocdoll, Jaselles Daisy Passion Description: Amy Mugglestone. The ’70s was a decade of action figures. In 1972, the Mego Corporation bought toy manufacturing rights for both Marvel and DC comics, along with several popular TV and movie franchises, and two years later RUBIK’S CUBE IN ‘SCIENTIFIC AMERICAN’, 1981 Rubik’s Cube in ‘Scientific American’, 1981. In the early days of 1981, a new toy made its way to the West over the Iron Curtain. A few years earlier, a Hungarian architecture professor named Ernő Rubik had developed a “Magic Cube” while tinkering with WHITLEY STRIEBER’S ‘COMMUNION: A TRUE STORY’, 1987 Whitley’s Strieber’s Communion is another formative object for me. Well, maybe “formative” is a bad choice of words. After all, I was 12 when the shelves of every bookstore I frequented groaned with the weight of the uncanny Grey staring out at me from the book’s cover. DON SIEGEL’S ‘THE SHOOTIST’ AND THE PROBLEM OF JOHN WAYNE The ShootistDirected by Don SiegelParamount Pictures, 1976. The Shootist is one of the greatest Westerns ever made, although it is rarely named as such. It is John Wayne’s final film, and possibly his best performance. Wayne, of course, essentially invented the on-screen American cowboy: swaggering, gritty, terse, self-contained,charming
REVELL ‘SPACE AGE’ MODEL KITS, 1957 Revell ‘Space Age’ Model Kits, 1957 – 1959. Southern California-based Revell started as a plastics company in 1941, established by Lewis Glaser only weeks before the attack on Pearl Harbor. After a series of British-made “Highway Pioneer” replicas (including the Ford Model T) sold well in 1950, Glaser decided to tryhis hand at
TEXAS INSTRUMENTS SR-52 PROGRAMMABLE CALCULATOR, 1975 Texas Instruments SR-52 Programmable Calculator, 1975. As the microchip revolution took root in the late 1960s, one of the most obvious uses for the new miniaturization was in the field of mathematics. Digital computers’ original tasks had, of course, been related to calculating much faster than deskbound human beings. WE ARE THE MUTANTSABOUTREVIEWSMARK SHERIDANSPORTS, GAMES & TOYSNOAHBERLATSKYART & ILLUSTRATION We Are the Mutants is an online magazine focusing on Cold War-era sci-fi, fantasy, genre, pulp, cult, occult, and anti-establishmentmedia.
WHAT’S ‘THE POINT!’?: THE FORGOTTEN GENIUS OF HARRY NILSSON Mandy Leetch / May 14, 2018. As a little girl in the 1980s, one of my favorite movies was the weird and wild animated adaptation of Harry Nilsson’s folk rock concept album The Point!.I had a well worn VHS copy that my mother had recorded off of the TV when she saw they were airing one of her favorites from the ’70s. The Point! MUTATING EMPIRE: BRITAINS’ ‘SPACE’ TOYS Mutating Empire: Britains’ ‘Space’ Toys. Of all the weird remnants to have filtered down into British popular culture of the late 20th century, the toy soldier was one of the most pervasive. The British Army had long been an important element—read facilitator and enforcer—of the country’s imperialist culture, and the total war SEEING THROUGH THE AIRWAVES: THOMAS DOLBY’S ‘WINDPOWER’ Seeing Through the Airwaves: Thomas Dolby’s ‘Windpower’. It starts as it always does, with the sound of a cold, synthetic wind, whistling tones, and the nervous twitch of a Morse code signal. There’s a short intake of breath, a low om-like hum. A message needs to get through. And then our singer steps up to the mic: “Switch offthe
“IT’S FUN, IT’S YOU”: STARSCROLL, 1972 Object Name: Starscroll Maker and Year: XII Signs, 1972 – 1996(?) Object Type: Monthly horoscope and vending machine Description: (Michael Grasso) In the 1970s, public belief in astrology and adherence to horoscopes rose to somewhere between a quarter and a third of Americans, but awareness of one’s own sun sign was quite high, at over 75%. Even those who did not believe Western astrology “SHE NEVER FAILS!”: HAVOK SUPER AGENT DOLL, 1974 Object Name: Havoc: Super Agent doll Maker and Year: Model Toys Ltd., 1974-1975 Object Type: Doll Image Source: Havocdoll, Jaselles Daisy Passion Description: Amy Mugglestone. The ’70s was a decade of action figures. In 1972, the Mego Corporation bought toy manufacturing rights for both Marvel and DC comics, along with several popular TV and movie franchises, and two years later THE CORVIALE HOUSING PROJECT The Corviale Housing Project. Known colloquially as the Serpentone (“big snake”), the Corviale is a vast housing development on the outskirts of Rome originally intended to collect some 8,500 inhabitants in three structures dominated by a single, kilometer-long, eleven-story block. According to architect Mario Fiorentini’soriginal
WHITLEY STRIEBER’S ‘COMMUNION: A TRUE STORY’, 1987 Whitley’s Strieber’s Communion is another formative object for me. Well, maybe “formative” is a bad choice of words. After all, I was 12 when the shelves of every bookstore I frequented groaned with the weight of the uncanny Grey staring out at me from the book’s cover. INVENTING SCI-FI NOIR: JIM STERANKO’S ‘OUTLAND’ Object Name: Graphic adaptation of Outland Maker and Year: Jim Steranko, Heavy Metal, 1981-1982 Object Type: Graphic novel Description: (K.E. Roberts). When Heavy Metal published 1979’s stand-alone Alien: The Illustrated Story to coincide with the release of Ridley Scott’s now-canonical sci-fi horror, no one knew what a “graphic novel” was. The adaptation, with frequently gruesome art PHOTO FROM ‘ANOTHER PAGE’ BY CHRISTOPHER CROSS, 1983 Photo from ‘Another Page’ by Christopher Cross, 1983. Christopher Cross was faced with a tall order in trying to follow up his colossal hit debut LP, Christopher Cross (1979). The album spawned four Top 20 singles and dominated the 23rd Annual Grammys, and Cross hit again in the fall of 1981 with “ Arthur’s Theme (Best That You Can Do WE ARE THE MUTANTSABOUTREVIEWSMARK SHERIDANSPORTS, GAMES & TOYSNOAHBERLATSKYART & ILLUSTRATION We Are the Mutants is an online magazine focusing on Cold War-era sci-fi, fantasy, genre, pulp, cult, occult, and anti-establishmentmedia.
WHAT’S ‘THE POINT!’?: THE FORGOTTEN GENIUS OF HARRY NILSSON Mandy Leetch / May 14, 2018. As a little girl in the 1980s, one of my favorite movies was the weird and wild animated adaptation of Harry Nilsson’s folk rock concept album The Point!.I had a well worn VHS copy that my mother had recorded off of the TV when she saw they were airing one of her favorites from the ’70s. The Point! MUTATING EMPIRE: BRITAINS’ ‘SPACE’ TOYS Mutating Empire: Britains’ ‘Space’ Toys. Of all the weird remnants to have filtered down into British popular culture of the late 20th century, the toy soldier was one of the most pervasive. The British Army had long been an important element—read facilitator and enforcer—of the country’s imperialist culture, and the total war SEEING THROUGH THE AIRWAVES: THOMAS DOLBY’S ‘WINDPOWER’ Seeing Through the Airwaves: Thomas Dolby’s ‘Windpower’. It starts as it always does, with the sound of a cold, synthetic wind, whistling tones, and the nervous twitch of a Morse code signal. There’s a short intake of breath, a low om-like hum. A message needs to get through. And then our singer steps up to the mic: “Switch offthe
“IT’S FUN, IT’S YOU”: STARSCROLL, 1972 Object Name: Starscroll Maker and Year: XII Signs, 1972 – 1996(?) Object Type: Monthly horoscope and vending machine Description: (Michael Grasso) In the 1970s, public belief in astrology and adherence to horoscopes rose to somewhere between a quarter and a third of Americans, but awareness of one’s own sun sign was quite high, at over 75%. Even those who did not believe Western astrology “SHE NEVER FAILS!”: HAVOK SUPER AGENT DOLL, 1974 Object Name: Havoc: Super Agent doll Maker and Year: Model Toys Ltd., 1974-1975 Object Type: Doll Image Source: Havocdoll, Jaselles Daisy Passion Description: Amy Mugglestone. The ’70s was a decade of action figures. In 1972, the Mego Corporation bought toy manufacturing rights for both Marvel and DC comics, along with several popular TV and movie franchises, and two years later THE CORVIALE HOUSING PROJECT The Corviale Housing Project. Known colloquially as the Serpentone (“big snake”), the Corviale is a vast housing development on the outskirts of Rome originally intended to collect some 8,500 inhabitants in three structures dominated by a single, kilometer-long, eleven-story block. According to architect Mario Fiorentini’soriginal
WHITLEY STRIEBER’S ‘COMMUNION: A TRUE STORY’, 1987 Whitley’s Strieber’s Communion is another formative object for me. Well, maybe “formative” is a bad choice of words. After all, I was 12 when the shelves of every bookstore I frequented groaned with the weight of the uncanny Grey staring out at me from the book’s cover. INVENTING SCI-FI NOIR: JIM STERANKO’S ‘OUTLAND’ Object Name: Graphic adaptation of Outland Maker and Year: Jim Steranko, Heavy Metal, 1981-1982 Object Type: Graphic novel Description: (K.E. Roberts). When Heavy Metal published 1979’s stand-alone Alien: The Illustrated Story to coincide with the release of Ridley Scott’s now-canonical sci-fi horror, no one knew what a “graphic novel” was. The adaptation, with frequently gruesome art PHOTO FROM ‘ANOTHER PAGE’ BY CHRISTOPHER CROSS, 1983 Photo from ‘Another Page’ by Christopher Cross, 1983. Christopher Cross was faced with a tall order in trying to follow up his colossal hit debut LP, Christopher Cross (1979). The album spawned four Top 20 singles and dominated the 23rd Annual Grammys, and Cross hit again in the fall of 1981 with “ Arthur’s Theme (Best That You Can Do “IT MUST NOT HAPPEN HERE!”: ‘IS THIS TOMORROW? AMERICA The humble comic book. This artifact from the beginning of the Cold War, Is This Tomorrow? America Under Communism, was published in 1947 by the Catechetical Guild of St. Paul, Minnesota. (A catechism is a religious educational primer and, among Catholics, the word “catechism” is often used as a metonym for Catholic religiouseducation itself.)
“YOU’RE NOT GONNA LIKE THIS”: THE MANSON FAMILY CONSPIRACY But mainly it was the people. It was the young people walking up and down the street trading shirts with each other and throwing flowers and being happy and I just fell in love. I love everything.”. —Charles Manson, post-arrest interview with occult underground newspaper Tuesday’s Child, 1969. “You’re not gonna like this,”I wrote
USBORNE’S ‘WORLD OF THE UNKNOWN: UFO’S’, 1977 The mandate of British publisher Usborne Books was to produce beautifully illustrated children's publications, designed and written by its in-house team. The first wave of books Usborne released in 1975---which included the popular Spycraft---had sold well, and in 1977 the company followed it up with the World of the Unknown series: a triptych that included THE EYE, THE PYRAMID, THE MAP: THE PSYCHOGEOGRAPHY OF ‘THE The Eye, The Pyramid, The Map: The Psychogeography of ‘The World According to Ubi’. As a child, I spent a lot of time in the manageable, organized worlds that board games offered. Rules, a sense of order and fair play, and brightly-colored game pieces and boards appealed to me: they were a safe haven from the uncertainty of theoutside
THE ILLUSTRATED RAPTURE: ‘THERE’S A NEW WORLD COMING’, 1974 The Illustrated Rapture: ‘There’s a New World Coming’, 1974. Hal Lindsey’s bestselling The Late, Great Planet Earth, originally published by the Zondervan Corporation in 1970, revolutionized the Christian publishing industry and introduced the mainstream to rapture or “end times” terminology and imagery, which took root in America WHITLEY STRIEBER’S ‘COMMUNION: A TRUE STORY’, 1987 Whitley’s Strieber’s Communion is another formative object for me. Well, maybe “formative” is a bad choice of words. After all, I was 12 when the shelves of every bookstore I frequented groaned with the weight of the uncanny Grey staring out at me from the book’s cover. THE ALAN GODFREY ABDUCTION CASE, 1980 The flying-saucer-shaped Futuro House was the brainchild of Finnish architect Matti Suuronen. In 1980, policeman P.C. Alan Godfrey saw a spinning, diamond-shaped object in the sky. Under hypnotic regression, remembered a strange room containing a large black dog and a AVALON HILL’S OCCULT RITUAL KITS, 1974 Avalon Hill’s Occult Ritual Kits, 1974. Avalon Hill, known for historical wargames like Blitzkrieg (1965) and PanzerBlitz (1970) at this point, released the Witchcraft Ritual Kit and Black Magic Ritual Kit on the heels of The Exorcist, the occult blockbuster that saw demon “Captain Howdy” enter the material world (and eventually a12-year
DON SIEGEL’S ‘THE SHOOTIST’ AND THE PROBLEM OF JOHN WAYNE The Shootist is one of the greatest Westerns ever made, although it is rarely named as such. It is John Wayne's final film, and possibly his best performance. Wayne, of course, essentially invented the on-screen American cowboy: swaggering, gritty, terse, self-contained, charming,relentless
“ONE LONG DISCOMFORT”: THE LEGACY AND FUTURE OF DAVID And this is a book that counts Clive Barker, Alan Moore, Michael Moorcock, and Jeff Vandermeer among its admirers. C.S. Lewis called it the “real father” of his Space Trilogy.Pathological anti-genre lit critic Harold Bloom’s sole piece of published fiction—ever—is a pseudo-sequel to Arcturus called The Flight to Lucifer.Colin Wilson, who became a literary sensation with publicationWE ARE THE MUTANTS
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By NOAH BERLATSKY
“Men are like children; they’re very easy to please as long as we give them what they want,” declares sultry young witch Elaine Parks (Samantha Robinson) to her friend Trish (Laura Waddell) in Anna Biller’s 2016 film _The Love Witch_… Continue reading →Music & Sound
“SPLENDID SPARKLING”: DONATELLA RETTORE’S POSTHUMAN POP SONG By DANIELE CASSANDRO “Splendido Splendente” is a post-human song before post-human was even a thing. Through the metaphor of plastic surgery, Rettore imagines a future humanity with perfect features and “_pelle trasparente come un uovo di serpente_” (“skin as transparent as a serpent’s egg”)…Books & Literature
OUT OF LINE: ‘STICKING IT TO THE MAN’ AND THE PULP REVOLUTIONBy EVE TUSHNET
The standard story of the postwar media landscape centers on the rise of television: news anchors and variety shows, cowlicked children of white couples who sleep in separate beds, the same flickering glow from every home—Donna Reed across the face of the world forever…Books & Literature
ANCIENT ASTRONAUT COMICS: ‘THE GODS FROM OUTER SPACE’, 1978 –1982
In 1977, with von Däniken mania still thriving, Alfred Górny of Polish publishing house Sport i Turystyka—Sport and Tourism—made an agreement with Econ Verlag, the publishers of the German edition of _Chariots of the Gods?_, to create a series of comics based around von Däniken’s crackpot concepts…Books & Literature
“I’M SELLIN’ FOLKS A DREAM”: ALAN MOORE AND BILL SIENKIEWICZ’S ‘BROUGHT TO LIGHT’ In 1989, at the very end of the Cold War, a group of four prominent mainstream and alternative comic book writers and artists created a double volume graphic novel exposing the rampant injustices, assassinations, and terrorism facilitated by the CIA and its creatures worldwide, ostensibly to fight global communism in the years followingWorld War II…
THE POLITICS OF THE SEWER: JOHN SAYLES AND LEWIS TEAGUE’S‘ALLIGATOR’
Steven Spielberg called Joe Dante’s 1978 _Piranha_ “the best of the Jaws ripoffs,” but my vote goes to 1980’s _Alligator_, directed by Lewis Teague and distributed by Group 1 Films, the latter responsible for some memorable exploitation fare that included _The Clonus Horror_, _UFO’s Are Real_ (both from 1979), and Albert Pyun’s _The Sword and the Sorcerer_ (1980)…April 2, 2020
in Film & TV .
“FOR ALL THE DEAD HEROES”: LIZZIE BORDEN’S ‘BORN IN FLAMES’By EVE TUSHNET
In 1983, Lizzie Borden attacked the World Trade Center. I’m talking about Lizzie Borden the film director, and the bomb that goes off at the top of the Twin Towers is the final image of her punk feminist film Born in Flames. (It’s safe to say that the shock of the ending has not been diminished by the passage of time.)April 1, 2020
in Film & TV .
“TWENTY YEARS OF CRAWLING”: KENNY ROGERS’ ‘COWARD OF THE COUNTY’ AND THE VIETNAM SYNDROMEBy JESSE WALKER
I can tell you the day the so-called Vietnam syndrome started to die. On November 12, 1979, four and a half years after the last American troops fled Saigon, a new single was shipped to record stores and radio stations, a ballad by the fellow who’d had a smash hit a year before with “The Gambler.”March 31, 2020
in History & Politics, Music &
Sound .
“THE MAN WHO BECAME AN INSECT”: KAFKA’S ‘METAMORPHOSIS’ ASCOMIC BOOK
Most editions of Vidas Ilustres dealt purely with the biographical details of the person in question, but in the _Obras Inmortales_ (“Immortal Works”) series the comic would dramatize not only their life but also a piece of their oeuvre. This was the case with “El Hombre Que Se Convirtirio En Un Insecto”—“The Man Who Became anInsect.”
March 12, 2020
in Books & Literature.
THE BOMB THAT WILL BRING US TOGETHER: RICK VEITCH’S ‘THE ONE’By JONATHAN LUKENS
In 1985, the first issue of an unusual new title hit the shelves of North American comic book stores. Part of Marvel Comics’ short-lived creator-owned imprint Epic, Rick Veitch’s _The One_ stood out because its cover was an obvious visual reference to the yellow and orange concentric circles of Tide laundry detergent’s branding…March 10, 2020
in Books & Literature.
“IT’S RIGHT FOR OUR TIMES”: VANAGON BROCHURE, 1980 When the hippies grew up and had kids of their own, they needed something modern and self-contained to bring everyone back (occasionally this time around) to nature. Hence, the Vanagon…March 5, 2020
in Structures, Vehicles & Establishments.
“CLASS IS THE AMERICAN DREAM”: PETERBILT TRUCK ADS, 1974 – 1981 Heir to the role of freewheeling individualism once inhabited by the cowboy, over the course of the 1970s the truck driver grew to be an increasingly dominant figure in the American imagination…March 4, 2020
in Structures, Vehicles & Establishments.
“BECOME A GOOD CBER”: CITIZENS BAND RADIO SERVICE RULES, 1978 The CB fad of the 1970s entered the public consciousness through a series of economic, political, and technological circumstances. The 1973 oil crisis, which put long-haul truckers in a tough spot due to gas shortages, along with the new federal 55 mile-per-hour speed limit, made CB radio a key method of information dissemination for truckers in a newly hostile economic environment…March 3, 2020
in Computers, Science & Technology.
“A TOTALLY DIFFERENT EXPERIENCE”: ATARI THEATRE KIOSK BROCHURE,1976
The Atari Theatre Kiosk experiment was short-lived and ill-advised, but the very attempt, documented in this glorious brochure, captures the era’s unrestrained pursuit of what Atari called “innovativeleisure.”
February 27, 2020
in Sports, Games & Toys.
ACTION TRANSFERS: WHITE SQUADRON SPACE ADVENTURES, 1980 A favorite gift of British nanas, uncles and aunts of the 1970s, transfers—like coloring books—inhabit the deadening overlap between creativity and restriction. As liberating as they always looked while still in their packets, once out on the kitchen table, doing transfers frequently turned out to be a depressingly uninspiring activity. Not so Thomas Salter and Letraset’s _Space Adventures_…February 26, 2020
in Sports, Games & Toys.
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