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SUBMISSIONS
Submissions Submission Guidelines. Waccamaw accepts unsolicited submissions of poems, stories, and essays during two submission periods annually: January 15-February 15 and August 1-31.. Submissions are accepted only via our online Submission Manager system. Unsolicited submissions received through other channels cannot be accepted or acknowledged. AUTHORS – WACCAMAW No. 17 Art The Forgotten Face in the Crowd. No. 17 Art Femme Noir. No. 17 Art Old Women. Andrea Marcusa. No. 18 Nonfiction Wild Blue Parakeet. Andrew Mulvania. No. 13 Poetry Talking Sophocles with Jason Koo at Jack Bistro. Angie Macri. No. 22 Poetry While ABOUT US – WACCAMAW About Us. Waccamaw is a graduate student and faculty collaboration featuring contemporary poetry, fiction, and creative nonfiction. Our magazine is published online once a year, in the fall, by The Athenaeum Press at Coastal Carolina University. Our tenth anniversary print edition features selected work by a decade of contributorsincluding
ISSUE 19 – WACCAMAW Welcome to the 19th Issue of Waccamaw, We are almost a decade. We are almost. We are a reach that with its open extended hand may catch a loblolly in its grip and not let go. Our eyes in the night were replaced with a giant’s and we are digging down now, excavating, ablaze. Some of our categories are classic: ribbons, antifreeze,undiscovered
PEPSI – WACCAMAW
Pepsi was a short, zippy drink, and chilled just right, it made a place. for herself in this world, knowing just how easy it is to get a man. and just how hard he was to keep. 2. Because the sound of the first can. in the morning was the sound of nectar. firecracked, a sugar sent up. to the sky, a dull liquid. WHO SHARPENS THE PENCILS Who Sharpens the Pencils. Sean Madden. Genre: Fiction. There were two distinct reasons why Ms. Morton knew that, overnight, all the pencils in the mug on her desk had been sharpened. First, the pencils stood in the mug blades-up, the exact opposite of how she stored them. Second, she’d never been in the habit of regularly sharpening her pencils. A CURSE FOR PRESSURE Caroline Chavatel is a M.F.A. candidate at New Mexico State University where she is Assistant Poetry Editor at Puerto del Sol and co-founded Madhouse Press.Her work has appeared or will appear in The Cossack Review (2016 October Prize for Poetry winner), phoebe (2017 Greg Grummer Poetry Award finalist), Gulf Coast, Fugue, Hayden’s Ferry Review, Nimrod, and Epoch, among others. CARRIAGES – WACCAMAW Carriages. You walk Ajax the Dog three times a day, minimum. Often five times, up and down the cobblestones — you chose this neighborhood because it was historically registered, after all. The uneven stones make it impossible to push a baby carriage but you don’t have to worry about that. All you need to do is walk a dog. SPELL FOR MISHEARD SOUND Spell for Misheard Sound. “7°F last night. Can’t stop singing Johnny Shines: ‘So cold in Vietnam, words don’t sound the same.’”. salt filling the room crystalized and brackish. You. sleep. A poet in a green suit says cannibal / heard carnival: the horse-shift of carousels gone dark. WACCAMAW – A JOURNAL OF CONTEMPORARY LITERATURELEONA VANDER MOLENSPELL FOR MISHEARD SOUNDSCOT LANGLANDABOUT USSUBMISSIONS Waccamaw_Title. In this 25 th issue of Waccamaw, our contributors dreamt. They dreamt of bones “rewritten and rescripted and then reburied with dirt and snow and sweat,” of electrical storms in a grandfather’s heart, of our house illuminated with gaslight, and of nestlings born too soon under winter’s sky. They dreamt Johnny CashSUBMISSIONS
Submissions Submission Guidelines. Waccamaw accepts unsolicited submissions of poems, stories, and essays during two submission periods annually: January 15-February 15 and August 1-31.. Submissions are accepted only via our online Submission Manager system. Unsolicited submissions received through other channels cannot be accepted or acknowledged. AUTHORS – WACCAMAW No. 17 Art The Forgotten Face in the Crowd. No. 17 Art Femme Noir. No. 17 Art Old Women. Andrea Marcusa. No. 18 Nonfiction Wild Blue Parakeet. Andrew Mulvania. No. 13 Poetry Talking Sophocles with Jason Koo at Jack Bistro. Angie Macri. No. 22 Poetry While ABOUT US – WACCAMAW About Us. Waccamaw is a graduate student and faculty collaboration featuring contemporary poetry, fiction, and creative nonfiction. Our magazine is published online once a year, in the fall, by The Athenaeum Press at Coastal Carolina University. Our tenth anniversary print edition features selected work by a decade of contributorsincluding
ISSUE 19 – WACCAMAW Welcome to the 19th Issue of Waccamaw, We are almost a decade. We are almost. We are a reach that with its open extended hand may catch a loblolly in its grip and not let go. Our eyes in the night were replaced with a giant’s and we are digging down now, excavating, ablaze. Some of our categories are classic: ribbons, antifreeze,undiscovered
PEPSI – WACCAMAW
Pepsi was a short, zippy drink, and chilled just right, it made a place. for herself in this world, knowing just how easy it is to get a man. and just how hard he was to keep. 2. Because the sound of the first can. in the morning was the sound of nectar. firecracked, a sugar sent up. to the sky, a dull liquid. WHO SHARPENS THE PENCILS Who Sharpens the Pencils. Sean Madden. Genre: Fiction. There were two distinct reasons why Ms. Morton knew that, overnight, all the pencils in the mug on her desk had been sharpened. First, the pencils stood in the mug blades-up, the exact opposite of how she stored them. Second, she’d never been in the habit of regularly sharpening her pencils. A CURSE FOR PRESSURE Caroline Chavatel is a M.F.A. candidate at New Mexico State University where she is Assistant Poetry Editor at Puerto del Sol and co-founded Madhouse Press.Her work has appeared or will appear in The Cossack Review (2016 October Prize for Poetry winner), phoebe (2017 Greg Grummer Poetry Award finalist), Gulf Coast, Fugue, Hayden’s Ferry Review, Nimrod, and Epoch, among others. CARRIAGES – WACCAMAW Carriages. You walk Ajax the Dog three times a day, minimum. Often five times, up and down the cobblestones — you chose this neighborhood because it was historically registered, after all. The uneven stones make it impossible to push a baby carriage but you don’t have to worry about that. All you need to do is walk a dog. SPELL FOR MISHEARD SOUND Spell for Misheard Sound. “7°F last night. Can’t stop singing Johnny Shines: ‘So cold in Vietnam, words don’t sound the same.’”. salt filling the room crystalized and brackish. You. sleep. A poet in a green suit says cannibal / heard carnival: the horse-shift of carousels gone dark. ISSUE 22 – WACCAMAW Welcome to the 22nd Issue of Waccamaw, This year, the water snaked its way in diamond coats to new places—reached in and pulled us out of where we thought we belonged. Now, we root ourselves in blooms of old blood, return birthmarks and all to the wildFIRST THINGS LAST
Rebecca McClanahan’s eleventh book, In the Key of New York City: A Memoir in Essays, is forthcoming from Red Hen Press in September 2020.Her work has appeared in Best American Essays, Best American Poetry, Georgia Review, Gettysburg Review, Boulevard, Brevity, The Sun, River Teeth, and in anthologies published by Simon & Schuster, Beacon, Norton, and Bedford/St. Martin, among others.BEAR – WACCAMAW
Anna B. Sutton is a poet and publisher from Nashville, TN.Her work has appeared in or is forthcoming from Third Coast, Quarterly West, Copper Nickel, DIAGRAM, Southeast Review, and other journals.She is the co-founder of The Porch Writer’s Collective, a web editor at One Pause Poetry, poetry editor at Dialogist, a nonfiction reader at Gigantic Sequins, and project manager at John F. Blair A SERIES OF IMPROVEMENTS Matheus Borges was born in the city of Porto Alegre, southern Brazil, and studied Filmmaking at Unisinos, where he specialized in screenwriting and animation. CARRIAGES – WACCAMAW Carriages. You walk Ajax the Dog three times a day, minimum. Often five times, up and down the cobblestones — you chose this neighborhood because it was historically registered, after all. The uneven stones make it impossible to push a baby carriage but you don’t have to worry about that. All you need to do is walk a dog.WE WERE ALL THERE
We Were All There. Scot Langland. Genre: Poetry. Down at the river’s lip. we strip and wheel. off the dock like moon-mad children, strewn. into brackish nights. with wounds we don’t want. to heal. SPELL FOR MISHEARD SOUND Spell for Misheard Sound. “7°F last night. Can’t stop singing Johnny Shines: ‘So cold in Vietnam, words don’t sound the same.’”. salt filling the room crystalized and brackish. You. sleep. A poet in a green suit says cannibal / heard carnival: the horse-shift of carousels gone dark. FATHERMARK – WACCAMAW Forrest Rapier is a recent MFA graduate from the University of North Carolina at Greensboro. He is the winner of an Academy of American Poets Prize and has appeared in Best New Poets, Texas Poetry Review, Verse Daily, The Boiler, The Greensboro Review, among others.He is currently a lecturer in the English Department at UNCG. O MARY LOU – WACCAMAW Anthony DiMatteo is a poet, translator, and critic whose poems, essays, and reviews regularly appear in scholarly and literary journals. He has been nominated for a Pushcart award, and recent poems have appeared in Avatar Poetry Review, Front Porch, Smartish Pace, and Tar River Poetry. A book of poems, Beautiful Problems, is forthcoming from David Robert Books. THE URBAN WILD COYOTE PROJECT A deserter. A subversive. Kathryn wanted The Urban Wild Coyote Project to be an outdoor artwork. She’d make bedazzled decoys forget how to scream, take them full of music to places where hunters and victims were known to meet and kill and die. She hoped Meat Loaf WACCAMAW – A JOURNAL OF CONTEMPORARY LITERATURELEONA VANDER MOLENSPELL FOR MISHEARD SOUNDSCOT LANGLANDABOUT USSUBMISSIONS Waccamaw_Title. In this 25 th issue of Waccamaw, our contributors dreamt. They dreamt of bones “rewritten and rescripted and then reburied with dirt and snow and sweat,” of electrical storms in a grandfather’s heart, of our house illuminated with gaslight, and of nestlings born too soon under winter’s sky. They dreamt Johnny CashSUBMISSIONS
Submissions Submission Guidelines. Waccamaw accepts unsolicited submissions of poems, stories, and essays during two submission periods annually: January 15-February 15 and August 1-31.. Submissions are accepted only via our online Submission Manager system. Unsolicited submissions received through other channels cannot be accepted or acknowledged. AUTHORS – WACCAMAW No. 17 Art The Forgotten Face in the Crowd. No. 17 Art Femme Noir. No. 17 Art Old Women. Andrea Marcusa. No. 18 Nonfiction Wild Blue Parakeet. Andrew Mulvania. No. 13 Poetry Talking Sophocles with Jason Koo at Jack Bistro. Angie Macri. No. 22 Poetry While ABOUT US – WACCAMAW About Us. Waccamaw is a graduate student and faculty collaboration featuring contemporary poetry, fiction, and creative nonfiction. Our magazine is published online once a year, in the fall, by The Athenaeum Press at Coastal Carolina University. Our tenth anniversary print edition features selected work by a decade of contributorsincluding
PAST ISSUES
Past Issues We are working on transferring back issues of Waccamaw to our new database. Until then, you can view the archived issues of the Waccamaw in their original form below. ISSUE 19 – WACCAMAW Welcome to the 19th Issue of Waccamaw, We are almost a decade. We are almost. We are a reach that with its open extended hand may catch a loblolly in its grip and not let go. Our eyes in the night were replaced with a giant’s and we are digging down now, excavating, ablaze. Some of our categories are classic: ribbons, antifreeze,undiscovered
ISSUE 22 – WACCAMAW Welcome to the 22nd Issue of Waccamaw, This year, the water snaked its way in diamond coats to new places—reached in and pulled us out of where we thought we belonged. Now, we root ourselves in blooms of old blood, return birthmarks and all to the wild WHO SHARPENS THE PENCILS Who Sharpens the Pencils. Sean Madden. Genre: Fiction. There were two distinct reasons why Ms. Morton knew that, overnight, all the pencils in the mug on her desk had been sharpened. First, the pencils stood in the mug blades-up, the exact opposite of how she stored them. Second, she’d never been in the habit of regularly sharpening her pencils. SPELL FOR MISHEARD SOUND Spell for Misheard Sound. “7°F last night. Can’t stop singing Johnny Shines: ‘So cold in Vietnam, words don’t sound the same.’”. salt filling the room crystalized and brackish. You. sleep. A poet in a green suit says cannibal / heard carnival: the horse-shift of carousels gone dark. A CURSE FOR PRESSURE Caroline Chavatel is a M.F.A. candidate at New Mexico State University where she is Assistant Poetry Editor at Puerto del Sol and co-founded Madhouse Press.Her work has appeared or will appear in The Cossack Review (2016 October Prize for Poetry winner), phoebe (2017 Greg Grummer Poetry Award finalist), Gulf Coast, Fugue, Hayden’s Ferry Review, Nimrod, and Epoch, among others. WACCAMAW – A JOURNAL OF CONTEMPORARY LITERATURELEONA VANDER MOLENSPELL FOR MISHEARD SOUNDSCOT LANGLANDABOUT USSUBMISSIONS Waccamaw_Title. In this 25 th issue of Waccamaw, our contributors dreamt. They dreamt of bones “rewritten and rescripted and then reburied with dirt and snow and sweat,” of electrical storms in a grandfather’s heart, of our house illuminated with gaslight, and of nestlings born too soon under winter’s sky. They dreamt Johnny CashSUBMISSIONS
Submissions Submission Guidelines. Waccamaw accepts unsolicited submissions of poems, stories, and essays during two submission periods annually: January 15-February 15 and August 1-31.. Submissions are accepted only via our online Submission Manager system. Unsolicited submissions received through other channels cannot be accepted or acknowledged. AUTHORS – WACCAMAW No. 17 Art The Forgotten Face in the Crowd. No. 17 Art Femme Noir. No. 17 Art Old Women. Andrea Marcusa. No. 18 Nonfiction Wild Blue Parakeet. Andrew Mulvania. No. 13 Poetry Talking Sophocles with Jason Koo at Jack Bistro. Angie Macri. No. 22 Poetry While ABOUT US – WACCAMAW About Us. Waccamaw is a graduate student and faculty collaboration featuring contemporary poetry, fiction, and creative nonfiction. Our magazine is published online once a year, in the fall, by The Athenaeum Press at Coastal Carolina University. Our tenth anniversary print edition features selected work by a decade of contributorsincluding
PAST ISSUES
Past Issues We are working on transferring back issues of Waccamaw to our new database. Until then, you can view the archived issues of the Waccamaw in their original form below. ISSUE 19 – WACCAMAW Welcome to the 19th Issue of Waccamaw, We are almost a decade. We are almost. We are a reach that with its open extended hand may catch a loblolly in its grip and not let go. Our eyes in the night were replaced with a giant’s and we are digging down now, excavating, ablaze. Some of our categories are classic: ribbons, antifreeze,undiscovered
ISSUE 22 – WACCAMAW Welcome to the 22nd Issue of Waccamaw, This year, the water snaked its way in diamond coats to new places—reached in and pulled us out of where we thought we belonged. Now, we root ourselves in blooms of old blood, return birthmarks and all to the wild WHO SHARPENS THE PENCILS Who Sharpens the Pencils. Sean Madden. Genre: Fiction. There were two distinct reasons why Ms. Morton knew that, overnight, all the pencils in the mug on her desk had been sharpened. First, the pencils stood in the mug blades-up, the exact opposite of how she stored them. Second, she’d never been in the habit of regularly sharpening her pencils. SPELL FOR MISHEARD SOUND Spell for Misheard Sound. “7°F last night. Can’t stop singing Johnny Shines: ‘So cold in Vietnam, words don’t sound the same.’”. salt filling the room crystalized and brackish. You. sleep. A poet in a green suit says cannibal / heard carnival: the horse-shift of carousels gone dark. A CURSE FOR PRESSURE Caroline Chavatel is a M.F.A. candidate at New Mexico State University where she is Assistant Poetry Editor at Puerto del Sol and co-founded Madhouse Press.Her work has appeared or will appear in The Cossack Review (2016 October Prize for Poetry winner), phoebe (2017 Greg Grummer Poetry Award finalist), Gulf Coast, Fugue, Hayden’s Ferry Review, Nimrod, and Epoch, among others. AUTHORS – WACCAMAW No. 17 Art The Forgotten Face in the Crowd. No. 17 Art Femme Noir. No. 17 Art Old Women. Andrea Marcusa. No. 18 Nonfiction Wild Blue Parakeet. Andrew Mulvania. No. 13 Poetry Talking Sophocles with Jason Koo at Jack Bistro. Angie Macri. No. 22 Poetry While ISSUE 22 – WACCAMAW Welcome to the 22nd Issue of Waccamaw, This year, the water snaked its way in diamond coats to new places—reached in and pulled us out of where we thought we belonged. Now, we root ourselves in blooms of old blood, return birthmarks and all to the wildFIRST THINGS LAST
Rebecca McClanahan’s eleventh book, In the Key of New York City: A Memoir in Essays, is forthcoming from Red Hen Press in September 2020.Her work has appeared in Best American Essays, Best American Poetry, Georgia Review, Gettysburg Review, Boulevard, Brevity, The Sun, River Teeth, and in anthologies published by Simon & Schuster, Beacon, Norton, and Bedford/St. Martin, among others.WHAT STICKS
Emma DePanise’s poems are forthcoming or have appeared recently in journals such as Poet Lore, Puerto del Sol, Quarterly West, The National Poetry Review, Passages North and elsewhere. She is a winner of a 2019 AWP Intro Journals Award and the 2018BEAR – WACCAMAW
Anna B. Sutton is a poet and publisher from Nashville, TN.Her work has appeared in or is forthcoming from Third Coast, Quarterly West, Copper Nickel, DIAGRAM, Southeast Review, and other journals.She is the co-founder of The Porch Writer’s Collective, a web editor at One Pause Poetry, poetry editor at Dialogist, a nonfiction reader at Gigantic Sequins, and project manager at John F. Blair ISSUE 18 – WACCAMAW Issue 18 – Waccamaw. Waccamaw_Title. Let me also speak directly to the transgender community itself. Some of you have lived freely for decades. Others of you are still wondering how you can possibly live the lives you were born to lead. But no matter how isolated or scared you may feel today, the Department of Justice and the entire ObamaGENERATIONAL TRAUMA
existence. This poem is a scar that reveals the. onceness of a wound, a curated show in which. joy, bitterness, and unknown patrons attend. It is an elegy to mourn the parts that were. shamefully discarded like scraps and a song. to celebrate the vibrant parts that still remain.It
EVEN BIRDS – WACCAMAW Even Birds. Leona Vander Molen. Genre: Nonfiction. As a romantic, I sometimes take the evidence of love in nature as proof and prophecy, especially when it comes from birds. I used to cite bird love like that could be my reality: “Even vultures mate for life!”. I would chirp to anyone willing to listen, as if birds remaining coupledseason
O MARY LOU – WACCAMAW Anthony DiMatteo is a poet, translator, and critic whose poems, essays, and reviews regularly appear in scholarly and literary journals. He has been nominated for a Pushcart award, and recent poems have appeared in Avatar Poetry Review, Front Porch, Smartish Pace, and Tar River Poetry. A book of poems, Beautiful Problems, is forthcoming from David Robert Books. SPELL FOR MISHEARD SOUND Spell for Misheard Sound. “7°F last night. Can’t stop singing Johnny Shines: ‘So cold in Vietnam, words don’t sound the same.’”. salt filling the room crystalized and brackish. You. sleep. A poet in a green suit says cannibal / heard carnival: the horse-shift of carousels gone dark.WACCAMAW
a journal of contemporary literatureNo. 22: Spring 2019
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_WELCOME TO WACCAMAW 22_MASTHEAD
PROSE
THE SEED AND THE SWIRL | JEFF FRAWLEY THE URBAN WILD COYOTE PROJECT | MANDY-SUZANNE WONG WHEN WE ARE THERE; HERE ON THIS LOWLY GROUND | KRISTIN OFFILERPOETRY
IN PRAISE OF A NIGHT OF PERDITION | WALE AYINLA TO SAY MEANS _I _ALONE | STEPHANIE ANDERSON SELF PORTRAIT AS ASA AKIRA’S FACE ON GOOGLE IMAGES WHEN SEARCHING ‘ASIAN WOMEN’ | DENA IGUSTI EVE, CREATOR | WHITNEY RIO-ROSS LOSING ANGLES | AB GORHAM WHILE THE WREN SINGS, THE HERON FLYING ACROSS THE LAKE | ANGIEMACRI
CRISIS, WITH CASSOWARIES | CHRISTINE BUTTERWORTH-MCDERMOTT A CLOSETED VISIT TO PROVINCETOWN WITH MY FATHER | MATT VEKAKIS MEMORY AS THUNDERSTORM | LEWIS CRAWFORD GROWING SCALES AND OTHER FLU-LIKE SYMPTOMS | LAUREN HOWTON ------------------------- NO. 22 : SPRING 2019ISSN 1944-5431
------------------------- Published by The Athenaeum Press at Coastal Carolina University Website and design © 2019 - Waccamaw Articles © of their respective authors. The artwork and literature presented in the Waccamaw Journal is the creative expression of a revolving set of contributors and does not reflect the views of its student or faculty editors, the Athenaeum Press, Coastal Carolina University faculty, staff, student body, board of trustees, board of directors, or alumni.* About Us
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