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PARIS 2024: VARIABLE FONTS AND ART DECO FOR THE OLYMPICS Paris has unveiled a gold-medal-shaped emblem for the 2024 Olympics and Paralympic Games that incorporates the Olympic flame and the lips of Marianne.The new design, under the direction of creative agency Royalties Ecobranding, brings together three iconic symbols connected to sport, the Games and France.. The logo pays tribute to Paris as the host city of the Games, as its pure, DALTON MAAG'S WIENER MELANGE BRAND NEW CUSTOM FONT FOR Oh, Vienna! The city which is known as much for its all-time-classic appeal as for its love for modernism now has a brand new custom font to accompany its everlasting elegance made by Dalton Maag.. Filled with regal Hapsburg-era palaces, stunning modernist buildings made by by Otto Wagner and Josef Hoffmann and a sense of Gustav Klimt written all over it, Vienna's stylish heritage is embodied EDWARD JOHNSTON: LONDON UNDERGROUND UNVEILS MEMORIAL FOR On Monday, the 24th of June 2019, Transport for London unveiled its memorial to Edward Johnston, the iconic type designer and calligrapher, at Farringdon Station, Elizabeth Line.Designed by Fraser Muggeridge, the artwork extends along an entire wall in the station, and is inspired by the type pieces used in a printing press.The memorial which stretches on the upper passageway leading to the VISABILITY93: MCCANN LONDON RAISES AWARENESS FOR INVISIBLE A call to all designers that is humane and kind. On the 50th anniversary of the International Symbol of Access (ISA), Visability93 is launching an icon font to inspire the design community to invent a universal symbol that represents all people with disabilities, visible or invisible – not just wheelchair users.. The ISA – the blue square overlaid in white with the outline of a person in a PF MARLET: EDGY, ELEGANT & PROBABLY THE IDEAL FONT OF THE PF Marlet: Edgy, elegant & probably the ideal font of the month. In the event of Typography Guru's Font of The Month competition, we present you with a type system nominated for October, our beloved PF Marlet. “Marlet is a beautiful and inspiring set of typographic elements based on a minimal and simplistic approach to elegance. GERARD UNGER'S THEORY OF TYPE DESIGN IS THE MUST-BUY BOOK Gerard Unger studied graphic design, typography and type design at the Gerrit Rietveld Academy, Amsterdam.He teaches as visiting professor at the University of Reading and taught at the Gerrit Rietveld Academy till January 2007.. From 2006 till 2012 he was Professor of Typography at Leiden University, the Netherlands, and has been a freelance designer since 1972. SOUTHBANK CENTRE’S “BRUTAL”REBRANDING IN A DECADE In 1948, the Labour Government of Clement Attlee announced plans to hold the Festival of Britain.It was meant to be a "Tonic to the Nation" following the ravages of the Second World War.Three years later Southbank Centre was built in 1951 as part of the Festival of Britain and the concert halls were originally funded and managed by the London County Council and their successors, the Greater BRUCE NAUMAN’S ENIGMATIC TEXT ART IS HAVING PARIS THRILLED Bruce Nauman’s enigmatic text art is having Paris thrilled all over again. 30 Nov / 2015 / Inspiration /. Beginning in the mid-1960s, Nauman exploited the ubiquity of neon signage to produce “art that would kind of disappear, an art that was supposed to not quite look like art.”. He created luminous wordplays that alluded to tensionsboth
PATRICK THOMAS & HIS PULP SILKSCREEN PRINTS RESPOND TO THE On Thursday 10 October at 19:00, Patrick Thomas, the graphic artist, and professor at Staatliche Akademie der Bildenden Künste Stuttgart will give a talk about his current exhibition on display at A—Z: the PULP series, and the wider political aspects of his practice. PULP is the title of a new body of work made by Thomas in response to the reality of living in an age of “truth decay.” GLORIFYING ECLECTIC TYPOGRAPHY Font Sunday X Tony Pritchard award the Oscars of fonts ¶. Save the planet! The Climate Crisis is an OpenType variable font for all to own.
PARIS 2024: VARIABLE FONTS AND ART DECO FOR THE OLYMPICS Paris has unveiled a gold-medal-shaped emblem for the 2024 Olympics and Paralympic Games that incorporates the Olympic flame and the lips of Marianne.The new design, under the direction of creative agency Royalties Ecobranding, brings together three iconic symbols connected to sport, the Games and France.. The logo pays tribute to Paris as the host city of the Games, as its pure, DALTON MAAG'S WIENER MELANGE BRAND NEW CUSTOM FONT FOR Oh, Vienna! The city which is known as much for its all-time-classic appeal as for its love for modernism now has a brand new custom font to accompany its everlasting elegance made by Dalton Maag.. Filled with regal Hapsburg-era palaces, stunning modernist buildings made by by Otto Wagner and Josef Hoffmann and a sense of Gustav Klimt written all over it, Vienna's stylish heritage is embodied EDWARD JOHNSTON: LONDON UNDERGROUND UNVEILS MEMORIAL FOR On Monday, the 24th of June 2019, Transport for London unveiled its memorial to Edward Johnston, the iconic type designer and calligrapher, at Farringdon Station, Elizabeth Line.Designed by Fraser Muggeridge, the artwork extends along an entire wall in the station, and is inspired by the type pieces used in a printing press.The memorial which stretches on the upper passageway leading to the VISABILITY93: MCCANN LONDON RAISES AWARENESS FOR INVISIBLE A call to all designers that is humane and kind. On the 50th anniversary of the International Symbol of Access (ISA), Visability93 is launching an icon font to inspire the design community to invent a universal symbol that represents all people with disabilities, visible or invisible – not just wheelchair users.. The ISA – the blue square overlaid in white with the outline of a person in a PF MARLET: EDGY, ELEGANT & PROBABLY THE IDEAL FONT OF THE PF Marlet: Edgy, elegant & probably the ideal font of the month. In the event of Typography Guru's Font of The Month competition, we present you with a type system nominated for October, our beloved PF Marlet. “Marlet is a beautiful and inspiring set of typographic elements based on a minimal and simplistic approach to elegance. GERARD UNGER'S THEORY OF TYPE DESIGN IS THE MUST-BUY BOOK Gerard Unger studied graphic design, typography and type design at the Gerrit Rietveld Academy, Amsterdam.He teaches as visiting professor at the University of Reading and taught at the Gerrit Rietveld Academy till January 2007.. From 2006 till 2012 he was Professor of Typography at Leiden University, the Netherlands, and has been a freelance designer since 1972. SOUTHBANK CENTRE’S “BRUTAL”REBRANDING IN A DECADE In 1948, the Labour Government of Clement Attlee announced plans to hold the Festival of Britain.It was meant to be a "Tonic to the Nation" following the ravages of the Second World War.Three years later Southbank Centre was built in 1951 as part of the Festival of Britain and the concert halls were originally funded and managed by the London County Council and their successors, the Greater BRUCE NAUMAN’S ENIGMATIC TEXT ART IS HAVING PARIS THRILLED Bruce Nauman’s enigmatic text art is having Paris thrilled all over again. 30 Nov / 2015 / Inspiration /. Beginning in the mid-1960s, Nauman exploited the ubiquity of neon signage to produce “art that would kind of disappear, an art that was supposed to not quite look like art.”. He created luminous wordplays that alluded to tensionsboth
PATRICK THOMAS & HIS PULP SILKSCREEN PRINTS RESPOND TO THE On Thursday 10 October at 19:00, Patrick Thomas, the graphic artist, and professor at Staatliche Akademie der Bildenden Künste Stuttgart will give a talk about his current exhibition on display at A—Z: the PULP series, and the wider political aspects of his practice. PULP is the title of a new body of work made by Thomas in response to the reality of living in an age of “truth decay.” PARIS 2024: VARIABLE FONTS AND ART DECO FOR THE OLYMPICS Paris has unveiled a gold-medal-shaped emblem for the 2024 Olympics and Paralympic Games that incorporates the Olympic flame and the lips of Marianne.The new design, under the direction of creative agency Royalties Ecobranding, brings together three iconic symbols connected to sport, the Games and France.. The logo pays tribute to Paris as the host city of the Games, as its pure, EDWARD JOHNSTON: LONDON UNDERGROUND UNVEILS MEMORIAL FOR On Monday, the 24th of June 2019, Transport for London unveiled its memorial to Edward Johnston, the iconic type designer and calligrapher, at Farringdon Station, Elizabeth Line.Designed by Fraser Muggeridge, the artwork extends along an entire wall in the station, and is inspired by the type pieces used in a printing press.The memorial which stretches on the upper passageway leading to the EUROPEAN DESIGN AWARDS 2020: THE WINNERS, THE NUMBERS AND This year, the Netherlands managed to retain the top spot in the country listings with 5 golds, 9 silvers and 9 bronze awards. Norway was a strong contender but ended up in second place with 4 gold, 10 silver, and 14 bronze prizes, while Greece was a surprise at the third place with 3 gold, 7 silver, and 5 bronze prizes with Beetroot Design JAN TSCHICHOLD: THE FATHER OF MODERN TYPOGRAPHY IN HIS OWN Considered by many the father of modern typography, German calligrapher, type and book designer Jan Tschichold (1902-1974) revolutionized the craftsmanship of the letterform with asymmetrical brilliance breaking new ground in type design.. Inspired by the Bauhaus school of design which took the world by storm a century ago, Tschichold's use of sans-serif typography has shaped the graphic COVID-19: LI EDELKOORT AND THE RISE OF THE AGE OF THE COVID-19: Li Edelkoort and the rise of the Age of the Amateur. With the coronavirus epidemic disrupting the system as we know it, trend forecaster Li Edelkoort gave an insightful interview to Dezeen 's Marcus Fairs. Following her Quartz interview in which the world's influential trend forecaster said that "we should be very grateful forthe
TYPOGRAPHY IS AN ALL-TIME CLASSIC FASHION TREND. THIS IS Typography is an all-time classic fashion trend. This is why. Designer and brand logos burst on the scene in the 80’s and one could argue begun the era of “inexpensive” high fashion. Wearing your DKNY t-shirt with a larger than life logo across the chest, you felt proud you could afford the luxury. Not only did you have the sense of ADRIAN FRUTIGER MADE THE WORLD OF TYPOGRAPHY A BETTER Few people have mastered the craft of typography as this Swiss type designer had and even fewer made our habitat a readable place -literally. Born in 1928 in Unterseen Adrian Frutiger experimented with invented scripts and stylized handwriting in negative reaction to the formal, cursive penmanship then required by Swiss schools, sincehe was a boy.
STANLEY KUBRICK AND A TYPEWRITER AFFAIR TO REMEMBER Stanley Kubrick was one of the many artists who used an Adler Tippa S typewriter for his scripts and of course, the typewriter is as ominous as ever in Kubrick's nightmarish masterpiece The Shining. A typewriter is a mechanical or electromechanical machine for writing characters similar to those produced by printer's movable type. A TIME TO REVISIT BARBARA KRUGER’S PAST, PRESENT AND A time to revisit Barbara Kruger’s past, present and Futura times. London's Skarstedt Gallery recently revisited the early works of the conceptual artist Barbara Kruger. The exhibition featured Kruger's seminal early works of the 1980s, the characteristic large-scale black and white photographs in an equally characteristic red enamel frame DANIEL BRITTON’S FONT WILL MAKE YOU FEEL WHAT DYSLEXIA IS Daniel Britton’s font will make you feel what dyslexia is all about. It took Daniel Britton 22 years to finish reading a book. “People who’ve never been dyslexic don’t understand what it’s like.” he says to CNN. He was diagnosed as a partial-dyslexic at a very young age “But no one understood it” he told Daily Mail. GLORIFYING ECLECTIC TYPOGRAPHY Font Sunday X Tony Pritchard award the Oscars of fonts ¶. Save the planet! The Climate Crisis is an OpenType variable font for all to own.
DALTON MAAG'S WIENER MELANGE BRAND NEW CUSTOM FONT FOR Oh, Vienna! The city which is known as much for its all-time-classic appeal as for its love for modernism now has a brand new custom font to accompany its everlasting elegance made by Dalton Maag.. Filled with regal Hapsburg-era palaces, stunning modernist buildings made by by Otto Wagner and Josef Hoffmann and a sense of Gustav Klimt written all over it, Vienna's stylish heritage is embodied THE 25 MOST ADMIRED TYPEFACES OF ALL TIME BY THOSE IN THE 9. Alternate Gothic. Morris Fuller Benton, 1903. Chosen 4 times. Designed for the American Typefounders Company (ATF). All three weights are bold and narrow. Currently used on YouTube’s homepage logo. “Very well designed and drawn. It’s a standard that I strive for in my own work” Mark Simonson. PARIS 2024: VARIABLE FONTS AND ART DECO FOR THE OLYMPICS Paris has unveiled a gold-medal-shaped emblem for the 2024 Olympics and Paralympic Games that incorporates the Olympic flame and the lips of Marianne.The new design, under the direction of creative agency Royalties Ecobranding, brings together three iconic symbols connected to sport, the Games and France.. The logo pays tribute to Paris as the host city of the Games, as its pure, VISABILITY93: MCCANN LONDON RAISES AWARENESS FOR INVISIBLE A call to all designers that is humane and kind. On the 50th anniversary of the International Symbol of Access (ISA), Visability93 is launching an icon font to inspire the design community to invent a universal symbol that represents all people with disabilities, visible or invisible – not just wheelchair users.. The ISA – the blue square overlaid in white with the outline of a person in a SOUTHBANK CENTRE’S “BRUTAL”REBRANDING IN A DECADE In 1948, the Labour Government of Clement Attlee announced plans to hold the Festival of Britain.It was meant to be a "Tonic to the Nation" following the ravages of the Second World War.Three years later Southbank Centre was built in 1951 as part of the Festival of Britain and the concert halls were originally funded and managed by the London County Council and their successors, the Greater GERARD UNGER'S THEORY OF TYPE DESIGN IS THE MUST-BUY BOOK Gerard Unger studied graphic design, typography and type design at the Gerrit Rietveld Academy, Amsterdam.He teaches as visiting professor at the University of Reading and taught at the Gerrit Rietveld Academy till January 2007.. From 2006 till 2012 he was Professor of Typography at Leiden University, the Netherlands, and has been a freelance designer since 1972. NICOLA YEOMAN’S HAND-BUILT TYPOGRAPHIC SCULPTURES ARE FOR Nicola Yeoman’s hand-built typographic sculptures are for real. Nicola Yeoman’s childhood spent growing up on a farm in North Yorkshire is a big influence on her work: the dens she made in barns are still evident in her work today as she builds sets that range from elaborate interiors, to junk yard sculptures and ethereal anddreamlike worlds.
PATRICK THOMAS & HIS PULP SILKSCREEN PRINTS RESPOND TO THE On Thursday 10 October at 19:00, Patrick Thomas, the graphic artist, and professor at Staatliche Akademie der Bildenden Künste Stuttgart will give a talk about his current exhibition on display at A—Z: the PULP series, and the wider political aspects of his practice. PULP is the title of a new body of work made by Thomas in response to the reality of living in an age of “truth decay.” BRUCE NAUMAN’S ENIGMATIC TEXT ART IS HAVING PARIS THRILLED Bruce Nauman’s enigmatic text art is having Paris thrilled all over again. 30 Nov / 2015 / Inspiration /. Beginning in the mid-1960s, Nauman exploited the ubiquity of neon signage to produce “art that would kind of disappear, an art that was supposed to not quite look like art.”. He created luminous wordplays that alluded to tensionsboth
GLORIFYING ECLECTIC TYPOGRAPHY Font Sunday X Tony Pritchard award the Oscars of fonts ¶. Save the planet! The Climate Crisis is an OpenType variable font for all to own.
DALTON MAAG'S WIENER MELANGE BRAND NEW CUSTOM FONT FOR Oh, Vienna! The city which is known as much for its all-time-classic appeal as for its love for modernism now has a brand new custom font to accompany its everlasting elegance made by Dalton Maag.. Filled with regal Hapsburg-era palaces, stunning modernist buildings made by by Otto Wagner and Josef Hoffmann and a sense of Gustav Klimt written all over it, Vienna's stylish heritage is embodied THE 25 MOST ADMIRED TYPEFACES OF ALL TIME BY THOSE IN THE 9. Alternate Gothic. Morris Fuller Benton, 1903. Chosen 4 times. Designed for the American Typefounders Company (ATF). All three weights are bold and narrow. Currently used on YouTube’s homepage logo. “Very well designed and drawn. It’s a standard that I strive for in my own work” Mark Simonson. PARIS 2024: VARIABLE FONTS AND ART DECO FOR THE OLYMPICS Paris has unveiled a gold-medal-shaped emblem for the 2024 Olympics and Paralympic Games that incorporates the Olympic flame and the lips of Marianne.The new design, under the direction of creative agency Royalties Ecobranding, brings together three iconic symbols connected to sport, the Games and France.. The logo pays tribute to Paris as the host city of the Games, as its pure, VISABILITY93: MCCANN LONDON RAISES AWARENESS FOR INVISIBLE A call to all designers that is humane and kind. On the 50th anniversary of the International Symbol of Access (ISA), Visability93 is launching an icon font to inspire the design community to invent a universal symbol that represents all people with disabilities, visible or invisible – not just wheelchair users.. The ISA – the blue square overlaid in white with the outline of a person in a SOUTHBANK CENTRE’S “BRUTAL”REBRANDING IN A DECADE In 1948, the Labour Government of Clement Attlee announced plans to hold the Festival of Britain.It was meant to be a "Tonic to the Nation" following the ravages of the Second World War.Three years later Southbank Centre was built in 1951 as part of the Festival of Britain and the concert halls were originally funded and managed by the London County Council and their successors, the Greater GERARD UNGER'S THEORY OF TYPE DESIGN IS THE MUST-BUY BOOK Gerard Unger studied graphic design, typography and type design at the Gerrit Rietveld Academy, Amsterdam.He teaches as visiting professor at the University of Reading and taught at the Gerrit Rietveld Academy till January 2007.. From 2006 till 2012 he was Professor of Typography at Leiden University, the Netherlands, and has been a freelance designer since 1972. NICOLA YEOMAN’S HAND-BUILT TYPOGRAPHIC SCULPTURES ARE FOR Nicola Yeoman’s hand-built typographic sculptures are for real. Nicola Yeoman’s childhood spent growing up on a farm in North Yorkshire is a big influence on her work: the dens she made in barns are still evident in her work today as she builds sets that range from elaborate interiors, to junk yard sculptures and ethereal anddreamlike worlds.
PATRICK THOMAS & HIS PULP SILKSCREEN PRINTS RESPOND TO THE On Thursday 10 October at 19:00, Patrick Thomas, the graphic artist, and professor at Staatliche Akademie der Bildenden Künste Stuttgart will give a talk about his current exhibition on display at A—Z: the PULP series, and the wider political aspects of his practice. PULP is the title of a new body of work made by Thomas in response to the reality of living in an age of “truth decay.” BRUCE NAUMAN’S ENIGMATIC TEXT ART IS HAVING PARIS THRILLED Bruce Nauman’s enigmatic text art is having Paris thrilled all over again. 30 Nov / 2015 / Inspiration /. Beginning in the mid-1960s, Nauman exploited the ubiquity of neon signage to produce “art that would kind of disappear, an art that was supposed to not quite look like art.”. He created luminous wordplays that alluded to tensionsboth
GLORIFYING ECLECTIC TYPOGRAPHY Font Sunday X Tony Pritchard award the Oscars of fonts ¶. Save the planet! The Climate Crisis is an OpenType variable font for all to own.
THE 25 MOST ADMIRED TYPEFACES OF ALL TIME BY THOSE IN THE 9. Alternate Gothic. Morris Fuller Benton, 1903. Chosen 4 times. Designed for the American Typefounders Company (ATF). All three weights are bold and narrow. Currently used on YouTube’s homepage logo. “Very well designed and drawn. It’s a standard that I strive for in my own work” Mark Simonson. EUROPEAN DESIGN AWARDS 2020: THE WINNERS, THE NUMBERS AND This year, the Netherlands managed to retain the top spot in the country listings with 5 golds, 9 silvers and 9 bronze awards. Norway was a strong contender but ended up in second place with 4 gold, 10 silver, and 14 bronze prizes, while Greece was a surprise at the third place with 3 gold, 7 silver, and 5 bronze prizes with Beetroot Design NO, A FONT CAN NOT BE RACIST: AN ONGOING REPORT No, a font can NOT be racist: an ongoing report. Been there, answered that! Once again the world needs to know: can a font be racist? Short answer is no. More via FOXNEWS: "Typography is language visualized. It documents cultural attitudes and narrates social change," said Sarah Hyndman, graphic designer and author of the book 'Why Fonts Matter PF MARLET: EDGY, ELEGANT & PROBABLY THE IDEAL FONT OF THE PF Marlet: Edgy, elegant & probably the ideal font of the month. In the event of Typography Guru's Font of The Month competition, we present you with a type system nominated for October, our beloved PF Marlet. “Marlet is a beautiful and inspiring set of typographic elements based on a minimal and simplistic approach to elegance. EDWARD JOHNSTON: LONDON UNDERGROUND UNVEILS MEMORIAL FOR On Monday, the 24th of June 2019, Transport for London unveiled its memorial to Edward Johnston, the iconic type designer and calligrapher, at Farringdon Station, Elizabeth Line.Designed by Fraser Muggeridge, the artwork extends along an entire wall in the station, and is inspired by the type pieces used in a printing press.The memorial which stretches on the upper passageway leading to the STANLEY KUBRICK AND A TYPEWRITER AFFAIR TO REMEMBER Stanley Kubrick was one of the many artists who used an Adler Tippa S typewriter for his scripts and of course, the typewriter is as ominous as ever in Kubrick's nightmarish masterpiece The Shining. A typewriter is a mechanical or electromechanical machine for writing characters similar to those produced by printer's movable type. ELLEN LUPTON: TOP TEN FAVORITE TYPOGRAPHIC POSTERS OF ALL Ellen Lupton: Top ten favorite typographic posters of all time. A graphic designer, a curator and a writer at heart Ellen Lupton “makes this industry smarter. If graphic design has a sense of its own history, an understanding of the theory that drives it and a voice for its continuing discourse, it’s largely because Lupton wrote it,thought
A TIME TO REVISIT BARBARA KRUGER’S PAST, PRESENT AND A time to revisit Barbara Kruger’s past, present and Futura times. London's Skarstedt Gallery recently revisited the early works of the conceptual artist Barbara Kruger. The exhibition featured Kruger's seminal early works of the 1980s, the characteristic large-scale black and white photographs in an equally characteristic red enamel frame DANIEL BRITTON’S FONT WILL MAKE YOU FEEL WHAT DYSLEXIA IS Daniel Britton’s font will make you feel what dyslexia is all about. It took Daniel Britton 22 years to finish reading a book. “People who’ve never been dyslexic don’t understand what it’s like.” he says to CNN. He was diagnosed as a partial-dyslexic at a very young age “But no one understood it” he told Daily Mail. THE 25 MOST ADMIRED TYPEFACES OF ALL TIME BY THOSE IN THEEXAMPLES OF ALL FONTSLIST OF ALL FONTSLIST OF SCRIPT FONTSLIST OF SERIF FONTS 9. Alternate Gothic. Morris Fuller Benton, 1903. Chosen 4 times. Designed for the American Typefounders Company (ATF). All three weights are bold and narrow. Currently used on YouTube’s homepage logo. “Very well designed and drawn. It’s a standard that I strive for in my own work” Mark Simonson. JAN TSCHICHOLD: THE FATHER OF MODERN TYPOGRAPHY IN HIS OWN Considered by many the father of modern typography, German calligrapher, type and book designer Jan Tschichold (1902-1974) revolutionized the craftsmanship of the letterform with asymmetrical brilliance breaking new ground in type design.. Inspired by the Bauhaus school of design which took the world by storm a century ago, Tschichold's use of sans-serif typography has shaped the graphic EDWARD JOHNSTON: LONDON UNDERGROUND UNVEILS MEMORIAL FOR On Monday, the 24th of June 2019, Transport for London unveiled its memorial to Edward Johnston, the iconic type designer and calligrapher, at Farringdon Station, Elizabeth Line.Designed by Fraser Muggeridge, the artwork extends along an entire wall in the station, and is inspired by the type pieces used in a printing press.The memorial which stretches on the upper passageway leading to the COVID-19: LI EDELKOORT AND THE RISE OF THE AGE OF THE COVID-19: Li Edelkoort and the rise of the Age of the Amateur. With the coronavirus epidemic disrupting the system as we know it, trend forecaster Li Edelkoort gave an insightful interview to Dezeen 's Marcus Fairs. Following her Quartz interview in which the world's influential trend forecaster said that "we should be very grateful forthe
A TIME TO REVISIT BARBARA KRUGER’S PAST, PRESENT ANDBARBARA KRUGER ARTISTIC STYLEBARBARA KRUGER GALLERYBARBARA KRUGER IMAGESBARBARAKRUGER INFO
A time to revisit Barbara Kruger’s past, present and Futura times. London's Skarstedt Gallery recently revisited the early works of the conceptual artist Barbara Kruger. The exhibition featured Kruger's seminal early works of the 1980s, the characteristic large-scale black and white photographs in an equally characteristic red enamel frame FONTS FOR FREEDOM: TYPOGRAPHY IS THE REAL WEAPONRY FOR Fonts for Freedom proves that typography is the real weaponry in taking a stand for a better world as the banning of newspapers and publishers is a threat to democracy's most valuable asset: the right to express opinions freely. Recently, by presenting the 2019 Gutenberg Prize to Fonts for Freedom, the book city of Leipzig paid tribute tothis
WHAT THEY DON’T TEACH YOU IN DESIGN SCHOOL: DOWNLOAD AIGA Student life is hard. Student life in the graphic design industry is even harder. To make any post-graduate life easier AIGA's Eye on Design has partnered with students at UT Austin’s School of Design + Creative Technologies for a zine that was so popular -it was sold out in in an hour!- that now is available for free in digital copy bypopular demand.
VISABILITY93: MCCANN LONDON RAISES AWARENESS FOR INVISIBLE A call to all designers that is humane and kind. On the 50th anniversary of the International Symbol of Access (ISA), Visability93 is launching an icon font to inspire the design community to invent a universal symbol that represents all people with disabilities, visible or invisible – not just wheelchair users.. The ISA – the blue square overlaid in white with the outline of a person in a FRANCO GRIGNANI: AN ODE TO THE ITALIAN ILLUSIONIST Born at Pieve Porto Morone, in the province of Pavia, Franco Grignani (February 4, 1908 – 20 February 1999) was an Italian architect, graphic designer, and artist. Grignani studied architecture in Turin between 1929 and 1933. Early on, he became absorbed in experimentations in photography, and in optic and visual phenomena andgradually he
REMEMBERING THE LEGACY OF GIANCARLO ILIPRANDI (1925-2016 September 15th 2016, was a sad day for the graphic design community. The distinguished and prolific Milan designer Giancarlo Iliprandi died at the age of 91 leaving behind a legacy of prominent vision. “When I started studying to become a graphic designer, there were no schools in Italy, so I had to learn by myself, buying books, buying Graphis and other magazines” he once said. THE 25 MOST ADMIRED TYPEFACES OF ALL TIME BY THOSE IN THEEXAMPLES OF ALL FONTSLIST OF ALL FONTSLIST OF SCRIPT FONTSLIST OF SERIF FONTS 9. Alternate Gothic. Morris Fuller Benton, 1903. Chosen 4 times. Designed for the American Typefounders Company (ATF). All three weights are bold and narrow. Currently used on YouTube’s homepage logo. “Very well designed and drawn. It’s a standard that I strive for in my own work” Mark Simonson. JAN TSCHICHOLD: THE FATHER OF MODERN TYPOGRAPHY IN HIS OWN Considered by many the father of modern typography, German calligrapher, type and book designer Jan Tschichold (1902-1974) revolutionized the craftsmanship of the letterform with asymmetrical brilliance breaking new ground in type design.. Inspired by the Bauhaus school of design which took the world by storm a century ago, Tschichold's use of sans-serif typography has shaped the graphic EDWARD JOHNSTON: LONDON UNDERGROUND UNVEILS MEMORIAL FOR On Monday, the 24th of June 2019, Transport for London unveiled its memorial to Edward Johnston, the iconic type designer and calligrapher, at Farringdon Station, Elizabeth Line.Designed by Fraser Muggeridge, the artwork extends along an entire wall in the station, and is inspired by the type pieces used in a printing press.The memorial which stretches on the upper passageway leading to the COVID-19: LI EDELKOORT AND THE RISE OF THE AGE OF THE COVID-19: Li Edelkoort and the rise of the Age of the Amateur. With the coronavirus epidemic disrupting the system as we know it, trend forecaster Li Edelkoort gave an insightful interview to Dezeen 's Marcus Fairs. Following her Quartz interview in which the world's influential trend forecaster said that "we should be very grateful forthe
A TIME TO REVISIT BARBARA KRUGER’S PAST, PRESENT ANDBARBARA KRUGER ARTISTIC STYLEBARBARA KRUGER GALLERYBARBARA KRUGER IMAGESBARBARAKRUGER INFO
A time to revisit Barbara Kruger’s past, present and Futura times. London's Skarstedt Gallery recently revisited the early works of the conceptual artist Barbara Kruger. The exhibition featured Kruger's seminal early works of the 1980s, the characteristic large-scale black and white photographs in an equally characteristic red enamel frame FONTS FOR FREEDOM: TYPOGRAPHY IS THE REAL WEAPONRY FOR Fonts for Freedom proves that typography is the real weaponry in taking a stand for a better world as the banning of newspapers and publishers is a threat to democracy's most valuable asset: the right to express opinions freely. Recently, by presenting the 2019 Gutenberg Prize to Fonts for Freedom, the book city of Leipzig paid tribute tothis
WHAT THEY DON’T TEACH YOU IN DESIGN SCHOOL: DOWNLOAD AIGA Student life is hard. Student life in the graphic design industry is even harder. To make any post-graduate life easier AIGA's Eye on Design has partnered with students at UT Austin’s School of Design + Creative Technologies for a zine that was so popular -it was sold out in in an hour!- that now is available for free in digital copy bypopular demand.
VISABILITY93: MCCANN LONDON RAISES AWARENESS FOR INVISIBLE A call to all designers that is humane and kind. On the 50th anniversary of the International Symbol of Access (ISA), Visability93 is launching an icon font to inspire the design community to invent a universal symbol that represents all people with disabilities, visible or invisible – not just wheelchair users.. The ISA – the blue square overlaid in white with the outline of a person in a FRANCO GRIGNANI: AN ODE TO THE ITALIAN ILLUSIONIST Born at Pieve Porto Morone, in the province of Pavia, Franco Grignani (February 4, 1908 – 20 February 1999) was an Italian architect, graphic designer, and artist. Grignani studied architecture in Turin between 1929 and 1933. Early on, he became absorbed in experimentations in photography, and in optic and visual phenomena andgradually he
REMEMBERING THE LEGACY OF GIANCARLO ILIPRANDI (1925-2016 September 15th 2016, was a sad day for the graphic design community. The distinguished and prolific Milan designer Giancarlo Iliprandi died at the age of 91 leaving behind a legacy of prominent vision. “When I started studying to become a graphic designer, there were no schools in Italy, so I had to learn by myself, buying books, buying Graphis and other magazines” he once said. GLORIFYING ECLECTIC TYPOGRAPHY Font Sunday X Tony Pritchard award the Oscars of fonts ¶. Save the planet! The Climate Crisis is an OpenType variable font for all to own.
COVID-19: LI EDELKOORT AND THE RISE OF THE AGE OF THE COVID-19: Li Edelkoort and the rise of the Age of the Amateur. With the coronavirus epidemic disrupting the system as we know it, trend forecaster Li Edelkoort gave an insightful interview to Dezeen 's Marcus Fairs. Following her Quartz interview in which the world's influential trend forecaster said that "we should be very grateful forthe
NO, A FONT CAN NOT BE RACIST: AN ONGOING REPORT No, a font can NOT be racist: an ongoing report. Been there, answered that! Once again the world needs to know: can a font be racist? Short answer is no. More via FOXNEWS: "Typography is language visualized. It documents cultural attitudes and narrates social change," said Sarah Hyndman, graphic designer and author of the book 'Why Fonts Matter WHAT THEY DON’T TEACH YOU IN DESIGN SCHOOL: DOWNLOAD AIGA Student life is hard. Student life in the graphic design industry is even harder. To make any post-graduate life easier AIGA's Eye on Design has partnered with students at UT Austin’s School of Design + Creative Technologies for a zine that was so popular -it was sold out in in an hour!- that now is available for free in digital copy bypopular demand.
GRAPHIC DESIGN EMAIL SCAM: A WARNING Graphic design email scam: a warning. 18 Nov / 2019 / Scanner /. “Do not take the logo-design bait” warns Eye on Design's Emily Gosling in her report “Gone Phishin’: What Graphic Designers Need to Know About a Weird Internet Scam Targeting Creatives.”. Gosling explores the scam which starts upon receiving text messages with design EUROPEAN DESIGN AWARDS 2020: THE WINNERS, THE NUMBERS AND This year, the Netherlands managed to retain the top spot in the country listings with 5 golds, 9 silvers and 9 bronze awards. Norway was a strong contender but ended up in second place with 4 gold, 10 silver, and 14 bronze prizes, while Greece was a surprise at the third place with 3 gold, 7 silver, and 5 bronze prizes with Beetroot Design REMEMBERING THE LEGACY OF GIANCARLO ILIPRANDI (1925-2016 September 15th 2016, was a sad day for the graphic design community. The distinguished and prolific Milan designer Giancarlo Iliprandi died at the age of 91 leaving behind a legacy of prominent vision. “When I started studying to become a graphic designer, there were no schools in Italy, so I had to learn by myself, buying books, buying Graphis and other magazines” he once said. IN GRID WE TRUST: EMIL RUDER AKA THE ICONIC PIONEER OF From 1946, Emil Ruder slowly emerged in Typografische Monatsblätter as an exponent of Modernism. Between 1957 and 1959 he contributed a series of four articles with the title 'Wesentliches' (Fundamentals): 'The Plane', 'The Line', 'The Word' and 'Rhythm'. They formed the basis of his thinking, summed up in 1967 in his magnum opus THE RELATION BETWEEN TYPOGRAPHY AND MUSIC GENRES The relation between typography and music genres, explained. Stop questioning yourself if there is a relationship between the typography used in the logo of different music bands with the type of music they play. The answer is plain and simple, the answer is yes. Although most of the times the logo of a band defines its genre it is the whole DALTON MAAG'S WIENER MELANGE BRAND NEW CUSTOM FONT FOR Oh, Vienna! The city which is known as much for its all-time-classic appeal as for its love for modernism now has a brand new custom font to accompany its everlasting elegance made by Dalton Maag.. Filled with regal Hapsburg-era palaces, stunning modernist buildings made by by Otto Wagner and Josef Hoffmann and a sense of Gustav Klimt written all over it, Vienna's stylish heritage is embodiedMenu
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MESSAGES FOR THE CITY: JENNY HOLZER & MORE ARTISTS HONOR NYC'S REAL SUPERHEROES AGAINST COVID-19 ¶ 21 hours ago / Scanner PETER SAVILLE ON JOY DIVISION’S UNKNOWN PLEASURES STELLAR COVERART ¶
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