Are you over 18 and want to see adult content?
More Annotations
A complete backup of picayuneitem.com
Are you over 18 and want to see adult content?
A complete backup of visitflorence.com
Are you over 18 and want to see adult content?
A complete backup of akhbarkolyoum.com
Are you over 18 and want to see adult content?
A complete backup of hgh-for-sale.org
Are you over 18 and want to see adult content?
A complete backup of digitalblasphemy.com
Are you over 18 and want to see adult content?
A complete backup of hiroshima-museum.jp
Are you over 18 and want to see adult content?
A complete backup of boekenbestellen.nl
Are you over 18 and want to see adult content?
Favourite Annotations
A complete backup of https://abandonware-magazines.org
Are you over 18 and want to see adult content?
A complete backup of https://rawfoodrecipes.com
Are you over 18 and want to see adult content?
A complete backup of https://newsroom.gy
Are you over 18 and want to see adult content?
A complete backup of https://stockholmcf.org
Are you over 18 and want to see adult content?
A complete backup of https://betaprofiles.com
Are you over 18 and want to see adult content?
A complete backup of https://bikebarn.com
Are you over 18 and want to see adult content?
A complete backup of https://pcmech.com
Are you over 18 and want to see adult content?
A complete backup of https://bonprix.sk
Are you over 18 and want to see adult content?
A complete backup of https://makarem.ir
Are you over 18 and want to see adult content?
A complete backup of https://watergatebay.co.uk
Are you over 18 and want to see adult content?
A complete backup of https://weddingday.bg
Are you over 18 and want to see adult content?
A complete backup of https://bluenap.es
Are you over 18 and want to see adult content?
Text
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
A reading list created by Travess Smalley. Labyrinths by Jorge Luis Borges (1964) A Primer of Visual Literacy by Donis A. Dondis (1973) The Virtual Window by Anne Friedberg (2006) Neuromancer by William Gibson (1984) Film After Film by J. Hoberman (2012) Passages in Modern Sculpture by Rosalind E. Krauss (1980) Post Internet by Gene McHugh (2011) Original Xerographies by Bruno Munari (1977)TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
A reading list created by Travess Smalley. Labyrinths by Jorge Luis Borges (1964) A Primer of Visual Literacy by Donis A. Dondis (1973) The Virtual Window by Anne Friedberg (2006) Neuromancer by William Gibson (1984) Film After Film by J. Hoberman (2012) Passages in Modern Sculpture by Rosalind E. Krauss (1980) Post Internet by Gene McHugh (2011) Original Xerographies by Bruno Munari (1977)TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
A reading list created by Travess Smalley. Labyrinths by Jorge Luis Borges (1964) A Primer of Visual Literacy by Donis A. Dondis (1973) The Virtual Window by Anne Friedberg (2006) Neuromancer by William Gibson (1984) Film After Film by J. Hoberman (2012) Passages in Modern Sculpture by Rosalind E. Krauss (1980) Post Internet by Gene McHugh (2011) Original Xerographies by Bruno Munari (1977)TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
A reading list created by Travess Smalley. Labyrinths by Jorge Luis Borges (1964) A Primer of Visual Literacy by Donis A. Dondis (1973) The Virtual Window by Anne Friedberg (2006) Neuromancer by William Gibson (1984) Film After Film by J. Hoberman (2012) Passages in Modern Sculpture by Rosalind E. Krauss (1980) Post Internet by Gene McHugh (2011) Original Xerographies by Bruno Munari (1977)TRAVESS SMALLEY
Travess Smalley
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
A reading list created by Travess Smalley. Labyrinths by Jorge Luis Borges (1964) A Primer of Visual Literacy by Donis A. Dondis (1973) The Virtual Window by Anne Friedberg (2006) Neuromancer by William Gibson (1984) Film After Film by J. Hoberman (2012) Passages in Modern Sculpture by Rosalind E. Krauss (1980) Post Internet by Gene McHugh (2011) Original Xerographies by Bruno Munari (1977)TRAVESS SMALLEY
Travess Smalley
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
The vocals came in, and the singer’s trills tugged him back to his youth in the city many years before. Humid sweat and smoke dance parties in long-vanished lofts, and dawn walks home across the steel bridge, when being up that late was something exhilarating andTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilize SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
A reading list created by Travess Smalley. Labyrinths by Jorge Luis Borges (1964) A Primer of Visual Literacy by Donis A. Dondis (1973) The Virtual Window by Anne Friedberg (2006) Neuromancer by William Gibson (1984) Film After Film by J. Hoberman (2012) Passages in Modern Sculpture by Rosalind E. Krauss (1980) Post Internet by Gene McHugh (2011) Original Xerographies by Bruno Munari (1977)TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, 23 APRIL 2015 TO 30 MAY 2015 improved. Like an abandoned building, it only decayed. All that was left of the original website was a neon blue background with small blinking stars and incomplete data tables of empty image SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as well FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilizeLOADING...
Loading Loading
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, 23 APRIL 2015 TO 30 MAY 2015 improved. Like an abandoned building, it only decayed. All that was left of the original website was a neon blue background with small blinking stars and incomplete data tables of empty image SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as well FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilizeLOADING...
Loading Loading
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comLOADING...
Loading Loading
TRAVESS SMALLEY
Created Date: 3/13/2009 5:25:39 PM SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as well IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, 23 APRIL 2015 TO 30 MAY 2015 improved. Like an abandoned building, it only decayed. All that was left of the original website was a neon blue background with small blinking stars and incomplete data tables of empty image FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilizeTRAVESS SMALLEY
Travess Smalley
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
BORGES LIBRARY OF BABEL Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, 23 APRIL 2015 TO 30 MAY 2015 improved. Like an abandoned building, it only decayed. All that was left of the original website was a neon blue background with small blinking stars and incomplete data tables of empty imageTRAVESS SMALLEY
Travess Smalley
SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comTRAVESS SMALLEY
Boris Groys, From Image to Image File—and Back: Art in the Age of Digitalization, 2008, essay PDF LinkTRAVESS SMALLEY
left: Capture Physical Presence #11, 2011, pigment print, 33.6 x 43.7 inches; right: Capture Physical Presence #5, 2011, pigment print, 31.1x 42.3 inches
BORGES LIBRARY OF BABEL Created Date: 3/13/2009 5:25:39 PM IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, 23 APRIL 2015 TO 30 MAY 2015 improved. Like an abandoned building, it only decayed. All that was left of the original website was a neon blue background with small blinking stars and incomplete data tables of empty imageTRAVESS SMALLEY
Travess Smalley
SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as wellLOADING...
Loading Loading
TRAVESS SMALLEY
Travess Smalley. I’m Travess Smalley. I’m an artist working with computation to make generative image systems. I’m interested in painting software, computer graphics, digital image making, and drawing. My artwork is represented by Foxy Production in New York and I’m currently teaching and studying towards a MFA in Digital + Mediaat
TRAVESS SMALLEY
Travess Smalley b. 1986 Huntington, WV currently in New York, NY Foxy Production studio@travesssmalley.comLOADING...
Loading Loading
BORGES LIBRARY OF BABEL Created Date: 3/13/2009 5:25:39 PM SCREEN SHOT 2014-02-11 AT 3.27.41 PM The Star Diaries produced a brief eclipse of the sun every eleven minutes and four seconds. To calm my nerves I calculated till evening the components of its trajectory, as well IN DEFENSE OF THE POOR IMAGE 32 33 The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, 23 APRIL 2015 TO 30 MAY 2015 improved. Like an abandoned building, it only decayed. All that was left of the original website was a neon blue background with small blinking stars and incomplete data tables of empty image FROM IMAGE TO IMAGE FILE—AND BACK: ART IN THE AGE OF Art in the Age of Digitalization any additional curatorial help to be exhibited, to be seen. But the question arises: Is the digital image also a strong image in the sense that it can stabilizeTRAVESS SMALLEY
Travess Smalley
Travess Smalley - Info Tuesday, March 17, 2020 12:00:26 AM Wild Clear Eye, 2019, Gouache and Ink on Paper, 20 x 30 in. (50.8 x76.2 cm)
Reaching Spiral, Chilly Soothsayer, 2017, Pigment Print, 19.5 x 15 in(48.5 x 38 cm)
✳ Slideshow 🌱
Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0