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MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ XOTIC AC BOOSTER COMP REVIEWVHT V-DRIVE REVIEW
OKKO DIABLO GAIN + REVIEW 4 ROLES GUITARS PLAY IN A BAND CONTEXTSEE MORE ON THOUGHTFULGUITARIST.COM A QUICK GUIDE TO BLENDING OVERDRIVE/DISTORTION/FUZZ PEDALS Badger Schism XV. I’ll write more on what particular combinations I got to try, but for now, let me share a few quick tips on how to blend overdrive/distortion/fuzz pedals. 1. Phase inversion switch is very important. A lot of parallel loop type pedal doesn’t have this, probably because its intention was to be a substitute for an amp’s XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM VIBRATO IS THE MOST IMPORTANT TECHNIQUE All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). THOUGHTFULGUITARIST.COM Riffy Seedlings 9 & 10: Melodic Intro-Like Riff & Groovy Finger-Picked Riff. This one will serve as a nice intro and melodic hook to a steady rock song in E minor. Watch the two G notes in the middle, one on D string and one on the open G string. After this intro you can justplay a
MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ XOTIC AC BOOSTER COMP REVIEWVHT V-DRIVE REVIEW
OKKO DIABLO GAIN + REVIEW 4 ROLES GUITARS PLAY IN A BAND CONTEXTSEE MORE ON THOUGHTFULGUITARIST.COM A QUICK GUIDE TO BLENDING OVERDRIVE/DISTORTION/FUZZ PEDALS Badger Schism XV. I’ll write more on what particular combinations I got to try, but for now, let me share a few quick tips on how to blend overdrive/distortion/fuzz pedals. 1. Phase inversion switch is very important. A lot of parallel loop type pedal doesn’t have this, probably because its intention was to be a substitute for an amp’s XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM VIBRATO IS THE MOST IMPORTANT TECHNIQUE All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ TECHNIQUE IS JUST ONE OF THE THREE IMPORTANT SKILLS. WHAT I was reading an interview of Joan Vilà, a famed soccer educator from Spain, one who had a hand in training many players at FC Barcelona, one of the best club teams in the world. He had observed s THE BEST PRACTICE SETUP ACCORDING TO TOMO FUJITA I’ve never taken a lesson from him but I always pay attention when the Japanese guitar master Tomo Fujita talks about best practices. He just has this uncanny ability to pick out kotsu — a Japanese word for hidden pointers that can make significant difference — when it comes to getting better on guitar. Here are some of the practice setup I incorporate into my exercising: GASPEDALS DUMBBELL REVIEW Gaspedals Dumbbell Review. Rarity is one of the factors that turn me on, but I don’t lust over any pedal just because it’s rare — I’ve never dished out $$$ on Klon or original Tube Screamer. It’s the sound that intrigues me first and foremost. The Dumble thing, though, is on my radar as a terrain to explore, mostly to see how that MAD PROFESSOR SIMBLE REVIEW Having just explored the Dumble territory with the rare Dumbbell pedal, I was intrigued to find that Mad Professor Simble came up in myPedalGenie queue.
ROCKETT ALLAN HOLDSWORTH OVERDRIVE REVIEW Ari Koinuma / December 11, 2012. Rockett Allan Holdsworth OD. “Smooth yet articulate’ is a description I’d like to hear about overdrives, because it is my ideal yet seems rather hard to achieve. To be articulate there must be a healthy dose of treble content, but it’s so easy to end up sounding harsh or strident. C. WHITNEY GUITARS DRAGON’S HEART PICK REVIEW I love guitar picks. Over the years I experimented with literally dozens of picks, and my guitar drawer is filled with them. I really need to give away my regular medium and heavy picks — as I WHY IS SINGLE-COIL PICKUP BETTER FOR DEVELOPING YOUR Simply put, if you want to develop this control over picking dynamics, single-coil pickups are better at forcing you to do so. Then, when you’re performing, you can turn on your dirt pedals and switch to higher-output pickups. It feels easier to play, and little imperfections in dynamics will get covered up — more forgiving andthus more
PAUL TROMBETTA DESIGN (PTD) MINI-BONE FUZZ PEDAL REVIEW Ari Koinuma / December 6, 2012. PTD Mini Bone v2. I’ve been interested in Paul Trombetta’s pedals for a while now — though admittedly, the ones I first noticed were his high-gain distortion designs (Knife and Blotto — do a search for them on YouTube). But I am casually looking to see if there’s any fuzz pedal that can do thedynamic
FINALLY, MORE OPTIONS AMONG PITCH-BENDING EFFECTS: A BIG I’ve always been interested in pitch bending effects. What can I say — I came of age in 90’s! Pitch bending is a new type of effect only made available by advance THOUGHTFULGUITARIST.COM Riffy Seedlings 9 & 10: Melodic Intro-Like Riff & Groovy Finger-Picked Riff. This one will serve as a nice intro and melodic hook to a steady rock song in E minor. Watch the two G notes in the middle, one on D string and one on the open G string. After this intro you can justplay a
MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ XOTIC AC BOOSTER COMP REVIEW OKKO DIABLO GAIN + REVIEW TRICKS UP YOUR SLEEVE: HOW MANY CAN YOU CALL UPON TO MAKE So, since the goal of mastering the guitar is to express yourself, generally speaking, the more expressions you have under your command, the more expressive you can be.. It’s like learning a language. If you can call up a wider variety of words, the more articulate you can be. The word “can” is the key, though — just knowing many wordsis enough.
4 ROLES GUITARS PLAY IN A BAND CONTEXTSEE MORE ON THOUGHTFULGUITARIST.COM XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM VIBRATO IS THE MOST IMPORTANT TECHNIQUE All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
FINALLY, MORE OPTIONS AMONG PITCH-BENDING EFFECTS: A BIG I’ve always been interested in pitch bending effects. What can I say — I came of age in 90’s! Pitch bending is a new type of effect only made available by advance HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). THOUGHTFULGUITARIST.COM Riffy Seedlings 9 & 10: Melodic Intro-Like Riff & Groovy Finger-Picked Riff. This one will serve as a nice intro and melodic hook to a steady rock song in E minor. Watch the two G notes in the middle, one on D string and one on the open G string. After this intro you can justplay a
MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ XOTIC AC BOOSTER COMP REVIEW OKKO DIABLO GAIN + REVIEW TRICKS UP YOUR SLEEVE: HOW MANY CAN YOU CALL UPON TO MAKE So, since the goal of mastering the guitar is to express yourself, generally speaking, the more expressions you have under your command, the more expressive you can be.. It’s like learning a language. If you can call up a wider variety of words, the more articulate you can be. The word “can” is the key, though — just knowing many wordsis enough.
4 ROLES GUITARS PLAY IN A BAND CONTEXTSEE MORE ON THOUGHTFULGUITARIST.COM XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM VIBRATO IS THE MOST IMPORTANT TECHNIQUE All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
FINALLY, MORE OPTIONS AMONG PITCH-BENDING EFFECTS: A BIG I’ve always been interested in pitch bending effects. What can I say — I came of age in 90’s! Pitch bending is a new type of effect only made available by advance HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). PRACTICE | THOUGHTFULGUITARIST.COM Earlier I reported that I was struggling with a wrist pain. Upon a little research and experimentation, I figured out what was going on. First, the facts: It always happens when I’m cold: when the weather turns cold (I live in Minnesota, USA) and my body in general gets cold easily And I’m trying to THE ULTIMATE GOAL OF MASTERING AN INSTRUMENT Is to be able to express oneself through your playing. Now, if you are a true master, then perhaps the ideal is to be able to play anythingand everything you
A QUICK GUIDE TO BLENDING OVERDRIVE/DISTORTION/FUZZ PEDALS Badger Schism XV. I’ll write more on what particular combinations I got to try, but for now, let me share a few quick tips on how to blend overdrive/distortion/fuzz pedals. 1. Phase inversion switch is very important. A lot of parallel loop type pedal doesn’t have this, probably because its intention was to be a substitute for an amp’s TRICKS UP YOUR SLEEVE: HOW MANY CAN YOU CALL UPON TO MAKE So, since the goal of mastering the guitar is to express yourself, generally speaking, the more expressions you have under your command, the more expressive you can be.. It’s like learning a language. If you can call up a wider variety of words, the more articulate you can be. The word “can” is the key, though — just knowing many wordsis enough.
DOING THE SIMPLE THINGS WELL Last weekend I accompanied my wife on an acoustic guitar while she thumbed through a few children’s songbook, singing to my tired-and-needed-to-wind-down children. And this little family eve WHAT’S YOUR ONE SENTENCE, GUITARIST? One of many things that stuck out of Drive by Daniel Pink (a great book about business and motivation) was the bit about One Sentence.. In 1962, Clare Boothe Luce, one of the first women to serve in the U.S. Congress, offered some advice to President John F. Kennedy. ALICE IN CHAINS AND SIMPLICITY I saw Alice in Chains live for the first time when they came to St. Paul on July 9. From this middle-aged man, those slightly older middle-aged men on stage seemed to be aging rather gracefully. THE BEST PRACTICE SETUP ACCORDING TO TOMO FUJITA I’ve never taken a lesson from him but I always pay attention when the Japanese guitar master Tomo Fujita talks about best practices. He just has this uncanny ability to pick out kotsu — a Japanese word for hidden pointers that can make significant difference — when it comes to getting better on guitar. Here are some of the practice setup I incorporate into my exercising: TECHNIQUE IS JUST ONE OF THE THREE IMPORTANT SKILLS. WHAT I was reading an interview of Joan Vilà, a famed soccer educator from Spain, one who had a hand in training many players at FC Barcelona, one of the best club teams in the world. He had observed s FINALLY, MORE OPTIONS AMONG PITCH-BENDING EFFECTS: A BIG I’ve always been interested in pitch bending effects. What can I say — I came of age in 90’s! Pitch bending is a new type of effect only made available by advance THOUGHTFULGUITARIST.COM Riffy Seedlings 9 & 10: Melodic Intro-Like Riff & Groovy Finger-Picked Riff. This one will serve as a nice intro and melodic hook to a steady rock song in E minor. Watch the two G notes in the middle, one on D string and one on the open G string. After this intro you can justplay a
MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ XOTIC AC BOOSTER COMP REVIEW OKKO DIABLO GAIN + REVIEW TRICKS UP YOUR SLEEVE: HOW MANY CAN YOU CALL UPON TO MAKE So, since the goal of mastering the guitar is to express yourself, generally speaking, the more expressions you have under your command, the more expressive you can be.. It’s like learning a language. If you can call up a wider variety of words, the more articulate you can be. The word “can” is the key, though — just knowing many wordsis enough.
4 ROLES GUITARS PLAY IN A BAND CONTEXTSEE MORE ON THOUGHTFULGUITARIST.COM XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM VIBRATO IS THE MOST IMPORTANT TECHNIQUE All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
FINALLY, MORE OPTIONS AMONG PITCH-BENDING EFFECTS: A BIG I’ve always been interested in pitch bending effects. What can I say — I came of age in 90’s! Pitch bending is a new type of effect only made available by advance HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). THOUGHTFULGUITARIST.COM Riffy Seedlings 9 & 10: Melodic Intro-Like Riff & Groovy Finger-Picked Riff. This one will serve as a nice intro and melodic hook to a steady rock song in E minor. Watch the two G notes in the middle, one on D string and one on the open G string. After this intro you can justplay a
MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ XOTIC AC BOOSTER COMP REVIEW OKKO DIABLO GAIN + REVIEW TRICKS UP YOUR SLEEVE: HOW MANY CAN YOU CALL UPON TO MAKE So, since the goal of mastering the guitar is to express yourself, generally speaking, the more expressions you have under your command, the more expressive you can be.. It’s like learning a language. If you can call up a wider variety of words, the more articulate you can be. The word “can” is the key, though — just knowing many wordsis enough.
4 ROLES GUITARS PLAY IN A BAND CONTEXTSEE MORE ON THOUGHTFULGUITARIST.COM XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM VIBRATO IS THE MOST IMPORTANT TECHNIQUE All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
FINALLY, MORE OPTIONS AMONG PITCH-BENDING EFFECTS: A BIG I’ve always been interested in pitch bending effects. What can I say — I came of age in 90’s! Pitch bending is a new type of effect only made available by advance HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). PRACTICE | THOUGHTFULGUITARIST.COM Earlier I reported that I was struggling with a wrist pain. Upon a little research and experimentation, I figured out what was going on. First, the facts: It always happens when I’m cold: when the weather turns cold (I live in Minnesota, USA) and my body in general gets cold easily And I’m trying to THE ULTIMATE GOAL OF MASTERING AN INSTRUMENT Is to be able to express oneself through your playing. Now, if you are a true master, then perhaps the ideal is to be able to play anythingand everything you
A QUICK GUIDE TO BLENDING OVERDRIVE/DISTORTION/FUZZ PEDALS Badger Schism XV. I’ll write more on what particular combinations I got to try, but for now, let me share a few quick tips on how to blend overdrive/distortion/fuzz pedals. 1. Phase inversion switch is very important. A lot of parallel loop type pedal doesn’t have this, probably because its intention was to be a substitute for an amp’s TRICKS UP YOUR SLEEVE: HOW MANY CAN YOU CALL UPON TO MAKE So, since the goal of mastering the guitar is to express yourself, generally speaking, the more expressions you have under your command, the more expressive you can be.. It’s like learning a language. If you can call up a wider variety of words, the more articulate you can be. The word “can” is the key, though — just knowing many wordsis enough.
DOING THE SIMPLE THINGS WELL Last weekend I accompanied my wife on an acoustic guitar while she thumbed through a few children’s songbook, singing to my tired-and-needed-to-wind-down children. And this little family eve WHAT’S YOUR ONE SENTENCE, GUITARIST? One of many things that stuck out of Drive by Daniel Pink (a great book about business and motivation) was the bit about One Sentence.. In 1962, Clare Boothe Luce, one of the first women to serve in the U.S. Congress, offered some advice to President John F. Kennedy. ALICE IN CHAINS AND SIMPLICITY I saw Alice in Chains live for the first time when they came to St. Paul on July 9. From this middle-aged man, those slightly older middle-aged men on stage seemed to be aging rather gracefully. THE BEST PRACTICE SETUP ACCORDING TO TOMO FUJITA I’ve never taken a lesson from him but I always pay attention when the Japanese guitar master Tomo Fujita talks about best practices. He just has this uncanny ability to pick out kotsu — a Japanese word for hidden pointers that can make significant difference — when it comes to getting better on guitar. Here are some of the practice setup I incorporate into my exercising: TECHNIQUE IS JUST ONE OF THE THREE IMPORTANT SKILLS. WHAT I was reading an interview of Joan Vilà, a famed soccer educator from Spain, one who had a hand in training many players at FC Barcelona, one of the best club teams in the world. He had observed s FINALLY, MORE OPTIONS AMONG PITCH-BENDING EFFECTS: A BIG I’ve always been interested in pitch bending effects. What can I say — I came of age in 90’s! Pitch bending is a new type of effect only made available by advance THOUGHTFULGUITARIST.COM I was aware of Oddfellow Caveman pedals when it burst onto the scene a couple of years ago at TheGearPage.net. I saw some early videos and heard very smooth, sustain-y MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ THE BEST PRACTICE SETUP ACCORDING TO TOMO FUJITA I’ve never taken a lesson from him but I always pay attention when the Japanese guitar master Tomo Fujita talks about best practices. He just has this uncanny ability to pick out kotsu — a Japanese word for hidden pointers that can make significant difference — when it comes to getting better on guitar. Here are some of the practice setup I incorporate into my exercising: OKKO DIABLO GAIN + REVIEW XOTIC AC BOOSTER COMP REVIEW VIBRATO IS THE MOST IMPORTANT TECHNIQUEIS VIBRATO NATURALWHAT IS VIBRATO EFFECTWHAT IS VIBRATO IN VOICEWHAT IS VIBRATO MUSICWHAT IS VIBRATO ON GUITARWHAT IS VIBRATO VIOLIN All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM ROCKETT ALLAN HOLDSWORTH OVERDRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COMALLAN HOLDSWORTH BOOKALLAN HOLDSWORTH WIFEALLAN HOLDSWORTH DISCOGRAPHYALLAN HOLDSWORTH WIKI WHY IS SINGLE-COIL PICKUP BETTER FOR DEVELOPING YOUR Well, thank you for asking. :-) What follows is my own theory about why single-coil pickups have a greater dynamics range and thus forces you to develop better control over your dynamics. I̵ HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). THOUGHTFULGUITARIST.COM I was aware of Oddfellow Caveman pedals when it burst onto the scene a couple of years ago at TheGearPage.net. I saw some early videos and heard very smooth, sustain-y MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ THE BEST PRACTICE SETUP ACCORDING TO TOMO FUJITA I’ve never taken a lesson from him but I always pay attention when the Japanese guitar master Tomo Fujita talks about best practices. He just has this uncanny ability to pick out kotsu — a Japanese word for hidden pointers that can make significant difference — when it comes to getting better on guitar. Here are some of the practice setup I incorporate into my exercising: OKKO DIABLO GAIN + REVIEW XOTIC AC BOOSTER COMP REVIEW VIBRATO IS THE MOST IMPORTANT TECHNIQUEIS VIBRATO NATURALWHAT IS VIBRATO EFFECTWHAT IS VIBRATO IN VOICEWHAT IS VIBRATO MUSICWHAT IS VIBRATO ON GUITARWHAT IS VIBRATO VIOLIN All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM ROCKETT ALLAN HOLDSWORTH OVERDRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COMALLAN HOLDSWORTH BOOKALLAN HOLDSWORTH WIFEALLAN HOLDSWORTH DISCOGRAPHYALLAN HOLDSWORTH WIKI WHY IS SINGLE-COIL PICKUP BETTER FOR DEVELOPING YOUR Well, thank you for asking. :-) What follows is my own theory about why single-coil pickups have a greater dynamics range and thus forces you to develop better control over your dynamics. I̵ HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). ABOUT | THOUGHTFULGUITARIST.COM My name is Ari Koinuma. I love guitars. I particularly love electric guitars — Strat-style ones with single coil pickups, to be exact, though I have dreams of designing and putting together MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ BLOG | THOUGHTFULGUITARIST.COM GASPEDALS DUMBBELL REVIEW Rarity is one of the factors that turn me on, but I don’t lust over any pedal just because it’s rare — I’ve never dished out $$$ on Klon or original Tube Screamer. It’ A QUICK GUIDE TO BLENDING OVERDRIVE/DISTORTION/FUZZ PEDALS I’ll write more on what particular combinations I got to try, but for now, let me share a few quick tips on how to blend overdrive/distortion/fuzz pedals. MI AUDIO TUBE ZONE REVIEW I had always thought that MI Audio Tube Zone was a high-gain distortion pedal. And it is. But then one day I learned that the Gain knob has a special taper, that allows you to finely tune in on itslow-gain range.
TRICKS UP YOUR SLEEVE: HOW MANY CAN YOU CALL UPON TO MAKE So, since the goal of mastering the guitar is to express yourself, generally speaking, the more expressions you have under your command, the more expressive you can be.. It’s like learning a language. If you can call up a wider variety of words, the more articulate you can be. The word “can” is the key, though — just knowing many wordsis enough.
TECHNIQUE IS JUST ONE OF THE THREE IMPORTANT SKILLS. WHAT I was reading an interview of Joan Vilà, a famed soccer educator from Spain, one who had a hand in training many players at FC Barcelona, one of the best club teams in the world. He had observed s 4 ROLES GUITARS PLAY IN A BAND CONTEXT I didn’t mean to turn this blog into just a bunch of pedal reviews, though that’s most of what I’ve been doing lately. So here’s a thought piece from a songwriting/arranging point of view — 4 roles guitars play in a band context. PAUL TROMBETTA DESIGN (PTD) MINI-BONE FUZZ PEDAL REVIEW Sound. So therein lies the multiple faces of this pedal. With the range set to low gain, gain low and Mood and Bore also set counter-clockwise, this thing is like a dynamic overdrive pedal. THOUGHTFULGUITARIST.COM I was aware of Oddfellow Caveman pedals when it burst onto the scene a couple of years ago at TheGearPage.net. I saw some early videos and heard very smooth, sustain-y MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ THE BEST PRACTICE SETUP ACCORDING TO TOMO FUJITA I’ve never taken a lesson from him but I always pay attention when the Japanese guitar master Tomo Fujita talks about best practices. He just has this uncanny ability to pick out kotsu — a Japanese word for hidden pointers that can make significant difference — when it comes to getting better on guitar. Here are some of the practice setup I incorporate into my exercising: OKKO DIABLO GAIN + REVIEW XOTIC AC BOOSTER COMP REVIEW VIBRATO IS THE MOST IMPORTANT TECHNIQUEIS VIBRATO NATURALWHAT IS VIBRATO EFFECTWHAT IS VIBRATO IN VOICEWHAT IS VIBRATO MUSICWHAT IS VIBRATO ON GUITARWHAT IS VIBRATO VIOLIN All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM ROCKETT ALLAN HOLDSWORTH OVERDRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COMALLAN HOLDSWORTH BOOKALLAN HOLDSWORTH WIFEALLAN HOLDSWORTH DISCOGRAPHYALLAN HOLDSWORTH WIKI WHY IS SINGLE-COIL PICKUP BETTER FOR DEVELOPING YOUR Well, thank you for asking. :-) What follows is my own theory about why single-coil pickups have a greater dynamics range and thus forces you to develop better control over your dynamics. I̵ HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). THOUGHTFULGUITARIST.COM I was aware of Oddfellow Caveman pedals when it burst onto the scene a couple of years ago at TheGearPage.net. I saw some early videos and heard very smooth, sustain-y MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ THE BEST PRACTICE SETUP ACCORDING TO TOMO FUJITA I’ve never taken a lesson from him but I always pay attention when the Japanese guitar master Tomo Fujita talks about best practices. He just has this uncanny ability to pick out kotsu — a Japanese word for hidden pointers that can make significant difference — when it comes to getting better on guitar. Here are some of the practice setup I incorporate into my exercising: OKKO DIABLO GAIN + REVIEW XOTIC AC BOOSTER COMP REVIEW VIBRATO IS THE MOST IMPORTANT TECHNIQUEIS VIBRATO NATURALWHAT IS VIBRATO EFFECTWHAT IS VIBRATO IN VOICEWHAT IS VIBRATO MUSICWHAT IS VIBRATO ON GUITARWHAT IS VIBRATO VIOLIN All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM ROCKETT ALLAN HOLDSWORTH OVERDRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COMALLAN HOLDSWORTH BOOKALLAN HOLDSWORTH WIFEALLAN HOLDSWORTH DISCOGRAPHYALLAN HOLDSWORTH WIKI WHY IS SINGLE-COIL PICKUP BETTER FOR DEVELOPING YOUR Well, thank you for asking. :-) What follows is my own theory about why single-coil pickups have a greater dynamics range and thus forces you to develop better control over your dynamics. I̵ HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). ABOUT | THOUGHTFULGUITARIST.COM My name is Ari Koinuma. I love guitars. I particularly love electric guitars — Strat-style ones with single coil pickups, to be exact, though I have dreams of designing and putting together MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ BLOG | THOUGHTFULGUITARIST.COM GASPEDALS DUMBBELL REVIEW Rarity is one of the factors that turn me on, but I don’t lust over any pedal just because it’s rare — I’ve never dished out $$$ on Klon or original Tube Screamer. It’ A QUICK GUIDE TO BLENDING OVERDRIVE/DISTORTION/FUZZ PEDALS I’ll write more on what particular combinations I got to try, but for now, let me share a few quick tips on how to blend overdrive/distortion/fuzz pedals. MI AUDIO TUBE ZONE REVIEW I had always thought that MI Audio Tube Zone was a high-gain distortion pedal. And it is. But then one day I learned that the Gain knob has a special taper, that allows you to finely tune in on itslow-gain range.
TRICKS UP YOUR SLEEVE: HOW MANY CAN YOU CALL UPON TO MAKE So, since the goal of mastering the guitar is to express yourself, generally speaking, the more expressions you have under your command, the more expressive you can be.. It’s like learning a language. If you can call up a wider variety of words, the more articulate you can be. The word “can” is the key, though — just knowing many wordsis enough.
TECHNIQUE IS JUST ONE OF THE THREE IMPORTANT SKILLS. WHAT I was reading an interview of Joan Vilà, a famed soccer educator from Spain, one who had a hand in training many players at FC Barcelona, one of the best club teams in the world. He had observed s 4 ROLES GUITARS PLAY IN A BAND CONTEXT I didn’t mean to turn this blog into just a bunch of pedal reviews, though that’s most of what I’ve been doing lately. So here’s a thought piece from a songwriting/arranging point of view — 4 roles guitars play in a band context. PAUL TROMBETTA DESIGN (PTD) MINI-BONE FUZZ PEDAL REVIEW Sound. So therein lies the multiple faces of this pedal. With the range set to low gain, gain low and Mood and Bore also set counter-clockwise, this thing is like a dynamic overdrive pedal. THOUGHTFULGUITARIST.COM I was aware of Oddfellow Caveman pedals when it burst onto the scene a couple of years ago at TheGearPage.net. I saw some early videos and heard very smooth, sustain-y MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ THE BEST PRACTICE SETUP ACCORDING TO TOMO FUJITA I’ve never taken a lesson from him but I always pay attention when the Japanese guitar master Tomo Fujita talks about best practices. He just has this uncanny ability to pick out kotsu — a Japanese word for hidden pointers that can make significant difference — when it comes to getting better on guitar. Here are some of the practice setup I incorporate into my exercising: OKKO DIABLO GAIN + REVIEW XOTIC AC BOOSTER COMP REVIEW VIBRATO IS THE MOST IMPORTANT TECHNIQUEIS VIBRATO NATURALWHAT IS VIBRATO EFFECTWHAT IS VIBRATO IN VOICEWHAT IS VIBRATO MUSICWHAT IS VIBRATO ON GUITARWHAT IS VIBRATO VIOLIN All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM ROCKETT ALLAN HOLDSWORTH OVERDRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COMALLAN HOLDSWORTH BOOKALLAN HOLDSWORTH WIFEALLAN HOLDSWORTH DISCOGRAPHYALLAN HOLDSWORTH WIKI WHY IS SINGLE-COIL PICKUP BETTER FOR DEVELOPING YOUR Well, thank you for asking. :-) What follows is my own theory about why single-coil pickups have a greater dynamics range and thus forces you to develop better control over your dynamics. I̵ HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). THOUGHTFULGUITARIST.COM I was aware of Oddfellow Caveman pedals when it burst onto the scene a couple of years ago at TheGearPage.net. I saw some early videos and heard very smooth, sustain-y MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ THE BEST PRACTICE SETUP ACCORDING TO TOMO FUJITA I’ve never taken a lesson from him but I always pay attention when the Japanese guitar master Tomo Fujita talks about best practices. He just has this uncanny ability to pick out kotsu — a Japanese word for hidden pointers that can make significant difference — when it comes to getting better on guitar. Here are some of the practice setup I incorporate into my exercising: OKKO DIABLO GAIN + REVIEW XOTIC AC BOOSTER COMP REVIEW VIBRATO IS THE MOST IMPORTANT TECHNIQUEIS VIBRATO NATURALWHAT IS VIBRATO EFFECTWHAT IS VIBRATO IN VOICEWHAT IS VIBRATO MUSICWHAT IS VIBRATO ON GUITARWHAT IS VIBRATO VIOLIN All right, here is a rant, more than anything: Vibrato is the most important technique for all soloing guitarists, except classical. (Well, it’s important in classical, too, though perhaps not the most important). By that, I mean finger vibrato, not the kind you do withyour tremolo.
XACT TONE SOLUTIONS (XTS) IMPERIAL DRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COM ROCKETT ALLAN HOLDSWORTH OVERDRIVE REVIEWSEE MORE ON THOUGHTFULGUITARIST.COMALLAN HOLDSWORTH BOOKALLAN HOLDSWORTH WIFEALLAN HOLDSWORTH DISCOGRAPHYALLAN HOLDSWORTH WIKI WHY IS SINGLE-COIL PICKUP BETTER FOR DEVELOPING YOUR Well, thank you for asking. :-) What follows is my own theory about why single-coil pickups have a greater dynamics range and thus forces you to develop better control over your dynamics. I̵ HOW THIS GUITARIST REVERSED THE ONSET OF A CUBITAL TUNNEL Hi Grant, Thanks for the comment. But I’m sorry, it’s been so long that I don’t remember. I didn’t really continue B6 and my elbow’s been fine, so I don’t think it’s as essential as other pieces (unless you’re totally like malnutritioned or something). ABOUT | THOUGHTFULGUITARIST.COM My name is Ari Koinuma. I love guitars. I particularly love electric guitars — Strat-style ones with single coil pickups, to be exact, though I have dreams of designing and putting together MY GEAR | THOUGHTFULGUITARIST.COM Here is the equipment I currently use. Detailed descriptions are listed further down this page. 1989 Fender ’57 re-issue Stratocastor 1980 Ibanez Blazer 1989 Martin D-16M 1982 Gibson “ BLOG | THOUGHTFULGUITARIST.COM GASPEDALS DUMBBELL REVIEW Rarity is one of the factors that turn me on, but I don’t lust over any pedal just because it’s rare — I’ve never dished out $$$ on Klon or original Tube Screamer. It’ A QUICK GUIDE TO BLENDING OVERDRIVE/DISTORTION/FUZZ PEDALS I’ll write more on what particular combinations I got to try, but for now, let me share a few quick tips on how to blend overdrive/distortion/fuzz pedals. MI AUDIO TUBE ZONE REVIEW I had always thought that MI Audio Tube Zone was a high-gain distortion pedal. And it is. But then one day I learned that the Gain knob has a special taper, that allows you to finely tune in on itslow-gain range.
TRICKS UP YOUR SLEEVE: HOW MANY CAN YOU CALL UPON TO MAKE So, since the goal of mastering the guitar is to express yourself, generally speaking, the more expressions you have under your command, the more expressive you can be.. It’s like learning a language. If you can call up a wider variety of words, the more articulate you can be. The word “can” is the key, though — just knowing many wordsis enough.
TECHNIQUE IS JUST ONE OF THE THREE IMPORTANT SKILLS. WHAT I was reading an interview of Joan Vilà, a famed soccer educator from Spain, one who had a hand in training many players at FC Barcelona, one of the best club teams in the world. He had observed s 4 ROLES GUITARS PLAY IN A BAND CONTEXT I didn’t mean to turn this blog into just a bunch of pedal reviews, though that’s most of what I’ve been doing lately. So here’s a thought piece from a songwriting/arranging point of view — 4 roles guitars play in a band context. PAUL TROMBETTA DESIGN (PTD) MINI-BONE FUZZ PEDAL REVIEW Sound. So therein lies the multiple faces of this pedal. With the range set to low gain, gain low and Mood and Bore also set counter-clockwise, this thing is like a dynamic overdrive pedal. THOUGHTFULGUITARIST.COM I STRUM, THEREFORE I AM.MENU
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GUITAR SONGWRITING: HOW TO CREATE INTERESTING CHORDS Tired of the same old D-G-A songs? Here’s an easy method for creating a brand new chord and using it in a chord progression. Basically, you take a traditional chord, move one finger by one fret. Go back and forth between the regular chord and its one-note-altered variation. Then slide the variation to somewhere else… Continue reading →Gear Review
ODDFELLOW EFFECTS CAVEMAN OVERDRIVE V2 REVIEW I was aware of Oddfellow Caveman pedals when it burst onto the scene a couple of years ago at TheGearPage.net. I saw some early videos and heard very smooth, sustain-y overdrive coaxed from a Strat. I knew I had to try this pedal. But months flew by and there was a controversy or two about the…Gear Review
CATALINBREAD KARMA SUTURE REVIEW You’d think that the only thing that matters with guitar pedals is how they sound. And that definitely is one of the most critical elements — but other factors matter, too. User experience (that relates to how the knobs and jacks are laid out and labeled) and expectation-setting (marketing, naming, pricing) play big roles in…Riffy Seedlings
/
Songwriting
SONG SEEDLINGS 21 & 22: AN OLD-SCHOOL BLUES + INTRO, HAPPY, UP-BEATSTRUMMING IN A
This blues tune is so simple that I’m wondering if I’m just creating a variation of a melody/motif I heard somewhere else. Nevertheless, it’s catchy and actually not as easy as it looks (as evidenced by my struggling). If you’re not used to the classic call & response structure, this is an excellent piece…Riffy Seedlings
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Songwriting
SONG SEEDLINGS 19 & 20: A STATIC, ANTICIPATION RIFF IN EM & AN ASCENDING BUILD-UP RIFF IN AM When it comes to guitar riffs, more often than not, the power lies in simplicity. When you have less notes, you end up creating interests out of rhythm. And rhythm is the most primal element of music, music with interesting rhythm is always interesting. This finger-picked riff is so simple yet addictingly groovy, as… SONG SEEDLINGS 17 & 18: WARM & POIGNANT CHORDS IN D, A PLUMMETING HARD-ROCK RIFF IN EM Can you recognize that this is a very simple progression that involves D-Bm-A? Give them new chord voicings and tried-and-true chords can still sound fresh enough to inspire a song — listen to the contrast when I switch to the “regular” way these chords are played. There’s so much smooth yet poignant vibe here that…June 2, 2015
in Riffy Seedlings
,
Songwriting .
MAD PROFESSOR SIMBLE REVIEW Having just explored the Dumble territory with the rare Dumbbell pedal, I was intrigued to find that Mad Professor Simble came up in my PedalGenie queue. This is one of the newest and a well-respected entry in the playing field. How does it stack up? Features This is a four-knob overdrive but instead of my…May 20, 2015
in Gear Review
.
SONG SEEDLINGS 15 & 16: A FUNK WORKOUT IN EM & A PROPELLING ROCK RIFFIN BM
This simple single-note funk pattern has a lot of potential for variations — I’m demonstrating some of them here, by harmonizing some of the notes, and change how I would harmonize. When practicing a riff like this, it’s very important that it doesn’t sound rushed, so pay attention to the space between the notes. Now this…May 18, 2015
in Riffy Seedlings
,
Songwriting .
BEARFOOT EMERALD GREEN DISTORTION MARCHINE REVIEW This is the first of the pedals I’ll be reviewing that I’m renting from PedalGenie.com. I’ll write a review about their service after I have a few rounds. I put this pedal in the wishlist mostly because I recently realized how awesome Tech21’s Liverpool pedal is, and wanted to compare with another pedal that was…May 6, 2015
in Gear Review
.
SONG SEEDLINGS 13 & 14: DRIVING VERSE-CHORUS PAIR IN EM & PASTORAL “WALKING” ARPEGGIOS IN AM This riff starts out fairly straight forward, but as it transitions to the chorus it adds more and more twists, concluding with a really surprising chord. That adding of interest keeps you engaged enough that when you go through it once you’re ready to hear it all over again. The verse is essentially a predictable…May 5, 2015
in Riffy Seedlings
,
Songwriting .
RIFFY SEEDLING 11 & 12: A DRIVING HARD-ROCK RIFF & AN AMBIGUOUSASCENDING RIFF
The notes and chords here are pretty traditional here, but the eighth notes on E and the slide from G to A (sometimes harmonized) gives this riff a propelling momentum. I tried going from C to D some of the time but I think this riff is better sticking to the C-Bmove, which…
April 30, 2015
in Riffy Seedlings
.
RIFFY SEEDLINGS 9 & 10: MELODIC INTRO-LIKE RIFF & GROOVY FINGER-PICKEDRIFF
This one will serve as a nice intro and melodic hook to a steady rock song in E minor. Watch the two G notes in the middle, one on D string and one on the open G string. After this intro you can just play a partial figure of that melodic line — repeating…April 23, 2015
in Riffy Seedlings
.
RIFFY SEEDLINGS 7 & 8: SUSPENSEFUL ARPEGGIO & BOUNCY SINGLE-NOTE RIFF The 9th note in a minor chord always brings out tension, so even though the very first chord here is GMaj7 — a smooth chord — the bass note quickly going down to E to make the whole 1st section stay in Em tonality. Then it goes to A but again the F# persists to…April 16, 2015
in Riffy Seedlings
.
GASPEDALS DUMBBELL REVIEW Rarity is one of the factors that turn me on, but I don’t lust over any pedal just because it’s rare — I’ve never dished out $$$ on Klon or original Tube Screamer. It’s the sound that intrigues me first and foremost. The Dumble thing, though, is on my radar as a terrain to explore,…April 16, 2015
in Gear Review
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