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THE THIEF
was the art director on the Thief, a master layout designer, scene. planning wizard and a main collaborator of Richard Williams since the. early sixties. A genius at his work, he was also most kind, patient. and generous. Not restrained by the limitations of classical three dimensional. space, his 2D flights of fancy, by ignoring reality and THE THIEF: INTO THE CITY (UPDATED) The city in which much of "The Thief" takes place was depicted in many backgrounds in the film, and among the most spectacular was a large painting by Errol Le Cain of the whole city on a hill. The palace in its grounds surrounded by a moat is seen here in this detail. The whole painting was probably about 6 feet wide. THE THIEF: THE INTERESTING BREAKDOWN Art Babbitt was a pioneer of the eccentric walk, just think of what he gave us with Goofy in “Moving Day”. One approach Dick talked about was to create your contact positions for the walk, which could be fairly normal, but then you create a passing position as THE INTERESTING BREAKDOWN, where you pose your character in an unexpectedway.
THE THIEF: THE ANIMATOR'S SURVIVAL KIT The Animator's Survival Kit - Expanded Edition. The major text book of the animation trade has just been updated. In the DVD version of "The Animator's Survival Kit", Dick had already added more material than what had been in the first edition of the book. Now the good news is that after finishing the DVDs, Dick went back to work on a new THE THIEF: MASTER ANIMATOR Dick is profiled in the UK Guardian to promote the release of his Masterclass app The big news: "He and Mo are taking advantage of technical advances to digitally restore his archives. He is also working on a new "big film" ("the subtitle is: 'will I live to finishit'").
THE THIEF: COBBLER AND ERROL Cobbler and Errol. This is the first Cobbler scene, second scene in the movie, right after the opening. This first image is from Art Babbitt's original linetest. It was re-animated, probably by Alex Williams, who did a lot of the Cobbler scenes. Jerry Verschoor was Alex's assistant for most of the film, so I would guess that he workedon this
THE THIEF: THE DYING MESSENGER, PART 2 The Dying Messenger, Part 2. Here is part 2 of the interview with Tash. This is the 2nd Dying Messenger scene. It's animated in slow motion to suggest that it's part of King Nod's dream. Holger: I remember seeing this second scene of yours at the linetester, at normal speed initially. It might have been one of the times where Dickliked a test
THE THIEF: 25TH ANNIVERSARY AT THE STAR AND GARTER Thanks to Michael and Sharon for organizing it and letting me stay at their amazing house. Thanks to everyone who showed up. It was a blast. More pictures to follow, I am sure - for now a little taste thanks toSimon Maddocks
THE THIEF: GUEST BLOGGER BRIAN RILEY: Guest blogger Brian Riley: This just came in from cameraman Brian Riley. I thought I'll post it right away as it responds to Michael's post. I hope Don Hertzfeld will come across this blog one day as he is one of the few animators I know of who still use real film. Now, Brian Riley: “Bumped into Paul Dilworth (literally) on the football pitch THE THIEF: UK SCREENING OF 'THE THIEF & THE COBBLER: A Here's a recent interview with Williams link Cartoon Brew highlighted the event and the comments section raised some interesting rumours: 'A very reliable source (who I don't want to name since it's not my place to do so but he worked *very* closely with Williams on The Thief) told me that Williams intended to cut the workprint version of the film, and edit it down to make it far tighter thanTHE THIEF
was the art director on the Thief, a master layout designer, scene. planning wizard and a main collaborator of Richard Williams since the. early sixties. A genius at his work, he was also most kind, patient. and generous. Not restrained by the limitations of classical three dimensional. space, his 2D flights of fancy, by ignoring reality and THE THIEF: INTO THE CITY (UPDATED) The city in which much of "The Thief" takes place was depicted in many backgrounds in the film, and among the most spectacular was a large painting by Errol Le Cain of the whole city on a hill. The palace in its grounds surrounded by a moat is seen here in this detail. The whole painting was probably about 6 feet wide. THE THIEF: THE INTERESTING BREAKDOWN Art Babbitt was a pioneer of the eccentric walk, just think of what he gave us with Goofy in “Moving Day”. One approach Dick talked about was to create your contact positions for the walk, which could be fairly normal, but then you create a passing position as THE INTERESTING BREAKDOWN, where you pose your character in an unexpectedway.
THE THIEF: THE ANIMATOR'S SURVIVAL KIT The Animator's Survival Kit - Expanded Edition. The major text book of the animation trade has just been updated. In the DVD version of "The Animator's Survival Kit", Dick had already added more material than what had been in the first edition of the book. Now the good news is that after finishing the DVDs, Dick went back to work on a new THE THIEF: MASTER ANIMATOR Dick is profiled in the UK Guardian to promote the release of his Masterclass app The big news: "He and Mo are taking advantage of technical advances to digitally restore his archives. He is also working on a new "big film" ("the subtitle is: 'will I live to finishit'").
THE THIEF: COBBLER AND ERROL Cobbler and Errol. This is the first Cobbler scene, second scene in the movie, right after the opening. This first image is from Art Babbitt's original linetest. It was re-animated, probably by Alex Williams, who did a lot of the Cobbler scenes. Jerry Verschoor was Alex's assistant for most of the film, so I would guess that he workedon this
THE THIEF: THE DYING MESSENGER, PART 2 The Dying Messenger, Part 2. Here is part 2 of the interview with Tash. This is the 2nd Dying Messenger scene. It's animated in slow motion to suggest that it's part of King Nod's dream. Holger: I remember seeing this second scene of yours at the linetester, at normal speed initially. It might have been one of the times where Dickliked a test
THE THIEF: 25TH ANNIVERSARY AT THE STAR AND GARTER Thanks to Michael and Sharon for organizing it and letting me stay at their amazing house. Thanks to everyone who showed up. It was a blast. More pictures to follow, I am sure - for now a little taste thanks toSimon Maddocks
THE THIEF: GUEST BLOGGER BRIAN RILEY: Guest blogger Brian Riley: This just came in from cameraman Brian Riley. I thought I'll post it right away as it responds to Michael's post. I hope Don Hertzfeld will come across this blog one day as he is one of the few animators I know of who still use real film. Now, Brian Riley: “Bumped into Paul Dilworth (literally) on the football pitch THE THIEF: UK SCREENING OF 'THE THIEF & THE COBBLER: A Here's a recent interview with Williams link Cartoon Brew highlighted the event and the comments section raised some interesting rumours: 'A very reliable source (who I don't want to name since it's not my place to do so but he worked *very* closely with Williams on The Thief) told me that Williams intended to cut the workprint version of the film, and edit it down to make it far tighter than THE THIEF: MASTER ANIMATOR Dick is profiled in the UK Guardian to promote the release of his Masterclass app The big news: "He and Mo are taking advantage of technical advances to digitally restore his archives. He is also working on a new "big film" ("the subtitle is: 'will I live to finishit'").
THE THIEF: THRONE ROOM, PART 1 The scenes of the Princess first seeing the Cobbler as he's dragged across the drawbridge, and the following scenes in the 'Throne Room' sequence have some history behind them. For many years the various drafts of the script for The Thief THE THIEF: BABBITT AND HARRIS From Mark Mayerson's blog: (LINK for full post) He writes: "Børge Ring sent me this anecdote about Art Babbitt being something of an animation snob. First time Babbitt came to London Dick Williams picked him up at the airport. THE THIEF: THIEF FLYING ACROSS MOUNTAIN Dick had the idea of using Roy's strobing trick again. In this scene with the Cobbler Roy had spaced the round spiral elements corresponding to the spacing of the BG pan and then rotated the spirals so that they appeared to move. Dick wanted the hands to appear moving, as if they were trying to grab the Thief as he was flying by.THE THIEF
On Monday the 27th of April, the Marc Davis lecture on Animation took place at the Academy headquarters in Los Angeles.It turned out to be the most popular animation evening so far and really was a whos who of the industry.Concluding the over 3 hour long program of lectures, film clips and panels was a video message from Dick Williams.First almost timid and humble, he said he wished he could THE THIEF: TONY PALERMO If you have seen the Recobbled Cut and looked at the slow motion scene of the Dying Messenger on the horse you might have also seen this scene: Like Tash's slow motion scene this one is also part of King Nod's dream. If I remember it properly this was the first scene that Tony Palermo animated on the Thief. THE THIEF: PENCIL TESTER VS. ART Tom Roth sent this in as a comment on the "More Art" post: Sometime back around 1979 I bought a Lyon/Lamb videotape pencil tester. Although a couple of big studios had them at the time I was the first individual animator to get one, the prototype unit. THE THIEF: PHOTO SCRAPBOOK PART 5 Not much time to post these days. Here just a few more photos: Dean Roberts, Michael Schlingmann, Tim Watts and Simon Downes Christmas Party 1990 in the I&P building. THE THIEF: GUEST BLOGGER: MONIKA KREMER It is really unbelievable, how much has changed since we worked on the thief. I didn’t belong to the animaton crew, I worked as a painter in the paint and trace department. THE THIEF: HAPPY 75TH BIRTHDAY DICK! It's also Atlanta Green's birthday. Atlanta supervised the checking department on the Thief. Happy Birthday Atlanta!THE THIEF
was the art director on the Thief, a master layout designer, scene. planning wizard and a main collaborator of Richard Williams since the. early sixties. A genius at his work, he was also most kind, patient. and generous. Not restrained by the limitations of classical three dimensional. space, his 2D flights of fancy, by ignoring reality and THE THIEF: INTO THE CITY (UPDATED) The city in which much of "The Thief" takes place was depicted in many backgrounds in the film, and among the most spectacular was a large painting by Errol Le Cain of the whole city on a hill. The palace in its grounds surrounded by a moat is seen here in this detail. The whole painting was probably about 6 feet wide. THE THIEF: THE INTERESTING BREAKDOWN Art Babbitt was a pioneer of the eccentric walk, just think of what he gave us with Goofy in “Moving Day”. One approach Dick talked about was to create your contact positions for the walk, which could be fairly normal, but then you create a passing position as THE INTERESTING BREAKDOWN, where you pose your character in an unexpectedway.
THE THIEF: THE ANIMATOR'S SURVIVAL KIT The Animator's Survival Kit - Expanded Edition. The major text book of the animation trade has just been updated. In the DVD version of "The Animator's Survival Kit", Dick had already added more material than what had been in the first edition of the book. Now the good news is that after finishing the DVDs, Dick went back to work on a new THE THIEF: THRONE ROOM, PART 1 The scenes of the Princess first seeing the Cobbler as he's dragged across the drawbridge, and the following scenes in the 'Throne Room' sequence have some history behind them. For many years the various drafts of the script for The Thief featured the twin Princesses Yum Yum and Mee Mee, one of whom was in love with a reptilian beast calledBubba.
THE THIEF: THE DYING MESSENGER, PART 2 The Dying Messenger, Part 2. Here is part 2 of the interview with Tash. This is the 2nd Dying Messenger scene. It's animated in slow motion to suggest that it's part of King Nod's dream. Holger: I remember seeing this second scene of yours at the linetester, at normal speed initially. It might have been one of the times where Dickliked a test
THE THIEF: GUEST BLOGGER BRIAN RILEY: Guest blogger Brian Riley: This just came in from cameraman Brian Riley. I thought I'll post it right away as it responds to Michael's post. I hope Don Hertzfeld will come across this blog one day as he is one of the few animators I know of who still use real film. Now, Brian Riley: “Bumped into Paul Dilworth (literally) on the football pitch THE THIEF: COBBLER AND ERROL Cobbler and Errol. This is the first Cobbler scene, second scene in the movie, right after the opening. This first image is from Art Babbitt's original linetest. It was re-animated, probably by Alex Williams, who did a lot of the Cobbler scenes. Jerry Verschoor was Alex's assistant for most of the film, so I would guess that he workedon this
THE THIEF: ROY NAISBIT "What did the frog say to the Warmachine?" "Rivet, Rivet" And that is what this giant monstrum of a siege machine boils down to. Rivets.Many rivets.
THE THIEF
On Monday the 27th of April, the Marc Davis lecture on Animation took place at the Academy headquarters in Los Angeles.It turned out to be the most popular animation evening so far and really was a whos who of the industry.Concluding the over 3 hour long program of lectures, film clips and panels was a video message from Dick Williams.First almost timid and humble, he said he wished he couldTHE THIEF
was the art director on the Thief, a master layout designer, scene. planning wizard and a main collaborator of Richard Williams since the. early sixties. A genius at his work, he was also most kind, patient. and generous. Not restrained by the limitations of classical three dimensional. space, his 2D flights of fancy, by ignoring reality and THE THIEF: INTO THE CITY (UPDATED) The city in which much of "The Thief" takes place was depicted in many backgrounds in the film, and among the most spectacular was a large painting by Errol Le Cain of the whole city on a hill. The palace in its grounds surrounded by a moat is seen here in this detail. The whole painting was probably about 6 feet wide. THE THIEF: THE INTERESTING BREAKDOWN Art Babbitt was a pioneer of the eccentric walk, just think of what he gave us with Goofy in “Moving Day”. One approach Dick talked about was to create your contact positions for the walk, which could be fairly normal, but then you create a passing position as THE INTERESTING BREAKDOWN, where you pose your character in an unexpectedway.
THE THIEF: THE ANIMATOR'S SURVIVAL KIT The Animator's Survival Kit - Expanded Edition. The major text book of the animation trade has just been updated. In the DVD version of "The Animator's Survival Kit", Dick had already added more material than what had been in the first edition of the book. Now the good news is that after finishing the DVDs, Dick went back to work on a new THE THIEF: THRONE ROOM, PART 1 The scenes of the Princess first seeing the Cobbler as he's dragged across the drawbridge, and the following scenes in the 'Throne Room' sequence have some history behind them. For many years the various drafts of the script for The Thief featured the twin Princesses Yum Yum and Mee Mee, one of whom was in love with a reptilian beast calledBubba.
THE THIEF: THE DYING MESSENGER, PART 2 The Dying Messenger, Part 2. Here is part 2 of the interview with Tash. This is the 2nd Dying Messenger scene. It's animated in slow motion to suggest that it's part of King Nod's dream. Holger: I remember seeing this second scene of yours at the linetester, at normal speed initially. It might have been one of the times where Dickliked a test
THE THIEF: GUEST BLOGGER BRIAN RILEY: Guest blogger Brian Riley: This just came in from cameraman Brian Riley. I thought I'll post it right away as it responds to Michael's post. I hope Don Hertzfeld will come across this blog one day as he is one of the few animators I know of who still use real film. Now, Brian Riley: “Bumped into Paul Dilworth (literally) on the football pitch THE THIEF: COBBLER AND ERROL Cobbler and Errol. This is the first Cobbler scene, second scene in the movie, right after the opening. This first image is from Art Babbitt's original linetest. It was re-animated, probably by Alex Williams, who did a lot of the Cobbler scenes. Jerry Verschoor was Alex's assistant for most of the film, so I would guess that he workedon this
THE THIEF: ROY NAISBIT "What did the frog say to the Warmachine?" "Rivet, Rivet" And that is what this giant monstrum of a siege machine boils down to. Rivets.Many rivets.
THE THIEF
On Monday the 27th of April, the Marc Davis lecture on Animation took place at the Academy headquarters in Los Angeles.It turned out to be the most popular animation evening so far and really was a whos who of the industry.Concluding the over 3 hour long program of lectures, film clips and panels was a video message from Dick Williams.First almost timid and humble, he said he wished he could THE THIEF: MASTER ANIMATOR Dick is profiled in the UK Guardian to promote the release of his Masterclass app The big news: "He and Mo are taking advantage of technical advances to digitally restore his archives. He is also working on a new "big film" ("the subtitle is: 'will I live to finishit'").
THE THIEF: THE CITY
The City. Yesterday my roommate at work was watching the 1982 Thames documentary. Towards the end there is this scene where Dick and Roy posed themselves in front of Roy's gigantic drawing of the city. You can see that it would take up an entire wall.THE THIEF
On Monday the 27th of April, the Marc Davis lecture on Animation took place at the Academy headquarters in Los Angeles.It turned out to be the most popular animation evening so far and really was a whos who of the industry.Concluding the over 3 hour long program of lectures, film clips and panels was a video message from Dick Williams.First almost timid and humble, he said he wished he could THE THIEF: THE DYING MESSENGER, PART 1 Anonymous said Thank you so much. I can't wait for Part 2. I love the work Tash did on this film. July 15, 2008 at 2:15 PM THE THIEF: ROY NAISBITT Holger, Andreas, Michael and I felt like kids in a candy store working on the Thief. There was talent and inspiration oozing from every corner, and seeing even the tiniest scrap of paper land in a waste bin could break our hearts. THE THIEF: THE HIGH-GLOSS FOLDER From "The Thief who never gave up" to "Once" to "The Thief and the Cobbler", the film has had a few title changes. When it was finally called "The Thief and the Cobbler" we got the Crew Jackets made that Andreas wrote about. THE THIEF: TIPS FOR NEW READERS sirscaffalot said. good afternoon, my name is byron williamson, i was a runner in the paint and trace dept, st pancras way, for just over a year, the final year and was kept on until the building had been pretty much cleared. i was very excited when i found this site last night and recognise alot of the people on the photos, especially atlanta, simon and john but to name a few. theTHE THIEF: NASRUDIN
Anonymous said Omar Shah was producing the Nasrudin animated film - Idries' brother. He and Dick fell out - apparently Omar was embezzling from the production and most people feel that Zigzag was based on Omar, who can be seen in the "Creative Person" documentary from 1967, along with some line tests from the Nasrudin film. THE THIEF: PENCIL TESTER VS. ART Tom Roth sent this in as a comment on the "More Art" post: Sometime back around 1979 I bought a Lyon/Lamb videotape pencil tester. Although a couple of big studios had them at the time I was the first individual animator to get one, the prototype unit. THE THIEF: UK SCREENING OF 'THE THIEF & THE COBBLER: A Here's a recent interview with Williams link Cartoon Brew highlighted the event and the comments section raised some interesting rumours: 'A very reliable source (who I don't want to name since it's not my place to do so but he worked *very* closely with Williams on The Thief TUESDAY, AUGUST 20, 2019 In memory of Richard Williams who passed away last week aged 86 his collaborator Russell Hall passed this statement along to Theresa Edwards on the 2D UK Animation People Facebook page. 'Russell Hall has asked me to post some words from him in tribute toDick Williams:
I was very saddened to hear of Dick’s death last Friday. By good luck I joined his studio in Soho Square in the Trace and Paint department in 1972 as the production of ‘A Christmas Carol ‘ wascoming to a close.
With Dick’s encouragement ( he was always good to me) I rapidly progressed as assistant to veteran Road Runner animator Ken Harris, who spent his summers in Soho Square working on Dick’s brilliant but ill fated unfinished masterpiece ‘The Thief and the Cobbler’. Those were exciting days. Apart from Ken, Dick gathered up Disney Fantasia veteran and teacher Art Babbitt; Animation pioneer Grim Natwick ( Betty Boop and Snow White) ; New Yorker cartoonist Roland B. Wilson; Animation genius Roy Naisbitt - fresh from Kubrick’s ‘2001’ and great animator Dick Purdum. Dick Williams presence was extraordinary, always encouraging, aiming for perfection, a superb animator, amazing draftsman, a great teacher with enormous generosity and incredible stamina, he always seemed indestructible. We all honed our skills with commercials and I was finally privileged to work on the first animation of the cobbler ( a character based on me) in ‘The Thief and the Cobbler’ and then to animate Jessica Rabbit in ‘Who Framed Roger Rabbit’ by which time the Soho Square studio has closed and I, along with Carol who had started as Dick’s assistant and become his producer and who I had been with from the early days of our time at Dick’s, started our own company. Hardly a day goes by without thinking of those days and we are enormously grateful for the time spent in Soho Square.Thanks Dick -
I am a bit sad that Dick will be remembered mostly for the remarkable ‘Roger Rabbit’ when it should be for his own ‘The Thief and the Cobbler’ and his other personal projects and short films which he achieved with such ingenuity and economy. I am so glad that he found great happiness with his wife Imogen. Carol and I are both thinking of her and all Dick’s children at this sadtime.'
Aardman Animation, where Dick was based the last few years, made a touching tribute on social media: 'Our dear friend, Richard Williams was a jewel in the crown of British animation. He was always a joy to be with, inspiring and keen to pass on his wealth of knowledge to the next generation. Dick's enthusiasm was infectious, and will be greatly missed at Aardman.' Posted by Matt Jonesat 10:59 AM
3 comments:
WEDNESDAY, JUNE 7, 2017 MORE FROM THE ACADEMY ARCHIVE... Tomm Moore, co-founder and director at Ireland's Cartoon Saloon, unearthed some treasure on a recent visit to the Academy in Los Angeles. (Re-posted with his permission from Facebook) "Visited the Academy archives today to sign some forms in relation to donating some Song of the Sea artwork and ended up spending hours just in awe of the original artwork from the Thief and the cobbler that they are cataloging currently . Just mind boggling and awe inspiring stuff . I'm so amazed I got to see the originals after so many years squinting at fuzzy vhs copies and online restorations . It felt like visiting The Book of Kells, this is surely the most elaborate and intricate hand drawn animation ever created - I'm so glad the art is getting the academy's careful curation after so many years in thewilderness."
See more storyboards from 'The Brigands' seq. here Posted by Matt Jonesat 9:19 AM
8 comments:
WEDNESDAY, NOVEMBER 9, 2016 THIEF PRODUCTION ARTWORK UNEARTHED This is an interesting development: Miramax has donated production artwork (thousands of cels, background art etc.) to the Academy and ASIFA has donated a substantial sum to curate the material. I'd love to get a look at this next year when it is opened to researchers.Read the story here
Posted by Matt Jonesat 10:01 PM
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WEDNESDAY, AUGUST 10, 2016 SCREENING AT MOMA NEXT MONTH 'The Thief & the Cobbler' will screen in NYC at MOMA next month with Richard Williams talking to John Canemaker. Details here Posted by Matt Jonesat 10:38 PM
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Labels: 2016 , John
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,
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Thief & the Cobbler
SUNDAY, MAY 1, 2016
Good piece on Dick and Mo, the new film and a look back at career highlights from the Toronto Star site Posted by Matt Jonesat 6:14 PM
1 comment:
FRIDAY, NOVEMBER 20, 2015 INTERVIEW WITH TAHSIN (TASH) ÖZGÜR I just came across this interview with animator Tahsin (Tash)Özgür.
Tash 2015 Interview
In 2008 I talked to him about his work on the Thief: The Dying Messenger, Part 1 The Dying Messenger, Part 2Posted by Holger
at 1:17 PM
20 comments:
TUESDAY, JUNE 30, 2015 ANNECY 2015- THE THIEF AND THE COBBLER PRESENTATION Posted by Matt Jonesat 7:52 AM
2 comments:
SUNDAY, JUNE 28, 2015 25TH ANNIVERSARY AT THE STAR AND GARTER Thanks to Michael and Sharon for organizing it and letting me stay at their amazing house. Thanks to everyone who showed up. It was a blast. More pictures to follow, I am sure - for now a little taste thanks toSimon Maddocks
Posted by Dietmar
at 9:40 AM
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