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scholarly exchange.
SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died at TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous residentTHE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
LOTUS LILIES
Lotus Lilies , 1888. Oil on canvas , 18 x 32 in. (45.7 x 81.3 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1999.35. Object-Charles Courtney Curran, Lotus Lilies. Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women.WELCOME TO OUR CITY
Welcome to Our City , 1921. Oil on canvas , 25 1/8 x 20 1/8 in. (63.8 x 51.1 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1993.3. Object-Charles Demuth, Welcome to Our City. Charles Demuth was in the vanguard of a new painting style that came to be called precisionism and is best remembered for his abstractposter
SLAVES - CONVERSATIONS WITH THE COLLECTION - TERRA Slaves is one panel in his extensive multi-painting series The American Historical Epic (1919–28), which presents a revisionist view of the country’s early history through themes of racial conflict and economic exploitation. This work is an indictment of the abuse enslaved Africans suffered in America from the seventeenthcentury until the
SIERRA MADRE AT MONTERREY Terra Foundation for American Art, Daniel J. Terra Collection , 1994.18. Object-Edward Hopper, Sierra Madre at Monterrey. Although Hopper is known for oil paintings that evoke the alienation of twentieth-century American life, he was also a consummate watercolorist. One of a group of works he made during his first trip to Mexico, Sierra Madre TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died at TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous residentTHE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
LOTUS LILIES
Lotus Lilies , 1888. Oil on canvas , 18 x 32 in. (45.7 x 81.3 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1999.35. Object-Charles Courtney Curran, Lotus Lilies. Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women.WELCOME TO OUR CITY
Welcome to Our City , 1921. Oil on canvas , 25 1/8 x 20 1/8 in. (63.8 x 51.1 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1993.3. Object-Charles Demuth, Welcome to Our City. Charles Demuth was in the vanguard of a new painting style that came to be called precisionism and is best remembered for his abstractposter
SLAVES - CONVERSATIONS WITH THE COLLECTION - TERRA Slaves is one panel in his extensive multi-painting series The American Historical Epic (1919–28), which presents a revisionist view of the country’s early history through themes of racial conflict and economic exploitation. This work is an indictment of the abuse enslaved Africans suffered in America from the seventeenthcentury until the
SIERRA MADRE AT MONTERREY Terra Foundation for American Art, Daniel J. Terra Collection , 1994.18. Object-Edward Hopper, Sierra Madre at Monterrey. Although Hopper is known for oil paintings that evoke the alienation of twentieth-century American life, he was also a consummate watercolorist. One of a group of works he made during his first trip to Mexico, Sierra Madre TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
STAFF | TERRA FOUNDATION FOR AMERICAN ART From our headquarters in Chicago to the Paris Center & Library and properties in Giverny, France, the Terra Foundation staff listed below work to cultivate a worldwide appreciation, understanding, and exploration of the historical art of the United States. GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
“ADDRESSING SEXUALITY, GENDER, AND THE DECORATIVE SINCE May 20, 2021 Online dialogue. American artist and influential teacher Lari Pittman discusses his paintings and his reflections on the Los Angeles art world in this conversation with art historian David J.Getsy.
STRANGE WORLDS
Todros Geller (1889–1949) Strange Worlds, 1928 Oil on canvas 28 ¼ x 26 1/8 in. (71.8 x 66.4 cm) The Art Institute of Chicago, Gift of Leon Garland Foundation, 1949.27 TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z JON DAVIES | TERRA FOUNDATION FOR AMERICAN ART The Fountain: Art, Sex and Queer Pedagogy in San Francisco,1945–1995
FRANK LLOYD WRIGHT HOME AND STUDIO PLAYROOM The architect Frank Lloyd Wright wanted to give his six children a beautiful place where they could do lots of different activities. So in 1895, he built a playroom inside his home in Oak Park, Illinois. Mr. Wright liked to put opposite things next to each other. He often placed high spaces next to low spaces.MRUDULA KUNATHARAJU
The individuals listed here are recipients of fellowships and academic grants awarded by the Terra Foundation. All information is accurate as of the date the award.WALEAD BESHTY
The individuals listed here are recipients of fellowships and academic grants awarded by the Terra Foundation. All information is accurate as of the date the award. TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died at TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous residentTHE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
LOTUS LILIES
Lotus Lilies , 1888. Oil on canvas , 18 x 32 in. (45.7 x 81.3 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1999.35. Object-Charles Courtney Curran, Lotus Lilies. Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women.WELCOME TO OUR CITY
Welcome to Our City , 1921. Oil on canvas , 25 1/8 x 20 1/8 in. (63.8 x 51.1 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1993.3. Object-Charles Demuth, Welcome to Our City. Charles Demuth was in the vanguard of a new painting style that came to be called precisionism and is best remembered for his abstractposter
SLAVES - CONVERSATIONS WITH THE COLLECTION - TERRA Slaves is one panel in his extensive multi-painting series The American Historical Epic (1919–28), which presents a revisionist view of the country’s early history through themes of racial conflict and economic exploitation. This work is an indictment of the abuse enslaved Africans suffered in America from the seventeenthcentury until the
SIERRA MADRE AT MONTERREY Terra Foundation for American Art, Daniel J. Terra Collection , 1994.18. Object-Edward Hopper, Sierra Madre at Monterrey. Although Hopper is known for oil paintings that evoke the alienation of twentieth-century American life, he was also a consummate watercolorist. One of a group of works he made during his first trip to Mexico, Sierra Madre TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died at TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous residentTHE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
LOTUS LILIES
Lotus Lilies , 1888. Oil on canvas , 18 x 32 in. (45.7 x 81.3 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1999.35. Object-Charles Courtney Curran, Lotus Lilies. Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women.WELCOME TO OUR CITY
Welcome to Our City , 1921. Oil on canvas , 25 1/8 x 20 1/8 in. (63.8 x 51.1 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1993.3. Object-Charles Demuth, Welcome to Our City. Charles Demuth was in the vanguard of a new painting style that came to be called precisionism and is best remembered for his abstractposter
SLAVES - CONVERSATIONS WITH THE COLLECTION - TERRA Slaves is one panel in his extensive multi-painting series The American Historical Epic (1919–28), which presents a revisionist view of the country’s early history through themes of racial conflict and economic exploitation. This work is an indictment of the abuse enslaved Africans suffered in America from the seventeenthcentury until the
SIERRA MADRE AT MONTERREY Terra Foundation for American Art, Daniel J. Terra Collection , 1994.18. Object-Edward Hopper, Sierra Madre at Monterrey. Although Hopper is known for oil paintings that evoke the alienation of twentieth-century American life, he was also a consummate watercolorist. One of a group of works he made during his first trip to Mexico, Sierra Madre TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
STAFF | TERRA FOUNDATION FOR AMERICAN ART From our headquarters in Chicago to the Paris Center & Library and properties in Giverny, France, the Terra Foundation staff listed below work to cultivate a worldwide appreciation, understanding, and exploration of the historical art of the United States. GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
“ADDRESSING SEXUALITY, GENDER, AND THE DECORATIVE SINCE May 20, 2021 Online dialogue. American artist and influential teacher Lari Pittman discusses his paintings and his reflections on the Los Angeles art world in this conversation with art historian David J.Getsy.
STRANGE WORLDS
Todros Geller (1889–1949) Strange Worlds, 1928 Oil on canvas 28 ¼ x 26 1/8 in. (71.8 x 66.4 cm) The Art Institute of Chicago, Gift of Leon Garland Foundation, 1949.27 TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z JON DAVIES | TERRA FOUNDATION FOR AMERICAN ART The Fountain: Art, Sex and Queer Pedagogy in San Francisco,1945–1995
FRANK LLOYD WRIGHT HOME AND STUDIO PLAYROOM The architect Frank Lloyd Wright wanted to give his six children a beautiful place where they could do lots of different activities. So in 1895, he built a playroom inside his home in Oak Park, Illinois. Mr. Wright liked to put opposite things next to each other. He often placed high spaces next to low spaces.MRUDULA KUNATHARAJU
The individuals listed here are recipients of fellowships and academic grants awarded by the Terra Foundation. All information is accurate as of the date the award.WALEAD BESHTY
The individuals listed here are recipients of fellowships and academic grants awarded by the Terra Foundation. All information is accurate as of the date the award. TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
FELLOWS | TERRA FOUNDATION FOR AMERICAN ART The individuals listed here are recipients of fellowships and academic grants awarded by the Terra Foundation. All information is accurate as of the date the award. SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
HOW TO READ AN ART LABEL Included with the sample label below is an explanation of what each line of information means. Jamie Wyeth —The artist’s name. If the artist’s name is not known, sometimes the label will indicate that. (born 1946) —The year the artist was born. If an artist has died, his or her year of death is included too. Sometimes the artist’s TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous resident TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z GRAPHIC ORGANIZER: RAFT (ROLE, AUDIENCE, FORMAT, TOPIC Using RAFT writing strategies with artworks. The RAFT (Role, Audience, Format, Topic) writing strategy, developed by Santa, Havens, and Valdes , helps students understand their role as a writer and communicate their ideas clearly by developing a sense of audience and purpose in their writing.Works of art are rich sources of ideas and details for narrative and other kinds of writing. TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died atTHE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
FELLOWS | TERRA FOUNDATION FOR AMERICAN ART The individuals listed here are recipients of fellowships and academic grants awarded by the Terra Foundation. All information is accurate as of the date the award. SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
HOW TO READ AN ART LABEL Included with the sample label below is an explanation of what each line of information means. Jamie Wyeth —The artist’s name. If the artist’s name is not known, sometimes the label will indicate that. (born 1946) —The year the artist was born. If an artist has died, his or her year of death is included too. Sometimes the artist’s TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous resident TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z GRAPHIC ORGANIZER: RAFT (ROLE, AUDIENCE, FORMAT, TOPIC Using RAFT writing strategies with artworks. The RAFT (Role, Audience, Format, Topic) writing strategy, developed by Santa, Havens, and Valdes , helps students understand their role as a writer and communicate their ideas clearly by developing a sense of audience and purpose in their writing.Works of art are rich sources of ideas and details for narrative and other kinds of writing. TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died atTHE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
FELLOWS | TERRA FOUNDATION FOR AMERICAN ART The individuals listed here are recipients of fellowships and academic grants awarded by the Terra Foundation. All information is accurate as of the date the award. GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
TRAIN STATION
Train Station, 1935. Oil on cardboard. 8 x 14 in. (20 x 36 cm) The Art Institute of Chicago, Charles M. Kurtz Charitable Trust and Barbara Neff Smith and Solomon Byron Smith funds; through prior gifts of Florence Jane Adams, Mr. and Mrs. Carter H. Harrison, and the estate of Celia Schmidt, 1990.134. Walter Ellison (1899-1977) Train Station,1935.
STAFF | TERRA FOUNDATION FOR AMERICAN ART From our headquarters in Chicago to the Paris Center & Library and properties in Giverny, France, the Terra Foundation staff listed below work to cultivate a worldwide appreciation, understanding, and exploration of the historical art of the United States. TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z “ADDRESSING SEXUALITY, GENDER, AND THE DECORATIVE SINCE May 20, 2021 Online dialogue. American artist and influential teacher Lari Pittman discusses his paintings and his reflections on the Los Angeles art world in this conversation with art historian David J.Getsy.
GRAPHIC ORGANIZER: RAFT (ROLE, AUDIENCE, FORMAT, TOPIC Using RAFT writing strategies with artworks. The RAFT (Role, Audience, Format, Topic) writing strategy, developed by Santa, Havens, and Valdes , helps students understand their role as a writer and communicate their ideas clearly by developing a sense of audience and purpose in their writing.Works of art are rich sources of ideas and details for narrative and other kinds of writing. JON DAVIES | TERRA FOUNDATION FOR AMERICAN ART The Fountain: Art, Sex and Queer Pedagogy in San Francisco,1945–1995
PHILIPPE HALBERT
The individuals listed here are recipients of fellowships and academic grants awarded by the Terra Foundation. All information is accurate as of the date the award. TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Biography. Landscape and figure painter Robert Vonnoh was an early American adherent of impressionism, the late-nineteenth century movement to paint outdoor scenes using bright colors and unblended brushstrokes. Vonnoh was raised in Roxbury, near Boston, Massachusetts, and as a teenager was apprenticed to a publisher of lithographic prints. TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous resident TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died atLOTUS LILIES
Lotus Lilies , 1888. Oil on canvas , 18 x 32 in. (45.7 x 81.3 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1999.35. Object-Charles Courtney Curran, Lotus Lilies. Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women.THE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
SLAVES - CONVERSATIONS WITH THE COLLECTION - TERRA Slaves is one panel in his extensive multi-painting series The American Historical Epic (1919–28), which presents a revisionist view of the country’s early history through themes of racial conflict and economic exploitation. This work is an indictment of the abuse enslaved Africans suffered in America from the seventeenthcentury until the
SIERRA MADRE AT MONTERREY Terra Foundation for American Art, Daniel J. Terra Collection , 1994.18. Object-Edward Hopper, Sierra Madre at Monterrey. Although Hopper is known for oil paintings that evoke the alienation of twentieth-century American life, he was also a consummate watercolorist. One of a group of works he made during his first trip to Mexico, Sierra Madre TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous resident TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died atLOTUS LILIES
Lotus Lilies , 1888. Oil on canvas , 18 x 32 in. (45.7 x 81.3 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1999.35. Object-Charles Courtney Curran, Lotus Lilies. Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women.THE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
SLAVES - CONVERSATIONS WITH THE COLLECTION - TERRA Slaves is one panel in his extensive multi-painting series The American Historical Epic (1919–28), which presents a revisionist view of the country’s early history through themes of racial conflict and economic exploitation. This work is an indictment of the abuse enslaved Africans suffered in America from the seventeenthcentury until the
SIERRA MADRE AT MONTERREY Terra Foundation for American Art, Daniel J. Terra Collection , 1994.18. Object-Edward Hopper, Sierra Madre at Monterrey. Although Hopper is known for oil paintings that evoke the alienation of twentieth-century American life, he was also a consummate watercolorist. One of a group of works he made during his first trip to Mexico, Sierra Madre TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
STAFF | TERRA FOUNDATION FOR AMERICAN ART From our headquarters in Chicago to the Paris Center & Library and properties in Giverny, France, the Terra Foundation staff listed below work to cultivate a worldwide appreciation, understanding, and exploration of the historical art of the United States.STRANGE WORLDS
Todros Geller (1889–1949) Strange Worlds, 1928 Oil on canvas 28 ¼ x 26 1/8 in. (71.8 x 66.4 cm) The Art Institute of Chicago, Gift of Leon Garland Foundation, 1949.27 TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS As urbanization and industrialization transformed America in the late-nineteenth century, Wood’s stylistically old-fashioned images of rural life became increasingly sentimental. They remained widely popular, however, making Wood one of the most financially successful painters of his era. In the 1890s, he founded the Wood Gallery of Art(now
FRANK LLOYD WRIGHT HOME AND STUDIO PLAYROOM The architect Frank Lloyd Wright wanted to give his six children a beautiful place where they could do lots of different activities. So in 1895, he built a playroom inside his home in Oak Park, Illinois. Mr. Wright liked to put opposite things next to each other. He often placed high spaces next to low spaces. TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Dunning imparted his standards of high finish, exquisite detail, and rich contrasts of color and texture. His own still-life images are of two general types: tabletop assemblages of fruits and flowers with luxurious containers and other objects, as in the Terra Foundation’s TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS A master of painting the figure posed out-of-doors, Karl Anderson belongs to the second generation of American artists who adopted the brilliant color and fluid, spontaneous brushwork associated with impressionism. Anderson was born into modest circumstances in Oxford, Ohio, the eldest of seven siblings who also included realist writerSherwood
WELCOME TO OUR CITY
Welcome to Our City , 1921. Oil on canvas , 25 1/8 x 20 1/8 in. (63.8 x 51.1 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1993.3. Object-Charles Demuth, Welcome to Our City. Charles Demuth was in the vanguard of a new painting style that came to be called precisionism and is best remembered for his abstractposter
AFTER CHURCH
A renowned African American collage artist and painter, Romare Bearden was born in the South but lived most of his life in New York City. His gouache painting After Church, completed after a lengthy visit to Georgia and his home state of North Carolina, marks the beginning of his engagement with Southern African Americans— particularly their families, faith, and livelihoods as farmers. TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous resident TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died atLOTUS LILIES
Lotus Lilies , 1888. Oil on canvas , 18 x 32 in. (45.7 x 81.3 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1999.35. Object-Charles Courtney Curran, Lotus Lilies. Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women.THE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
SLAVES - CONVERSATIONS WITH THE COLLECTION - TERRA Slaves is one panel in his extensive multi-painting series The American Historical Epic (1919–28), which presents a revisionist view of the country’s early history through themes of racial conflict and economic exploitation. This work is an indictment of the abuse enslaved Africans suffered in America from the seventeenthcentury until the
SIERRA MADRE AT MONTERREY Terra Foundation for American Art, Daniel J. Terra Collection , 1994.18. Object-Edward Hopper, Sierra Madre at Monterrey. Although Hopper is known for oil paintings that evoke the alienation of twentieth-century American life, he was also a consummate watercolorist. One of a group of works he made during his first trip to Mexico, Sierra Madre TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous resident TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died atLOTUS LILIES
Lotus Lilies , 1888. Oil on canvas , 18 x 32 in. (45.7 x 81.3 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1999.35. Object-Charles Courtney Curran, Lotus Lilies. Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women.THE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
SLAVES - CONVERSATIONS WITH THE COLLECTION - TERRA Slaves is one panel in his extensive multi-painting series The American Historical Epic (1919–28), which presents a revisionist view of the country’s early history through themes of racial conflict and economic exploitation. This work is an indictment of the abuse enslaved Africans suffered in America from the seventeenthcentury until the
SIERRA MADRE AT MONTERREY Terra Foundation for American Art, Daniel J. Terra Collection , 1994.18. Object-Edward Hopper, Sierra Madre at Monterrey. Although Hopper is known for oil paintings that evoke the alienation of twentieth-century American life, he was also a consummate watercolorist. One of a group of works he made during his first trip to Mexico, Sierra Madre TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
STAFF | TERRA FOUNDATION FOR AMERICAN ART From our headquarters in Chicago to the Paris Center & Library and properties in Giverny, France, the Terra Foundation staff listed below work to cultivate a worldwide appreciation, understanding, and exploration of the historical art of the United States.STRANGE WORLDS
Todros Geller (1889–1949) Strange Worlds, 1928 Oil on canvas 28 ¼ x 26 1/8 in. (71.8 x 66.4 cm) The Art Institute of Chicago, Gift of Leon Garland Foundation, 1949.27 TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS As urbanization and industrialization transformed America in the late-nineteenth century, Wood’s stylistically old-fashioned images of rural life became increasingly sentimental. They remained widely popular, however, making Wood one of the most financially successful painters of his era. In the 1890s, he founded the Wood Gallery of Art(now
FRANK LLOYD WRIGHT HOME AND STUDIO PLAYROOM The architect Frank Lloyd Wright wanted to give his six children a beautiful place where they could do lots of different activities. So in 1895, he built a playroom inside his home in Oak Park, Illinois. Mr. Wright liked to put opposite things next to each other. He often placed high spaces next to low spaces. TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Dunning imparted his standards of high finish, exquisite detail, and rich contrasts of color and texture. His own still-life images are of two general types: tabletop assemblages of fruits and flowers with luxurious containers and other objects, as in the Terra Foundation’s TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS A master of painting the figure posed out-of-doors, Karl Anderson belongs to the second generation of American artists who adopted the brilliant color and fluid, spontaneous brushwork associated with impressionism. Anderson was born into modest circumstances in Oxford, Ohio, the eldest of seven siblings who also included realist writerSherwood
WELCOME TO OUR CITY
Welcome to Our City , 1921. Oil on canvas , 25 1/8 x 20 1/8 in. (63.8 x 51.1 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1993.3. Object-Charles Demuth, Welcome to Our City. Charles Demuth was in the vanguard of a new painting style that came to be called precisionism and is best remembered for his abstractposter
AFTER CHURCH
A renowned African American collage artist and painter, Romare Bearden was born in the South but lived most of his life in New York City. His gouache painting After Church, completed after a lengthy visit to Georgia and his home state of North Carolina, marks the beginning of his engagement with Southern African Americans— particularly their families, faith, and livelihoods as farmers. TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONSTERRA FOUNDATION FOR ARTTERRA MUSEUM OF AMERICAN ART Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
STAFF | TERRA FOUNDATION FOR AMERICAN ART From our headquarters in Chicago to the Paris Center & Library and properties in Giverny, France, the Terra Foundation staff listed below work to cultivate a worldwide appreciation, understanding, and exploration of the historical art of the United States. SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z THE OFFERING/LA OFRENDA The Offering/La Ofrenda, 1988. Serigraph, A/P-4/6 / serigrafía, A/P-4/6. 37 1/2″ x 25 1/8″ (paper size) National Museum of Mexican Art Permanent Collection, 1993.43, Museum Purchase Fund. Photo credit: Michael Tropea. Ester Hernández (born 1944) The Offering/La Ofrenda, 1988. Serigraph, A/P-4/6 / serigrafía, A/P-4/6. 37 1/2″ x 25 1/8 TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous resident TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died atTHE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONSTERRA FOUNDATION FOR ARTTERRA MUSEUM OF AMERICAN ART Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
GRANT & FELLOWSHIP OPPORTUNITIES One of the ways we achieve this goal is by offering a wide range of grant and fellowship opportunities, including funding for: Exhibitions, Past/Present: An Exhibition Initiative for US Museums, Re-envisioning Permanent Collections: A Special Initiative for US Museums. Art Design Chicago 2024 grants, currently including supportfor Exhibition
STAFF | TERRA FOUNDATION FOR AMERICAN ART From our headquarters in Chicago to the Paris Center & Library and properties in Giverny, France, the Terra Foundation staff listed below work to cultivate a worldwide appreciation, understanding, and exploration of the historical art of the United States. SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z THE OFFERING/LA OFRENDA The Offering/La Ofrenda, 1988. Serigraph, A/P-4/6 / serigrafía, A/P-4/6. 37 1/2″ x 25 1/8″ (paper size) National Museum of Mexican Art Permanent Collection, 1993.43, Museum Purchase Fund. Photo credit: Michael Tropea. Ester Hernández (born 1944) The Offering/La Ofrenda, 1988. Serigraph, A/P-4/6 / serigrafía, A/P-4/6. 37 1/2″ x 25 1/8 TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Hale traveled to Paris in 1887 and enrolled in the private Académie Julian and the official Ecole des Beaux-Arts. During this time he also began his career as a writer on art. Between 1888 and 1892, Hale spent almost every summer in the artists’ colony in Giverny, in rural Normandy. Under the influence of the village’s most famous resident TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Leaving the Provincetown circle, he worked instead in Rockport, Massachusetts. Beginning in 1934, he and his wife also spent part of each year in St. Augustine, Florida, moving there to live full-time in the 1960s. Lindenmuth continued to paint and was active in the St. Augustine Art Club. He died atTHE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
TRAIN STATION
Train Station, 1935. Oil on cardboard. 8 x 14 in. (20 x 36 cm) The Art Institute of Chicago, Charles M. Kurtz Charitable Trust and Barbara Neff Smith and Solomon Byron Smith funds; through prior gifts of Florence Jane Adams, Mr. and Mrs. Carter H. Harrison, and the estate of Celia Schmidt, 1990.134. Walter Ellison (1899-1977) Train Station,1935.
MIGRANT MOTHER
Dorothea Lange (1895–1965) Migrant Mother, Nipomo, California, 1936 Gelatin silver print (retouched version) Image: 13 1/2 x 10 3/4 in. (34.3 x 27.3 cm) Paper: 14 x 11 in. (35.6 x 27.9 cm) HOW TO READ AN ART LABEL Included with the sample label below is an explanation of what each line of information means. Jamie Wyeth —The artist’s name. If the artist’s name is not known, sometimes the label will indicate that. (born 1946) —The year the artist was born. If an artist has died, his or her year of death is included too. Sometimes the artist’s TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z TERRA SUMMER RESIDENCY FELLOWSHIPS IN GIVERNY, FRANCE Terra Summer Residency Fellowships in Giverny, France. Founded in 2001, the Terra Summer Residency brings together doctoral scholars of American art and emerging artists worldwide for a nine-week residential program in Giverny, France. The program encourages independent work while providing seminars and mentoring by senior scholars and artists TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Biography. Landscape and figure painter Robert Vonnoh was an early American adherent of impressionism, the late-nineteenth century movement to paint outdoor scenes using bright colors and unblended brushstrokes. Vonnoh was raised in Roxbury, near Boston, Massachusetts, and as a teenager was apprenticed to a publisher of lithographic prints.LOTUS LILIES
Lotus Lilies , 1888. Oil on canvas , 18 x 32 in. (45.7 x 81.3 cm) . Terra Foundation for American Art, Daniel J. Terra Collection , 1999.35. Object-Charles Courtney Curran, Lotus Lilies. Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women. SLAVES - CONVERSATIONS WITH THE COLLECTION - TERRA Slaves is one panel in his extensive multi-painting series The American Historical Epic (1919–28), which presents a revisionist view of the country’s early history through themes of racial conflict and economic exploitation. This work is an indictment of the abuse enslaved Africans suffered in America from the seventeenthcentury until the
THE YANKEE PEDLAR
The Yankee Pedlar presents a moment of negotiation between a persuasive peddler, who offers manufactured and luxury goods, and a cautious yet eager farm family, accustomed to the barter exchanges more typical of agrarian life. As a Vermont native, Wood was familiar with such transactions in the northeastern United States. SIERRA MADRE AT MONTERREY Terra Foundation for American Art, Daniel J. Terra Collection , 1994.18. Object-Edward Hopper, Sierra Madre at Monterrey. Although Hopper is known for oil paintings that evoke the alienation of twentieth-century American life, he was also a consummate watercolorist. One of a group of works he made during his first trip to Mexico, Sierra Madre TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONSTERRA FOUNDATION FOR ARTTERRA MUSEUM OF AMERICAN ART Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
GRANT & FELLOWSHIP OPPORTUNITIES At the Terra Foundation, we believe art has the potential both to distinguish cultures and to unite them. That’s why we’ve dedicated ourselves to fostering the exploration, understanding, and enjoyment of the visual arts of the United States for national and internationalaudiences.
STAFF | TERRA FOUNDATION FOR AMERICAN ART From our headquarters in Chicago to the Paris Center & Library and properties in Giverny, France, the Terra Foundation staff listed below work to cultivate a worldwide appreciation, understanding, and exploration of the historical art of the United States. SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z THE OFFERING/LA OFRENDA Ester Hernández (born 1944) The Offering/La Ofrenda, 1988 Serigraph, A/P-4/6 / serigrafía, A/P-4/6 37 1/2″ x 25 1/8″ (paper size) National Museum of Mexican TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Biography Landscape painter and printmaker Tod Lindenmuth is best known as a member of the important artists’ community in Provincetown, Massachusetts.THE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
LOTUS LILIES
Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women. In Lotus Lilies, two women—Curran’s new bride, Grace Winthrop Wickham, on the left, and her cousin Charlotte “Lottie” Adams Taylor, on the right—sit in a row-boat surrounded by lilies carpeting the surface of a lake. TERRA FOUNDATION FOR AMERICAN ARTSTAFF The foundation produces titles that result from or complement the work of its curatorial and academic program teams. The Terra Foundation Essays series provides an international forum for the thorough and sustained exploration of fundamental ideas and concepts TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONSTERRA FOUNDATION FOR ARTTERRA MUSEUM OF AMERICAN ART Working as a museum without walls, the Terra Foundation for American Art uses its collection of more than 750 paintings, works on paper, and sculptures dating from the 1750s to the 1980s to engage audiences worldwide, building networks that foster cross-cultural dialogue andscholarly exchange.
GRANT & FELLOWSHIP OPPORTUNITIES At the Terra Foundation, we believe art has the potential both to distinguish cultures and to unite them. That’s why we’ve dedicated ourselves to fostering the exploration, understanding, and enjoyment of the visual arts of the United States for national and internationalaudiences.
STAFF | TERRA FOUNDATION FOR AMERICAN ART From our headquarters in Chicago to the Paris Center & Library and properties in Giverny, France, the Terra Foundation staff listed below work to cultivate a worldwide appreciation, understanding, and exploration of the historical art of the United States. SHARON CORWIN APPOINTED PRESIDENT & CEO OF TERRA Chicago, IL—The Terra Foundation for American Art announced today that it has appointed Sharon Corwin as its new President and CEO, following an international search that began last year. Corwin currently serves as the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art, a position she has held since 2006;she
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z THE OFFERING/LA OFRENDA Ester Hernández (born 1944) The Offering/La Ofrenda, 1988 Serigraph, A/P-4/6 / serigrafía, A/P-4/6 37 1/2″ x 25 1/8″ (paper size) National Museum of Mexican TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Biography Landscape painter and printmaker Tod Lindenmuth is best known as a member of the important artists’ community in Provincetown, Massachusetts.THE PROMISED LAND
Rediscovered in the middle of the twentieth century after sitting forgotten in a Napa County farmhouse for forty years, William S. Jewett’s first large Californian painting was cleverly but deceptively renamed The Promised Land, and emerged as one of the canonical images of nineteenth-century American art.. It had been commissioned during the peak years of the California Gold Rush byAndrew
LOTUS LILIES
Trained in both New York and Paris, Charles Courtney Curran was a prolific artist known for his idyllic paintings of young women. In Lotus Lilies, two women—Curran’s new bride, Grace Winthrop Wickham, on the left, and her cousin Charlotte “Lottie” Adams Taylor, on the right—sit in a row-boat surrounded by lilies carpeting the surface of a lake.TRAIN STATION
Walter Ellison (1899-1977) Train Station, 1935 Oil on cardboard 8 x 14 in. (20 x 36 cm) The Art Institute of Chicago, Charles M. Kurtz Charitable Trust and Barbara Neff Smith and Solomon Byron Smith funds; through prior gifts of Florence Jane Adams, Mr. and Mrs. Carter H. Harrison, and the estate of Celia Schmidt, 1990.134MIGRANT MOTHER
Dorothea Lange (1895–1965) Migrant Mother, Nipomo, California, 1936 Gelatin silver print (retouched version) Image: 13 1/2 x 10 3/4 in. (34.3 x 27.3 cm) Paper: 14 x 11 in. (35.6 x 27.9 cm) TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS List of Artists. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z AND A SPECIAL FEAR FOR MY LOVED ONES Elizabeth Catlett (1915–2012) And A Special Fear For My Loved Ones, 1946-47 Linocut on cream wove paper Image: 8.4 x 6 in. (213 x 153 mm) Sheet: 15.2 x 11.2 in. (385 x 285 mm) HOW TO READ AN ART LABEL Jamie Wyeth, (born, 1946) Kalounna in Frogtown , 1986 Oil on Masonite 36 x 50 1/8 in. (91.4 x 127.3 cm) Terra Foundation for American Art, Daniel J. Terra Collection, 1992.163 TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Biography Born into an old and distinguished Boston family, Philip Leslie Hale was active as a writer and teacher as well as painter andprint-maker.
TERRA FOUNDATION FOR AMERICAN ART: COLLECTIONS Biography Landscape and figure painter Robert Vonnoh was an early American adherent of impressionism, the late-nineteenth century movement to paint outdoor scenes using bright colors and unblendedbrushstrokes.
THE YANKEE PEDLAR
Watercolor and gouache on paper, laid down on board, 7 x 8 3/8 in. (17.8 x 21.3 cm). Terra Foundation for American Art, Daniel J. TerraCollection, 1992.7
SLAVES - CONVERSATIONS WITH THE COLLECTION - TERRA Thomas Hart Benton was a pioneering painter and muralist known for his dynamic large-scale depictions of Midwestern agriculture, industry, and landscapes as well as of SIERRA MADRE AT MONTERREY Watercolor with touches of wiping, over a charcoal underdrawing, on heavyweight textured ivory wove watercolor paper, 21 1/4 x 29 3/4 in. (54.0 x 75.6 cm). Terra Foundation for American Art, Daniel J. TerraCollection, 1994.18
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Terra Foundation Acquires Chicago Imagist Roger Brown “Disasters” Series Painting and Other Major Works Archives of American Art is an unparalleled virtual repository of source material for the study of the visual arts of the United States Teachers, our American Art at the Core of Learning website provides easy-to-use resources and strategies for teaching with American art Audio & video from nearly 70 Terra Foundation-supported events are nowavailable online
Art Design Chicago to Return in 2024 2020 Terra Foundation for American Art Academic Awards, Fellowships &Grants
Terra Foundation Acquires Chicago Imagist Roger Brown “Disasters” Series Painting and Other Major Works Archives of American Art is an unparalleled virtual repository of source material for the study of the visual arts of the United States Teachers, our American Art at the Core of Learning website provides easy-to-use resources and strategies for teaching with American art Audio & video from nearly 70 Terra Foundation-supported events are nowavailable online
Art Design Chicago to Return in 2024 2020 Terra Foundation for American Art Academic Awards, Fellowships &Grants
Terra Foundation Acquires Chicago Imagist Roger Brown “Disasters” Series Painting and Other Major Works Archives of American Art is an unparalleled virtual repository of source material for the study of the visual arts of the United States__ __
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