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THE FUTURE IS ONE CURRENT MOMENT, EXTENDED When people look to the future, or when writers write about it, it’s as if the future is something that will happen later. In reality, there is no such thing as “the future.” Instead it’s just one long, extended moment of the present.WEEKLY MEDIA DIGEST
Syria’s surprising solar boom: Sunlight powers the night in rebel Idlib (The New York Times)“When the Syrian government attacked their village, Radwan al-Shimali’s family hastily threw clothes, blankets and mattresses into their truck and sped off to begin new lives as refugees, leaving behind their house, farmland and television. ‘PALMYRA SYNDROME’: WHAT ARE SYRIANS ALLOWED TO SPEAK Dellair Youssef. Dellair Youssef is a Syrian journalist, writer and filmmaker. He has directed several films, including The Princes of the Bees, Exile, Banyas: The Beginnings and Clothesline.He is also the author of Tales of this Time, which was published in 2014, and Good Morning Lovelies, published in 2020.Youssef lives in Berlin. MILLIONS OF SYRIANS NOW RELY ON JUST ONE BORDER CROSSING There could hardly have been a worse time for aid deliveries into northwestern Syria to come under threat. More than a year of government airstrikes and artillery fire have sent roughly one million people into displacement, and bombed dozens of hospitals and medical clinics out of service. Residents of rural Idlib province and parts of neighboring Aleppo’s countryside—the last major pocketNOTHING WILL CHANGE
I’m only 37 years old, but as we say, things are as they are. That is, nothing has changed since 100 years ago or more. But when I think in a certain way, like someone who has lived through a war that rages on, I feel as if nothing will ever change. Things change from place to place—this is normal. But I feel that morals will remain as they MUHAMMAD AL-HOMSI ARCHIVES Muhammad al-Homsi |. 28 December 2020. COVID-19 and years of displacement have barred children in Syria's northwest from school. In one displacement camp, several women have taken on the task of teaching some 200 children themselves, WHAT DID EXILE CHANGE IN OUR NARRATIVES? Exile, and the reality of writing in exile. According to Bandar, exile was the primary condition that deepened the change which affected—and is yet to affect—the Syrian narrative. The revolution has certainly contributed to the act of change, but not as much as exile. Unfortunately, those who stayed in Syria did not see theirpolitical
DYSTOPIA ARCHIVES
Novels, dramas and films tend towards disasters and new systems that in the end turn out to be bad or catastrophic—and this is true on a realistic level, not only بناء هوية عسكرية أبوية في الدستور السوري (1973-2012TRANSLATE THIS PAGE مقدمة: أتى تطور الهوية الوطنية السورية في إطار نشوء سورية كدولة أممية. إذ تحدد السردية الدستورية أدوار الرجال والنساء في الدولة، يضع ذلك بدوره صحة تطبيق هذه السردية للمساواة والحرية والديمقراطية موضع التساؤل، لذلك HOME | SYRIAUNTOLD | حكاية ما انحكت Features Syria Writes. Murder, and the burden of proof. Syrian crime and punishment. Orwa Al-Mokdad. Murder turned into an act of self-defense, in which the regime and international community embarked on a selfish battle of describing the crime using terms such as civil war, the two-party war and the conflict. Consequently, the main crimewas
THE FUTURE IS ONE CURRENT MOMENT, EXTENDED When people look to the future, or when writers write about it, it’s as if the future is something that will happen later. In reality, there is no such thing as “the future.” Instead it’s just one long, extended moment of the present.WEEKLY MEDIA DIGEST
Syria’s surprising solar boom: Sunlight powers the night in rebel Idlib (The New York Times)“When the Syrian government attacked their village, Radwan al-Shimali’s family hastily threw clothes, blankets and mattresses into their truck and sped off to begin new lives as refugees, leaving behind their house, farmland and television. ‘PALMYRA SYNDROME’: WHAT ARE SYRIANS ALLOWED TO SPEAK Dellair Youssef. Dellair Youssef is a Syrian journalist, writer and filmmaker. He has directed several films, including The Princes of the Bees, Exile, Banyas: The Beginnings and Clothesline.He is also the author of Tales of this Time, which was published in 2014, and Good Morning Lovelies, published in 2020.Youssef lives in Berlin. MILLIONS OF SYRIANS NOW RELY ON JUST ONE BORDER CROSSING There could hardly have been a worse time for aid deliveries into northwestern Syria to come under threat. More than a year of government airstrikes and artillery fire have sent roughly one million people into displacement, and bombed dozens of hospitals and medical clinics out of service. Residents of rural Idlib province and parts of neighboring Aleppo’s countryside—the last major pocketNOTHING WILL CHANGE
I’m only 37 years old, but as we say, things are as they are. That is, nothing has changed since 100 years ago or more. But when I think in a certain way, like someone who has lived through a war that rages on, I feel as if nothing will ever change. Things change from place to place—this is normal. But I feel that morals will remain as they MUHAMMAD AL-HOMSI ARCHIVES Muhammad al-Homsi |. 28 December 2020. COVID-19 and years of displacement have barred children in Syria's northwest from school. In one displacement camp, several women have taken on the task of teaching some 200 children themselves, WHAT DID EXILE CHANGE IN OUR NARRATIVES? Exile, and the reality of writing in exile. According to Bandar, exile was the primary condition that deepened the change which affected—and is yet to affect—the Syrian narrative. The revolution has certainly contributed to the act of change, but not as much as exile. Unfortunately, those who stayed in Syria did not see theirpolitical
DYSTOPIA ARCHIVES
Novels, dramas and films tend towards disasters and new systems that in the end turn out to be bad or catastrophic—and this is true on a realistic level, not only بناء هوية عسكرية أبوية في الدستور السوري (1973-2012TRANSLATE THIS PAGE مقدمة: أتى تطور الهوية الوطنية السورية في إطار نشوء سورية كدولة أممية. إذ تحدد السردية الدستورية أدوار الرجال والنساء في الدولة، يضع ذلك بدوره صحة تطبيق هذه السردية للمساواة والحرية والديمقراطية موضع التساؤل، لذلك THE FUTURE CANNOT BE WRITTEN This reflection is part of SyriaUntold’s collaboration with Ecologìas del Futuro on science fiction and imagining the future in the MENA region. We asked writers, artists, journalists and filmmakers from different countries across the region to send us short audio messages or reflections on what their world may look like in 300 years, and their relationship with the distant future. THE FUTURE IS ONE CURRENT MOMENT, EXTENDED When people look to the future, or when writers write about it, it’s as if the future is something that will happen later. In reality, there is no such thing as “the future.” Instead it’s just one long, extended moment of the present.WEEKLY MEDIA DIGEST
A 6-year-old was chained and hungry in a Syrian camp. Then she died. (The New York Times)“In a photo of the girl taken a few months before she died, her light brown hair is matted, her face and clothessmudged with dirt.
REMEMBERING THE SYRIAN REVOLUTION THROUGH SONG Because this generation has lived through historical turns of events, we are both lucky and unlucky at the same time. The outburst of the Arab Spring revolutions and the songs that accompanied them carried the torch from Tunisia to Tahrir Square in Cairo and the squares in Sanaa. Then, we heard the voice of the first Syrian shouting “Long Live Syria, Let Bashar Fall.”NOTHING WILL CHANGE
This reflection is part of SyriaUntold’s collaboration with Ecologìas del Futuro on science fiction and imagining the future in the MENA region. We asked writers, artists, journalists and filmmakers from different countries across the region to send us short audio messages or reflections on what their world may look like in 300 years, and their relationship with the distant future.WEEKLY MEDIA DIGEST
Syria’s surprising solar boom: Sunlight powers the night in rebel Idlib (The New York Times)“When the Syrian government attacked their village, Radwan al-Shimali’s family hastily threw clothes, blankets and mattresses into their truck and sped off to begin new lives as refugees, leaving behind their house, farmland and television. INSIDE HTS’ MOST DANGEROUS PRISON Al-Oqab is among the most dangerous prisons in northwestern Syria. Built partly in a cave, and across 11 poultry farms in a rural, mountainous part of opposition-held Idlib governorate, much of the complex was once intended as a government security facility. But since 2014, when Oqab is said to have been founded, it has served in itscurrent
A FAMINE, A SHIP AND A FOLK SONG THAT SPANNED BORDERS This is how one story goes. It was the early 20th century, maybe 1915, amid Lebanon’s vicious famine. Ottoman authorities were enforcing safar barlik, mandatory conscription of Lebanese, Palestinian, Syrian and Kurdish men to fight for them during the Great War.They say these were some of the worst years for Bilad el-Sham, that Beirut and its surrounding mountains were like shriveled fruit RANDA BAATH: 'ANY CULTURAL ACT IS VITAL' Dellair Youssef is a Syrian journalist, writer and filmmaker. He has directed several films, including The Princes of the Bees, Exile, Banyas: The Beginnings and Clothesline. He is also the author of Tales of this Time, which was published in 2014, and Good morning Lovelies,published in
HAYTHAM EL-WARDANY ARCHIVES Haytham el-Wardany is an Egyptian writer living between Cairo andBerlin.
HOME | SYRIAUNTOLD | حكاية ما انحكت Features Syria Writes. Murder, and the burden of proof. Syrian crime and punishment. Orwa Al-Mokdad. Murder turned into an act of self-defense, in which the regime and international community embarked on a selfish battle of describing the crime using terms such as civil war, the two-party war and the conflict. Consequently, the main crimewas
THE SYRIAN REVOLUTION AND ITS AMBIGUITY A state of confusion ensuing the revolution. The Syrian revolution sparked deep confusion among several social groups and leftist and nationalist political currents, both in Syria and the Arab world. Many times, these concerns turned into clear resentment, and at other times, they just took a generally negative stance towards therevolution.
INSIDE HTS’ MOST DANGEROUS PRISON Al-Oqab is among the most dangerous prisons in northwestern Syria. Built partly in a cave, and across 11 poultry farms in a rural, mountainous part of opposition-held Idlib governorate, much of the complex was once intended as a government security facility. But since 2014, when Oqab is said to have been founded, it has served in itscurrent
MUHAMMAD AL-HOMSI ARCHIVES Muhammad al-Homsi |. 28 December 2020. COVID-19 and years of displacement have barred children in Syria's northwest from school. In one displacement camp, several women have taken on the task of teaching some 200 children themselves, ‘PALMYRA SYNDROME’: WHAT ARE SYRIANS ALLOWED TO SPEAK Dellair Youssef. Dellair Youssef is a Syrian journalist, writer and filmmaker. He has directed several films, including The Princes of the Bees, Exile, Banyas: The Beginnings and Clothesline.He is also the author of Tales of this Time, which was published in 2014, and Good Morning Lovelies, published in 2020.Youssef lives in Berlin. WHAT DID EXILE CHANGE IN OUR NARRATIVES? Exile, and the reality of writing in exile. According to Bandar, exile was the primary condition that deepened the change which affected—and is yet to affect—the Syrian narrative. The revolution has certainly contributed to the act of change, but not as much as exile. Unfortunately, those who stayed in Syria did not see theirpolitical
A FAMINE, A SHIP AND A FOLK SONG THAT SPANNED BORDERS This is how one story goes. It was the early 20th century, maybe 1915, amid Lebanon’s vicious famine. Ottoman authorities were enforcing safar barlik, mandatory conscription of Lebanese, Palestinian, Syrian and Kurdish men to fight for them during the Great War.They say these were some of the worst years for Bilad el-Sham, that Beirut and its surrounding mountains were like shriveled fruitDYSTOPIA ARCHIVES
Novels, dramas and films tend towards disasters and new systems that in the end turn out to be bad or catastrophic—and this is true on a realistic level, not only ANNA FLEISCHER ARCHIVES Anna Fleischer is program coordinator at the Heinrich Böll Foundation’s Beirut office. She is particularly interested in gender justice and grass-roots movements, with a special focus on Syria. ZIAD ADWAN: NO DEEPER SHOCK THAN THAT OF SYRIANS Ziad is betting on this with conviction. He works with refugees from all over the world, not just from Syria, to help them adapt to their new environment. In 2016, Ziad produced an interactive play in Munich, pieced together from the stories of refugees from Nigeria. “Everyrefugee thinks his
HOME | SYRIAUNTOLD | حكاية ما انحكت Features Syria Writes. Murder, and the burden of proof. Syrian crime and punishment. Orwa Al-Mokdad. Murder turned into an act of self-defense, in which the regime and international community embarked on a selfish battle of describing the crime using terms such as civil war, the two-party war and the conflict. Consequently, the main crimewas
THE SYRIAN REVOLUTION AND ITS AMBIGUITY A state of confusion ensuing the revolution. The Syrian revolution sparked deep confusion among several social groups and leftist and nationalist political currents, both in Syria and the Arab world. Many times, these concerns turned into clear resentment, and at other times, they just took a generally negative stance towards therevolution.
INSIDE HTS’ MOST DANGEROUS PRISON Al-Oqab is among the most dangerous prisons in northwestern Syria. Built partly in a cave, and across 11 poultry farms in a rural, mountainous part of opposition-held Idlib governorate, much of the complex was once intended as a government security facility. But since 2014, when Oqab is said to have been founded, it has served in itscurrent
MUHAMMAD AL-HOMSI ARCHIVES Muhammad al-Homsi |. 28 December 2020. COVID-19 and years of displacement have barred children in Syria's northwest from school. In one displacement camp, several women have taken on the task of teaching some 200 children themselves, ‘PALMYRA SYNDROME’: WHAT ARE SYRIANS ALLOWED TO SPEAK Dellair Youssef. Dellair Youssef is a Syrian journalist, writer and filmmaker. He has directed several films, including The Princes of the Bees, Exile, Banyas: The Beginnings and Clothesline.He is also the author of Tales of this Time, which was published in 2014, and Good Morning Lovelies, published in 2020.Youssef lives in Berlin. WHAT DID EXILE CHANGE IN OUR NARRATIVES? Exile, and the reality of writing in exile. According to Bandar, exile was the primary condition that deepened the change which affected—and is yet to affect—the Syrian narrative. The revolution has certainly contributed to the act of change, but not as much as exile. Unfortunately, those who stayed in Syria did not see theirpolitical
A FAMINE, A SHIP AND A FOLK SONG THAT SPANNED BORDERS This is how one story goes. It was the early 20th century, maybe 1915, amid Lebanon’s vicious famine. Ottoman authorities were enforcing safar barlik, mandatory conscription of Lebanese, Palestinian, Syrian and Kurdish men to fight for them during the Great War.They say these were some of the worst years for Bilad el-Sham, that Beirut and its surrounding mountains were like shriveled fruitDYSTOPIA ARCHIVES
Novels, dramas and films tend towards disasters and new systems that in the end turn out to be bad or catastrophic—and this is true on a realistic level, not only ANNA FLEISCHER ARCHIVES Anna Fleischer is program coordinator at the Heinrich Böll Foundation’s Beirut office. She is particularly interested in gender justice and grass-roots movements, with a special focus on Syria. ZIAD ADWAN: NO DEEPER SHOCK THAN THAT OF SYRIANS Ziad is betting on this with conviction. He works with refugees from all over the world, not just from Syria, to help them adapt to their new environment. In 2016, Ziad produced an interactive play in Munich, pieced together from the stories of refugees from Nigeria. “Everyrefugee thinks his
ABOUT SYRIAUNTOLD
On the second anniversary of the Syrian revolution, in March 2013, a group of activists, journalists, researchers and academics launched SyriaUntold. Our guiding principle: the world needed a platform for Syria’s peaceful movement to express itself, and for documentation, as the revolution and subsequent war began to span years. The hope wasto provide what
THE FUTURE CANNOT BE WRITTEN This reflection is part of SyriaUntold’s collaboration with Ecologìas del Futuro on science fiction and imagining the future in the MENA region. We asked writers, artists, journalists and filmmakers from different countries across the region to send us short audio messages or reflections on what their world may look like in 300 years, and their relationship with the distant future.FEATURES ARCHIVES
Current conditions of Syrian theater. Syrians are clearly shouting, “We exist.”. They seek to leave traces of their existence wherever they go. They long to express the things they have gone through, forfear of
TESTIMONIES ARCHIVES Iftar in Damascus: Stale bread and dwindling aid. Salwa Zakzak |. 07 May 2021. “You shall know them by their bags”—the words of this saying seem to ring true for Syrians, amid today’s economic crisis. Their shopping bags contain a little bit of everything,WEEKLY MEDIA DIGEST
A 6-year-old was chained and hungry in a Syrian camp. Then she died. (The New York Times)“In a photo of the girl taken a few months before she died, her light brown hair is matted, her face and clothessmudged with dirt.
CITIES IN REVOLUTION Cities in Revolution. The complexity of the situation in Syria, the Regime’s efforts in dividing the opposition as well as the growing militarization of the conflict has led to very various forms of revolutions depending on the geographical areas or cities where the uprising took place.OPINION ARCHIVES
The Syrian story: From unity to fragmentation. The regime’s lie of reform revealed itself amid increased violence against protesters. And as foreign forces, both with and against the regime, joined the equation, two narratives started to emerge. Denmark is revoking residence permits from Syrian asylum seekers. This didn’t come outof
CIVIL SOCIETY ARCHIVES In pictures: Under olive trees, volunteers teach displaced Idlib children. COVID-19 and years of displacement have barred children in Syria's northwest from school. In one displacement camp, several women have taken on the task of teaching some 200 children themselves,NOTHING WILL CHANGE
I’m only 37 years old, but as we say, things are as they are. That is, nothing has changed since 100 years ago or more. But when I think in a certain way, like someone who has lived through a war that rages on, I feel as if nothing will ever change. Things change from place to place—this is normal. But I feel that morals will remain as they HAYTHAM EL-WARDANY ARCHIVES Haytham el-Wardany is an Egyptian writer living between Cairo andBerlin.
* حكايات
* بروفايل
* شهادات
* تحقيقات
* سوريا تكتب* سياسة
* الاقتصاد
* ثقافة
* جندر
* بيئة
* رأي
* في العمق
* السينما السورية * عملية “نبع السلام” * العلمانية* جهاد محمد
* المزيد
* الثقافة الشفوية * الانتقال السياسي * حول الفيدارالية * الكرد في سوريا * حرية الصحافة * مدن في الثورة* خدماتنا
* ملخص الصحافة* من نحن
* English
* __
* __
* __
* __
* __
-------------------------* حكايات
* بروفايل
* شهادات
* تحقيقات
* سوريا تكتب* سياسة
* الاقتصاد
* ثقافة
* جندر
* بيئة
* رأي
* في العمق
* السينما السورية * عملية “نبع السلام” * العلمانية* جهاد محمد
* المزيد
* الثقافة الشفوية * الانتقال السياسي * حول الفيدارالية * الكرد في سوريا * حرية الصحافة * مدن في الثورة* خدماتنا
* ملخص الصحافة* من نحن
-------------------------* English
* __
* __
* __
* __
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القامشلي: هل تبدأ منها الحرب العالميةالثالثة؟!
أم حرب باردة صامتة؟ ------------------------- __ هوشنك حسن لجأت إلى قرية معزولة.. فهل هذا هو الحل؟! حماية للنساء أم عزل لهنّ ------------------------- __ ريحان جميل "جميلات روج آفا"… في مواجهة كوفيد 19 من خلف الشاشة إلى الميدان ------------------------- __ هوزان هادي ملخص الصحافة 15 إيار 2020 الهوية السورية ومعارك الأسد مخلوف ------------------------- __ حكاية ما انحكتPrevious Next
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الخوف..السجن أم السفر.. خيارات سورياتفي لبنان
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التأسيس، الأقسام، "فلسفة" التعذيب، تجارب من مرّوا به ------------------------- __ أحمد عبيد "قضيت سبعة عشر يوماً متواصلاً داخل ذاك النعش الحديدي، وكانت المرة الثالثة التي يضعوني به خلال عام ونصف قضيتها في سجن العقاب" هذا ما يقوله سعيد لحكاية ما انحكت، فما هو هذا النعش الحديدي المعروف بأنه وسيلة التعذيب الأخطر والأشد في سجن العقاب التابع لجبهة النصرة؟ يكشف التحقيق التالي استراتيجية...تحقيقات
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------------------------- __ سلطان جلبي هل يمول ذوو المعتقلين والمختفين قسرياً المؤسسات الأمنية التي تسلبهم أبنائهم؟ للإجابة عن هذا السؤال، اعتمد هذا التحقيق على تقصّي حالة مئة مواطنة ومواطن سوريين ممن تعرّضوا للاعتقال أو الإخفاء القسري على يد قوات النظام السوري، منهم من نجا، ومنهم من قضى، وآخرون مازالوا يكابدون مع عائلاتهم، لمعرفة خبايا هذه...Previous Next
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السينما السوريةثقافة
"إلى سما" وصناعة الأفلام السائدة ------------------------- __ دوناتيلا ديلا راتا إن فيلم "إلى سما" هو النموذج المثالي لفيلم فني هادف تمكّن من استقطاب الجمهور العالمي ونجح على شباك التذاكر. ولكن لماذا إذن، يتركني هذا الفيلم غير مقتنعة، لا بل باردة قليلاً، بصرف النظر عن التأثّر (المتوقع) الناتج عن كلماتامرأة...
ثقافة
سوريا
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"إن لم يُعجبك الوضع، ارجع إلى بلدك" ------------------------- __ باسيليوس زينو "الخطاب النيوليبرالي السائد بين العديد من المهاجرين واللاجئين السوريين في الولايات المتحدة، خاصة من أبناء الطبقة الوسطى وميسوري الحال كما لاحظته خلال بحثي الميداني ومقابلاتي التي أجريتها لأطروحتي الدكتوراه، يتملّص من أي حس بالمسؤولية الجماعية والتضامن مع المُستغلين والمهمشين،ويلوم...
السينما السوريةثقافة
في عزلة كورونا.. إعادة اكتشاف البيت ------------------------- __ عروة المقداد مع فرض الحظر الصحي يتشارك ملايين الناس حول العالم محاولات إعادة اكتشاف البيت. يَفتحُ هذا الخللَ في الحياة اليومية، أسئلةً حول معنى (البيت) بُنيته ومركزتيه، ومعنى خسارته والحرمان منه. وطالما تتفرد السينما في حضور البيت، عن الشعر والمسرح والرواية التي...Previous Next
السينما السوريةثقافة
السينما السورية: الصورة في زمن التحولات (11) -------------------------__ نضال حسن
رأي
سوريا
تكتب
سوريا وأسئلة كورونا ------------------------- __ محمد ديبومعرض الصور
انفوغراف ورسوم سجن العقاب: الموقع،الأقسام، أساليب التعذيب ------------------------- يوضح هذا الانفوغراف والرسوم المرافقة له استراتيجية سجن العُقاب التابع لهيئة تحرير الشام "جبهة النصرة سابقاً"، مكانه وأقسامه ووسائل التعذيب فيه، ومدى التشابه والاختلاف مع وسائل التعذيب المتبعة لدى النظام... انفوغراف...تجارة الاعتقال في سجون ومعتقلات النظام السوري ------------------------- المعلومات الواردة في هذا الانفوغراف هي نتيجة تحقيق وتقصّي حالة مئة مواطنة ومواطن سوريين ممن تعرّضوا للاعتقال أو الإخفاء القسري على يد قوات النظام السوري، منهم من نجا، ومنهم من... مخيم موريا في اليونان.. صور ومعاناة ------------------------- مخيم موريا في اليونان مصمم لاستيعاب أقل من 2500 لاجئ ولاجئة، بينما تجاوز عدد اللاجئين حاليا 22000، ما دفع البعض لنصب الخيام في كرم الزيتون المجاور له، في معاناة كبيرة،... مخيم العرموطة.. خيم لا تحمي قاطنيها ------------------------- في منطقة، هناك عشرات المخيمات، "النظامية" أو "العشوائية"، نذكر منها مخيمات سجُّو، الإيمان، القطري، الرسالة، النور، باب السلامة، الحرمين، شمارخ، العرموطة الذي نعرض منه هذه الصور التي تعكس حال المخيم...Previous Next
حكايات
بروفايل
حكايات
أفين يوسف... ليس للأحلام أبوابٌ موصدة ------------------------- __ أفيندار بوظو الظلم الذي تعرّضت له الصحفية أفين يوسف لم يمنعها من الإصرار على شق طريقها في الحياة، لتكون نموذجاً كُردياً للمرأة الصحافية العاملة في شمال وشرق سوريا، فرغم كل الصعوبات نجحت بالصمود في وجه كل من حاول أن يفرغها من مضمونها... لا استسلام أمام كورنا.. الصراع من أجللقمة الخبز
------------------------- __ سوسن غنوم| 07 أيار 2020
حكاية تروي تفاصيل كفاح ونضال منيرة يوسف من مدينة القامشلي مع الحياة وصعوباتها في بلد الحرب منذ أعوام. هذه الحرب التي دمرت الكثير، ومنها إرادات الناس قبل أن تحطم حيواتهم.... هل الحزن لعنة شرقية؟ ------------------------- __ ليندا بلال | 01 نيسان 2020 ما إن هبطت الطائرة في إسطنبول حتى تملّكتني خفة بهية. حرية حركة واسعة، أكتاف مشدودة ورأس مرفوع، أصابع أقدامي ترسم لحن المسير على أرض المطار العملاق بزهو، هل ترفع السعادة... مشهد من يوم القيامة ------------------------- __ منذر بولاد| 28 شباط 2020
الناس النازحون الذين ثاروا وساهموا بكل من نشاطات المعارضة وإيواء النازحين من مناطق أخرى لفترات طويلة، هم الآن نازحون من منازلهم إلى المجهول. يعانون البرد والظروف القاسية. إذا لميشتكِ...
عن السجن.. تجربة وكتابة ------------------------- __ محمد ديبو| 18 شباط 2020
هل سوريا وحدها سجنا؟ ألم يتحول العالم بأسره إلى سجون؟ ألا تدير الاستخبارات الأميركية مئات السجون في أماكن متعددة من العالم تحت ذريعة "مكافحة الإرهاب"؟ ألم تعود سياسة رفع الأسوار... سوريا: نهاية العام الأسوأ دون انتهاءالمعاناة
------------------------- __ مريم يوسف | 23 كانون الثاني 2020 "الانفجار قريب، لا يمكن أن يستمر الوضع على ما هو عليه"، جملة باتت تتردد كل يوم، دون أن يعرف أحد أين ومتى وكيف يمكن أن يحدث هذا الانفجار، ولكن ما... الغابة (حكاية مصوّرة) ------------------------- 16 كانون الثاني 2020 أين يكمن الفساد؟ في المجتمع أم السلطة؟ من شرطي المرور أم ممن يحميه؟ من الشبيحة أم ممن يدعمهم؟ من يغذي الأخر في غابة يحكمها القطيع والشبيحة : الخوف أم الفساد؟Previous Next
فيديو
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This is a modal window. Beginning of dialog window. Escape will cancel and close the window. TextColorWhiteBlackRedGreenBlueYellowMagentaCyanTransparencyOpaqueSemi-TransparentBackgroundColorBlackWhiteRedGreenBlueYellowMagentaCyanTransparencyOpaqueSemi-TransparentTransparentWindowColorBlackWhiteRedGreenBlueYellowMagentaCyanTransparencyTransparentSemi-TransparentOpaque ">Font Size50%75%100%125%150%175%200%300%400%Text Edge StyleNoneRaisedDepressedUniformDropshadowFont FamilyProportional Sans-SerifMonospace Sans-SerifProportional SerifMonospace SerifCasualScriptSmall Caps Reset restore all settings to the default valuesDoneClose Modal Dialog End of dialog window. تحسبهنّ أحرار وهنّ في قبضة الرعب ------------------------- لماذا تغادر الناشطات السوريات لبنان؟ ما هي العوائق والصعوبات والتهديدات التي يتعرضون/نّ لها؟ ما هي خيارات من يقررن البقاء؟ وهل تتعرض الناشطات لظروف أقسى من النشطاء حيث تقول مزنة أن "الخطر المجتمعي والذكوري يمارس أيضاً على الناشطات دونًا عن غيرهن،...* __
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This is a modal window. Beginning of dialog window. Escape will cancel and close the window. TextColorWhiteBlackRedGreenBlueYellowMagentaCyanTransparencyOpaqueSemi-TransparentBackgroundColorBlackWhiteRedGreenBlueYellowMagentaCyanTransparencyOpaqueSemi-TransparentTransparentWindowColorBlackWhiteRedGreenBlueYellowMagentaCyanTransparencyTransparentSemi-TransparentOpaque ">Font Size50%75%100%125%150%175%200%300%400%Text Edge StyleNoneRaisedDepressedUniformDropshadowFont FamilyProportional Sans-SerifMonospace Sans-SerifProportional SerifMonospace SerifCasualScriptSmall Caps Reset restore all settings to the default valuesDoneClose Modal Dialog End of dialog window. افتتاح الحمّام في معرة النعمان ------------------------- 16 كانون الأول 2019 رغم الحرب والقصف الذي يكاد لا ينقطع عن سماء معرّة النعمان، يصر الأهالي على اختراع الأمل إن لم يجدوه، فهاهم يعيدون فتح أقدم حمامات المدينة، سعيا لاستعادة الحياة التي توقفت.....Play Video
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-------------------------28 أيلول 2019
تحوّلت قصة مكب البصة للنفايات (على بعد حوالي 15 كم عن مركز اللاذقية بمساحة 100 هكتار حالياً) إلى واحدة من أشهر قصص فشل الإدارات المتعاقبة في المدينة على مدار عقود...Play Video
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بيدين مصابتين غدرت بهما طائرات الأسد، تقصّ حليمة الأسمر، حجر الفسيفساء معلنة عن تحد شاق بينها وبين إصابتها التي حرمتها من الحركة والعمل. فصوت تقطيع الحجارة وجمال رسمها هو أكثر...Play Video
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هي حكاية رحلة ابتدأت كما أغلب حكايا السوريين هربا من وطن الحروب، سعيا وراء حلم ما. لكنها ليست كباقي قصص الرحلات التي تنتهي بالموت في باطن البحار أو أمام الحدود...Play Video
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خرج العشرات من أهالي مدينة خان شيخون في مظاهرة في مدينة إدلب للتنديد بالإحتلال الروسي للمدينة، وللتأكيد على استمرار الثورة السورية حتى إسقاط النظام. ورفع المتظاهرون لافتات استنكروا من خلالها...Previous Next
مدن في الثورة قصة الثورة في ستة مدن سوريةبدعم من
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في العمق
* العلمانية* جهاد محمد
* عملية “نبع السلام” * الانتقال السياسي * الثقافة الشفوية * الكرد في سوريا * حرية الصحافة * حول الفيداراليةمجتمع مدني
* نشاطات مدنية * مؤسسات مدنية ------------------------- النشرة الأخباريةإشترك الأن
------------------------- هذا المصنف مرخص بموجب رخصة المشاع الإبداعي. نسب المصنف : غير تجاري - الترخيص بالمثل 4.0 دولي تصميم اللوغو : ديما نشاوي التصميم الرقمي للوغو: هشام أسعد* حكايات
* بروفايل
* شهادات
* تحقيقات
* سوريا تكتب* سياسة
* الاقتصاد
* ثقافة
* جندر
* بيئة
* رأي
* في العمق
* السينما السورية * عملية “نبع السلام” * العلمانية* جهاد محمد
* المزيد
* الثقافة الشفوية * الانتقال السياسي * حول الفيدارالية * الكرد في سوريا * حرية الصحافة * مدن في الثورة* خدماتنا
* ملخص الصحافة* من نحن
هذا المصنف مرخص بموجب رخصة المشاع الإبداعي. نسب المصنف : غير تجاري - الترخيص بالمثل 4.0 دولي تصميم اللوغو : ديما نشاوي التصميم الرقمي للوغو: هشام أسعدBESbswy
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