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songwriting.
SONS OF KEMET: BLACK TO THE FUTURE Sons of Kemet: Black to the Future. Now firmly ensconced as one of the major voices in the avant-jazz revival of the last decade, Shabaka Hutchings continues to deepen his mastery of the genre as an enduringly relevant musical communication and means of social commentary. Last year’s offering with the Ancestors, We Are SentHere by History
THE ALCHEMIST: THIS THING OF OURS This Thing of Ours is a tonal palate cleanser for the Alchemist. His last work was March’s collaborative Armand Hammer project Haram. The full-length was a showcase of billy woods’ and Elucid’s uncompromising delivery. Released only a month later, This Thing of Ours shows the versatility inherent to the Alchemist’s outputwithout him
MY BLOODY VALENTINE: REISSUES The first thing to note is that these reissues, superb in themselves, cover only the releases that My Bloody Valentine put out from their Creation debut, the You Made Me Realise EP in August of 1988 onwards, and in doing so give the – not entirely false – impression that, before they came along, nothing sounded like much like My Bloody Valentine, but afterwards, lots of things did. JACK INGRAM, MIRANDA LAMBERT, AND JON RANDALL: THE MARFAAUTHOR: JUSTINCOBER-LAKE
Jack Ingram, Miranda Lambert, and Jon Randall: The Marfa Tapes. None of the trio shy from the big lights and the big production. Miranda Lambert regularly tops the charts and travels with a big stage show, pop performance and rock ‘n’ roll attitude mixed into her country. Her musical partners might get less attention, but they certainlyWRATH OF MAN
Wrath of Man is based on Cash Truck, a French thriller from 2004 where the hero is a civilian, not a criminal, who becomes a vigilante. That is a more interesting premise, but the trouble is that Jason Statham – an actor of limited range – could never convincingly portray an everyman. At least H could have had some affection for his son THIS ROAD OF MINE: BY SEOSAMH MAC GRIANNA A mercurial subject, Mac Grianna dramatizes himself as a mercurial tramp rather than the aspiring modernist he might have become if he’d stayed put. This tone rings truest in briefer passages. After a while, his morose self-aggrandizing, even by the standards of the imaginative predecessors of Irish adventurers, can sound rattling andtinny.
JULIANA HATFIELD: BLOOD Juliana Hatfield made her name with the jagged-edged and sometimes ramshackle power pop of the Blake Babies, but it was her zeitgeist-channeling 1992 solo album Hey Babe that really put her on the musical map. Though still solidly within the alt-rock genre, the album was at the time a refreshing alternative to the diminishing-returns post-grunge rock that had dominated the USalternative scene
12 ANGRY SONGS BY ANGRY LADIES 12 Angry Women: Angry Songs by Angry Ladies. 1. Alanis Morrisette – “You Oughta Know”. Break ups are seldom pretty or even handed. Usually, one party finds themselves blindsided, left stewing in their revenge fantasies. In this case, rather than repress it or keep it private, Alanis Morrisette was driven to share her fury, contempt and MACH-HOMMY: PRAY FOR HAITI Colin Dempsey Colin Dempsey is a Toronto-based writer battling a receding hairline and the looming desire to buy another pair of Issey Miyake Homme Plissé trousers. LORD HURON: LONG LOST Lord Huron’s fourth album ends with a 14 minute ambient sunset, the peaceful ghosts of the record whispering over a dramatic backdrop. It’s a bold evolution of the band’s long demonstrated talent for crafting ethereal landscapes from otherwise straightforwardsongwriting.
SONS OF KEMET: BLACK TO THE FUTURE Sons of Kemet: Black to the Future. Now firmly ensconced as one of the major voices in the avant-jazz revival of the last decade, Shabaka Hutchings continues to deepen his mastery of the genre as an enduringly relevant musical communication and means of social commentary. Last year’s offering with the Ancestors, We Are SentHere by History
THE ALCHEMIST: THIS THING OF OURS This Thing of Ours is a tonal palate cleanser for the Alchemist. His last work was March’s collaborative Armand Hammer project Haram. The full-length was a showcase of billy woods’ and Elucid’s uncompromising delivery. Released only a month later, This Thing of Ours shows the versatility inherent to the Alchemist’s outputwithout him
MY BLOODY VALENTINE: REISSUES The first thing to note is that these reissues, superb in themselves, cover only the releases that My Bloody Valentine put out from their Creation debut, the You Made Me Realise EP in August of 1988 onwards, and in doing so give the – not entirely false – impression that, before they came along, nothing sounded like much like My Bloody Valentine, but afterwards, lots of things did. JACK INGRAM, MIRANDA LAMBERT, AND JON RANDALL: THE MARFAAUTHOR: JUSTINCOBER-LAKE
Jack Ingram, Miranda Lambert, and Jon Randall: The Marfa Tapes. None of the trio shy from the big lights and the big production. Miranda Lambert regularly tops the charts and travels with a big stage show, pop performance and rock ‘n’ roll attitude mixed into her country. Her musical partners might get less attention, but they certainlyWRATH OF MAN
Wrath of Man is based on Cash Truck, a French thriller from 2004 where the hero is a civilian, not a criminal, who becomes a vigilante. That is a more interesting premise, but the trouble is that Jason Statham – an actor of limited range – could never convincingly portray an everyman. At least H could have had some affection for his son THIS ROAD OF MINE: BY SEOSAMH MAC GRIANNA A mercurial subject, Mac Grianna dramatizes himself as a mercurial tramp rather than the aspiring modernist he might have become if he’d stayed put. This tone rings truest in briefer passages. After a while, his morose self-aggrandizing, even by the standards of the imaginative predecessors of Irish adventurers, can sound rattling andtinny.
JULIANA HATFIELD: BLOOD Juliana Hatfield made her name with the jagged-edged and sometimes ramshackle power pop of the Blake Babies, but it was her zeitgeist-channeling 1992 solo album Hey Babe that really put her on the musical map. Though still solidly within the alt-rock genre, the album was at the time a refreshing alternative to the diminishing-returns post-grunge rock that had dominated the USalternative scene
12 ANGRY SONGS BY ANGRY LADIES 12 Angry Women: Angry Songs by Angry Ladies. 1. Alanis Morrisette – “You Oughta Know”. Break ups are seldom pretty or even handed. Usually, one party finds themselves blindsided, left stewing in their revenge fantasies. In this case, rather than repress it or keep it private, Alanis Morrisette was driven to share her fury, contempt andIN THE HEIGHTS
1 day ago · In the Heights is a vibrant, unselfconscious celebration of many things. The specific contours of a tight-knit community living in Washington Heights, Nueva York.The panoply of Spanish-language Caribbean immigrants who reshaped that parcel of land, at LORD HURON: LONG LOST Lord Huron’s fourth album ends with a 14 minute ambient sunset, the peaceful ghosts of the record whispering over a dramatic backdrop. It’s a bold evolution of the band’s long demonstrated talent for crafting ethereal landscapes from otherwise straightforwardsongwriting.
THE AMUSEMENT PARK
George Romero wasn’t what one might call a subtle director, as seen in the societal microcosm of Night of the Living Dead, the mall’s beyond-the-grave consumer magnetism in Dawn of the Dead, or the clinical authoritarian cruelty of The Crazies, among myriad other examples.Couching relevant sociopolitical theme in sharply-directed genre exercises has allowed his films to remain potent and JAPANESE BREAKFAST: JUBILEE 1 day ago · Japanese Breakfast’s long-awaited third album is about so much more than trauma; it’s a complex collection of emotions that seeks to find joy and bliss through artistic expression. DISCOGRAPHY: KATE BUSH: THE DREAMING 1 day ago · On The Dreaming, Bush established several aspects of her work that were to become watchwords of all her future oeuvre: multi-layered instruments and vocals; allusions to history, culture and literature; polyrhythms and changing time signatures; and employment of spoken-word snippets and other non-traditional“instruments.”
VAN MORRISON: LATEST RECORD PROJECT VOL. 1 Van Morrison: Latest Record Project Vol. 1. When Van Morrison takes aim, you usually feel sorry for the target. Which makes his Latest Record Project Vol. 1 such a disappointment. Van the Man is clearly off his game. He is a very angry man, but his shots miss, lost in the mystic. And with 28 tracks clocking in at over two hours, that’s alot
OEUVRE: FELLINI: SATYRICON 1 day ago · Ostensibly the picaresque story of a young man in ancient Rome wandering the streets of the city after his lover ditches him for his rival, Fellini’s Satyricon is a bewildering, willfully disorienting story of cruelty, debauchery and wild artistic expression. Identification with any one character is actively discouraged – they’re each and all reprehensible, from thepedophilic
SUPER FRENCHIE
Paddy Mulholland Paddy Mulholland can usually be found in London, usually with their eyes on a screen and their face in a tub of ice cream. They enjoy grossing people out, turning people on and telling people off, ideally simultaneously. VARIOUS ARTISTS: COLOR DE TRÓPICO VOL. 2 1 day ago · Like its companion volume, the worst thing about Color de Trópico Vol. 2 is that it’s too short. Gathering eight tracks of never-before-reissued Venezuelan music released from 1966 to 1978 in 25 minutes, the material could easily have been added to the 28-minute first volume without breaking a INTO THE NEVER: NINE INCH NAILS AND THE CREATION OF THE 1 day ago · The Downward Spiral remains one of the most exhaustively talked about albums in recent memory, to the point where the album’s latest vinyl pressing comes with a magazine-style think piece breaking down why it’s so great. While this doesn’t bar Adam Steiner from writing a book about the watershed Nine Inch Nails record, it does beg the question of what he could say in 256 pages that MACH-HOMMY: PRAY FOR HAITI Mach-Hommy is an antithesis of sorts — unbridled artistic expression. So, even for the uninitiated, Pray for Haiti is a significant release beyond its distinction as Mach-Hommy’s first project with the label in five years after a schism with Westside Gunn. Pray for Haiti brings with it Griselda’s patented boom bap production courtesy of LORD HURON: LONG LOST Lord Huron: Long Lost. Lord Huron’s fourth album ends with a 14 minute ambient sunset, the peaceful ghosts of the record whispering over a dramatic backdrop. It’s a bold evolution of the band’s long demonstrated talent for crafting ethereal landscapes from otherwise straightforward songwriting. More than ever before, Lord Huron pullall
THIS ROAD OF MINE: BY SEOSAMH MAC GRIANNA A mercurial subject, Mac Grianna dramatizes himself as a mercurial tramp rather than the aspiring modernist he might have become if he’d stayed put. This tone rings truest in briefer passages. After a while, his morose self-aggrandizing, even by the standards of the imaginative predecessors of Irish adventurers, can sound rattling andtinny.
THE ALCHEMIST: THIS THING OF OURS This Thing of Ours is a tonal palate cleanser for the Alchemist. His last work was March’s collaborative Armand Hammer project Haram. The full-length was a showcase of billy woods’ and Elucid’s uncompromising delivery. Released only a month later, This Thing of Ours shows the versatility inherent to the Alchemist’s outputwithout him
JULIANA HATFIELD: BLOOD Juliana Hatfield made her name with the jagged-edged and sometimes ramshackle power pop of the Blake Babies, but it was her zeitgeist-channeling 1992 solo album Hey Babe that really put her on the musical map. Though still solidly within the alt-rock genre, the album was at the time a refreshing alternative to the diminishing-returns post-grunge rock that had dominated the USalternative scene
BAD TALES - SPECTRUM CULTURE Bad Tales, an Italian drama from Damiano and Fabio D’Innocenzo, is not a bad film in the traditional sense. It is formally rigorous, and well-acted. Instead, its failure is a moral one. It preys upon trusting audiences, and does not justify the wringer it puts themthrough. The
JACK INGRAM, MIRANDA LAMBERT, AND JON RANDALL: THE MARFA Jack Ingram, Miranda Lambert, and Jon Randall: The Marfa Tapes. None of the trio shy from the big lights and the big production. Miranda Lambert regularly tops the charts and travels with a big stage show, pop performance and rock ‘n’ roll attitude mixed into her country. Her musical partners might get less attention, but they certainlyWRATH OF MAN
Wrath of Man is based on Cash Truck, a French thriller from 2004 where the hero is a civilian, not a criminal, who becomes a vigilante. That is a more interesting premise, but the trouble is that Jason Statham – an actor of limited range – could never convincingly portray an everyman. At least H could have had some affection for his son OEUVRE: WONG KAR-WAI: IN THE MOOD FOR LOVE This is 1966, around the time of the Cultural Revolution in China and not long before Cambodia saw its own cultural purge under the Khmer Rouge. In the Mood for Love is delicious eye-candy with rich layers of romantic longing and political tragedy. Wong has suggested that the belly-level camera that sometimes follows the lovers as they’re LOU REED: THINKING OF ANOTHER PLACE Lou Reed: Thinking of Another Place. The conventional wisdom is that Lou Reed’s solo career peaked in the ‘70s. But for every defining if erratic work like Transformer, he made an overblown dramatic excess like Berlin or a bombastic live album like Rock ‘n’ Roll Animal, desecrating the iconoclastic memory of the Velvet Underground with MACH-HOMMY: PRAY FOR HAITI Mach-Hommy is an antithesis of sorts — unbridled artistic expression. So, even for the uninitiated, Pray for Haiti is a significant release beyond its distinction as Mach-Hommy’s first project with the label in five years after a schism with Westside Gunn. Pray for Haiti brings with it Griselda’s patented boom bap production courtesy of LORD HURON: LONG LOST Lord Huron: Long Lost. Lord Huron’s fourth album ends with a 14 minute ambient sunset, the peaceful ghosts of the record whispering over a dramatic backdrop. It’s a bold evolution of the band’s long demonstrated talent for crafting ethereal landscapes from otherwise straightforward songwriting. More than ever before, Lord Huron pullall
THIS ROAD OF MINE: BY SEOSAMH MAC GRIANNA A mercurial subject, Mac Grianna dramatizes himself as a mercurial tramp rather than the aspiring modernist he might have become if he’d stayed put. This tone rings truest in briefer passages. After a while, his morose self-aggrandizing, even by the standards of the imaginative predecessors of Irish adventurers, can sound rattling andtinny.
THE ALCHEMIST: THIS THING OF OURS This Thing of Ours is a tonal palate cleanser for the Alchemist. His last work was March’s collaborative Armand Hammer project Haram. The full-length was a showcase of billy woods’ and Elucid’s uncompromising delivery. Released only a month later, This Thing of Ours shows the versatility inherent to the Alchemist’s outputwithout him
JULIANA HATFIELD: BLOOD Juliana Hatfield made her name with the jagged-edged and sometimes ramshackle power pop of the Blake Babies, but it was her zeitgeist-channeling 1992 solo album Hey Babe that really put her on the musical map. Though still solidly within the alt-rock genre, the album was at the time a refreshing alternative to the diminishing-returns post-grunge rock that had dominated the USalternative scene
BAD TALES - SPECTRUM CULTURE Bad Tales, an Italian drama from Damiano and Fabio D’Innocenzo, is not a bad film in the traditional sense. It is formally rigorous, and well-acted. Instead, its failure is a moral one. It preys upon trusting audiences, and does not justify the wringer it puts themthrough. The
JACK INGRAM, MIRANDA LAMBERT, AND JON RANDALL: THE MARFA Jack Ingram, Miranda Lambert, and Jon Randall: The Marfa Tapes. None of the trio shy from the big lights and the big production. Miranda Lambert regularly tops the charts and travels with a big stage show, pop performance and rock ‘n’ roll attitude mixed into her country. Her musical partners might get less attention, but they certainlyWRATH OF MAN
Wrath of Man is based on Cash Truck, a French thriller from 2004 where the hero is a civilian, not a criminal, who becomes a vigilante. That is a more interesting premise, but the trouble is that Jason Statham – an actor of limited range – could never convincingly portray an everyman. At least H could have had some affection for his son OEUVRE: WONG KAR-WAI: IN THE MOOD FOR LOVE This is 1966, around the time of the Cultural Revolution in China and not long before Cambodia saw its own cultural purge under the Khmer Rouge. In the Mood for Love is delicious eye-candy with rich layers of romantic longing and political tragedy. Wong has suggested that the belly-level camera that sometimes follows the lovers as they’re LOU REED: THINKING OF ANOTHER PLACE Lou Reed: Thinking of Another Place. The conventional wisdom is that Lou Reed’s solo career peaked in the ‘70s. But for every defining if erratic work like Transformer, he made an overblown dramatic excess like Berlin or a bombastic live album like Rock ‘n’ Roll Animal, desecrating the iconoclastic memory of the Velvet Underground with FATIMA AL QADIRI: MEDIEVAL FEMME The title of Kuwaiti electronic composer, artist and singer Fatima Al Qadiri’s third solo album puts forward its theme in the same kind of forthright way as her 2016 protest album Brute did. Like Brute and Asiatisch – and in fact all of her EPs – before it, Medieval Femme is more or less a concept album, its ten delicate songs drawing on medieval Arab literature women from historyDEMENTIA PART II
16 hours ago · Released in 2015, Dementia was director Mike Testin’s twisty horror debut: a dark psychological slow-burn of paranoia and fractured memories, following an elderly veteran who’s tormented by his nightmarish nurse. If you’ve never seen Dementia, then you’re in luck because Dementia Part II isn’t a sequel; it’s barely a sequel in name only. . Beyond the returning directorand actors
THE CARNIVORES
There is a new cottage industry of low-budget horror movies about awkward people and their secret insatiable appetites. The French horror film Raw is about a young woman who slowly discovers she is a cannibal.Butt Boy is about a man whose posterior can swallow people whole – yes, literally – while Bloodthirsty explores a vegan pop star who is a secret werewolf. REDISCOVER: PURE X: PLEASURE 1 day ago · As fans of pop music, we often become accustomed to the familiarity of different sounds as they are interpreted by various artists. Hearing something new or unfamiliar is a rare feeling, depending on how obsessive one catalogs and consumes pop music overtime.
VAN MORRISON: LATEST RECORD PROJECT VOL. 1 Van Morrison: Latest Record Project Vol. 1. When Van Morrison takes aim, you usually feel sorry for the target. Which makes his Latest Record Project Vol. 1 such a disappointment. Van the Man is clearly off his game. He is a very angry man, but his shots miss, lost in the mystic. And with 28 tracks clocking in at over two hours, that’s alot
THE CONJURING: THE DEVIL MADE ME DO IT 16 hours ago · The Conjuring: The Devil Made Me Do It is a prison. For its lead actors, Vera Farmiga and Patrick Wilson, it feels like the cells confining them are contractual, as you can witness the defeated obligations in their eyes as they churn through the motions of the film’s tired, trope-filled screenplay and collect theirpaychecks.
AMERICAN TRAITOR: THE TRIAL OF AXIS SALLY One would think that the story of Mildred Gillars would be pretty straightforward, even from a legal perspective. The time in which we live now, of course, is far removed from the period in which the events of the movie occurred, but American Traitor: The Trial of Axis Sally offers such a seemingly clear-cut and streamlined version of Gillars’ story that someone would have to find it AMANDA WHITING: AFTER DARK 16 hours ago · The Welsh musician plucks her own voice out of the heavenly instrument, taking advantage of its otherworldly sound while at the same time keeping things solidly earthbound. THOSE WERE THE DAYS 2.0: THE BEATLES AND APPLE: BY STEFAN The Apple company (not to be confused with the computer company who would go on to take over the world in the 21st century) and corresponding sub-brands were born out of the idealistic spirit of the late-‘60s, one in which seemingly any artistic whim was possible to pursue at length, particularly if bankrolled by the biggest band inthe world.
UNDINE - SPECTRUM CULTURE Jake Cole Jake Cole is an Atlanta-based writer whose work can also be found at Movie Mezzanine, Slant Magazine and more. He can be found on Twitter at @notjustmovies. MACH-HOMMY: PRAY FOR HAITI Mach-Hommy is an antithesis of sorts — unbridled artistic expression. So, even for the uninitiated, Pray for Haiti is a significant release beyond its distinction as Mach-Hommy’s first project with the label in five years after a schism with Westside Gunn. Pray for Haiti brings with it Griselda’s patented boom bap production courtesy of THIS ROAD OF MINE: BY SEOSAMH MAC GRIANNA A mercurial subject, Mac Grianna dramatizes himself as a mercurial tramp rather than the aspiring modernist he might have become if he’d stayed put. This tone rings truest in briefer passages. After a while, his morose self-aggrandizing, even by the standards of the imaginative predecessors of Irish adventurers, can sound rattling andtinny.
BAD TALES - SPECTRUM CULTURE Bad Tales, an Italian drama from Damiano and Fabio D’Innocenzo, is not a bad film in the traditional sense. It is formally rigorous, and well-acted. Instead, its failure is a moral one. It preys upon trusting audiences, and does not justify the wringer it puts themthrough. The
THE ALCHEMIST: THIS THING OF OURS This Thing of Ours is a tonal palate cleanser for the Alchemist. His last work was March’s collaborative Armand Hammer project Haram. The full-length was a showcase of billy woods’ and Elucid’s uncompromising delivery. Released only a month later, This Thing of Ours shows the versatility inherent to the Alchemist’s outputwithout him
HOLY HELL! FLOWERS TURNS 20 Holy Hell! Flowers Turns 20. More than 20 years after their debut Crocodiles, the post-punk powerhouse Echo and the Bunnymen recorded their ninth album. Co-produced by Merseyside founders Ian McCulloch and Will Sergeant, Flowers may rank as Echo’s best reunion disc, although it’s less urgent and more uneven than the band at theirpeak.
JULIANA HATFIELD: BLOOD Juliana Hatfield made her name with the jagged-edged and sometimes ramshackle power pop of the Blake Babies, but it was her zeitgeist-channeling 1992 solo album Hey Babe that really put her on the musical map. Though still solidly within the alt-rock genre, the album was at the time a refreshing alternative to the diminishing-returns post-grunge rock that had dominated the USalternative scene
THOMAS FEHLMANN: BÖSER HERBST Böser Herbst follows on from Thomas Fehlmann’s 2018 album 1929 – Das Jahr Babylon, which also happens to be the soundtrack to a documentary about Berlin by Volker Heise.By this point, Fehlmann has over 40 years of wildly varied music under his belt, even within the ambient realm, but although he promises an album imbued with the “dirt and dust of original 1920s archive sound,“ a fair OEUVRE: WONG KAR-WAI: IN THE MOOD FOR LOVE This is 1966, around the time of the Cultural Revolution in China and not long before Cambodia saw its own cultural purge under the Khmer Rouge. In the Mood for Love is delicious eye-candy with rich layers of romantic longing and political tragedy. Wong has suggested that the belly-level camera that sometimes follows the lovers as they’re REVISIT: BOB MARLEY & THE WAILERS: LEGEND Celebrating its 35th anniversary, the best-selling reggae album of all-time hasn’t lost any of its stature or incredible influence. Legend remains a compelling introduction to Bob Marley’s music and to reggae as a whole. Songs like “One Love/People Get Ready,” “Three Little Birds,” “Satisfy My Soul,” “Easy Skanking” and “Jamming” are the most distinctly reggae and ska THE WAR OF THE WORLDS (1953) VS. WAR OF THE WORLDS (2005) Given their respective release dates, you’d think the two most prominent film adaptations of H.G. Wells’ 1898 apocalyptic masterpiece The War of the Worlds would reflect the justified paranoia that trailed in the wakes of both World War II and 9/11. After all, the 1938 Orson Welles-narrated radio broadcast infamously induced widespread panic in an MACH-HOMMY: PRAY FOR HAITI Mach-Hommy is an antithesis of sorts — unbridled artistic expression. So, even for the uninitiated, Pray for Haiti is a significant release beyond its distinction as Mach-Hommy’s first project with the label in five years after a schism with Westside Gunn. Pray for Haiti brings with it Griselda’s patented boom bap production courtesy of THIS ROAD OF MINE: BY SEOSAMH MAC GRIANNA A mercurial subject, Mac Grianna dramatizes himself as a mercurial tramp rather than the aspiring modernist he might have become if he’d stayed put. This tone rings truest in briefer passages. After a while, his morose self-aggrandizing, even by the standards of the imaginative predecessors of Irish adventurers, can sound rattling andtinny.
BAD TALES - SPECTRUM CULTURE Bad Tales, an Italian drama from Damiano and Fabio D’Innocenzo, is not a bad film in the traditional sense. It is formally rigorous, and well-acted. Instead, its failure is a moral one. It preys upon trusting audiences, and does not justify the wringer it puts themthrough. The
THE ALCHEMIST: THIS THING OF OURS This Thing of Ours is a tonal palate cleanser for the Alchemist. His last work was March’s collaborative Armand Hammer project Haram. The full-length was a showcase of billy woods’ and Elucid’s uncompromising delivery. Released only a month later, This Thing of Ours shows the versatility inherent to the Alchemist’s outputwithout him
HOLY HELL! FLOWERS TURNS 20 Holy Hell! Flowers Turns 20. More than 20 years after their debut Crocodiles, the post-punk powerhouse Echo and the Bunnymen recorded their ninth album. Co-produced by Merseyside founders Ian McCulloch and Will Sergeant, Flowers may rank as Echo’s best reunion disc, although it’s less urgent and more uneven than the band at theirpeak.
JULIANA HATFIELD: BLOOD Juliana Hatfield made her name with the jagged-edged and sometimes ramshackle power pop of the Blake Babies, but it was her zeitgeist-channeling 1992 solo album Hey Babe that really put her on the musical map. Though still solidly within the alt-rock genre, the album was at the time a refreshing alternative to the diminishing-returns post-grunge rock that had dominated the USalternative scene
THOMAS FEHLMANN: BÖSER HERBST Böser Herbst follows on from Thomas Fehlmann’s 2018 album 1929 – Das Jahr Babylon, which also happens to be the soundtrack to a documentary about Berlin by Volker Heise.By this point, Fehlmann has over 40 years of wildly varied music under his belt, even within the ambient realm, but although he promises an album imbued with the “dirt and dust of original 1920s archive sound,“ a fair OEUVRE: WONG KAR-WAI: IN THE MOOD FOR LOVE This is 1966, around the time of the Cultural Revolution in China and not long before Cambodia saw its own cultural purge under the Khmer Rouge. In the Mood for Love is delicious eye-candy with rich layers of romantic longing and political tragedy. Wong has suggested that the belly-level camera that sometimes follows the lovers as they’re REVISIT: BOB MARLEY & THE WAILERS: LEGEND Celebrating its 35th anniversary, the best-selling reggae album of all-time hasn’t lost any of its stature or incredible influence. Legend remains a compelling introduction to Bob Marley’s music and to reggae as a whole. Songs like “One Love/People Get Ready,” “Three Little Birds,” “Satisfy My Soul,” “Easy Skanking” and “Jamming” are the most distinctly reggae and ska THE WAR OF THE WORLDS (1953) VS. WAR OF THE WORLDS (2005) Given their respective release dates, you’d think the two most prominent film adaptations of H.G. Wells’ 1898 apocalyptic masterpiece The War of the Worlds would reflect the justified paranoia that trailed in the wakes of both World War II and 9/11. After all, the 1938 Orson Welles-narrated radio broadcast infamously induced widespread panic in an REVISIT: MONSIEUR HIRE 1 day ago · Monsieur Hire manages a lot in a small amount of time, traversing some intense emotional terrain, a procedural plot mechanism and even a significant degree of patience and perseverance to reveal what it must about this character. THE ALCHEMIST: THIS THING OF OURS This Thing of Ours is a tonal palate cleanser for the Alchemist. His last work was March’s collaborative Armand Hammer project Haram. The full-length was a showcase of billy woods’ and Elucid’s uncompromising delivery. Released only a month later, This Thing of Ours shows the versatility inherent to the Alchemist’s outputwithout him
THE CARNIVORES
There is a new cottage industry of low-budget horror movies about awkward people and their secret insatiable appetites. The French horror film Raw is about a young woman who slowly discovers she is a cannibal.Butt Boy is about a man whose posterior can swallow people whole – yes, literally – while Bloodthirsty explores a vegan pop star who is a secret werewolf. FATIMA AL QADIRI: MEDIEVAL FEMME The title of Kuwaiti electronic composer, artist and singer Fatima Al Qadiri’s third solo album puts forward its theme in the same kind of forthright way as her 2016 protest album Brute did. Like Brute and Asiatisch – and in fact all of her EPs – before it, Medieval Femme is more or less a concept album, its ten delicate songs drawing on medieval Arab literature women from historyDEATH IN TEXAS
1 day ago · Death in Texas, the third feature film from director and screenwriter Scott Windhauser, carries the same exaggerated drama and action thriller ambitions of his prior work.Ronnie Gene Blevins plays Billy Walker, a psychologically haunted felon recently let out on parole for a mysterious and violent crime. REDISCOVER: PURE X: PLEASURE 1 day ago · As fans of pop music, we often become accustomed to the familiarity of different sounds as they are interpreted by various artists. Hearing something new or unfamiliar is a rare feeling, depending on how obsessive one catalogs and consumes pop music overtime.
THOSE WERE THE DAYS 2.0: THE BEATLES AND APPLE: BY STEFAN The Apple company (not to be confused with the computer company who would go on to take over the world in the 21st century) and corresponding sub-brands were born out of the idealistic spirit of the late-‘60s, one in which seemingly any artistic whim was possible to pursue at length, particularly if bankrolled by the biggest band inthe world.
UNDINE - SPECTRUM CULTURE To date, Christian Petzold has proven to be a master of the modern European anti-thriller, crafting movies that generate remarkable tension despite their general lack of the sorts of aesthetic tics that help make thrillers so gripping.LOSCIL: CLARA
The default sound in ambient is a low, legato hum, somewhere between a string section and a choir, the offspring of Laura Palmer’s theme and Popol Vuh’s eerie Aguirre choir organ. It’s easy to achieve on just about any synth that lets you play more than one note at once, even a cheap one for kids. TWENTY ONE PILOTS: SCALED AND ICY Scaled and Icy, alternative pop/hip-hop duo Twenty One Pilots’ newest album, raises an important question: What were they thinking?This isn’t meant as an insult, it’s a genuine concern when approaching this vital if not confusing piece of lore in their ever-expanding fictional world of Dema. MACH-HOMMY: PRAY FOR HAITI Colin Dempsey Colin Dempsey is a Toronto-based writer battling a receding hairline and the looming desire to buy another pair of Issey Miyake Homme Plissé trousers. THIS ROAD OF MINE: BY SEOSAMH MAC GRIANNA For those lacking knowledge of the Irish language, start with the title of this autobiographical yarn. Mo Bhealach Féin conveys the swagger of Frank Sinatra, or even more apt, Sid Vicious, warbling “My Way.” The distinction lies, as a singer might stress a syllable, on that final word. THE ALCHEMIST: THIS THING OF OURS This Thing of Ours has the vibe of a weekend recording session, with nobody shooting for the stars and still landing on a cloud. Earl Sweatshirt even summarizes the conceit of the EP on “Loose Change”: “You be with the boys and I’ma be with the dawgs.” A product from the former camp would be immature and messy. BAD TALES - SPECTRUM CULTURE Every time someone sits down to watch a film, there’s an agreement made between the filmmakers and the viewer. It is almost like a contract: if the viewers offers their time and the willingness to suspend their disbelief, in exchange the filmmakers offers their art. HOLY HELL! FLOWERS TURNS 20 More than 20 years after their debut Crocodiles, the post-punk powerhouse Echo and the Bunnymen recorded their ninth album.Co-produced by Merseyside founders Ian McCulloch and Will Sergeant, Flowers may rank as Echo’s best reunion disc, although it’s less urgent and more uneven than the band at their peak. The band had gone through a lot in the ensuing years. THOMAS FEHLMANN: BÖSER HERBST Böser Herbst follows on from Thomas Fehlmann’s 2018 album 1929 – Das Jahr Babylon, which also happens to be the soundtrack to a documentary about Berlin by Volker Heise.By this point, Fehlmann has over 40 years of wildly varied music under his belt, even within the ambient realm, but although he promises an album imbued with the “dirt and dust of original 1920s archive sound,“ a fair JULIANA HATFIELD: BLOOD Juliana Hatfield made her name with the jagged-edged and sometimes ramshackle power pop of the Blake Babies, but it was her zeitgeist-channeling 1992 solo album Hey Babe that really put her on the musical map. Though still solidly within the alt-rock genre, the album was at the time a refreshing alternative to the diminishing-returns post-grunge rock that had dominated the USalternative scene
OEUVRE: WONG KAR-WAI: IN THE MOOD FOR LOVE Pat Padua Pat is a writer, photographer, native Washingtonian and Oxford comma defender. The Washington Post called him "a talented, if quirky, photographer." REVISIT: BOB MARLEY & THE WAILERS: LEGEND Celebrating its 35th anniversary, the best-selling reggae album of all-time hasn’t lost any of its stature or incredible influence. Legend remains a compelling introduction to Bob Marley’s music and to reggae as a whole. Songs like “One Love/People Get Ready,” “Three Little Birds,” “Satisfy My Soul,” “Easy Skanking” and “Jamming” are the most distinctly reggae and ska THE WAR OF THE WORLDS (1953) VS. WAR OF THE WORLDS (2005)2005 WAR OF THE WORLDWAR OF THE WORLDSWAR OF THE WORLDS 2005 FILMWAR OF THE WORLDS MOVIEWAR OF WORLDS MOVIE 2005 Given their respective release dates, you’d think the two most prominent film adaptations of H.G. Wells’ 1898 apocalyptic masterpiece The War of the Worlds would reflect the justified paranoia that trailed in the wakes of both World War II and 9/11. After all, the 1938 Orson Welles-narrated radio broadcast infamously induced widespread panic in an MACH-HOMMY: PRAY FOR HAITI Colin Dempsey Colin Dempsey is a Toronto-based writer battling a receding hairline and the looming desire to buy another pair of Issey Miyake Homme Plissé trousers. THIS ROAD OF MINE: BY SEOSAMH MAC GRIANNA For those lacking knowledge of the Irish language, start with the title of this autobiographical yarn. Mo Bhealach Féin conveys the swagger of Frank Sinatra, or even more apt, Sid Vicious, warbling “My Way.” The distinction lies, as a singer might stress a syllable, on that final word. THE ALCHEMIST: THIS THING OF OURS This Thing of Ours has the vibe of a weekend recording session, with nobody shooting for the stars and still landing on a cloud. Earl Sweatshirt even summarizes the conceit of the EP on “Loose Change”: “You be with the boys and I’ma be with the dawgs.” A product from the former camp would be immature and messy. BAD TALES - SPECTRUM CULTURE Every time someone sits down to watch a film, there’s an agreement made between the filmmakers and the viewer. It is almost like a contract: if the viewers offers their time and the willingness to suspend their disbelief, in exchange the filmmakers offers their art. HOLY HELL! FLOWERS TURNS 20 More than 20 years after their debut Crocodiles, the post-punk powerhouse Echo and the Bunnymen recorded their ninth album.Co-produced by Merseyside founders Ian McCulloch and Will Sergeant, Flowers may rank as Echo’s best reunion disc, although it’s less urgent and more uneven than the band at their peak. The band had gone through a lot in the ensuing years. THOMAS FEHLMANN: BÖSER HERBST Böser Herbst follows on from Thomas Fehlmann’s 2018 album 1929 – Das Jahr Babylon, which also happens to be the soundtrack to a documentary about Berlin by Volker Heise.By this point, Fehlmann has over 40 years of wildly varied music under his belt, even within the ambient realm, but although he promises an album imbued with the “dirt and dust of original 1920s archive sound,“ a fair JULIANA HATFIELD: BLOOD Juliana Hatfield made her name with the jagged-edged and sometimes ramshackle power pop of the Blake Babies, but it was her zeitgeist-channeling 1992 solo album Hey Babe that really put her on the musical map. Though still solidly within the alt-rock genre, the album was at the time a refreshing alternative to the diminishing-returns post-grunge rock that had dominated the USalternative scene
OEUVRE: WONG KAR-WAI: IN THE MOOD FOR LOVE Pat Padua Pat is a writer, photographer, native Washingtonian and Oxford comma defender. The Washington Post called him "a talented, if quirky, photographer." REVISIT: BOB MARLEY & THE WAILERS: LEGEND Celebrating its 35th anniversary, the best-selling reggae album of all-time hasn’t lost any of its stature or incredible influence. Legend remains a compelling introduction to Bob Marley’s music and to reggae as a whole. Songs like “One Love/People Get Ready,” “Three Little Birds,” “Satisfy My Soul,” “Easy Skanking” and “Jamming” are the most distinctly reggae and ska THE WAR OF THE WORLDS (1953) VS. WAR OF THE WORLDS (2005)2005 WAR OF THE WORLDWAR OF THE WORLDSWAR OF THE WORLDS 2005 FILMWAR OF THE WORLDS MOVIEWAR OF WORLDS MOVIE 2005 Given their respective release dates, you’d think the two most prominent film adaptations of H.G. Wells’ 1898 apocalyptic masterpiece The War of the Worlds would reflect the justified paranoia that trailed in the wakes of both World War II and 9/11. After all, the 1938 Orson Welles-narrated radio broadcast infamously induced widespread panic in an THE ALCHEMIST: THIS THING OF OURS This Thing of Ours has the vibe of a weekend recording session, with nobody shooting for the stars and still landing on a cloud. Earl Sweatshirt even summarizes the conceit of the EP on “Loose Change”: “You be with the boys and I’ma be with the dawgs.” A product from the former camp would be immature and messy.THE CARNIVORES
21 hours ago · There is a new cottage industry of low-budget horror movies about awkward people and their secret insatiable appetites. The French horror film Raw is about a young woman who slowly discovers she is a cannibal.Butt Boy is about a man whose posterior can swallow people whole – yes, literally – while Bloodthirsty explores a vegan pop star who is a secret werewolf. FATIMA AL QADIRI: MEDIEVAL FEMME 21 hours ago · The title of Kuwaiti electronic composer, artist and singer Fatima Al Qadiri’s third solo album puts forward its theme in the same kind of forthright way as her 2016 protest album Brute did. Like Brute and Asiatisch – and in fact all of her EPs – before it, Medieval Femme is more or less a concept album, its ten delicate songs drawing on medieval Arab literature women from history AMERICAN TRAITOR: THE TRIAL OF AXIS SALLY One would think that the story of Mildred Gillars would be pretty straightforward, even from a legal perspective. The time in which we live now, of course, is far removed from the period in which the events of the movie occurred, but American Traitor: The Trial of Axis Sally offers such a seemingly clear-cut and streamlined version of Gillars’ story that someone would have to find it ROBERT COTTER: MISSING YOU In his memoir Le Freak, Chic guitarist Nile Rodgers called Robert Cotter “a great front man, handsome with incredible vocal range and abilities.”Cotter led an early version of Chic with Rodgers, Bernard Edwards and Tony Thompson, and Rodgers continues: “He looked like aLOSCIL: CLARA
21 hours ago · The default sound in ambient is a low, legato hum, somewhere between a string section and a choir, the offspring of Laura Palmer’s theme and Popol Vuh’s eerie Aguirre choir organ. It’s easy to achieve on just about any synth that lets you play more than one note at once, even a cheap one for kids.SPIRIT UNTAMED
Spirit Untamed acts as a reimagining of two other stories following the adventures of Spirit, a Kiger mustang who (thankfully) does not speak anthropomorphically. The first is 2002’s nobly old-fashioned but stubbornly anti-dramatic Spirit: Stallion of the Cimarron, which followed the steed’s friendship with a Native American man during the American Indian Wars of the late 1800s. THOSE WERE THE DAYS 2.0: THE BEATLES AND APPLE: BY STEFAN 21 hours ago · The Apple company (not to be confused with the computer company who would go on to take over the world in the 21st century) and corresponding sub-brands were born out of the idealistic spirit of the late-‘60s, one in which seemingly any artistic whim was possible to pursue at length, particularly if bankrolled by the biggest band in the world. UNDINE - SPECTRUM CULTURE 21 hours ago · Jake Cole Jake Cole is an Atlanta-based writer whose work can also be found at Movie Mezzanine, Slant Magazine and more. He can be found on Twitter at @notjustmovies. TWENTY ONE PILOTS: SCALED AND ICY Scaled and Icy, alternative pop/hip-hop duo Twenty One Pilots’ newest album, raises an important question: What were they thinking?This isn’t meant as an insult, it’s a genuine concern when approaching this vital if not confusing piece of lore in their ever-expanding fictional world of Dema.Open Menu
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