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The Smithsonian Asian Pacific American Center tells Asian Pacific American stories through innovative museum experiences. ANDREA KIM NEIGHBORS Andrea Kim Neighbors currently serves as the Manager of Education Initiatives for the Smithsonian Asian Pacific American Center (APAC), where she collaborates with K12 educators and Asian American and Pacific Islander content specialists on the development of APAC’s National Education Program. NAFISA ISA | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Nafisa IsaProgram Manager Nafisa Isa is a life-long organizer, advocate and community educator, currently Program Manager at the Smithsonian Asian PacificRE:COLLECTIONS
The story of each rai’s exchange determined its value, which would then be measured based on how many pigs it was worth trading for. And Reisenberg could understand the rise and fall of the stock market, and the auctioning of historical artifacts, and why a soda wouldn’t cost five cents forever, but a valuation based on swine and history was just complicated – especially for anADRIEL LUIS
Adriel LuisCurator of Digital and Emerging Media Adriel Luis is a community organizer, artist, and curator who believes that our collective imaginationKĀLEWA CORREA
Kālewa Correa serves as the Curator of Hawai’i and the Pacific with the Smithsonian Institution’s Asian Pacific American Center. He is a graduate of the University of Hawai’i at Mānoa Kamakakūʻokalani Center for Hawaiian Studies with a focus on Hawaiian traditional society and politics. HOME | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERCROSSLINESKEYSTONE INITIATIVEPICKLES AND TEAFASHION FORECASTSA DAY IN THE QUEERLIFECTRL+ALT
The Smithsonian Asian Pacific American Center tells Asian Pacific American stories through innovative museum experiences. ANDREA KIM NEIGHBORS Andrea Kim Neighbors currently serves as the Manager of Education Initiatives for the Smithsonian Asian Pacific American Center (APAC), where she collaborates with K12 educators and Asian American and Pacific Islander content specialists on the development of APAC’s National Education Program. NAFISA ISA | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Nafisa IsaProgram Manager Nafisa Isa is a life-long organizer, advocate and community educator, currently Program Manager at the Smithsonian Asian PacificRE:COLLECTIONS
The story of each rai’s exchange determined its value, which would then be measured based on how many pigs it was worth trading for. And Reisenberg could understand the rise and fall of the stock market, and the auctioning of historical artifacts, and why a soda wouldn’t cost five cents forever, but a valuation based on swine and history was just complicated – especially for anADRIEL LUIS
Adriel LuisCurator of Digital and Emerging Media Adriel Luis is a community organizer, artist, and curator who believes that our collective imaginationKĀLEWA CORREA
Kālewa Correa serves as the Curator of Hawai’i and the Pacific with the Smithsonian Institution’s Asian Pacific American Center. He is a graduate of the University of Hawai’i at Mānoa Kamakakūʻokalani Center for Hawaiian Studies with a focus on Hawaiian traditional society and politics.LITERATURE + MUSEUM
Literature Meets the Museum is a Smithsonian Asian Pacific American Center initiative that honors the central role literature has played in Asian American cultural history. Bringing literature into the Smithsonian fold, it asks how museums can transform literature, how literature can transform museums, and how, together, we can assume the collective responsibility of stewardship ofRE:COLLECTIONS
The story of each rai’s exchange determined its value, which would then be measured based on how many pigs it was worth trading for. And Reisenberg could understand the rise and fall of the stock market, and the auctioning of historical artifacts, and why a soda wouldn’t cost five cents forever, but a valuation based on swine and history was just complicated – especially for an BAREFOOT GEN (VOLS. 1-8) BY KEIJI NAKAZAWA, TRANSLATED BY Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 PEACES BY HELEN OYEYEMI Nothing is quite what it seems – of course – in prodigious Helen Oyeyemi’s latest. The “starry-eyed young couple,” Otto and Xavier Shin, have committed to MIA P. MANANSALA ARCHIVES Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 NOW | LIVE FROM THE SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER We are a national resource for discovering the consequence and complexity of the Asian Pacific American experience through collaboration, exhibitions, programs, and digital experiences – and a creative leader in rethinking museums in the digital age. HARD LIKE WATER BY YAN LIANKE, TRANSLATED BY CARLOS ROJAS In China, notes Yan Lianke’s Anglophone enabler-of-choice Carlos Rojas, there exists “a literary subgenre known as ‘revolution plus love,’ which was popular in the late 1920s and 1930s.” SHOKO'S SMILE BY CHOI EUNYOUNG, TRANS. BY SUNG RYU [IN *STARRED REVIEW Women alone populate the extraordinary seven stories in Shoko’s Smile by bestselling Korean author Choi Eunyoung, who makes her English-language debut, smoothly translated by Sung Ryu.From daughters to grandmothers, Choi’s narrators remain in motion, not only physically but chronologically, each assessing significant past events that shape their current lives. CHILDREN/PICTURE BOOKS ARCHIVES Books for the Diverse Reader. Rise and Shine, Mariko-chan! by Chioka Tomioka, illustrated by Yoshiharu Tsuchida [in What Do I Read Next? NOW | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER, AUTHOR AT Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 HOME | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERCROSSLINESKEYSTONE INITIATIVEPICKLES AND TEAFASHION FORECASTSA DAY IN THE QUEERLIFECTRL+ALT
Folk Hero. September 16. A Day in the Life of Asian Pacific America. September 16. H-1B. September 16. Art Intersections: An Asian-Latino Pop-Up Museum. September 16. ABOUT US | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER From our establishment in 1997 as an initiative critical to the mission of the Smithsonian until today, the vision for the Smithsonian Asian Pacific American Center has been to enrich the American Story with the voices of Asian Pacific Americans. Asian Pacific America is the story of a vibrant, diverse, and resilient set of communities thatLITERATURE + MUSEUM
Literature Meets the Museum is a Smithsonian Asian Pacific American Center initiative that honors the central role literature has played in Asian American cultural history. Bringing literature into the Smithsonian fold, it asks how museums can transform literature, how literature can transform museums, and how, together, we can assume the collective responsibility of stewardship of ANDREA KIM NEIGHBORS Andrea Kim Neighbors currently serves as the Manager of Education Initiatives for the Smithsonian Asian Pacific American Center (APAC), where she collaborates with K12 educators and Asian American and Pacific Islander content specialists on the development of APAC’s National Education Program. LAWRENCE-MINH BÙI DAVIS Lawrence-Minh Bùi Davis, PhD is Curator of Asian Pacific American Studies. He oversees the APAC Literature + Museum Initiative, devoted to rethinking collective responsibility for what we write and read, and why.He serves as lead organizer for the Asian American Literature Festival, co-hosted by the Smithsonian, Library of Congress, and Poetry Foundation, and is a co-founder of the pop-upADRIEL LUIS
Adriel Luis is a community organizer, artist, and curator who believes that our collective imagination can make a reality where we all thrive. His life’s work is focused on bridging artistic integrity and social vigilance. Adriel is the Curator of Digital and Emerging Practice at the Smithsonian Asian Pacific American Center, where he WE ARE NOT A STEREOTYPE The Smithsonian Asian Pacific American Center is proud to present We are not a stereotype, a video series for educators, by educators. This series explores and challenges the complexity surrounding the term Asian Pacific American, breaking it down into topics that NAFISA ISA | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Nafisa Isa is a life-long organizer, advocate and community educator, currently Program Manager at the Smithsonian Asian Pacific American Center. She has been designing community development and learning initiatives, building intentionally inclusive spaces, and promoting positive social change for JEFFERSON'S SONS: A FOUNDING FATHER'S SECRET CHILDREN BY Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 NOW | THE ART OF GAMAN: ARTS AND CRAFTS FROM THE JAPANESE The Art of Gaman showcases arts and crafts made by Japanese Americans detained in U.S. internment camps during World War II in California, Wyoming, Arizona, Utah, Idaho, Colorado, and Arkansas. The exhibition features objects made by detainees primarily from scrap and found materials. The collection gives a sense of the wide range of artistic activities among 120,000 Japanese and HOME | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERCROSSLINESKEYSTONE INITIATIVEPICKLES AND TEAFASHION FORECASTSA DAY IN THE QUEERLIFECTRL+ALT
Folk Hero. September 16. A Day in the Life of Asian Pacific America. September 16. H-1B. September 16. Art Intersections: An Asian-Latino Pop-Up Museum. September 16. ABOUT US | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER From our establishment in 1997 as an initiative critical to the mission of the Smithsonian until today, the vision for the Smithsonian Asian Pacific American Center has been to enrich the American Story with the voices of Asian Pacific Americans. Asian Pacific America is the story of a vibrant, diverse, and resilient set of communities thatLITERATURE + MUSEUM
Literature Meets the Museum is a Smithsonian Asian Pacific American Center initiative that honors the central role literature has played in Asian American cultural history. Bringing literature into the Smithsonian fold, it asks how museums can transform literature, how literature can transform museums, and how, together, we can assume the collective responsibility of stewardship of ANDREA KIM NEIGHBORS Andrea Kim Neighbors currently serves as the Manager of Education Initiatives for the Smithsonian Asian Pacific American Center (APAC), where she collaborates with K12 educators and Asian American and Pacific Islander content specialists on the development of APAC’s National Education Program. LAWRENCE-MINH BÙI DAVIS Lawrence-Minh Bùi Davis, PhD is Curator of Asian Pacific American Studies. He oversees the APAC Literature + Museum Initiative, devoted to rethinking collective responsibility for what we write and read, and why.He serves as lead organizer for the Asian American Literature Festival, co-hosted by the Smithsonian, Library of Congress, and Poetry Foundation, and is a co-founder of the pop-upADRIEL LUIS
Adriel Luis is a community organizer, artist, and curator who believes that our collective imagination can make a reality where we all thrive. His life’s work is focused on bridging artistic integrity and social vigilance. Adriel is the Curator of Digital and Emerging Practice at the Smithsonian Asian Pacific American Center, where he WE ARE NOT A STEREOTYPE The Smithsonian Asian Pacific American Center is proud to present We are not a stereotype, a video series for educators, by educators. This series explores and challenges the complexity surrounding the term Asian Pacific American, breaking it down into topics that NAFISA ISA | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Nafisa Isa is a life-long organizer, advocate and community educator, currently Program Manager at the Smithsonian Asian Pacific American Center. She has been designing community development and learning initiatives, building intentionally inclusive spaces, and promoting positive social change for JEFFERSON'S SONS: A FOUNDING FATHER'S SECRET CHILDREN BY Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 NOW | THE ART OF GAMAN: ARTS AND CRAFTS FROM THE JAPANESE The Art of Gaman showcases arts and crafts made by Japanese Americans detained in U.S. internment camps during World War II in California, Wyoming, Arizona, Utah, Idaho, Colorado, and Arkansas. The exhibition features objects made by detainees primarily from scrap and found materials. The collection gives a sense of the wide range of artistic activities among 120,000 Japanese and ABOUT US | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER From our establishment in 1997 as an initiative critical to the mission of the Smithsonian until today, the vision for the Smithsonian Asian Pacific American Center has been to enrich the American Story with the voices of Asian Pacific Americans. Asian Pacific America is the story of a vibrant, diverse, and resilient set of communities that LEARNING TOGETHER DURING CHALLENGING TIMES A Learning Together feature about the legacy of the transcontinental railroad and labor of Chinese immigrants. This content can be modified to fit units about US history, Immigration and Migration and the Chinese Exclusion Act, for Grades 3-5, 6-8 and 9-12. This page includes: Interview withLITERATURE + MUSEUM
Literature Meets the Museum is a Smithsonian Asian Pacific American Center initiative that honors the central role literature has played in Asian American cultural history. Bringing literature into the Smithsonian fold, it asks how museums can transform literature, how literature can transform museums, and how, together, we can assume the collective responsibility of stewardship of SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Welcome to BookDragon, filled with titles for the multi-culti reader. BookDragon is a new media initiative of the Smithsonian Asian Pacific American Center (APAC), and serves as a forum for those interested in learning more about the Asian Pacific American experience throughliterature.
NOW | LIVE FROM THE SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER We are a national resource for discovering the consequence and complexity of the Asian Pacific American experience through collaboration, exhibitions, programs, and digital experiences – and a creative leader in rethinking museums in the digital age.RE:COLLECTIONS
Antero, who met his wife during his transport from the Philippines, remained in the U.S. after the event. Through exhaustive research and communication efforts, Simon located and photographed a majority of Antero’s 158 descendants and relatives, whose diaspora spans the Philippines, the United States, Guam, Canada, New South Wales, Kuwait, Saudi Arabia, Vietnam and Japan. HARD LIKE WATER BY YAN LIANKE, TRANSLATED BY CARLOS ROJAS In China, notes Yan Lianke’s Anglophone enabler-of-choice Carlos Rojas, there exists “a literary subgenre known as ‘revolution plus love,’ which was popular in the late 1920s and 1930s.” SHOKO'S SMILE BY CHOI EUNYOUNG, TRANS. BY SUNG RYU [IN *STARRED REVIEW Women alone populate the extraordinary seven stories in Shoko’s Smile by bestselling Korean author Choi Eunyoung, who makes her English-language debut, smoothly translated by Sung Ryu.From daughters to grandmothers, Choi’s narrators remain in motion, not only physically but chronologically, each assessing significant past events that shape their current lives. MAIN INGREDIENT ARCHIVES Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 NOW | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER, AUTHOR AT Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 HOME | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERCROSSLINESKEYSTONE INITIATIVEPICKLES AND TEAFASHION FORECASTSA DAY IN THE QUEERLIFECTRL+ALT
Folk Hero. September 16. A Day in the Life of Asian Pacific America. September 16. H-1B. September 16. Art Intersections: An Asian-Latino Pop-Up Museum. September 16. LAWRENCE-MINH BÙI DAVIS Lawrence-Minh Bùi Davis, PhD is Curator of Asian Pacific American Studies. He oversees the APAC Literature + Museum Initiative, devoted to rethinking collective responsibility for what we write and read, and why.He serves as lead organizer for the Asian American Literature Festival, co-hosted by the Smithsonian, Library of Congress, and Poetry Foundation, and is a co-founder of the pop-up ANDREA KIM NEIGHBORS Andrea Kim Neighbors currently serves as the Manager of Education Initiatives for the Smithsonian Asian Pacific American Center (APAC), where she collaborates with K12 educators and Asian American and Pacific Islander content specialists on the development of APAC’s National Education Program. NAFISA ISA | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Nafisa Isa is a life-long organizer, advocate and community educator, currently Program Manager at the Smithsonian Asian Pacific American Center. She has been designing community development and learning initiatives, building intentionally inclusive spaces, and promoting positive social change forADRIEL LUIS
Adriel Luis is a community organizer, artist, and curator who believes that our collective imagination can make a reality where we all thrive. His life’s work is focused on bridging artistic integrity and social vigilance. Adriel is the Curator of Digital and Emerging Practice at the Smithsonian Asian Pacific American Center, where he NOW | THE ART OF GAMAN: ARTS AND CRAFTS FROM THE JAPANESE The Art of Gaman showcases arts and crafts made by Japanese Americans detained in U.S. internment camps during World War II in California, Wyoming, Arizona, Utah, Idaho, Colorado, and Arkansas. The exhibition features objects made by detainees primarily from scrap and found materials. The collection gives a sense of the wide range of artistic activities among 120,000 Japanese and BAREFOOT GEN (VOLS. 1-8) BY KEIJI NAKAZAWA, TRANSLATED BY Barefoot Gen (vols. 1-8) by Keiji Nakazawa, translated by Project Gen. Atom bomb. Unimaginable horrors. Survival against all odds. Bearing witness. Hope for peace. Keiji Nakazawa was six when “Little Boy” decimated the city of Hiroshima on August 6, 1945. This is his amazingtestament.
JEFFERSON'S SONS: A FOUNDING FATHER'S SECRET CHILDREN BY Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 VOICE OF A DREAM BY GLAYDAH NAMUKASA Voice of a Dream by Glaydah Namukasa. Nanfuka wants nothing more than to finish her education and become a nurse – the first in her village. While still a child herself, the teenager is suddenly forced to leave school and thrust into adult responsibilities when she is called home as her father dies from AIDS. With her mother missing,Nanfuka
HISAYE YAMAMOTO
Notable Asi Minoru Yamasaki inter-ethnic bonding as in "Epithalamium," in which a Japanese American volunteer falls in love with an alco-holic Italian American. HOME | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERCROSSLINESKEYSTONE INITIATIVEPICKLES AND TEAFASHION FORECASTSA DAY IN THE QUEERLIFECTRL+ALT
Folk Hero. September 16. A Day in the Life of Asian Pacific America. September 16. H-1B. September 16. Art Intersections: An Asian-Latino Pop-Up Museum. September 16. LAWRENCE-MINH BÙI DAVIS Lawrence-Minh Bùi Davis, PhD is Curator of Asian Pacific American Studies. He oversees the APAC Literature + Museum Initiative, devoted to rethinking collective responsibility for what we write and read, and why.He serves as lead organizer for the Asian American Literature Festival, co-hosted by the Smithsonian, Library of Congress, and Poetry Foundation, and is a co-founder of the pop-up ANDREA KIM NEIGHBORS Andrea Kim Neighbors currently serves as the Manager of Education Initiatives for the Smithsonian Asian Pacific American Center (APAC), where she collaborates with K12 educators and Asian American and Pacific Islander content specialists on the development of APAC’s National Education Program. NAFISA ISA | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Nafisa Isa is a life-long organizer, advocate and community educator, currently Program Manager at the Smithsonian Asian Pacific American Center. She has been designing community development and learning initiatives, building intentionally inclusive spaces, and promoting positive social change forADRIEL LUIS
Adriel Luis is a community organizer, artist, and curator who believes that our collective imagination can make a reality where we all thrive. His life’s work is focused on bridging artistic integrity and social vigilance. Adriel is the Curator of Digital and Emerging Practice at the Smithsonian Asian Pacific American Center, where he NOW | THE ART OF GAMAN: ARTS AND CRAFTS FROM THE JAPANESE The Art of Gaman showcases arts and crafts made by Japanese Americans detained in U.S. internment camps during World War II in California, Wyoming, Arizona, Utah, Idaho, Colorado, and Arkansas. The exhibition features objects made by detainees primarily from scrap and found materials. The collection gives a sense of the wide range of artistic activities among 120,000 Japanese and BAREFOOT GEN (VOLS. 1-8) BY KEIJI NAKAZAWA, TRANSLATED BY Barefoot Gen (vols. 1-8) by Keiji Nakazawa, translated by Project Gen. Atom bomb. Unimaginable horrors. Survival against all odds. Bearing witness. Hope for peace. Keiji Nakazawa was six when “Little Boy” decimated the city of Hiroshima on August 6, 1945. This is his amazingtestament.
JEFFERSON'S SONS: A FOUNDING FATHER'S SECRET CHILDREN BY Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 VOICE OF A DREAM BY GLAYDAH NAMUKASA Voice of a Dream by Glaydah Namukasa. Nanfuka wants nothing more than to finish her education and become a nurse – the first in her village. While still a child herself, the teenager is suddenly forced to leave school and thrust into adult responsibilities when she is called home as her father dies from AIDS. With her mother missing,Nanfuka
HISAYE YAMAMOTO
Notable Asi Minoru Yamasaki inter-ethnic bonding as in "Epithalamium," in which a Japanese American volunteer falls in love with an alco-holic Italian American. LEARNING TOGETHER DURING CHALLENGING TIMES A Learning Together feature about the legacy of the transcontinental railroad and labor of Chinese immigrants. This content can be modified to fit units about US history, Immigration and Migration and the Chinese Exclusion Act, for Grades 3-5, 6-8 and 9-12. This page includes: Interview withKEYSTONE INITIATIVE
What is the Keystone Initiative? The Smithsonian Asian Pacific American Keystone Initiative will raise $25+ million (Phase 1) with the goal of securing support for programs, curator positions and internships, and collections that will increase the presence of Asian Pacific American stories across the Smithsonian’s 19 museums and 9research centers.
LITERATURE + MUSEUM
Literature Meets the Museum is a Smithsonian Asian Pacific American Center initiative that honors the central role literature has played in Asian American cultural history. Bringing literature into the Smithsonian fold, it asks how museums can transform literature, how literature can transform museums, and how, together, we can assume the collective responsibility of stewardship of NOW | LIVE FROM THE SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER We are a national resource for discovering the consequence and complexity of the Asian Pacific American experience through collaboration, exhibitions, programs, and digital experiences – and a creative leader in rethinking museums in the digital age. WE ARE NOT A STEREOTYPE Dr. Kiona She / Her / Hers Kiona, Ph.D., M.S., M.A. is the founder of the award-winning digital platform How Not To Travel Like A Basic B, which was launched in 2016.Seeing the deficits in academia where rarely Brown and Black people are rarely deemed experts in their own cultures and access to higher education is placed behind a huge paywall, she created a platform that does the opposite. HOW DO NATIVE PEOPLE AND NATIONS EXPERIENCE BELONGING The Native Nations of the Northern Plains each have distinct cultures and lifeways. However, they also share common values such as a sense of belonging to the land, the supportive relationships that are part of kinship systems, and the rights and responsibilities held by members of Native Nations. Each nation expresses these values inunique ways.
KĀLEWA CORREA
Kālewa Correa serves as the Curator of Hawai’i and the Pacific with the Smithsonian Institution’s Asian Pacific American Center. He is a graduate of the University of Hawai’i at Mānoa Kamakakūʻokalani Center for Hawaiian Studies with a focus on Hawaiian traditional society and politics. SHOKO'S SMILE BY CHOI EUNYOUNG, TRANS. BY SUNG RYU [IN *STARRED REVIEW Women alone populate the extraordinary seven stories in Shoko’s Smile by bestselling Korean author Choi Eunyoung, who makes her English-language debut, smoothly translated by Sung Ryu.From daughters to grandmothers, Choi’s narrators remain in motion, not only physically but chronologically, each assessing significant past events that shape their current lives. BAREFOOT GEN (VOLS. 1-8) BY KEIJI NAKAZAWA, TRANSLATED BY Barefoot Gen (vols. 1-8) by Keiji Nakazawa, translated by Project Gen. Atom bomb. Unimaginable horrors. Survival against all odds. Bearing witness. Hope for peace. Keiji Nakazawa was six when “Little Boy” decimated the city of Hiroshima on August 6, 1945. This is his amazingtestament.
NOW | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER, AUTHOR AT Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 HOME | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERCROSSLINESKEYSTONE INITIATIVEPICKLES AND TEAFASHION FORECASTSA DAY IN THE QUEERLIFECTRL+ALT
Folk Hero. September 16. A Day in the Life of Asian Pacific America. September 16. H-1B. September 16. Art Intersections: An Asian-Latino Pop-Up Museum. September 16. LAWRENCE-MINH BÙI DAVIS Lawrence-Minh Bùi Davis, PhD is Curator of Asian Pacific American Studies. He oversees the APAC Literature + Museum Initiative, devoted to rethinking collective responsibility for what we write and read, and why.He serves as lead organizer for the Asian American Literature Festival, co-hosted by the Smithsonian, Library of Congress, and Poetry Foundation, and is a co-founder of the pop-up ANDREA KIM NEIGHBORS Andrea Kim Neighbors currently serves as the Manager of Education Initiatives for the Smithsonian Asian Pacific American Center (APAC), where she collaborates with K12 educators and Asian American and Pacific Islander content specialists on the development of APAC’s National Education Program. NAFISA ISA | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Nafisa Isa is a life-long organizer, advocate and community educator, currently Program Manager at the Smithsonian Asian Pacific American Center. She has been designing community development and learning initiatives, building intentionally inclusive spaces, and promoting positive social change forADRIEL LUIS
Adriel Luis is a community organizer, artist, and curator who believes that our collective imagination can make a reality where we all thrive. His life’s work is focused on bridging artistic integrity and social vigilance. Adriel is the Curator of Digital and Emerging Practice at the Smithsonian Asian Pacific American Center, where he NOW | THE ART OF GAMAN: ARTS AND CRAFTS FROM THE JAPANESE The Art of Gaman showcases arts and crafts made by Japanese Americans detained in U.S. internment camps during World War II in California, Wyoming, Arizona, Utah, Idaho, Colorado, and Arkansas. The exhibition features objects made by detainees primarily from scrap and found materials. The collection gives a sense of the wide range of artistic activities among 120,000 Japanese and BAREFOOT GEN (VOLS. 1-8) BY KEIJI NAKAZAWA, TRANSLATED BY Barefoot Gen (vols. 1-8) by Keiji Nakazawa, translated by Project Gen. Atom bomb. Unimaginable horrors. Survival against all odds. Bearing witness. Hope for peace. Keiji Nakazawa was six when “Little Boy” decimated the city of Hiroshima on August 6, 1945. This is his amazingtestament.
JEFFERSON'S SONS: A FOUNDING FATHER'S SECRET CHILDREN BY Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 VOICE OF A DREAM BY GLAYDAH NAMUKASA Voice of a Dream by Glaydah Namukasa. Nanfuka wants nothing more than to finish her education and become a nurse – the first in her village. While still a child herself, the teenager is suddenly forced to leave school and thrust into adult responsibilities when she is called home as her father dies from AIDS. With her mother missing,Nanfuka
HISAYE YAMAMOTO
Notable Asi Minoru Yamasaki inter-ethnic bonding as in "Epithalamium," in which a Japanese American volunteer falls in love with an alco-holic Italian American. HOME | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERCROSSLINESKEYSTONE INITIATIVEPICKLES AND TEAFASHION FORECASTSA DAY IN THE QUEERLIFECTRL+ALT
Folk Hero. September 16. A Day in the Life of Asian Pacific America. September 16. H-1B. September 16. Art Intersections: An Asian-Latino Pop-Up Museum. September 16. LAWRENCE-MINH BÙI DAVIS Lawrence-Minh Bùi Davis, PhD is Curator of Asian Pacific American Studies. He oversees the APAC Literature + Museum Initiative, devoted to rethinking collective responsibility for what we write and read, and why.He serves as lead organizer for the Asian American Literature Festival, co-hosted by the Smithsonian, Library of Congress, and Poetry Foundation, and is a co-founder of the pop-up ANDREA KIM NEIGHBORS Andrea Kim Neighbors currently serves as the Manager of Education Initiatives for the Smithsonian Asian Pacific American Center (APAC), where she collaborates with K12 educators and Asian American and Pacific Islander content specialists on the development of APAC’s National Education Program. NAFISA ISA | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Nafisa Isa is a life-long organizer, advocate and community educator, currently Program Manager at the Smithsonian Asian Pacific American Center. She has been designing community development and learning initiatives, building intentionally inclusive spaces, and promoting positive social change forADRIEL LUIS
Adriel Luis is a community organizer, artist, and curator who believes that our collective imagination can make a reality where we all thrive. His life’s work is focused on bridging artistic integrity and social vigilance. Adriel is the Curator of Digital and Emerging Practice at the Smithsonian Asian Pacific American Center, where he NOW | THE ART OF GAMAN: ARTS AND CRAFTS FROM THE JAPANESE The Art of Gaman showcases arts and crafts made by Japanese Americans detained in U.S. internment camps during World War II in California, Wyoming, Arizona, Utah, Idaho, Colorado, and Arkansas. The exhibition features objects made by detainees primarily from scrap and found materials. The collection gives a sense of the wide range of artistic activities among 120,000 Japanese and BAREFOOT GEN (VOLS. 1-8) BY KEIJI NAKAZAWA, TRANSLATED BY Barefoot Gen (vols. 1-8) by Keiji Nakazawa, translated by Project Gen. Atom bomb. Unimaginable horrors. Survival against all odds. Bearing witness. Hope for peace. Keiji Nakazawa was six when “Little Boy” decimated the city of Hiroshima on August 6, 1945. This is his amazingtestament.
JEFFERSON'S SONS: A FOUNDING FATHER'S SECRET CHILDREN BY Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 VOICE OF A DREAM BY GLAYDAH NAMUKASA Voice of a Dream by Glaydah Namukasa. Nanfuka wants nothing more than to finish her education and become a nurse – the first in her village. While still a child herself, the teenager is suddenly forced to leave school and thrust into adult responsibilities when she is called home as her father dies from AIDS. With her mother missing,Nanfuka
HISAYE YAMAMOTO
Notable Asi Minoru Yamasaki inter-ethnic bonding as in "Epithalamium," in which a Japanese American volunteer falls in love with an alco-holic Italian American. LEARNING TOGETHER DURING CHALLENGING TIMES A Learning Together feature about the legacy of the transcontinental railroad and labor of Chinese immigrants. This content can be modified to fit units about US history, Immigration and Migration and the Chinese Exclusion Act, for Grades 3-5, 6-8 and 9-12. This page includes: Interview withKEYSTONE INITIATIVE
What is the Keystone Initiative? The Smithsonian Asian Pacific American Keystone Initiative will raise $25+ million (Phase 1) with the goal of securing support for programs, curator positions and internships, and collections that will increase the presence of Asian Pacific American stories across the Smithsonian’s 19 museums and 9research centers.
LITERATURE + MUSEUM
Literature Meets the Museum is a Smithsonian Asian Pacific American Center initiative that honors the central role literature has played in Asian American cultural history. Bringing literature into the Smithsonian fold, it asks how museums can transform literature, how literature can transform museums, and how, together, we can assume the collective responsibility of stewardship of NOW | LIVE FROM THE SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER We are a national resource for discovering the consequence and complexity of the Asian Pacific American experience through collaboration, exhibitions, programs, and digital experiences – and a creative leader in rethinking museums in the digital age. WE ARE NOT A STEREOTYPE Dr. Kiona She / Her / Hers Kiona, Ph.D., M.S., M.A. is the founder of the award-winning digital platform How Not To Travel Like A Basic B, which was launched in 2016.Seeing the deficits in academia where rarely Brown and Black people are rarely deemed experts in their own cultures and access to higher education is placed behind a huge paywall, she created a platform that does the opposite. HOW DO NATIVE PEOPLE AND NATIONS EXPERIENCE BELONGING The Native Nations of the Northern Plains each have distinct cultures and lifeways. However, they also share common values such as a sense of belonging to the land, the supportive relationships that are part of kinship systems, and the rights and responsibilities held by members of Native Nations. Each nation expresses these values inunique ways.
KĀLEWA CORREA
Kālewa Correa serves as the Curator of Hawai’i and the Pacific with the Smithsonian Institution’s Asian Pacific American Center. He is a graduate of the University of Hawai’i at Mānoa Kamakakūʻokalani Center for Hawaiian Studies with a focus on Hawaiian traditional society and politics. SHOKO'S SMILE BY CHOI EUNYOUNG, TRANS. BY SUNG RYU [IN *STARRED REVIEW Women alone populate the extraordinary seven stories in Shoko’s Smile by bestselling Korean author Choi Eunyoung, who makes her English-language debut, smoothly translated by Sung Ryu.From daughters to grandmothers, Choi’s narrators remain in motion, not only physically but chronologically, each assessing significant past events that shape their current lives. BAREFOOT GEN (VOLS. 1-8) BY KEIJI NAKAZAWA, TRANSLATED BY Barefoot Gen (vols. 1-8) by Keiji Nakazawa, translated by Project Gen. Atom bomb. Unimaginable horrors. Survival against all odds. Bearing witness. Hope for peace. Keiji Nakazawa was six when “Little Boy” decimated the city of Hiroshima on August 6, 1945. This is his amazingtestament.
NOW | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER, AUTHOR AT Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 HOME | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERCROSSLINESKEYSTONE INITIATIVEPICKLES AND TEAFASHION FORECASTSA DAY IN THE QUEERLIFECTRL+ALT
The Smithsonian Asian Pacific American Center tells Asian Pacific American stories through innovative museum experiences.KEYSTONE INITIATIVE
What is the Keystone Initiative? The Smithsonian Asian Pacific American Keystone Initiative will raise $25+ million (Phase 1) with the goal of securing support for programs, curator positions and internships, and collections that will increase the presence of Asian Pacific American stories across the Smithsonian’s 19 museums and 9research centers.
LAWRENCE-MINH BÙI DAVIS Lawrence-Minh Bùi Davis, PhD is Curator of Asian Pacific American Studies. He oversees the APAC Literature + Museum Initiative, devoted to rethinking collective responsibility for what we write and read, and why.He serves as lead organizer for the Asian American Literature Festival, co-hosted by the Smithsonian, Library of Congress, and Poetry Foundation, and is a co-founder of the pop-up CROSSLINES | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERSMITHSONIAN ARTS AND INDUSTRIES MUSEUMSMITHSONIAN ARTS AND INDUSTRIES MUSEUM 12:00-2:00pm: Asian-Latino Encounters (led by Lawrence-Minh Bui Davis) Learn about the complex cultural and historic intersections between the fastest-growing immigrant groups in the U.S. Meet at the Theater stage after Jennifer Cendaña Armas' 12:00pm performance NAFISA ISA | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Nafisa IsaProgram Manager Nafisa Isa is a life-long organizer, advocate and community educator, currently Program Manager at the Smithsonian Asian Pacific ANDREA KIM NEIGHBORS Andrea Kim Neighbors currently serves as the Manager of Education Initiatives for the Smithsonian Asian Pacific American Center (APAC), where she collaborates with K12 educators and Asian American and Pacific Islander content specialists on the development of APAC’s National Education Program.ADRIEL LUIS
Adriel LuisCurator of Digital and Emerging Media Adriel Luis is a community organizer, artist, and curator who believes that our collective imagination NOW | THE ART OF GAMAN: ARTS AND CRAFTS FROM THE JAPANESE The Art of Gaman showcases arts and crafts made by Japanese Americans detained in U.S. internment camps during World War II in California, Wyoming, Arizona, Utah, Idaho, Colorado, and Arkansas. The exhibition features objects made by detainees primarily from scrap and found materials. The collection gives a sense of the wide range of artistic activities among 120,000 Japanese andTHE MEDAL OF HONOR
The Medal of Honor is the highest military honor awarded to an individual for personal acts of valor above and beyond the call of duty. It is presented by the President of the United States in the name of Congress. Originally, only one Japanese American received the Medal of Honor for service in World War II. Fifty years later, twenty more Nisei soldiers were upgraded to the Medal of Honor.SAKAE TAKAHASHI
100th Infantry Battalion. Racism against Japanese Americans led to the creation of the ethnically segregated unit, the 100th Infantry Battalion.. Sakae and his Nisei comrades were separated from the 299th Infantry and sent to a training camp in the mainland to be part of the 100th. The Hawaiian Nisei, who spoke pidgin English, referred to the unit as “One Puka Puka.” HOME | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERCROSSLINESKEYSTONE INITIATIVEPICKLES AND TEAFASHION FORECASTSA DAY IN THE QUEERLIFECTRL+ALT
The Smithsonian Asian Pacific American Center tells Asian Pacific American stories through innovative museum experiences.KEYSTONE INITIATIVE
What is the Keystone Initiative? The Smithsonian Asian Pacific American Keystone Initiative will raise $25+ million (Phase 1) with the goal of securing support for programs, curator positions and internships, and collections that will increase the presence of Asian Pacific American stories across the Smithsonian’s 19 museums and 9research centers.
LAWRENCE-MINH BÙI DAVIS Lawrence-Minh Bùi Davis, PhD is Curator of Asian Pacific American Studies. He oversees the APAC Literature + Museum Initiative, devoted to rethinking collective responsibility for what we write and read, and why.He serves as lead organizer for the Asian American Literature Festival, co-hosted by the Smithsonian, Library of Congress, and Poetry Foundation, and is a co-founder of the pop-up CROSSLINES | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTERSMITHSONIAN ARTS AND INDUSTRIES MUSEUMSMITHSONIAN ARTS AND INDUSTRIES MUSEUM 12:00-2:00pm: Asian-Latino Encounters (led by Lawrence-Minh Bui Davis) Learn about the complex cultural and historic intersections between the fastest-growing immigrant groups in the U.S. Meet at the Theater stage after Jennifer Cendaña Armas' 12:00pm performance NAFISA ISA | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER Nafisa IsaProgram Manager Nafisa Isa is a life-long organizer, advocate and community educator, currently Program Manager at the Smithsonian Asian Pacific ANDREA KIM NEIGHBORS Andrea Kim Neighbors currently serves as the Manager of Education Initiatives for the Smithsonian Asian Pacific American Center (APAC), where she collaborates with K12 educators and Asian American and Pacific Islander content specialists on the development of APAC’s National Education Program.ADRIEL LUIS
Adriel LuisCurator of Digital and Emerging Media Adriel Luis is a community organizer, artist, and curator who believes that our collective imagination NOW | THE ART OF GAMAN: ARTS AND CRAFTS FROM THE JAPANESE The Art of Gaman showcases arts and crafts made by Japanese Americans detained in U.S. internment camps during World War II in California, Wyoming, Arizona, Utah, Idaho, Colorado, and Arkansas. The exhibition features objects made by detainees primarily from scrap and found materials. The collection gives a sense of the wide range of artistic activities among 120,000 Japanese andTHE MEDAL OF HONOR
The Medal of Honor is the highest military honor awarded to an individual for personal acts of valor above and beyond the call of duty. It is presented by the President of the United States in the name of Congress. Originally, only one Japanese American received the Medal of Honor for service in World War II. Fifty years later, twenty more Nisei soldiers were upgraded to the Medal of Honor.SAKAE TAKAHASHI
100th Infantry Battalion. Racism against Japanese Americans led to the creation of the ethnically segregated unit, the 100th Infantry Battalion.. Sakae and his Nisei comrades were separated from the 299th Infantry and sent to a training camp in the mainland to be part of the 100th. The Hawaiian Nisei, who spoke pidgin English, referred to the unit as “One Puka Puka.” LEARNING TOGETHER DURING CHALLENGING TIMES Connecting you to Asian American and Pacific Islander voices and stories. The Smithsonian Asian Pacific American Center’s Learning Together page launched in 2019 to connect the Smithsonian Asian Pacific American Center’s programs, curatorial expertise, and community anniversaries with K12 educators across the country.LITERATURE + MUSEUM
Literature Meets the Museum is a Smithsonian Asian Pacific American Center initiative that honors the central role literature has played in Asian American cultural history. Bringing literature into the Smithsonian fold, it asks how museums can transform literature, how literature can transform museums, and how, together, we can assume the collective responsibility of stewardship of THE PRODIGAL DAUGHTER [A LINDA WALLHEIM MYSTERY, BOOK 5 Mettie Ivie Harrison is no stranger to highlighting the complicated intricacies of the Utah Mormon communities in which she lives. Her bestselling Linda Wallheim mystery series unmasked domestic abuse in The Bishop’s Wife; anti-LGBTQIA doctrines in His Right Hand; polygamous patriarchy in For Time and All Eternities; immigration injustice and race-based inequity in Not of This Fold.LISA SASAKI
Lisa Sasaki is the Director of the Smithsonian Asian Pacific American Center (APAC), a migratory museum that brings Asian Pacific American history, art and culture to communities through innovative museum experiences online and throughout the U.S. Previously she was the Director of the Audience & Civic Engagement Center at the Oakland Museum of California and the Director of ProgramYVON ROY ARCHIVES
Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 MIDDLE GRADE READERS ARCHIVES Books for the Diverse Reader. From Another World by Ana Maria Machado, translated by Luisa Baeta, with illustrations by Lúcia Brandão NOW | SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER, AUTHOR AT Mailing Address Capital Gallery Suite 7065, MRC: 516 P.O. Box 37012 Washington, DC 20013-7012. Fax: 202.633.2699 HOME - FOLK HERO: YURI KOCHIYAMA, AS REMEMBERED THROUGH In this age of digital excess, the collection of artifacts in the public domain for Yuri Kochiyama is unfortunately sparse. Yet, there is a wealth of drawings, songs, poems, flyers, and other expressions that mark her memory.KĀLEWA CORREA
Kālewa Correa serves as the Curator of Hawai’i and the Pacific with the Smithsonian Institution’s Asian Pacific American Center. He is a graduate of the University of Hawai’i at Mānoa Kamakakūʻokalani Center for Hawaiian Studies with a focus on Hawaiian traditional society and politics. NOW | THE ART OF GAMAN: ARTS AND CRAFTS FROM THE JAPANESE The Art of Gaman showcases arts and crafts made by Japanese Americans detained in U.S. internment camps during World War II in California, Wyoming, Arizona, Utah, Idaho, Colorado, and Arkansas. The exhibition features objects made by detainees primarily from scrap and found materials. The collection gives a sense of the wide range of artistic activities among 120,000 Japanese and* Who We Are
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HomeSmithsonian Asian Pacific American Center 2020-04-16T16:19:22-04:00 A MUSEUM WITHOUT WALLS We present innovative, community-centered museum experiences throughout the United States and beyondCOVID-19 RESPONSE
SMITHSONIANAPA PRESENTSCARE PACKAGE
Cultural nutrients for times like thisIN MEMORIAM
REMEMBERING
IRENE HIRANO INOUYE
The chair of our advisory board led with diplomacy, dignity, confidence and compassion COVID-19 RESPONSE AND EDUCATION RESOURCES SMITHSONIANAPA EDUCATIONLEARNING TOGETHER
For educators and students seeking ways to include Asian American and Pacific Islander narratives in their classroomsSUPPORT
ASIAN PACIFIC AMERICANKEYSTONE INITIATIVE
Building an APA Gallery and a Culture of Community A NEW DIGITAL EXHIBITION SMITHSONIANAPA PRESENTS A DAY IN THE QUEER LIFE Of Asian Pacific America NOW OPEN • MUSIC BOX VILLAGE • NEW ORLEANS, LA NEW ORLEANS AIRLIFT, CHRISTINE SUN KIM & RICK SNOWELEVATOR PITCH
A "musical house" art structure that brings Deaf and hearing peopletogether
NOW Available ONLINE SMITHSONIANAPA PRESENTS CULTURE LAB PLAYBOOK Activities for community-centered art AVAILABLE EVERYWHEREYUMI SAKUGAWA
FASHION FORECASTS
A book about a future where fashion can bring you closer toenlightenment
-------------------------CULTURE LABS
A new model for museum experiences that places communities first. Read our Culture Lab Manifesto to learn more.AE KAI
July 7
July 2017 // HonoluluCTRL+ALT
September 16
November 2016 // New York CityCROSSLINES
September 14
May 2016 // Washington, D.C.RECENT PROJECTS
NOW YOU SEE US
August 24
PASIFIKA FIRST FRIDAYSJuly 20
ASIAN AMERICAN LITERATURE FESTIVAL 2017August 24
RECENT EXHIBITIONS
WIENA LIN – DISASSEMBLY : BROOKLYNJuly 19
BEYOND BOLLYWOOD
September 16
I WANT THE WIDE AMERICAN EARTHSeptember 16
ONLINE EXHIBITIONS
CONGRESSIONAL GOLD MEDALAugust 24
FOLK HERO
September 16
A DAY IN THE LIFE OF ASIAN PACIFIC AMERICASeptember 16
H-1B
September 16
ART INTERSECTIONS: AN ASIAN-LATINO POP-UP MUSEUMSeptember 16
BLOGS
More ways to tap into Asian Pacific American cultureBOOKDRAGON
September 16
PICKLES AND TEA
September 16
THE SMITHSONIAN ASIAN PACIFIC AMERICAN CENTER IS A MIGRATORY MUSEUM THAT BRINGS HISTORY, ART AND CULTURE TO YOU THROUGH INNOVATIVE COMMUNITY-FOCUSED EXPERIENCES.Email us
APAC@si.edu | 202-633-2691 NOTE: WE ARE NOT A TRADITIONAL MUSEUM WITH A PUBLIC BUILDING. SmithsonianAPA recognizes the Piscataway people as the original stewards of the area commonly known as Washington, D.C., where our offices are located. Click to learn about our projects happening everywhere. ------------------------- GET UPDATES ABOUT WHEN SMITHSONIANAPA IS COMING NEAR YOU. 2020 Smithsonian Asian Pacific American Center All Rights Reserved. Terms of Use • PrivacyDetails
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