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WATSON
Script Pipeline discovers and develops writers for film and television, connecting them to producers, agents, and managers. Since 1999, several produced films and over $8 million in screenplay and TV pilot spec sales are credited to Script Pipeline’s unique, intensiveprocess of
DEAD TO ME – PILOT – SCRIPT PIPELINE Two women meet in a therapy group for grieving spouses. Jen (Christina Applegate) lost her husband after a hit-and-run while Judy (Linda Cardellini) is mourning her fiancé who died of a heart attack. However, a dark twist towards the end of the pilot reveals a deeper connection between the two women and propels the story from a dramedyinto
THE FAVOURITE
Sarah is the Queen’s current “favourite”—she’s Anne’s righthand woman and also lover, and Abigail envies her for it. What pursues is a darkly comic costume drama, with Sarah and Abigail doing whatever it takes to gain power. The movie’s greatest triumph is Anne’s character. At times, the Queen behaves like a petulant child,but
TED LASSO – PILOT – SCRIPT PIPELINE Written by Jason Sudeikis and Bill Lawrence and developed by Sudeikis, Lawrence, Joe Kelly, and Brendan Hunt, the pilot follows American football coach Ted Lasso (Sudeikis) as he takes a new job as the head coach for the London football club AFC Richmond. That is, the otherfootball. Soccer.
STRANGER THINGS
Stranger Things – Bible. For this column, we typically focus on produced screenplays and teleplays to give aspiring writers a sense of what the standard is for professional screenwriters. The scripts we choose typically have strong characters, poignant themes, and — it should go without saying — exceptional writing.RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
A QUIET PLACE
A Quiet Place, written by Bryan Woods & Scott Beck and John Krasinski and directed by Krasinski, makes that premise a reality. In the near future, Earth has been attacked by extraterrestrials and most of the world’s population has been wiped out. The catch? These aliens have ultra-sensitive hearing, so if you’re too loud—well, good luckANNIHILATION
Annihilation effectively combines the body horror of The Fly, the tension of The Thing, and the smarts of Ex Machina. You may have missed this in theaters, but you should read the script and check out the movie. It’s destined to become a cult hit. Read the AnnihilationScreenplay.
DALLAS BUYERS CLUB
Dallas Buyers Club – Screenplay. By Script Pipeline August 1, 2014. April 5th, 2020 No Comments. Often, a film cannot realize its potential without flawless casting–and such is the case with Dallas Buyers Club. But across a current landscape of adaptations, big-budget action, low-budget horror, remakes, remakes of remakes, and derivative FLEABAG – PILOT – SCRIPT PIPELINE Fleabag, created by and starring Phoebe Waller-Bridge as the title character, is an equally hilarious and tragic character study of a single, perpetually horny British woman. She doesn’t get a name in the show, but she’s known to the audience as Fleabag. In the pilot, she describes herself as “a greedy, perverted, selfish, apathetic SCRIPT PIPELINESCREENWRITINGFIRST LOOK PROJECTDEVELOPMENT NOTESNICKWATSON
Script Pipeline discovers and develops writers for film and television, connecting them to producers, agents, and managers. Since 1999, several produced films and over $8 million in screenplay and TV pilot spec sales are credited to Script Pipeline’s unique, intensiveprocess of
DEAD TO ME – PILOT – SCRIPT PIPELINE Two women meet in a therapy group for grieving spouses. Jen (Christina Applegate) lost her husband after a hit-and-run while Judy (Linda Cardellini) is mourning her fiancé who died of a heart attack. However, a dark twist towards the end of the pilot reveals a deeper connection between the two women and propels the story from a dramedyinto
THE FAVOURITE
Sarah is the Queen’s current “favourite”—she’s Anne’s righthand woman and also lover, and Abigail envies her for it. What pursues is a darkly comic costume drama, with Sarah and Abigail doing whatever it takes to gain power. The movie’s greatest triumph is Anne’s character. At times, the Queen behaves like a petulant child,but
TED LASSO – PILOT – SCRIPT PIPELINE Written by Jason Sudeikis and Bill Lawrence and developed by Sudeikis, Lawrence, Joe Kelly, and Brendan Hunt, the pilot follows American football coach Ted Lasso (Sudeikis) as he takes a new job as the head coach for the London football club AFC Richmond. That is, the otherfootball. Soccer.
STRANGER THINGS
Stranger Things – Bible. For this column, we typically focus on produced screenplays and teleplays to give aspiring writers a sense of what the standard is for professional screenwriters. The scripts we choose typically have strong characters, poignant themes, and — it should go without saying — exceptional writing.RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
A QUIET PLACE
A Quiet Place, written by Bryan Woods & Scott Beck and John Krasinski and directed by Krasinski, makes that premise a reality. In the near future, Earth has been attacked by extraterrestrials and most of the world’s population has been wiped out. The catch? These aliens have ultra-sensitive hearing, so if you’re too loud—well, good luckANNIHILATION
Annihilation effectively combines the body horror of The Fly, the tension of The Thing, and the smarts of Ex Machina. You may have missed this in theaters, but you should read the script and check out the movie. It’s destined to become a cult hit. Read the AnnihilationScreenplay.
DALLAS BUYERS CLUB
Dallas Buyers Club – Screenplay. By Script Pipeline August 1, 2014. April 5th, 2020 No Comments. Often, a film cannot realize its potential without flawless casting–and such is the case with Dallas Buyers Club. But across a current landscape of adaptations, big-budget action, low-budget horror, remakes, remakes of remakes, and derivative FLEABAG – PILOT – SCRIPT PIPELINE Fleabag, created by and starring Phoebe Waller-Bridge as the title character, is an equally hilarious and tragic character study of a single, perpetually horny British woman. She doesn’t get a name in the show, but she’s known to the audience as Fleabag. In the pilot, she describes herself as “a greedy, perverted, selfish, apathetic PRODUCTS – SCRIPT PIPELINE Join the Script Pipeline community and receive $5 off a contest entry. 2020 SCREENWRITING CONTEST RESULTS 2020 Screenwriting Contest Results. By Script Pipeline June 29, 2020. March 25th, 2021 No Comments. Winner. Killing Che by Alexander Vargas. Alexander was born and raised in Miami, Florida—a mutt of Cuban and Swedish upbringing (his parents met on a dare, which may or may not be his next feature). Less than a month after graduating from the 2021 SCREENWRITING CONTEST Announcement dates and awards: Grand Prize Winner (1) - $25,000: July 25th, 2021. Runner-up (1) - $2,500: July 25th, 2021. Finalists (10): July 1st, 2021. Semifinalists (up to top 30): June 25th, 2021. Quarterfinalists (up to top 75): - June 18th, 2021. Brief, general feedback will be provided for Quarterfinalists, while Semifinalistsmay
2021 FIRST LOOK PROJECT Regular: September 15th, 2021 - $55. Late: October 1st, 2021 - $60. Entries also accepted via: The First Look Project focuses primarily on connecting the winners with production and management companies. One winner and one runner-up are selected for each category. Screenplay.Winners
SCREENWRITING & TV WRITING Screenwriting & TV Writing – Rules – Script Pipeline. 1. COMPETITION ADMINISTRATOR. The Competition is administered and hosted by Pipeline Media Group, LLC, dba Script Pipeline, a California limited liability company, at: 2633 Lincoln Blvd. #701, Santa Monica, CA 90405 (“Pipeline,” “we,” or “us”). 2.CROSBY SELANDER
Crosby Selander. A finalist in the 2020 Script Pipeline Screenwriting Competition, Crosby Selander signed with management at Kaplan/Perrone after an introduction by Pipeline execs. A month later, his script Bring Me Back sold to Legendary in a seven-figure deal, marking one the biggest spec sales of all-time from a “new,” unproducedwriter.
THE HANDMAID’S TALE The Handmaid’s Tale – Pilot. By Script Pipeline May 16, 2017. April 5th, 2020 No Comments. World building is an essential element to any pilot. Some shows require more than others (e.g., shows with deeper mythologies like The X-Files or Fringe demand more groundwork in the pilot than a typical sitcom would), but at minimum, theaudience
RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
ALEX ROSS – SCRIPT PIPELINE – Alex Ross, writer of Hexen (2014 Script Pipeline Screenwriting Competition Winner). Hexen was your first script—but for a screenplay this well-written, one worthy enough to win the Script Pipeline Grand Prize, “first script” is a bit misleading.How much time and energy did you put into the project before submitting to the competition? What was the impetus behind writing this type ofYOU’RE THE WORST
The pilot follows Jimmy and Gretchen as they struggle in their personal lives and as their relationship slowly kicks off despite being commitment-phobes. The series focuses on this relationship, and the pilot does a great job at laying the groundwork. However, where the first episode truly shines is in the smaller details. SCRIPT PIPELINESCREENWRITINGFIRST LOOK PROJECTDEVELOPMENT NOTESNICKWATSON
Script Pipeline discovers and develops writers for film and television, connecting them to producers, agents, and managers. Since 1999, several produced films and over $8 million in screenplay and TV pilot spec sales are credited to Script Pipeline’s unique, intensiveprocess of
DEAD TO ME – PILOT – SCRIPT PIPELINE Two women meet in a therapy group for grieving spouses. Jen (Christina Applegate) lost her husband after a hit-and-run while Judy (Linda Cardellini) is mourning her fiancé who died of a heart attack. However, a dark twist towards the end of the pilot reveals a deeper connection between the two women and propels the story from a dramedyinto
THE FAVOURITE
Sarah is the Queen’s current “favourite”—she’s Anne’s righthand woman and also lover, and Abigail envies her for it. What pursues is a darkly comic costume drama, with Sarah and Abigail doing whatever it takes to gain power. The movie’s greatest triumph is Anne’s character. At times, the Queen behaves like a petulant child,but
TED LASSO – PILOT – SCRIPT PIPELINE Written by Jason Sudeikis and Bill Lawrence and developed by Sudeikis, Lawrence, Joe Kelly, and Brendan Hunt, the pilot follows American football coach Ted Lasso (Sudeikis) as he takes a new job as the head coach for the London football club AFC Richmond. That is, the otherfootball. Soccer.
STRANGER THINGS
Stranger Things – Bible. For this column, we typically focus on produced screenplays and teleplays to give aspiring writers a sense of what the standard is for professional screenwriters. The scripts we choose typically have strong characters, poignant themes, and — it should go without saying — exceptional writing.RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
A QUIET PLACE
A Quiet Place, written by Bryan Woods & Scott Beck and John Krasinski and directed by Krasinski, makes that premise a reality. In the near future, Earth has been attacked by extraterrestrials and most of the world’s population has been wiped out. The catch? These aliens have ultra-sensitive hearing, so if you’re too loud—well, good luckANNIHILATION
Annihilation effectively combines the body horror of The Fly, the tension of The Thing, and the smarts of Ex Machina. You may have missed this in theaters, but you should read the script and check out the movie. It’s destined to become a cult hit. Read the AnnihilationScreenplay.
DALLAS BUYERS CLUB
Dallas Buyers Club – Screenplay. By Script Pipeline August 1, 2014. April 5th, 2020 No Comments. Often, a film cannot realize its potential without flawless casting–and such is the case with Dallas Buyers Club. But across a current landscape of adaptations, big-budget action, low-budget horror, remakes, remakes of remakes, and derivative FLEABAG – PILOT – SCRIPT PIPELINE Fleabag, created by and starring Phoebe Waller-Bridge as the title character, is an equally hilarious and tragic character study of a single, perpetually horny British woman. She doesn’t get a name in the show, but she’s known to the audience as Fleabag. In the pilot, she describes herself as “a greedy, perverted, selfish, apathetic SCRIPT PIPELINESCREENWRITINGFIRST LOOK PROJECTDEVELOPMENT NOTESNICKWATSON
Script Pipeline discovers and develops writers for film and television, connecting them to producers, agents, and managers. Since 1999, several produced films and over $8 million in screenplay and TV pilot spec sales are credited to Script Pipeline’s unique, intensiveprocess of
DEAD TO ME – PILOT – SCRIPT PIPELINE Two women meet in a therapy group for grieving spouses. Jen (Christina Applegate) lost her husband after a hit-and-run while Judy (Linda Cardellini) is mourning her fiancé who died of a heart attack. However, a dark twist towards the end of the pilot reveals a deeper connection between the two women and propels the story from a dramedyinto
THE FAVOURITE
Sarah is the Queen’s current “favourite”—she’s Anne’s righthand woman and also lover, and Abigail envies her for it. What pursues is a darkly comic costume drama, with Sarah and Abigail doing whatever it takes to gain power. The movie’s greatest triumph is Anne’s character. At times, the Queen behaves like a petulant child,but
TED LASSO – PILOT – SCRIPT PIPELINE Written by Jason Sudeikis and Bill Lawrence and developed by Sudeikis, Lawrence, Joe Kelly, and Brendan Hunt, the pilot follows American football coach Ted Lasso (Sudeikis) as he takes a new job as the head coach for the London football club AFC Richmond. That is, the otherfootball. Soccer.
STRANGER THINGS
Stranger Things – Bible. For this column, we typically focus on produced screenplays and teleplays to give aspiring writers a sense of what the standard is for professional screenwriters. The scripts we choose typically have strong characters, poignant themes, and — it should go without saying — exceptional writing.RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
A QUIET PLACE
A Quiet Place, written by Bryan Woods & Scott Beck and John Krasinski and directed by Krasinski, makes that premise a reality. In the near future, Earth has been attacked by extraterrestrials and most of the world’s population has been wiped out. The catch? These aliens have ultra-sensitive hearing, so if you’re too loud—well, good luckANNIHILATION
Annihilation effectively combines the body horror of The Fly, the tension of The Thing, and the smarts of Ex Machina. You may have missed this in theaters, but you should read the script and check out the movie. It’s destined to become a cult hit. Read the AnnihilationScreenplay.
DALLAS BUYERS CLUB
Dallas Buyers Club – Screenplay. By Script Pipeline August 1, 2014. April 5th, 2020 No Comments. Often, a film cannot realize its potential without flawless casting–and such is the case with Dallas Buyers Club. But across a current landscape of adaptations, big-budget action, low-budget horror, remakes, remakes of remakes, and derivative FLEABAG – PILOT – SCRIPT PIPELINE Fleabag, created by and starring Phoebe Waller-Bridge as the title character, is an equally hilarious and tragic character study of a single, perpetually horny British woman. She doesn’t get a name in the show, but she’s known to the audience as Fleabag. In the pilot, she describes herself as “a greedy, perverted, selfish, apathetic PRODUCTS – SCRIPT PIPELINE Join the Script Pipeline community and receive $5 off a contest entry. 2020 SCREENWRITING CONTEST RESULTS 2020 Screenwriting Contest Results. By Script Pipeline June 29, 2020. March 25th, 2021 No Comments. Winner. Killing Che by Alexander Vargas. Alexander was born and raised in Miami, Florida—a mutt of Cuban and Swedish upbringing (his parents met on a dare, which may or may not be his next feature). Less than a month after graduating from the 2021 SCREENWRITING CONTEST Announcement dates and awards: Grand Prize Winner (1) - $25,000: July 25th, 2021. Runner-up (1) - $2,500: July 25th, 2021. Finalists (10): July 1st, 2021. Semifinalists (up to top 30): June 25th, 2021. Quarterfinalists (up to top 75): - June 18th, 2021. Brief, general feedback will be provided for Quarterfinalists, while Semifinalistsmay
2021 FIRST LOOK PROJECT Regular: September 15th, 2021 - $55. Late: October 1st, 2021 - $60. Entries also accepted via: The First Look Project focuses primarily on connecting the winners with production and management companies. One winner and one runner-up are selected for each category. Screenplay.Winners
SCREENWRITING & TV WRITING Screenwriting & TV Writing – Rules – Script Pipeline. 1. COMPETITION ADMINISTRATOR. The Competition is administered and hosted by Pipeline Media Group, LLC, dba Script Pipeline, a California limited liability company, at: 2633 Lincoln Blvd. #701, Santa Monica, CA 90405 (“Pipeline,” “we,” or “us”). 2.CROSBY SELANDER
Crosby Selander. A finalist in the 2020 Script Pipeline Screenwriting Competition, Crosby Selander signed with management at Kaplan/Perrone after an introduction by Pipeline execs. A month later, his script Bring Me Back sold to Legendary in a seven-figure deal, marking one the biggest spec sales of all-time from a “new,” unproducedwriter.
THE HANDMAID’S TALE The Handmaid’s Tale – Pilot. By Script Pipeline May 16, 2017. April 5th, 2020 No Comments. World building is an essential element to any pilot. Some shows require more than others (e.g., shows with deeper mythologies like The X-Files or Fringe demand more groundwork in the pilot than a typical sitcom would), but at minimum, theaudience
RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
ALEX ROSS – SCRIPT PIPELINE – Alex Ross, writer of Hexen (2014 Script Pipeline Screenwriting Competition Winner). Hexen was your first script—but for a screenplay this well-written, one worthy enough to win the Script Pipeline Grand Prize, “first script” is a bit misleading.How much time and energy did you put into the project before submitting to the competition? What was the impetus behind writing this type ofYOU’RE THE WORST
The pilot follows Jimmy and Gretchen as they struggle in their personal lives and as their relationship slowly kicks off despite being commitment-phobes. The series focuses on this relationship, and the pilot does a great job at laying the groundwork. However, where the first episode truly shines is in the smaller details. SCRIPT PIPELINESCREENWRITINGFIRST LOOK PROJECTDEVELOPMENT NOTESNICKWATSON
Script Pipeline discovers and develops writers for film and television, connecting them to producers, agents, and managers. Since 1999, several produced films and over $8 million in screenplay and TV pilot spec sales are credited to Script Pipeline’s unique, intensiveprocess of
2021 SCREENWRITING CONTEST FINAL DEADLINE. Monday, May 31st. Must submit via Coverfly or FilmFreeway: Following the quarterfinalist and semifinalist judging rounds, 10 finalists are chosen by July 1st, 2021. From those 10, we select one Grand Prize Winner and one Runner-up. Announcement dates and awards: Grand Prize Winner (1) - $25,000: July 25th, 2021.Runner-up (1
2021 FIRST LOOK PROJECT Regular: September 15th, 2021 - $55. Late: October 1st, 2021 - $60. Entries also accepted via: The First Look Project focuses primarily on connecting the winners with production and management companies. One winner and one runner-up are selected for each category. Screenplay.Winners
THE FAVOURITE
Sarah is the Queen’s current “favourite”—she’s Anne’s righthand woman and also lover, and Abigail envies her for it. What pursues is a darkly comic costume drama, with Sarah and Abigail doing whatever it takes to gain power. The movie’s greatest triumph is Anne’s character. At times, the Queen behaves like a petulant child,but
DEAD TO ME – PILOT – SCRIPT PIPELINE Two women meet in a therapy group for grieving spouses. Jen (Christina Applegate) lost her husband after a hit-and-run while Judy (Linda Cardellini) is mourning her fiancé who died of a heart attack. However, a dark twist towards the end of the pilot reveals a deeper connection between the two women and propels the story from a dramedyinto
TED LASSO – PILOT – SCRIPT PIPELINE Written by Jason Sudeikis and Bill Lawrence and developed by Sudeikis, Lawrence, Joe Kelly, and Brendan Hunt, the pilot follows American football coach Ted Lasso (Sudeikis) as he takes a new job as the head coach for the London football club AFC Richmond. That is, the otherfootball. Soccer.
STRANGER THINGS
Stranger Things – Bible. For this column, we typically focus on produced screenplays and teleplays to give aspiring writers a sense of what the standard is for professional screenwriters. The scripts we choose typically have strong characters, poignant themes, and — it should go without saying — exceptional writing.RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
AMERICAN VANDAL
American Vandal – Pilot. By Script Pipeline October 9, 2018. April 5th, 2020 No Comments. American Vandal has no right being as good as it is. Created and written by Tony Yacenda and Dan Perrault, the show ostensibly parodies true crime shows (most predominantly fellow Netflix series Making a Murderer ), but like any good comedy, it aimsto
FLEABAG – PILOT – SCRIPT PIPELINE Fleabag, created by and starring Phoebe Waller-Bridge as the title character, is an equally hilarious and tragic character study of a single, perpetually horny British woman. She doesn’t get a name in the show, but she’s known to the audience as Fleabag. In the pilot, she describes herself as “a greedy, perverted, selfish, apathetic SCRIPT PIPELINESCREENWRITINGFIRST LOOK PROJECTDEVELOPMENT NOTESNICKWATSON
Script Pipeline discovers and develops writers for film and television, connecting them to producers, agents, and managers. Since 1999, several produced films and over $8 million in screenplay and TV pilot spec sales are credited to Script Pipeline’s unique, intensiveprocess of
2021 SCREENWRITING CONTEST FINAL DEADLINE. Monday, May 31st. Must submit via Coverfly or FilmFreeway: Following the quarterfinalist and semifinalist judging rounds, 10 finalists are chosen by July 1st, 2021. From those 10, we select one Grand Prize Winner and one Runner-up. Announcement dates and awards: Grand Prize Winner (1) - $25,000: July 25th, 2021.Runner-up (1
2021 FIRST LOOK PROJECT Regular: September 15th, 2021 - $55. Late: October 1st, 2021 - $60. Entries also accepted via: The First Look Project focuses primarily on connecting the winners with production and management companies. One winner and one runner-up are selected for each category. Screenplay.Winners
THE FAVOURITE
Sarah is the Queen’s current “favourite”—she’s Anne’s righthand woman and also lover, and Abigail envies her for it. What pursues is a darkly comic costume drama, with Sarah and Abigail doing whatever it takes to gain power. The movie’s greatest triumph is Anne’s character. At times, the Queen behaves like a petulant child,but
DEAD TO ME – PILOT – SCRIPT PIPELINE Two women meet in a therapy group for grieving spouses. Jen (Christina Applegate) lost her husband after a hit-and-run while Judy (Linda Cardellini) is mourning her fiancé who died of a heart attack. However, a dark twist towards the end of the pilot reveals a deeper connection between the two women and propels the story from a dramedyinto
TED LASSO – PILOT – SCRIPT PIPELINE Written by Jason Sudeikis and Bill Lawrence and developed by Sudeikis, Lawrence, Joe Kelly, and Brendan Hunt, the pilot follows American football coach Ted Lasso (Sudeikis) as he takes a new job as the head coach for the London football club AFC Richmond. That is, the otherfootball. Soccer.
STRANGER THINGS
Stranger Things – Bible. For this column, we typically focus on produced screenplays and teleplays to give aspiring writers a sense of what the standard is for professional screenwriters. The scripts we choose typically have strong characters, poignant themes, and — it should go without saying — exceptional writing.RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
AMERICAN VANDAL
American Vandal – Pilot. By Script Pipeline October 9, 2018. April 5th, 2020 No Comments. American Vandal has no right being as good as it is. Created and written by Tony Yacenda and Dan Perrault, the show ostensibly parodies true crime shows (most predominantly fellow Netflix series Making a Murderer ), but like any good comedy, it aimsto
FLEABAG – PILOT – SCRIPT PIPELINE Fleabag, created by and starring Phoebe Waller-Bridge as the title character, is an equally hilarious and tragic character study of a single, perpetually horny British woman. She doesn’t get a name in the show, but she’s known to the audience as Fleabag. In the pilot, she describes herself as “a greedy, perverted, selfish, apathetic PRODUCTS – SCRIPT PIPELINE Join the Script Pipeline community and receive $5 off a contest entry.SCRIPT SALES
Script Sales. Here are some of the most notable script sales from September 2020: – 2020 Script Pipeline Finalist Crosby Selander sold his spec sci-fi script Bring Me Back to Legendary Pictures in a seven-figure deal, making it one of the largest deals for a “new,” unproduced writer in recent years. 2021 MOVIE AND TV SHOW IDEA CONTEST (I) Runner-up (1): July 31st, 2021. Winners and Runners-up in both divisions receive the following: Extensive development and assistance in completing a screenplay or pilot (optional) Long-term circulation to producers and other companies. Review of additional pitches and completed film or TV material. Script Pipeline's criteria is basedprimarily
SCRIPT NOTES AND COVERAGE Showing all 3 results. Home Shop Services Script Notes and Coverage.Select options.
DEVELOPMENT NOTES
Established in 1999, the Script Pipeline Workshop is one of the longest-running notes services in the industry, offering feedback on screenplays, pilots, and pitches for film and television. All readers are comprised of our in-house development team and have a range of 5-20 years experience in reading screenplays and pilots. CONTESTS – SCRIPT PIPELINE Contests. Default sorting Sort by popularity Sort by latest Sort by price: low to high Sort by price: high to low. Default sorting. Showing all 4 results. Home Shop Contests. Select options.STRANGER THINGS
Stranger Things – Pilot. By Script Pipeline August 9, 2016. April 5th, 2020 No Comments. The pilot is one of the most important episodes of a series. Perhaps the most important. Not only does it have to establish the characters, the world, and the tone, but it also has to convince viewers to come back for the next installment (or, in case ofYOU’RE THE WORST
Although upon first inspection You’re the Worst might appear to be a Bad Santa or Bad Teacher knock-off in which characters who are all id say whatever snarky, cynical ideas that pop into their heads, creator Stephen Falk does a masterful painting Jimmy (Chris Geere) and Gretchen (Aya Cash) as damaged, self-destructive people bitter at theworld.
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI With Three Billboards Outside Ebbing, Missouri, writer/director Martin McDonagh, continuing in the tradition of his previous films In Bruges and Seven Psycopaths, has created another strong dark comedy with even stronger characters at its heart. Mildred Hayes (Frances McDormand in a committed performance), on paper, could come across as FLEABAG – PILOT – SCRIPT PIPELINE Fleabag, created by and starring Phoebe Waller-Bridge as the title character, is an equally hilarious and tragic character study of a single, perpetually horny British woman. She doesn’t get a name in the show, but she’s known to the audience as Fleabag. In the pilot, she describes herself as “a greedy, perverted, selfish, apathetic SCRIPT PIPELINESCREENWRITINGFIRST LOOK PROJECTDEVELOPMENT NOTESNICKWATSON
Script Pipeline discovers and develops writers for film and television, connecting them to producers, agents, and managers. Since 1999, several produced films and over $8 million in screenplay and TV pilot spec sales are credited to Script Pipeline’s unique, intensiveprocess of
2021 SCREENWRITING CONTEST FINAL DEADLINE. Monday, May 31st. Must submit via Coverfly or FilmFreeway: Following the quarterfinalist and semifinalist judging rounds, 10 finalists are chosen by July 1st, 2021. From those 10, we select one Grand Prize Winner and one Runner-up. Announcement dates and awards: Grand Prize Winner (1) - $25,000: July 25th, 2021.Runner-up (1
DEAD TO ME – PILOT – SCRIPT PIPELINE Two women meet in a therapy group for grieving spouses. Jen (Christina Applegate) lost her husband after a hit-and-run while Judy (Linda Cardellini) is mourning her fiancé who died of a heart attack. However, a dark twist towards the end of the pilot reveals a deeper connection between the two women and propels the story from a dramedyinto
THE FAVOURITE
Sarah is the Queen’s current “favourite”—she’s Anne’s righthand woman and also lover, and Abigail envies her for it. What pursues is a darkly comic costume drama, with Sarah and Abigail doing whatever it takes to gain power. The movie’s greatest triumph is Anne’s character. At times, the Queen behaves like a petulant child,but
TED LASSO – PILOT – SCRIPT PIPELINE Written by Jason Sudeikis and Bill Lawrence and developed by Sudeikis, Lawrence, Joe Kelly, and Brendan Hunt, the pilot follows American football coach Ted Lasso (Sudeikis) as he takes a new job as the head coach for the London football club AFC Richmond. That is, the otherfootball. Soccer.
AMERICAN VANDAL
American Vandal – Pilot. By Script Pipeline October 9, 2018. April 5th, 2020 No Comments. American Vandal has no right being as good as it is. Created and written by Tony Yacenda and Dan Perrault, the show ostensibly parodies true crime shows (most predominantly fellow Netflix series Making a Murderer ), but like any good comedy, it aimsto
RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
STRANGER THINGS
Stranger Things – Bible. For this column, we typically focus on produced screenplays and teleplays to give aspiring writers a sense of what the standard is for professional screenwriters. The scripts we choose typically have strong characters, poignant themes, and — it should go without saying — exceptional writing.DALLAS BUYERS CLUB
Dallas Buyers Club – Screenplay. By Script Pipeline August 1, 2014. April 5th, 2020 No Comments. Often, a film cannot realize its potential without flawless casting–and such is the case with Dallas Buyers Club. But across a current landscape of adaptations, big-budget action, low-budget horror, remakes, remakes of remakes, and derivative FLEABAG – PILOT – SCRIPT PIPELINE Fleabag, created by and starring Phoebe Waller-Bridge as the title character, is an equally hilarious and tragic character study of a single, perpetually horny British woman. She doesn’t get a name in the show, but she’s known to the audience as Fleabag. In the pilot, she describes herself as “a greedy, perverted, selfish, apathetic SCRIPT PIPELINESCREENWRITINGFIRST LOOK PROJECTDEVELOPMENT NOTESNICKWATSON
Script Pipeline discovers and develops writers for film and television, connecting them to producers, agents, and managers. Since 1999, several produced films and over $8 million in screenplay and TV pilot spec sales are credited to Script Pipeline’s unique, intensiveprocess of
2021 SCREENWRITING CONTEST FINAL DEADLINE. Monday, May 31st. Must submit via Coverfly or FilmFreeway: Following the quarterfinalist and semifinalist judging rounds, 10 finalists are chosen by July 1st, 2021. From those 10, we select one Grand Prize Winner and one Runner-up. Announcement dates and awards: Grand Prize Winner (1) - $25,000: July 25th, 2021.Runner-up (1
DEAD TO ME – PILOT – SCRIPT PIPELINE Two women meet in a therapy group for grieving spouses. Jen (Christina Applegate) lost her husband after a hit-and-run while Judy (Linda Cardellini) is mourning her fiancé who died of a heart attack. However, a dark twist towards the end of the pilot reveals a deeper connection between the two women and propels the story from a dramedyinto
THE FAVOURITE
Sarah is the Queen’s current “favourite”—she’s Anne’s righthand woman and also lover, and Abigail envies her for it. What pursues is a darkly comic costume drama, with Sarah and Abigail doing whatever it takes to gain power. The movie’s greatest triumph is Anne’s character. At times, the Queen behaves like a petulant child,but
TED LASSO – PILOT – SCRIPT PIPELINE Written by Jason Sudeikis and Bill Lawrence and developed by Sudeikis, Lawrence, Joe Kelly, and Brendan Hunt, the pilot follows American football coach Ted Lasso (Sudeikis) as he takes a new job as the head coach for the London football club AFC Richmond. That is, the otherfootball. Soccer.
AMERICAN VANDAL
American Vandal – Pilot. By Script Pipeline October 9, 2018. April 5th, 2020 No Comments. American Vandal has no right being as good as it is. Created and written by Tony Yacenda and Dan Perrault, the show ostensibly parodies true crime shows (most predominantly fellow Netflix series Making a Murderer ), but like any good comedy, it aimsto
RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
STRANGER THINGS
Stranger Things – Bible. For this column, we typically focus on produced screenplays and teleplays to give aspiring writers a sense of what the standard is for professional screenwriters. The scripts we choose typically have strong characters, poignant themes, and — it should go without saying — exceptional writing.DALLAS BUYERS CLUB
Dallas Buyers Club – Screenplay. By Script Pipeline August 1, 2014. April 5th, 2020 No Comments. Often, a film cannot realize its potential without flawless casting–and such is the case with Dallas Buyers Club. But across a current landscape of adaptations, big-budget action, low-budget horror, remakes, remakes of remakes, and derivative FLEABAG – PILOT – SCRIPT PIPELINE Fleabag, created by and starring Phoebe Waller-Bridge as the title character, is an equally hilarious and tragic character study of a single, perpetually horny British woman. She doesn’t get a name in the show, but she’s known to the audience as Fleabag. In the pilot, she describes herself as “a greedy, perverted, selfish, apathetic PRODUCTS – SCRIPT PIPELINE Join the Script Pipeline community and receive $5 off a contest entry. 2021 SCREENWRITING CONTEST FINAL DEADLINE. Monday, May 31st. Must submit via Coverfly or FilmFreeway: Following the quarterfinalist and semifinalist judging rounds, 10 finalists are chosen by July 1st, 2021. From those 10, we select one Grand Prize Winner and one Runner-up. Announcement dates and awards: Grand Prize Winner (1) - $25,000: July 25th, 2021.Runner-up (1
2020 SCREENWRITING CONTEST RESULTS 2020 Screenwriting Contest Results. By Script Pipeline June 29, 2020. March 25th, 2021 No Comments. Winner. Killing Che by Alexander Vargas. Alexander was born and raised in Miami, Florida—a mutt of Cuban and Swedish upbringing (his parents met on a dare, which may or may not be his next feature). Less than a month after graduating from the 2021 FIRST LOOK PROJECT Regular: September 15th, 2021 - $55. Late: October 1st, 2021 - $60. Entries also accepted via: The First Look Project focuses primarily on connecting the winners with production and management companies. One winner and one runner-up are selected for each category. Screenplay.Winners
2021 MOVIE AND TV SHOW IDEA CONTEST (I) Runner-up (1): July 31st, 2021. Winners and Runners-up in both divisions receive the following: Extensive development and assistance in completing a screenplay or pilot (optional) Long-term circulation to producers and other companies. Review of additional pitches and completed film or TV material. Script Pipeline's criteria is basedprimarily
DECEMBER 2020 SCRIPT SALES December 2020 Script Sales. By Script Pipeline January 24, 2021. No Comments. Here are some of the most notable script sales from December 2020. – Pedro Almodovar is set to write and direct his next feature Parallel Mothers. Penelope Cruz will star, and Almodovar will produce with his brother, Agustin, under their production company El DeseoS.A.
RUSSIAN DOLL
Russian Doll – Pilot. By Script Pipeline February 18, 2019. April 5th, 2020 No Comments. When it was released in 1993, Groundhog Day became a critical and commercial success, but its real legacy is its narrative. In the years since, countless movies and TV shows have played with the temporal loop structure Groundhog Day helpedestablish, in
CROSBY SELANDER
Crosby Selander. A finalist in the 2020 Script Pipeline Screenwriting Competition, Crosby Selander signed with management at Kaplan/Perrone after an introduction by Pipeline execs. A month later, his script Bring Me Back sold to Legendary in a seven-figure deal, marking one the biggest spec sales of all-time from a “new,” unproducedwriter.
STRANGER THINGS
Stranger Things – Pilot. By Script Pipeline August 9, 2016. April 5th, 2020 No Comments. The pilot is one of the most important episodes of a series. Perhaps the most important. Not only does it have to establish the characters, the world, and the tone, but it also has to convince viewers to come back for the next installment (or, in case of ALEX ROSS – SCRIPT PIPELINE – Alex Ross, writer of Hexen (2014 Script Pipeline Screenwriting Competition Winner). Hexen was your first script—but for a screenplay this well-written, one worthy enough to win the Script Pipeline Grand Prize, “first script” is a bit misleading.How much time and energy did you put into the project before submitting to the competition? What was the impetus behind writing this type of* My Account
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No products in the cart. Slider Success Stories FOX COMEDY “STUBER” WRITTEN BY SCRIPT PIPELINE WINNER, RELEASEDJULY 2019
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SUBMIT A SCREENPLAY
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Script Pipeline discovers and develops writers for film and television, connecting them to producers, agents, and managers. Since 1999, several produced films and OVER $7 MILLION IN SCREENPLAY AND TV PILOT SPEC SALES are credited to Script Pipeline’s unique, intensive process of long-term writer-to-industry facilitation. Contest finalists and “Recommend” writers work with Script Pipeline executives year-round, getting broader exposure in addition to continuous, one-on-one development assistance. Success stories include: Tripper Clancy , winner of the Script Pipeline Screenwriting Contest, sold the comedy _The Ambassadors_ to 20th Century Fox and the pitch _Winter Break_, before writing _Stranded _for Sony and _Hacker Camp _for Hasbro. In development: _High Five _with Amazon, and an adaptation of the bestselling novel _The Art of Fielding _for Mandalay / IMG. His action-comedy _Stuber_ sold_ _to Fox for the mid-six figures and released in July 2019. Dave Bautista (_Guardians of the Galaxy_) and Kumail Nanjiani _(The Big Sick_) star. Contest winner _The Standoff at Sparrow Creek_, written by Henry Dunham , premiered at the Toronto International Film Festival. Henry made his directorial debut with the crime-thriller starring James Badge Dale (_Iron Man_). _Standoff _released January, 2019. Lit Entertainment Group and UTA signed Henry a few weeks after he was announced as the winnerof the competition.
Script Pipeline Screenwriting Competition winner Evan Daugherty selling _Snow White and the Huntsman_ to Universal for $3 millionand
later taking the lead on studio films _Divergent_, _Ninja Turtles_, and the upcoming _Rose Red_ from Disney. Evan was previously attached to write the limited series _Esmeralda_ for ABC Studios, _GI Joe 3 _for Paramount, an adaptation of _Myst _for Hulu, and the _Tomb Raider _reboot. His contest-winning script _Killing Season _was produced and starred Academy Award-winner Robert De Niro and John Travolta. Script Pipeline Screenwriting Contest finalist Jen Goldson saw her romantic comedy _Off the Menu _produced and released in 2018, starring Santino Fontana (_Crazy Ex-Girlfriend_) and Dania Ramirez (_Devious Maids_). Jen was introduced to director Jay Silverman at a Script Pipeline event–the screenplay went into production in less than a year. She has two other features in production, including her contest-placing dramedy _Everything’s Gonna Be Okay_, Andy Tennant _(Hitch_) set todirect.
Micah Barnett, whose work was developed through Script Pipeline’s Workshop, sold _The
Rabbit_ to Warner Bros. for six-figures and a TV pilot, _Ricochet_,to NBC
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Screenwriter Brian Watanabe had his Script Pipeline “Recommend” action-comedy _Operation: Endgame_, also initially developed by Script Pipeline, produced by Script Pipeline’s Chad Clough and Sean McKittrick _(Get Out_)_._ The film starred Zach Galifianakis (_The Hangover_), Adam Scott (_Parks and Rec_), Maggie Q, Ellen Barkin, Bob Odenkirk (_Better Call Saul_), and an ensemble cast. From 2017-2018, Howard Jordan Jr. , runner-up in the Script Pipeline TV Writing Competition with the comedy _Family Be Like_, was staffed on the CBS series _Superior Donuts_. He later joined the writing staff on Netflix’s _Family Reunion _and another CBS sitcom, _The Unicorn_, in 2019. Outside of its own writer successes, Script Pipeline’s first produced film, _The Living Wake_,
starring Academy Award-nominee Jesse Eisenberg _(The Social Network_) and comedian Mike O’Connell (_Dr. Ken_), received high praisewhen
it made its festival debut in 2010. A number of original feature and TV projects are in various stages of development, and over 150 writers have found representation, had their scripts optioned and produced, and seen their careers launched as a result of facilitation. With a constantly expanding industry network, Script Pipeline searches for new material on a daily basis–and reviewed over 15,000 SCREENPLAYS, PILOTS, AND ORIGINAL PITCHES in2018.
_*Industry requests to review material from Script Pipeline writers can be made here._
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Consultation and Fellowship Opportunities OTHER PIPELINE COMPETITIONS FROM SCRIPT PIPELINE WRITERS > “I've been blown away by the amount of work Script Pipeline has > put into getting my script out there. It's remarkable the amount of > industry reads I had after the announcement. Probably the best part: > they're interested in not just the script that won the contest, but > in you as a writer. From reading and circulating additional material > to developing new concepts with you, the Script Pipeline team is a > wonderful partner, and I count myself lucky to have them by my> side.”
> Peter Malone ElliottScreenwriting Contest Winner (Junior) > “I cannot overstate the impact that Script Pipeline has had on my > writing career. Winning the contest directly led to new > representation, which in turn led to working with studios like 20th> Century Fox.”
> Tripper Clancy (Stuber)Screenwriting Contest Winner > “In a matter of hours, Script Pipeline achieved what I’d been > trying to do for years: they got my foot in the door. . . and > changed my life in more ways than I could have imagined.” > Justin Daries JamesTV Writing Contest Winner (Powerhouse) > “The dedicated Script Pipeline staff root for you and your writing > career every step of the way. They champion your work and sing its > praises to exciting industry contacts. I've never been so honored to > win a contest and will carry this achievement to push me through > those tougher days of writing.” > Kay TuxfordTV Writing Contest Winner (Queen of Thieves) > “When I relocated from NYC to LA to pursue sitcom writing, > everyone I met in the industry said it wasn’t about entering > competitions, it was about entering the right competition. Script > Pipeline was a turning point.” > Howard Jordan Jr. (Superior Donuts)TV Writing Contest Runner-up > “When you're an independent filmmaker without a development team, > you must rely on coverage. The readers from Script Pipeline on 'Mine > 9' nailed it. My movie got made without the studio, and I can't > thank the Script Pipeline enough for that.” > Eddie Mensore (Mine 9)Script Pipeline "Recommend" > “I've been amazed at the quality and depth of the development my > idea has received since winning the Great TV Idea Contest. I know my > concept in a richer, deeper way than I did before thanks to Script> Pipeline.”
> Bryce McLellanGreat TV Show Idea Winner (Verge) > “The constructive feedback I received allowed me to take my > screenplay to another level--the film won over 22 awards worldwide. > I would highly recommend Script Pipeline.” > Mark Mahon, Writer/Director (Strength and Honour)Script Pipeline> "Recommend"
> “Script Pipeline gives the best notes. Whenever I'm struggling > with a project, their staff never fails to provide feedback that > elevates the story. They take their commitment to "Recommended" > writers, contest winners, and finalists incredibly seriously, and do > an amazing job of getting those scripts out into the world.” > Greg WayneContest Winner and "Recommend" Writer > “Less than a week after the competition was over, I scored a > meeting with a manager for my finalist script. We hit it off right > away, and I am now signed with a smart and talented rep who takes > this industry and my writing seriously. For someone like me from a > no-name town, who doesn't have any contacts, this is a huge > opportunity. I can't thank Script Pipeline enough for their > dedication and the exposure they are able to provide for writers.”>
> Charles StulckScreenwriting Contest Finalist > “Winning Script Pipeline's First Look Project and being a finalist > in their TV writing competition has been a huge boost to my career. > The Script Pipeline staff goes the extra mile promoting and > championing their winners' work and have gotten me opportunities I > would never have been able to get on my own. It's wonderful being a > part of the Script Pipeline family, and I am proud to be counted as > one of their winners.” > Diana WrightFirst Look Project Winner > “Every time Script Pipeline announces contest winners and > finalists, I put those scripts at the top of my reading list. It's > one of the most well-respected contests around--the entire team does > such an impressive job.” > Andrew KerseyManager > “I can’t speak highly enough about the Script Pipeline team. The > support they provided throughout the evolution of my latest > action/comedy screenplay was invaluable. Script Pipeline truly cares > about my success, not only promoting my work at every opportunity > but also challenging me to push the limits of my skills. Thanks to > their efforts, I am now working with a great manager and have an > exciting new project on the horizon.” > Kristi HallFirst Look Project Winner > “We knew right off the bat that Jeff Diamond (Octagon > Entertainment) was going to be an ideal match for us. We’re > looking forward to developing our partnership and would never have > met them were it not for Script Pipeline.” > Jamie Napoli & Joshua Paul JohnsonScreenwriting Contest Winners > “There is no better place for writers than with Script Pipeline. > Their attention and assistance on helping me guide my career is> invaluable.”
> Nir Paniry (Princesses)Screenwriting Contest Runner-up > “What a unique pool of talent brought together by this > competition. . . . So excited and honored to be part of the Script > Pipeline family.” > Allison BegalmanScreenwriting Competition Runner-up (B1) > “Having no connections to the industry and needing some quality > feedback, I turned to high-level contests like Script Pipeline. From > the day I became a finalist, they've championed my work and sent it > to a long list of industry members. Even through reputation alone, > I’ve gotten requests to read my script.” > Sommer RusinksiTV Writing Finalist > “In a vast sea of screenwriting competitions, Script Pipeline goes > above and beyond. They don't view you as just another entrant, but a > real person trying to get their voice heard in the industry.” > Melanie Schiele, Writer/Director (Butterfly Children)Screenwriting > Contest Finalist > “I can't thank Script Pipeline enough for all the hard work put > into this competition and the follow-ups. I only have a manager > right now because of the work that they do.” > Tyler TheofilosScreenwriting Contest Finalist > “While I knew Script Pipeline would help circulate my script, the > amount of attention they gave my pilot, my other material, and me > was mind-blowing. I wouldn't be here without them.” > Sara MongeTV Writing Contest Finalist > “The Script Pipeline team went above and beyond to help find the > right home for my TV pilot. I didn't have representation, and yet > they managed to get my script to one of the most sought-after > studios. No other contest works harder for its finalists.” > Jenny RafteryTV Writing Contest Finalist > “Script Pipeline took a chance on an idiosyncratic script, and it > quickly became apparent they had given my work thoughtful > consideration. I'm honored to be associated with them.” > Morgan von AnckenScreenwriting Contest Winner > “Script Pipeline was integral in taking our screenplay to the next > level through the Workshop. Their feedback and constructive insights > were invaluable, and the exposure we had to industry after we placed > in the finals of the Screenwriting Contest was unrivaled.” > Jen Badasci & Christopher PoeScreenwriting Contest Finalist > “My idea led to a messy first draft with loads of promise. But > now, by way of a systematic scene-by-scene approach, Script Pipeline > is helping me tweak that draft toward its fullest potential.” > Jason VaughnGreat Movie Idea Winner (Interlopers) > “Couldn’t have signed with Mosaic without Script Pipeline. . . . > Thanks for your help!” > Burke Scurfield & Adam LedererTV Writing Contest Finalists > “In the few days after the competition announcement, we had a slew > of terrific meetings. . . . Script Pipeline allowed us, two unknowns > from Australia, to come to LA, meet people in the industry, and > begin relationships.” > Penelope Chai and Matteo BernardiniScreenwriting Contest Winner > “The best part of being a contest finalist is what happens > after--getting read by industry members I couldn't access on my own, > feedback on future projects, and a priceless ongoing guidance.” > Romi MoondiScreenwriting Contest Finalist and "Recommend" > “Being a finalist got me a meeting, an offer for representation, > and has immediately given me exposure to high-profile > managers/producers that I could never reach directly on my own. I'm > still blown away where my script has been requested. And I really > appreciate that they don't simply blast the industry in a 'one and > done' manner. Knowing they actually go the extra mile and tailor > their pitches to people's tastes makes all the difference--you > realize they care about and respect the writers.” > Gary KingScreenwriting Contest Finalist > “It's a competition that not only promotes creativity, but offers > unparalleled support in development.” > Kurt ConetyGreat Movie Idea Contest Winner > “Script Pipeline introduced me to a manager and helped launch my > professional career as a writer.” > Evan Daugherty (Snow White & the Huntsman, Divergent, Rose > Red)Screenwriting Contest Winner > “Script Pipeline helped me develop my pilot, found me > representation, and played a key role in getting a very ambitious TV > project to some of the top producers, showrunners, and even > networks. Their continual support and guidance has been > invaluable--they are second to none.” > Kevin JonesTV Show Idea Contest Winner / 3-Time Script Pipeline > Screenwriting Finalist > “Script Pipeline’s First Look Project was an awesome experience. > From our first phone call, they became our personal champions and > proceeded to surprise us again and again with the extent of their > support. Thanks to them, we are now developing our pilot with > Mandalay Entertainment. Entering this contest moved our careers > forward in an unprecedented way and was the smartest thing we did> all year!”
> Ben and Tyler SoperFirst Look Project Winners (The Devil in Evelyn) > “With their rapidly expanding network of industry connections, > Script Pipeline has continued to champion my script long after the > competition, giving me invaluable access to industry circulation and > promoting my career in ways that would otherwise be out of my> reach.”
> Ashley LocherScreenwriting Contest Runner-up > “No one has done more for our screenplay and our writing career > than Script Pipeline. They've worked tirelessly in connecting us to > industry professionals over the course of six years, ultimately > resulting in our script getting optioned.” > Debbie Chesebro & Tyson FitzGeraldScreenwriting Contest Winners> (Prom Queen)
> “I can't say enough good things about Script Pipeline. It's a > contest that truly cares about the writer. When you're a winner or > finalist, you really feel like you joined a special tribe or family. > They are supportive and very meticulous about the scripts they > select. If you only can enter a few contests, make Script Pipeline > one of them.” > Colin CostelloScreenwriting Contest Finalist and "Recommend" > “My advice to aspiring writers is to keep getting (and > incorporating) Script Pipeline Development Notes on the same script > until it earns a Recommend. Why? Because there are certain > techniques that won’t make sense until your writing skills and the > script itself reach a certain level. I did this with 2011 Script > Pipeline finalist screenplay Diamond Payback, and it was the best > screenwriting “course” I ever took.” > Craig Weeden (Painkiller Jane)Screenwriting Contest Finalist > “The team at Script Pipeline has been and continues to be > immensely supportive of my writing career, and has genuinely made me > feel like I’m part of a writing community committed to helping > everyone get one step closer to living their dreams.” > Josh CheslerScreenwriting Contest Finalist > “Script Pipeline was actually something a friend (who's very high > up in the industry) introduced me to, and having her recommend it > speaks volumes about how highly regarded a contest it is, even > within the upper echelon.” > Henry Dunham (The Standoff at Sparrow Creek)Screenwriting Contest> Winner
> “One of the finest contests around. . . a showcase for original, > dynamic screenplays.” > Haji OutlawScreenwriting Contest Runner-Up > “Script Pipeline has been a trusted and valuable resource for > screenwriters seeking in-roads to the industry. Their staff is > dedicated to finding talented writers and building careers.” > Shelly MellottFinal Draft > “Script Pipeline's care and attention for their finalists is > unparalleled. Their network is vast and their reputation stellar. > Thanks to Script Pipeline, less than two weeks after the end of the > contest, I signed with a manager. I couldn't be more grateful for > all they've done to advance my writing career.” > Andrew Martin RobinsonScreenwriting Contest Finalist* 1
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INTERVIEWS
May 09
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KEVIN JONES
By Matt Joseph Misetich | Exclusive Interviews A 3-time Screenwriting Competition finalist and eventual competition winner (the 2013 Great TV Show Idea Contest) with his pitch for the adventure/fantasy Horizon, Kevin Jones has been more involved with Script Pipeline than any other writer to date. His work is best labeled as “grounded with a twist of supernatural,” but it was his phenomenal crime/drama screenplay Southbound that first gained traction with Script Pipeline execs in 2009. While continuing to pursue film and TV, Kevin has also branched off into writing fiction. You’ve been in the Script Pipeline fold for. . . many, many years now. We’ve kind of seen the evolution–and the creative and career struggles–firsthand. Lots of close calls, and while we’re glad we helped play a part in some of those, we’re also just as dejected that the big hits haven’t yet panned out. But you’ve kept writing. Non-stop. What gives you the motivation? The main motivators…Read More
ESSENTIAL READING - SCREENPLAYS AND PILOTSAug 15
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FLEABAG – PILOT
By Script Pipeline
| Essential Reading - Screenplays and Pilots Character, character, character. At its heart, every story is about character. Characters who have wants and needs and flaws. Fleabag has wants. They mostly revolve around sex. Fleabag has needs. Love, specifically. And Fleabag has flaws. Oh my, does she have flaws. Fleabag, created by and starring Phoebe Waller-Bridge as the title character, is an equally hilarious and tragic character study of a single, perpetually horny British woman. She doesn’t get a name in the show, but she’s known to the audience as Fleabag. In the pilot, she describes herself as “a greedy, perverted, selfish, apathetic, cynical, depraved, morally bankrupt woman who can’t even call herself a feminist,” and although she’s being overly critical, she’s not far off. Despite all this, Fleabag comes across as charming, in no small part because of Waller-Bridge’s perfect performance. She’s one of the few actresses who can tell you exactly what they’re thinking with…Read More
SCRIPT SALES
Aug 15
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JULY 2019 SCRIPT SALESBy Script Pipeline
| Script Sales
The horror and thriller genres had a good month. Sony Entertainment and Sam Raimi’s Ghost House Pictures picked up Gavin Heffernan’s untitled supernatural thriller spec. Details about its plot are being kept under wraps, but Escape Room’s Adam Robitel is attached to direct. Another untitled supernatural thriller spec landed with Paramount Pictures and The Picture Co., this one written by Jacob Chase. The plot follows a man with a classified line of work who takes his family on a perilous trip while protecting them from the horror he has in tow. Chase is also set to direct. Finally, Michael and Shaun Rasmussen’s horror spec The Unheard found a home at Burn Later Productions. No details about plot, but Chris von Hoffmann is set to direct. Other script sales: – Taika Waititi is returning to write and direct Thor: Love and Thunder for Disney/Marvel. Natalie Portman will also return to the…Read More
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