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RPLA PUBLICATIONS
Roberts Projects is committed to making its website accessible to all people, including individuals with disabilities. We are in the process of making sure our website complies with best practices and standards as defined by the Section 508 of the US Rehabilitation Act. ARTISTS REPRESENTED BY ROBERTS PROJECTS Roberts Projects is committed to making its website accessible to all people, including individuals with disabilities. We are in the process of making sure our website complies with best practices and standards as defined by the Section 508 of the US Rehabilitation Act. ABOUT ROBERTS PROJECTS Roberts Projects was founded as Roberts & Tilton in Los Angeles in 1999 by partners Bennett Roberts, Julie Roberts and Jack Tilton. Following the passing of Jack Tilton (1951- 2017), Roberts & Tilton changed its name to Roberts Projects on January 1, 2018.PETER ROGIERS
Slagroom, the Dutch word for “whip cream,” is the title of Peter Rogiers’ first exhibition in Los Angeles at Roberts & Tilton.Slagroom is a source of inspiration for the way Rogiers conceptualizes and then models his sculptures. At first glance, the work looks soft and creamy; Rogiers is a modeler, not a carver. Taking a closer look, one notices his sculptures are well structuredAMOAKO BOAFO
Roberts Projects is Los Angeles-based contemporary art gallery representing artists across multiple generations of internationally recognized, established artists as well as emerging artists including Amoako Boafo, Lenz Geerk, Jeffrey Gibson, Wangari Mathenge, Betye Saarand Kehinde Wiley
DOMINIC CHAMBERS NOW REPRESENTED BY ROBERTS PROJECTS Roberts Projects is thrilled to announce representation of New Haven-based artist Dominic Chambers. Drawing loosely upon a tradition of contemporary mystical realism, Dominic Chambers creates paintings that immediately reference literary narratives cited in books, various mythologies and Black history, both in its oral tradition and writtenaccount.
DANIEL CREWS-CHUBB
Daniel Crews-Chubb was born in Northampton, England. Crews-Chubb's work employs a traditional expressionistic, painterly language amid a conceptual framework investigating the potency of the iconic image and the dramatic dynamism of historic and contemporary visual repetition. He studied at Turps Art School, London and Chelsea College of Arts,London.
OTIS KWAME KYE QUAICOE By Terence Trouillot. Otis Kwame Kye Quaicoe’s exhibition at Roberts Projects features an ensemble of paintings that, although clearly indebted to the colorful, virtuosic work of Barkley L. Hendricks and Kerry James Marshall, present an idiosyncratic perspective on African culture through the celebrated form of black portraiture.KEHINDE WILEY
Kehinde Wiley (b. 1977, Los Angeles) is an American artist best known for his portraits that render people of color in the traditional settings of Old Master paintings. Wiley’s work brings art history face-to-face with contemporary culture, using the visual rhetoric of the heroic, the powerful, the majestic and the sublime to celebrate black and brown people the artist has met throughout the ROBERTS PROJECTSARTISTSEXHIBITIONSPUBLICATIONSVIDEONEWSGALLERY Roberts Projects presents a diverse and ambitious program emphasizing museum-quality, installation-based exhibitions. Since 1999, the gallery has been championing artists withRPLA PUBLICATIONS
Roberts Projects is committed to making its website accessible to all people, including individuals with disabilities. We are in the process of making sure our website complies with best practices and standards as defined by the Section 508 of the US Rehabilitation Act. ARTISTS REPRESENTED BY ROBERTS PROJECTS Roberts Projects is committed to making its website accessible to all people, including individuals with disabilities. We are in the process of making sure our website complies with best practices and standards as defined by the Section 508 of the US Rehabilitation Act. ABOUT ROBERTS PROJECTS Roberts Projects was founded as Roberts & Tilton in Los Angeles in 1999 by partners Bennett Roberts, Julie Roberts and Jack Tilton. Following the passing of Jack Tilton (1951- 2017), Roberts & Tilton changed its name to Roberts Projects on January 1, 2018.PETER ROGIERS
Slagroom, the Dutch word for “whip cream,” is the title of Peter Rogiers’ first exhibition in Los Angeles at Roberts & Tilton.Slagroom is a source of inspiration for the way Rogiers conceptualizes and then models his sculptures. At first glance, the work looks soft and creamy; Rogiers is a modeler, not a carver. Taking a closer look, one notices his sculptures are well structuredAMOAKO BOAFO
Roberts Projects is Los Angeles-based contemporary art gallery representing artists across multiple generations of internationally recognized, established artists as well as emerging artists including Amoako Boafo, Lenz Geerk, Jeffrey Gibson, Wangari Mathenge, Betye Saarand Kehinde Wiley
DOMINIC CHAMBERS NOW REPRESENTED BY ROBERTS PROJECTS Roberts Projects is thrilled to announce representation of New Haven-based artist Dominic Chambers. Drawing loosely upon a tradition of contemporary mystical realism, Dominic Chambers creates paintings that immediately reference literary narratives cited in books, various mythologies and Black history, both in its oral tradition and writtenaccount.
DANIEL CREWS-CHUBB
Daniel Crews-Chubb was born in Northampton, England. Crews-Chubb's work employs a traditional expressionistic, painterly language amid a conceptual framework investigating the potency of the iconic image and the dramatic dynamism of historic and contemporary visual repetition. He studied at Turps Art School, London and Chelsea College of Arts,London.
OTIS KWAME KYE QUAICOE By Terence Trouillot. Otis Kwame Kye Quaicoe’s exhibition at Roberts Projects features an ensemble of paintings that, although clearly indebted to the colorful, virtuosic work of Barkley L. Hendricks and Kerry James Marshall, present an idiosyncratic perspective on African culture through the celebrated form of black portraiture.KEHINDE WILEY
Kehinde Wiley (b. 1977, Los Angeles) is an American artist best known for his portraits that render people of color in the traditional settings of Old Master paintings. Wiley’s work brings art history face-to-face with contemporary culture, using the visual rhetoric of the heroic, the powerful, the majestic and the sublime to celebrate black and brown people the artist has met throughout theRPLA PUBLICATIONS
Roberts Projects is committed to making its website accessible to all people, including individuals with disabilities. We are in the process of making sure our website complies with best practices and standards as defined by the Section 508 of the US Rehabilitation Act. VIDEO - ROBERTSPROJECTSLA Otis College of Art and Design presents Pioneers of the Feminist Art Movement: Rachel Rosenthal. This video is part of a series of Oral Histories about early feminist artists produced on the occasion of Doin' It in Public: Art and Feminism at the Woman's Building Ben Maltz Gallery October 1, 2011 – January 28, 2012. In conjunction with the Getty Foundation's larger initiative, PacificSVISITCHEDULE YOUR
Roberts Projects is committed to making its website accessible to all people, including individuals with disabilities. We are in the process of making sure our website complies with best practices and standards as defined by the Section 508 of the US Rehabilitation Act. CURRENT AND HISTORICAL EXHIBITIONS AT ROBERTS PROJECTS Roberts Projects is committed to making its website accessible to all people, including individuals with disabilities. We are in the process of making sure our website complies with best practices and standards as defined by the Section 508 of the US Rehabilitation Act. BRENNA YOUNGBLOOD: THE LIGHT AND THE DARK Roberts Projects is pleased to announce the LIGHT and the DARK, Brenna Youngblood’s inaugural exhibition at the gallery. the LIGHT and the DARK takes as its genesis Youngblood’s experience navigating the difficulties of last year and applying her lived experiences – endured as two separate but simultaneous realities – to her practice. From a deadly pandemic to a global movement for OTIS KWAME KYE QUAICOE Otis Kwame Kye Quaicoe’s second solo show with the gallery opens with a presentation of new works continuing his idiosyncratic perspective on Diasporic culture through theAMOAKO BOAFO
Amoako Boafo was born in Accra, Ghana and is based in Vienna, Austria. Portraying individuals from the Diaspora and beyond by highlighting self-perception and beauty, Boafo invites a reflection on Black subjectivity, specifically of its diversity and complexity. His portraits are notable for their bold colors and patterns, which celebrate his subjects as a means to challenge representationKEHINDE WILEY
Kehinde Wiley (b. 1977, Los Angeles) is an American artist best known for his portraits that render people of color in the traditional settings of Old Master paintings. Wiley’s work brings art history face-to-face with contemporary culture, using the visual rhetoric of the heroic, the powerful, the majestic and the sublime to celebrate black and brown people the artist has met throughout theARDESHIR TABRIZI
Ardeshir Tabrizi Susa, 2019 Silk thread, cotton floss and pearlescent acrylic ink on canvas 53 x 45 in (134.6 x 114.3 cm) OTIS KWAME KYE QUAICOE Otis Kwame Kye Quaicoe was born in Accra, Ghana and currently resides in Portland, Oregon. Quaicoe’s figuration is built upon a palette where color becomes its own language of transformation, be it social, political or personal. Viewing Room Main Site Skip to contentArtists Exhibitions
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PROJECTIONS PART IV
A FESTIVAL OF RARE AND HARD TO SEE FILMS Now in its 10th year, _Projections_ is a unique film festival jointlyorganized
by writer/filmmaker/curator Aaron Rose and Roberts Projects. In ourfourth
installment, Rose once again mines the depths of the cinematic landscape looking for hidden and forgotten gems. For your viewingpleasure
we offer an enlightening adventure in 90 minute long increments. To access _Projections_, please visit Current Exhibitions.
Our gallery operations continue remotely and by appointment. To contact us, please visit our Staff Directory.
JEFFREY GIBSON
I WAS HERE
Mixing documentary and dramatic styles, _I Was Here_ (2018) centers on Macy, a transgender woman and a member of the Choctaw Nation. Blurring the lines between a mystical, natural setting and Macy's daily reality, the film examines the private and personal rituals of transformation and self. The film's location, the Choctaw reservation in central Mississippi where Gibson's family is from, plays a significant role in the film's blend of spirituality, ceremony, andthe fantastical.
To access _I Was Here_, please visit our Video Room.
Our gallery operations continue remotely and by appointment. To contact us, please visit our Staff Directory.
EVAN NESBIT
STUDIO VISIT
Evan Nesbit speaks about his process and upcoming exhibition at Roberts Projects. The concept that painting can exist as an energized and haptic environment into which the artist transforms performative gestures into elliptical structures is at the heart of Evan Nesbit's art-making practice. Nesbit utilizes the sense of action inherent in abstract painting to supercharge his rough-hewn burlap surfaces, renegotiating these liminal spaces into what he terms “proprioceptiveexperiences.”
To access, please visit our Video Room.
Our gallery operations continue remotely and by appointment. To contact us, please visit our Staff Directory.
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NEWS
Wangari Mathenge Now Represented by Roberts Projects April 13, 2020 Roberts Projects is pleased to announce representation of Wangari Mathenge, a historically-focused painter who reinterprets traditional African patriarchal society alongside her own. Juxtaposing modern and contemporary references, Mathenge's work is dedicated to the investigation and incorporation of a visual testimony of the oft-discounted black female experience within the context of both customary African society and the Diaspora. Shifting the dialogue around painting and identity, the artist's portraits highlight these silent exchanges and hierarchical dynamics. Often depicting people with whom she has significant relationships, her paintings are realized through structured compositions emboldened with gestural strokes and mark making. Ten Years Ago, Artist Jeffrey Gibson Almost Quit the Art World in Frustration. Here’s How He Found the Strength to Keep Striving March26, 2020
By Taylor Dafoe for Artnet In the light-filled gymnasium of an old schoolhouse in Hudson, New York, a punching bag adorned with neon beads and tassels hangs near a long-forgotten basketball hoop. A totemic sculpture stands in a carpeted classroom and masks are strung through the woodshop. This is the studio of Jeffrey Gibson, a Choctaw-Cherokee artist known for his signature hybrid of Native American iconography and materials with late-capitalist aesthetics. It’s Indigenous Futurism, to borrow a label posited by Anishinaabe writer Grace L. Dillon: the regalia of pow-wows meets that of ‘90s rave culture, while quilted tapestries are patterned with Op art. Betye Saar CBS Sunday Morning Profile February 23, 2020 In recent months 93-year-old artist Betye Saar has been cast in the spotlight, with glowing reviews for major shows at New York City's Museum of Modern Art (October 21, 2019 – January 4, 2020) and at the Los Angeles County Museum of Art (September 22, 2019 – April 5, 2020.) Saar's primary art form is assemblage – sculptures made from found items that she pieces together, often addressing spirituality and black oppression – that turn the ordinary into the extraordinary. Correspondent Serna Altschul reports. Kehinde Wiley: Two Napoleons in Brooklyn, One in Timberlands February12, 2020
By Jason Farago for The New York Times A French masterpiece has come to New York for the first time ever, and has been greeted with a curious silence. It’s Jacques-Louis David’s “Bonaparte Crossing the Alps,” from 1801, and you know it even if you’ve never seen it in person, so enduring is its propaganda. To commemorate Napoleon’s victory over Austria at the Battle of Marengo, David painted him charging up a mountain on a piebald steed, right arm pointing skyward, trademark bicorne on his head, cool and cocksure as his horse bucks its front heels. In copies the artist and his studio made afterward Napoleon wears a red cape, but here, in the original, he’s wrapped in a mantle of gold, starchy and solid in the Alpine air. 5801 Washington Boulevard Culver City, California 90232T +1 323.549.0223
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