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DIRECTORS' SERIES
This year's Series is now full - but do not despair - places often become available - email us to be added to the Reserve List This intensive four-week training course will give you the creative confidence to realise your directing aspirations and is limited to just 8 participants. Giving you exceptional opportunities to practice your technique and have 1-2-1 access to our tutors, not toNFTS BEACONSFIELD
Get in touch. General Enquiries +44(0)1494 671234. info@nfts.co.uk or Use our enquiry form. Beaconsfield Studios, Station Road, BeaconsfieldBucks, HP9 1LG
PRODUCING YOUR FIRST FEATURE This course is designed to help new producers enter the world of professional filmmaking. Over 24 weeks, and across four modules, we explore the key components of development, finance, production/post-production, sales & distribution, seen from a producer’s perspective, whilst developing the individual strengths of each participant. During STORYTELLING FOR BUSINESS:- ONLINE This course is being delivered remotely and is open for applications! Learn how to use the power of storytelling to communicate your message and win support from stakeholders in an intensive, highly motivational and interactive 1-day course. Stories are part of the very essence of being human. For a million years we’ve been making up stories to make sense of life, to share the things we fear SCRIPT DEVELOPMENT FOR INDEPENDENT FILM Independent film production is the largest sector in the industry. For every single mainstream broadcaster, there are ten-thousand independent production companies. Their films range from sumptuous multi-million-pound festival movies to micro-budget horror. The one thing they have in common is they are all looking for the one script that will take their company to the next INTIMACY CO-ORDINATION INTRODUCTORY WORKSHOP The freelance rate for this course is subsidised by ScreenSkills with support from the BFI, awarding National Lottery funds as part of its Future Film Skills strategy; as part of work to diversify the screen industry workforce, this year there is also a further reduction in fees of up to 50% available for freelancers with disabilities and/or who are from black, Asian or minority ethnic groups NFTS | NATIONAL FILM AND TELEVISION SCHOOLSEE ALL COURSESEXPLORE OUR COURSESEVENTS AND OPEN DAYSDEADLINESFUNDING GUIDESCHOLARSHIPS NFTS Alumni have over 130 credits on films screening as part of this year’s BFI London Film Festival including the European Premieres of ‘Saint Maud’ and ‘Calm with Horses’ directed by NFTS alumni Rose Glass and Nick Rowland which are competing in the Best Film and Best First Feature categories.. Other film with NFTS Alumni involvement in the Best Film and Best First Feature Category GRADUATE SHOWCASE 2021 The NFTS Graduate Showcase, supported by BBC Studios, celebrates the culmination of over 500 students' work towards over 80 short films, TV shows, commercials and games. The showcase is an opportunity for members of the the screen industries to see first hand the work of our graduating students and to meet the next generation of film, television and games makers that will be INTRODUCING THE NFTS GRADUATE SHOWCASE 2021 The annual NFTS Graduate Showcase is an event we always look forward to celebrating, the jewel in the crown of the School’s calendar. Over the last year, our students have had to work harder than ever to produce their graduation projects during a worldwide pandemic. Under normal circumstances, graduate films and projects made at the NFTS are the culmination of one to two years PRODUCTION ACCOUNTING FOR FILM AND TELEVISION This unique 10 month online part-time Professional Diploma course, delivered in partnership with the Production Guild, aims to equip students with the skills required for a career as a film or television Production Accountant. “This perfectly combines my accountancy skills and my love of cinema.” Graduate Sarah Gough. This course aims to give students the expertise to succeedDIRECTORS' SERIES
This year's Series is now full - but do not despair - places often become available - email us to be added to the Reserve List This intensive four-week training course will give you the creative confidence to realise your directing aspirations and is limited to just 8 participants. Giving you exceptional opportunities to practice your technique and have 1-2-1 access to our tutors, not toNFTS BEACONSFIELD
Get in touch. General Enquiries +44(0)1494 671234. info@nfts.co.uk or Use our enquiry form. Beaconsfield Studios, Station Road, BeaconsfieldBucks, HP9 1LG
PRODUCING YOUR FIRST FEATURE This course is designed to help new producers enter the world of professional filmmaking. Over 24 weeks, and across four modules, we explore the key components of development, finance, production/post-production, sales & distribution, seen from a producer’s perspective, whilst developing the individual strengths of each participant. During STORYTELLING FOR BUSINESS:- ONLINE This course is being delivered remotely and is open for applications! Learn how to use the power of storytelling to communicate your message and win support from stakeholders in an intensive, highly motivational and interactive 1-day course. Stories are part of the very essence of being human. For a million years we’ve been making up stories to make sense of life, to share the things we fear SCRIPT DEVELOPMENT FOR INDEPENDENT FILM Independent film production is the largest sector in the industry. For every single mainstream broadcaster, there are ten-thousand independent production companies. Their films range from sumptuous multi-million-pound festival movies to micro-budget horror. The one thing they have in common is they are all looking for the one script that will take their company to the next INTIMACY CO-ORDINATION INTRODUCTORY WORKSHOP The freelance rate for this course is subsidised by ScreenSkills with support from the BFI, awarding National Lottery funds as part of its Future Film Skills strategy; as part of work to diversify the screen industry workforce, this year there is also a further reduction in fees of up to 50% available for freelancers with disabilities and/or who are from black, Asian or minority ethnic groupsCOURSES | NFTS
Colour Grading and Finishing. This course specialising in Colour Grading and Finishing gives students extensive, practical training on real sets, in a visual effects and animation studio and in cutting-edge digital post suites. Location- Beaconsfield. Duration- 2 years. Commitment- full-time.ENTRY REQUIREMENTS
MA and Diploma courses We are looking for people with talent, commitment, passion, a voice of their own and the ability to engage with others. While many applicants have a degree from a British or overseas university, we will consider applicants who do not have a degree if they have an impressive portfolio, a creative track record (for instance, in theatre or other arts) or an alternativeJOBS | NFTS
The Hollywood Reporter - the leading magazine for the film industry - has recently named the NFTS No.1 in its list of the top 15 international film schools. The NFTS is a full-time working production house, set in Film and TV studios in Beaconsfield, Buckinghamshire, just outside London and easily accessible by train/bus. At the NFTS, people are at the heart of what we do.ALUMNI | NFTS
Alumni. The National Film and Television School has produced over 3,800 alumni in its 50 year history. Students from MA and Diploma courses qualify for alumni status and form an integral community supporting each other. Find out more about the impact our alumni have by reading our NFTS Graduate Report 2020 (pdf). NFTS alumni have beennominated
NFTS CERTIFICATE IN FILMMAKING Whether you want to be a writer, director, cinematographer, VFX artist or sound recordist this course is for you. In just six months, you will graduate with an insight into practical filmmaking from one of the top film schools in the world with a much more developed and well-rounded understanding of the industry and how films are made which will help set you up for a long andNFTS BEACONSFIELD
Get in touch. General Enquiries +44(0)1494 671234. info@nfts.co.uk or Use our enquiry form. Beaconsfield Studios, Station Road, BeaconsfieldBucks, HP9 1LG
COURSES | PAGE 5 | NFTS With the growth of super-indies, the role of Head of Production has become a job with substantial responsibilities and rewards. So how doyou get there?
COURSES | PAGE 4 | NFTS Practical guidance on how to make a professional career out of makingpeople laugh!
COURSES | PAGE 3 | NFTS This course aims to thoroughly train participants in becoming a key member of a drama or entertainment production team. CREATIVE BUSINESS FOR ENTREPRENEURS AND EXECUTIVES Nick Horowitz graduated from the Creative Business for Entrepreneurs and Executives course in 2015 and has since co-founded a creative agency for startups, The Clerkenwell Brothers. Read his story in our news section here. Carthew Neal, an NFTS graduate of Creative Business for Entrepreneurs and Executives (CBEE), was nominated for his first The site uses cookies and by using the site you are consenting tothis.
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OUR CREDITS TELL THE STORY. CALLING PROSPECTIVE STUDENTS! NFTS DIRECTOR JON WARDLE ANSWERS YOUR QUESTIONS AMIDST COVID-19 AND BEYONDFind out more
RECORD NUMBER OF NFTS FILMS SHORTLISTED FOR 2020 BAFTA STUDENT FILMAWARDS IN LA
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NFTS ONCE AGAIN NAMED AS TOP FIVE ANIMATION SCHOOL IN THE WORLDFind out more
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NFTS Alumni have over 130 credits on films screening as part of this year’s BFI London Film Festival including the European Premieres of ‘SAINT MAUD’ and ‘CALM WITH HORSES’ directed by NFTS alumni Rose Glass and Nick Rowland which are competing in the Best Film and Best First Feature categories. Other film with NFTS Alumni involvement in the Best Film and Best First Feature Category include ‘FANNY LYE DELIVER’D’ (Produced by Zorana Piggott), ‘HONEY BOY’ (Shot by Natasha Braier), ‘MANOS’ (Written by Alexis Dos Santos), 'MAKE UP' (Produced byEmily Morgan).
In addition to the competition categories there are screenings of ‘THE PERSONAL HISTORY OF DAVID COPPERFIELD’ (Edited by Peter Lambert); ‘THE KING’ (Co-produced by Iidiko Kemeny); ‘THE TWO POPES’ (Production Sound Mixer Stuart Wilson); ‘OUR LADIES’ (Directed by Michael Caton-Jones); ‘ROCK’ (Directed by Sarah Gavron); ‘THE DISAPPEARANCE OF MY MOTHER’ (Directed by Beniamino Barrese); ‘WET SEASON’ (Directed by Anthony Chen); ‘MUSCLE’ (Shot by Stuart Bentley) and ‘SHOOTING THE MAFIA’ (Directed by KimLonginotto).
In the Short Film category, we have ‘WHITE GIRL’ (Produced by Jesse Romain and Jack Casey) and the premiere of NFTS Kickstarter project ‘END-O’ (Directed by Alice Seabright and Produced by KatePhibbs).
_“THE SCALE OF THE NFTS ALUMNI INVOLVEMENT ACROSS THE FILM THIS YEAR IS STAGGERING” _commented Jon Wardle, Director of the National Film and Television School,_ “WE COULDN’T BE MORE PROUDER OF OUR ALUMNI AND THE FANTASTIC WORK THEY HAVE PRODUCED THIS YEAR”._ Alumni involvement at the BFI London Film Festival:In Competition:
_Fanny Lye Deliver’d _ Producer Zorana Piggott; Sound Designer Steve Bond; Daily Runner Elliott Edwards (Best Film Award) _Honey Boy_ DoP Natasha Braier (Best Film Award) _Monos _ Co-Writer Alexis Dos Santos (Best Film Award) _Saint Maud_ Writer/Director Rose Glass; Art Director Isobel Dunhill(Best Film Award)
_Calm with Horses_ Director Nick Rowland; Writer Joseph Murtagh; Editor Nicolas Chaudeurge; Supervising Dialogue Editor Morgan Muse; Rerecording Mixer/Supervising Sound Editor Matis Rei; Additional Editor Andonis Trattos (Best First Feature) _Make Up_ Producer Emily Morgan; Executive Producer Zorana Piggott; DoP Nick Cooke; Sound Mixer Sara Lima; Sound Designer/Supervising Sound Editor Ania Przygoda; Dialogue & Additional Effects Editor Maiken Hansen (Best First Feature) _Coup 53 _ Rerecording Mixer Martin Jensen (Documentary Competition) _Cold Case Hammarskjöld_ Additional Editor Erika Gonzales (Documentary Competition) _White Girl _Producer Jesse Romain & Jack Casey; Editor Mdhamira Á Nkemi, Sound Recordist Chi Limpiroj (Best Short Film)Other Screenings:
_The Personal History of David Copperfield_ Editor Peter Lambert; Art Director Tom Goodwin; Assistant Set Decorator Violet Elliot; Additional Photography David Katznelson; Assistant Colourist Sara Buxton; Assistant Production Coordinator Simone Tomasi (Opening NightGala)
_The Aeronauts_ Graphic Designer Louise Begbie; Draughtsman Jelle Rebry; Rerecording Mixer Stuart Hilliker; Lead Compositor Ruochen Wang; 2nd Unit DoP/Camera Operator Gary Clarke; 2nd Unit Production Assistant Ed Fairweather (Mayor of London’s Gala) _Hope Gap _ Digital Compositor Roni Rodrigues (Headline Gala) _The King _ Co-Producer Ildiko Kemeny; Art Director Kiera Tudway; Art Department Assistants Ewa Galak & Rosalind Gregoire; Key 1st Assistant Sound Tom Harrison; Assistant Production Co-ordinator Timea Huszar (American Airlines Gala) _Bacurau _Editor Eduardo Serrano (Thrill Gala) _Official Secrets_ Bidding Co-ordinator Kieran Nolan Jones (DebateGala)
_The Two Popes _ Sound Mixer Stuart Wilson; 2nd Boom Operator Victoria Franzan (Journey Gala) _Blackbird_ Production Manager Hussain Casey-Ahmed; Sound Effects Editor Rob Turner (Special Presentation) _Krabi, 2562_ Rerecording Mixer Philippe Ciompi (Experimenta SpecialPresentation)
_Our Ladies_ Writer/Director/Producer Michael Caton-Jones; DoP Denis Crossan (Special Presentation) _Rocks_ Director/Executive Producer Sarah Gavron; Editor Maya Maffioli; Art Director Isobel Dunhill; Dialogue Editor Jussi Honka; Supervising Sound Effects Editor Gunnar Oskarsson (SpecialPresentation)
_The Disappearance of My Mother_ Writer/Director/Camera Beniamino Barrese; Additional Photography Brian Fawcett _Nocturnal _ Line Producer Alexandra Breede; Co-Producer Chris Hees; Editor Andonis Trattos; Production Manager Lennard Ortmann; Sound Designer Maiken Hansen; Sound Recordist James de Taranto _Pink Wall _ Executive Producer Bob Portal; Sound Recordist CarolineSingh
_Ordinary Love_ Supervising Dialogue & ADR Editor Ian Morgan; Dialogue Editor Morgan Muse _REAL_ Rerecording Mixer/Supervising Sound Editor Raoul Brand; Dialogue Editor/Sound Effects Editor John Cohen _Trigonometry _ Production Designer Stephane Collonge _Wet Season _ Writer/Director/Producer Anthony Chen; DoP Sam Care; Editor Hoping Chen; 2nd Assistant Director Ivan Tan; Sound Designer/Supervising Sound Editor Zhe Wu _Country Lines_ DoP Sverre Sørdal; Editor Paco Sweetman; Production Sound Mixer Juan Montoto Ugarte; Boom Operators Danny Richards & DougTempleton
_Lynn + Lucy _Producer Camilla Bray _Days of the Bagnold Summer _ Production Sound Mixer Tarn Willers; Boom Operator Doug Templeton _Rare Beasts _ Editor Hazel Baillie; Dialogue Editor/Rerecording Mixer/Supervising Sound Editor Markus Moll; Boom Operator Tim Parris _Divine Love _ Editors Livia Serpa & Edouardo Serrano; Compositors Jorge Canada Escorihuela & Florentin Ionita; VFX Editor Roni Rodrigues _Little Joe_ Dialogue Editor Rainer Heesch _Muscle_ DoP Stuart Bentley _The Gold-Laden Sheep & the Sacred Mountain_ Composer Jered Sorkin _Monsoon_ DoP Benjamin Kracun; Sound Designer/Supervising Sound Editor Gunnar Oskarsson; Sound Effects Editor Christopher Wilson _Perfect 10_ Writer/Director Eva Riley; Producer Jacob Thomas; Executive Producer Zorana Piggott; DoP Steven Cameron Ferguson; Editor Abolfazl Talooni; Composer Terence Dunn _The Thief’s Daughter_ DoP Neus Ollé; Art Director Isona Rigau _Us Among the Stones _ DoP Annemarie Lean-Vercoe; Editor ClairePringle
_Shooting the Mafia_ Director Kim Longinotto _A Family Affair_ Dialogue Editor Thomas Blazukas _End-O Director_ Alice Seabright; Producer Kate Phibbs; DoP Alana Mejia Gonazlez; Editor Stella Heath Keir; Production Assistant Pia Kaiser; 3rd Assistant Director Jeroen Cocquyt & Gabriel Lippe; Re-recording Mixer Adam Shuttleworth; Sound Recordist Bridget Bradshaw _Memoirs of a Geeza _DoP Jonathan Flint _Let’s Roll_ Sound Recordist Andrei-Tudor Grigore _Be Still My Beating Heart_ DoP David Liddell Production DesignerAlexandra Toomey
_The Trap _DoP Jonathan Muschamp _Martha _Writer Iona Firouzabadi _Our Sister _DoP Molly Manning-Walker _Something In The Closet _DoP Anna MacDonald _JerichO _Composer Alexandra HarwoodGET CONNECTED
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* Read more about Over 130 Alumni Credits at the 2019 BFI London FilmFestival
Second year NFTS Marketing, Distribution, Sales and Exhibition MA students recently attended MIPCOM in Cannes, the world’s biggest entertainment market. From blockbuster programming to ground breaking partnerships, every October the global media and entertainment industry converges in Cannes to turn every moment into an opportunity, transforming four days of exchange and networking, meetings, screenings and conferences, into lasting business. We spoke to NATASHA OLDHAM, ESTHER ALADE and YUNG CHANG who alongside their fellow students attended MIPCOM, the final field trip of their course. The visit is designed to fully immerse the students in the highly competitive world of B2B in Television and even resulted in them rubbing shoulders with the kings of TV entertainment Ant and Dec, alongside fellow TV presenter Stephen Mulhern! NFTS Marketing, Distribution, Sales and Exhibition Students meet Ant & Dec and Stephen Mulhern WHAT DID YOU GAIN FROM ATTENDING MIPCOM AND HOW DOES IT FEED INTO YOUR STUDIES AT THE NFTS? NATASHA: “I learnt a lot about global emerging trends in future TV formats. It is clear that UK and US dramas lead the way internationally. HBO's Euphoria set the trend for content relating to teenage struggles with identity, invasion of privacy and mentalhealth.”
YUNG: “The keynote talks were very informative and helpful in terms of getting us to understand more of the trends and hot topics in the TV industry. MIPCOM mainly focuses on TV and I can really feel how it differs from the film context we are more used to at the NFTS. It reminded me of the territory analysis report we made last year, which was a good way to start building up some knowledge of the TVindustry.”
DID MIPCOM LIVE UP YOUR EXPECTATIONS? ESTHER: “MIPCOM exceeded my expectations! It felt great to be part of the events, from the Keynote sessions which were informative to walking around the different company stands which included Disney, BBC, ITV and Fremantle among many others. We also attended the Diversity Gala awards and the networking events.” NATASHA: “Absolutely! There was a global representation of companies from TV Sales and Distribution throughout the Palais. The speakers ranged from industry heavyweights like Amazon Studios, BBC Studios and Warner Media to some of the most creative minds working in the TV industry such as Jed Mercurio (Line Of Duty and Bodyguard) and Ru Paul (Emmy winning Ru Paul's Drag Race). Listening to their experiences was the highlight of MIPCOM for me.” YUNG: “In terms of the overall experience (the talks and networking opportunities), I would say it was beyond what I expected. I was lucky to be able to speak to some really nice people and have kept in contact with some of them. Even as a student, it is still possible to speak to different people and pick someone's brain at the righttime.”
RuPaul is interviewed on stage at MIPCOM WHAT ADVICE WOULD YOU GIVE TO NEXT YEAR’S MARKETING, DISTRIBUTION, SALES AND EXHIBITION STUDENTS AHEAD OF ATTENDING? ESTHER: “Make sure you plan ahead, attend as much as possible including the Keynote sessions, try and get an invitation to the invite-only events, they are great for networking. Be confident and speak to as many people as you can. You never know where the relationship or connection will lead to. Bring at least two items of smart clothing, one for the Opening Gala party and another for any other events you might get invited to.” NATASHA: “During the first two days, attend as many lectures as you can and make a list of the companies and/or people you would want to chat to on Wednesday – that’s the day to grab people from your wish-list. They are less busy so have more time to chat with you. Be prepared that some may have already left.” YUNG: “I tried to do some homework before going to MIPCOM. For example, check which talks/screenings/networking events you plan to attend, research some of the companies that will be exhibiting. Last but not least, go to some parties if possible. This may not be for everyone and you don't have to be at parties to socialise withpeople.”
WHAT FORMATS WERE YOU EXCITED BY AT MIPCOM? DID YOU SPOT ANY KEY NEWTRENDS EMERGING?
ESTHER: “Key trends that stood out to me were talks around partnerships, for example, Twitter working with ITV and Buzzfeed and the importance of Fandoms when measuring ratings.” YUNG: “I really looked forward to seeing TV formats in different territories, especially from the Asia Pacific region. The reality TV format is still a key trend. In terms of something new, I was surprised by the quality and development of 4K/8K content. Especially in Japan, it's in their national policy to increase 4K content over the next few years. I am very interested in seeing how technology can potentially change TV story-telling and content creation in thefuture.”
NFTS MDSE students network at MIPCOM in Cannes TELL US HOW YOU CAME TO MEET TELLY LEGENDS ANT & DEC AND STEPHENMULHERN?
NATASHA: “We attended a talk with Ant, Dec, Stephen Mulhern and Angela Jain of ITV Studios Entertainment. When we asked for a photo with them, I came to the front as I'm one of the shortest in our group. Dec instantly said, ‘yes, short ones to the front!’ They were so friendly and gracious.” ESTHER: “Ant, Dec and Stephen had great chemistry. It really came across how much they love their careers. I was surprised that they were quite tall, I assumed they would be really short!” FINALLY, ANY LAST THOUGHTS? ESTHER: “MIPCOM is not the place to be shy, you have to have your elevator pitch ready at all times and be ready to come out of your shell. It’s a perfect opportunity to get a great insight into the world of TV and meet amazing people who you could end up workingwith.”
For more information on how to apply for a place on the NFTS Marketing, Distribution, Sales and Exhibition course go to: NFTS.CO.UK/MARKETING-DISTRIBUTION-SALES-AND-EXHIBITIONGET CONNECTED
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* Read more about NFTS Students Attend MIPCOM in Cannes and Mingle with TV Stars Ant and Dec! A trio of NFTS graduation films have been shortlisted for the 2019 BAFTA student Film Awards in Los Angeles - _Azaar_ directed by NFTS Directing Fiction MA graduate Myriam Raja and produced by NFTS Producing MA graduate Nathanael Baring; _Heatwave_ directed by NFTS Directing Animation graduate Fokion Xenos and produced by NFTS Producing MA graduate Priya K. Dosanjh; and _November 1st_ directed by NFTS Directing Fiction MA graduate Charlie Manton and produced by Teodora Shaleva have all been shortlisted for the annual event, which this year, takes place on Tuesday, July 9th at The Broad Stage inSanta Monica, CA.
The three films have been shortlisted out of over 568 submissions from film schools from all across the world. “We take immense pride in our unwavering support of emerging student filmmakers from around the globe year-round,” said BAFTA LA CEO, Chantal Rickards. “We are delighted that this year, having received a record number of submissions, we will not only be able to recognize students’ achievements but also fund deserving student film projects with the BAFTA-GSA Commissioning Grant. AZAAR: A coming of age story set amongst a small mountainous tribe of women in 19th century South Asia. Azaar tells the story of a spirited young girl who yearns to wear a veil and become a woman, despite the costs this may entail.TEAM:
Director/Screenwriter Myriam Raja; Producer Nathanael Baring; Cinematographer Michael Filocamo; Assistant Directors Oliver Brown, Yelena Guillen Ortega; Production Designer Lauren Taylor; Production Manager Julia Jendrysik; Editor Stella Heath Keir; Production Sound Mixer Chi Limpiroj; 1st Assistant Sound Robert Wynne; Sound Designer/Dubbing Mixer Ben Goodall; Composer Roshan Gunga; CG Lead Ysabel King; Colourist And Online Editor Liz Glennard HEATWAVE: In the midst of a searing heatwave, two little children find a way to cool everyone down.TEAM:
Director/Writer Fokion Xenos; Producer Priya K. Dosanjh; Cinematographer Brendan Freedman; Production Designer Antonio Niculae; Production Manager Joseph Phillips; Editor Stella Heath Keir; Sound Designer/Dubbing Mixer Kevin Langhamer; Composer Andreas Gutuen Aaser; Marketing and PR Alexandre Ermakov; Model Makers Thanos Kantzavelos, Harry Saxon; Colourist And Online; Editor Liz Glennard NOVEMBER 1ST: A mother and daughter travel across state to witness a long-overdue execution.Team:
Director/Screenwriter Charlie Manton; Producer Teodora Shaleva; Cinematographer Molly Manning Walker; Production Designer Theo Boswell; Production Manager Madeleine Sara; Editor Celina Øier; Production Sound Mixer Carys Ellis; 1st Assistant Sound Ryan Beauchamp; Dubbing Mixer Adam Shuttleworth; Composer Thomas Ross Fitzsimons; CG Lead Paul Robinson; CG Artists Roxana Loncea, Jan Karnkowski, Beatrice Mikulskyte; Lead Compositor Ysabel King The BAFTA Student Film Awards is an annual event celebrating the works of the next generation of talented and innovative filmmakers in animation, live action and documentary filmmaking. Featuring an evening of student films selected by a panel of industry professionals, the best films in each category will be chosen on the night for four top prizes – the BAFTA Student Film Award for Animation presented by LAIKA, the Student Film Award for Documentary, the Student Film Award for Live Action Film, and the Special Jury Prize, selected by the event’s panel members. In 2018, NFTS graduation animation_, Inanimate,_ directed by Lucia Bulgheroni and produced by Lennard Ortmann won the Special Jury Award whilst NFTS Directing Animation MA graduate, Paloma Baeza and Producing MA graduate, Ser En Low both took home Short British Animation BAFTAs for _Poles Apart_ in 2017. If you would like to follow in our students’ footsteps, please visit www.nfts.co.uk/animation and www.nfts.co.uk/fiction for moreinformation.
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NFTS AWARDED OUTSTANDING BRITISH CONTRIBUTION TO CINEMA BAFTA The NFTS has been given the prestigious prize in recognition of the role it has played developing British creative talent for nearly 50 years. It is the first time an educational institution has been giventhe award.
NFTS STUDENTS SWEEP THE BOARD AT THE KODAK NAHEMI STUDENT COMMERCIALAWARDS
NFTS students swept the board at the Kodak NAHEMI Student Commercial awards beating off stiff competition from other colleges. A NIGHT AT THE OSCARS * Read more about Trio of NFTS Grad Films Shortlisted for 2019 BAFTA Student Film Awards in LAScholarships
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