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THE SHAPES OF EDGES
The shapes of edges. “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.”. My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. There is also an intimateexploration of
KATH FRIES: EMBODIED ATTENTIVENESS WITH BEES(WAX) Kath Fries / PhD candidate, Sydney College of the Arts www.kathfries.com Materiality as process My interest in New Materialism discourses relate to my research and art practice exploring how direct tactile encounters with our surroundings can conjure embodied engagements with the vital materiality of existence. One of my current projects, Divest, involves working with the sensory 2015 | NEW MATERIALISM IN CONTEMPORARY ART Co-presented by the Museum of Contemporary Art Australia (MCA) and the National Institute for Experimental Arts (NIEA), UNSW Art & Design to coincide with the exhibition Energies: Haines & Hinterding 25 June-6 September, 2015 at the MCA. The Energies in the Arts conference examines the dynamic relationship between art and energy. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, FUTURE STRATIGRAPHY SYMPOSIUM AND ARTIST TALKS ONLINE Future Stratigraphy Symposium: 18 October 2016, Sydney College of the Arts. Watch the symposium and artist talks on YouTube The Future Stratigraphy symposium explored ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures and time. Introductions Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster NEW MATERIALISM IN CONTEMPORARY ART SYMPOSIUM PRESENTERS. Ron Boyd is a conjoint professor at the University of Newcastle, he has worked as a marine geologist with forty years experience in the field.Boyd has published over 200 scientific articles and book chapters. Recently he has been working with multi beam imagery in marine geology researching seismic and sediments off Australia and the USA. ABOUT | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art A Practice Led Research cluster based at the Sydney College of the Arts, Sydney, Australia New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and the NEW MATERIALISM IN CONTEMPORARY ART Text taken from the website of New Materialism: Networking European Scholarship on ‘How matter comes to matter’. WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity.THE SHAPES OF EDGES
The shapes of edges. “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.”. My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. There is also an intimateexploration of
KATH FRIES: EMBODIED ATTENTIVENESS WITH BEES(WAX) Kath Fries / PhD candidate, Sydney College of the Arts www.kathfries.com Materiality as process My interest in New Materialism discourses relate to my research and art practice exploring how direct tactile encounters with our surroundings can conjure embodied engagements with the vital materiality of existence. One of my current projects, Divest, involves working with the sensory 2015 | NEW MATERIALISM IN CONTEMPORARY ART Co-presented by the Museum of Contemporary Art Australia (MCA) and the National Institute for Experimental Arts (NIEA), UNSW Art & Design to coincide with the exhibition Energies: Haines & Hinterding 25 June-6 September, 2015 at the MCA. The Energies in the Arts conference examines the dynamic relationship between art and energy. TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and the NEW MATERIALISM IN CONTEMPORARY ART Intra-action Art is a portal to art practice diffracting new materialism, multispecies studies and contemporary art.. Intra-action as a concept is taken from physicist and critical studies theorist Karen Barad’s Agential Realism. The initial momentum for the project was an exhibition of North American and Australian artists in 2013. THE SYSTEM OF OBJECTS Liu Jianhua's 'Blank Paper' is made of thin and delicate porcelain. At the opening of System of Objects at Minsheng Art Museum. Image Source: Owen Leong Thanks to artist and SCA PhD Owen Leong for sending in this link to The System of Objects, Minsheng Art Museum March 28-Jun 29 "Shanghai Minsheng Art Museum is HARAWAY: ANTHROPOCENE, CAPITALOCENE, PLANTATIONOCENE Image by Owain Jones, “Crossing the Severn Bridge, c. 1980. "There is no question that anthropogenic processes have had planetary effects, in inter/intraaction with other processes and species, for as long as our species can be identified (a few tens of thousand years); and agriculture has been huge (a few thousand years). Of course, from FUTURE STRATIGRAPHY 2016 Future Stratigraphy Exhibition: 6 - 29 October 2016 Exhibition opening: 5 October, 6-8pm Masterclass: 17 October, 2-6pm Symposium: 18 October, 2-6pm Sydney College of the Arts, University of Sydney, Balmain Road, Rozelle NSW 2039 Concern for current ecological and environmental crises are pivotal to many artists’ practices. Their works invite unique, challenging and tangible ways of grappling ANIMALS IN THE ANTHROPOCENE: NEW BOOK A new book from University of Sydney Press. Three artists have contributed chapters to this book, Madeleine Boyd (NMiCA member), Hayden Fowler, and Vanessa Barbay, along with critical theorists in animal studies. Animals in the Anthropocene: critical perspectives on non-human futures Edited by the Human Animal Research Network Editorial Collective Sydney University Press ISBN: 9781743324394 FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. EUROPEAN NEW MATERIALISMS EMBRACING THE CREATIVE ARTS Text taken from the website of New Materialism: Networking European Scholarship on 'How matter comes to matter' WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity. We engage with architecture, crafts, dance, film, digital media FUTURE STRATIGRAPHY SYMPOSIUM AND ARTIST TALKS ONLINE Future Stratigraphy Symposium: 18 October 2016, Sydney College of the Arts. Watch the symposium and artist talks on YouTube The Future Stratigraphy symposium explored ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures and time. Introductions Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster IMG_4022 | NEW MATERIALISM IN CONTEMPORARY ART Visit the post for more. NEW MATERIALISM IN CONTEMPORARY ART Introductions. Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster SCA Acknowledgement of Country – Mariko Smith, Wingara Mura Fellow SCA. Introduction – Tracey Clement, artist, arts writer and current PhD candidate at SCA. Keynote Lecture – John Roloff – ‘Sentient Terrains IV’. John Roloff isan artist
ABOUT | NEW MATERIALISM IN CONTEMPORARY ART About. New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties and actions, the New Materialism re-works long held assumptions about the stuff of the universe. TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and theTHE SHAPES OF EDGES
The shapes of edges. “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.”. My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. There is also an intimateexploration of
FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. FUTURE STRATIGRAPHY 2016 Future Stratigraphy Exhibition: 6 - 29 October 2016 Exhibition opening: 5 October, 6-8pm Masterclass: 17 October, 2-6pm Symposium: 18 October, 2-6pm Sydney College of the Arts, University of Sydney, Balmain Road, Rozelle NSW 2039 Concern for current ecological and environmental crises are pivotal to many artists’ practices. Their works invite unique, challenging and tangible ways of grappling 2015 | NEW MATERIALISM IN CONTEMPORARY ART Co-presented by the Museum of Contemporary Art Australia (MCA) and the National Institute for Experimental Arts (NIEA), UNSW Art & Design to coincide with the exhibition Energies: Haines & Hinterding 25 June-6 September, 2015 at the MCA. The Energies in the Arts conference examines the dynamic relationship between art and energy. FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, MATERIALITY OF FILM AND PHOTOGRAPHIC MEDIA: WORKSHOP NOV NMiCA SCA Workshop Materiality of Film and Photographic Media Wednesday, November 11, 1-4pm Presented by: George Ioannides & Sean O'Connell SCA Board Room, Sydney College of the Arts, Rozelle RSVP (free attendance): newmaterialism.sca@gmail.com Each presentation will include a participatory studio component. Workshop open to anyone with interest in New Materialisms. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny NEW MATERIALISM IN CONTEMPORARY ART Introductions. Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster SCA Acknowledgement of Country – Mariko Smith, Wingara Mura Fellow SCA. Introduction – Tracey Clement, artist, arts writer and current PhD candidate at SCA. Keynote Lecture – John Roloff – ‘Sentient Terrains IV’. John Roloff isan artist
ABOUT | NEW MATERIALISM IN CONTEMPORARY ART About. New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties and actions, the New Materialism re-works long held assumptions about the stuff of the universe. TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and theTHE SHAPES OF EDGES
The shapes of edges. “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.”. My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. There is also an intimateexploration of
FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. FUTURE STRATIGRAPHY 2016 Future Stratigraphy Exhibition: 6 - 29 October 2016 Exhibition opening: 5 October, 6-8pm Masterclass: 17 October, 2-6pm Symposium: 18 October, 2-6pm Sydney College of the Arts, University of Sydney, Balmain Road, Rozelle NSW 2039 Concern for current ecological and environmental crises are pivotal to many artists’ practices. Their works invite unique, challenging and tangible ways of grappling 2015 | NEW MATERIALISM IN CONTEMPORARY ART Co-presented by the Museum of Contemporary Art Australia (MCA) and the National Institute for Experimental Arts (NIEA), UNSW Art & Design to coincide with the exhibition Energies: Haines & Hinterding 25 June-6 September, 2015 at the MCA. The Energies in the Arts conference examines the dynamic relationship between art and energy. FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, MATERIALITY OF FILM AND PHOTOGRAPHIC MEDIA: WORKSHOP NOV NMiCA SCA Workshop Materiality of Film and Photographic Media Wednesday, November 11, 1-4pm Presented by: George Ioannides & Sean O'Connell SCA Board Room, Sydney College of the Arts, Rozelle RSVP (free attendance): newmaterialism.sca@gmail.com Each presentation will include a participatory studio component. Workshop open to anyone with interest in New Materialisms. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and the NEW MATERIALISM IN CONTEMPORARY ART Text taken from the website of New Materialism: Networking European Scholarship on ‘How matter comes to matter’. WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity. THE SYSTEM OF OBJECTS Liu Jianhua's 'Blank Paper' is made of thin and delicate porcelain. At the opening of System of Objects at Minsheng Art Museum. Image Source: Owen Leong Thanks to artist and SCA PhD Owen Leong for sending in this link to The System of Objects, Minsheng Art Museum March 28-Jun 29 "Shanghai Minsheng Art Museum isSITE-RESPONSIVE ART
Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. HARAWAY: ANTHROPOCENE, CAPITALOCENE, PLANTATIONOCENE Image by Owain Jones, “Crossing the Severn Bridge, c. 1980. "There is no question that anthropogenic processes have had planetary effects, in inter/intraaction with other processes and species, for as long as our species can be identified (a few tens of thousand years); and agriculture has been huge (a few thousand years). Of course, from NEW MATERIALISM AND/OR WHO IS THE AGENT? gunnarphilosophies via New Materialism and/or Who is the agent?. Who is the author of a portrait photograph? Traditionally, the credit has been ascribed to the person who holds the camera and pushes the shutter button. However, as anyone who has been on either side of the portrait photograph situation knows, the person being portrayed isMASTERCLASS
Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. ANIMALS IN THE ANTHROPOCENE: NEW BOOK A new book from University of Sydney Press. Three artists have contributed chapters to this book, Madeleine Boyd (NMiCA member), Hayden Fowler, and Vanessa Barbay, along with critical theorists in animal studies. Animals in the Anthropocene: critical perspectives on non-human futures Edited by the Human Animal Research Network Editorial Collective Sydney University Press ISBN: 9781743324394 FUTURE STRATIGRAPHY SYMPOSIUM AND ARTIST TALKS ONLINE Future Stratigraphy Symposium: 18 October 2016, Sydney College of the Arts. Watch the symposium and artist talks on YouTube The Future Stratigraphy symposium explored ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures and time. Introductions Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster @MCA FROM JUNE 26 / ENERGIES: HAINES & HINTERDING David Haines is a member of the NMiCA and a lecturer at Sydney College of the Arts. A retrospective of his work in collaboration with Joyce Hinterding is on exhibition at the MCA from June 26 – September 6, 2015 (Admission is Free). During August a conference on ‘Energies in the Arts‘ at MCA will coincide with this exhibition. “Australian artists David Haines and Joyce Hinterding live NEW MATERIALISM IN CONTEMPORARY ART Introductions. Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster SCA Acknowledgement of Country – Mariko Smith, Wingara Mura Fellow SCA. Introduction – Tracey Clement, artist, arts writer and current PhD candidate at SCA. Keynote Lecture – John Roloff – ‘Sentient Terrains IV’. John Roloff isan artist
ABOUT | NEW MATERIALISM IN CONTEMPORARY ART About. New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties and actions, the New Materialism re-works long held assumptions about the stuff of the universe. NEW MATERIALISM IN CONTEMPORARY ART Text taken from the website of New Materialism: Networking European Scholarship on ‘How matter comes to matter’. WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity.THE SHAPES OF EDGES
The shapes of edges. “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.”. My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. There is also an intimateexploration of
THE SYSTEM OF OBJECTS Liu Jianhua's 'Blank Paper' is made of thin and delicate porcelain. At the opening of System of Objects at Minsheng Art Museum. Image Source: Owen Leong Thanks to artist and SCA PhD Owen Leong for sending in this link to The System of Objects, Minsheng Art Museum March 28-Jun 29 "Shanghai Minsheng Art Museum is HARAWAY: ANTHROPOCENE, CAPITALOCENE, PLANTATIONOCENE Image by Owain Jones, “Crossing the Severn Bridge, c. 1980. "There is no question that anthropogenic processes have had planetary effects, in inter/intraaction with other processes and species, for as long as our species can be identified (a few tens of thousand years); and agriculture has been huge (a few thousand years). Of course, from KATH FRIES: EMBODIED ATTENTIVENESS WITH BEES(WAX) Kath Fries / PhD candidate, Sydney College of the Arts www.kathfries.com Materiality as process My interest in New Materialism discourses relate to my research and art practice exploring how direct tactile encounters with our surroundings can conjure embodied engagements with the vital materiality of existence. One of my current projects, Divest, involves working with the sensory FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny MATERIALITY OF FILM AND PHOTOGRAPHIC MEDIA: WORKSHOP NOV NMiCA SCA Workshop Materiality of Film and Photographic Media Wednesday, November 11, 1-4pm Presented by: George Ioannides & Sean O'Connell SCA Board Room, Sydney College of the Arts, Rozelle RSVP (free attendance): newmaterialism.sca@gmail.com Each presentation will include a participatory studio component. Workshop open to anyone with interest in New Materialisms. NEW MATERIALISM IN CONTEMPORARY ART Introductions. Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster SCA Acknowledgement of Country – Mariko Smith, Wingara Mura Fellow SCA. Introduction – Tracey Clement, artist, arts writer and current PhD candidate at SCA. Keynote Lecture – John Roloff – ‘Sentient Terrains IV’. John Roloff isan artist
ABOUT | NEW MATERIALISM IN CONTEMPORARY ART About. New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties and actions, the New Materialism re-works long held assumptions about the stuff of the universe. NEW MATERIALISM IN CONTEMPORARY ART Text taken from the website of New Materialism: Networking European Scholarship on ‘How matter comes to matter’. WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity.THE SHAPES OF EDGES
The shapes of edges. “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.”. My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. There is also an intimateexploration of
THE SYSTEM OF OBJECTS Liu Jianhua's 'Blank Paper' is made of thin and delicate porcelain. At the opening of System of Objects at Minsheng Art Museum. Image Source: Owen Leong Thanks to artist and SCA PhD Owen Leong for sending in this link to The System of Objects, Minsheng Art Museum March 28-Jun 29 "Shanghai Minsheng Art Museum is HARAWAY: ANTHROPOCENE, CAPITALOCENE, PLANTATIONOCENE Image by Owain Jones, “Crossing the Severn Bridge, c. 1980. "There is no question that anthropogenic processes have had planetary effects, in inter/intraaction with other processes and species, for as long as our species can be identified (a few tens of thousand years); and agriculture has been huge (a few thousand years). Of course, from KATH FRIES: EMBODIED ATTENTIVENESS WITH BEES(WAX) Kath Fries / PhD candidate, Sydney College of the Arts www.kathfries.com Materiality as process My interest in New Materialism discourses relate to my research and art practice exploring how direct tactile encounters with our surroundings can conjure embodied engagements with the vital materiality of existence. One of my current projects, Divest, involves working with the sensory FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny MATERIALITY OF FILM AND PHOTOGRAPHIC MEDIA: WORKSHOP NOV NMiCA SCA Workshop Materiality of Film and Photographic Media Wednesday, November 11, 1-4pm Presented by: George Ioannides & Sean O'Connell SCA Board Room, Sydney College of the Arts, Rozelle RSVP (free attendance): newmaterialism.sca@gmail.com Each presentation will include a participatory studio component. Workshop open to anyone with interest in New Materialisms. TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and the NEW MATERIALISM IN CONTEMPORARY ART Intra-action Art is a portal to art practice diffracting new materialism, multispecies studies and contemporary art.. Intra-action as a concept is taken from physicist and critical studies theorist Karen Barad’s Agential Realism. The initial momentum for the project was an exhibition of North American and Australian artists in 2013.SITE-RESPONSIVE ART
Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. NEW MATERIALISM AND/OR WHO IS THE AGENT? gunnarphilosophies via New Materialism and/or Who is the agent?. Who is the author of a portrait photograph? Traditionally, the credit has been ascribed to the person who holds the camera and pushes the shutter button. However, as anyone who has been on either side of the portrait photograph situation knows, the person being portrayed is FUTURE STRATIGRAPHY 2016 Future Stratigraphy Exhibition: 6 - 29 October 2016 Exhibition opening: 5 October, 6-8pm Masterclass: 17 October, 2-6pm Symposium: 18 October, 2-6pm Sydney College of the Arts, University of Sydney, Balmain Road, Rozelle NSW 2039 Concern for current ecological and environmental crises are pivotal to many artists’ practices. Their works invite unique, challenging and tangible ways of grappling INTRA-ACTION ART: MULTISPECIES BECOMINGS IN THE Intra-action Art is a portal to art practice diffracting new materialism, multispecies studies and contemporary art. Intra-action as a concept is taken from physicist and critical studies theorist Karen Barad's Agential Realism. The initial momentum for the project was an exhibition of North American and Australian artists in 2013. The next issue of Antennae: Journal of FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. 2015 | NEW MATERIALISM IN CONTEMPORARY ART Co-presented by the Museum of Contemporary Art Australia (MCA) and the National Institute for Experimental Arts (NIEA), UNSW Art & Design to coincide with the exhibition Energies: Haines & Hinterding 25 June-6 September, 2015 at the MCA. The Energies in the Arts conference examines the dynamic relationship between art and energy. FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, FUTURE STRATIGRAPHY SYMPOSIUM AND ARTIST TALKS ONLINE Future Stratigraphy Symposium: 18 October 2016, Sydney College of the Arts. Watch the symposium and artist talks on YouTube The Future Stratigraphy symposium explored ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures and time. Introductions Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster NEW MATERIALISM IN CONTEMPORARY ART Introductions. Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster SCA Acknowledgement of Country – Mariko Smith, Wingara Mura Fellow SCA. Introduction – Tracey Clement, artist, arts writer and current PhD candidate at SCA. Keynote Lecture – John Roloff – ‘Sentient Terrains IV’. John Roloff isan artist
ABOUT | NEW MATERIALISM IN CONTEMPORARY ART About. New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties and actions, the New Materialism re-works long held assumptions about the stuff of the universe. NEW MATERIALISM IN CONTEMPORARY ART Text taken from the website of New Materialism: Networking European Scholarship on ‘How matter comes to matter’. WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity.THE SHAPES OF EDGES
The shapes of edges. “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.”. My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. There is also an intimateexploration of
THE SYSTEM OF OBJECTS Liu Jianhua's 'Blank Paper' is made of thin and delicate porcelain. At the opening of System of Objects at Minsheng Art Museum. Image Source: Owen Leong Thanks to artist and SCA PhD Owen Leong for sending in this link to The System of Objects, Minsheng Art Museum March 28-Jun 29 "Shanghai Minsheng Art Museum is HARAWAY: ANTHROPOCENE, CAPITALOCENE, PLANTATIONOCENE Image by Owain Jones, “Crossing the Severn Bridge, c. 1980. "There is no question that anthropogenic processes have had planetary effects, in inter/intraaction with other processes and species, for as long as our species can be identified (a few tens of thousand years); and agriculture has been huge (a few thousand years). Of course, from KATH FRIES: EMBODIED ATTENTIVENESS WITH BEES(WAX) Kath Fries / PhD candidate, Sydney College of the Arts www.kathfries.com Materiality as process My interest in New Materialism discourses relate to my research and art practice exploring how direct tactile encounters with our surroundings can conjure embodied engagements with the vital materiality of existence. One of my current projects, Divest, involves working with the sensory FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny MATERIALITY OF FILM AND PHOTOGRAPHIC MEDIA: WORKSHOP NOV NMiCA SCA Workshop Materiality of Film and Photographic Media Wednesday, November 11, 1-4pm Presented by: George Ioannides & Sean O'Connell SCA Board Room, Sydney College of the Arts, Rozelle RSVP (free attendance): newmaterialism.sca@gmail.com Each presentation will include a participatory studio component. Workshop open to anyone with interest in New Materialisms. NEW MATERIALISM IN CONTEMPORARY ART Introductions. Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster SCA Acknowledgement of Country – Mariko Smith, Wingara Mura Fellow SCA. Introduction – Tracey Clement, artist, arts writer and current PhD candidate at SCA. Keynote Lecture – John Roloff – ‘Sentient Terrains IV’. John Roloff isan artist
ABOUT | NEW MATERIALISM IN CONTEMPORARY ART About. New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties and actions, the New Materialism re-works long held assumptions about the stuff of the universe. NEW MATERIALISM IN CONTEMPORARY ART Text taken from the website of New Materialism: Networking European Scholarship on ‘How matter comes to matter’. WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity.THE SHAPES OF EDGES
The shapes of edges. “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.”. My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. There is also an intimateexploration of
THE SYSTEM OF OBJECTS Liu Jianhua's 'Blank Paper' is made of thin and delicate porcelain. At the opening of System of Objects at Minsheng Art Museum. Image Source: Owen Leong Thanks to artist and SCA PhD Owen Leong for sending in this link to The System of Objects, Minsheng Art Museum March 28-Jun 29 "Shanghai Minsheng Art Museum is HARAWAY: ANTHROPOCENE, CAPITALOCENE, PLANTATIONOCENE Image by Owain Jones, “Crossing the Severn Bridge, c. 1980. "There is no question that anthropogenic processes have had planetary effects, in inter/intraaction with other processes and species, for as long as our species can be identified (a few tens of thousand years); and agriculture has been huge (a few thousand years). Of course, from KATH FRIES: EMBODIED ATTENTIVENESS WITH BEES(WAX) Kath Fries / PhD candidate, Sydney College of the Arts www.kathfries.com Materiality as process My interest in New Materialism discourses relate to my research and art practice exploring how direct tactile encounters with our surroundings can conjure embodied engagements with the vital materiality of existence. One of my current projects, Divest, involves working with the sensory FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny MATERIALITY OF FILM AND PHOTOGRAPHIC MEDIA: WORKSHOP NOV NMiCA SCA Workshop Materiality of Film and Photographic Media Wednesday, November 11, 1-4pm Presented by: George Ioannides & Sean O'Connell SCA Board Room, Sydney College of the Arts, Rozelle RSVP (free attendance): newmaterialism.sca@gmail.com Each presentation will include a participatory studio component. Workshop open to anyone with interest in New Materialisms. TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and the NEW MATERIALISM IN CONTEMPORARY ART Intra-action Art is a portal to art practice diffracting new materialism, multispecies studies and contemporary art.. Intra-action as a concept is taken from physicist and critical studies theorist Karen Barad’s Agential Realism. The initial momentum for the project was an exhibition of North American and Australian artists in 2013.SITE-RESPONSIVE ART
Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. NEW MATERIALISM AND/OR WHO IS THE AGENT? gunnarphilosophies via New Materialism and/or Who is the agent?. Who is the author of a portrait photograph? Traditionally, the credit has been ascribed to the person who holds the camera and pushes the shutter button. However, as anyone who has been on either side of the portrait photograph situation knows, the person being portrayed is FUTURE STRATIGRAPHY 2016 Future Stratigraphy Exhibition: 6 - 29 October 2016 Exhibition opening: 5 October, 6-8pm Masterclass: 17 October, 2-6pm Symposium: 18 October, 2-6pm Sydney College of the Arts, University of Sydney, Balmain Road, Rozelle NSW 2039 Concern for current ecological and environmental crises are pivotal to many artists’ practices. Their works invite unique, challenging and tangible ways of grappling INTRA-ACTION ART: MULTISPECIES BECOMINGS IN THE Intra-action Art is a portal to art practice diffracting new materialism, multispecies studies and contemporary art. Intra-action as a concept is taken from physicist and critical studies theorist Karen Barad's Agential Realism. The initial momentum for the project was an exhibition of North American and Australian artists in 2013. The next issue of Antennae: Journal of FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. 2015 | NEW MATERIALISM IN CONTEMPORARY ART Co-presented by the Museum of Contemporary Art Australia (MCA) and the National Institute for Experimental Arts (NIEA), UNSW Art & Design to coincide with the exhibition Energies: Haines & Hinterding 25 June-6 September, 2015 at the MCA. The Energies in the Arts conference examines the dynamic relationship between art and energy. FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, FUTURE STRATIGRAPHY SYMPOSIUM AND ARTIST TALKS ONLINE Future Stratigraphy Symposium: 18 October 2016, Sydney College of the Arts. Watch the symposium and artist talks on YouTube The Future Stratigraphy symposium explored ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures and time. Introductions Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster NEW MATERIALISM IN CONTEMPORARY ART Introductions. Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster SCA Acknowledgement of Country – Mariko Smith, Wingara Mura Fellow SCA. Introduction – Tracey Clement, artist, arts writer and current PhD candidate at SCA. Keynote Lecture – John Roloff – ‘Sentient Terrains IV’. John Roloff isan artist
ABOUT | NEW MATERIALISM IN CONTEMPORARY ART About. New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties and actions, the New Materialism re-works long held assumptions about the stuff of the universe. TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and the NEW MATERIALISM IN CONTEMPORARY ART Text taken from the website of New Materialism: Networking European Scholarship on ‘How matter comes to matter’. WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity.THE SHAPES OF EDGES
The shapes of edges. “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.”. My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. There is also an intimateexploration of
FUTURE STRATIGRAPHY 2016 Future Stratigraphy Exhibition: 6 - 29 October 2016 Exhibition opening: 5 October, 6-8pm Masterclass: 17 October, 2-6pm Symposium: 18 October, 2-6pm Sydney College of the Arts, University of Sydney, Balmain Road, Rozelle NSW 2039 Concern for current ecological and environmental crises are pivotal to many artists’ practices. Their works invite unique, challenging and tangible ways of grappling 2015 | NEW MATERIALISM IN CONTEMPORARY ART Co-presented by the Museum of Contemporary Art Australia (MCA) and the National Institute for Experimental Arts (NIEA), UNSW Art & Design to coincide with the exhibition Energies: Haines & Hinterding 25 June-6 September, 2015 at the MCA. The Energies in the Arts conference examines the dynamic relationship between art and energy. FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, NEW MATERIALISM IN CONTEMPORARY ART Introductions. Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster SCA Acknowledgement of Country – Mariko Smith, Wingara Mura Fellow SCA. Introduction – Tracey Clement, artist, arts writer and current PhD candidate at SCA. Keynote Lecture – John Roloff – ‘Sentient Terrains IV’. John Roloff isan artist
ABOUT | NEW MATERIALISM IN CONTEMPORARY ART About. New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties and actions, the New Materialism re-works long held assumptions about the stuff of the universe. TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and the NEW MATERIALISM IN CONTEMPORARY ART Text taken from the website of New Materialism: Networking European Scholarship on ‘How matter comes to matter’. WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity.THE SHAPES OF EDGES
The shapes of edges. “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.”. My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. There is also an intimateexploration of
FUTURE STRATIGRAPHY 2016 Future Stratigraphy Exhibition: 6 - 29 October 2016 Exhibition opening: 5 October, 6-8pm Masterclass: 17 October, 2-6pm Symposium: 18 October, 2-6pm Sydney College of the Arts, University of Sydney, Balmain Road, Rozelle NSW 2039 Concern for current ecological and environmental crises are pivotal to many artists’ practices. Their works invite unique, challenging and tangible ways of grappling 2015 | NEW MATERIALISM IN CONTEMPORARY ART Co-presented by the Museum of Contemporary Art Australia (MCA) and the National Institute for Experimental Arts (NIEA), UNSW Art & Design to coincide with the exhibition Energies: Haines & Hinterding 25 June-6 September, 2015 at the MCA. The Energies in the Arts conference examines the dynamic relationship between art and energy. FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, KATH FRIES: EMBODIED ATTENTIVENESS WITH BEES(WAX) Kath Fries / PhD candidate, Sydney College of the Arts www.kathfries.com Materiality as process My interest in New Materialism discourses relate to my research and art practice exploring how direct tactile encounters with our surroundings can conjure embodied engagements with the vital materiality of existence. One of my current projects, Divest, involves working with the sensory NEW MATERIALISMS CONFERENCE SCA 2014 Proceedings and papers of the 2014 New Materialisms conference and exhibition held at Sydney College of the Arts Conference Opening / Colin Rhodes, Dean Opening Keynote Address / Professor Barbara Bolt, Associate Director of Research and Research Training, Victorian College of the Arts, University of Melbourne VIDEO Session 1 – Non human agencies and the HARAWAY: ANTHROPOCENE, CAPITALOCENE, PLANTATIONOCENE Image by Owain Jones, “Crossing the Severn Bridge, c. 1980. "There is no question that anthropogenic processes have had planetary effects, in inter/intraaction with other processes and species, for as long as our species can be identified (a few tens of thousand years); and agriculture has been huge (a few thousand years). Of course, from ANIMALS IN THE ANTHROPOCENE: NEW BOOK A new book from University of Sydney Press. Three artists have contributed chapters to this book, Madeleine Boyd (NMiCA member), Hayden Fowler, and Vanessa Barbay, along with critical theorists in animal studies. Animals in the Anthropocene: critical perspectives on non-human futures Edited by the Human Animal Research Network Editorial Collective Sydney University Press ISBN: 9781743324394 TRANSVERSAL PRACTICES: MATTER, ECOLOGY AND RELATIONALITY VI Conference on New Materialisms 27–29 September 2015 The Victorian College of the Arts, The University of Melbourne, Australia. Confirmed Keynote Speakers: A/Professor Erin Manning, SenseLab, Concordia University, Canada Professor Brian Martin, Deakin University, Australia Professor Hayden Lorimer, University of Glasgow, Scotland Professor Karen Barad, University of California, Santa FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, FUTURE STRATIGRAPHY SYMPOSIUM AND ARTIST TALKS ONLINE Future Stratigraphy Symposium: 18 October 2016, Sydney College of the Arts. Watch the symposium and artist talks on YouTube The Future Stratigraphy symposium explored ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures and time. Introductions Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster EUROPEAN NEW MATERIALISMS EMBRACING THE CREATIVE ARTS Text taken from the website of New Materialism: Networking European Scholarship on 'How matter comes to matter' WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity. We engage with architecture, crafts, dance, film, digital media IMG_4008 | NEW MATERIALISM IN CONTEMPORARY ART Visit the post for more. IMG_4041 | NEW MATERIALISM IN CONTEMPORARY ART Visit the post for more. NEW MATERIALISM IN CONTEMPORARY ART SYMPOSIUM PRESENTERS. Ron Boyd is a conjoint professor at the University of Newcastle, he has worked as a marine geologist with forty years experience in the field.Boyd has published over 200 scientific articles and book chapters. Recently he has been working with multi beam imagery in marine geology researching seismic and sediments off Australia and the USA. ABOUT | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art A Practice Led Research cluster based at the Sydney College of the Arts, Sydney, Australia New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and the NEW MATERIALISM IN CONTEMPORARY ART Text taken from the website of New Materialism: Networking European Scholarship on ‘How matter comes to matter’. WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity.THE SHAPES OF EDGES
author - Sean O’Connell “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.” - Michel Serres, Genesis (1995, 120) My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. FUTURE STRATIGRAPHY 2016 Future Stratigraphy Exhibition: 6 - 29 October 2016 Exhibition opening: 5 October, 6-8pm Masterclass: 17 October, 2-6pm Symposium: 18 October, 2-6pm Sydney College of the Arts, University of Sydney, Balmain Road, Rozelle NSW 2039 Concern for current ecological and environmental crises are pivotal to many artists’ practices. Their works invite unique, challenging and tangible ways of grappling 2015 | NEW MATERIALISM IN CONTEMPORARY ART Sean O’Connell Exploring the visualisation of various forces within the media of photography and film, experiments and documents of artists and scientists are examined to reveal how images help us to comprehend hidden energetic exchanges coursing beneath our mundanerealities.
FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, NEW MATERIALISM IN CONTEMPORARY ART SYMPOSIUM PRESENTERS. Ron Boyd is a conjoint professor at the University of Newcastle, he has worked as a marine geologist with forty years experience in the field.Boyd has published over 200 scientific articles and book chapters. Recently he has been working with multi beam imagery in marine geology researching seismic and sediments off Australia and the USA. ABOUT | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art A Practice Led Research cluster based at the Sydney College of the Arts, Sydney, Australia New Materialism is an emerging trend in 21st century thought in several fields of inquiry, including philosophy, cultural theory, feminism, science studies, and the visual arts. Defined around the primacy of matter and its properties TEXTS | NEW MATERIALISM IN CONTEMPORARY ART New Materialism in Contemporary Art is guided by several key texts, as well as emerging research. Reference Publications New Materialism: Interviews & Cartographies Rick Dolphijn and Iris van der Tuin (2012) Book Vibrant Matter: A Political Ecology of Things Jane Bennett (2010) Book Meeting the Universe Halfway: Quantum Physics and the NEW MATERIALISM IN CONTEMPORARY ART Text taken from the website of New Materialism: Networking European Scholarship on ‘How matter comes to matter’. WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity.THE SHAPES OF EDGES
author - Sean O’Connell “A crisis is a return to the multiplicities. Evidence that the multiple is possible, that it is open to the future.” - Michel Serres, Genesis (1995, 120) My attraction to New Materialist thought comes from its concerns within the areas of matter, force, non-human agency, and, ultimately, knowledge and perception. FUTURE STRATIGRAPHY 2016 Future Stratigraphy Exhibition: 6 - 29 October 2016 Exhibition opening: 5 October, 6-8pm Masterclass: 17 October, 2-6pm Symposium: 18 October, 2-6pm Sydney College of the Arts, University of Sydney, Balmain Road, Rozelle NSW 2039 Concern for current ecological and environmental crises are pivotal to many artists’ practices. Their works invite unique, challenging and tangible ways of grappling 2015 | NEW MATERIALISM IN CONTEMPORARY ART Sean O’Connell Exploring the visualisation of various forces within the media of photography and film, experiments and documents of artists and scientists are examined to reveal how images help us to comprehend hidden energetic exchanges coursing beneath our mundanerealities.
FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Masterclass: The Sea Within The Land with John Roloff 2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park. As part of our Future Stratigraphy program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, The Sea within the Land. PLANT / ART WORKSHOP @ SCA NMiCA SCA Workshop Non-Human Perspectives in Art: Mine Site Rehabilitation / Plant Communication Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) Each presentation included a participatory studio component. Info: Andrew Lavery or Madeleine Boyd Penny FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, KATH FRIES: EMBODIED ATTENTIVENESS WITH BEES(WAX) Kath Fries / PhD candidate, Sydney College of the Arts www.kathfries.com Materiality as process My interest in New Materialism discourses relate to my research and art practice exploring how direct tactile encounters with our surroundings can conjure embodied engagements with the vital materiality of existence. One of my current projects, Divest, involves working with the sensory NEW MATERIALISMS CONFERENCE SCA 2014 Proceedings and papers of the 2014 New Materialisms conference and exhibition held at Sydney College of the Arts Conference Opening / Colin Rhodes, Dean Opening Keynote Address / Professor Barbara Bolt, Associate Director of Research and Research Training, Victorian College of the Arts, University of Melbourne VIDEO Session 1 – Non human agencies and the HARAWAY: ANTHROPOCENE, CAPITALOCENE, PLANTATIONOCENE Image by Owain Jones, “Crossing the Severn Bridge, c. 1980. "There is no question that anthropogenic processes have had planetary effects, in inter/intraaction with other processes and species, for as long as our species can be identified (a few tens of thousand years); and agriculture has been huge (a few thousand years). Of course, from ANIMALS IN THE ANTHROPOCENE: NEW BOOK A new book from University of Sydney Press. Three artists have contributed chapters to this book, Madeleine Boyd (NMiCA member), Hayden Fowler, and Vanessa Barbay, along with critical theorists in animal studies. Animals in the Anthropocene: critical perspectives on non-human futures Edited by the Human Animal Research Network Editorial Collective Sydney University Press ISBN: 9781743324394 TRANSVERSAL PRACTICES: MATTER, ECOLOGY AND RELATIONALITY VI Conference on New Materialisms 27–29 September 2015 The Victorian College of the Arts, The University of Melbourne, Australia. Confirmed Keynote Speakers: A/Professor Erin Manning, SenseLab, Concordia University, Canada Professor Brian Martin, Deakin University, Australia Professor Hayden Lorimer, University of Glasgow, Scotland Professor Karen Barad, University of California, Santa FUTURE STRATIGRAPHY SYMPOSIUM Future Stratigraphy Symposium 2 - 6pm Tuesday 18 October 2016 SCA Auditorium, Sydney College of the Arts This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, and time. link Free event - all welcome, REGISTER HERE» PROGRAM2pm Welcome, Oliver Smith, New Materialism in Contemporary Art research cluster, FUTURE STRATIGRAPHY SYMPOSIUM AND ARTIST TALKS ONLINE Future Stratigraphy Symposium: 18 October 2016, Sydney College of the Arts. Watch the symposium and artist talks on YouTube The Future Stratigraphy symposium explored ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures and time. Introductions Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster EUROPEAN NEW MATERIALISMS EMBRACING THE CREATIVE ARTS Text taken from the website of New Materialism: Networking European Scholarship on 'How matter comes to matter' WG3 brings together European researchers, artists, museum professionals, and other activists with a keen interest in the material, corporeal, processual and relational aspects of contemporary arts and creativity. We engage with architecture, crafts, dance, film, digital media IMG_4008 | NEW MATERIALISM IN CONTEMPORARY ART Visit the post for more. IMG_4041 | NEW MATERIALISM IN CONTEMPORARY ART Visit the post for more. NEW MATERIALISM IN CONTEMPORARY ARTMENU
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FUTURE STRATIGRAPHY SYMPOSIUM AND ARTIST TALKS ONLINE Posted on December 20, 2016by andrewlavery2015
FUTURE STRATIGRAPHY SYMPOSIUM: 18 October 2016, Sydney College of theArts.
Watch the symposium and artist talks on YouTube The Future Stratigraphy symposium explored ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures and time.Introductions
Welcome – Oliver Smith, New Materialism in Contemporary Art research cluster SCA Acknowledgement of Country – Mariko Smith, Wingara MuraFellow SCA
Introduction – Tracey Clement, artist, arts writer and current PhDcandidate at SCA
Keynote Lecture – John Roloff – ‘Sentient Terrains IV’ John Roloff is an artist and professor at San Francisco Art Institute. John was in Sydney as SCA’s guest international artist for the Future Stratigraphy program. Matt Poll – ‘Glimpsing landscapes of the past through stone tooltechnologies’
Matt Poll is the Assistant Curator of the Macleay Museum Indigenous Heritage Collections and the University of Sydney’s RepatriationProject Officer.
Ron Boyd – ‘A Marine Geologist’s View of the Anthropocene’ Ron Boyd is a conjoint professor at the University of Newcastle, he has worked as a marine geologist with forty years experience in thefield.
Panel discussion – ‘Future Stratigraphy’ John Roloff, Matt Poll, Ron Boyd and Tracey Clement. Artist talks – Future Stratigraphy Exhibition, SCA GalleriesSean O’Connell
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Madeleine Boyd, Penny Dunstan,
Emma Robertson, Kath Fries,
Dell Walker, Tracey Clementand Kenneth
Mitchell
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Above image: _Future Stratigraphy exhibition_, documentation photograph by Ian Hobbs. Artworks from left: Kenneth Mitchell, _Crystal Amplifiers_ (2016); Josh Wodak, _Jubilee Venn Diagrams?_ (2014); Penny Dunstan, _Rix’s Creek Study #3 and #4 (_2015-2016); Tracey Clement, _Critical Cartography (_2014-2016); Kath Fries, _Within and without (_2016).Advertisements
Report this ad Leave a comment FUTURE STRATIGRAPHY SYMPOSIUM Posted on October 9, 2016by andrewlavery2015
FUTURE STRATIGRAPHY SYMPOSIUM 2 – 6PM TUESDAY 18 OCTOBER 2016 SCA AUDITORIUM, SYDNEY COLLEGE OF THE ARTS This symposium will explore ways of understanding and envisioning the materiality of country and landscape across disciplines, cultures, andtime. link
Free event – all welcome, REGISTER HERE»PROGRAM
2PM
_Welcome, _Oliver Smith, New Materialism in Contemporary Art research cluster, Sydney College of the Arts _Acknowledgement__ of Country_, Janelle Evans, Wingara Mura Fellow and Dharug/Bundjalung artist, Sydney College of the Arts _Keynote lecture_, John Roloff, Guest international artist, San Francisco Art Institute _Presentation_, Matt Poll, Curator Indigenous Heritage and Repatriation Project, Macleay Museum, University of Sydney _Presentation_, Ron Boyd, Conjoint Associate Professor, School of Environmental and Life Sciences, University of Newcastle _Panel discussion:_ John Roloff, Matt Poll, Ron Boyd. Chaired by Tracey Clement, PhD candidate, artist and writer, Sydney College ofthe Arts
4PM
Afternoon tea break
4.30PM
_Artist talks_, Sydney College of the Arts Galleries Sean O’Connell, Penny Dunstan, Kath Fries, Emma Robertson, Dell Walker, Tracey Clement, Kenneth Mitchell and Madeleine Boyd.—
SYMPOSIUM PRESENTERS RON BOYD is a conjoint professor at the University of Newcastle, he has worked as a marine geologist with forty years experience in the field. Boyd has published over 200 scientific articles and book chapters. Recently he has been working with multi beam imagery in marine geology researching seismic and sediments off Australia and the USA. Boyd has worked with Larry Mayer at UNH/CCOM and also runs his own research voyages off the East Coast of Australia from coast to deep ocean. more infoReport this ad
TRACEY CLEMENT is an artist, arts writer and current PhD candidate at SCA, the University of Sydney. Her current research responds to JG Ballard’s novel _The Drowned World_. She is known for creating artworks that meticulously utilise labour intensive techniques for their conceptual resonance. In her _Critical Cartography_ series of maps (exhibited in _Future Stratigraphy_) Clement charts hypothetical rising sea levels. The time-consuming effort of ‘drowning’ the world through drawing highlights our complicity in creating the current climate crisis. Clement has exhibited widely, both in Australia and overseas, and she is currently the Online Editor for _Art Guide Australia_. traceyclement.com MATT POLL is the Assistant Curator of the Macleay Museum Indigenous Heritage Collections and the University of Sydney’s Repatriation Project Officer. He has previously worked as the Artistic Director of Boomalli Aboriginal Artists cooperative as well as other positions at the Museum of Contemporary Art and Wollongong City Gallery. Poll’s current research project seeks to further develop methods of understanding the ways contemporary Aboriginal and Torres Strait Island artists have used museum collections, historic records and archival materials in the reconstruction of cultural identities, exploring how visual artists in particular have developed auto ethnographic methods of engaging with historical information outside of academic frameworks. more info JOHN ROLOFF is an artist and professor at San Francisco Art Institute. He works conceptually with site, process and natural systems. With a background in science and geology, Roloff’s work engages poetic and site-specific relationships between material, concept and performance in the domains of geology, ecology, architecture, ceramics, industry and mining, metabolic systems and history. Roloff’s work has been included in exhibitions at the Whitney Museum of American Art, UC Berkeley Museum, San Francisco Museum of Modern Art, Smithsonian Institution, Photoscene Cologne, the Venice Architectural and Art Biennales. He has received fellowships from the U.S. National Endowment for the Arts, Guggenheim Foundation and California Arts Council. Roloff is represented by Anglim Gilbert Gallery, San Francisco, CA. johnroloff.comLeave a comment
FUTURE STRATIGRAPHY: MASTERCLASS WITH JOHN ROLOFF Posted on September 8, 2016by andrewlavery2015
Masterclass: _The Sea Within The Land_with John Roloff
2 – 6pm Tuesday 17 October 2016 Sydney College of the Arts and Callan Park As part of our _Future Stratigraphy_ program, this masterclass with international artist John Roloff will explore site-engagement processes focusing on Callan Park as the site of Roloff’s Sydney project, _The Sea within the Land_. The masterclass will involve walking the site; discussing the area’s past, present and future (in relation to geology, mapping, flora and fauna, and human engagement – the Gadigal and Wangal traditional custodians, history as colonial estate and psychiatric hospital, and current uses); and an outside workshop with above-ground echo-sounder technology. EOI: to participate in the masterclass please send a short statement about yourself and why you’re interested, to Kath Fries and Oliver Smith at sca_newmaterialism@sydney.edu.au by 30 September 2016. The masterclass is free but places are limited. Image: John Roloff, _Displaced Sea / Seeking the Permanente_, 2014, inkjet print on drafting film, 60x120cm. Courtesy the artist and Anglim Gilbert Gallery, San Francisco.ABOUT JOHN ROLOFF
John Roloff is a visual artist and professor at San Francisco Art Institute. He works conceptually with site, process and natural systems. With a background in science and geology, Roloff’s work engages poetic and site-specific relationships between material, concept and performance in the domains of geology, ecology, architecture, ceramics, industry and mining, metabolic systems and history. He is known primarily for his outdoor kiln/furnace projects from the late 1970’s to the early 1990’s as well as other large-scale environmental, site-specific and gallery installations investigating geologic and natural phenomena. Roloff’s work has been included in exhibitions at the Whitney Museum of American Art, UC Berkeley Museum, San Francisco Museum of Modern Art, Smithsonian Institution, Photoscene Cologne, the Venice Architectural and Art Biennales and The Snow Show in Kemi, Finland. He has received visual arts fellowships from the NEA, a Guggenheim Foundation fellowship, a California Arts Council grant and a Bernard Osher Fellowship at the Exploratorium in San Francisco, CA. Roloff is represented by Anglim Gilbert Gallery, San Francisco, CA and is tenured faculty in Sculpture/Ceramics, San Francisco Art Institute. johnroloff.com John Roloff will be giving the _Future Stratigraphy_ keynote lecture on Tuesday 18 October 2016 and his work will also feature in the _Future Stratigraphy_ exhibition,
6-29 October 2016.
Leave a comment
MAPPING THE DROWNED WORLD: OCTOBER 8-31, 2015 Posted on October 27, 2015by andrewlavery2015
Source: Mapping The Drowned World: October 8-31, 2015Leave a comment
MATERIALITY OF FILM AND PHOTOGRAPHIC MEDIA: WORKSHOP NOV 11,1-4PM @SCA
Posted on October 27, 2015by andrewlavery2015
berenice abbott – shadows produced by water waves -1958NMiCA SCA Workshop
MATERIALITY OF FILM AND PHOTOGRAPHIC MEDIA Wednesday, November 11, 1-4pmPresented by:
George Ioannides & Sean O’ConnellSCA Board Room,
Sydney College of the Arts, Rozelle RSVP (free attendance): newmaterialism.sca@gmail.com Each presentation will include a participatory studio component. Workshop open to anyone with interest in New Materialisms. FILMIC MATTERING: NOTES TOWARDS A NEW MATERIALIST, MULTISPECIES, AND POSTSECULAR CINEMATICS_GEORGE IOANNIDES_
This workshop will present a new materialist intervention into the question of an aesthetics that can actualise a shared multispecies, postsecular materiality. It investigates the potentials of a mediated new materialism that avows a material sense of the postsecular animal subject, revealing an opening unto a religious vocabulary of immanence and transcendence that reconciles both the sacred with the material and human aesthetics with nonhuman materiality. Film media, as the focus of this presentation, is discussed here as a material-discursive aesthetic practice, a co-collaboration of material-discursive and human-nonhuman agencies that can often express the interconnectedness of life as a structure of perception and framework of experience. Such a new materialist perspective towards film redirects our attention to both the discourse of filmic images and the matter of film, as well as to the contemporary spectator’s encounter with its underlying materiality and world-making capacities. This perspective further allows us to explore what a materialised cinematics that recognises the embodied materiality and material comportment of multi-species relationality would look and feel like, and how best to speak of its importance in this postsecular present.STUDIO COMPONENT:
Screening of Sirius Remembered (Stan Brakhage, 1959, US) and facilitated discussion of the new materialist reading of this film.Report this ad
READINGS
Workshop participants are encouraged to read two short introductions to the life and work of Stan Brakhage, the subject of this workshop’s studio component: 1. Fred Camper, ‘Stan Brakhage: A Short Introduction,’ Senses of Cinema 26 (May 2003), http://sensesofcinema.com/2003/remembering-stan-brakhage/brakhage_intro/ 2. Ronald Bergan, ‘Stan Brakhage,’ The Guardian (15 March 2003), http://www.theguardian.com/news/2003/mar/15/guardianobituaries.artsobituariesTRACING FORCES
_SEAN O’CONNELL_
Exploring the visualisation of various forces within the media of photography and film, experiments and documents of artists and scientists are examined to reveal how images help us to comprehend hidden energetic exchanges coursing beneath our mundane realities.STUDIO COMPONENT As a part of this presentation, participants are requested to bring a small inert object (around match-box sized), which will be bombarded with 50,000 volts of electricity, directly over manipulated polaroid film in a darkroom, and developed instantly to reveal the traces of electrical force. These polaroid documents are take-home, in black &white, or colour.
READINGS
1._The Shapes of Edges_, Sean O’Connell (2015) https://newmaterialismincontemporaryart.wordpress.com/2015/03/23/the-shapes-of-edges-2/ 2. ‘The matter of film : Decasia and Lyrical Nitrate’, NicholasChare & Liz Watkins
In Estelle Barrett & Barbara Bolt (eds.), _Carnal Knowledge_: Towards a ‘New Materialism’ Through the Arts. I.B. Tauris (2013)Leave a comment
PLANT / ART WORKSHOP @ SCA Posted on August 13, 2015by andrewlavery2015
NMiCA SCA Workshop
NON-HUMAN PERSPECTIVES IN ART: MINE SITE REHABILITATION / PLANTCOMMUNICATION
Monday August 31, 12-3pm SCA Board Room, Sydney College of the Arts, Rozelle Lea Kannar-Lichtenberger (Sydney College of the Arts) Penny Dunstan (University of Newcastle) _Each presentation included a participatory studio component._ Info: Andrew Lavery or Madeleine Boyd*
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Lea Kannar-Lichtenberger in the Plant/Art Lab*
Penny Dunstan with Minesite rocks*
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Andrew Lavery and Saun O’Connell learning the wayfinding app*
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PENNY DUNSTAN
UNTANGLING FUTURES FOR TERRAFORMED LANDS; USING RESPECTFUL WAYFINDING AS A METHOD OF KNOWING. There is an overwhelming problem to be examined in the Upper Hunter Valley; a problem so big and so important that people look away. It is the terraforming operation that occurs after open cut coal mining, called land ‘rehabilitation’. This is a process that takes waste rock, spared topsoil and collected seeds and tries to reconstitute land. Scientists and engineers examine only individual parts never bumping up against the whole; although privately they will say how much their understanding of the whole problem physically hurts their connection to land. An artist has no allegiance to the reductionist framework, nor scientific prejudice against feelings of belonging and loss that prevents the interrogation of the whole hurt. Penny has developed a relationship of trust with Rix’s Creek mine management that allows her unfettered access to walk in and work with rehabilitated land. Using both her training in agronomy and art, she is developing a series of theories about developing relationships with newly created land and producing art works to explore the essence ofhumans as creator.
_STUDIO COMPONENT: _ Drawing with satellites. We explore recording journeys using a tracking app. Bring your smart phone.Readings:
Lesley Instone, Walking as Respectful Wayfinding in an Uncertain Age RhD conference abstractReport this ad
LEA KANNAR-LICHTENBERGER (SYDNEY COLLEGE OF THE ARTS) EXPLORING THE MICROSCOPIC WORLD OF PLANT COMMUNICATION Many artists are looking at the Anthropocene and its wide ranging impact. In this discussion we will explore Lea’s research into the Dandelion. Why in particular the Dandelion and Tree Dandelion. Why it has played a large role in her evolution research and how it fits within the Anthropocene. There are a number of very recent and not so recent studies which deal with the ideas of plant communication and memory which we will explore. The subject will be further expanded by touching on Socrates teleological view of the soul and how and when contemporary writings and shifted our connection with the wider vegetable community. Finally Lea will look at and discuss the cell and its implications and role in the Anthropocene._STUDIO COMPONENT_
We will also be using a handheld mini digital microscope to explore the surface of living plants and possible insects that are part of our biosphere. Exploring plant life through sectioning and staining different parts of various plants including the Dandelion looking at the difference in the cellular structure We will be using Lea’s compound microscope with a live feed camera to project images of what we see onto either a laptop or large screen._READINGS:_
Crutzen, PJ. Earth System Science in the Anthropocene Margolin, Victor. Beyond Green: Toward a Sustainable Art Marder, Michael. Plant-thinking: a philosophy of vegetal life2 Comments
ENERGIES IN THE ARTS CONFERENCE: 13-15 AUGUST, 2-15 @MCA Posted on July 30, 2015by andrewlavery2015
David Haines and Joyce Hinterding, Geology, 2015, installation view, Energies: Haines & Hinterding, Museum of Contemporary Art Australia, Sydney, 2015, real-time 3D environment, 2 x HD projections, game engine, motion sensor, spatial 3D audio. Commissioned by the Museum of Contemporary Art Australia, supported by Christchurch Art Gallery Te Puna O Waiwhetu, Christchurch, New Zealand, 2015, image courtesy the artist and Sarah Cottier Gallery, Sydney © the artist, photograph:Christopher Snee
TICKETS AVAILABLE HEREPROGRAM DOWNLOAD
Co-presented by the Museum of Contemporary Art Australia (MCA) and the National Institute for Experimental Arts (NIEA), UNSW Art & Design to coincide with the exhibition Energies: Haines & Hinterding 25 June-6 September, 2015 at the MCA. The Energies in the Arts conference examines the dynamic relationship between art and energy. Bringing together scholars and artists, it aims to uncover the seemingly elusive properties and potentials of all kinds of energy – both real and imagined – to investigate how they have been understood and used in the arts and related areas of music, literature and philosophy; how various energies configure and influence one another; and how artworks and theories might be better understood through them.Highlights:
Thurs 12:00 Keynote
Illuminating Energy and Art in the 20th Century: Linda DalrympleHenderson
(David Bruton, Jr. Centennial Professor in Art History The Universityof Texas at Austin)
Thurs 6.30pm Keynote Energy Mountains: David Haines & Joyce Hinterding (Artists & Lecturers, Sydney College of the Arts, University of Sydney) Fri 10:30 Carbon moon-moths: Joan Brassil’s Resonant Machines for Ecological Listening: Su Ballard (Senior Lecturer, Art History and Contemporary Arts, University of Wollongong) Sat 2:30 Media Ecologies of the Anthropocene: Erin Obodiac (Mellon Postdoctoral Fellow, Cornell University)Leave a comment
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