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37.0 x 54.4 cm.
MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGE Souvenirs : Le Canada et la Seconde Guerre mondiale . Créateur(s) : Réseau canadien d'information sur le patrimoine. Durant la Seconde Guerre mondiale, le Canada envoya l'une des plus grandes forces armées du Commonwealth au combat, malgré sa population et ses ressources limitées. VANCOUVER ART GALLERY Hilltop Over Glade in Forest, c.1931. charcoal on paper. 30.2 x 45.9 cm. Collection of the Vancouver Art Gallery, Emily Carr Trust. VAG 42.3.153. Photo: Trevor Mills, Vancouver Art Gallery. More information on this work. Untitled, 1931 - 1932. charcoal and oil on paper. VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Vancouver Art Gallery and the Emily Carr Trust VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. Educational Resources - Elementary Teachers Guide - Activity 1 - Lesson Plan: Bringing the Outside InCOMPANY HISTORIES
P. T. Legaré Limitée Catalogue, No. 44, 1920, cover. The company targeted rural areas. This is clearly reflected in its cataloguecovers.
FASHION TO FURNISHINGS In 1957, the Eaton Beauty dolls came in eight inches as well as in 18 and 23 inches , and were priced at $2.98, $5.98, and $7.98 respectively. The dolls were made by Dee & Cee but the eight-inch doll had no ribbon and was identified as an Eaton Beauty only on the box. VANCOUVER ART GALLERY Artistic Context. In her autobiographical sketches, journals and correspondence with friends, Emily Carr constructed a narrative about her life, one that centred on her exclusion from social networks both as an artist and as an individual. Carr also offered no insight into her artistic influences, with the possible exception of Lawren Harris VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Modernism and Late Totems (1927-1932) MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGECENTRE DES ENSEIGNANTSAVISNOUS JOINDRE Musée virtuel du Canada (MVC) Le Musée virtuel du Canada est devenu Musées numériques Canada. Apprenez-en plus sur ce programme d‘investissement sur son nouveau site Web. museesnumeriques.ca. VANCOUVER ART GALLERY The Art Gallery of Greater Victoria, In memory of Jennet and Louis Davies, Edith and Oswald Parker and James R. Davies, with thanks to Emily Carr, these works are donated by N.E. Davies, Brian, Bruce and Kevin Davies. 2005.026.002. More information on this work. An Aboriginal School House, Lytton, B.C., 1910. watercolour on panel.37.0 x 54.4 cm.
MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGE Souvenirs : Le Canada et la Seconde Guerre mondiale . Créateur(s) : Réseau canadien d'information sur le patrimoine. Durant la Seconde Guerre mondiale, le Canada envoya l'une des plus grandes forces armées du Commonwealth au combat, malgré sa population et ses ressources limitées. VANCOUVER ART GALLERY Hilltop Over Glade in Forest, c.1931. charcoal on paper. 30.2 x 45.9 cm. Collection of the Vancouver Art Gallery, Emily Carr Trust. VAG 42.3.153. Photo: Trevor Mills, Vancouver Art Gallery. More information on this work. Untitled, 1931 - 1932. charcoal and oil on paper. VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Vancouver Art Gallery and the Emily Carr Trust VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. Educational Resources - Elementary Teachers Guide - Activity 1 - Lesson Plan: Bringing the Outside InCOMPANY HISTORIES
P. T. Legaré Limitée Catalogue, No. 44, 1920, cover. The company targeted rural areas. This is clearly reflected in its cataloguecovers.
FASHION TO FURNISHINGS In 1957, the Eaton Beauty dolls came in eight inches as well as in 18 and 23 inches , and were priced at $2.98, $5.98, and $7.98 respectively. The dolls were made by Dee & Cee but the eight-inch doll had no ribbon and was identified as an Eaton Beauty only on the box. VANCOUVER ART GALLERY Artistic Context. In her autobiographical sketches, journals and correspondence with friends, Emily Carr constructed a narrative about her life, one that centred on her exclusion from social networks both as an artist and as an individual. Carr also offered no insight into her artistic influences, with the possible exception of Lawren Harris VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Modernism and Late Totems (1927-1932) VANCOUVER ART GALLERY Hilltop Over Glade in Forest, c.1931. charcoal on paper. 30.2 x 45.9 cm. Collection of the Vancouver Art Gallery, Emily Carr Trust. VAG 42.3.153. Photo: Trevor Mills, Vancouver Art Gallery. More information on this work. Untitled, 1931 - 1932. charcoal and oil on paper. EXPOSITION - ACADIA: LIFESTYLES IN THE DAYS OF OUR ANCESTORS Acadian history in the Maritime Provinces of Canada dates back to the 17th century. Acadian history is rich with culture, and here you can learn about their lifestyles, architecture, food, and their daily life with educational games and a tour of the Acadian communities. The Acadian Historical Village invites you to learn about their culture, history, and explore the many facets of their lives. VANCOUVER ART GALLERY Totem Pole in Village of Yan, 1912. watercolour and graphite on paper. 75.7 x 27.6 cm. Collection of the Vancouver Art Gallery, Emily Carr Trust. VAG 42.3.107. Photo: Trevor Mills, Vancouver Art Gallery. More information on this work. Haida Mortuary Pole, 1912. watercolour andgraphite on paper.
ABOUT THE ARCTIC HARE A food chain is a simple feeding sequence that follows the transfer of energy as one organism eats or consumes another. For example, an Arctic willow plant ( Salix arctica) is eaten by an Arctic hare ( Lepus arcticus ), which is in turn eaten by an Arctic wolf ( Canis lupus ). The arrows in a food chain illustration show the direction ofenergy
VANCOUVER ART GALLERY Welcome to the educational component of the Vancouver Art Gallery's web site dedicated to the life and work of Emily Carr. Here you will find three teacher's guides, intended to help you introduce students to the many aspects of Carr's work. These guides are designed for students at the following learning levels: Elementary (K–7)Secondary (8
VANCOUVER ART GALLERY 1990 The True North: Canadian Landscape Painting 1896-1939. 1990 Emily Carr. 1990 - 1991 The Logic of Ecstasy. 1991 Emily Carr in France. 1995 - 1996 Gasoline, Oil and Paper: The 1930s Oil-on-Paper Paintings of Emily Carr. 1998 - 1999 Emily Carr: Art & Process. VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. "In the Cariboo"; artist Emily Carr on horseback during her visit to the Cariboo, c.1909, British Columbia Archives VANCOUVER ART GALLERY Emily Carr was born on December 13, 1871, in Victoria, British Columbia, to Richard and Emily Saunders Carr, the fifth child in a family of five girls. A brother, Dick, was born in 1875. Her father was a British immigrant who, after years of aimless travel, had found success in Alviso, California, selling supplies to miners during theGold Rush
VANCOUVER ART GALLERY The Landscape (1933-1939) After heeding Lawren Harris's advice that she consider "leaving the totems alone for a year or more" to examine "the tremendous elusive what lies behind," Carr began to focus her attention on the forests, mountains and seascapes that surrounded her Victoria home. 1 She no longer had to travel great distances to find appropriate sketching material and in 1933 purchasedGOLD IN NOVA SCOTIA
Old-fashioned prospecting has existed alongside mechanized mining which uses heavy machinery, dynamite and chemicals to extract and process gold-bearing ore in Nova Scotia. By the 1950s few mines were still in production. A decade later, there were probably less thantwenty full
MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGECENTRE DES ENSEIGNANTSAVISNOUS JOINDRE Musée virtuel du Canada (MVC) Le Musée virtuel du Canada est devenu Musées numériques Canada. Apprenez-en plus sur ce programme d‘investissement sur son nouveau site Web. museesnumeriques.ca. VANCOUVER ART GALLERY The Art Gallery of Greater Victoria, In memory of Jennet and Louis Davies, Edith and Oswald Parker and James R. Davies, with thanks to Emily Carr, these works are donated by N.E. Davies, Brian, Bruce and Kevin Davies. 2005.026.002. More information on this work. An Aboriginal School House, Lytton, B.C., 1910. watercolour on panel.37.0 x 54.4 cm.
MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGE Expositions virtuelles. Centre des enseignants. Soumettre une proposition visant à appliquer pour l'investissement du MVC. Souvenirs : Le Canada et la Seconde Guerre mondiale. Créateur (s) : Réseau canadien d'information sur le patrimoine. Durant la Seconde Guerre mondiale, le Canada envoya l'une des plus grandes forcesarmées du
VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. Educational Resources - Elementary Teachers Guide - Activity 1 - Lesson Plan: Bringing the Outside InCOMPANY HISTORIES
P. T. Legaré Limitée Catalogue, No. 44, 1920, cover. The company targeted rural areas. This is clearly reflected in its cataloguecovers.
VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Vancouver Art Gallery and the Emily Carr Trust FASHION TO FURNISHINGS In 1957, the Eaton Beauty dolls came in eight inches as well as in 18 and 23 inches , and were priced at $2.98, $5.98, and $7.98 respectively. The dolls were made by Dee & Cee but the eight-inch doll had no ribbon and was identified as an Eaton Beauty only on the box. VANCOUVER ART GALLERY Artistic Context. In her autobiographical sketches, journals and correspondence with friends, Emily Carr constructed a narrative about her life, one that centred on her exclusion from social networks both as an artist and as an individual. Carr also offered no insight into her artistic influences, with the possible exception of Lawren Harris VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Modernism and Late Totems (1927-1932) VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Period Interpretation - Early Work MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGECENTRE DES ENSEIGNANTSAVISNOUS JOINDRE Musée virtuel du Canada (MVC) Le Musée virtuel du Canada est devenu Musées numériques Canada. Apprenez-en plus sur ce programme d‘investissement sur son nouveau site Web. museesnumeriques.ca. VANCOUVER ART GALLERY The Art Gallery of Greater Victoria, In memory of Jennet and Louis Davies, Edith and Oswald Parker and James R. Davies, with thanks to Emily Carr, these works are donated by N.E. Davies, Brian, Bruce and Kevin Davies. 2005.026.002. More information on this work. An Aboriginal School House, Lytton, B.C., 1910. watercolour on panel.37.0 x 54.4 cm.
MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGE Expositions virtuelles. Centre des enseignants. Soumettre une proposition visant à appliquer pour l'investissement du MVC. Souvenirs : Le Canada et la Seconde Guerre mondiale. Créateur (s) : Réseau canadien d'information sur le patrimoine. Durant la Seconde Guerre mondiale, le Canada envoya l'une des plus grandes forcesarmées du
VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. Educational Resources - Elementary Teachers Guide - Activity 1 - Lesson Plan: Bringing the Outside InCOMPANY HISTORIES
P. T. Legaré Limitée Catalogue, No. 44, 1920, cover. The company targeted rural areas. This is clearly reflected in its cataloguecovers.
VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Vancouver Art Gallery and the Emily Carr Trust FASHION TO FURNISHINGS In 1957, the Eaton Beauty dolls came in eight inches as well as in 18 and 23 inches , and were priced at $2.98, $5.98, and $7.98 respectively. The dolls were made by Dee & Cee but the eight-inch doll had no ribbon and was identified as an Eaton Beauty only on the box. VANCOUVER ART GALLERY Artistic Context. In her autobiographical sketches, journals and correspondence with friends, Emily Carr constructed a narrative about her life, one that centred on her exclusion from social networks both as an artist and as an individual. Carr also offered no insight into her artistic influences, with the possible exception of Lawren Harris VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Modernism and Late Totems (1927-1932) VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Period Interpretation - Early Work VANCOUVER ART GALLERY Hilltop Over Glade in Forest, c.1931. charcoal on paper. 30.2 x 45.9 cm. Collection of the Vancouver Art Gallery, Emily Carr Trust. VAG 42.3.153. Photo: Trevor Mills, Vancouver Art Gallery. More information on this work. Untitled, 1931 - 1932. charcoal and oil on paper. VANCOUVER ART GALLERY Totem Pole in Village of Yan, 1912. watercolour and graphite on paper. 75.7 x 27.6 cm. Collection of the Vancouver Art Gallery, Emily Carr Trust. VAG 42.3.107. Photo: Trevor Mills, Vancouver Art Gallery. More information on this work. Haida Mortuary Pole, 1912. watercolour andgraphite on paper.
ABOUT THE ARCTIC HARE A food chain is a simple feeding sequence that follows the transfer of energy as one organism eats or consumes another. For example, an Arctic willow plant ( Salix arctica) is eaten by an Arctic hare ( Lepus arcticus ), which is in turn eaten by an Arctic wolf ( Canis lupus ). The arrows in a food chain illustration show the direction ofenergy
VANCOUVER ART GALLERY Emily Carr was born on December 13, 1871, in Victoria, British Columbia, to Richard and Emily Saunders Carr, the fifth child in a family of five girls. A brother, Dick, was born in 1875. Her father was a British immigrant who, after years of aimless travel, had found success in Alviso, California, selling supplies to miners during theGold Rush
VANCOUVER ART GALLERY 1990 The True North: Canadian Landscape Painting 1896-1939. 1990 Emily Carr. 1990 - 1991 The Logic of Ecstasy. 1991 Emily Carr in France. 1995 - 1996 Gasoline, Oil and Paper: The 1930s Oil-on-Paper Paintings of Emily Carr. 1998 - 1999 Emily Carr: Art & Process. VANCOUVER ART GALLERY Welcome to the educational component of the Vancouver Art Gallery's web site dedicated to the life and work of Emily Carr. Here you will find three teacher's guides, intended to help you introduce students to the many aspects of Carr's work. These guides are designed for students at the following learning levels: Elementary (K–7)Secondary (8
VANCOUVER ART GALLERY Featured Works. To view the enhanced Flash version of Featured Works you will need Flashplayer 8.0 or higher and Javascript enabled on your computer. Currently you have: An alternative non-Flash, non-Javascript version is also available. Launch alternate version.GOLD IN NOVA SCOTIA
Old-fashioned prospecting has existed alongside mechanized mining which uses heavy machinery, dynamite and chemicals to extract and process gold-bearing ore in Nova Scotia. By the 1950s few mines were still in production. A decade later, there were probably less thantwenty full
VANCOUVER ART GALLERY The Landscape (1933-1939) After heeding Lawren Harris's advice that she consider "leaving the totems alone for a year or more" to examine "the tremendous elusive what lies behind," Carr began to focus her attention on the forests, mountains and seascapes that surrounded her Victoria home. 1 She no longer had to travel great distances to find appropriate sketching material and in 1933 purchased VANCOUVER ART GALLERY Emily Carr died in 1945 with the years of her greatest artistic production long behind her. At the time of her death she was well regarded within the Canadian art community, yet the acclaim she experienced in her lifetime nowhere near compares to the esteem in which she is held today. She is a bona fide tourist attraction forboth Vancouver and
MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGECENTRE DES ENSEIGNANTSAVISNOUS JOINDRE Musée virtuel du Canada (MVC) Le Musée virtuel du Canada est devenu Musées numériques Canada. Apprenez-en plus sur ce programme d‘investissement sur son nouveau site Web. museesnumeriques.ca. MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGE Le Musée virtuel du Canada est devenu Musées numériques Canada. Les expositions hébergées sur cette page ne seront plus accessible à partir du 30 juin 2021. Pour voir les expositions réalisées au cours des cinq dernières années, veuillez vous rendre sur le site de Musées numériques Canada. VANCOUVER ART GALLERY The Art Gallery of Greater Victoria, In memory of Jennet and Louis Davies, Edith and Oswald Parker and James R. Davies, with thanks to Emily Carr, these works are donated by N.E. Davies, Brian, Bruce and Kevin Davies. 2005.026.002. More information on this work. An Aboriginal School House, Lytton, B.C., 1910. watercolour on panel.37.0 x 54.4 cm.
MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGE Expositions virtuelles. Centre des enseignants. Soumettre une proposition visant à appliquer pour l'investissement du MVC. Souvenirs : Le Canada et la Seconde Guerre mondiale. Créateur (s) : Réseau canadien d'information sur le patrimoine. Durant la Seconde Guerre mondiale, le Canada envoya l'une des plus grandes forcesarmées du
VANCOUVER ART GALLERY Emily Carr was born on December 13, 1871, in Victoria, British Columbia, to Richard and Emily Saunders Carr, the fifth child in a family of five girls. A brother, Dick, was born in 1875. Her father was a British immigrant who, after years of aimless travel, had found success in Alviso, California, selling supplies to miners during theGold Rush
VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. "In the Cariboo"; artist Emily Carr on horseback during her visit to the Cariboo, c.1909, British Columbia Archives VANCOUVER ART GALLERY Artistic Context. In her autobiographical sketches, journals and correspondence with friends, Emily Carr constructed a narrative about her life, one that centred on her exclusion from social networks both as an artist and as an individual. Carr also offered no insight into her artistic influences, with the possible exception of Lawren Harris VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Modernism and Late Totems (1927-1932)COMPANY HISTORIES
P. T. Legaré Limitée Catalogue, No. 44, 1920, cover. The company targeted rural areas. This is clearly reflected in its cataloguecovers.
FASHION TO FURNISHINGS In 1957, the Eaton Beauty dolls came in eight inches as well as in 18 and 23 inches , and were priced at $2.98, $5.98, and $7.98 respectively. The dolls were made by Dee & Cee but the eight-inch doll had no ribbon and was identified as an Eaton Beauty only on the box. MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGECENTRE DES ENSEIGNANTSAVISNOUS JOINDRE Musée virtuel du Canada (MVC) Le Musée virtuel du Canada est devenu Musées numériques Canada. Apprenez-en plus sur ce programme d‘investissement sur son nouveau site Web. museesnumeriques.ca. MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGE Le Musée virtuel du Canada est devenu Musées numériques Canada. Les expositions hébergées sur cette page ne seront plus accessible à partir du 30 juin 2021. Pour voir les expositions réalisées au cours des cinq dernières années, veuillez vous rendre sur le site de Musées numériques Canada. VANCOUVER ART GALLERY The Art Gallery of Greater Victoria, In memory of Jennet and Louis Davies, Edith and Oswald Parker and James R. Davies, with thanks to Emily Carr, these works are donated by N.E. Davies, Brian, Bruce and Kevin Davies. 2005.026.002. More information on this work. An Aboriginal School House, Lytton, B.C., 1910. watercolour on panel.37.0 x 54.4 cm.
MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGE Expositions virtuelles. Centre des enseignants. Soumettre une proposition visant à appliquer pour l'investissement du MVC. Souvenirs : Le Canada et la Seconde Guerre mondiale. Créateur (s) : Réseau canadien d'information sur le patrimoine. Durant la Seconde Guerre mondiale, le Canada envoya l'une des plus grandes forcesarmées du
VANCOUVER ART GALLERY Emily Carr was born on December 13, 1871, in Victoria, British Columbia, to Richard and Emily Saunders Carr, the fifth child in a family of five girls. A brother, Dick, was born in 1875. Her father was a British immigrant who, after years of aimless travel, had found success in Alviso, California, selling supplies to miners during theGold Rush
VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. "In the Cariboo"; artist Emily Carr on horseback during her visit to the Cariboo, c.1909, British Columbia Archives VANCOUVER ART GALLERY Artistic Context. In her autobiographical sketches, journals and correspondence with friends, Emily Carr constructed a narrative about her life, one that centred on her exclusion from social networks both as an artist and as an individual. Carr also offered no insight into her artistic influences, with the possible exception of Lawren Harris VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. About Emily Carr - Modernism and Late Totems (1927-1932)COMPANY HISTORIES
P. T. Legaré Limitée Catalogue, No. 44, 1920, cover. The company targeted rural areas. This is clearly reflected in its cataloguecovers.
FASHION TO FURNISHINGS In 1957, the Eaton Beauty dolls came in eight inches as well as in 18 and 23 inches , and were priced at $2.98, $5.98, and $7.98 respectively. The dolls were made by Dee & Cee but the eight-inch doll had no ribbon and was identified as an Eaton Beauty only on the box. MUSÉE VIRTUEL DU CANADA (MVC)TRANSLATE THIS PAGE Le Musée virtuel du Canada est devenu Musées numériques Canada. Les expositions hébergées sur cette page ne seront plus accessible à partir du 30 juin 2021. Pour voir les expositions réalisées au cours des cinq dernières années, veuillez vous rendre sur le site de Musées numériques Canada. VANCOUVER ART GALLERY 1990 The True North: Canadian Landscape Painting 1896-1939. 1990 Emily Carr. 1990 - 1991 The Logic of Ecstasy. 1991 Emily Carr in France. 1995 - 1996 Gasoline, Oil and Paper: The 1930s Oil-on-Paper Paintings of Emily Carr. 1998 - 1999 Emily Carr: Art & Process. VANCOUVER ART GALLERY Early Work (1893-1910) Emily Carr began her art education at a young age. She took weekly lessons from Emily Woods at her elementary school, and when her public school no longer offered art classes, her father Richard Carr secured private instruction for Emily and hersisters.
VANCOUVER ART GALLERY Welcome to the educational component of the Vancouver Art Gallery's web site dedicated to the life and work of Emily Carr. Here you will find three teacher's guides, intended to help you introduce students to the many aspects of Carr's work. These guides are designed for students at the following learning levels: Elementary (K–7)Secondary (8
VANCOUVER ART GALLERY Featured Works. To view the enhanced Flash version of Featured Works you will need Flashplayer 8.0 or higher and Javascript enabled on your computer. Currently you have: An alternative non-Flash, non-Javascript version is also available. Launch alternate version. VANCOUVER ART GALLERY Emily Carr died in 1945 with the years of her greatest artistic production long behind her. At the time of her death she was well regarded within the Canadian art community, yet the acclaim she experienced in her lifetime nowhere near compares to the esteem in which she is held today. She is a bona fide tourist attraction forboth Vancouver and
ABOUT THE ARCTIC HARE A food chain is a simple feeding sequence that follows the transfer of energy as one organism eats or consumes another. For example, an Arctic willow plant ( Salix arctica) is eaten by an Arctic hare ( Lepus arcticus ), which is in turn eaten by an Arctic wolf ( Canis lupus ). The arrows in a food chain illustration show the direction ofenergy
VANCOUVER ART GALLERY The largest, most comprehensive website on the artist Emily Carr. Searchable database of artworks, biographical and contextual texts, and educational resources for teachers and students. FASHION TO FURNISHINGS In 1957, the Eaton Beauty dolls came in eight inches as well as in 18 and 23 inches , and were priced at $2.98, $5.98, and $7.98 respectively. The dolls were made by Dee & Cee but the eight-inch doll had no ribbon and was identified as an Eaton Beauty only on the box. THE MOST GENTLEMAN-LIKE GOVERNMENT ON EARTH The first documentary evidence of Black people living in these new settlements formed after 1763 dates from 1767. In that year James Simonds, who settled at the mouth of the St. John River, mentions a Black servant named West. In a census of the settlements at the mouth of the St. John River, taken in 1775, there is no mention of Blackpeople.
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