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MARIA SCHNEIDERCD STORE/LISTENSCORES STOREEDUCATIONPRESSEVENTSBIO NEA Jazz Masters Ceremony. See each 2019 NEA Jazz Master tribute and speech via the following links: Abdullah Ibrahim, Bob Dorough, Maria Schneider, Stanley Crouch. The performers in my orchestra are inseparable from my compositions, and I thank them and share this
honor with them.
MARIA SCHNEIDER
Join our mailing list! Powered by ArtistShare® © 2021 MariaSchneider
MARIA SCHNEIDER
Lembrança. Small Group Music. Samba Solstice ( for Sextet) Vocal Music. Full Winter Morning Walks 9 song cycle (for vocal ensemble with rhythm section) How Important It Must Be (from “Winter Morning Walks”) for vocal ensemble with rhythm section. I Saw a Dust Devil This Morning (from “Winter Morning Walks”) for vocal ensemble withMARIA SCHNEIDER
Christopher Moore, principal and low register pianist (prepared piano) on "When I Switched on a Light". Nikki Divall. Alissa Smith. Cellos. Timo-Veikko Valve, principal. Julian Thompson. Eve Silver. Orchestral Bass. Ali Yazdanfar, guest principal.MARIA SCHNEIDER
Recorded by the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with bassist, Jay Anderson, pianist, Frank Kimbrough, and alto/bass clarinet player, Scott Robinson, Winter Morning Walks (the album) received 3 Grammy Awards: best vocal performance, best classical composition, and best engineered album (classical).MARIA SCHNEIDER
Description. Recorded on Concert in the Garden, "Choro Dançado" was written after my first trip to Brazil, where I fell in love with choro music.This piece doesn't follow the harmonic patterns of choro, but its counterpoint and rhythms are inspired by it. I've found quite a lot of early sketches to this piece that I've added to this project as downloadable PDFs. There's a written analysisMARIA SCHNEIDER
Description. Recorded on our second album, Coming About, "Scenes from Childhood" ('Bombshelter Beast,' 'Night Watchmen,' and 'Coming About.') is a suite in three movements with a running time of about 35 minutes.It was commissioned by the Monterey Jazz Festival. The whole suite maybe be played with acoustic bass, but on our recording, we used electric bass for the first two movements, which IMARIA SCHNEIDER
Streamed video of band playing "Hang Gliding" at Monterey (2008) Downloadable PDF sketches from when I was first working on this piece. Streamed video slide show of me hang gliding over Rio, set to the music. Streamed audio interviews with musicians who played on this recording: Frank Kimbrough, piano, Greg Gisbert, flügel, RickMargitza
MARIA SCHNEIDER
Description. The opening track on our recording The Thompson Fields, "Walking By Flashlight" was originally recorded on Winter Morning Walks, featuring the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with Scott Robinson, Jay Anderson and Frank Kimbrough from my band.Creating this "instrumental" version featuring Scott Robinson on alto clarinet was an idea thatMARIA SCHNEIDER
Instrumentation. The flute in tenor 2 is very minimal and completely optional. But, the doubles in the first two reeds are important. If finding an accordion player is completely impossible for you, vibes is possibility, and while a completely different sound, it could MARIA SCHNEIDERCD STORE/LISTENSCORES STOREEDUCATIONPRESSEVENTSBIO NEA Jazz Masters Ceremony. See each 2019 NEA Jazz Master tribute and speech via the following links: Abdullah Ibrahim, Bob Dorough, Maria Schneider, Stanley Crouch. The performers in my orchestra are inseparable from my compositions, and I thank them and share thishonor with them.
MARIA SCHNEIDER
Join our mailing list! Powered by ArtistShare® © 2021 MariaSchneider
MARIA SCHNEIDER
Lembrança. Small Group Music. Samba Solstice ( for Sextet) Vocal Music. Full Winter Morning Walks 9 song cycle (for vocal ensemble with rhythm section) How Important It Must Be (from “Winter Morning Walks”) for vocal ensemble with rhythm section. I Saw a Dust Devil This Morning (from “Winter Morning Walks”) for vocal ensemble withMARIA SCHNEIDER
Christopher Moore, principal and low register pianist (prepared piano) on "When I Switched on a Light". Nikki Divall. Alissa Smith. Cellos. Timo-Veikko Valve, principal. Julian Thompson. Eve Silver. Orchestral Bass. Ali Yazdanfar, guest principal.MARIA SCHNEIDER
Recorded by the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with bassist, Jay Anderson, pianist, Frank Kimbrough, and alto/bass clarinet player, Scott Robinson, Winter Morning Walks (the album) received 3 Grammy Awards: best vocal performance, best classical composition, and best engineered album (classical).MARIA SCHNEIDER
Description. Recorded on Concert in the Garden, "Choro Dançado" was written after my first trip to Brazil, where I fell in love with choro music.This piece doesn't follow the harmonic patterns of choro, but its counterpoint and rhythms are inspired by it. I've found quite a lot of early sketches to this piece that I've added to this project as downloadable PDFs. There's a written analysisMARIA SCHNEIDER
Description. Recorded on our second album, Coming About, "Scenes from Childhood" ('Bombshelter Beast,' 'Night Watchmen,' and 'Coming About.') is a suite in three movements with a running time of about 35 minutes.It was commissioned by the Monterey Jazz Festival. The whole suite maybe be played with acoustic bass, but on our recording, we used electric bass for the first two movements, which IMARIA SCHNEIDER
Streamed video of band playing "Hang Gliding" at Monterey (2008) Downloadable PDF sketches from when I was first working on this piece. Streamed video slide show of me hang gliding over Rio, set to the music. Streamed audio interviews with musicians who played on this recording: Frank Kimbrough, piano, Greg Gisbert, flügel, RickMargitza
MARIA SCHNEIDER
Description. The opening track on our recording The Thompson Fields, "Walking By Flashlight" was originally recorded on Winter Morning Walks, featuring the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with Scott Robinson, Jay Anderson and Frank Kimbrough from my band.Creating this "instrumental" version featuring Scott Robinson on alto clarinet was an idea thatMARIA SCHNEIDER
Instrumentation. The flute in tenor 2 is very minimal and completely optional. But, the doubles in the first two reeds are important. If finding an accordion player is completely impossible for you, vibes is possibility, and while a completely different sound, it could ABOUT - MARIA SCHNEIDER Biography. Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, imaginative, revelatory, riveting, daring, and beyond categorization.”. Blurring the lines between genres, her varied commissioners stretch from Jazz at Lincoln Center, to The Saint Paul Chamber Orchestra, to theMARIA SCHNEIDER
February 21, 2020. Shut your eyes for a moment and imagine the following world: We have allowed powerful companies to enter our homes and lives to extract personal assets worth billions of dollars without paying us one cent for taking them. These assets are so valuable that the powerful corporations can use them in commerce in a way thatdrives
MARIA SCHNEIDER
Streamed video of band playing "Hang Gliding" at Monterey (2008) Downloadable PDF sketches from when I was first working on this piece. Streamed video slide show of me hang gliding over Rio, set to the music. Streamed audio interviews with musicians who played on this recording: Frank Kimbrough, piano, Greg Gisbert, flügel, RickMargitza
MARIA SCHNEIDER
Instrumentation. The flute in tenor 2 is very minimal and completely optional. But, the doubles in the first two reeds are important. If finding an accordion player is completely impossible for you, vibes is possibility, and while a completely different sound, it couldMARIA SCHNEIDER
Description. This is a vocal choir (SSAATTBB + guitar, piano, bass, drums) arrangement of Maria’s GRAMMY-winning (best classical composition) “Winter Morning Walks,” a work that sets nine of Ted Kooser’s poems from his book, Morning Walks: 100 Postcards to Jim Harrison. This nine-piece song cycle, wonderfully arranged by RéjeanMarois
MARIA SCHNEIDER
Description. Recorded on Sky Blue, "The Pretty Road" was co-commissioned by The Flynn Theatre (Burlington, VT), Dartmouth College (Hanover, NH), Pennsylvania State University (University Park, PA), The Music Hall (Portsmouth, NH) and the University of Massachusetts (Amherst, MA) for its premiere in January 2006.This piece is a flügel feature that includes trumpet and electronics delayin the
MARIA SCHNEIDER
Description. Recorded as the title track on Data Lords, this piece was commissioned by the Library of Congress Da Capo Fund with support from the Rena and David Logan Foundation in memory of David Logan. It premiered on April 15th, 2016 at the Library of Congress in Washington D.C. This is a very dystopian piece, where artificial intelligenceMARIA SCHNEIDER
Recorded on the 2nd of the two Data Lords CDs, "Bluebird" was co-commissioned by The Hopkins Center, Dartmouth College, The Flynn Center for the Performing Arts, and The Center for Performing Arts at Penn State University for its premiere in April 2016. There is a lot of intricacy in this piece and lots of detail for the horns to workon.
MARIA SCHNEIDER
A commission by David and Ginger Komar through ArtistShare, it was premiered at the Newport Jazz Festival on August 6th, 2017. The interpretation of the horns is very important to getting a menacing and dark sound (for instance, playing with a wide, exaggerated vibrato). It’s important to have a mature trombone section that canplay with a
MARIA SCHNEIDER
Solo feature for alto clarinet in the reed 5 part. But they can play bass clarinet, bari or instrument of choice. But this can also be an alto sax or soprano sax feature, and you then shift the clarinet backgrounds to reed 5. All solo parts are included, Eb and Bb. We have also done this as a fluegel 4 feature, moving his part to clarinet in MARIA SCHNEIDERCD STORE/LISTENSCORES STOREEDUCATIONPRESSEVENTSBIO NEA Jazz Masters Ceremony. See each 2019 NEA Jazz Master tribute and speech via the following links: Abdullah Ibrahim, Bob Dorough, Maria Schneider, Stanley Crouch. The performers in my orchestra are inseparable from my compositions, and I thank them and share thishonor with them.
MARIA SCHNEIDER
Description. Recorded on Concert in the Garden, "Choro Dançado" was written after my first trip to Brazil, where I fell in love with choro music.This piece doesn't follow the harmonic patterns of choro, but its counterpoint and rhythms are inspired by it. I've found quite a lot of early sketches to this piece that I've added to this project as downloadable PDFs. There's a written analysisMARIA SCHNEIDER
Streamed video of band playing "Hang Gliding" at Monterey (2008) Downloadable PDF sketches from when I was first working on this piece. Streamed video slide show of me hang gliding over Rio, set to the music. Streamed audio interviews with musicians who played on this recording: Frank Kimbrough, piano, Greg Gisbert, flügel, RickMargitza
MARIA SCHNEIDER
Recorded by the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with bassist, Jay Anderson, pianist, Frank Kimbrough, and alto/bass clarinet player, Scott Robinson, Winter Morning Walks (the album) received 3 Grammy Awards: best vocal performance, best classical composition, and best engineered album (classical).MARIA SCHNEIDER
Description. Recorded on our second album, Coming About, "Scenes from Childhood" ('Bombshelter Beast,' 'Night Watchmen,' and 'Coming About.') is a suite in three movements with a running time of about 35 minutes.It was commissioned by the Monterey Jazz Festival. The whole suite maybe be played with acoustic bass, but on our recording, we used electric bass for the first two movements, which IMARIA SCHNEIDER
Description. The opening track on our recording The Thompson Fields, "Walking By Flashlight" was originally recorded on Winter Morning Walks, featuring the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with Scott Robinson, Jay Anderson and Frank Kimbrough from my band.Creating this "instrumental" version featuring Scott Robinson on alto clarinet was an idea thatMARIA SCHNEIDER
Recorded on the 2nd of the two Data Lords CDs, "Bluebird" was co-commissioned by The Hopkins Center, Dartmouth College, The Flynn Center for the Performing Arts, and The Center for Performing Arts at Penn State University for its premiere in April 2016. There is a lot of intricacy in this piece and lots of detail for the horns to workon.
MARIA SCHNEIDER
Instrumentation. The flute in tenor 2 is very minimal and completely optional. But, the doubles in the first two reeds are important. If finding an accordion player is completely impossible for you, vibes is possibility, and while a completely different sound, it couldMARIA SCHNEIDER
Description. This is a vocal choir (SSAATTBB + guitar, piano, bass, drums) arrangement by Réjean Marois of "Walking by Flashlight," the 3rd song from Maria’s GRAMMY-winning (best classical composition) "Winter Morning Walks." Set to a lovely poem of Ted Kooser’s poems from his book, Morning Walks: 100 Postcards to Jim Harrison, this songMARIA SCHNEIDER
Solos. There is short solo space for the piano, but primarily, this is a trombone 3 feature for a facile player with a naturally high range. MARIA SCHNEIDERCD STORE/LISTENSCORES STOREEDUCATIONPRESSEVENTSBIO NEA Jazz Masters Ceremony. See each 2019 NEA Jazz Master tribute and speech via the following links: Abdullah Ibrahim, Bob Dorough, Maria Schneider, Stanley Crouch.The performers in my orchestra are inseparable from my compositions, and I thank them and share thishonor with them.
MARIA SCHNEIDER
Description. Recorded on Concert in the Garden, "Choro Dançado" was written after my first trip to Brazil, where I fell in love with choro music.This piece doesn't follow the harmonic patterns of choro, but its counterpoint and rhythms are inspired by it. I've found quite a lot of early sketches to this piece that I've added to this project as downloadable PDFs. There's a written analysisMARIA SCHNEIDER
Christopher Moore, principal and low register pianist (prepared piano) on "When I Switched on a Light". Nikki Divall. Alissa Smith. Cellos. Timo-Veikko Valve, principal. Julian Thompson. Eve Silver. Orchestral Bass. Ali Yazdanfar, guest principal.MARIA SCHNEIDER
Streamed video of band playing "Hang Gliding" at Monterey (2008) Downloadable PDF sketches from when I was first working on this piece. Streamed video slide show of me hang gliding over Rio, set to the music. Streamed audio interviews with musicians who played on this recording: Frank Kimbrough, piano, Greg Gisbert, flügel, RickMargitza
MARIA SCHNEIDER
Recorded by the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with bassist, Jay Anderson, pianist, Frank Kimbrough, and alto/bass clarinet player, Scott Robinson, Winter Morning Walks (the album) received 3 Grammy Awards: best vocal performance, best classical composition, and best engineered album (classical).MARIA SCHNEIDER
Description. The opening track on our recording The Thompson Fields, "Walking By Flashlight" was originally recorded on Winter Morning Walks, featuring the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with Scott Robinson, Jay Anderson and Frank Kimbrough from my band.Creating this "instrumental" version featuring Scott Robinson on alto clarinet was an idea thatMARIA SCHNEIDER
Recorded on the 2nd of the two Data Lords CDs, "Bluebird" was co-commissioned by The Hopkins Center, Dartmouth College, The Flynn Center for the Performing Arts, and The Center for Performing Arts at Penn State University for its premiere in April 2016. There is a lot of intricacy in this piece and lots of detail for the horns to workon.
MARIA SCHNEIDER
Instrumentation. The flute in tenor 2 is very minimal and completely optional. But, the doubles in the first two reeds are important. If finding an accordion player is completely impossible for you, vibes is possibility, and while a completely different sound, it couldMARIA SCHNEIDER
Description. This is a vocal choir (SSAATTBB + guitar, piano, bass, drums) arrangement by Réjean Marois of "Walking by Flashlight," the 3rd song from Maria’s GRAMMY-winning (best classical composition) "Winter Morning Walks." Set to a lovely poem of Ted Kooser’s poems from his book, Morning Walks: 100 Postcards to Jim Harrison, this songMARIA SCHNEIDER
Solos. There is short solo space for the piano, but primarily, this is a trombone 3 feature for a facile player with a naturally high range.MARIA SCHNEIDER
NEA Jazz Masters Ceremony. See each 2019 NEA Jazz Master tribute and speech via the following links: Abdullah Ibrahim, Bob Dorough, Maria Schneider, Stanley Crouch.The performers in my orchestra are inseparable from my compositions, and I thank them and share thishonor with them.
ABOUT - MARIA SCHNEIDER Biography. Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, imaginative, revelatory, riveting, daring, and beyond categorization.”. Blurring the lines between genres, her varied commissioners stretch from Jazz at Lincoln Center, to The Saint Paul Chamber Orchestra, to theMARIA SCHNEIDER
Join our mailing list! Powered by ArtistShare® © 2021 MariaSchneider
MARIA SCHNEIDER
Bil Hayes - flexatone on 'Gush'. All music by Maria Schneider. Digitally recorded September 1992 and mixed by Paul Wickliffe at Skyline Studios, NYC. Cover photo by Jimmy Katz. Produced by Maria Schneider and John Fedchock. Assistant production by Whit Sidener.MARIA SCHNEIDER
Lembrança. Small Group Music. Samba Solstice ( for Sextet) Vocal Music. Full Winter Morning Walks 9 song cycle (for vocal ensemble with rhythm section) How Important It Must Be (from “Winter Morning Walks”) for vocal ensemble with rhythm section. I Saw a Dust Devil This Morning (from “Winter Morning Walks”) for vocal ensemble withMARIA SCHNEIDER
Tony Scherr - acoustic and electric bass. Tim Horner - drums. Jeff Ballard - percussion. All compositions by Maria Schneider. Produced by Bob Thompson and Maria Schneider. Recorded by James Farber at Clinton Recording Studios on January 26 and 27, 2000. Mixed by James Farber atMARIA SCHNEIDER
Description. Recorded on our second album, Coming About, "Scenes from Childhood" ('Bombshelter Beast,' 'Night Watchmen,' and 'Coming About.') is a suite in three movements with a running time of about 35 minutes.It was commissioned by the Monterey Jazz Festival. The whole suite maybe be played with acoustic bass, but on our recording, we used electric bass for the first two movements, which IMARIA SCHNEIDER
Description. This is a vocal choir (SSAATTBB + guitar, piano, bass, drums) arrangement of Maria’s GRAMMY-winning (best classical composition) “Winter Morning Walks,” a work that sets nine of Ted Kooser’s poems from his book, Morning Walks: 100 Postcards to Jim Harrison. This nine-piece song cycle, wonderfully arranged by RéjeanMarois
MARIA SCHNEIDER
A commission by David and Ginger Komar through ArtistShare, it was premiered at the Newport Jazz Festival on August 6th, 2017. The interpretation of the horns is very important to getting a menacing and dark sound (for instance, playing with a wide, exaggerated vibrato). It’s important to have a mature trombone section that canplay with a
MARIA SCHNEIDER
Solo feature for alto clarinet in the reed 5 part. But they can play bass clarinet, bari or instrument of choice. But this can also be an alto sax or soprano sax feature, and you then shift the clarinet backgrounds to reed 5. All solo parts are included, Eb and Bb. We have also done this as a fluegel 4 feature, moving his part to clarinet in MARIA SCHNEIDERCD STORE/LISTENSCORES STOREEDUCATIONPRESSEVENTSBIO NEA Jazz Masters Ceremony. See each 2019 NEA Jazz Master tribute and speech via the following links: Abdullah Ibrahim, Bob Dorough, Maria Schneider, Stanley Crouch. The performers in my orchestra are inseparable from my compositions, and I thank them and share thishonor with them.
MARIA SCHNEIDER
Description. Recorded on Concert in the Garden, "Choro Dançado" was written after my first trip to Brazil, where I fell in love with choro music.This piece doesn't follow the harmonic patterns of choro, but its counterpoint and rhythms are inspired by it. I've found quite a lot of early sketches to this piece that I've added to this project as downloadable PDFs. There's a written analysisMARIA SCHNEIDER
Streamed video of band playing "Hang Gliding" at Monterey (2008) Downloadable PDF sketches from when I was first working on this piece. Streamed video slide show of me hang gliding over Rio, set to the music. Streamed audio interviews with musicians who played on this recording: Frank Kimbrough, piano, Greg Gisbert, flügel, RickMargitza
MARIA SCHNEIDER
Recorded by the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with bassist, Jay Anderson, pianist, Frank Kimbrough, and alto/bass clarinet player, Scott Robinson, Winter Morning Walks (the album) received 3 Grammy Awards: best vocal performance, best classical composition, and best engineered album (classical).MARIA SCHNEIDER
Description. Recorded on our second album, Coming About, "Scenes from Childhood" ('Bombshelter Beast,' 'Night Watchmen,' and 'Coming About.') is a suite in three movements with a running time of about 35 minutes.It was commissioned by the Monterey Jazz Festival. The whole suite maybe be played with acoustic bass, but on our recording, we used electric bass for the first two movements, which IMARIA SCHNEIDER
Description. The opening track on our recording The Thompson Fields, "Walking By Flashlight" was originally recorded on Winter Morning Walks, featuring the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with Scott Robinson, Jay Anderson and Frank Kimbrough from my band.Creating this "instrumental" version featuring Scott Robinson on alto clarinet was an idea thatMARIA SCHNEIDER
Recorded on the 2nd of the two Data Lords CDs, "Bluebird" was co-commissioned by The Hopkins Center, Dartmouth College, The Flynn Center for the Performing Arts, and The Center for Performing Arts at Penn State University for its premiere in April 2016. There is a lot of intricacy in this piece and lots of detail for the horns to workon.
MARIA SCHNEIDER
Instrumentation. The flute in tenor 2 is very minimal and completely optional. But, the doubles in the first two reeds are important. If finding an accordion player is completely impossible for you, vibes is possibility, and while a completely different sound, it couldMARIA SCHNEIDER
Description. This is a vocal choir (SSAATTBB + guitar, piano, bass, drums) arrangement by Réjean Marois of "Walking by Flashlight," the 3rd song from Maria’s GRAMMY-winning (best classical composition) "Winter Morning Walks." Set to a lovely poem of Ted Kooser’s poems from his book, Morning Walks: 100 Postcards to Jim Harrison, this songMARIA SCHNEIDER
Solos. There is short solo space for the piano, but primarily, this is a trombone 3 feature for a facile player with a naturally high range. MARIA SCHNEIDERCD STORE/LISTENSCORES STOREEDUCATIONPRESSEVENTSBIO NEA Jazz Masters Ceremony. See each 2019 NEA Jazz Master tribute and speech via the following links: Abdullah Ibrahim, Bob Dorough, Maria Schneider, Stanley Crouch. The performers in my orchestra are inseparable from my compositions, and I thank them and share thishonor with them.
MARIA SCHNEIDER
Description. Recorded on Concert in the Garden, "Choro Dançado" was written after my first trip to Brazil, where I fell in love with choro music.This piece doesn't follow the harmonic patterns of choro, but its counterpoint and rhythms are inspired by it. I've found quite a lot of early sketches to this piece that I've added to this project as downloadable PDFs. There's a written analysisMARIA SCHNEIDER
Streamed video of band playing "Hang Gliding" at Monterey (2008) Downloadable PDF sketches from when I was first working on this piece. Streamed video slide show of me hang gliding over Rio, set to the music. Streamed audio interviews with musicians who played on this recording: Frank Kimbrough, piano, Greg Gisbert, flügel, RickMargitza
MARIA SCHNEIDER
Recorded by the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with bassist, Jay Anderson, pianist, Frank Kimbrough, and alto/bass clarinet player, Scott Robinson, Winter Morning Walks (the album) received 3 Grammy Awards: best vocal performance, best classical composition, and best engineered album (classical).MARIA SCHNEIDER
Description. Recorded on our second album, Coming About, "Scenes from Childhood" ('Bombshelter Beast,' 'Night Watchmen,' and 'Coming About.') is a suite in three movements with a running time of about 35 minutes.It was commissioned by the Monterey Jazz Festival. The whole suite maybe be played with acoustic bass, but on our recording, we used electric bass for the first two movements, which IMARIA SCHNEIDER
Description. The opening track on our recording The Thompson Fields, "Walking By Flashlight" was originally recorded on Winter Morning Walks, featuring the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with Scott Robinson, Jay Anderson and Frank Kimbrough from my band.Creating this "instrumental" version featuring Scott Robinson on alto clarinet was an idea thatMARIA SCHNEIDER
Recorded on the 2nd of the two Data Lords CDs, "Bluebird" was co-commissioned by The Hopkins Center, Dartmouth College, The Flynn Center for the Performing Arts, and The Center for Performing Arts at Penn State University for its premiere in April 2016. There is a lot of intricacy in this piece and lots of detail for the horns to workon.
MARIA SCHNEIDER
Instrumentation. The flute in tenor 2 is very minimal and completely optional. But, the doubles in the first two reeds are important. If finding an accordion player is completely impossible for you, vibes is possibility, and while a completely different sound, it couldMARIA SCHNEIDER
Description. This is a vocal choir (SSAATTBB + guitar, piano, bass, drums) arrangement by Réjean Marois of "Walking by Flashlight," the 3rd song from Maria’s GRAMMY-winning (best classical composition) "Winter Morning Walks." Set to a lovely poem of Ted Kooser’s poems from his book, Morning Walks: 100 Postcards to Jim Harrison, this songMARIA SCHNEIDER
Solos. There is short solo space for the piano, but primarily, this is a trombone 3 feature for a facile player with a naturally high range. ABOUT - MARIA SCHNEIDER Biography. Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, imaginative, revelatory, riveting, daring, and beyond categorization.”. Blurring the lines between genres, her varied commissioners stretch from Jazz at Lincoln Center, to The Saint Paul Chamber Orchestra, to theMARIA SCHNEIDER
Join our mailing list! Powered by ArtistShare® © 2021 MariaSchneider
MARIA SCHNEIDER
The Live Project - Days of wine and roses. I am happy to be able to offer my band's only "live" recording to you through ArtistShare and this Live Project. We recorded Days of Wine and Roses during a week-long engagement at the GO TO PROJECT.MARIA SCHNEIDER
Lembrança. Small Group Music. Samba Solstice ( for Sextet) Vocal Music. Full Winter Morning Walks 9 song cycle (for vocal ensemble with rhythm section) How Important It Must Be (from “Winter Morning Walks”) for vocal ensemble with rhythm section. I Saw a Dust Devil This Morning (from “Winter Morning Walks”) for vocal ensemble withMARIA SCHNEIDER
Description. Recorded on our second album, Coming About, "Scenes from Childhood" ('Bombshelter Beast,' 'Night Watchmen,' and 'Coming About.') is a suite in three movements with a running time of about 35 minutes.It was commissioned by the Monterey Jazz Festival. The whole suite maybe be played with acoustic bass, but on our recording, we used electric bass for the first two movements, which IMARIA SCHNEIDER
Description. The opening track on our recording The Thompson Fields, "Walking By Flashlight" was originally recorded on Winter Morning Walks, featuring the great soprano, Dawn Upshaw, and the Australian Chamber Orchestra, along with Scott Robinson, Jay Anderson and Frank Kimbrough from my band.Creating this "instrumental" version featuring Scott Robinson on alto clarinet was an idea thatMARIA SCHNEIDER
Description. This is a vocal choir (SSAATTBB + guitar, piano, bass, drums) arrangement of Maria’s GRAMMY-winning (best classical composition) “Winter Morning Walks,” a work that sets nine of Ted Kooser’s poems from his book, Morning Walks: 100 Postcards to Jim Harrison. This nine-piece song cycle, wonderfully arranged by RéjeanMarois
MARIA SCHNEIDER
A commission by David and Ginger Komar through ArtistShare, it was premiered at the Newport Jazz Festival on August 6th, 2017. The interpretation of the horns is very important to getting a menacing and dark sound (for instance, playing with a wide, exaggerated vibrato). It’s important to have a mature trombone section that canplay with a
MARIA SCHNEIDER
Solo feature for alto clarinet in the reed 5 part. But they can play bass clarinet, bari or instrument of choice. But this can also be an alto sax or soprano sax feature, and you then shift the clarinet backgrounds to reed 5. All solo parts are included, Eb and Bb. We have also done this as a fluegel 4 feature, moving his part to clarinet inMARIA SCHNEIDER
Description. Recorded as the title track on Data Lords, this piece was commissioned by the Library of Congress Da Capo Fund with support from the Rena and David Logan Foundation in memory of David Logan. It premiered on April 15th, 2016 at the Library of Congress in Washington D.C. This is a very dystopian piece, where artificial intelligence* Home
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NEWS
PARTICIPATE NOW – DATA LORDS RECORDING PROJECT We are thrilled to be recording again from August 30th-September 2nd, 2019, but you can come on board now and watch it all unfold. See alloffers
"CONCERT IN THE GARDEN" HONORED BY LIBRARY OF CONGRESS _Concert in the Garden _has been selected for inclusion into the prestigious National Recording Registry. The new recordings to the National Recording Registry bring the total number of titles on the registry to 550, a small part of the Library of Congress' vast recorded-sound collection of nearly 3 million items. NEA JAZZ MASTERS CEREMONY See each 2019 NEA Jazz Master tribute and speech by clicking the following links: Abdullah Ibrahim, Bob Dorough
, Maria Schneider
,
Stanley Crouch . The ceremony at the Kennedy was beautiful and this award is an honor I share with my orchestra of three decades. The performers are inseparable from my compositions, and I thank them and share this honor with them.BLOG
I’ve taken to writing open letters about issues facing the music community and our society at large. I hope you'll find it thought-provoking and will pass them on to others.SCORES & EDUCATION
Browsing scores is easy in our new Scores Store. The Education page presents items for players and composers. If you've participated in projects in the past, please revisit old offers, as in many instances, we’ve added content to those offers. PAST ARTISTSHARE PROJECTS I’ve shared my music through ArtistShare for 15 happy years. You, the fans, and I have been making recordings and commissions together for a very long time. Visit Past Projects to see just how much we've all created. Even pre-ArtistShare albums are now presented as “projects” – where we’ve added content, shedding new light onthe past.
Everything is presented ala “ArtistShare,"meaning that when you login after any purchase, you will find goodies galore to increase the fun and value of your purchase. Happy browsing, reading and listening.EVENTS
5.9.2020
I am so sorry to announce that this event cannot happen. We are very much hoping to reschedule. 92nd Street Y Kaufmann Concert HallNew York, NY
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