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THE LUMIÈRE READER
The Lumière Reader. The Lumière Reader published film criticism, arts journalism, and digital documentaries between 2003—2016. Founded as a print magazine before migrating online, the journal was one of New Zealand’s first and longest-running arts and culture websites. If you’d like to reach out to the editors or contact anyof our
ON WHERE THE REKOHU BONE SINGS A conversation about damaging myths, Moriori ancestry, and fluid cultural identities with novelist Tina Makereti. Tina Makereti initially made a splash with her excellent short story collection, Once Upon a Time in Aotearoa.Her 2014 debut novel, Where the Rekohu Bone Sings, is an exquisite tale of loss and identity.Spanning three distinct periods, Makereti’s novel looks at the social and OUT OF THE MIST ∙ LAND OF THE LONG WHITE STAIN ∙ PAPER BOAT About the Producers. MELINDA JACKSON is producer of Out of the Mist, Land of the Long White Stain and Paper Boat. With more than ten years experience freelancing in production, editing, casting, and assistant directing, she has produced for a number of music, corporate, and promotional videos, as well as two short films that have screened inBLACK MOON (1975)
Previously at the Wellington Film Society: Louis Malle’s one-of-a-kind surrealist experiment.. The adage that Louis Malle “never made the same film twice” definitely applies to this outré 1975 fantasy, a post-apocalyptic fairy tale at once kinky, allegorical, and distinctively surreal. It’s a sharp detour from Malle’s semi-autobiographical Lacombe, Lucien (1974), a piercingwartime
AFTER SHAKESPEARE: TIM CROUCH ON I, PEASEBLOSSOM For the first time in New Zealand, Tim Crouch will present his alternate take on Shakespeare’s A Midsummer Night’s Dream to Auckland theatregoers.. Experimental UK theatre-maker Tim Crouch’s I, Peaseblossom retells the story of A Midsummer Night’s Dream from the perspective of Peaseblossom, a fairy servant and minor character.While the show is designed for a younger audience DUTCH ANGLES AND THE THIRD MAN, PLUS FILM PRESERVATIONIST Crucially, the Dutch angle never feels like a flourish in The Third Man, but instead, a state of mind: it aligns seamlessly with the hard shadows and narrow spaces of the surroundings, contributing to a film look that’s at once singular and quintessentially noir. While you’ll find plenty of Dutch angles jutted throughout the history offilm
ZAZIE DANS LE MÉTRO (1960) Previously at the Wellington Film Society: Louis Malle’s looney Parisian romp, and the carnage beneath its silly surface.. Louis Malle’s third anarchic feature takes its cues both from Raymond Queneau’s classic 1959 novel and the nascent Nouvelle Vague. But it departs quite markedly from the (admittedly overstated) hijinks of Godard, et al.; Zazie dans le Métro is a far darker and more EXEMPLE DE CONCLUSION D UN EXPOSÉ Ne finissez pas avec une session de q & a. Pour piloter les résultats dont vous avez besoin, utilisez la fin de votre présentation pour obtenir une conclusion puissante. Il devrait résumer vos points clés. Réveillez les membres du public somnolent avec un affichagefinal
EXEMPLE DE RAPPORT DE STAGE EN SECRÉTARIAT ET …TRANSLATE THIS PAGE Exemple de rapport de stage en secrétariat et bureautique. By Lumiere Staff. December 23, 2018. ↳ Uncategorized. Rapport de stage; chaque étudiant doit soumettre un document de rapport de stage à la fin du voyage de stage. Lorsque vous écrivez votre introduction, n`oubliez pas que vous devez créer un contexte immédiat, idéalement avec READING MANIFESTO 2083: AN INTERVIEW WITH ANDERS FALSTIE by Nathan Joe. Nathan Joe has been contributing to The Lumière Reader since 2014 and is the Auckland-based theatre editor. He is also a self-taught playwright.THE LUMIÈRE READER
The Lumière Reader. The Lumière Reader published film criticism, arts journalism, and digital documentaries between 2003—2016. Founded as a print magazine before migrating online, the journal was one of New Zealand’s first and longest-running arts and culture websites. If you’d like to reach out to the editors or contact anyof our
ON WHERE THE REKOHU BONE SINGS A conversation about damaging myths, Moriori ancestry, and fluid cultural identities with novelist Tina Makereti. Tina Makereti initially made a splash with her excellent short story collection, Once Upon a Time in Aotearoa.Her 2014 debut novel, Where the Rekohu Bone Sings, is an exquisite tale of loss and identity.Spanning three distinct periods, Makereti’s novel looks at the social and OUT OF THE MIST ∙ LAND OF THE LONG WHITE STAIN ∙ PAPER BOAT About the Producers. MELINDA JACKSON is producer of Out of the Mist, Land of the Long White Stain and Paper Boat. With more than ten years experience freelancing in production, editing, casting, and assistant directing, she has produced for a number of music, corporate, and promotional videos, as well as two short films that have screened inBLACK MOON (1975)
Previously at the Wellington Film Society: Louis Malle’s one-of-a-kind surrealist experiment.. The adage that Louis Malle “never made the same film twice” definitely applies to this outré 1975 fantasy, a post-apocalyptic fairy tale at once kinky, allegorical, and distinctively surreal. It’s a sharp detour from Malle’s semi-autobiographical Lacombe, Lucien (1974), a piercingwartime
AFTER SHAKESPEARE: TIM CROUCH ON I, PEASEBLOSSOM For the first time in New Zealand, Tim Crouch will present his alternate take on Shakespeare’s A Midsummer Night’s Dream to Auckland theatregoers.. Experimental UK theatre-maker Tim Crouch’s I, Peaseblossom retells the story of A Midsummer Night’s Dream from the perspective of Peaseblossom, a fairy servant and minor character.While the show is designed for a younger audience DUTCH ANGLES AND THE THIRD MAN, PLUS FILM PRESERVATIONIST Crucially, the Dutch angle never feels like a flourish in The Third Man, but instead, a state of mind: it aligns seamlessly with the hard shadows and narrow spaces of the surroundings, contributing to a film look that’s at once singular and quintessentially noir. While you’ll find plenty of Dutch angles jutted throughout the history offilm
ZAZIE DANS LE MÉTRO (1960) Previously at the Wellington Film Society: Louis Malle’s looney Parisian romp, and the carnage beneath its silly surface.. Louis Malle’s third anarchic feature takes its cues both from Raymond Queneau’s classic 1959 novel and the nascent Nouvelle Vague. But it departs quite markedly from the (admittedly overstated) hijinks of Godard, et al.; Zazie dans le Métro is a far darker and more EXEMPLE DE CONCLUSION D UN EXPOSÉ Ne finissez pas avec une session de q & a. Pour piloter les résultats dont vous avez besoin, utilisez la fin de votre présentation pour obtenir une conclusion puissante. Il devrait résumer vos points clés. Réveillez les membres du public somnolent avec un affichagefinal
EXEMPLE DE RAPPORT DE STAGE EN SECRÉTARIAT ET …TRANSLATE THIS PAGE Exemple de rapport de stage en secrétariat et bureautique. By Lumiere Staff. December 23, 2018. ↳ Uncategorized. Rapport de stage; chaque étudiant doit soumettre un document de rapport de stage à la fin du voyage de stage. Lorsque vous écrivez votre introduction, n`oubliez pas que vous devez créer un contexte immédiat, idéalement avec READING MANIFESTO 2083: AN INTERVIEW WITH ANDERS FALSTIE by Nathan Joe. Nathan Joe has been contributing to The Lumière Reader since 2014 and is the Auckland-based theatre editor. He is also a self-taught playwright. ABOUT | THE LUMIÈRE READER About The Lumière Reader. The Lumière Reader specialised in film criticism, arts journalism, and digital documentaries by leading New Zealand writers and filmmakers. Founded in 2003 as a print magazine and website, it strived to elevate the discourse on film and arts culture in New Zealand. It ceased publishing on March 31, 2016,although
ON WHERE THE REKOHU BONE SINGS A conversation about damaging myths, Moriori ancestry, and fluid cultural identities with novelist Tina Makereti. Tina Makereti initially made a splash with her excellent short story collection, Once Upon a Time in Aotearoa.Her 2014 debut novel, Where the Rekohu Bone Sings, is an exquisite tale of loss and identity.Spanning three distinct periods, Makereti’s novel looks at the social andTHE SERVANT (1963)
Previously at the Auckland Film Society: Losey and Pinter’s masterful first collaboration.. The late Harold Pinter was a writer of unparalleled talent. Although influenced by the theatre of absurd, his style was utterly his own. His plays, including the likes of The Birthday Party and The Homecoming, capture a feeling of displacement and unease in seemingly banal domestic settings.ALL ABOUT MY MOTHER
New to DVD: Son of Charlotte Rampling, Barnaby Southcombe, talks about directing his debut feature, I, Anna. “ An ability to reduce a man to helplessness through a chilly sensuality,” Barry Norman coined the term ‘to rample’ for Barnaby Southcombe’s legendary mother, Charlotte Rampling. When Lumière skypes the British director at his London home he laughs voluptuously. THE RITUALS OF REPOROA: THE GROUND WE WON A conversation about tackling rugby, male identity, and rural stoicism with filmmakers Christopher Pryor and Miriam Smith. In just two documentary films, Christopher Pryor and Miriam Smith have managed the miraculous accomplishment of asserting a strong authorial voice while allowing their subjects to take centre stage and guide the movie.Their immersive, engaged working method firstTHE WARRIOR
by Alexander Bisley. Alexander Bisley is an editor-at-large who has contributed in-depth interviews and more to The Lumière Reader since 2004.He’s written extensively on culture (and sport) for all of New Zealand’s leading outlets, and also makes his living freelancing for international publications including The Guardian, Slate, and The AVClub.
THE BIG CITY (1963)
by Tom Webb. Tom Webb is a recent arrival from the UK who has worked in Programming at the BFI, where he also wrote for Sight and Sound magazine. He has an MA in Film, TV and Screen Media, and a Script Development diploma from the National Film and Television School. As well as writing on film and television, he has also produced, written, and script-edited short films that haveHOLY MOTORS (2012)
Holy Motors (2012) Previously at the Wellington Film Society: with Leos Carax’s latest, there’s life in cinema yet. It has perhaps been overstated that Holy Motors is about the death of cinema. Sure, death is the major motif, both personally and collectively, but Leos Carax’s unique film seems to be more about our cynicism with thevisual
OUT OF THE MIST ∙ LAND OF THE LONG WHITE STAIN ∙ PAPER BOAT Out of the Mist. An Alternate History of New Zealand Cinema “A film made and received on its own terms will often say more about this country than one fixated on the literal and the absolute. Written and Directed by Tim Wong Produced by Melinda Jackson Narrated by EleanorCatton
ANNA GET YOUR GUN
by Alexander Bisley. Alexander Bisley is an editor-at-large who has contributed in-depth interviews and more to The Lumière Reader since 2004.He’s written extensively on culture (and sport) for all of New Zealand’s leading outlets, and also makes his living freelancing for international publications including The Guardian, Slate, and The AVClub.
THE LUMIÈRE READER
The Lumière Reader. The Lumière Reader published film criticism, arts journalism, and digital documentaries between 2003—2016. Founded as a print magazine before migrating online, the journal was one of New Zealand’s first and longest-running arts and culture websites. If you’d like to reach out to the editors or contact anyof our
OUT OF THE MIST ∙ LAND OF THE LONG WHITE STAIN ∙ PAPER BOAT About the Producers. MELINDA JACKSON is producer of Out of the Mist, Land of the Long White Stain and Paper Boat. With more than ten years experience freelancing in production, editing, casting, and assistant directing, she has produced for a number of music, corporate, and promotional videos, as well as two short films that have screened in AFTER SHAKESPEARE: TIM CROUCH ON I, PEASEBLOSSOM For the first time in New Zealand, Tim Crouch will present his alternate take on Shakespeare’s A Midsummer Night’s Dream to Auckland theatregoers.. Experimental UK theatre-maker Tim Crouch’s I, Peaseblossom retells the story of A Midsummer Night’s Dream from the perspective of Peaseblossom, a fairy servant and minor character.While the show is designed for a younger audience ZAZIE DANS LE MÉTRO (1960) Previously at the Wellington Film Society: Louis Malle’s looney Parisian romp, and the carnage beneath its silly surface.. Louis Malle’s third anarchic feature takes its cues both from Raymond Queneau’s classic 1959 novel and the nascent Nouvelle Vague. But it departs quite markedly from the (admittedly overstated) hijinks of Godard, et al.; Zazie dans le Métro is a far darker and more EXEMPLE DE CONCLUSION D UN EXPOSÉ Ne finissez pas avec une session de q & a. Pour piloter les résultats dont vous avez besoin, utilisez la fin de votre présentation pour obtenir une conclusion puissante. Il devrait résumer vos points clés. Réveillez les membres du public somnolent avec un affichagefinal
DUTCH ANGLES AND THE THIRD MAN, PLUS FILM PRESERVATIONIST Crucially, the Dutch angle never feels like a flourish in The Third Man, but instead, a state of mind: it aligns seamlessly with the hard shadows and narrow spaces of the surroundings, contributing to a film look that’s at once singular and quintessentially noir. While you’ll find plenty of Dutch angles jutted throughout the history offilm
CRACK EXCEL PASSWORD RECOVERY STANDARD 8.2 AND KEYGEN Download crack for Excel Password Recovery Standard 8.2 or keygen : Excel Password Recovery is an easy-to-use tool designed for recovering the lost Microsoft Excel password. EXEMPLE DE RAPPORT DE STAGE EN SECRÉTARIAT ET …TRANSLATE THIS PAGE Exemple de rapport de stage en secrétariat et bureautique. By Lumiere Staff. December 23, 2018. ↳ Uncategorized. Rapport de stage; chaque étudiant doit soumettre un document de rapport de stage à la fin du voyage de stage. Lorsque vous écrivez votre introduction, n`oubliez pas que vous devez créer un contexte immédiat, idéalement avec MODELE TE GJEMPERA ME KRRABZA Modele te gjempera me krrabza. Punime artistike tradicionale, MODELE për të gjitha femrat qe kanë Pasion punën e dorës. MODELE te ndryshme si bluza, bollero, gjempera, Jaka, veshjte te ndryshme dhe MODELE Tjera me ngjyra dhe dizajne te ndryshme. MODÈLE DE LETTRE DE REVENDICATION SALARIALE Modèle de lettre de revendication salariale. Beaucoup de tribunaux exigent que vous faites une demande formelle de paiement avant de déposer votre procès. Mais même si l`écriture d`une lettre de demande formelle n`est pas légalement nécessaire, il y a deux raisons pour lesquelles l`envoi est logique: cet exemple de lettredoit être
THE LUMIÈRE READER
The Lumière Reader. The Lumière Reader published film criticism, arts journalism, and digital documentaries between 2003—2016. Founded as a print magazine before migrating online, the journal was one of New Zealand’s first and longest-running arts and culture websites. If you’d like to reach out to the editors or contact anyof our
OUT OF THE MIST ∙ LAND OF THE LONG WHITE STAIN ∙ PAPER BOAT About the Producers. MELINDA JACKSON is producer of Out of the Mist, Land of the Long White Stain and Paper Boat. With more than ten years experience freelancing in production, editing, casting, and assistant directing, she has produced for a number of music, corporate, and promotional videos, as well as two short films that have screened in AFTER SHAKESPEARE: TIM CROUCH ON I, PEASEBLOSSOM For the first time in New Zealand, Tim Crouch will present his alternate take on Shakespeare’s A Midsummer Night’s Dream to Auckland theatregoers.. Experimental UK theatre-maker Tim Crouch’s I, Peaseblossom retells the story of A Midsummer Night’s Dream from the perspective of Peaseblossom, a fairy servant and minor character.While the show is designed for a younger audience ZAZIE DANS LE MÉTRO (1960) Previously at the Wellington Film Society: Louis Malle’s looney Parisian romp, and the carnage beneath its silly surface.. Louis Malle’s third anarchic feature takes its cues both from Raymond Queneau’s classic 1959 novel and the nascent Nouvelle Vague. But it departs quite markedly from the (admittedly overstated) hijinks of Godard, et al.; Zazie dans le Métro is a far darker and more EXEMPLE DE CONCLUSION D UN EXPOSÉ Ne finissez pas avec une session de q & a. Pour piloter les résultats dont vous avez besoin, utilisez la fin de votre présentation pour obtenir une conclusion puissante. Il devrait résumer vos points clés. Réveillez les membres du public somnolent avec un affichagefinal
DUTCH ANGLES AND THE THIRD MAN, PLUS FILM PRESERVATIONIST Crucially, the Dutch angle never feels like a flourish in The Third Man, but instead, a state of mind: it aligns seamlessly with the hard shadows and narrow spaces of the surroundings, contributing to a film look that’s at once singular and quintessentially noir. While you’ll find plenty of Dutch angles jutted throughout the history offilm
CRACK EXCEL PASSWORD RECOVERY STANDARD 8.2 AND KEYGEN Download crack for Excel Password Recovery Standard 8.2 or keygen : Excel Password Recovery is an easy-to-use tool designed for recovering the lost Microsoft Excel password. EXEMPLE DE RAPPORT DE STAGE EN SECRÉTARIAT ET …TRANSLATE THIS PAGE Exemple de rapport de stage en secrétariat et bureautique. By Lumiere Staff. December 23, 2018. ↳ Uncategorized. Rapport de stage; chaque étudiant doit soumettre un document de rapport de stage à la fin du voyage de stage. Lorsque vous écrivez votre introduction, n`oubliez pas que vous devez créer un contexte immédiat, idéalement avec MODELE TE GJEMPERA ME KRRABZA Modele te gjempera me krrabza. Punime artistike tradicionale, MODELE për të gjitha femrat qe kanë Pasion punën e dorës. MODELE te ndryshme si bluza, bollero, gjempera, Jaka, veshjte te ndryshme dhe MODELE Tjera me ngjyra dhe dizajne te ndryshme. MODÈLE DE LETTRE DE REVENDICATION SALARIALE Modèle de lettre de revendication salariale. Beaucoup de tribunaux exigent que vous faites une demande formelle de paiement avant de déposer votre procès. Mais même si l`écriture d`une lettre de demande formelle n`est pas légalement nécessaire, il y a deux raisons pour lesquelles l`envoi est logique: cet exemple de lettredoit être
OUT OF THE MIST ∙ LAND OF THE LONG WHITE STAIN ∙ PAPER BOAT About the Producers. MELINDA JACKSON is producer of Out of the Mist, Land of the Long White Stain and Paper Boat. With more than ten years experience freelancing in production, editing, casting, and assistant directing, she has produced for a number of music, corporate, and promotional videos, as well as two short films that have screened inBLACK MOON (1975)
Previously at the Wellington Film Society: Louis Malle’s one-of-a-kind surrealist experiment.. The adage that Louis Malle “never made the same film twice” definitely applies to this outré 1975 fantasy, a post-apocalyptic fairy tale at once kinky, allegorical, and distinctively surreal. It’s a sharp detour from Malle’s semi-autobiographical Lacombe, Lucien (1974), a piercingwartime
BEYOND FREAKS: KOOKOO THE BIRDGIRL Beyond. Freaks. : KooKoo the Birdgirl. An interview with performer Sarah Houbolt, whose new show explores the dark history of circus through the mysterious life of character from Tod Browning’s Freaks. For its depictions of disabled bodies in major roles, warts and all, Tod Browning’s seminal 1932 film Freaks remains controversial tothis
EXEMPLE DE QUESTION DIRECTIVE L`intelligence est une donnée dans la plupart des cas, mais elle peut être évaluée par des tests ou des affectations. Penser à ce genre de questions culturelles peut vous aider à éviter d`embaucher de futurs employés désengagés qui ne sont pas un bon ajustement pour votre culture de travail. MODELE TE GJEMPERA ME KRRABZA Modele te gjempera me krrabza. Punime artistike tradicionale, MODELE për të gjitha femrat qe kanë Pasion punën e dorës. MODELE te ndryshme si bluza, bollero, gjempera, Jaka, veshjte te ndryshme dhe MODELE Tjera me ngjyra dhe dizajne te ndryshme. EXEMPLE DE RESPIRATIE ANAEROBA Maintenant, pliez le genou avant à 90 degrés. Des diagrammes de puissance de pointe provenant d`une gamme de capacités, allant de l`élite de catégorie 1 aux cyclistes de catégorie 4 ont été utilisés pour aider à déterminer les durées d`exercice appropriées liées au pourcentage de puissance maximale. MODÈLE DE REMERCIEMENT À SON SUPÉRIEUR …TRANSLATE THIS PAGE Comme aujourd`hui est national Boss Day, je voudrais profiter de cette occasion pour vous remercier d`être un si grand superviseur, toujours en tête par l`exemple. EXEMPLE DE BIOGRAPHIE DJ Alors, combien de temps devrait être votre bio? L`écriture de biographie n`exige pas seulement les qualifications appropriées d`écriture mais également amplement le temps d`un auteur, si c`est un DJ ou un agent immobilier bio. EXEMPLE DE FICHE TECHNIQUE D`UNE RECETTE Exemple de fiche technique d`une recette. Cet article explique les stratégies. Ces outils sont juste ce que j`avais besoin que moi de le faire à partir de zéro dans Excel n`est rien de tel que cette norme et est également un mal de tête. Si vous savez comment faire quelques formules Excel alors c`est une grande aide pour la mise à l EXEMPLE DE CONVERSATION POUR DRAGUER UNE FILLE PAR …TRANSLATE THISPAGE
N`oubliez pas de ne jamais être trop sérieux parce que la dernière chose que vous voulez faire est de la faire s`ennuyer. Si vous voulez que cette fille commence à vous aimer de retour, textos est l`un des moyens les plus faciles.THE LUMIÈRE READER
The Lumière Reader published film criticism, arts journalism, and digital documentaries between 2003—2016. Founded as a print magazine before migrating online, the journal was one of New Zealand’s first and longest-running arts and culture websites. THE COMPLETE FOURMYULA The Lumière Reader Film criticism, arts journalism, and digital documentaries by leading New Zealand writers and filmmakers SCIENCE WITH MARCUS CHOWN The engaging writer walks us through the wonderful world of science, fiction, and Twitter ahead of New Zealand Festival Writers Week.. Marcus Chown is an astrophysicist. If the second law of thermodynamics makes your eyes glaze, Chown has made a career making the awesome, intricate complexities of the physical world understandable to thelayperson.
BEYOND FREAKS: KOOKOO THE BIRDGIRL An interview with performer Sarah Houbolt, whose new show explores the dark history of circus through the mysterious life of character from Tod Browning’s Freaks.. For its depictions of disabled bodies in major roles, warts and all, Tod Browning’s seminal 1932 film Freaks remains controversial to this day, posing uncomfortable questions to modern day audiences with its freak ZAZIE DANS LE MÉTRO (1960) Previously at the Wellington Film Society: Louis Malle’s looney Parisian romp, and the carnage beneath its silly surface.. Louis Malle’s third anarchic feature takes its cues both from Raymond Queneau’s classic 1959 novel and the nascent Nouvelle Vague. But it departs quite markedly from the (admittedly overstated) hijinks of Godard, et al.; Zazie dans le Métro is a far darker and more OUT OF THE MIST ∙ LAND OF THE LONG WHITE STAIN ∙ PAPER BOAT Out of the Mist. An Alternate History of New Zealand Cinema “A film made and received on its own terms will often say more about this country than one fixated on the literal and the absolute. Written and Directed by Tim Wong Produced by Melinda Jackson Narrated by EleanorCatton
THE ART OF PETER SIDDELL The Art Of Peter Siddell (Godwit, NZ$75) is my favourite kind of art book—lots of pictures, not so many words. Sir Peter Siddell also happens to be one of my favourite local painters. Perhaps because, as Michael Dunn states in his essay, “there is an accessibility about Siddell’s works everything is presented clearly without pretence ortrickery.”
THE LUMIÈRE READER
The Lumière Reader published film criticism, arts journalism, and digital documentaries between 2003—2016. Founded as a print magazine before migrating online, the journal was one of New Zealand’s first and longest-running arts and culture websites. THE COMPLETE FOURMYULA The Lumière Reader Film criticism, arts journalism, and digital documentaries by leading New Zealand writers and filmmakers SCIENCE WITH MARCUS CHOWN The engaging writer walks us through the wonderful world of science, fiction, and Twitter ahead of New Zealand Festival Writers Week.. Marcus Chown is an astrophysicist. If the second law of thermodynamics makes your eyes glaze, Chown has made a career making the awesome, intricate complexities of the physical world understandable to thelayperson.
BEYOND FREAKS: KOOKOO THE BIRDGIRL An interview with performer Sarah Houbolt, whose new show explores the dark history of circus through the mysterious life of character from Tod Browning’s Freaks.. For its depictions of disabled bodies in major roles, warts and all, Tod Browning’s seminal 1932 film Freaks remains controversial to this day, posing uncomfortable questions to modern day audiences with its freak ZAZIE DANS LE MÉTRO (1960) Previously at the Wellington Film Society: Louis Malle’s looney Parisian romp, and the carnage beneath its silly surface.. Louis Malle’s third anarchic feature takes its cues both from Raymond Queneau’s classic 1959 novel and the nascent Nouvelle Vague. But it departs quite markedly from the (admittedly overstated) hijinks of Godard, et al.; Zazie dans le Métro is a far darker and more OUT OF THE MIST ∙ LAND OF THE LONG WHITE STAIN ∙ PAPER BOAT Out of the Mist. An Alternate History of New Zealand Cinema “A film made and received on its own terms will often say more about this country than one fixated on the literal and the absolute. Written and Directed by Tim Wong Produced by Melinda Jackson Narrated by EleanorCatton
THE ART OF PETER SIDDELL The Art Of Peter Siddell (Godwit, NZ$75) is my favourite kind of art book—lots of pictures, not so many words. Sir Peter Siddell also happens to be one of my favourite local painters. Perhaps because, as Michael Dunn states in his essay, “there is an accessibility about Siddell’s works everything is presented clearly without pretence ortrickery.”
ABOUT | THE LUMIÈRE READER About The Lumière Reader The Lumière Reader specialised in film criticism, arts journalism, and digital documentaries by leading New Zealand writers and filmmakers. BREL | THE LUMIÈRE READER The Lumière Reader published film criticism, arts journalism, and digital documentaries between 2003—2016. If you’d like to reach out to the editors orMAKING REALITI
On the eve of its world premiere, Jonathan King takes us behind the scenes of his new science-fiction venture. On his website, it simply states: “Jonathan King makes films and comics.”That short sentence belies the rollercoaster of a career that he’s had in the former, with 2006’s breakout feature debut Black Sheep heralding the music-video veteran as the next big thing.BLACK MOON (1975)
Previously at the Wellington Film Society: Louis Malle’s one-of-a-kind surrealist experiment.. The adage that Louis Malle “never made the same film twice” definitely applies to this outré 1975 fantasy, a post-apocalyptic fairy tale at once kinky, allegorical, and distinctively surreal. It’s a sharp detour from Malle’s semi-autobiographical Lacombe, Lucien (1974), a piercingwartime
THE WARRIOR
by Alexander Bisley. Alexander Bisley is an editor-at-large who has contributed in-depth interviews and more to The Lumière Reader since 2004.He’s written extensively on culture (and sport) for all of New Zealand’s leading outlets, and also makes his living freelancing for international publications including The Guardian, Slate, and The AVClub.
MAHLER’S SIXTH
In the age of the sub-four-minute song, listening to the work of Gustav Mahler presents a special challenge. His Sixth Symphony (Auckland Town Hall, August 20), performed recently to a sell-out crowd by the Auckland Philharmonia Orchestra, weighs in at around ninety minutes, with both the first and last movements individually as long as many complete symphonies.SAMUEL PHILLIPS
The Lumière Reader Film criticism, arts journalism, and digital documentaries by leading New Zealand writers and filmmakers PATHS OF GLORY: ROBERT FISK ON FILM An interview with journalist Robert Fisk, in New Zealand to talk about his new book, The Great War for Civilisation, and present his 1993 documentary From Beirut to Bosnia.Photography by Catherine Bisley.. Robert Fisk removes his shoe and slaps and shakes it vigorously, as if trying to remove a stone. He’s re-enacting an incident in epic World War II film Kanal: as the Polish resistance JULIAN FARHAT ON WHERE DO WE GO NOW? by Alexander Bisley. Alexander Bisley is an editor-at-large who has contributed in-depth interviews and more to The Lumière Reader since 2004.He’s written extensively on culture (and sport) for all of New Zealand’s leading outlets, and also makes his living freelancing for international publications including The Guardian, Slate, and The AVClub.
KSENIA KHOR
The Lumière Reader published film criticism and arts journalism between 2003-2016.. Articles published prior to 2010 are in the process of being migrated from our old website, lumiere.net.nz/reader, which will go offline in 2017. Digital documentaries will continue to be developed and published by the Lumière Industries team at video.lumiere.net.nz.* About
* Lumière Industries »THE LUMIÈRE READER
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AFTER 13 YEARS OF PUBLISHING IN PRINT AND ONLINE, THE LUMIÈRE READERIS TAKING A BREAK.
For reasons both personal and financial, the site will cease publishing its regular mix of film criticism and arts journalism from March 31, 2016. Only the satellite site for video content and design services, video.lumiere.net.nz , will remain active as a platform for our core creative team to develop essay films and digital documentaries. While we can’t say when or even if the site will come out of hibernation, we can assure readers it will remain online as a resource for as long as we can pay the bills. Rescuing eight years of publishing on our old site is another matter—broken and in disrepair, merging it with the current site can’t happen without financial assistance and a lot of elbowgrease.
If preserving this legacy sounds worthwhile to you, or if you value the writing we’ve published and want to show your appreciation, donations are gratefully accepted via our PayPal account. (Thank you to
those who’ve contributed to date—your generosity has already allowed us to partially rebuild the site.) This is the first time we’ve asked for help from the public, and even raising a small amount will go a long way towards future-proofing the website and building a better case for traditional arts funding of this and otherprojects.
From day one, The Lumière Reader has been a labour of love. In the beginning, it was established as a place for serious film criticism in New Zealand. Then it grew to encompass the wider arts scene, curating everything from essays, to long-form interviews, to poetry, to documentary filmmaking. More recently, it narrowed its focus to artists and practitioners, not merely through critique but also advocacy and conversation, particularly around collaboration, creative process, and what it takes to make art in this country. Through all of this, it remained ad-free and subsisted on the smell of an oily rag. Under the volunteer model the site is run, it should have folded long ago—and yet it has endured since 2003 precisely because of its long roll call of contributors. We hope you’ll continue to follow these talented people elsewhere and appreciate their work as much as we have, whether they are writing for other publications or practicing as artists, novelists, poets, musicians, journalists, theatremakers, photographers, illustrators, and filmmakers. If you’d like to work with any of us, please get in touch.
And finally, thank you to the readers for sharing and supporting what we do. You’ve helped us achieve a longer innings than most, from a time when there was a paucity of arts and culture websites in New Zealand, to the present, where the local online publishing landscape is now livelier than ever.THE EDITORS,
_THE LUMIÈRE READER_ SPECIAL PUBLICATIONS THE LUMIÈRE READER PRESENTS “OUT OF THE MIST” Two decades on from _Cinema of Unease_, Tim Wong’s ambitious essay film contemplates the prevailing image of a national cinema while privileging some of the images and image-makers displaced by the popular view of filmmaking in New Zealand. THE LUMIÈRE READER PRESENTS“PAPER BOAT”
Alex Mitcalfe Wilson charts the journey a book follows when it is published today, telling a story of creativity and commitment through the words of those who carry a text through each step of that path: writers, editors, designers, printers, binders, booksellers, andlibrarians.
THE LUMIÈRE READER PRESENTS “LAND OF THE LONG WHITE STAIN” Claire Duncan follows her musical comrades on a tour of New Zealand in this contemplative ode to a brood of genre-bending Auckland musicians, among them Girls Pissing on Girls Pissing, Seth Frightening, and ShabOrkestra.
AGAINST EFFICIENCY AND OTHER TEXTS Summer Writing Resident Matilda Fraser responds to the question “is criticism still relevant?” with this suite of texts developed under Blue Oyster Art Project Space’s online publications initiative, with mentorship and publishing support from The Lumière Reader.ORIGINAL ARTWORK
Collected film stills, photo essays, and illustrations commissioned by The Lumière Reader. View the Collection »EDITORS’ PICKS
THE HUMAN CONDITION: AN INTERVIEW WITH JOSHUA OPPENHEIMER By Brannavan Gnanalingam Ahead of The Look of Silence’s date at the Oscars for Best Documentary Feature, a conversation with filmmaker and human rights activist Joshua Oppenheimer. ALL YOUR WANTS AND NEEDS OVERSEAS: AN INTERVIEW WITH THE PLAYGROUNDCOLLECTIVE
By Nathan Joe
Robin Kerr and Eli Kent on staging their show All Your Wants and Needs Fulfilled Forever internationally, creative practice, and theatre culture in New Zealand. “I FEEL LIKE I WAS BORN FOR THE INTERNET”By Thomas Phillips
Mallory Ortberg, satirist and co-founder of _The Toast_, talks humour, femslash, and her conflicting soft spot for Ayn Rand ahead of New Zealand Festival Writers Week. FROM _SOFT BOMB_ TO _SILVER BULLETS_By Jihee Junn
Martin Phillipps on The Chills’ long-awaited new album, _SilverBullets_.
HOUSES AND HOMES:
BRIAR MARCH ON _A PLACE TO CALL HOME_By Doug Dillaman
Filmmaker Briar March talks about the creative and collaborative process behind her three-year project to document opposing housing projects in Glen Innes and Northland.A SLUT FOR BEAUTY:
AN INTERVIEW WITH SARAH JANE BARNETTBy Joan Fleming
Inside Sarah Jane Barnett’s remarkable new book of poems, _WORK_. ANNA SMAILL ON _THE CHIMES_By Jihee Junn
On the eve of this year’s Man Booker Prize shortlist announcement, nominee Anna Smaill talks in-depth about her captivating debut novel,The Chimes.
ON LITERARY PILGRIMAGEBy Robert Metcalf
An account of living and writing in residence at Orlando’s Jack Kerouac House. PATRICIA HIGHSMITH—ADAPTATIONSBy Tom Webb
A closer look at the screen iterations of Patricia Highsmith’s classic anti-hero, Tom Ripley. TO DESCRIBE WITH INTENSE CLARITYBy Alexander Bisley
The Auckland Writers Festival refracted through a dialogue with Haruki Murakami interviewer John Freeman. “THE MUSIC OF BEING HUMAN”By Saradha Koirala
Auckland Writers Festival guests David Mitchell, Morris Gleitzman, Tim Winton, and Carol Ann Duffy offer a salient reminder of how writinggives us hope.
THE RITUALS OF REPOROA:_THE GROUND WE WON_
By Doug Dillaman
A conversation about tackling rugby, male identity, and rural stoicism with filmmakers Christopher Pryor and Miriam Smith. HARUN FAROCKI: THREE FILMS, PLUS _BEATRIZ’S WAR_ By Brannavan Gnanalingam Celebrating the late, great German media artist, critic, editor, and curator; plus, notes on East Timor’s first ever feature film. _INTERSTELLAR_: AN INTROSPECTION ON FATHERHOOD By Mohamad Atif Slim Christopher Nolan’s love for the mosaic and manifold takes a step back in his new film, an empathetic study of human emotions andrelationships.
THE LONG, FRIENDLY SHADOW OF _MY NEIGHBOR TOTORO_By Tim Wong
On the lineage and legacy of Hayao Miyazaki’s most enduring film. Plus, Isao Takahata and a new Studio Ghibli showcase.POWER STRUCTURES:
_LEVIATHAN, WINTER SLEEP_By Jacob Powell
At the New Zealand International Film Festival: two imposing Cannes winners explore the struggle between family, state and religion. THE DOCUMENTARIAN: AN INTERVIEW WITH FREDERICK WISEMAN By Brannavan Gnanalingam Cinema’s preeminent documentary filmmaker on his two latest triumphs, _At Berkeley_ and _National Gallery_.FEMEN AND ME:
AN INTERVIEW WITH KITTY GREENBy Laura Suzuki
The director of _Ukraine is Not a Brothel_ on befriending the founders of the radical Feminist protest group, the dangerous ego of their former leader, and getting in touch with the Slavic soul. DOCUMENTARY REALITIES: SCREEN EDGE FORUM 2014By Melinda Jackson
Talking China co-productions, our obsession with time, pop culture/zombies, fiction vs. reality, and the future of radio at the annual Screen Edge Forum. CONVERSATIONS: THE TONE OF THINGSBy Lumiere Staff
DOUG DILLAMAN and TIM WONG talk _Jake_ the movie, scriptwriting as a means to an end, collaboration vs. authorship, and finding the righttone.
RECONSIDERING _FUNNY FACE_: AN ILLUSTRATED ESSAYBy Tim Wong
On the fashionable/unfashionable style of Stanley Donen’s 1957 musical. Plus, a digression on Rouben Mamoulian’s neglected _SilkStockings_.
SIMON STARLING: IN SPECULUMBy Thomasin Sleigh
The Turner Prize-winning conceptual artist discusses his practice ahead of a major survey of his work—one of the highlights of the NewZealand Festival.
CHECK THE FINE PRINT: WHAT EXACTLY IS _THE WOLF OF WALL STREET_SELLING?
By Laura Suzuki
Does the razzle-dazzle beauty of Martin Scorsese’s new film seduce in a way that obscures the horrors within?VINCENT’S HANDS
By Alexander Bisley
Vincent Ward, New Zealand auteur, reflects on a singular career in film, his creative instinct as an artist, and the exciting prospect of returning to directing after a long absence.A CORRESPONDENCE
WITH ELEANOR CATTON
By Joan Fleming
Exquisite thoughts on writing and reading from the Man Booker Prize-winning author of _The Luminaries_. CONDEMNED: MENTAL HEALTH IN AFRICAN COUNTRIES IN CRISISBy Andy Palmer
The exquisite and harrowing images behind New Zealander Robin Hammond’s W. Eugene Smith Memorial Fund winning photojournalism. FIVE UP, THE COMEDIANBy Alexander Bisley
Catching up with ex-pat Kiwi humourist John Clarke, who Barry ‘Dame Edna’ Humphries describes as “Australia’s greatest comedian.”I’M YOUR WOMAN:
A CONVERSATION WITH SYLVIE SIMMONSBy Alexander Bisley
One of rock‘n’roll’s great journalists on Leonard Cohen, Johnny Cash, Lou Reed, and Bob Johnston. EXCLUSIVE: MASHA GESSEN DECIDES TO LEAVE RUSSIABy Alexander Bisley
The brave author of _The Man Without a Face:_ _The Unlikely Rise of Vladimir Putin_ tells ALEXANDER BISLEY why she decided on Sunday toleave Russia.
O BROTHER, WHERE ART THOU? TERRENCE MALICK’S _THE TREE OF LIFE_By Steve Garden
Revisiting Terrence Malick’s American odyssey. THE STUTTERING CONVERSATION: _ART NEW ZEALAND_ IN 2013By Thomasin Sleigh
Art New Zealand opens its mouth and finds itself suddenly mute. THOMASIN SLEIGH thinks about art criticism in New Zealand. MINUTES FROM ‘THE CLOCK’By Tim Wong
Notes on Christian Marclay’s staggering 24-hour video installation. BLONDE AND BLONDER: THE CULTURAL LEGACY OF SWEET VALLEY HIGHBy Megan Dunn
Francine Pascal’s _Sweet Valley Confidential_ reunites readers with Jessica and Elizabeth Wakefield, covergirls of the ubiquitous _Sweet Valley High_ romance novels. Now ten years older, are the twins and their stories any wiser? PARK KIYONG ON _MOVING_By Zhou Ting-Fung
A current visiting fellow at the University of Auckland, Korean filmmaker Park Kiyong sat down with ZHOU TING-FUNG (an editor on _Moving_) to discuss the conception and making of his documentary response to the Christchurch earthquakes. A SPECULATIVE CONSIDERATION OF LARS VON TRIER AND _ANTICHRIST_By Steve Garden
Baiting and repelling audiences in equal measure, Lars von Trier’s _Antichrist_ is the most misunderstood film of the year. Film criticism, arts journalism, and digital documentaries by leading New Zealand writers and filmmakersFOLLOW US
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