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NAPALM DEATH ALBUMS RANKED Napalm Death are a refined powerhouse of foundation-cracking grind, but this wasn't always the case. The band, which hasn't featured anyoriginal
THE SLOT VOCALIST ATTACKED, SUFFERS MULTIPLE STAB WOUNDS A frightening altercation involving The Slot vocalist Dariya 'Nookie' Stavrovich and a male attacker left the singer with multiple stabwounds to her neck.
LOUDWIREHOMEGEAR FACTOR50 YEARS OF METALWIKI: FACT OR FICTIONLISTSNEWS Rock music news, interviews, reviews and more from rock artists. 2021 HARD ROCK + METAL ALBUM RELEASE CALENDAR With so many new metal and hard rock albums being released each week, it can be difficult to keep up. We’re making easier for you, keeping track of all the 2021 releases in one convenient location. LOUDWIRE RADIO: STATION LIST Loudwire Radio is a two-hour syndicated show hosted by Mike "Sandman" Sanders. Loudwire Radio counts down the Top 20 hard rock songs of the week and can be heard by tuning in to the following THE PERFECT ROCK OR METAL ALBUM FOR EACH ZODIAC SIGN + WHY Ben Katzman's Degreaser is an alt-pop-metal group from Florida, spearheaded by, as the name indicates, Ben Katzman. The singer/guitarist is fearless in MUDVAYNE HAVE OFFICIALLY REUNITED Mudvayne have officially announced that they have reunited.. The alt-metal band formed in Illinois in 1996 and, after released five studio albums, entered a hiatus period in 2010 and remained EXODUS ALBUMS RANKED Crafting quality songs consistently also became an issue, and every time Exodus managed to take a few steps forward with a truly exceptional album, they often followed it with a hastily recorded ANTHRAX ALBUMS RANKED First and foremost, Anthrax emerged as the lone New Yorkers in a group of Californians -- Metallica, Megadeth and Slayer -- and the only quintet in this bunch of quartets to boast a free-standing QUEENSRYCHE ALBUMS RANKED Queensryche have always stood out of the pack. In the early ‘80s, vocalist Geoff Tate, guitarists Chris DeGarmo and Michael Wilton,bassist Eddie
NAPALM DEATH ALBUMS RANKED Napalm Death are a refined powerhouse of foundation-cracking grind, but this wasn't always the case. The band, which hasn't featured anyoriginal
THE SLOT VOCALIST ATTACKED, SUFFERS MULTIPLE STAB WOUNDS A frightening altercation involving The Slot vocalist Dariya 'Nookie' Stavrovich and a male attacker left the singer with multiple stabwounds to her neck.
THE BEST COVER SONGS FROM 50 OF METAL'S BIGGEST BANDS In any era of music, the cover song has remained a staple, and with five decades of heavy metal to work with, we've selected The Best Cover Songs From 50 of Metal's Biggest Bands. THE PERFECT ROCK OR METAL ALBUM FOR EACH ZODIAC SIGN + WHY Ben Katzman's Degreaser is an alt-pop-metal group from Florida, spearheaded by, as the name indicates, Ben Katzman. The singer/guitarist is fearless in TOP 25 POWER METAL ALBUMS OF ALL TIME Power metal is one of metal's more narrow genres as bands generally stick to the same template with little deviance. Sure, the tempos fluctuate on occasion with mid-tempo rompers offering an 3RD ANNUAL LOUDWIRE MUSIC AWARDS: COMPLETE WINNERS LIST The day has finally come to announce the winners of the 3rd Annual Loudwire Music Awards. After millions of votes by rock fans worldwide, we've got the final results for all 17 categories. MIKE PROTICH TALKS TRANSITION FROM RED SUN RISING TO THE Earlier this year, an anonymous new trio, the Violent, released a song called "Fly on the Wall." The members were eventually revealed to be Mike Protich, Dave McGarry and Pat Gerasia — formerly 25 BEST METALCORE ALBUMS OF ALL TIME Metalcore is still a young genre, but has produced countless albums that have become classics over time. Join us as we count down the Top 25 Metalcore Albums of All Time in FIVE FINGER DEATH PUNCH PLAN TO RECORD TWO NEW ALBUMS THIS Five Finger Death Punch aim to enter the studio soon to start tracking not just one but two new albums — a follow-up to last year's F8 as well as a re-recorded version of their 2007 debut, The 15 ARTISTS ASSOCIATED WITH WITCHCRAFT, SATANISM + THE OCCULT Below is a gallery of 15 prominent artists in the rock and metal world who have been associated with witchcraft, Satanism and the occult in one form or another. WHO IS THE GIRL FROM HINDER'S 'EXTREME BEHAVIOR' ALBUM COVER? Hinder's Extreme Behavior was an unexpected moment for rock music in the 2000s.After being released to generally negative reviews, the underdog record went 39 YEARS AGO: OZZY OSBOURNE ARRESTED FOR URINATING ON ALAMO In 1982, he was banned for the next decade. Ozzy Osbourne didn’t wake up Feb. 19, 1982, and decide he was going to cause trouble that afternoon by pissing on a LOUDWIREHOMEGEAR FACTOR50 YEARS OF METALWIKI: FACT OR FICTIONLISTSNEWS Rock music news, interviews, reviews and more from rock artists. 2021 HARD ROCK + METAL ALBUM RELEASE CALENDAR With so many new metal and hard rock albums being released each week, it can be difficult to keep up. We’re making easier for you, keeping track of all the 2021 releases in one convenient location. ROCK + METAL VIRTUAL PERFORMANCE STREAMING CALENDAR Lzzy Hale and Joe Hottinger of Halestorm, Orianthi, Marcus King, Warren Haynes and more will perform at the "Gibson Live: A Celebration of Artists To Benefit Gibson Gives" event. The virtual CLUTCH CELEBRATE '30 YEARS OF ROCK & ROLL' WITH FALL Clutch to Celebrate ’30 Years of Rock & Roll’ With Fall/Winter 2021 Tour Dates. Chad Childers. Published: June 2, 2021. WeathermakerMusic.
BRENT SMITH: SHINEDOWN PLAN TO RELEASE NEW ALBUM LATER Shinedown have really taken advantage of their downtime throughout the pandemic, and are planning to release a new album later this year.Frontman
SHINEDOWN REVEAL 2021 TOUR DATES WITH THE STRUTS + ZERO 9:36 Fan club pre-sales for the headline dates with The Struts and Zero 9:36 will start tomorrow (May 18) at 10AM local time. The venue andradio pre-sales
THE PERFECT ROCK OR METAL ALBUM FOR EACH ZODIAC SIGN + WHY Ben Katzman's Degreaser is an alt-pop-metal group from Florida, spearheaded by, as the name indicates, Ben Katzman. The singer/guitarist is fearless in PSYCHO LAS VEGAS 2021 FINALIZED, DAILY LINEUPS REVEALED You can add Psycho Las Vegas to the many festivals returning later this year. As promised in 2020, a majority of last year's lineup is still intact for this year. And organizers have now revealed MUDVAYNE HAVE OFFICIALLY REUNITED Mudvayne have officially announced that they have reunited.. The alt-metal band formed in Illinois in 1996 and, after released five studio albums, entered a hiatus period in 2010 and remained HEAR NONPOINT'S HARD-HITTING 'RUTHLESS' FROM 'AEW BLOOD Longtime Florida nu-metal groovers Nonpoint are back with an energetic new song called "Ruthless" that premiered on Wednesday (May 5) as partof
LOUDWIREHOMEGEAR FACTOR50 YEARS OF METALWIKI: FACT OR FICTIONLISTSNEWS Rock music news, interviews, reviews and more from rock artists. 2021 HARD ROCK + METAL ALBUM RELEASE CALENDAR With so many new metal and hard rock albums being released each week, it can be difficult to keep up. We’re making easier for you, keeping track of all the 2021 releases in one convenient location. ROCK + METAL VIRTUAL PERFORMANCE STREAMING CALENDAR Lzzy Hale and Joe Hottinger of Halestorm, Orianthi, Marcus King, Warren Haynes and more will perform at the "Gibson Live: A Celebration of Artists To Benefit Gibson Gives" event. The virtual CLUTCH CELEBRATE '30 YEARS OF ROCK & ROLL' WITH FALL Clutch to Celebrate ’30 Years of Rock & Roll’ With Fall/Winter 2021 Tour Dates. Chad Childers. Published: June 2, 2021. WeathermakerMusic.
BRENT SMITH: SHINEDOWN PLAN TO RELEASE NEW ALBUM LATER Shinedown have really taken advantage of their downtime throughout the pandemic, and are planning to release a new album later this year.Frontman
SHINEDOWN REVEAL 2021 TOUR DATES WITH THE STRUTS + ZERO 9:36 Fan club pre-sales for the headline dates with The Struts and Zero 9:36 will start tomorrow (May 18) at 10AM local time. The venue andradio pre-sales
THE PERFECT ROCK OR METAL ALBUM FOR EACH ZODIAC SIGN + WHY Ben Katzman's Degreaser is an alt-pop-metal group from Florida, spearheaded by, as the name indicates, Ben Katzman. The singer/guitarist is fearless in PSYCHO LAS VEGAS 2021 FINALIZED, DAILY LINEUPS REVEALED You can add Psycho Las Vegas to the many festivals returning later this year. As promised in 2020, a majority of last year's lineup is still intact for this year. And organizers have now revealed MUDVAYNE HAVE OFFICIALLY REUNITED Mudvayne have officially announced that they have reunited.. The alt-metal band formed in Illinois in 1996 and, after released five studio albums, entered a hiatus period in 2010 and remained HEAR NONPOINT'S HARD-HITTING 'RUTHLESS' FROM 'AEW BLOOD Longtime Florida nu-metal groovers Nonpoint are back with an energetic new song called "Ruthless" that premiered on Wednesday (May 5) as partof
ROCK + METAL VIRTUAL PERFORMANCE STREAMING CALENDAR Lzzy Hale and Joe Hottinger of Halestorm, Orianthi, Marcus King, Warren Haynes and more will perform at the "Gibson Live: A Celebration of Artists To Benefit Gibson Gives" event. The virtual PSYCHO LAS VEGAS 2021 FINALIZED, DAILY LINEUPS REVEALED You can add Psycho Las Vegas to the many festivals returning later this year. As promised in 2020, a majority of last year's lineup is still intact for this year. And organizers have now revealed THERE ARE ONLY FOUR SONGS GUNS N' ROSES HAVEN'T PLAYED LIVE Guns have actually played the majority of the songs in their catalog live at least once. Out of Appetite for Destruction, GN'R Lies, Use Your Illusion I and II and Chinese Democracy, only four THE BEST COVER SONGS FROM 50 OF METAL'S BIGGEST BANDS In any era of music, the cover song has remained a staple, and with five decades of heavy metal to work with, we've selected The Best Cover Songs From 50 of Metal's Biggest Bands. FIVE FINGER DEATH PUNCH PLAN TO RECORD TWO NEW ALBUMS THIS Five Finger Death Punch aim to enter the studio soon to start tracking not just one but two new albums — a follow-up to last year's F8 as well as a re-recorded version of their 2007 debut, The MIKE PROTICH TALKS TRANSITION FROM RED SUN RISING TO THE Mike Protich Explains Transition from Red Sun Rising to the Violent. Earlier this year, an anonymous new trio, the Violent, released a song called "Fly on the Wall." The members were eventually NINE-YEAR-OLD GIRL FRONTS KID BAND COVER OF RAMMSTEIN'S Nine-Year-Old Girl Fronts Kid + Teen Band Cover of Rammstein’s ‘Du Hast’. A group of 10 kids, ages nine to 18, covered Rammstein 's 1997 hit, "Du Hast," under the guidance of the O'Keefe 15 ARTISTS ASSOCIATED WITH WITCHCRAFT, SATANISM + THE OCCULT 15 Artists Associated With Witchcraft, Satanism + the Occult. Witches, black magic and the Devil are often viewed as symbols of Halloween. The occult, however, is just a regular part of life for NAPALM DEATH ALBUMS RANKED Napalm Death are a refined powerhouse of foundation-cracking grind, but this wasn't always the case. The band, which hasn't featured anyoriginal
39 YEARS AGO: OZZY OSBOURNE ARRESTED FOR URINATING ON ALAMO 39 Years Ago: Ozzy Osbourne Arrested for Urinating on Alamo Cenotaph. Ozzy Osbourne didn’t wake up Feb. 19, 1982, and decide he was going to cause trouble that afternoon by pissing on a LOUDWIREHOMEGEAR FACTOR50 YEARS OF METALWIKI: FACT OR FICTIONLISTSNEWS Rock music news, interviews, reviews and more from rock artists. 2021 HARD ROCK + METAL ALBUM RELEASE CALENDAR With so many new metal and hard rock albums being released each week, it can be difficult to keep up. We’re making easier for you, keeping track of all the 2021 releases in one convenient location. ROCK + METAL VIRTUAL PERFORMANCE STREAMING CALENDAR Lzzy Hale and Joe Hottinger of Halestorm, Orianthi, Marcus King, Warren Haynes and more will perform at the "Gibson Live: A Celebration of Artists To Benefit Gibson Gives" event. The virtual CLUTCH CELEBRATE '30 YEARS OF ROCK & ROLL' WITH FALL Clutch to Celebrate ’30 Years of Rock & Roll’ With Fall/Winter 2021 Tour Dates. Chad Childers. Published: June 2, 2021. WeathermakerMusic.
BRENT SMITH: SHINEDOWN PLAN TO RELEASE NEW ALBUM LATER Shinedown have really taken advantage of their downtime throughout the pandemic, and are planning to release a new album later this year.Frontman
SHINEDOWN REVEAL 2021 TOUR DATES WITH THE STRUTS + ZERO 9:36 Fan club pre-sales for the headline dates with The Struts and Zero 9:36 will start tomorrow (May 18) at 10AM local time. The venue andradio pre-sales
THE PERFECT ROCK OR METAL ALBUM FOR EACH ZODIAC SIGN + WHY Ben Katzman's Degreaser is an alt-pop-metal group from Florida, spearheaded by, as the name indicates, Ben Katzman. The singer/guitarist is fearless in PSYCHO LAS VEGAS 2021 FINALIZED, DAILY LINEUPS REVEALED You can add Psycho Las Vegas to the many festivals returning later this year. As promised in 2020, a majority of last year's lineup is still intact for this year. And organizers have now revealed MUDVAYNE HAVE OFFICIALLY REUNITED Mudvayne have officially announced that they have reunited.. The alt-metal band formed in Illinois in 1996 and, after released five studio albums, entered a hiatus period in 2010 and remained HEAR NONPOINT'S HARD-HITTING 'RUTHLESS' FROM 'AEW BLOOD Longtime Florida nu-metal groovers Nonpoint are back with an energetic new song called "Ruthless" that premiered on Wednesday (May 5) as partof
LOUDWIREHOMEGEAR FACTOR50 YEARS OF METALWIKI: FACT OR FICTIONLISTSNEWS Rock music news, interviews, reviews and more from rock artists. 2021 HARD ROCK + METAL ALBUM RELEASE CALENDAR With so many new metal and hard rock albums being released each week, it can be difficult to keep up. We’re making easier for you, keeping track of all the 2021 releases in one convenient location. ROCK + METAL VIRTUAL PERFORMANCE STREAMING CALENDAR Lzzy Hale and Joe Hottinger of Halestorm, Orianthi, Marcus King, Warren Haynes and more will perform at the "Gibson Live: A Celebration of Artists To Benefit Gibson Gives" event. The virtual CLUTCH CELEBRATE '30 YEARS OF ROCK & ROLL' WITH FALL Clutch to Celebrate ’30 Years of Rock & Roll’ With Fall/Winter 2021 Tour Dates. Chad Childers. Published: June 2, 2021. WeathermakerMusic.
BRENT SMITH: SHINEDOWN PLAN TO RELEASE NEW ALBUM LATER Shinedown have really taken advantage of their downtime throughout the pandemic, and are planning to release a new album later this year.Frontman
SHINEDOWN REVEAL 2021 TOUR DATES WITH THE STRUTS + ZERO 9:36 Fan club pre-sales for the headline dates with The Struts and Zero 9:36 will start tomorrow (May 18) at 10AM local time. The venue andradio pre-sales
THE PERFECT ROCK OR METAL ALBUM FOR EACH ZODIAC SIGN + WHY Ben Katzman's Degreaser is an alt-pop-metal group from Florida, spearheaded by, as the name indicates, Ben Katzman. The singer/guitarist is fearless in PSYCHO LAS VEGAS 2021 FINALIZED, DAILY LINEUPS REVEALED You can add Psycho Las Vegas to the many festivals returning later this year. As promised in 2020, a majority of last year's lineup is still intact for this year. And organizers have now revealed MUDVAYNE HAVE OFFICIALLY REUNITED Mudvayne have officially announced that they have reunited.. The alt-metal band formed in Illinois in 1996 and, after released five studio albums, entered a hiatus period in 2010 and remained HEAR NONPOINT'S HARD-HITTING 'RUTHLESS' FROM 'AEW BLOOD Longtime Florida nu-metal groovers Nonpoint are back with an energetic new song called "Ruthless" that premiered on Wednesday (May 5) as partof
ROCK + METAL VIRTUAL PERFORMANCE STREAMING CALENDAR Lzzy Hale and Joe Hottinger of Halestorm, Orianthi, Marcus King, Warren Haynes and more will perform at the "Gibson Live: A Celebration of Artists To Benefit Gibson Gives" event. The virtual PSYCHO LAS VEGAS 2021 FINALIZED, DAILY LINEUPS REVEALED You can add Psycho Las Vegas to the many festivals returning later this year. As promised in 2020, a majority of last year's lineup is still intact for this year. And organizers have now revealed THERE ARE ONLY FOUR SONGS GUNS N' ROSES HAVEN'T PLAYED LIVE Guns have actually played the majority of the songs in their catalog live at least once. Out of Appetite for Destruction, GN'R Lies, Use Your Illusion I and II and Chinese Democracy, only four THE BEST COVER SONGS FROM 50 OF METAL'S BIGGEST BANDS In any era of music, the cover song has remained a staple, and with five decades of heavy metal to work with, we've selected The Best Cover Songs From 50 of Metal's Biggest Bands. FIVE FINGER DEATH PUNCH PLAN TO RECORD TWO NEW ALBUMS THIS Five Finger Death Punch aim to enter the studio soon to start tracking not just one but two new albums — a follow-up to last year's F8 as well as a re-recorded version of their 2007 debut, The MIKE PROTICH TALKS TRANSITION FROM RED SUN RISING TO THE Mike Protich Explains Transition from Red Sun Rising to the Violent. Earlier this year, an anonymous new trio, the Violent, released a song called "Fly on the Wall." The members were eventually NINE-YEAR-OLD GIRL FRONTS KID BAND COVER OF RAMMSTEIN'S Nine-Year-Old Girl Fronts Kid + Teen Band Cover of Rammstein’s ‘Du Hast’. A group of 10 kids, ages nine to 18, covered Rammstein 's 1997 hit, "Du Hast," under the guidance of the O'Keefe 15 ARTISTS ASSOCIATED WITH WITCHCRAFT, SATANISM + THE OCCULT 15 Artists Associated With Witchcraft, Satanism + the Occult. Witches, black magic and the Devil are often viewed as symbols of Halloween. The occult, however, is just a regular part of life for NAPALM DEATH ALBUMS RANKED Napalm Death are a refined powerhouse of foundation-cracking grind, but this wasn't always the case. The band, which hasn't featured anyoriginal
39 YEARS AGO: OZZY OSBOURNE ARRESTED FOR URINATING ON ALAMO 39 Years Ago: Ozzy Osbourne Arrested for Urinating on Alamo Cenotaph. Ozzy Osbourne didn’t wake up Feb. 19, 1982, and decide he was going to cause trouble that afternoon by pissing on a 2021 HARD ROCK + METAL ALBUM RELEASE CALENDAR With so many new metal and hard rock albums being released each week, it can be difficult to keep up. We’re making easier for you, keeping track of all the 2021 releases in one convenient location. THE PERFECT ROCK OR METAL ALBUM FOR EACH ZODIAC SIGN + WHY Ben Katzman's Degreaser is an alt-pop-metal group from Florida, spearheaded by, as the name indicates, Ben Katzman. The singer/guitarist is fearless in MUDVAYNE HAVE OFFICIALLY REUNITED Mudvayne have officially announced that they have reunited.. The alt-metal band formed in Illinois in 1996 and, after released five studio albums, entered a hiatus period in 2010 and remained EXODUS ALBUMS RANKED Exodus Albums Ranked. Eduardo Rivadavia. Published: May 17, 2016. Loudwire. Loudwire. Exodus Albums Ranked. Click through the gallery tosee how we
ANTHRAX ALBUMS RANKED Elektra. 5. Sound of White Noise (1993) Although its daring experiments seem altogether foreign, even unnatural, compared to the “classic” Anthrax sound today, there’s no denying that, with QUEENSRYCHE ALBUMS RANKED Queensryche Albums Ranked. Scroll through the gallery to see how we ranked Queensryche's albums from weakest to strongest! Image 1 of 15.EMI / Sanctuary /
3RD ANNUAL LOUDWIRE MUSIC AWARDS: COMPLETE WINNERS LIST The day has finally come to announce the winners of the 3rd Annual Loudwire Music Awards. After millions of votes by rock fans worldwide, we've got the final results for all 17 categories. HELLOWEEN ALBUMS RANKED Helloween's brief run with Kiske spearheaded the modern version of power metal, but, as the song goes, it was a "Rise and Fall" for the group who caved in to the singer's desire to overhaul the NAPALM DEATH ALBUMS RANKED Napalm Death are a refined powerhouse of foundation-cracking grind, but this wasn't always the case. The band, which hasn't featured anyoriginal
15 ARTISTS ASSOCIATED WITH WITCHCRAFT, SATANISM + THE OCCULT 15 Artists Associated With Witchcraft, Satanism + the Occult. Witches, black magic and the Devil are often viewed as symbols of Halloween. The occult, however, is just a regular part of life for 2021 HARD ROCK + METAL ALBUM RELEASE CALENDAR With so many new metal and hard rock albums being released each week, it can be difficult to keep up. We’re making easier for you, keeping track of all the 2021 releases in one convenient location. THE PERFECT ROCK OR METAL ALBUM FOR EACH ZODIAC SIGN + WHY Ben Katzman's Degreaser is an alt-pop-metal group from Florida, spearheaded by, as the name indicates, Ben Katzman. The singer/guitarist is fearless in MUDVAYNE HAVE OFFICIALLY REUNITED Mudvayne have officially announced that they have reunited.. The alt-metal band formed in Illinois in 1996 and, after released five studio albums, entered a hiatus period in 2010 and remained EXODUS ALBUMS RANKED Exodus Albums Ranked. Eduardo Rivadavia. Published: May 17, 2016. Loudwire. Loudwire. Exodus Albums Ranked. Click through the gallery tosee how we
ANTHRAX ALBUMS RANKED Elektra. 5. Sound of White Noise (1993) Although its daring experiments seem altogether foreign, even unnatural, compared to the “classic” Anthrax sound today, there’s no denying that, with QUEENSRYCHE ALBUMS RANKED Queensryche Albums Ranked. Scroll through the gallery to see how we ranked Queensryche's albums from weakest to strongest! Image 1 of 15.EMI / Sanctuary /
3RD ANNUAL LOUDWIRE MUSIC AWARDS: COMPLETE WINNERS LIST The day has finally come to announce the winners of the 3rd Annual Loudwire Music Awards. After millions of votes by rock fans worldwide, we've got the final results for all 17 categories. HELLOWEEN ALBUMS RANKED Helloween's brief run with Kiske spearheaded the modern version of power metal, but, as the song goes, it was a "Rise and Fall" for the group who caved in to the singer's desire to overhaul the NAPALM DEATH ALBUMS RANKED Napalm Death are a refined powerhouse of foundation-cracking grind, but this wasn't always the case. The band, which hasn't featured anyoriginal
15 ARTISTS ASSOCIATED WITH WITCHCRAFT, SATANISM + THE OCCULT 15 Artists Associated With Witchcraft, Satanism + the Occult. Witches, black magic and the Devil are often viewed as symbols of Halloween. The occult, however, is just a regular part of life for THE 50 BEST METAL + HARD ROCK LIVE BANDS OF ALL TIME The best of the best. To determine the Top 50 Hard Rock + Metal Live Acts, we factored in all the elements mentioned above and we'll be honest: ranking these top shelf entertainers was one of the THE BEST COVER SONGS FROM 50 OF METAL'S BIGGEST BANDS In any era of music, the cover song has remained a staple, and with five decades of heavy metal to work with, we've selected The Best Cover Songs From 50 of Metal's Biggest Bands. TOP 25 POWER METAL ALBUMS OF ALL TIME Noise. 23. Running Wild, 'Port Royal' (1988) Before there was pirate metal, you just played power metal and sang about pirates. That’s exactly what Germany’s Running Wild did on ‘Port Royal TOP 25 DOOM METAL ALBUMS OF ALL TIME Top 25 Doom Metal Albums of All Time. Scroll through the gallery as we play it low and slow counting down the Top 25 Doom Metal Albums of 25 BEST METALCORE ALBUMS OF ALL TIME Metalcore is still a young genre, but has produced countless albums that have become classics over time. Join us as we count down the Top 25 Metalcore Albums of All Time in MIKE PROTICH TALKS TRANSITION FROM RED SUN RISING TO THE Mike Protich Explains Transition from Red Sun Rising to the Violent. Earlier this year, an anonymous new trio, the Violent, released a song called "Fly on the Wall." The members were eventually 15 ARTISTS ASSOCIATED WITH WITCHCRAFT, SATANISM + THE OCCULT 15 Artists Associated With Witchcraft, Satanism + the Occult. Witches, black magic and the Devil are often viewed as symbols of Halloween. The occult, however, is just a regular part of life for CANNIBAL CORPSE ALBUMS RANKED Cannibal Corpse Albums Ranked. Scroll through the gallery as we count down Cannibal Corpse's albums from weakest to strongest. Metal Blade. FIVE FINGER DEATH PUNCH PLAN TO RECORD TWO NEW ALBUMS THIS Five Finger Death Punch aim to enter the studio soon to start tracking not just one but two new albums — a follow-up to last year's F8 as well as a re-recorded version of their 2007 debut, The WHO IS THE GIRL FROM HINDER'S 'EXTREME BEHAVIOR' ALBUM COVER? Hinder's Extreme Behavior was an unexpected moment for rock music in the 2000s.After being released to generally negative reviews, the underdog record went LOUDWIREHOMEGEAR FACTOR50 YEARS OF METALWIKI: FACT OR FICTIONLISTSNEWS Rock music news, interviews, reviews and more from rock artists.NEWS - LOUDWIRE
When you visit our site, pre-selected companies may access and use certain information on your device and about this site to serve relevant ads or personalized content. 2021 HARD ROCK + METAL ALBUM RELEASE CALENDAR With so many new metal and hard rock albums being released each week, it can be difficult to keep up. We’re making easier for you, keeping track of all the 2021 releases in one convenient location. THE PERFECT ROCK OR METAL ALBUM FOR EACH ZODIAC SIGN + WHY Ben Katzman's Degreaser is an alt-pop-metal group from Florida, spearheaded by, as the name indicates, Ben Katzman. The singer/guitarist is fearless in 3RD ANNUAL LOUDWIRE MUSIC AWARDS: COMPLETE WINNERS LISTLOUDWIRE MUSIC AWARDSLOUDWIRE NEWSLOUDWIRE WEBSITEROCK NEWS LOUDWIRE The day has finally come to announce the winners of the 3rd Annual Loudwire Music Awards. After millions of votes by rock fans worldwide, we've got the final results for all 17 categories. TOP 90 HARD ROCK + METAL ALBUMS OF THE '90S We started with a list of nearly 300 albums to contend with and narrowed it down to the 90 Best Hard Rock + Metal Albums of the 1990s.Take a trip
15 ARTISTS ASSOCIATED WITH WITCHCRAFT, SATANISM + THE OCCULT Below is a gallery of 15 prominent artists in the rock and metal world who have been associated with witchcraft, Satanism and the occult in one form or another. NAPALM DEATH ALBUMS RANKED Napalm Death are a refined powerhouse of foundation-cracking grind, but this wasn't always the case. The band, which hasn't featured anyoriginal
LAYNE STALEY'S MOTHER RECALLS HARROWING MOMENT OF SEEINGLAYNE STALEY S FATHER PHIL STALEYLAYNE STALEY AUTOPSY PHOTOSLAYNE STALEY GRAVE Layne Staley would have turned 50 years old on Aug. 22, and his mother, Nancy McCallum, speaks about the Alice In Chains vocalist's battles with drugs, as well as the current U.S. opioid crisis WHO IS THE GIRL FROM HINDER'S 'EXTREME BEHAVIOR' ALBUM COVER? Hinder's Extreme Behavior was an unexpected moment for rock music in the 2000s.After being released to generally negative reviews, the underdog record went LOUDWIREHOMEGEAR FACTOR50 YEARS OF METALWIKI: FACT OR FICTIONLISTSNEWS Rock music news, interviews, reviews and more from rock artists.NEWS - LOUDWIRE
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ROCKERS CELEBRATE 50TH ANNIVERSARY OF BLACK SABBATH’S FIRST ALBUMJoe DiVita
February 13, 2020Chris Walter, WireImage/Getty Images* SHARE
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on Amazon Music Unlimited (ad) Black Sabbath released their debut album on Feb. 13, 1970, ushering in heavy metal, which, 50 years later, has shown no sign of slowing down. In celebration of the milestone event, a number of rock and metal artists have posted about the album's anniversary on social media. Almost unanimously regarded as the first-ever heavy metal record (though we debate that here), _Black
Sabbath_ offered something so unique and different from anything else in existence at the time, despite loads of other bands inching toward a heavier style of music that distanced itself from rock 'n' roll as this new style would eventually bear a term all its own. Fittingly, Zakk Sabbath (Zakk Wylde 's Black Sabbath tribute band) are playing a concert in Sabbath's hometown of Birmingham, England tonight (Feb. 13), to commemorate half a century of metal. If Tony Iommi isn't playing those riffs anymore, someone has to — thanks for your service to the almighty riff, Zakk! See what members of Black Sabbath, Anthrax, Exodus
, Sons of Apollo
, Sepultura
and more had to say about the 50th anniversary of _Black Sabbath_ below.BLACK SABBATH
> 50 years on, still praying at the altar of #SABBATH! > Listen on @AppleMusic: https://t.co/rdYsGqCIpS > — BlackSabbath (@BlackSabbath) February 13, 2020 \n\n","width":550,"height":null,"type":"rich","cache_age":"3153600000","provider_name":"Twitter","provider_url":"https://twitter.com","version":"1.0"}"> TONY IOMMI (BLACK SABBATH) > View this post on Instagram>
> 50 years today! Where did the time go. Great album mind.>
> A post shared by Tony Iommi (@iommi099) on Feb 13, 2020 at 9:10am> PST
","thumbnail_url":"https://scontent-yyz1-1.cdninstagram.com/v/t51.2885-15/sh0.08/e35/s640x640/82533432_1082485925450405_6956992912570964608_n.jpg?_nc_ht=scontent-yyz1-1.cdninstagram.com&_nc_cat=105&_nc_ohc=dZ2KUl0OERwAX-nwVgt&oh=e11b10bf04c9ad40591496a6983e12c2&oe=5EC9D5AA","thumbnail_width":640,"thumbnail_height":640}"> GEEZER BUTLER (BLACK SABBATH) > View this post on Instagram>
> 50 years ago today.>
> A post shared by Geezer Butler (@geezerbutler) on Feb 13, 2020 at> 12:53pm PST
","thumbnail_url":"https://scontent-yyz1-1.cdninstagram.com/v/t51.2885-15/sh0.08/e35/s640x640/82888916_134801681339488_5753791219541164827_n.jpg?_nc_ht=scontent-yyz1-1.cdninstagram.com&_nc_cat=104&_nc_ohc=1ubekgD_9z0AX-BO1yr&oh=196f2d1d460166cedf27070dd4245db0&oe=5EC93A61","thumbnail_width":640,"thumbnail_height":640}"> ZAKK SABBATH (FEAT. ZAKK WYLDE) > View this post on Instagram>
> On This Day! Feb 13 1970. 50 years ago! We are here to celebrate all > that is the greatness of Black Sabbath! Hope you are ready > Birmingham! Tonight is SOLD OUT! Z⚡️S @o2institutebham> #zakksabbath
>
> A post shared by Zakk Sabbath (@zakksabbath) on Feb 13, 2020 at> 7:12am PST
","thumbnail_url":"https://scontent-yyz1-1.cdninstagram.com/v/t51.2885-15/e35/84488170_143317273806340_4673670938199192932_n.jpg?_nc_ht=scontent-yyz1-1.cdninstagram.com&_nc_cat=104&_nc_ohc=fujZcUc_NIwAX9xj27x&oh=325f8c3bec97eb75d9b742c38eee4b85&oe=5EDD8B9C","thumbnail_width":640,"thumbnail_height":640}"> SCOTT IAN (ANTHRAX, THE DAMNED THINGS) > View this post on Instagram>
> The debut album by the band that invented heavy metal turns 50! > Thank you Tony, Geezer, Bill and Ozzy. Without you metal doesn’t > exist. #blacksabbath50years @iommi099 @geezerbutler @billwarddrummer> @ozzyosbourne
>
> A post shared by Scott Ian (@scottianthrax) on Feb 13, 2020 at> 12:27am PST
","thumbnail_url":"https://scontent-yyz1-1.cdninstagram.com/v/t51.2885-15/sh0.08/e35/s640x640/83940759_617947425704364_3273745020134421318_n.jpg?_nc_ht=scontent-yyz1-1.cdninstagram.com&_nc_cat=100&_nc_ohc=1V6PYxU5TFEAX_F5o2q&oh=94f9f44cc65a16e90c101bbfa20de47b&oe=5ECBF070","thumbnail_width":640,"thumbnail_height":640}"> GARY HOLT (EXODUS, SLAYER) > View this post on Instagram>
> Happy 50th birthday heavy metal! I love you, your friend , Gary>
> A post shared by Gary Holt (@garyholt_official) on Feb 13, 2020 at> 4:20am PST
","thumbnail_url":"https://scontent-yyz1-1.cdninstagram.com/v/t51.2885-15/sh0.08/e35/s640x640/82568113_511369296424204_5907686055797678974_n.jpg?_nc_ht=scontent-yyz1-1.cdninstagram.com&_nc_cat=104&_nc_ohc=_8WFjHraYH0AX8X92ac&oh=3f9a586b37ff6ba8e94b1d9475d77122&oe=5EFE75FE","thumbnail_width":640,"thumbnail_height":594}">OZZFEST
> Happy 50th Birthday Heavy Metal!https://t.co/0tVbiFXsDD > — OzzFest (@TheOzzFest) February 13, 2020 \n\n","width":550,"height":null,"type":"rich","cache_age":"3153600000","provider_name":"Twitter","provider_url":"https://twitter.com","version":"1.0"}"> FRANK BELLO (ANTHRAX) > View this post on Instagram>
> 50 years strong! Thankyou @blacksabbath for the gift of metal! > #blacksabbath #tonyiommi #geezerbutler #ozzyosbourne #billward > #anthrax #monsterenergy #monstermusic #metal>
> A post shared by Frank Bello (@thefrankbello) on Feb 13, 2020 at> 8:56am PST
","thumbnail_url":"https://scontent-yyz1-1.cdninstagram.com/v/t51.2885-15/sh0.08/e35/s640x640/82520083_494246631500233_142870423973574878_n.jpg?_nc_ht=scontent-yyz1-1.cdninstagram.com&_nc_cat=101&_nc_ohc=x2bQDSCaS2YAX8JILUL&oh=09be00dcea1ab1919617fb4fed7e20e6&oe=5EDDD2CD","thumbnail_width":640,"thumbnail_height":594}">OVERKILL
> View this post on Instagram>
> 50 years! @blacksabbath @iommi099 @ozzyosbourne @geezerbutler> @billwarddrummer
>
> A post shared by OVERKILL (@overkillofficial) on Feb 13, 2020 at> 7:02am PST
","thumbnail_url":"https://scontent-yyz1-1.cdninstagram.com/v/t51.2885-15/sh0.08/e35/p640x640/84011898_871264803332155_1161649099054611224_n.jpg?_nc_ht=scontent-yyz1-1.cdninstagram.com&_nc_cat=107&_nc_ohc=tW3JDMYFusQAX-IiIoy&oh=0bb6b355ed51e438fb09cb9828887b43&oe=5EC9DD55","thumbnail_width":640,"thumbnail_height":743}"> MIKE PORTNOY (SONS OF APOLLO, THE WINERY DOGS + A LOT MORE) > View this post on Instagram>
> Happy 50th Anniversary to the album that started it all! > @blacksabbath Safe to say Heavy Metal was born 50 years ago > today...Thank you @ozzyosbourne @iommi099 @geezerbutler & > @billwarddrummer 🙏🤘>
> A post shared by Mike Portnoy (@mikeportnoy) on Feb 13, 2020 at> 11:08am PST
","thumbnail_url":"https://scontent-yyz1-1.cdninstagram.com/v/t51.2885-15/e35/s612x612/83631484_594196944492111_2337221308864502501_n.jpg?_nc_ht=scontent-yyz1-1.cdninstagram.com&_nc_cat=103&_nc_ohc=RNyqnvJbnaYAX9Af6j_&oh=fee2bbd8f9062ff754f864d68aaa0a51&oe=5EFE7583","thumbnail_width":612,"thumbnail_height":569}"> BLASKO (OZZY OSBOURNE) > View this post on Instagram>
> 50 Years Ago! Thanks Black Sabbath!>
> A post shared by Mr. Blasko (@blasko1313) on Feb 13, 2020 at 7:20am> PST
","thumbnail_url":"https://scontent-yyz1-1.cdninstagram.com/v/t51.2885-15/e35/83999735_124333705769050_8902079248943104194_n.jpg?_nc_ht=scontent-yyz1-1.cdninstagram.com&_nc_cat=110&_nc_ohc=aNcm5iDf7joAX__CZUk&oh=6294d83bba3d4fffba39ab0dbb82ed5c&oe=5EDF9324","thumbnail_width":640,"thumbnail_height":640}"> ANDREAS KISSER (SEPULTURA) > Thank you Lord of this World!! https://t.co/yX2wSCxE10 > — Andreas Kisser (@andreaskisser) February 13, 2020 \n\n","width":550,"height":null,"type":"rich","cache_age":"3153600000","provider_name":"Twitter","provider_url":"https://twitter.com","version":"1.0"}"> ROCK AND ROLL HALL OF FAME > 50 years ago today, '06 Inductees @BlackSabbath released their > debut self-titled album; at their induction Lars of @Metallica > declared that the band was "utterly groundbreaking, with their > huge hymns of doom." Tweet us your favorite track from their > debut. pic.twitter.com/RLbgoLwjDE > — Rock Hall (@rockhall) February 13, 2020 \n\n","width":550,"height":null,"type":"rich","cache_age":"3153600000","provider_name":"Twitter","provider_url":"https://twitter.com","version":"1.0"}"> BLACK SABBATH SONGS RANKED WORST TO BEST (OZZY OSBOURNE ERA) Vertigo / Warner Bros. / Epic Records BLACK SABBATH SONGS RANKED (OZZY OSBOURNE ERA)Vertigo
79. “FX (INSTRUMENTAL)” - _VOL. 4_ (1972) Easily the most insignificant piece of “music” ever committed to tape by Black Sabbath’s original foursome, “FX,” from 1972’s otherwise spectacular _Vol. 4_, offers nothing but muted, echoing sound effects, resembling some kind of meaningless S.O.S. dots and dashes. The only thing honest about this is its title. —Ed RivadaviaWarner Bros.
78. “BREAKOUT ” - _NEVER SAY DIE!_ (1978) This is not just the worst proper song of the Ozzy era, but maybe in Sabbath’s entire history. Ozzy refused to sing on it, proving that even in such a drug-ravaged state he possessed the ability to make a sound decision or two (the second being his refusal to sing on “Swinging the Chain,” but more on that later). “Breakout” is two-and-half minutes of aimless, blaring horns that’ll have you convinced you’re slowly driving past a crappy parade. Iommi had struggled with writer’s block before (_Sabbath Bloody Sabbath_), demonstrating that sometimes you can shit gold and, evidenced by “Breakout,” other times you just shit. —Joe DiVitaVertigo
77. “IT’S ALRIGHT” - _TECHNICAL ECSTASY_ (1976) Maybe, instead of “two robots shagging” on its cover, as Ozzy described it, _Technical Ecstasy_ should have had displayed a giant monkey wrench, because that’s precisely what this adventurous album threw into the band’s heretofore predictable (if wonderfully so) discography. And it’s hard to imagine any other song shocking Black Sabbath fans more than “It’s Alright” -- a laid-back, Beatles-esque ballad written and sung by drummer Bill Ward. At the time, it was seen by many fans as insulting; today, the reaction may just as often be described as “whatever”; but what’s certain is that releasing it as a single in 1976 was a little much. —ERVertigo
76. “DON’T START (TOO LATE)” - _SABOTAGE_ (1975) This cleverly titled little interlude (well, not that clever, but Sabbath fans can’t be choosers) bridged the gap between the _Sabotage_ album’s twin, opening standouts “Hole in the Sky” and “Symptom of the Universe.” Whether any kind of bridge was even necessary is another matter, open for discussion, but there’s a certain, discreet Spanish guitar flavor to this fast-picking exercise that elevates it above other short instrumentals spread across the Sabbath canon, for what that’s worth. —ERVertigo
75. “PEACE OF MIND” - _13_ (2013) It’s easy to understand why “Peace of Mind” was omitted from the standard edition _13_ full length. The riffs are recycled. Iommi goes through the motions with the call and response palm-mutes in another painfully stiff song that does pick up a bit with that massive drum fill over the mid-section, giving way to an urgent, purposeful guitar part. Still, that riff would’ve been better suited elsewhere on the swansong record. —JDVertigo
74. “PARIAH” - _13_ (2013) Sabbath were all about the jam back in the day. And when crafting an effort where the intent is to recreate the vibe of the groundbreaking 1970 debut, it helps to kick out a boogie riff. And that’s just what they do after the bleak opening moments of “Pariah.” It’s a bummer they didn’t keep the momentum rolling, letting power chords ring out and it’s back into another snoozer verse / chorus setup.—JD
Vertigo
73. “RAT SALAD” -_PARANOID_ (1970) Let’s not even try to beat around the bush: “Rat Salad” was Bill Ward’s response to “Moby Dick,” John Bonham’s iconic drum solo for Led Zeppelin, which, in turn, was an answer to Ginger Baker’s percussive showcase for Cream’s “Toad” — so there! As with those other tunes, guitar and bass bookend the central skin-bashing, but we’d be lying if we claimed that Bill’s showcase matched up with either one of its predecessors, making this a low-point in _Paranoid_, but one you still shouldn’t dismiss entirely. —ERWarner Bros.
72. “SWINGING THE CHAIN” - _NEVER SAY DIE!_ (1978) “Swinging the Chain” was one of two _Never Say Die!_ tracks on which Ozzy flatly refused to sing (“Breakout” being the other), though it’s a little harder to understand why as there were no offending horns or other obvious heresies afflicting this cut. Instead, fans were given another rare taste of Bill Ward’s unexpectedly versatile lead vocal skills on an otherwise undistinguished blues-rocker, complete with harmonica by one Jon Elstar, and occasional descents into more familiar doom riffs. —EREpic Records
71. “PSYCHO MAN” _REUNION_ (1998) In retrospect, “Psycho Man” neither adds nor subtracts anything noteworthy to the Black Sabbath discography, but it was positively thrilling when originally released in 1998 as one of two, brand new studio tracks recorded by Osbourne, Iommi, Butler and Ward after a 20-year hiatus. Now, it sounds almost as much like an Ozzy solo cut as Sabbath material, but King Iommi was as commanding as ever, so let’s not split hairs. Plus, the change of pace bridge still gets the blood pumping, every time. —ERVertigo
70. “ROCK ‘N’ ROLL DOCTOR” - _TECHNICAL ECSTASY_ (1976) A deliberate, made-to-order Black Sabbath radio single if ever there was one, “Rock ‘n’ Roll Doctor” is often dismissed (and justifiably so) as a reflection of Black Sabbath’s late ‘70s decline, but it’s also a reflection of heavy metal’s overall shift into hard rock near decade’s end, under pressure to fit into increasingly regimented, unadventurous radio playlists. Look at it that way, and the critics who disparagingly compared it to Kiss or Aerosmith were basically acting like spoiled teenagers blaming all of heavy metal’s troubles on mom and dad. Or something. —ERVertigo
69. “DEAR FATHER” - _13_ (2013) The final song on Black Sabbath’s final album — it’s got to be an all-timer right? Time to slam the book shut with some authority! If only that were the case. The bumpy _13_ hits a monster pothole by the name of “Dear Father,” a lackluster finale rife with stock tough guy riffs and an unforgivingly rigid performance from studio skinsman Brad Wilk. The linear approach to the songwriting leaves little space for redemption, but we’ll admit that the thunder echoing in the distance is a nice little bookend on Sabbath’s studio catalog — if not a just a tad cheeky. —JDVertigo
68. “SHE’S GONE” - _TECHNICAL ECSTASY_ (1976) A teary, acoustic-driven ballad lamenting rejection by a lover is about as far away from inventing heavy metal as it gets, indicative of the band’s meandering creativity at the time. It’s a well-composed track, there’s no doubt about that, and it definitely stands tall among Black Sabbath’s dart-throws when it comes to ballads. By the way, does anyone else hear the similarity between the acoustic passage here and “Black Horsemen,” the closing track off King Diamond’s_Abigail_? —JD
Vertigo
67. “AM I GOING INSANE (RADIO)” - _SABOTAGE_ (1975) _Sabotage_, by and large, saw Black Sabbath going back to their bludgeoning basics, following the unprecedented sophistication of _Sabbath Bloody Sabbath_, but the synth-dominated “Am I Going Insane (Radio)” was a notable, nails-on-chalkboard exception. However, its use of “radio” in the title was neither an admission that this was to be the album’s chosen single, nor a typo for “radio edit,” but a now obscure bit of slang in which “radio-rental” rhymed with “mental.” So much confusion for such a mediocre song! —ERVertigo
66. “GYPSY” - _TECHNICAL ECSTASY_ (1976) A tale of two halves, “Gypsy” doesn’t make much of an impression over its first few minutes, simply bouncing along on a few decent riffs, bass grooves and melodies, plus an insistent tambourine, which may just be the most interesting part of the song. Things get much more exciting, or at least familiar, near the end, as minor chords and pounding piano triplets build a bridge to a dramatic and protracted denouement, draped in sorrowful Iommi leads and Ozzy’s trademarked sad clown vocals. —ERVertigo
65. “DAMAGED SOUL” - _13_ (2013) When the time came to record Black Sabbath’s long-awaited Ozzy reunion album, _13_, executive producer Rick Rubin gave Iommi, Geezer and Osbourne clear marching orders about reconnecting with their younger selves by cramming on those seminal LPs from the early ‘70s, and “Damaged Soul” is an obvious result of this process. One of the record’s bluesier, grooviest offerings, complete with a harmonica part, this is the song most redolent of Sabbath’s formative debut, checking that box for what it’s worth. —ERVertigo
64. “EMBRYO" (INSTRUMENTAL) - _MASTER OF REALITY_ (1971) There’s really no room for finger-picked acoustic diddies when you’re crafting the heaviest album ever made up to that point in time. Well, almost no room. Sabbath dedicated 90 seconds of precious space on their 1971 record to “Orchid,” a beautiful interlude that demonstrated Iommi did know how to do more than tear off muscular riffs and screaming blues solos — he just opted mostly not to. —JDVertigo
63. “LAGUNA SUNRISE (INSTRUMENTAL)” - _VOL. 4_ (1972) A placid instrumental, nestled within Vol. 4’s glorious, megalithic barrage, “Laguna Sunrise” was penned by Tony Iommi after watching the sun rise on Laguna Beach, California. Don’t ask us what kept the guitarist up all night (hmmmm?), but suffice it to say the sun doesn’t rise -- it sets -- on Laguna Beach, so there you go! Anywho, recruiting a string section to accompany Iommi’s acoustic neoclassical musings was a bright idea, even if the classical musicians refused to play their parts until they were notated properly. Snobs. —ERWarner Bros.
62. “JUNIOR’S EYES” - _NEVER SAY DIE!_ (1978) A glimpse of what might have been, “Junior’s Eyes” was one of several songs written by Sabbath during tentative jams with ex-Savoy Brown belter Dave Walker during Ozzy’s first, ultimately temporary ouster ahead of 1978’s _Never Say Die!_ LP. The song was duly reworked after Osbourne’s return and proved to be a highlight in an admittedly moribund album (check out Geezer’s memorable bass line and strong chorus to match), but you can still find demos featuring Walker’s vocals out on the world wide web. —ERWarner Bros.
61. “JOHNNY BLADE” - _NEVER SAY DIE!_ (1978) The first 30 seconds of “Johnny Blade” can best be described as an orgy of synthesizers. After which, the expected guitars, bass and drums interrupt, elevating the proceedings to a full-blown gang-bang … musically speaking, of course. If only this sordid story of a switchblade killer delivered a better “money shot” than the additional synthesizer ejaculations heard around the five-minute mark, but instead they merely break up an overlong song in dire need of better ideas to justify its six-and-a-half minutes. —EREpic Records
60. “SELLING MY SOUL” _REUNION_ (1998) “Selling My Soul,” one of two new songs written with the original lineup during their late ‘90s reformation and released on the 1998 _Reunion_ live collection, was a pleasant surprise for fans. Some parts were a bit familiar (“Iron Man,” anyone?) but it still carried enough of its own identity and a rejuvenated spirit to carry it through the quick runtime. While not remarkable, “Selling My Soul” is a strong albeit safe reunion song that time often forgets.—JD
Vertigo
59. “METHADEMIC” - _13_ (2013) What is this a public service announcement? No, it’s just a song about the meth crisis called “Methademic,” which races by at blazing speed (no doom to be found here) and conveniently checks another box on Rick Rubin’s <>i13 “to-do” list for reviving vintage Black Sabbath. Envision that checklist with us, if you will, including a bullet for “drug anthem a la ‘Sweet Leaf,’” ‘Snowblind’ and ‘Hand of Doom:’ CHECK!” And there you haveit … —ER
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58. “A HARD ROAD” - _NEVER SAY DIE!_ (1978) As well as sounding like a strange cousin to Judas Priest’s “Heading Out to the Highway,” “A Hard Road” aptly evokes a feeling of rolling down the highway, via a hypnotic riff and steady drum beat that’s downright mesmerizing. And, because it’s so focused on barrelling right down the middle of the road (if you’ll forgive the pun), this song offers a welcome, safe hard rock haven from the sometimes reckless experimentation taking place on _Never Say Die!_ and its predecessor, _Technical Ecstasy_. —ERVertigo
57. “ORCHID" (INSTRUMENTAL) - _MASTER OF REALITY_ (1971) We know what you’re thinking — why include a 30-second instrumental bit? Most people probably treat “Embryo,” which is sandwiched between “After Forever” and “Children of the Grave,” as a mere afterthought. It’s significant in a couple ways: It’s very Beatles-esque and was used as a quick opportunity for Sabbath to keep some neat ideas that didn’t really gel with the songwriting approach generally adopted in _Master of Reality_. They were willing to experiment, but they wouldn’t let it derail the record. That would change a few years later though. —JDWarner Bros.
56. “OVER TO YOU” - _NEVER SAY DIE!_ (1978) In the context of the _Never Say Die!_ album, “Over to You” is a perfectly passable song — unremarkable but not gag-inducing. It’s a heavy song by lounge standards, to which the hyper-melodic piano runs speak to, but it’s just another confused pile of decent riffs ruined by leaps of desperation looking for any sort of creative spark. Oh, and KISS definitely lifted the single-note opening bit nearly a decade later on “Uh! All Night.” —JDVertigo
55. “ALL MOVING PARTS (STAND STILL)” - _TECHNICAL ECSTASY_ (1976) You gotta admit that “All Moving Parts (Stand Still)” is a pretty nifty, even thought-provoking title, and Geezer Butler never played a funkier bass line, but you have to wonder if he was taking the piss when he told biographer Mick Wall that he wrote these lyrics about “a transvestite who becomes President of the United States.” Musically, this cut head-bangs pretty convincingly before veering off into a comedic mid-section, in which Ozzy confirms that he “likes smoking pot” -- yeah, no shit, Sherlock! —ERVertigo
54. “FLUFF” - _SABBATH BLOODY SABBATH_ (1973) Probably the loveliest of Tony Iommi’s acoustic solo pieces, sprinkled across Black Sabbath’s albums, “Fluff” is likewise the most “robust” in composition. Whereas true interludes like “Embryo,” “Orchid” and “Don't Start (Too Late)” sound like studio knock-offs, distractedly captured in between takes, “Fluff,” for all its simplicity, was clearly premeditated and intertwined with several guitar melodies in counterpoint, plus Rick Wakeman’s piano, making it the ultimate Sabbath album palatecleanser. —ER
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53. “LIVE FOREVER” - _13_ (2013) With its doomy intro setting up a speedier, circular riff, “Live Forever” could have easily fit into a ‘90s Black Sabbath album such as _Forbidden_ or _Cross Purposes_, which isn’t necessarily a knock on it (those albums had their moments) ... but it’s sure ain’t no hearty endorsement, either. Suffice to say that this is one of those “just OK” tracks that called the entire exercise of recording new music with Ozzy into question. Still, better to have something than nothing at all. —EROzzfest
52. "SCARY DREAMS" — ONLY PLAYED LIVE This one has never appeared on any proper release and was never even recorded in a studio. We’ve only got live versions of “Scary Dreams,” which Sabbath played on the 2001 Ozzfest tour. The ideal blend of blues and atmospheric doom heard on the band’s first record reared its head 31 years later, inspiring hope that maybe the members had gotten the kinks out of their writing hangups and were on their way to a full-fledged record. But nope, it’d be another dozen years before that happened. Too bad Rick Rubin couldn’t coax them into tracking this one for that final album. —JDVertigo
51. “END OF THE BEGINNING” - _13_ (2013) While the title may sound clever, it’s really just a desperate and obvious way for Sabbath to launch into the final album of their career. Lazy lyrical inversions plague this track (“_Is this the end of the beginning? / Or the beginning of the end?_” // “_Is your life real or just pretend?_” // “_Rewinds the future to the past_”) and, instrumentally, meshing distinct aspects of “Electric Funeral” and “Black Sabbath” gets an eye roll and a lung-deflating sigh from this writer. Fortunately, they turn things around over the last half of the album opener and, damn, does Ozzysound great! —JD
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50. “SHOCK WAVE” - _NEVER SAY DIE!!_ (1978) For a song that rarely gets mentioned — like, ever — in any conversation about Black Sabbath, “Shock Wave” doesn’t have anything particularly wrong with it. In fact, it’s one of the more traditional sounding songs you’ll find on the rather untraditional _Never Say Die!_ album, packing a fair amount of potent power chords and a decent chorus whose only failing is forgetting to include the song’s title. Never underestimate the importance of that, kids. Even the alien “woo woos” that appear near the end come too late to offend, so maybe give “Shock Wave” a fresh listen, will you? —ERVertigo
49. “BACK STREET KIDS” - _TECHNICAL ECSTASY_ (1976) Much like Led Zeppelin’s “Wearing and Tearing” a few years later, “Back Street Kids” felt like a message to punk rockers, reminding them who the original rebels were with its big, rumbling riffing and defiant lyrics proclaiming that “_Nobody I know is gonna take my rock 'n’ roll away from me_.” But the song still makes room for some synths, as if to prepare fans for the unexpected sounds still ahead of them on _Technical Ecstasy_, as if the album’s blindingly pale, Hipgnosis-designed cover art wasn’t jarring enough.—ER
Vertigo
48. “ZEITGEIST” - _13_ (2013) Everyone knows _13_ was a calculated exercise in nostalgia, aimed at legitimizing the first full Black Sabbath album with Ozzy (and tragically sans Bill) on vocals in 35 years, but did they really have to go so far as to craft an unapologetic “Planet Caravan” knockoff in “Zeitgeist”? That being said, this was rather compelling little number, highlighted by bluesy licks from Iommi and a strong Osbourne vocal, but bringing back the bongos really was a tad much. —ERVertigo
47. “YOU WON’T CHANGE ME” - _TECHNICAL ECSTASY_ (1976) As Sabbath sought musical progression on their maligned 1976 effort, they sounded stylistically lost. They did strike gold though on “You Won’t Change Me.” The song remained true to their red-eyed, foggy-headed selves in its mostly doomy riffing, but it was all done with a progressive bent, heavily utilizing lumbering piano passages for support and a wickedly catchy keyboard motif. We can’t help but think this was the overall intent for the full record, but Sabbath just fell embarrassingly short of their aim. —JDVertigo
46. “LOOKING FOR TODAY” - _SABBATH BLOODY SABBATH_ (1973) A weak link in an otherwise brilliant long-player, 1973’s _Sabbath Bloody Sabbath_, “Looking for Today was sequenced seventh out of eight songs -- where bands and producers dump their filler material, hoping you’ll be too stoned to notice, by the time it rolls around. But let’s not unfairly castigate this song for merely being solid amid superlative material, because, nonsensical lyrics aside, it’s a pretty catchy little bugger. —ERVertigo
45. “AGE OF REASON” - _13_ (2013) A standout from 2013’s oft-criticized _13_ LP, “Age of Reason” rode a spectacular Iommi riff to victory, briefly suspending all the arguments, pro and con, with a metallic clinic so pure, everything was suddenly forgiven. What’s more, the song’s lyrics about humanity’s persistent self-destructive stupidity were classic Black Sabbath, including prescient lines such as: “_Sustainable extinction, A fractured human race_,” “Prozac days and sleepless hours / Seeds of change that don't bear fruit,” etc. This is the wayit’s done! —ER
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44. “SUPERTZAR” - _SABOTAGE_ (1975) What would happen if Black Sabbath went out to the symphony? Why, “Supertzar,” of course. This curious experiment from _Sabotage_ set a spirited, dowright bombastic performance by the English Chamber Choir to a more familiar collection of Iommi power chords, with head-scratching results. Mind you: the song has no words, just an abundance of “oohs” and “aahs,” which push it into the realm of movie soundtracks, now and then, and straight to the looney bin, most of the time. And yet, strangely, it works! —ERVertigo
43. “GOD IS DEAD?” - _13_ (2013) If the entire concept and substance of _13_ could be condensed into just one of its songs, that song would be “God is Dead?” This near-nine-minute behemoth exemplifies all that was right and wrong about this divisive LP, which took such pains to check off every box (including the cliches) when it came to replicating the classic Black Sabbath spirit and aesthetic (minus paying Bill Ward a respectable wage), that the entire exercise felt despairingly cynical and superficial. As a result, love / hate responses vary wildly, depending on the mindset with which one approaches this song, on any given day.—ER
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42. “ST. VITUS DANCE” - _VOL. 4_ (1972) “St. Vitus Dance” takes its name from a nervous system disorder (known today as Sydenham's chorea) whose victims suffer from jerking and uncontrollable movements. The affliction, in turn, took its old name from the patron boy saint of actors, comedians and especially dancers, whose apocryphal martyrdom included dying spasms of a similarly uncontrolled nature. So leave it to Black Sabbath to write a love advice song (“_You think she wants your money / But it’s you she wants instead_”) around this gruesome concept. And, of course, the song also later inspired the moniker of another set of doom icons from Southern California. —ERWarner Bros.
41. “AIR DANCE” - _NEVER SAY DIE!_ (1978) When the rest of the prog scene was crumbling around the U.K. Tony, Geezer and Bill (Ozzy was probably drifting in and out of consciousness) went, “All right mates, looks like it’s up to us.” Or at least that’s what “Air Dance” makes it sound like. It’s got the overall makeup of a lounge song with feather-tickling piano parts and the back half can comfortably be nestled somewhere in Steven Wilson’s catalog, making it one of Sabbath’s more brilliantly peculiar songs, even if it’s one you don’t necessarily find yourself coming back to unless you’ve got to write a list likethis. —JD
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40. “NEVER SAY DIE” - _NEVER SAY DIE_ (1978) Despite major fractures within the group that would ultimately spell the end for this revered original lineup, Sabbath were still capable of finding a modicum of strength. Ironically titled given the band’s dire circumstances, “Never Say Die” does indeed inspire hope with its sunny day riffing and surprisingly strong vocal from Ozzy, who was deep in substance abuse while also having recently dealt with the death of his father. —JDVertigo
39. “BEHIND THE WALL OF SLEEP” - _BLACK SABBATH_ (1970) A nice little bundle of ideas, “Behind the Wall of Sleep” is one of the comparatively brighter moments on Sabbath’s eponymous debut, despite the repeated line, “Turns your body to a corpse.” The jingle-jangle melody set against a downer riff sets the scene and from there it’s all blues — a heaving but upbeat lick from Iommi and a reverb-drenched lyric from Ozzy in the good ol’ call and response fashion make up most of this one. It’s a fine tune, but would have benefitted from some more time to properly flesh things out. —JDVertigo
38. “LONER” - _13_ (2013) What makes “Loner” the best song on _13_? It doesn’t fecklessly rehash lesser versions of songs we’ve already heard on Sabbath’s first record. Instead, it creeps up over a decade in that timeline, sounding a little close to “Country Girl” from the Ronnie James Dio-fronted _Mob Rules_. It’s a smirking, slightly uptempo jam with a fun vocal delivery, joyously juxtaposing the isolationist themes Geezer Butler gloriously recaptured here. —JDVertigo
37. “WHO ARE YOU” - _SABBATH BLOODY SABBATH_ (1973) Composed by Ozzy as he was teaching himself to operate a mini-moog synthesizer he’d purchased (but thankfully performed on the LP by keyboard magician Rick Wakeman), “Who Are You?” is _Sabbath Bloody Sabbath_’s resident oddball. More interesting than necessarily good, the song was also hurt by vague lyrics, which frankly sound as though they were phoned in. Still, there’s a lovely classical section halfway through (once again, showcasing Wakeman’s limitless talents) and, as with all the songs on this LP, Sabbath never sounded better.—ER
Vertigo
36. “DIRTY WOMEN” - _TECHNICAL ECSTASY_ (1976) “Dirty Women” was the most “conventional” song on Black Sabbath’s least “conventional” album, _Technical Ecstasy_, and was intentionally placed last in the track-sequence, after all the experiments, good and bad (but mostly bad), were through. As such, the song feels like something of a bridge between the increasingly tired Sabbath doom machine of old and the renewed vigor of both the Dio-fronted Sabbath (listen for it in Iommi’s solo section) and Ozzy’s unlikely solo rebirth. Honestly, its title doesn’t do this mature epic proper justice.—ERVertigo
35. “CHANGES” - _VOL. 4_ (1972) Tony Iommi spent some time tinkering with a piano, coming away with an entry level bit that serves as the crux of Sabbath’s weeping _Vol. 4_ ballad, “Changes.” Bolstered by a fantastic vocal and forlorn lyrics inspired by Bill Ward’s split with his wife, this track is a celebrated piece of counterintuitive Black Sabbath history. But let’s be honest here — that piano melody just isn’t very good and we can’t help but think that almost every cover version offers more substance. Go ahead and hate us, we can take it. —JDVertigo
34. “SLEEPING VILLAGE” _BLACK SABBATH_ (1970) For such a short song, “Sleeping Village” contains a lot of ideas, stringing together what sounds like three songs into one. First up, we hear a bubbling guitar sound, Ozzy singing in a voice he rarely used again, and producer Rodger Bain on mouth harp performed by producer, then a fetching passage of nasty, protean doom, followed by a blues / jazz freakout that may well have been improvised in the studio, as it was no doubt done on stage. Mind you: None of it was called “A Bit of Finger,” not even the intro, since this was just an invented title to make it seem like there were more songs here to satisfy publishing stipulations in the U.S. —ERVertigo
33. “WICKED WORLD” _BLACK SABBATH_ (1970) A spidery little number with its lead guitar licks and crashing percussion, “Wicked World” is an overlooked highlight of Sabbath’s seminal debut record. Elsewhere on the album, Ozzy’s voice lacked confidence, which actually aided the dark, nervous charm of the music, but here he displays conviction and power. Perhaps it’s the words, which condemn war (this would be a recurring theme) and address the lack of concern for human life and wellbeing, that pushed him over the edge. —JDVertigo
32. “THE THRILL OF IT ALL” - _SABOTAGE_ (1975) When you’re on a hot streak like this Birmingham bunch was, you can make almost anything work. Hand claps? Fuck it, throw ‘em in there! One of the more melodic songs in the Black Sabbath catalog, “The Thrill of It All” is a song with two distinct halves — Iommi’s rigid, staccato-heavy riffing and the wing-spreading momentum gained later on, alongside a subtly magnificent keyboard melody that inspired a unique change of direction for the band they’d ultimately fail to capitalize on over their ensuing pair of records. —JDVertigo
31. “THE WRIT” - _SABOTAGE_ (1975) One of the underrated stalwarts found on 1975’s _Sabotage_, “The Writ” could use more frequent mentions alongside other Black Sabbath progressive doom epics. The lyrics were primarily written not by Geezer Butler, but by Ozzy himself. At the time, Black Sabbath were being sued by a former manager who’d ripped them off for millions, yet somehow believed he was entitled to more, forcing the band to essentially tour incessantly in order to cover their legal bills. This state of affairs not only inspired the song’s title (a “writ” being another term for “subpoena”) but Ozzy’s incredulous response through song, as he angrily demanded, “Are you Satan? Areyou a man?” —ER
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30. “ELECTRIC FUNERAL” -_PARANOID_ (1970) If you catalogued every heavy metal song recorded in the 1980s, maybe 25 percent would be about the looming threat of a nuclear holocaust (OK, we may be exaggerating here), and they all owe a debt of inspiration to “Electric Funeral.” Yet another one of _Paranoid_’s heavy metal building blocks, dedicated to the dark side of life, the song complemented its evocative post-apocalyptic lyrics with a sinister acid rock wah-wah effect and frenzied mid-section and barking mad Ozzy vocal that intentionally left listeners unsettled from start to finish. —ERVertigo
29. “SOLITUDE” - _MASTER OF REALITY_ (1971) Sabbath’s massive weed intake meant one thing — the inevitable comedown. “Solitude” carries a similar aesthetic to King Crimson’s “I Talk to the Wind” with its breathy arrangement and softly sung words of hopeless abandon. The repetition of Butler’s hypnotic bass line as flutes pan in and out, trailing off into the distance offer time for personal self-reflection and is the perfect mental pit-stop before being ripped from a meditative state when the closer, “Into the Void,” come stomping out of the speakers. —JDVertigo
28. “SPIRAL ARCHITECT” - _SABBATH BLOODY SABBATH_ (1973) One of _Sabbath Bloody Sabbath_’s crowning achievements, “Spiral Architect” surely ranks among the most sophisticated compositions in Black Sabbath’s arsenal, both lyrically and musically. When asked about the former, bassist Geezer Butler said he was pondering the scientific miracles of DNA (sounds like a Rush song!), and how they combined with life experiences to produce a wholly unique individual. And, regarding the latter, there was the comical incident of the symphony orchestra contracted to perform, which couldn’t fit into the studio, requiring desperate measures and Ozzy humming parts as the conductor. ‘Tis a miracle the song turned out so great. —ERVertigo
27. “CORNUCOPIA” - _VOL. 4_ (1972) This compact doom nugget wastes no time proving itself: briskly moving beyond a sinister, sluggish riff into a driving tempo, punctuated by monstrous kit abuse from wild man Bill Ward. Yet its lyrics may be even more impressive, as they provide a lucid piece of commentary against rank consumerism. They also showcase another reminder of Geezer Butler’s far-ranging interests as a lyricist. Among his observations: “_Let them have their little toys / Matchbox cars and more kids’ joys ... Freedom’s yours just pay your dues / We just want your soul to use_” -- the point being, everything’s for sale, including one’s very soul. —ERVertigo
26. “TOMORROW’S DREAM” - _VOL. 4_ (1972) Black Sabbath were never a “singles” band, meaning that their considerable sales were consummated in the shape of full albums, rather than individual mega-hits that raced up the charts or dominated radio airwaves. But had the marketplace been more open to Sabbath’s kind of music, “Tomorrow’s Dream” would have been a serious single candidate -- as much for its succinct framework and relative “hooks,” as for lyrics that were almost (almost) optimistic, e.g. “_When sadness fills my days / It’s time to turn away / And then tomorrow’s dreams / Become reality to me._” See what we mean?—ER
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25. “SABBRA CADABRA” - _SABBATH BLOODY SABBATH_ (1973) By all accounts, Led Zeppelin drummer John Bonham (an old friend of the Sabbath boys, since their salad days as struggling musicians) was very keen to play drums on “Sabbra Cadabra,” but with all due respect to the great Bonzo, we’re quite happy with Bill Ward’s performance, thank you very much. Ditto Rick Wakeman’s keyboard contributions to the song (paid for in beer, we are told), starting with its striking mid-section and elevating the whole affair to another level, all the way to the boogie-laden finish. —ERVertigo
24. “AFTER FOREVER” - _MASTER OF REALITY_ (1971) In 1971, Geezer Butler was clearly grappling with the concept of religion and the afterlife. While the occult may have drawn his interest, it wasn’t his sole interest. On “After Forever,” Sabbath caught a bad rap for the line about seeing the pope on the end of a rope, but those who objected didn’t read further into the message, which mocked the notion of shunning religion, suggesting naysayers would have a change of heart when the reaper would eventually call their name. —JDVertigo
23. “HOLE IN THE SKY” - _SABOTAGE_ (1975) The opening cut on 1975’s _Sabotage_, “Hole in the Sky,” comes out of nowhere and pretty much goes right back there four minutes later; but it serves up a single-minded bludgeoning, in between, hardly wavering from its loping, neanderthal strides along the way. All of which perfectly suits the song’s lyrics, sung from the view (or lack thereof) inside a mental institution by a patient who is (and we paraphrase) “seeing nowhere through the eyes of a lie; getting closer to the end of the line; living in a room without any view; living free because the rent's never due.” In light of this, the song’s abrupt cold ending is entirely apropos. —ERVertigo
22. “WHEELS OF CONFUSION / THE STRAIGHTENER” - _VOL. 4_ (1972) Lay it on me, Tony Iommi! That opening lead is the sound of a heart ripping in half, filtered through the hands of God (still Iommi) and a cranked Marshall amp. It doesn’t last long though and it’s back to the mid-tempo plodding we’re all familiar with. Ozzy shines on the band’s first self-produced record, delivering a mystic quality to words that reflect on the loss of innocence as everyday life takes its toll, leaving one searching for purpose on “Wheels of Confusion,” which tacks on a chipper jam session at the end, dubbed “The Straightener.” —JDVertigo
21. “PLANET CARAVAN” -_PARANOID_ (1970) Throughout its history, heavy metal has lived with the informal “Stairway to Heaven Rule,” which dictates that every album needs at least one power ballad to offset the surrounding head-banging mayhem and, presumably, give them a chance at radio airplay. But most people appear to forget that “Stairway” wasn’t released until 1971, and by then “Planet Caravan” had obviously preempted this “rule,” floating over plumes of smoke (we’ll let you figure out which kind of smoke) for a dreamy, psychedelic trip across the universe … or something. —ERVertigo
20. “A NATIONAL ACROBAT” - _SABBATH BLOODY SABBATH_ (1973) This key track from the _Sabbath Bloody Sabbath_ LP contrasts a doleful doom riff (written by Geezer Butler, then elaborated on by Iommi) against a spidery melody in a typically intriguing arrangement, but its music doesn’t even begin to tell the whole story. No, leave that to Geezer’s elliptical lyrics where he ponders the miracle of birth and the unlikely odyssey undertaken by the lone sperm that makes it all the way to the egg … and we are left to ponder what chemicals he was ingesting that inspired all this. —ERVertigo
19. “THE WIZARD” - _BLACK SABBATH_ (1970) “The Wizard” is easily the weirdest tune on Black Sabbath’s already rather weird debut, and a major anomaly in the band’s career, as it’s dominated not by Iommi’s six-string thunder but Ozzy’s remedial harmonica playing, honking wildly over it all. Not surprisingly, the song was inspired by the wizard Gandalf from Tolkien’s _The Lord of the Rings_, but other rumors suggest the band’s friendly neighborhood drug dealers may have played a part as well. No matter: the musical end results are both exotic and divisive, but no one can say they’re not unique in the Sabbath oeuvre. —ERVertigo
18. “LORD OF THIS WORLD” - _MASTER OF REALITY_ (1971) Get it, Geezer Butler! The secret to Black Sabbath’s punishing heaviness was Butler’s bass in tandem with Iommi’s hulking riffs and, on “Lord of This World,” four strings best six. Bill Ward’s unrepentant downbeat keeps the otherwise jovial, bobbing rhythm from being too much fun — fun isn’t allowed when the Devil is involved. Still, they weren’t singing praise of the beast, instead wondering how people can be driven and tempted by evil when you can freely choose to love. Sabbath wore bell-bottoms — what did you reallyexpect? —JD
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17. “FAIRIES WEAR BOOTS” -_PARANOID_ (1970) The final song on _Paranoid_ has one of the more interesting stories to tell. While, at first impression, its lyrics may suggest a particularly funny acid trip experienced by Geezer and Ozzy, involving real fairies in a Tolkien-esque fantasy, they were actually written in response to fight-starting skinheads who sometimes caused trouble at Sabbath’s club shows. And its music owes a great deal to a 1969 song called “Ain't Ya Coming Home, Babe?” by British blues rockers Blodwyn Pig. They were led by erstwhile Jethro Tull guitarist Mick Abrams and clearly influenced Iommi in countless ways (as his brief stint playing in Tull can attest). —ERVertigo
16. “SNOWBLIND” - _VOL. 4_ (1972) “Snowblind” is the third and final entry in Black Sabbath’s “drug trilogy” (the first being _Paranoid_’s “Hand of Doom” and the second _Master of Reality_’s “Sweet Leaf”), and it’s surely the slowest song ever composed about (or performed under the influence of) cocaine. Indeed, this is an archetypal doom titan from the best band in the business, showcasing Ward’s innovative time changes and the rest of the band in top form. Finally, the ascending and descending arpeggio in “Snowblind” bears more than a passing resemblance to Alice Cooper’s “I’m Eighteen,” released one year earlier to great success, so would it be a stretch to ponder a subliminal inspirational connection between the two songs together?—ER
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15. “HAND OF DOOM” -_PARANOID_ (1970) One of the most criminally underrated numbers from the Osbourne era, “Hand of Doom” has always been overshadowed by _Paranoid_’s other epic, the undeniable “War Pigs,” but there’s no more harrowing interpretation of the horrors of heroin addiction than this song’s dynamic swings from the rush of injection to nodding off. This song is also the first chapter in Sabbath’s unofficial “drug trilogy,” completed by _Master of Reality_’s pot-celebrating “Sweet Leaf” and _Vol. 4_’s cocaine condemning “Snowblind.”—ER
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14. “KILLING YOURSELF TO LIVE” - _SABBATH BLOODY SABBATH_ (1973) One of the all-time, underappreciated Sabbath classics, “Killing Yourself to Live” has everything you’ll find in a “War Pigs” or “Symptom of the Universe,” except due recognition across the band’s fan base. There’s the typically upside-down lyric, rooted in drug abuse to go with a wealth of imaginative Iommi riffs, busy Geezer bass, and emphatic Ward percussion, plus a psychedelic guitar part draped over the verses, and more groove than Sabbath could typically conjure. Amazing. —ERVertigo
13. “SUPERNAUT” - _VOL. 4_ (1972) A favorite of fans and fellow musicians alike (even Frank Zappa dug it!), “Supernaut” has been covered by Ministry, Turisias, Coalesce and many others. And with good reason, since you won’t find a more instantly recognizable riff in the Sabbath discography -- so uncommonly groovy, relentless and energetic, you could play it all night long! And play it Sabbath did, for many a ‘70s tour, in which it would often serve as a springboard for Bill Ward’s drum solo -- one fans didn’t want to miss for a quick trip to the loo. —ERVertigo
12. “MEGALOMANIA” - _SABOTAGE_ (1975) The longest individual track of Black Sabbath’s career (we’re discounting the multiple songs billed as one from the debut record here) is also one of their most brilliant pieces of work. “Megalomania” seesaws between crunching, metallic might and wistful, hazy passages aided by Ozzy’s reverb-drenched vocal that distorts the senses. There’s big riffs, hairpin time changes, psychedelia and even some cowbell all in play on this progressivemasterpiece. —JD
Vertigo
11. “N.I.B.” - _BLACK SABBATH_ (1970) Black Sabbath were still figuring out their sound on their first LP, resulting in a few sounds and styles (e.g. jazz, psychedelia) they would never revisit so intensely again and yielding just two songs determining the formula made legendary in the ensuing years. Those two songs were “Black Sabbath” and “N.I.B.,” which features one of heavy metal’s all-time signature bass lines, brilliant counterpoint riffs and melodies from Iommi, a bravura percussive assault from Bill Ward and, to top it all off, an occult-obsessed Geezer talking with Lucifer himself by way of an impassioned Ozzy vocal that conveyed the song’s terrifying vibes to perfection. —ERVertigo
10. “SYMPTOM OF THE UNIVERSE” - _SABOTAGE_ (1975) If Black Sabbath’s career had ended with 1975’s _Sabotage_ and, more specifically, its unmistakable creative climax, “Symptom of the Universe,” the metal world would have been robbed of some excellent music, to be sure, but the group’s shortened, six-album discography would be seen as a towering achievement. But we’re not here to ponder “what ifs,” nor the possible scenarios playing out in parallel dimensions; we’re here to rave over the final, irrefutably perfect composition laid down by the original Black Sabbath, in all of its complex, galloping, metaphysical glory. —ERVertigo
9. “PARANOID” -_PARANOID_ (1970) “Paranoid” may be Black Sabbath’s most famous song by a country mile, but it’s also very uncharacteristic of the group’s vintage, doom-laden sound. A last-minute addition to the sophomore LP that would bear its name, the song was improvised in short order, based on Led Zeppelin’s “Communication Breakdown,” yet it promptly graduated from filler to title track, once all involved recognized its concise, undeniable perfection. It was then released as a single in August, 1970, and muscled its way into the U.K. Top 5, while catapulting the _Paranoid_ album to No. 1 — Sabbath’s only chart topper until _13_, 43 years later. —ERVertigo
8. “INTO THE VOID” - _MASTER OF REALITY_ (1971) No sound system will do this one justice — you’ve just got to experience it live to understand that the opening riff here is maybe the heaviest riff ever written. It almost sounds as if it’s too heavy for Iommi and Butler to even hold up their instruments until the groove cuts it off. There’s a brilliant call and response between the rhythm and the free-falling guitar lick later on in “Into the Void,” while Bill Ward holds it down with expert restraint that keeps those rhythms bouncing off anti-gravity trampolines. —JDVertigo
7. “UNDER THE SUN / EVERY DAY COMES AND GOES” - _VOL. 4_ (1972) One of Sabbath’s truly underrated tracks, “Under the Sun / Every Day Comes and Goes,” caps off an otherwise relatively upbeat record (credit: literal piles of cocaine) on a remarkably heavy note, even by their own already established standards of sonic tectonics. Countering the message on the previous year’s “After Forever,” this one essentially tells preacher-types to shove it and to unchain yourself from conformist ways of thinking. There’s a reason hippies did LSDand not coke. —JD
Vertigo
6. “IRON MAN” -_PARANOID_ (1970) As we all know, Black Sabbath was busy laying down the fundamental rules of heavy metal and doom across their first few albums, but “Iron Man” from 1970’s sophomore _Paranoid_ is arguably the archetypal doom song. Its signature riff was so iconic and unforgettable, all Ozzy could do was mimic it note for note with his vocal while proclaiming Geezer’s haunting lyrics about a spurned hero returning from the grave to “kill the people he once saved.” Throw in some final trimmings such as Iommi’s leviathan string bends, Ward’s galloping drums and Ozzy’s distorted opening line “I am Iron Man!” (recorded through a metal fan) and one of Sabbath’s all-time classics was born. —ERVertigo
5. “SWEET LEAF” - _MASTER OF REALITY_ (1971) The ultimate stoner jam! That’s Tony Iommi coughing his lungs up after hitting a joint that opens this song and the _Master of Reality_ album, which segues into a sweat-soaked, burly riff that practically launched the stoner metal genre in its entirety. Lyrically, it’s an open ode to the intoxicating plant, which Geezer Butler credited for expanding consciousness, urging newbies to take a toke and unravel the mysteries of their own mind. —JDVertigo
4. “SABBATH BLOODY SABBATH” - _SABBATH BLOODY SABBATH_ (1973) To many Black Sabbath fans, and even the original four band members themselves, 1973’s _Sabbath Bloody Sabbath_ was the “pinnacle” -- the album in which their creative powers and hard-won experience converged to deliver their most mature and sophisticated musical expression. Ironically, the album’s inspired sessions were preceded by a crippling, if brief, case of writer’s block that Iommi overcame after piecing together this iconic title track. It condensed the breadth of the album’s greatness, and then everything else flowedfrom that. —ER
Vertigo
3. “CHILDREN OF THE GRAVE” - _MASTER OF REALITY_ (1971) Tony Iommi is so damn good at writing riffs that, on at least one occasion (“Children of the Grave”), he only needed one hand… well, mostly. The open-note chugging pattern was felt with extra effect as it was one of three _Master of Reality_ songs in which the guitarist tuned down one-and-a-half steps, providing Sabbath with a newfound playground of heaviness. Despite its sinister sound, this is a purebred hippie rally cry that denounces war, urging the youth ordered to war to push for peace instead. —JDVertigo
2. “WAR PIGS” -_PARANOID_ (1970) Before there was “War Pigs,” there was “Walpurgis,” a severely morbid tale of a witches’ sabbath that even boasted lines about “bodies burning in red ashes,” a “church in ruins” and “eating dead rats’ innards.” This is one instance though where record label paranoia (see what we did there?) and tail-tucking did a band some good. They thought it was too Satanic, and the band flipped it into an anti-war anthem that has stood as not just an all-time metal classic, but a flawless composition among the best in the entirety of written and recorded music. Bill Ward’s perfect execution of rhythm in motion, Ozzy’s damning cries, that swaying bass groove of Geezer Butler and Tony Iommi’s elastic riffing make the teetering energy of “War Pigs” simply unmatched. —JDVertigo
1. “BLACK SABBATH” - _BLACK SABBATH_ (1970) On this, the 50th anniversary of Black Sabbath’s debut album, no song is better suited to represent all that they stand for than the eponymous number that launched not just their career, but the very musical genre we’re still talking about here. With its torrential downpour, ominous tolling bell, Ozzy’s terrified wails and Iommi’s spine-chilling riffs, built around the infamous tritone known as “Diabolus in Musica” (once banned by the Catholic Church), “Black Sabbath” is literally a soundtrack of horror and despair. One that a more seasoned and sophisticated band could have never pulled off, and therein lies the secret and black magic responsible for capturing the spirit of heavy metal and then unleashing it unto the world, never to be contained again. —ER Filed Under: Black Sabbath Categories: Metal , News, Rock
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Townsquare Media, Inc. and its subsidiaries and affiliates (individually or collectively, “TSM” or “we/our/us”) is committed to protecting your privacy. This Privacy Notice applies to all users of our website and mobile applications (“Site(s)”) and to the data we collect via the Sites, including your personal information, or personal information that you may provide to us when you interact with our Sites. Our processing of your personal information is subject to this Privacy Notice and any subsequentupdates.
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General
Personal Information Collection Personal Information Use Personal Information Sharing and Disclosure Your Choices and Rights Other Important InformationGENERAL
When you provide personal information about yourself through the Sites, we only process your personal information when we have a lawful basis to do so. For purposes of this Privacy Notice, “Personal Information” is defined as information that identifies, or can be used to identify, an individual. We collect Personal Information from individuals visiting our Sites, including as you browse our website. By accessing the Sites and Services, you acknowledge this Privacy Notice and agree to be bound by the terms hereof and the Terms of Service set forth on each of the Sites you visit and the Services that you utilize. If you have any questions about the content of this Privacy Notice, please contact us at our privacy preferences page: http://loudwire.com/privacy/preferences.
Our legal bases for processing your Personal Information include: (1) your consent; (2) fulfilment of a contractual obligation; and (3) where we have a legitimate interest to process your Personal Information consistent with applicable law. Our legitimate interestsinclude:
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EMAILS, COMMUNICATIONS AND ACCOUNTS When you send an email or other communication to TSM, or when you register for an account on one of our services, we may ask for your name, phone number, and email address and, where you are seeking to advertise with us, or procure our services, other information about you and/or your company. We also collect the content of your message or submission to us, which contains any additional information, including Personal Information, you choose to share with us. When you use the Services, you may be given the option to subscribe to or to be added to our email list. We collect this information when you initiate contact with us for the purpose of responding to your email or other communications. Your selection will not affect other uses or sharing of your information as described in this this Privacy Notice. Subscriptions to the email list can be cancelled at any time by following the instructions in the “Your Choices and Rights” section of this Privacy Notice below, or by clicking the “unsubscribe” link at the bottom of an email and follow the unsubscribe instructions.COMPLETING A SURVEY
If you choose to participate in a survey, you may be asked to provide basic demographic information. You also will be asked to provide additional information related to the survey topic, which may include Personal Information. We use this information to conduct statistical analyses on topics of interest to our users, and your data will only be reported in aggregate form, unless we obtain your consent for further use. Additionally, if you choose to provide a free-text comment in your survey response, we may publish your response. We only collect this information when you consent to participate in thesurvey.
SWEEPSTAKES AND GIVEAWAYS When you enter a contest, you may be asked to provide your name, address, e-mail address, company name, and phone number. This information is used to verify your identity, notify you that your entry has been received, and contact you if you are a winner and/orprize recipient.
As part of your entry in our contests, we may choose to provide you with the option of receiving information about our services and publications or other advertisements or information. If you consent to receive this information, we will collect the Personal Information you provided as part of your contest entry for this purpose. You can change, withdraw, or withhold your consent at any time. POSTING USER GENERATED CONTENT You may also choose to participate in different interactive features we offer. We collect this information for the purpose of facilitating your participation in our interactive features.APPLYING FOR A JOB
When you submit a job application via our Sites, we collect your first and last name, phone number, and e-mail address. We also ask you to provide a cover letter and permit you to upload any documents to support your job application. When you submit your cover letter and supporting documentation, we will collect any additional information, including Personal Information, you include in those documents. REGISTER FOR AN EVENT When you register for one of our events, we may ask you to provide your name, address, e-mail address, and phone number. We also may ask you additional information such as age to facilitate registration. In exchange for sponsoring our content, we may provide our third party partners for the event, including advertising partners, with the Personal Information you provide when you choose to register for anevent.
OTHER INFORMATION
When you purchase something from any of our Sites as part of the buying process we collect the Personal Information you give us such as your name, address and email address. We use this information to process and provide you with the items you purchased. We collect this information for the purpose of fulfilling your order, including updating you on your order status. Additionally, if you choose to receive future communications from us regarding our products and offers, we will use the Personal Information you provide through the order process for such purposes. _Personal Information Collected via Web-Based Technologies_ BROWSER OR DEVICE INFORMATION We automatically receive and record information on our server logs from your browser, or device, including your browser type; mobile phone, tablet or other device type; computer or mobile operating system; the domain of the website that referred you to us; name of your Internet service provider; web pages you visit on the Services; IP address; geo-location information; and standard server log information, cookie information, and the page(s) you request. We also collect information about your interactions with our email messages, such as whether the messages were opened and the links clicked in those emails. We collect this data for the following general purposes: * Customizing your user experience; * Fulfilling your requests for products and services; * Promoting and improving services;* Contacting you;
* Analyzing the effectiveness of ad campaigns and personalization; * Personalize content and services; * Analyzing the effectiveness of marketing campaigns includingoffline marketing;
* Targeted advertising; * Optimize ad campaigns and other online or digital media; and * Create market and other insights. We also collect your IP address(es) for the purpose of analyzing website trends, administering the Sites, and tracking user movement for aggregate usage analysis. This website usage information enables TSM to provide our users with an ever-improving site, service, and general offering, including with respect to security. Except for our processing of IP addresses as a necessary part of providing the Services, and except where you have provided consent for us to use your identifiable Personal Information, we only use anonymous, aggregate data that cannot be used to identify you individually for our analytics research. COOKIES AND WEB BEACONS We may set and access TSM session cookies on your computer or device to customize the user experience. “Cookies” are small files placed on your computer or device by your browser and are often used to make websites work, as well as provide information to the website operator. We collect this information for the purpose of conducting analyses on our web traffic and improving a user’s experience while visiting our Sites and targeting advertising. When you first visit our website, you will be asked to consent to our use of cookies, and you can withhold, withdraw, or change your consent at any time. You also have the ability to decline cookies by modifying the settings in your browser. If you decline or disable cookies, please note that certain functionalities of our Sites may no longer work. We place two types of cookies on our Sites: * Session Cookies: Session cookies typically only last for as long as your session, which is usually the duration of your current visit to our Sites or for as long as you keep the browser open that was used to visit our Website. We use our session cookies to store information about your visit (referring website, landing page, etc.). We also use session cookies to track and record the number of visits to ourWebsite.
* Persistent Cookies: Persistent cookies are cookies that remain on your browser and are read when you return to our Sites. We may use persistent cookies to remember your preferences, personalize your experience, and help secure your visit to our Sites. We use persistent cookies to remember the contents of your shopping cart (which is stored for two weeks), and, if applicable, determine if you have access credentials to the Site. We may also use cookies to work with a partner to show you relevant advertising when you visit a partner’s site or application. The third-party partners that generate these cookies, such as Facebook, Instagram, LinkedIn, Twitter, have their own privacy policies and may use their cookies to target advertising to you on other websites based on your visit to our Sites. Communications you receive from us, as well as pages of our websites, may also contain small electronic files known as web beacons (also referred to as clear gifs, pixel tags and single-pixel gifs) that enable us to analyze email and website statistics, including visits and click-through rates. The web beacons only collect aggregate, anonymous data and cannot be traced back to you individually. THIRD PARTY COOKIES AND WEB BEACONS Some content or applications on our Sites are served by third parties, including advertisers, content providers, service providers and application providers. These third parties and other of our third-party partners may use cookies alone or in conjunction with web beacons or other tracking technologies already in your browser to collect information about you when you visit our Sites. The information they collect may be associated with your Personal Information or they may collect information, including Personal Information, about your online activities over time and across different websites and other services. These third-party web technologies may also allow us to share our content with you when you visit the websites of our third-party partners, such as Facebook. Among the third party cookies used for purposes of optimizing the Services is Google Analytics, a web analytics service provided by Google, Inc. Google Analytics uses cookies or other tracking technologies to help us analyze how users interact with and use the Services, compile reports on the Services’ activity, and provide other services related to our Services’ activity and usage. The technologies used by Google may collect information such as your IP address, time of visit, whether you are a return visitor, and any referring website. The Services do not use Google Analytics to gather information that personally identifies you. The information generated by Google Analytics will be transmitted to and stored by Google and will be subject to Google’s privacy policies. To learn more about Google’s partner services and to learn how to opt out of tracking of analytics by Google, click here.
SOCIAL MEDIA
Our Sites may include social media “widgets,” small icons that allow you to access our content posted on social media sites (Facebook, Instagram, Twitter, and LinkedIn). If you are logged into your account on these social media platforms, your access to our social media pages and our Sites will be linked toyour account.
When you interact with us or the Services through a social media platform (such as by clicking on a social media icon linked from our Services), we may collect the Personal Information that you make available to us on that page, including your account ID or username and other information included in your posts. If you choose to log in to your account with or through a social networking service, we and that service may share certain information about you and youractivities.
If you contact us via social media, you authorize us to share information with your social media account provider, and you understand that the use of the information we share will be governed by the social media site’s privacy Notice. Your interactions with our business pages on these social media platforms is governed by the privacy practices of these platforms.PAYMENT PROCESSOR
We currently use a third party for payment processing, which may vary depending on the Site that you visit and the service that you are purchasing. Our various payment processors are as follows: * Local Media Markets: BASYS * Townsquare Interactive and Live Events: JPMorgan Chase We do not receive or store your credit card or bank account information, and we do not want you to send us your credit card or bank account information. Please review the terms of use and privacy policies of the third party payment processor prior to providing your information to them. PERSONAL INFORMATION USE How we use your Personal Information will depend on how you interact with our Sites and the Personal Information that you have shared withus.
RESPOND TO YOUR REQUESTS We use your Personal Information to respond to your requests, including communications, and content downloads. ENHANCE WEBSITE AND USER EXPERIENCE We use the information regarding the use of our Sites to analyze and administer the Sites and track user movement for web analytics purposes. This Site usage information enables TSM to provide you with an ever-improving site, service, and general offering. Except where you have provided consent for us to use your identifiable Personal Information, we only use anonymous, aggregate data that cannot be reasonably linked to you individually. Notwithstanding the forgoing, the processing of IP addresses is a necessary part of providing access to the Sites, so we cannot provide access to the Sites without thisinformation.
CONDUCT MARKETING AND ADVERTISING We or our third party partners may use your Personal Information to provide information about additional products, services, promotions and other content that might be of interest to you and to measure the effectiveness of that advertising. Email and other materials delivered from TSM may also be sent as part of an opt-in process or in response to communications you have initiated with us. You may change your consent for receiving such communications by clicking the “Unsubscribe” link at the bottom of any electronic marketing communications received from us. You may also manage your privacy preferences here http://loudwire.com/privacy/preferences or contact us by mail at Townsquare Media, Inc., ATTN: Privacy, 1 Manhattanville Rd, Suite 202, Purchase, NY 10577 to request that we remove you from our marketingcommunications.
MEET LEGAL AND REGULATORY OBLIGATIONS In certain circumstances, we may be required to disclose your Personal Information as otherwise required by law or legal or regulatory proceeding. We will only share the information we are required to disclose by law and only when we are required to do so. SWEEPSTAKES, SURVEYS AND OTHER We may use your Personal Information to enable you to participate in features such as surveys, reviews, blogs or forums, or to enter sweepstakes, contests, promotions and other special initiatives and to communicate with you about them. SECURITY AND FRAUD PREVENTION When necessary, we will use your Personal Information, including email communications, to preserve the security of our website, systems, and Personal Information in our control. If necessary, we will also use your Personal Information to investigate possible fraud, to identify violations of this Privacy Notice and our terms and conditions, and to prevent any attempted harm to our users. We may combine information from the Services together and with other information we obtain from our business records or from third party sources. We also may use or combine information that we collect from the Services with information provided by third parties, including demographic information and other attributes, and organizationalaffiliations.
PERSONAL INFORMATION SHARING AND DISCLOSURE We share your Personal Information when we have a legal basis to do so, or as otherwise described below. Our legal basis are described under the “General” section of this Privacy Notice above.SUPPORT VENDORS
We may share the information collected via our Services with third parties who work on our behalf to help us further the purposes described above. We may provide additional information that we have collected about you both directly and automatically to these thirdparties.
We share information about you with third parties who partner with us to provide advertisements about products and services that may be of interest to you. This may include third parties who assist us in identifying which ads to deliver and third parties who deliver the advertisements. As described above, our third party partners may use persistent identifiers to track your Internet usage across other websites, online services, email and mobile applications in their networks beyond the Services, and may combine information about you from other sources. We may provide additional information that we have collected about you both directly and automatically to our partners. We may provide products or services jointly with or through certain third-party businesses, including but not limited to retail businesses. When we provide these products or services, we may give you the opportunity to opt-in to the additional sharing of information with these businesses. Should you choose to do so, information you provide specifically in connection with those products and services may be shared with these businesses and subject to their privacypolicies.
WEBSITE ANALYTICS COMPANIES Our partners may use the information collected to serve you with targeted advertising, both through our Services and other websites, email, online services or mobile applications. We may also contribute to or participate in cooperative databases, which give other companies access to your information. For more information regarding the partners with whom we share data, please see our Partners List. We adhere to the principles of the Digital Advertising Alliance’s Self-Regulatory Principles for Online Behavioral Advertising and Multi-Site Data and the Network Advertising Initiative’s Code of Conduct, as applicable. See the Your Choices and Rights section below to learn about choices available to you with respect to this type ofadvertising.
We may aggregate your information into a form where individuals can no longer be identified. Given the aggregated, de-identified information, there are no restrictions under this Privacy Notice on how we may use or disclose such information. For example, we may freely share such information with third parties who may use such data for their own marketing, advertising, research, or other business purposes.SWEEPSTAKES
If you choose to enter a sweepstakes, contest or other promotion, your information may be disclosed to any third party sponsor of the sweepstakes, contest or promotion and to third parties who help design, administer and implement the promotion, including in connection with winner selection, prize fulfillment and aggregated data analysis. Your information also may be disclosed as required by law, such as on a winners list. USER GENERATED CONTENT The Services may allow users to post comments and other content to the Services. Any information about yourself that you post to the Services will become public information and will be accessible by other users of the Services. In addition, your user name will be viewable by others users, along with a profile picture if you have chosen to upload one. We have no responsibility to maintain the privacy or security of any such information that you may choose to post to theServices.
TEXT MESSAGES AND PUSH NOTIFICATIONS By providing us with your telephone number, you are authorizing us, our service providers and our and their affiliated companies to deliver or cause to be delivered SMS text messages, texts, push notifications and voice message notifications, including promotional messages, using an automatic telephone dialing system. You are not required to receive such messages as a condition of purchasing any property, goods or services. Registered users may choose not to receive text messages from us by not providing us their cell phone number. You can also cancel the SMS service at any time by replying “STOP” via text. Please note that standard message rates and data charges from your cellular service provider apply to sending and/or receiving text messages. You are solely responsible for such message rates and data charges.LEGAL REQUIREMENTS
We may disclose information about you if required to do so by law or on the good-faith believe that such sharing is necessary to (a) conform to applicable law or comply with legal process served on us or our Services; (b) protect and defend our rights or property, the Services, or our users; or (c) act to protect the personal safety of our employees and agents, other users of the Services, or members ofthe public.
SALE OF BUSINESS
If we go through a business transition, such as a merger, acquisition by another company or a financing, investment, support or funding, sharing or sale of all or a portion of our assets, your information may be among the assets shared or transferred. We cannot promise that an acquiring party or the merged entity will have the same privacy practices or treat your information the same as described in thisPrivacy Notice.
YOUR CHOICES AND RIGHTSGENERAL
You may update or delete information from your profile at any time, or request that we do so; however, because we archive past transactions, you cannot delete this information. You may also request that we delete your account entirely by contacting us. Terminating your registration will not necessarily remove previous public comments or other user content on public display on the Services. If you wish to cancel your account on the Services or delete your information previously provided to us, you may send your request here: http://loudwire.com/privacy/preferences.
If you do not receive a response from us to any emails you send to us within ten (10) business days, please send us another email, as your original email may not have been received. Registered users who have provided their cell phone number to us may remove it from within their personal profile settings. If you prefer not to receive text or wireless promotional communications on your mobile device, you can opt out by replying “STOP”. EMAIL COMMUNICATIONS You may choose not to subscribe to email communications other than service-related communications such as payment confirmation. If you do choose to receive email communications such as email newsletters and promotional emails, you may later opt out by following the instructions provided at the bottom of each email, clicking the “unsubscribe” button at the bottom of emails we sent you, or by managing your preferences here: http://loudwire.com/privacy/preferences . Please allow up to ten (10) business days for changes to your email preferences to take effect. ADVERTISING AND MARKETING AND WEBSITE ANALYTICS You can learn more about ad serving companies and the options available to limit their collection and use of your information by visiting the Services for the Network Advertising Initiative, the Digital Advertising Alliance, and the European Interactive Advertising Digital Alliance European (EDAA). Similarly, you can learn about your options to opt-out of mobile app tracking by certain advertising networks through your device settings and by resetting the advertiser ID on your Apple or Android device. For more information about how to change these settings go to: * Apple: https://support.apple.com/kb/HT4228 * Android: https://www.google.com/policies/technologies/ads/ * Windows: https://choice.microsoft.com/en-US/opt-out The DAA’s AppChoices App provides options regarding the collection of cross-app data for your device. Additional resources or tools may exist that streamline the process of submitting opt-out requests–for example, TRUSTe’s Ad Preference Manager. We do not review or warrant the representations made by these tools and cannot guarantee the effectiveness. To opt out of Google Analytics Advertising Features, visit Google’s Ad Settings page. Site users can also access the Google Analytics OptOut Browser Add-on
https://support.google.com/analytics/answer/181881?hl=en. Please note that opting-out of advertising networks services does not mean that you will not receive advertising while using our Services or on other Services, nor will it prevent the receipt of interest-based advertising from third parties that do not participate in these programs. It will, however, exclude you from interest-based advertising conducted through participating networks, as provided by their policies and choice mechanisms. If you delete your cookies, you may also delete your opt-out preferences. If you use multiple browsers or devices you may need to execute this opt out on each browser ordevice.
INTERNATIONAL USERS
For international users, please note that it may be necessary to transfer your information internationally and, in particular, your information may be transferred to and processed in the United States. We process data both inside and outside the United States, either directly or through our third-party service providers. It is important to know that data protection laws in some jurisdictions may not be as strong as those in your country. If applicable, you may have a right to claim compensation for damages caused by a breach of relevant data protection laws. By using the Services, you agree to have your information used and transferred to the United States as set forth in this Privacy Notice. To ensure the continued protection of your Personal Information while in our care, we take appropriate organizational and technical measures. CALIFORNIA PRIVACY RIGHTS We provide our California customers with specific rights regarding their Personal Information. The section describes the rights that you have under California law and explains how to exercise those rights. _Right to Know About Personal Information Collected, Used, orDisclosed_
You have the right to request that we disclose certain information to you about our collection, use and disclosure of your Personal Information over the past 12 months. Once we receive your request and verify your identity, we will disclose to you: (1) the categories of information we collected about you; (2) the categories of sources for the information; (3) our business or commercial purpose for collecting or disclosing that information; (4) the categories of third parties with whom we shared that information; and (5) the categories of information we collected about you in the preceding 12 months. _Right to Delete Personal Information Collected or Maintained_ You have the right to request that we delete any of your information that we collected from you and retained, subject to certain exceptions. Once we receive and confirm your request and verify your identity, we will permanently delete (and direct our service providers to delete) your information from our records, unless a legal exception to deletion applies. In our response to your request to delete, we will specify the manner in which we have deleted your information or, if we must deny your deletion request, the basis for this refusal. _Right to Non-Discrimination for Exercise of Privacy Rights_ We will not discriminate against you for exercising any of your rights by: (1) denying you goods or services (except with respect to IP addresses, since we cannot provide our Site to you without collecting the IP address from which you access the Site); (2) charging you different prices or rates for goods or services, including through granting discounts or other benefits, or imposing penalties; (3) providing you a different level or quality of goods or services; or (4) suggest that you may receive a different price or rate for goods or services or a different level or quality of goods or services. _Exercising Your Rights_ To exercise the rights described above, please submit a verifiable consumer request to us by either: * Calling us at 1-855-821-9212 * Visiting our Data Request Form _Authorizing an Agent_ You may designate an authorized agent to submit your consumer request on your behalf, so long the authorized agent has your written permission to do so and you have taken steps to verify your identitydirectly with us.
_Verifying Your Request_ We cannot respond to your request or provide you with information if we cannot verify your identity or authority to make the request and confirm the information relates to you. Making a verifiable consumer request does not require you to create an account with us. We will only use information provided in a verifiable consumer request to verify your identity or authority to make the request. You may only make a verifiable consumer request for access or data portability twice within a 12-month period. To verify your identity, we ask that you provide us with the following information when you submit your request: (1) first name, (2) last name, and (3) phone number or email. We will use the above information to verify your identity. Depending on your type of request or the information requested by you, we may require additional information to verify your identity and fulfill your request. You may make such a request by contacting us in writing by electronic mail, postal mail, or commercial courier at the address or email address provided at the end of this Privacy Notice under the heading “Contact Information” with a preference on how our response to your request should be sent. California law also requires that we disclose how we respond to “do-not-track requests” from our users. At this time, we do not currently respond to “do-not-track” requests from our users’browsers.
In the preceding twelve (12) months, we disclosed the following categories of personal information to third parties for our commercial purposes: Identifiers and Internet or Electronic Network Activity (as those categories are defined in the California Consumer Privacy Act (“CCPA”)). We do not knowingly sell (as defined by the CCPA), the personal information of minors under 16 years of age to non- affiliated third parties without affirmative authorization. OTHER IMPORTANT INFORMATION PRIVACY NOTICE CHANGES We reserve the right to change or update this Privacy Notice by posting such changes or updates to the Services. Amendments to this Privacy Notice will be posted at this URL and will be effective when posted. You can tell if the Notice has changed by checking the last modified date that appears at the end of this Privacy Notice. Your continued use of the Services following the posting of any amendment, modification or change shall constitute your acceptance thereof.DATA RETENTION
We will retain your Personal Information for as long as we have a legitimate legal, business, or regulatory need. If you choose a direct payment gateway to complete your purchase, then one of our payment processors stores your credit card data as set forth in the “Payment Processor” section above. We store your purchase transaction data only as long as necessary to complete your purchase transaction. After that is complete, we delete your purchasetransaction data.
CHILDREN UNDER THE AGE OF 13 We do not permit children under 13 years of age to use the Services, and we do not knowingly collect, use or disclose information from anyone under 13 years of age except as part of specific outreach programs with parental permission. If we determine upon collection that a user is under this age, we will not use or maintain his/her Personal Information without the parent/guardian’s consent. If we become aware that we have unknowingly collected personally identifiable information from a child under the age of 13, we will make reasonable efforts to delete such information from our records. If you believe that we have mistakenly or unintentionally collected Personal Information of a minor without appropriate consent, please notify us at our privacy preferences page: http://loudwire.com/privacy/preferences . You may also contact by mail at the following address: Townsquare Media, Inc., ATTN: Privacy, 1 Manhattanville Rd, Suite 202, Purchase, NY 10577. THIRD-PARTY WEBSITES This Privacy Notice applies to our Services as described above as well as the information we collect when you interact with us through social media or other websites and online services. Our Sites may contain links to websites owned or operated by third parties. This Privacy Notice applies only to our Sites and not to any third-party websites.SECURITY
We have implemented organizational and technical safeguards for protecting the Personal Information you share with us. Notwithstanding the forgoing, no website is one-hundred percent (100%) secure and transmitting information over the internet inherently possess risk therefore we cannot guarantee absolute security. Please note that e-mail is not encrypted and is not considered to be a secure means of transmitting credit card information, so please do not send us your credit card number by email. Any payment transactionswill be encrypted
CONTACT INFORMATION
EMAIL: user.privacy.requests@townsquaremedia.comMAIL:
Townsquare Media, Inc.Re: Privacy
1 Manhattanville Rd, Suite 202,Purchase, NY 10577
PHONE: 1 (203) 861-0900. DATE LAST MODIFIED: DECEMBER 26, 2019TOWNSQUARE PARTNERS
We partner with third parties to deliver content that may be of interest to you, including advertisers. As described in our Privacy Policy , we allow third party partners to serve cookies or set trackers, which may result in the collection of data regarding the visitors to our websites. Data collected by these third parties is subject to the privacy policies and practices of these companies. TSM has no role in creating these policies or setting practices of third parties. You can learn more about our third party partners and their privacy practices by clicking on the links below. 7HOPS.COM INC. (ZERGNET) 3rd party advertising partner running ads across our network of sites http://zergnet.com/privacyGUMGUM, INC.
3rd party advertising partner running ads across our network of sites http://gumgum.com/privacy-policyINDEX EXCHANGE
3rd party advertising partner running ads across our network of sites https://www.indexexchange.com/privacyJUSTPREMIUM BV
3rd party advertising partner running ads across our network of sites http://justpremium.com/privacy-policy/KARGO
3rd party advertising partner running ads across our network of sites https://www.kargo.com/privacy/ MCCANN DISCIPLINE LTD 3rd party advertising partner running ads across our network of sites http://www.primis.tech/wp-content/uploads/2018/02/primisPrivacyPolicy2018.pdfOATH (EMEA) LIMITED
3rd party advertising partner running ads across our network of sites http://policies.oath.com/ie/en/oath/privacy/index.htmlOPENX
3rd party advertising partner running ads across our network of sites http://www.openx.com/legal/privacy-policy/PUBMATIC, INC.
3rd party advertising partner running ads across our network of sites http://pubmatic.com/privacy-policy/PULSEPOINT, INC.
3rd party advertising partner running ads across our network of sites http://www.pulsepoint.com/privacy-policyRHYTHMONE, LLC
3rd party advertising partner running ads across our network of sites http://www.rhythmone.com/privacy-policyAMAZON A9
3rd party advertising partner running ads across our network of siteshttp://www.a9.com/
SHARETHROUGH, INC
3rd party advertising partner running ads across our network of sites http://platform-cdn.sharethrough.com/privacy-policySONOBI, INC
3rd party advertising partner running ads across our network of sites http://sonobi.com/privacy-policy/SUBLIME SKINZ
3rd party advertising partner running ads across our network of sites http://ayads.co/privacy.phpTHE RUBICON PROJECT
3rd party advertising partner running ads across our network of sites http://www.rubiconproject.com/rubicon-project-yield-optimization-privacy-policy/UNDERTONE
3rd party advertising partner running ads across our network of sites https://www.undertone.com/privacy/LIVEINTENT INC.
3rd party advertising partner running ads across our network of sites https://liveintent.com/services-privacy-policy/LIVERAMP, INC.
3rd party data management platform https://www.liveramp.com/service-privacy-policy/MEDIACROSSING
2nd party advertising partner running ads across our network of sites https://www.mediacrossing.com/privacy-policy/ CONVERSANT EUROPE LTD. 3rd party advertising partner running ads across our network of sites https://www.conversantmedia.eu/legal/privacy-policy LKQD, A DIVISION OF NEXSTAR DIGITAL, LLC. 3rd party advertising partner running ads across our network of sites http://www.lkqd.com/privacy-policy/APESTER LTD
3rd party advertising partner running ads across our network of sites http://apester.com/privacy-policy/MINUTE MEDIA PLUS
3rd party advertising partner running ads across our network of sites https://www.minutemedia.com/privacy-policyPOWERINBOX
3rd party advertising partner running ads across our network of sites https://powerinbox.com/privacy-policy/RTK.IO
3rd party advertising partner running ads across our network of sites http://www.rtk.io/privacy.htmlSOVRN HOLDINGS, INC
3rd party advertising partner running ads across our network of sites https://www.sovrn.com/privacy-policy/SPOTX
3rd party advertising partner running ads across our network of sites https://www.spotx.tv/privacy-policy/SPRINGSERVE, LLC
3rd party advertising partner running ads across our network of sites https://springserve.com/privacy-policySYNACOR, INC.
3rd party advertising partner running ads across our network of sites https://synacor.com/privacy-policy/DSTILLERY, INC.
3rd party data management platform https://dstillery.com/privacy-policy/ NIELSEN MARKETING CLOUD 3rd party data management platform http://www.nielsen.com/us/en/privacy-statement/exelate-privacy-policy.htmlOWNERIQ, INC.
2nd party data partner running ads across our network of sites https://www.owneriq.com/privacy-noticeAPPNEXUS, INC
3rd party advertising partner running ads across our network of sites http://www.appnexus.com/en/company/platform-privacy-policyBANDS IN TOWN
3rd party advertising partner running ads across our network of sites http://corp.bandsintown.com/privacy/DISTRICT M INC.
3rd party advertising partner running ads across our network of sites http://districtm.net/en/page/platforms-data-and-privacy-policy/GOOGLE ADX
3rd party advertising partner running ads across our network of sites http://www.google.com/adx Townsquare may add new partners in the future or terminate its relationship with current partners. Please check this page often forupdates.
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