LITERARY TERMS: DEFINITION AND EXAMPLES OF LITERARY TERMSESSAY GUIDEQUIZZESFLASHCARDSCITE THIS WEBSITEGLOSSARYIMAGERY Literary terms refer to the technique, style, and formatting used by writers and speakers to masterfully emphasize, embellish, or strengthen their compositions. Literary terms can refer to playful techniques employed by comedians to make us laugh or witty tricks wordsmiths use to coin new words or phrases. They can also include the

tools of

POLEMIC: DEFINITION AND EXAMPLES AUTOBIOGRAPHY: DEFINITION AND EXAMPLES VOICE: DEFINITIONS AND EXAMPLES

PARAPHRASE QUIZ

3. What is the difference between paraphrasing and summarizing? a. summarizing shortens, whereas paraphrasing only rephrases b. summarizing rephrases, whereas paraphrasing shortens c. paraphrasing always lengthens whereas summarizing only sometimes lengthens ADVENTURE: DEFINITIONS AND EXAMPLES ZEUGMA: DEFINITION AND EXAMPLES MNEMONIC: DEFINITION AND EXAMPLES MYSTERY: DEFINITION AND EXAMPLES BATHOS: DEFINITION AND EXAMPLES LITERARY TERMS: DEFINITION AND EXAMPLES OF LITERARY TERMSESSAY GUIDEQUIZZESFLASHCARDSCITE THIS WEBSITEGLOSSARYIMAGERY Literary terms refer to the technique, style, and formatting used by writers and speakers to masterfully emphasize, embellish, or strengthen their compositions. Literary terms can refer to playful techniques employed by comedians to make us laugh or witty tricks wordsmiths use to coin new words or phrases. They can also include the

tools of

POLEMIC: DEFINITION AND EXAMPLES AUTOBIOGRAPHY: DEFINITION AND EXAMPLES VOICE: DEFINITIONS AND EXAMPLES

PARAPHRASE QUIZ

3. What is the difference between paraphrasing and summarizing? a. summarizing shortens, whereas paraphrasing only rephrases b. summarizing rephrases, whereas paraphrasing shortens c. paraphrasing always lengthens whereas summarizing only sometimes lengthens ADVENTURE: DEFINITIONS AND EXAMPLES ZEUGMA: DEFINITION AND EXAMPLES MNEMONIC: DEFINITION AND EXAMPLES MYSTERY: DEFINITION AND EXAMPLES BATHOS: DEFINITION AND EXAMPLES GLOSSARY OF LITERARY TERMS A . Action. Also called “action-adventure,” action is a genre of film, TV, literature, etc., in which the primary feature is the constant slam-bang of fights, chases, explosions, and clever one-liners. Action stories typically do not explore complex relationships between human beings or the subtleties of MYSTERY: DEFINITION AND EXAMPLES Mystery (pronounced mis -t uh -ree, ) is a genre of literature whose stories focus on a puzzling crime, situation, or circumstance that needs to be solved. The term comes from the Latin mysterium, meaning “a secret thing.” stories can be either fictional or nonfictional, and can focus on both supernatural and non-supernatural topics. Many ADVENTURE: DEFINITIONS AND EXAMPLES Adventure fiction is a genre of literature that features stories of adventure, such as world travel, difficult quests, voyages of discovery, and other journeys. They might involve things like pirates and buried treasure, the search for a secret place or object, or a quest or expedition whose success is crucial for personal or societal

reasons.

WHEN & HOW TO USE JARGON When to Use Jargon. Jargon can be used in a wide variety of situations and varies from profession to profession. Jargon for a doctor would be radically different than jargon for a mechanic, hairstylist, lawyer, or teacher. All of these professions, though, make use of their own specialized language or jargon. ENJAMBMENT: DEFINITION AND EXAMPLES Example 2. The sun hovered above. the horizon, suspended between. night and day. This example is similar: the first and second lines are enjambed, whereas the third is end-stopped. III. The Importance of Enjambment. Without enjambment, poetry would sound like this: I

finished my day.

APORIA: DEFINITION AND EXAMPLES Aporia. I. What is Aporia? In literature, aporia (pronounced a-PORE-ree-uh) is an expression of insincere doubt. It’s when the writer or speaker pretends, briefly, not to know a key piece of information or not to understand a key connection. After raising this doubt, the author will HORROR: DEFINITION AND EXAMPLES This clip exhibits a scene from the film that has been a symbol of the horror genre for decades, including the infamous and often repreated phrase, “Here’s Johnny!”. Example 2. Many pieces of horror literature have become cult classic horror films, for example, William Peter Blatty’s supernatural horror novel The Exorcist and the subsequent film, for which he also wrote the screenplay. FOLKLORE: DEFINITION AND EXAMPLES Clear definition and great examples of Folklore. Folklore refers to the tales people tell – folk stories, fairy tales, “tall tales,” and even urban legends. Folklore is typically passed down by word of mouth, rather than being written in books. URBAN LEGEND: DEFINITION AND EXAMPLE I. What is an Urban Legend? An urban legend is a fictional story rooted in modern popular culture. You can think of urban legends as today’s folklore—just like traditional folktales, they are based on real parts of culture and often real people; however, in most cases the details have been exaggerated, ultimately making the stories

false.

FAIRY TALE: DEFINITION AND EXAMPLES Clear definition and examples of Fairy Tale. This article will show you the importance of a Fairy Tale. Fairy Tale is a story, often intended for children, that features fanciful and wondrous characters such as elves, goblins, wizards, and even, but not necessarily,

fairies.

LITERARY TERMS

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LITERARY TERMS

Literary terms refer to the technique, style, and formatting used by writers and speakers to masterfully emphasize, embellish, or strengthen their compositions. Literary terms can refer to playful techniques employed by comedians to make us laugh or witty tricks wordsmiths use to coin new words or phrases. They can also include the tools of persuasion that writers use to convince and drive audiences to action. With their carefully crafted speeches geared towards both logical and emotional thinking, they challenge our everyday modes of

thinking.

Literary terms also include powerful figurative language that writers use to summon emotion ranging from guilt to anger to bliss, and to allow us to see the world in new and magical ways. Words can be arranged to give poems, songs, and prose alike, rhythm and musicality. They can animate a story with such wealth of detail, character development, and action that as readers, we are taken by a story, and feel as if the people on the page are real. Literary terms have a wide range of application, from the poet’s beauty, to the speaker’s persuasion, to the novelist’s story development. THE IMPORTANCE OF LITERARY TERMS Literary terms are important in a wide variety of ways. They allow writers and speakers to make comments on society, politics, and trends. Rhetorical devices can be used to strengthen arguments which persuade and convince audiences. Poetic figurative language can summon emotions and visions of nature and the world in unique and compelling ways. Literary terms have the power to create serious, comedic, or whimsical moods via tools of persuasion, poeticism, and wordplay. WHEN TO USE LITERARY TERMS This depends. The variety of uses for literary terms spans across genres and is remarkably wide-ranging based on the goals or needs of the writer. Below we have categorized this vast subject.

CATEGORIES

1. PERSUASION

One of the most difficult tasks in the world is making people change their minds. Most of us are stubborn in our thinking and stick to our guns when it comes to views on morality, politics, and our own personal lives. For a rhetorician or speechwriter, writing and speaking in a convincing and persuasive manner is a profession, one which utilizes numerous tools of the trade to appeal to an audience. The power of persuasion can gain voters for a politician, convince people to take action for a cause, or get you a raise at your job. With appeals to both pure logic and powerful emotion, persuasion is an art that has been employed for centuries. THE IMPORTANCE OF PERSUASION Persuasion is an extremely powerful tool, as gaining the hearts and minds of an audience means gaining their support and action. Persuasion empowers the writer to change the mind of the audience and to compel the audience to take action in a certain way. WHEN TO USE PERSUASION Persuasive tools are utilized by politicians, professional speakers, speechwriters, journalists, and poetry and prose writers. Persuasion should be used when convincing others is the goal in mind. In a piece which is supposed to be objective or unbiased such as a journalistic report, tools of persuasion should be avoided.

COMMON TERMS

_SATIRE _

Satire refers to a play, novel, poem, film or other composition which uses comedy, irony, mockery, and exaggeration to criticize the absurdity or weaknesses of a certain person, institution, or situation. Often, satire utilizes comedy for more serious means, such as political and social commentary. For an example of satire, see Jon Stewart’s _The Daily Show _which regularly satirizes news media: The Daily Show: The Curious Case of Flight 370 Watch this video on YouTube _RHETORICAL QUESTIONS _ A rhetorical question is a question asked in a form which does not in reality seek an answer but rather emphasizes a certain point. We often use rhetorical questions in everyday conversation as well as in speeches. Here are a few examples of rhetorical questions: * Why would anyone do such a thing? * How much longer will we allow such injustices to exist? * Are you kidding me? 2. FIGURATIVE LANGUAGE For centuries, poets and laypeople alike have used beautiful language to celebrate nature, compliment lovers, and launch the mundane into the mystical. Figurative language is writing which appeals to the senses. Rather than operating on logic or literalness, figurative language makes unique connections based on connotation, sound, and construction of words and phrases. THE IMPORTANCE OF FIGURATIVE LANGUAGE Figurative language creates connections between unlike things which have never been considered before. It encourages complicated, creative, and poetic thought processes which give rise to beautiful, strange, and unique conceptions. Figurative language allows writers to transcend logical and typical bounds of thinking in order to present things in a new and meaningful way. WHEN TO USE FIGURATIVE LANGUAGE Figurative language is a chief component of poetic language as used in prose, poetry, speeches, and songs. Because figurative language is not literal, it should not be used in compositions which are meant to be taken literally, such as scientific and mathematic manuals or

textbooks.

COMMON TERMS

_METAPHOR _

A metaphor is a direct and vivid comparison between two things usually considered distinct or unrelated. Metaphors discover the connections between unique things and emphasize their similarities poetically without being taken literally. Here are a few examples of metaphor: * Her smile is the sun. * He’s a black sheep. * All the world’s a stage.

_HYPERBOLE _

Hyperbole is a remarkably exaggerated statement or idea meant to be taken figuratively rather than literally. Hyperbole exaggerates certain elements of ideas or things for comedic or dramatic effects. Here are a few examples of hyperbole: * I’m so hungry I could eat a horse! * That was the best performance I’ve ever seen in my entire life. * I’d _kill _for a glass of Coca-Cola. 3. PLOT AND CHARACTER DEVICES A story is not a story without a plot and characters . Things must happen, and they must happen to interesting people who are flawed, capable of change, and active in their world. Plots are not always simple or linear, though, and characters are elements of a story which may be built, developed, and complicated. Novelists, poets, journalists, filmmakers, and others use numerous elements in making a compelling, interesting, and believable story. THE IMPORTANCE OF PLOT AND CHARACTER DEVICES Plot and character devices reveal how complicated compositions can be with a variety of necessary elements that piece the story together. Stories in any form require a variety of plot and character devices to shape their development and supply their meaning. WHEN TO USE PLOT AND CHARACTER DEVICES Plot and character devices are elements of the story which could be told in many forms including poetry, prose, playwriting, song, television, film, and others. Devices used in Greek tragedies and in Shakespeare’s classics are still in use by novelists, story writers, poets, and playwrights today.

COMMON TERMS

_FLASHBACK _

A flashback is a moment in which the linear story is interrupted and launched to an event that occurred in the past. Flashbacks are used to provide more information about the present and to further develop plots and characters in a way that is more interesting and complicated than a simple chronological plot. Here is an example of flashback: _A man is shopping when he sees a woman at the end of the aisle. The story flashes back, showing that he previously had a relationship with her, a relationship that ended badly. He swiftly turns around and enters a different aisle, avoiding her sight._ This flashback shows us that the woman in the store is important to the man, as she was an important person in his past.

_CLIMAX _

Climax is one of the most important and necessary elements of a story’s plot, as all drama that has been developing over the course of the story reaches a breaking point when something or someone must change. This is the most dramatic, meaningful, and suspenseful moment in the story. Here is an example of the climax in a

story:

_A boy has been shipwrecked and has struggled to survive on a desert island. When a plane flies over him, he is prepared with a large fire burning. The plane circles back and lands on the island, where he is

at last rescued. _

The climax of this story occurs when the boy’s suffering and struggling end with his rescue.

4. SOUND AND RHYTHM

The way we word things can create rhythm, musicality, and poetry for the reader or listener. Poetry in particular operates on syllable counts, arrangement of lines, usage of certain hard or soft sounds, and pattern-making with rhyme and other devices. Soft s sounds can create calm and smoothness, whereas hard k sounds create chaos and harshness. A variety of sound and rhythm devices take advantage of connotative noises and the feelings they evoke in the audience. Sound and rhythm create powerful poetry, prose, speeches,

and songs.

THE IMPORTANCE OF SOUND AND RHYTHM Sound and rhythm appeal to us just as naturally as heartbeats, rain on the roof, and the shuffle of feet on the sidewalk do. Rhythm provides soothing and meaningful repetition and emphasis in prose and poetry. Sound, on the other hand, is connotative of numerous feelings from anger to sadness based on arrangement of vowel and

consonant sounds.

WHEN TO USE SOUND AND RHYTHM Sound and rhythm can be used in all compositions from poetry and song to prose and speechmaking to film and television dialogue. Poetic emphasis on sound and rhythm is typically artistic, so it should not be emphasized in more serious and logical compositions such as formal essays or textbooks.

COMMON TERMS

_ALLITERATION _

Alliteration is the repetition of a certain sound at the beginning of successive words or phrases. Alliteration is used to create rhythm through repetition and to evoke emotion through connotations attached to certain sounds. Here are a few examples of alliteration: * Sarah swam smoothly and silently across the sound. * Kathy creates crazy and chaotic chants. * Bret brought bundles of bread to the bakery.

_ONOMATOPOEIA _

Onomatopoeia refers to words which sound like that which they describe. Onomatopoeia creates a vivid reading experience, as words are automatic forms of sound imagery. Here are a few examples

of onomatopoeia:

* The explosion erupted with a boom! * The horses clip-clopped across the street. * Fall leaves rustled in the whistling

5. WORDPLAY

Have you ever heard someone describe a phrase as “punny”? Punny is a blend word, or portmanteau, which combines “pun” and “funny” to describe a funny pun. This is an act of wordplay: rearranging a word in a creative way to change, emphasize, or mock its meaning. Wordplay is a creative act which allows writers and readers to flex their thinking muscles. Wordplay has been employed by greats like Shakespeare to create entirely new words, modern poets to hide interesting messages, and quirky comedians to show off witty thinking. THE IMPORTANCE OF WORDPLAY Much of poetry and comedy makes use of wordplay to emphasize beauty, intelligence, and wit. It is also a way for wordsmiths to sharpen their creative-thinking in crafting words in new and unique ways. Wordplay serves as proof that literature is evolving, as new words are invented each year. Readers and writers alike value wit and comedy in poetry, prose, and other forms. WHEN TO USE WORDPLAY Wordplay is primarily a playful and creative technique which is used by poets, playwrights, novels, short story writers, and children’s writers in lighthearted and imaginative compositions. Wordplay can also be used in creating new words serious and silly alike. Because wordplay is creative and new, it should not be used in formal essays or manuals with a pre-designated lexicon.

COMMON TERMS

_Neologism_

Neologisms are literally new words, or words recently created in order to describe something which has never been described. For example, a recent neologism is “spork,” meaning a combined

spoon and fork.

_Anagram _

Anagrams are a type of wordplay in which the letters of a word or phrase are rearranged to create a new word or phrase containing the exact same letters. For example, an anagram of the word “anagram” would be “nag a

ram!”

6. ERRORS TO AVOID

Although it is important to be aware of useful devices at your disposal, it is also important to be aware of potential mistakes you may be making. Just as there are terms for correct usage of literary devices , there are terms for incorrect usage as well. These are the errors you should work to avoid in your writing.

COMMON TERMS

_Malapropism _

Malapropism is when a word is used incorrectly, often in place of one that sounds similar to the correct one. Here are a few common examples of malapropisms: * “Supposively” instead of “supposedly” * “For all intensive purposes” instead of “for all intents and

purposes”

* “Fortuitously” instead of “fortunately”

Cliché

A cliché is an overused saying or idea which has lost its original meaning or power. Clichés are to be avoided because they are trite and shallow. Here are a few common examples of clichés: * Time heals all wounds * What goes around comes around * Every cloud has a silver lining

*

LIST OF TERMS

*

Action

*

Ad Hominem

*

Adage

*

Adventure

*

Allegory

*

Alliteration

*

Allusion

*

Alter Ego

*

Ambiguity

*

Amplification

*

Anachronism

*

Anagram

*

Analogy

*

Anaphora

*

Anecdote

*

Antagonist

*

Anthimeria

*

Anthropomorphism

*

Antithesis

*

Antonomasia

*

APA Citation

*

Aphorism

*

Aphorismus

*

Apologia

*

Apologue

*

Aporia

*

Aposiopesis

*

Appositive

*

Archaism

*

Archetype

*

Argument

*

Assonance

*

Asyndeton

*

Atmosphere

*

Autobiography

*

Ballad

*

Bathos

*

Bildungsroman

*

Burlesque

*

Buzzword

*

Cacophony

*

Caesura

*

Catharsis

*

Character

*

Characterization

*

Chiasmus

*

Chronicle

*

Chronology

*

Circumlocution

*

Cliché

*

Cliffhanger

*

Climax

*

Coherence

*

Comedy

*

Comic Relief

*

Connotation

*

Consonance

*

Contrast

*

Conundrum

*

Cynicism

*

Denotation

*

Denouement

*

Deus ex machina

*

Deuteragonist

*

Diacope

*

Dialect

*

Dialogue

*

Diction

*

Dilemma

*

Doppelganger

*

Double Entendre

*

Drama

*

Dramatic irony

*

Dystopia

*

Elegy

*

Ellipsis

*

Encomium

*

Enjambment

*

Enthymeme

*

Epigram

*

Epilogue

*

Epiphany

*

Epistrophe

*

Epitaph

*

Epithet

*

Eponym

*

Equivocation

*

Essay

*

Etymology

*

Euphemism

*

Excursus

*

Exemplum

*

Exposition

*

Extended Metaphor

*

Fable

*

Fairy Tale

*

Fantasy

*

Farce

*

Figures of Speech

*

Flash-forward

*

Flashback

*

Folklore

*

Foreshadowing

*

Foreword

*

Genre

*

Haiku

*

Hamartia

*

Harangue

*

Homage

*

Homograph

*

Homophone

*

Horror

*

Hubris

*

Hyperbaton

*

Hyperbole

*

Idiom

*

Imagery

*

Inference

*

Innuendo

*

Intertextuality

*

Invective

*

Irony

*

Jargon

*

Juxtaposition

*

Kairos

*

Legend

*

Limerick

*

Lingo

*

Literary Device

*

Litotes

*

Malapropism

*

Maxim

*

Melodrama

*

Memoir

*

Metanoia

*

Metaphor

*

Metonymy

*

Mnemonic

*

Monologue

*

Montage

*

Motif

*

Motto

*

Mystery

*

Myth

*

Narrative

*

Narrator

*

Nemesis

*

Neologism

*

Nostalgia

*

Ode

*

Onomatopoeia

*

Oxymoron

*

Palindrome

*

Parable

*

Paradox

*

Parallelism

*

Paraphrase

*

Parody

*

Pastiche

*

Pathetic Fallacy

*

Pejorative

*

Peripeteia

*

Persona

*

Personification

*

Plagiarism

*

Platitude

*

Pleonasm

*

Plot

*

Plot Twist

*

Poetry

*

Point of View

*

Polemic

*

Polyptoton

*

Polysyndeton

*

Premise

*

Prologue

*

Propaganda

*

Prose

*

Protagonist

*

Proverb

*

Pseudonym

*

Pun

*

Quest

*

Rebus

*

Red Herring

*

Repetition

*

Resolution

*

Rhetoric

*

Rhetorical Device

*

Rhetorical Question

*

Rhyme

*

Riddle

*

Romance

*

Sarcasm

*

Sardonic

*

Satire

*

Science Fiction

*

Self-Fulfilling Prophecy

*

Setting

*

Simile

*

Soliloquy

*

Sonnet

*

Stanza

*

Stereotype

*

Story

*

Style

*

Subtext

*

Surrealism

*

Symbol

*

Synecdoche

*

Synesthesia

*

Synonym

*

Synopsis

*

Tautology

*

Theme

*

Thesis

*

Thriller

*

Tone

*

Tragedy

*

Trope

*

Truism

*

Turning Point

*

Understatement

*

Urban Legend

*

Utopia

*

Verisimilitude

*

Vernacular

*

Vignette

*

Villain

*

Voice

*

Wit

*

Wordplay

*

Zeugma

� Copyright Literary Terms

__

* Literary Terms

MENU

* __ Home

* __ Essay Guide

* __ Glossary

* __ Quizzes

* __ Flashcards

* __ Cite This Website

LIST OF TERMS

*

Action

*

Ad Hominem

*

Adage

*

Adventure

*

Allegory

*

Alliteration

*

Allusion

*

Alter Ego

*

Ambiguity

*

Amplification

*

Anachronism

*

Anagram

*

Analogy

*

Anaphora

*

Anecdote

*

Antagonist

*

Anthimeria

*

Anthropomorphism

*

Antithesis

*

Antonomasia

*

APA Citation

*

Aphorism

*

Aphorismus

*

Apologia

*

Apologue

*

Aporia

*

Aposiopesis

*

Appositive

*

Archaism

*

Archetype

*

Argument

*

Assonance

*

Asyndeton

*

Atmosphere

*

Autobiography

*

Ballad

*

Bathos

*

Bildungsroman

*

Burlesque

*

Buzzword

*

Cacophony

*

Caesura

*

Catharsis

*

Character

*

Characterization

*

Chiasmus

*

Chronicle

*

Chronology

*

Circumlocution

*

Cliché

*

Cliffhanger

*

Climax

*

Coherence

*

Comedy

*

Comic Relief

*

Connotation

*

Consonance

*

Contrast

*

Conundrum

*

Cynicism

*

Denotation

*

Denouement

*

Deus ex machina

*

Deuteragonist

*

Diacope

*

Dialect

*

Dialogue

*

Diction

*

Dilemma

*

Doppelganger

*

Double Entendre

*

Drama

*

Dramatic irony

*

Dystopia

*

Elegy

*

Ellipsis

*

Encomium

*

Enjambment

*

Enthymeme

*

Epigram

*

Epilogue

*

Epiphany

*

Epistrophe

*

Epitaph

*

Epithet

*

Eponym

*

Equivocation

*

Essay

*

Etymology

*

Euphemism

*

Excursus

*

Exemplum

*

Exposition

*

Extended Metaphor

*

Fable

*

Fairy Tale

*

Fantasy

*

Farce

*

Figures of Speech

*

Flash-forward

*

Flashback

*

Folklore

*

Foreshadowing

*

Foreword

*

Genre

*

Haiku

*

Hamartia

*

Harangue

*

Homage

*

Homograph

*

Homophone

*

Horror

*

Hubris

*

Hyperbaton

*

Hyperbole

*

Idiom

*

Imagery

*

Inference

*

Innuendo

*

Intertextuality

*

Invective

*

Irony

*

Jargon

*

Juxtaposition

*

Kairos

*

Legend

*

Limerick

*

Lingo

*

Literary Device

*

Litotes

*

Malapropism

*

Maxim

*

Melodrama

*

Memoir

*

Metanoia

*

Metaphor

*

Metonymy

*

Mnemonic

*

Monologue

*

Montage

*

Motif

*

Motto

*

Mystery

*

Myth

*

Narrative

*

Narrator

*

Nemesis

*

Neologism

*

Nostalgia

*

Ode

*

Onomatopoeia

*

Oxymoron

*

Palindrome

*

Parable

*

Paradox

*

Parallelism

*

Paraphrase

*

Parody

*

Pastiche

*

Pathetic Fallacy

*

Pejorative

*

Peripeteia

*

Persona

*

Personification

*

Plagiarism

*

Platitude

*

Pleonasm

*

Plot

*

Plot Twist

*

Poetry

*

Point of View

*

Polemic

*

Polyptoton

*

Polysyndeton

*

Premise

*

Prologue

*

Propaganda

*

Prose

*

Protagonist

*

Proverb

*

Pseudonym

*

Pun

*

Quest

*

Rebus

*

Red Herring

*

Repetition

*

Resolution

*

Rhetoric

*

Rhetorical Device

*

Rhetorical Question

*

Rhyme

*

Riddle

*

Romance

*

Sarcasm

*

Sardonic

*

Satire

*

Science Fiction

*

Self-Fulfilling Prophecy

*

Setting

*

Simile

*

Soliloquy

*

Sonnet

*

Stanza

*

Stereotype

*

Story

*

Style

*

Subtext

*

Surrealism

*

Symbol

*

Synecdoche

*

Synesthesia

*

Synonym

*

Synopsis

*

Tautology

*

Theme

*

Thesis

*

Thriller

*

Tone

*

Tragedy

*

Trope

*

Truism

*

Turning Point

*

Understatement

*

Urban Legend

*

Utopia

*

Verisimilitude

*

Vernacular

*

Vignette

*

Villain

*

Voice

*

Wit

*

Wordplay

*

Zeugma