Are you over 18 and want to see adult content?
More Annotations
A complete backup of http://sattamatka.net.in/manipur-day-jodi-chart.php
Are you over 18 and want to see adult content?
A complete backup of https://www.mundotecnico.info/viewtopic.php?t=7616
Are you over 18 and want to see adult content?
A complete backup of https://www.au-e.com/site/movie4me.rest
Are you over 18 and want to see adult content?
A complete backup of https://www.comico.in.th/titles/456
Are you over 18 and want to see adult content?
A complete backup of http://www.ibe.unesco.org/en/resources
Are you over 18 and want to see adult content?
A complete backup of https://www.vip-zona.net/lolicon___/160146-cg.html
Are you over 18 and want to see adult content?
A complete backup of https://tbcpay.ge/en/services
Are you over 18 and want to see adult content?
A complete backup of https://www.babeshows.co.uk/showthread.php?tid=77393
Are you over 18 and want to see adult content?
A complete backup of http://treeoflifecenterus.com/why-live-foods/
Are you over 18 and want to see adult content?
A complete backup of https://chinaq.me/jp210113/
Are you over 18 and want to see adult content?
Favourite Annotations
A complete backup of https://punjabipollywood.com/manje-bistre-full-movie/
Are you over 18 and want to see adult content?
A complete backup of https://hypestat.com/info/btconly.com
Are you over 18 and want to see adult content?
A complete backup of http://www.goddessvalora.com/clips-1
Are you over 18 and want to see adult content?
A complete backup of https://hunghoangde.blogspot.com/
Are you over 18 and want to see adult content?
A complete backup of https://www.escobarvip.me/zeynep-marasli/
Are you over 18 and want to see adult content?
A complete backup of https://minuet.biz/ukraine/zaporoje/11901/ru/
Are you over 18 and want to see adult content?
Text
LITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit. CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom.EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheLITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit. CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom.EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheLITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit. CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom.EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheWORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit.LITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq). CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation. LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheWORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit.LITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq). CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation. LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheWORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit.LITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq). CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation. LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheLITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit.EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way. CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheWORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit.LITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way. CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheLITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit.EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way. CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation. LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheWORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit.LITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq). CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation. LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheWORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit.LITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq). CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation. LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / Podcast: BACK TO BLED / ApacheWORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit.LITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq). CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation. LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / EQUAL Exhibition: Chasing FlowersLITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit. CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / EQUAL Exhibition: Chasing FlowersLITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit. CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
LISA MATTHYS I VISUAL ARTIST upcoming / ongoing events New work / EQUAL Exhibition: Chasing Flowers. The Survivor @ Coup De Ville, Sint-Niklaas. 11/09 - 11/10 2020 . Little Survivors @ FOMU Antwerp, Belgium. 13/01 2020 Belgian National television: CANVAS: 29/02 2020 and on VRTNU. Exhibition: ?LITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below). CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom.EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / EQUAL Exhibition: Chasing FlowersLITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit. CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
LISA MATTHYS I VISUAL ARTIST Lisa Matthys is a visual artist in video and photography. upcoming / ongoing events New work / EQUAL Exhibition: Chasing FlowersLITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit. CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below).EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
LISA MATTHYS I VISUAL ARTIST upcoming / ongoing events New work / EQUAL Exhibition: Chasing Flowers. The Survivor @ Coup De Ville, Sint-Niklaas. 11/09 - 11/10 2020 . Little Survivors @ FOMU Antwerp, Belgium. 13/01 2020 Belgian National television: CANVAS: 29/02 2020 and on VRTNU. Exhibition: ?LITTLE SURVIVORS
‘LITTLE SURVIVORS’, a documentary by Lotte Knaepen and Lisa Matthys, tells the story about four Yezidi children in post-IS era Kurdistan (Northern Iraq).WORK | LISAMATTHYS
The White Rabbit was founded by contemporary visual artists Hulda Rós Guðnadóttir in Berlin and Lisa Matthys in Brussels in January 2017. The two women serve as the editorial board of The White Rabbit. SAND PLAY | LISAMATTHYS In the frame of the exhibition 'Chasing Flowers' a collaboration took place with psychologist Philippe Grisar and OKAN students of Sint-Niklaas on visual storytelling inspired by sand play, a therapeutic intervention practice (see pictures below). CLASS WAR | LISAMATTHYS Class War is a serie of 5 photo's. The serie is the result of a collaboration between Fondation A Stichting & Sint Augustinus School, Brussels in which she asked children to play war in the classroom.EQUAL | LISAMATTHYS
Lisa Matthys and visual artist Katrien Oosterlinck (theater maker) share a fascination for spontaneous play and the narrative power of visual language. They work with a strong social conscience, linking their curiosity for the other to experiential methods and recording testimonies in an indirect way.ABOUT | LISAMATTHYS
Lisa Matthys’ strong social commitment translates into video work, photography and documentaries in which children often play a starringrole.
ABOUT MY WORK
Lisa Matthys (°1982, BE) is a Brussels based artist and documentary maker. She works primarily with video and photography, sometimes with elements of installation.THE SURVIVOR
In this video installation, based on a testimony of Jackleen, appears a Yezidi girl held captive by IS. In a landscape (Kurdistan, northern Iraq) which is a picture of idyllic innocence, she talks in a surprisingly calm way about the atrocities she suffered during herimprisonment.
LISA MATTHYS
VISUAL ARTIST
upcoming / ongoing events
Screening:
Little Survivors
@ FOMU Antwerp, Belgium.13 January 2020
Belgian National television: CANVAS: 29 February 2020 and from then onVRTNU
Exhibition: Chasing FlowersThe Survivors
@ Coup De Ville ,
Sint-Niklaas. 11 October till 11 November 2020
Exhibition: ? A VEŠ… YOU KNOW!Class War
@ Galerija Kresija
in
Ljubljana. Opening 31 May 2019.
*
HOME
*
WORK
*
ABOUT
*
More
Details
Copyright © 2024 ArchiveBay.com. All rights reserved. Terms of Use | Privacy Policy | DMCA | 2021 | Feedback | Advertising | RSS 2.0