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LEVIXWATSON.TUMBLR.COMLEARN MORE We would like to show you a description here but the site won’tallow us.
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NO LOVE LOST.
levi watson.
musician/artist living in tokyo.leviwatsonmusic.com
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leaving town in the middle of the night45 notes
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LEVI WATSON IS A REAL-LIFE SYNTH-LORD IN ‘DAYDREAMING AS THE WORLDENDS’
levixwatson
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> onestowatch
> :
>
>>
>> Hip-Hop is in a great place right now. The barriers of entry have >> been taken off their hinges and burned to a crisp, which means >> great things for eclectic artists like Levi Watson. The >> Atlanta-born, Tokyo-resident implements his love for jazz fusion >> to create a synth-heavy spaced-out brand of hip-hop on his latest >> endeavor, a six-track project titled, _Daydreaming as The World>> Ends_.
>>
>> The project begins with its spacey opener “Dream Eater.” >> Bass-singed synths ride in tandem with Watson’s in-your-face >> cadence, chronicling his growth as a man and artist, “I remember >> tall-tees and Jabo jeans/ before CDs lost steam and became >> streams.” It is halfway through this introductory record that we >> are introduced into Watson’s score-like arrangements that >> effectively alters the sonic landscape of the record, matching the >> reality questioning subject matter as it comes to a synth-layered>> close.
>>
>> The electrified decrescendo of “Dream Eater” builds tension >> that is ultimately released on the glittery opening of the >> project’s following record, “Angels 1.5.” Contrasting the >> previous record’s edge, Watson reels in the intensity, >> harnessing laid-back confidence as he boasts, “I’ve been going >> through changes.” Watson constructs this walk-down-memory-lane >> by using a barrage of nostalgia-inducing references like Nintendo, >> Hey Al, and Jack Sparrow. The thoughtful implementation of these >> clever similes acts as buzz words for any 90’s baby, >> simultaneously invoking feelings of nostalgia and the jarring >> realization of time’s hasty pace.>>
>> The halfway mark of the six-track project is embodied by the >> back-to-basics nature of “At World’s End.” Concocting a more >> stripped-down production for his halfway point, Watson allows his >> fondness for synths to be used more as a complementary piece than >> a focal one. The reeled-in style of production grants Watson the >> ability to act as the song’s sermon, dipping and diving through >> airy production while addressing his reserve towards commitment, >> fleeting moments in life, and the necessary spontaneity required >> to keep things stimulating.>>
>> Elements of the space-age voyage that we embarked on at the start >> of the project find themselves at the forefront once again with >> “VENUS ENVY.” Trekking through a synth-dominated frontier, >> Watson flexes his ability as both a singer and rapper. His >> electronically manipulated vocals float through the euphoric >> production, embodying the blissful feelings of love’s hold. >> There’s no question as to why this track acted as the >> project’s single, released a few days before the six-track>> debut.
>>
>> The softer sentiments put forth on the previous record follow the >> project towards its close on “The Life Unknown.” An underwater >> guitar progression, more commonly found in the indie-pop realm, >> welcomes you into this lyrically profound performance. Watson’s >> unfiltered conscious-like flow brings to life his psychedelic >> subject matter comprised of spiritual alien abductions and the >> conversations between himself and his personally requested genome >> clone. Watson’s exhibition in transparency is riveting, baring >> all thoughts of doubt, uncertainty, and loneliness.>>
>> Watson’s newly released project comes to a powerful close with >> the bassline rumbling grit of “Prograde.” Reasserting his >> will, Watson uses the booming closer to call into question how >> real love is nowadays, is Mercury’s retrograde really the >> problem? There is an incredible potency to this record, filled >> with confidence-oozing raps and equally captivating production. >> There’s no doubt Watson looked to end his project with a bang.>>
>> In spite of its brief length,_ Daydreaming as The World Ends_ is >> a testament to Watson’s ability to create outside the boundaries >> of hip-hop while remaining firmly planted in its founding >> doctrine. The impressive nature of this rising artist’s >> creativity becomes even more jaw-dropping when taking into account >> that Watson handled the production, arrangements, and engineering >> all himself. This is the best time to latch onto a new artist, at >> the precipice of their start. Watson is undoubtedly the synth-lord >> we’ve been waiting for and one who is primed to do some pretty >> spectacular things.>>
>> Listen to _Daydreaming as The World Ends_ below:>
> my new EP is out now.35 notes
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drifter.
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I just wanna ride bikes and admire you.96 notes
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summer.
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sky islands
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shimmer
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life comes at you fast.* Tags:
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a boy is a gun
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2017–2019 no love lost. Enter the void_by_ Themecloset
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