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Leading the discovery, citation and responsible use of audiovisual material in education and research since 1948 BOB, BOX OF BROADCASTS · LEARNING ON SCREEN Our academically-focused system allows staff and students, at subscribing institutions, to record programmes from over 75 free-to-air channels; and search our archive of over 2.5 millionbroadcasts.
COPYRIGHT GUIDANCE · LEARNING ON SCREEN It is not illegal, per se, to view, or own, video discs legally purchased overseas. In the UK commercial DVDs are classified by the British Board of Film Classification (BBFC) under the VIEWFINDER MAGAZINE · LEARNING ON SCREEN Viewfinder is our magazine. Publishing three times a year, ViewFinder is a space for academics, research students, undergraduates and moving image practitioners to write CHANNEL 4 AND EDUCATIONAL PROGRAMMING · LEARNING ON SCREEN Ever since Channel 4 began broadcasting on 2 November 1982, it has courted controversy and innovation in equal measure. Maggie Brown considers its contribution to education. A HISTORY OF THE BRITISH NEWSREELS · LEARNING ON SCREEN In June 1910 the first British newsreel was issued, the weekly Pathe's Animated Gazette. Films had been exhibited in Britain since the 1890s, and news events were covered by the early film-makers, but the newsreel was a novel concept that appeared as a result of the more settled, regular pattern of film-going that was becoming established with the rise of cinemas. SECRETS OF NATURE · LEARNING ON SCREEN Secrets of Nature was a series of shorts which introduced interwar British viewers to the natural world using a diverse range of subjects – from water fleas and slime mould to cuckoos and newts – using inventive technological solutions, including time-lapse and cinemicrography. Usually screened before the main feature, alongside a newsreel or a Disney cartoon, the Secrets not only became a GRENFELL TOWER AND SOCIAL MURDER · LEARNING ON SCREEN We use cookies to improve your browsing experience and to personalise content for you. See our privacy and cookie policy. BRITISH SOCIAL REALISM AT THE MOVIES · LEARNING ON SCREEN While Samantha Lay’s monograph British Social Realism: From Documentary to Brit Grit (Wallflower, 2002) cannot be reccommended, many of the films themselves are thankfully available now on DVD and on High Definition Blu-ray. Particularly notably is the trio of early 60s New Wave films released by the British Film Institute: Reisz’s Saturday Night and Sunday Morning and Richardson’s A CULTURAL MEMORY AND BRITISH CINEMA-GOING OF THE 1960S Matthew Jones:. Memory is a curious, slippery thing. I’m a little too young to have been in the cinema in the 1960s myself, but when I think back to my early experiences of cinema-going in Derbyshire in the late 1980s and early 90s, what stands out isn’t necessarily the films I watched or the buildings I saw them in (though I do recalldetails of both).
LEARNING ON SCREEN · OPENING UP ACCESS TO MOVING IMAGE ANDWATCH AND LISTENTEACHING AND RESEARCHGUIDES AND COURSESVIEWFINDER MAGAZINEABOUTUS
Leading the discovery, citation and responsible use of audiovisual material in education and research since 1948 BOB, BOX OF BROADCASTS · LEARNING ON SCREEN Our academically-focused system allows staff and students, at subscribing institutions, to record programmes from over 75 free-to-air channels; and search our archive of over 2.5 millionbroadcasts.
COPYRIGHT GUIDANCE · LEARNING ON SCREEN It is not illegal, per se, to view, or own, video discs legally purchased overseas. In the UK commercial DVDs are classified by the British Board of Film Classification (BBFC) under the VIEWFINDER MAGAZINE · LEARNING ON SCREEN Viewfinder is our magazine. Publishing three times a year, ViewFinder is a space for academics, research students, undergraduates and moving image practitioners to write CHANNEL 4 AND EDUCATIONAL PROGRAMMING · LEARNING ON SCREEN Ever since Channel 4 began broadcasting on 2 November 1982, it has courted controversy and innovation in equal measure. Maggie Brown considers its contribution to education. A HISTORY OF THE BRITISH NEWSREELS · LEARNING ON SCREEN In June 1910 the first British newsreel was issued, the weekly Pathe's Animated Gazette. Films had been exhibited in Britain since the 1890s, and news events were covered by the early film-makers, but the newsreel was a novel concept that appeared as a result of the more settled, regular pattern of film-going that was becoming established with the rise of cinemas. SECRETS OF NATURE · LEARNING ON SCREEN Secrets of Nature was a series of shorts which introduced interwar British viewers to the natural world using a diverse range of subjects – from water fleas and slime mould to cuckoos and newts – using inventive technological solutions, including time-lapse and cinemicrography. Usually screened before the main feature, alongside a newsreel or a Disney cartoon, the Secrets not only became a GRENFELL TOWER AND SOCIAL MURDER · LEARNING ON SCREEN We use cookies to improve your browsing experience and to personalise content for you. See our privacy and cookie policy. BRITISH SOCIAL REALISM AT THE MOVIES · LEARNING ON SCREEN While Samantha Lay’s monograph British Social Realism: From Documentary to Brit Grit (Wallflower, 2002) cannot be reccommended, many of the films themselves are thankfully available now on DVD and on High Definition Blu-ray. Particularly notably is the trio of early 60s New Wave films released by the British Film Institute: Reisz’s Saturday Night and Sunday Morning and Richardson’s A CULTURAL MEMORY AND BRITISH CINEMA-GOING OF THE 1960S Matthew Jones:. Memory is a curious, slippery thing. I’m a little too young to have been in the cinema in the 1960s myself, but when I think back to my early experiences of cinema-going in Derbyshire in the late 1980s and early 90s, what stands out isn’t necessarily the films I watched or the buildings I saw them in (though I do recalldetails of both).
ACCESSIBILITY STATEMENT · LEARNING ON SCREEN This accessibility statement applies to all Learning on Screen websites and online services developed by Learning on Screen with domain learningonscreen.ac.uk, including BoB (Box of Broadcasts) the On Demand service for Education. HOW TO USE BOB · LEARNING ON SCREEN We use cookies to improve your browsing experience and to personalise content for you. See our privacy and cookie policy. FILM AND THE HISTORIAN · LEARNING ON SCREEN The sixteen films produced by the Consortium between 1969 and 1999 can be divided into two series: the British Universities Historical Studies in Film Series (1969-1995) and the Archive Series (1974-1999).The main difference between the two was stylistic with the Historical Studies Series using scripted voice-over commentaries and the Archive Series using compilations of newsreel and archive SUPPLY CHAIN MANAGEMENT · LEARNING ON SCREEN The UK fisheries came to the public's attention recently when they were a key point of debate in the Brexit negotiations. This is a supply chain that is often overlooked, ROUNDABOUT · LEARNING ON SCREEN Produced by the Central Office of Information to showcase British manufacturing and promote the ethos of the Commonwealth, this eclectic mix of official opening ceremonies and factory production lines bears glamorous witness to a Britain projected exclusively to cinemaaudiences in Asia.
A HISTORY OF THE BRITISH NEWSREELS · LEARNING ON SCREEN In June 1910 the first British newsreel was issued, the weekly Pathe's Animated Gazette. Films had been exhibited in Britain since the 1890s, and news events were covered by the early film-makers, but the newsreel was a novel concept that appeared as a result of the more settled, regular pattern of film-going that was becoming established with the rise of cinemas. LIVE CINEMA AND ITS TECHNIQUES · LEARNING ON SCREEN One of the most revealing sections is the director’s discussion of his bold, beautiful and decidedly flawed project One From The Heart, which he conceived as a kind of live television, and for which he filled nine sound stages at his Zoetrope Studios with elaborate sets of Las Vegas.He recounts that, at the last minute, director of photography Vittorio Storaro, who had shot Apocalypse Now COUNTDOWN TO LIFE: THE EXTRAORDINARY MAKING OF YOU · THE Episode Countdown to Life: The Extraordinary Making of You - Ep2 Broadcast Info 2015 (58 mins) Description LAURA MULVEY'S AFTERIMAGES: ON CINEMA, WOMEN AND CHANGING The book’s first section consists of essays on some of the most famous women’s bodies in 1950s cinema as the studio system declined. Tantalisingly, the introduction is titled ‘Final Thoughts on Woman as Spectacle’: as if the author really wants this work to draw a BLITZ: THE BOMBS THAT CHANGED BRITAIN · THE OPEN UNIVERSITY Episode Ep3 - Jellicoe Road Broadcast Info 2017 (59 mins) Description Episode three follows a bomb that fell on Jellicoe Street in the Scottish town of Clydebank. LEARNING ON SCREEN · OPENING UP ACCESS TO MOVING IMAGE ANDWATCH AND LISTENTEACHING AND RESEARCHGUIDES AND COURSESVIEWFINDER MAGAZINEABOUTUS
Leading the discovery, citation and responsible use of audiovisual material in education and research since 1948 BOB, BOX OF BROADCASTS · LEARNING ON SCREEN With BoB you can: Access 2.5 million broadcasts dating back to the 1970s. Record from over 75 free-to-air channels. Create your own playlists, clips and clip compilations. Search programme transcripts and subtitles. Embed content in VLEs and share on social media. One-click citation for VIEWFINDER MAGAZINE · LEARNING ON SCREEN Viewfinder is our magazine. Publishing three times a year, ViewFinder is a space for academics, research students, undergraduates and moving image practitioners to write about film, television, radio and education. Each issue is based on a broad topic of discussion. ViewFinder's ISSN is 2634-8179. TRUSTEES · LEARNING ON SCREEN Trustees. Learning On Screen is a registered charity and membership organisation. We are governed by an Executive Council elected by and from our membership. Home About Us Trustees. John Ellis. (Chair) Royal Holloway, University of London. Chris Willmott. CHANNEL 4 AND EDUCATIONAL PROGRAMMING · LEARNING ON SCREEN Right from the start Channel 4 was expected to provide a fresh approach to educational programmes for all age groups. The new station also reflected its founder Jeremy Isaacs’ love of the arts, from poetry to opera and ideas, which contributed to its often high minded early tone. He insisted on a weekly books programme, and regularseasons of
BRITISH SOCIAL REALISM AT THE MOVIES · LEARNING ON SCREEN British Social Realism at the Movies. About the Author: Dr Sheldon Hall is a Senior Lecturer in Stage and Screen Studies at Sheffield Hallam University. He is the author of Zulu: With Some Guts Behind It - The Making of the Epic Movie (Sheffield: Tomahawk Press, 2005; reprinted 2006; 2nd edition due in 2014); with Steve Neale, Epics,Spectacles
INTRODUCTION TO VIDEO ESSAYS: STUDYING AND RESEARCHING Video essays are scholarly videos that invite researchers and class members to explore the audiovisual and multimedia language to make an academic argument. When applied to film research and pedagogy, the video essay is thus a recursive text. That is, the object of study, film, is mediated, or rather, performed, through the film medium. GRENFELL TOWER AND SOCIAL MURDER · LEARNING ON SCREEN Grenfell Tower and Social Murder was commissioned for The Open University degree module DD105 “Introduction to Criminology’. Each Open University module has audio-visual content to bring alive the teaching and underline the most important educational points. We needed four films to generate questions about ‘what is crime’ and‘who are
CULTURAL MEMORY AND BRITISH CINEMA-GOING OF THE 1960S Matthew Jones:. Memory is a curious, slippery thing. I’m a little too young to have been in the cinema in the 1960s myself, but when I think back to my early experiences of cinema-going in Derbyshire in the late 1980s and early 90s, what stands out isn’t necessarily the films I watched or the buildings I saw them in (though I do recalldetails of both).
RESISTING DISPLACEMENT, OVERCOMING SEPARATION IN In 1948, following the creation of the state of Israel, approximately 720,000 Palestinians were expelled from their homes, with many still unable to return. This Nakba or Catastrophe marked the beginning of a process of displacement that continues to this day. In 2012, there were an estimated 4,950,000 registered refugees of Palestinian origin LEARNING ON SCREEN · OPENING UP ACCESS TO MOVING IMAGE ANDWATCH AND LISTENTEACHING AND RESEARCHGUIDES AND COURSESVIEWFINDER MAGAZINEABOUTUS
Leading the discovery, citation and responsible use of audiovisual material in education and research since 1948 BOB, BOX OF BROADCASTS · LEARNING ON SCREEN With BoB you can: Access 2.5 million broadcasts dating back to the 1970s. Record from over 75 free-to-air channels. Create your own playlists, clips and clip compilations. Search programme transcripts and subtitles. Embed content in VLEs and share on social media. One-click citation for VIEWFINDER MAGAZINE · LEARNING ON SCREEN Viewfinder is our magazine. Publishing three times a year, ViewFinder is a space for academics, research students, undergraduates and moving image practitioners to write about film, television, radio and education. Each issue is based on a broad topic of discussion. ViewFinder's ISSN is 2634-8179. TRUSTEES · LEARNING ON SCREEN Trustees. Learning On Screen is a registered charity and membership organisation. We are governed by an Executive Council elected by and from our membership. Home About Us Trustees. John Ellis. (Chair) Royal Holloway, University of London. Chris Willmott. CHANNEL 4 AND EDUCATIONAL PROGRAMMING · LEARNING ON SCREEN Right from the start Channel 4 was expected to provide a fresh approach to educational programmes for all age groups. The new station also reflected its founder Jeremy Isaacs’ love of the arts, from poetry to opera and ideas, which contributed to its often high minded early tone. He insisted on a weekly books programme, and regularseasons of
BRITISH SOCIAL REALISM AT THE MOVIES · LEARNING ON SCREEN British Social Realism at the Movies. About the Author: Dr Sheldon Hall is a Senior Lecturer in Stage and Screen Studies at Sheffield Hallam University. He is the author of Zulu: With Some Guts Behind It - The Making of the Epic Movie (Sheffield: Tomahawk Press, 2005; reprinted 2006; 2nd edition due in 2014); with Steve Neale, Epics,Spectacles
INTRODUCTION TO VIDEO ESSAYS: STUDYING AND RESEARCHING Video essays are scholarly videos that invite researchers and class members to explore the audiovisual and multimedia language to make an academic argument. When applied to film research and pedagogy, the video essay is thus a recursive text. That is, the object of study, film, is mediated, or rather, performed, through the film medium. GRENFELL TOWER AND SOCIAL MURDER · LEARNING ON SCREEN Grenfell Tower and Social Murder was commissioned for The Open University degree module DD105 “Introduction to Criminology’. Each Open University module has audio-visual content to bring alive the teaching and underline the most important educational points. We needed four films to generate questions about ‘what is crime’ and‘who are
CULTURAL MEMORY AND BRITISH CINEMA-GOING OF THE 1960S Matthew Jones:. Memory is a curious, slippery thing. I’m a little too young to have been in the cinema in the 1960s myself, but when I think back to my early experiences of cinema-going in Derbyshire in the late 1980s and early 90s, what stands out isn’t necessarily the films I watched or the buildings I saw them in (though I do recalldetails of both).
RESISTING DISPLACEMENT, OVERCOMING SEPARATION IN In 1948, following the creation of the state of Israel, approximately 720,000 Palestinians were expelled from their homes, with many still unable to return. This Nakba or Catastrophe marked the beginning of a process of displacement that continues to this day. In 2012, there were an estimated 4,950,000 registered refugees of Palestinian origin ACCESSIBILITY STATEMENT · LEARNING ON SCREEN This accessibility statement applies to all Learning on Screen websites and online services developed by Learning on Screen with domain learningonscreen.ac.uk, including BoB (Box of Broadcasts) the On Demand service for Education. This website is run by Learning on Screen, the British Universities and Colleges Film and Video Council. TRUSTEES · LEARNING ON SCREEN Trustees. Learning On Screen is a registered charity and membership organisation. We are governed by an Executive Council elected by and from our membership. Home About Us Trustees. John Ellis. (Chair) Royal Holloway, University of London. Chris Willmott. ROUNDABOUT · LEARNING ON SCREEN It documents an exercise in soft propaganda that lasted over a decade and now provides us with rare colour footage of the incidents that are so fundamental to building an authentic picture of Britain and Asia in the 1960s and early 1970s. These programmes are now freely availablethanks to
SECRETS OF NATURE · LEARNING ON SCREEN Secrets of Nature was a series of shorts which introduced interwar British viewers to the natural world using a diverse range of subjects – from water fleas and slime mould to cuckoos and newts – using inventive technological solutions, including time-lapse and cinemicrography. Usually screened before the main feature, alongside a newsreel or a Disney cartoon, the Secrets not only became a GRENFELL TOWER AND SOCIAL MURDER · LEARNING ON SCREEN Grenfell Tower and Social Murder was commissioned for The Open University degree module DD105 “Introduction to Criminology’. Each Open University module has audio-visual content to bring alive the teaching and underline the most important educational points. We needed four films to generate questions about ‘what is crime’ and‘who are
FILM AND THE HISTORIAN · LEARNING ON SCREEN IUHFC: A Short History. James Chapman. The sixteen films produced by the Consortium between 1969 and 1999 can be divided into two series: the British Universities Historical Studies in Film Series (1969-1995) and the Archive Series (1974-1999). The main difference between the two was stylistic with the Historical Studies Series using scripted A HISTORY OF THE BRITISH NEWSREELS · LEARNING ON SCREEN A History of the British Newsreels. In June 1910 the first British newsreel was issued, the weekly Pathe's Animated Gazette. Films had been exhibited in Britain since the 1890s, and news events were covered by the early film-makers, but the newsreel was a novel concept that appeared as a result of the more settled, regular pattern offilm-going
LIVE CINEMA AND ITS TECHNIQUES · LEARNING ON SCREEN Live Cinema and its Techniques is a short, accessible, vividly personal, defiantly oddball and fascinating book. Or rather, my sense is that it will be fascinating for colleagues, competitors and critics engaged in making and making sense of hybrid forms of theatre, cinema and television. Fascinating, perhaps, for others too, although pretty BBC SHAKESPEARE · LEARNING ON SCREEN The BBC Shakespeare Festival 2016 will launch on 23 April (Shakespeare’s assumed birth and death day) and continue for a month across all BBC services. Russell T. Davies adapts the original verse of A Midsummer Night's Dream with a cast that includes Maxine Peake, Matt Lucas and Bernard Cribbins. BBC Two is reviving one of thehighlights of
LAURA MULVEY'S AFTERIMAGES: ON CINEMA, WOMEN AND CHANGING In Afterimages: On Cinema, Women and Changing Times, Mulvey revisits her influential essay, and also brings together a collection of essays which reflect her interests in cinema, women’s bodies, motherhood and new forms of moving image work, which have developed over the last forty years. It is a frank, personal, and critically adroit work LEARNING ON SCREEN · OPENING UP ACCESS TO MOVING IMAGE ANDWATCH AND LISTENTEACHING AND RESEARCHGUIDES AND COURSESVIEWFINDER MAGAZINEABOUTUS
Leading the discovery, citation and responsible use of audiovisual material in education and research since 1948 BOB, BOX OF BROADCASTS · LEARNING ON SCREEN With BoB you can: Access 2.5 million broadcasts dating back to the 1970s. Record from over 75 free-to-air channels. Create your own playlists, clips and clip compilations. Search programme transcripts and subtitles. Embed content in VLEs and share on social media. One-click citation for SECRETS OF NATURE · LEARNING ON SCREEN Secrets of Nature was a series of shorts which introduced interwar British viewers to the natural world using a diverse range of subjects – from water fleas and slime mould to cuckoos and newts – using inventive technological solutions, including time-lapse and cinemicrography. Usually screened before the main feature, alongside a newsreel or a Disney cartoon, the Secrets not only became a ROUNDABOUT · LEARNING ON SCREEN It documents an exercise in soft propaganda that lasted over a decade and now provides us with rare colour footage of the incidents that are so fundamental to building an authentic picture of Britain and Asia in the 1960s and early 1970s. These programmes are now freely availablethanks to
CHANNEL 4 AND EDUCATIONAL PROGRAMMING · LEARNING ON SCREEN Right from the start Channel 4 was expected to provide a fresh approach to educational programmes for all age groups. The new station also reflected its founder Jeremy Isaacs’ love of the arts, from poetry to opera and ideas, which contributed to its often high minded early tone. He insisted on a weekly books programme, and regularseasons of
A HISTORY OF THE BRITISH NEWSREELS · LEARNING ON SCREEN A History of the British Newsreels. In June 1910 the first British newsreel was issued, the weekly Pathe's Animated Gazette. Films had been exhibited in Britain since the 1890s, and news events were covered by the early film-makers, but the newsreel was a novel concept that appeared as a result of the more settled, regular pattern offilm-going
INTRODUCTION TO VIDEO ESSAYS: STUDYING AND RESEARCHING Video essays are scholarly videos that invite researchers and class members to explore the audiovisual and multimedia language to make an academic argument. When applied to film research and pedagogy, the video essay is thus a recursive text. That is, the object of study, film, is mediated, or rather, performed, through the film medium. LAURA MULVEY'S AFTERIMAGES: ON CINEMA, WOMEN AND CHANGING In Afterimages: On Cinema, Women and Changing Times, Mulvey revisits her influential essay, and also brings together a collection of essays which reflect her interests in cinema, women’s bodies, motherhood and new forms of moving image work, which have developed over the last forty years. It is a frank, personal, and critically adroit work CULTURAL MEMORY AND BRITISH CINEMA-GOING OF THE 1960S Matthew Jones:. Memory is a curious, slippery thing. I’m a little too young to have been in the cinema in the 1960s myself, but when I think back to my early experiences of cinema-going in Derbyshire in the late 1980s and early 90s, what stands out isn’t necessarily the films I watched or the buildings I saw them in (though I do recalldetails of both).
BLITZ: THE BOMBS THAT CHANGED BRITAIN · THE OPEN UNIVERSITY Episode Ep3 - Jellicoe Road Broadcast Info 2017 (59 mins) Description Episode three follows a bomb that fell on Jellicoe Street in the Scottish town of Clydebank. LEARNING ON SCREEN · OPENING UP ACCESS TO MOVING IMAGE ANDWATCH AND LISTENTEACHING AND RESEARCHGUIDES AND COURSESVIEWFINDER MAGAZINEABOUTUS
Leading the discovery, citation and responsible use of audiovisual material in education and research since 1948 BOB, BOX OF BROADCASTS · LEARNING ON SCREEN With BoB you can: Access 2.5 million broadcasts dating back to the 1970s. Record from over 75 free-to-air channels. Create your own playlists, clips and clip compilations. Search programme transcripts and subtitles. Embed content in VLEs and share on social media. One-click citation for SECRETS OF NATURE · LEARNING ON SCREEN Secrets of Nature was a series of shorts which introduced interwar British viewers to the natural world using a diverse range of subjects – from water fleas and slime mould to cuckoos and newts – using inventive technological solutions, including time-lapse and cinemicrography. Usually screened before the main feature, alongside a newsreel or a Disney cartoon, the Secrets not only became a ROUNDABOUT · LEARNING ON SCREEN It documents an exercise in soft propaganda that lasted over a decade and now provides us with rare colour footage of the incidents that are so fundamental to building an authentic picture of Britain and Asia in the 1960s and early 1970s. These programmes are now freely availablethanks to
CHANNEL 4 AND EDUCATIONAL PROGRAMMING · LEARNING ON SCREEN Right from the start Channel 4 was expected to provide a fresh approach to educational programmes for all age groups. The new station also reflected its founder Jeremy Isaacs’ love of the arts, from poetry to opera and ideas, which contributed to its often high minded early tone. He insisted on a weekly books programme, and regularseasons of
A HISTORY OF THE BRITISH NEWSREELS · LEARNING ON SCREEN A History of the British Newsreels. In June 1910 the first British newsreel was issued, the weekly Pathe's Animated Gazette. Films had been exhibited in Britain since the 1890s, and news events were covered by the early film-makers, but the newsreel was a novel concept that appeared as a result of the more settled, regular pattern offilm-going
INTRODUCTION TO VIDEO ESSAYS: STUDYING AND RESEARCHING Video essays are scholarly videos that invite researchers and class members to explore the audiovisual and multimedia language to make an academic argument. When applied to film research and pedagogy, the video essay is thus a recursive text. That is, the object of study, film, is mediated, or rather, performed, through the film medium. LAURA MULVEY'S AFTERIMAGES: ON CINEMA, WOMEN AND CHANGING In Afterimages: On Cinema, Women and Changing Times, Mulvey revisits her influential essay, and also brings together a collection of essays which reflect her interests in cinema, women’s bodies, motherhood and new forms of moving image work, which have developed over the last forty years. It is a frank, personal, and critically adroit work CULTURAL MEMORY AND BRITISH CINEMA-GOING OF THE 1960S Matthew Jones:. Memory is a curious, slippery thing. I’m a little too young to have been in the cinema in the 1960s myself, but when I think back to my early experiences of cinema-going in Derbyshire in the late 1980s and early 90s, what stands out isn’t necessarily the films I watched or the buildings I saw them in (though I do recalldetails of both).
BLITZ: THE BOMBS THAT CHANGED BRITAIN · THE OPEN UNIVERSITY Episode Ep3 - Jellicoe Road Broadcast Info 2017 (59 mins) Description Episode three follows a bomb that fell on Jellicoe Street in the Scottish town of Clydebank. WATCH AND LISTEN · LEARNING ON SCREEN Watch and listen to over 2 million TV and Radio broadcasts, from today's programmes to as far back to 1955. Our easy to search and simple to cite system enables students, staff and Member institutions to record and save over 62 free to air channels, plus search back through and watch historical broadcasts. Explore BoB On Demand. VIEWFINDER MAGAZINE · LEARNING ON SCREEN Viewfinder is our magazine. Publishing three times a year, ViewFinder is a space for academics, research students, undergraduates and moving image practitioners to write about film, television, radio and education. Each issue is based on a broad topic of discussion. ViewFinder's ISSN is 2634-8179. DRAMADOCUMENTARY · LEARNING ON SCREEN Description. This selection is devoted to a format that blends dramatized elements together with documentary film making techniques to investigate often contentious social, political and HOW TO USE BOB · LEARNING ON SCREEN Whether you're new to BoB or well versed, these How To videos will help you make the most of our unique streaming service resource. BoB Tutorials: The Player Page from Learning on ACCESSIBILITY STATEMENT · LEARNING ON SCREEN This accessibility statement applies to all Learning on Screen websites and online services developed by Learning on Screen with domain learningonscreen.ac.uk, including BoB (Box of Broadcasts) the On Demand service for Education. This website is run by Learning on Screen, the British Universities and Colleges Film and Video Council. SUPPLY CHAIN MANAGEMENT · LEARNING ON SCREEN Lithium is a key raw material for their batteries. Activity 4: With vehicle manufacturers often choosing to co-locate with battery makers for logistical reasons, developing lithium mines is the key to become a part of this expanding supply chain. Cornwall might hold the key to Europe’s demand for lithium. Question 1: BRITISH SOCIAL REALISM AT THE MOVIES · LEARNING ON SCREEN British Social Realism at the Movies. About the Author: Dr Sheldon Hall is a Senior Lecturer in Stage and Screen Studies at Sheffield Hallam University. He is the author of Zulu: With Some Guts Behind It - The Making of the Epic Movie (Sheffield: Tomahawk Press, 2005; reprinted 2006; 2nd edition due in 2014); with Steve Neale, Epics,Spectacles
GRENFELL TOWER AND SOCIAL MURDER · LEARNING ON SCREEN Grenfell Tower and Social Murder was commissioned for The Open University degree module DD105 “Introduction to Criminology’. Each Open University module has audio-visual content to bring alive the teaching and underline the most important educational points. We needed four films to generate questions about ‘what is crime’ and‘who are
COUNTDOWN TO LIFE: THE EXTRAORDINARY MAKING OF YOU · THE Episode Countdown to Life: The Extraordinary Making of You - Ep2 Broadcast Info 2015 (58 mins) Description LAURA MULVEY'S AFTERIMAGES: ON CINEMA, WOMEN AND CHANGING In Afterimages: On Cinema, Women and Changing Times, Mulvey revisits her influential essay, and also brings together a collection of essays which reflect her interests in cinema, women’s bodies, motherhood and new forms of moving image work, which have developed over the last forty years. It is a frank, personal, and critically adroit work LEARNING ON SCREEN · OPENING UP ACCESS TO MOVING IMAGE ANDWATCH AND LISTENTEACHING AND RESEARCHGUIDES AND COURSESVIEWFINDER MAGAZINEABOUTUS
Leading the discovery, citation and responsible use of audiovisual material in education and research since 1948 BOB, BOX OF BROADCASTS · LEARNING ON SCREEN Our academically-focused system allows staff and students, at subscribing institutions, to record programmes from over 75 free-to-air channels; and search our archive of over 2.5 millionbroadcasts.
VIEWFINDER MAGAZINE · LEARNING ON SCREEN Viewfinder is our magazine. Publishing three times a year, ViewFinder is a space for academics, research students, undergraduates and moving image practitioners to write COPYRIGHT GUIDANCE · LEARNING ON SCREEN It is not illegal, per se, to view, or own, video discs legally purchased overseas. In the UK commercial DVDs are classified by the British Board of Film Classification (BBFC) under the CHANNEL 4 AND EDUCATIONAL PROGRAMMING · LEARNING ON SCREEN Ever since Channel 4 began broadcasting on 2 November 1982, it has courted controversy and innovation in equal measure. Maggie Brown considers its contribution to education. ROUNDABOUT · LEARNING ON SCREEN Produced by the Central Office of Information to showcase British manufacturing and promote the ethos of the Commonwealth, this eclectic mix of official opening ceremonies and factory production lines bears glamorous witness to a Britain projected exclusively to cinemaaudiences in Asia.
FILM AND THE HISTORIAN · LEARNING ON SCREEN The sixteen films produced by the Consortium between 1969 and 1999 can be divided into two series: the British Universities Historical Studies in Film Series (1969-1995) and the Archive Series (1974-1999).The main difference between the two was stylistic with the Historical Studies Series using scripted voice-over commentaries and the Archive Series using compilations of newsreel and archive LAURA MULVEY'S AFTERIMAGES: ON CINEMA, WOMEN AND CHANGING The book’s first section consists of essays on some of the most famous women’s bodies in 1950s cinema as the studio system declined. Tantalisingly, the introduction is titled ‘Final Thoughts on Woman as Spectacle’: as if the author really wants this work to draw a WRITING FOR TELEVISION SERIES, SERIALS AND SOAPS Writing for Television Series, Serials and Soaps by Yvonne Grace (Creative Essentials, 2014), 192 pages, ISBN: 978-1843443377 (paperback), £16.99. About the reviewer: Dr Helen Jacey teaches scriptwriting at Bournemouth University.She is a screenwriter, author, and story consultant working on film, TV, radio, advertising and fiction for the UK and international industry. CULTURAL MEMORY AND BRITISH CINEMA-GOING OF THE 1960S Matthew Jones:. Memory is a curious, slippery thing. I’m a little too young to have been in the cinema in the 1960s myself, but when I think back to my early experiences of cinema-going in Derbyshire in the late 1980s and early 90s, what stands out isn’t necessarily the films I watched or the buildings I saw them in (though I do recalldetails of both).
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Leading the discovery, citation and responsible use of audiovisual material in education and research since 1948 BOB, BOX OF BROADCASTS · LEARNING ON SCREEN Our academically-focused system allows staff and students, at subscribing institutions, to record programmes from over 75 free-to-air channels; and search our archive of over 2.5 millionbroadcasts.
VIEWFINDER MAGAZINE · LEARNING ON SCREEN Viewfinder is our magazine. Publishing three times a year, ViewFinder is a space for academics, research students, undergraduates and moving image practitioners to write COPYRIGHT GUIDANCE · LEARNING ON SCREEN It is not illegal, per se, to view, or own, video discs legally purchased overseas. In the UK commercial DVDs are classified by the British Board of Film Classification (BBFC) under the CHANNEL 4 AND EDUCATIONAL PROGRAMMING · LEARNING ON SCREEN Ever since Channel 4 began broadcasting on 2 November 1982, it has courted controversy and innovation in equal measure. Maggie Brown considers its contribution to education. ROUNDABOUT · LEARNING ON SCREEN Produced by the Central Office of Information to showcase British manufacturing and promote the ethos of the Commonwealth, this eclectic mix of official opening ceremonies and factory production lines bears glamorous witness to a Britain projected exclusively to cinemaaudiences in Asia.
FILM AND THE HISTORIAN · LEARNING ON SCREEN The sixteen films produced by the Consortium between 1969 and 1999 can be divided into two series: the British Universities Historical Studies in Film Series (1969-1995) and the Archive Series (1974-1999).The main difference between the two was stylistic with the Historical Studies Series using scripted voice-over commentaries and the Archive Series using compilations of newsreel and archive LAURA MULVEY'S AFTERIMAGES: ON CINEMA, WOMEN AND CHANGING The book’s first section consists of essays on some of the most famous women’s bodies in 1950s cinema as the studio system declined. Tantalisingly, the introduction is titled ‘Final Thoughts on Woman as Spectacle’: as if the author really wants this work to draw a WRITING FOR TELEVISION SERIES, SERIALS AND SOAPS Writing for Television Series, Serials and Soaps by Yvonne Grace (Creative Essentials, 2014), 192 pages, ISBN: 978-1843443377 (paperback), £16.99. About the reviewer: Dr Helen Jacey teaches scriptwriting at Bournemouth University.She is a screenwriter, author, and story consultant working on film, TV, radio, advertising and fiction for the UK and international industry. CULTURAL MEMORY AND BRITISH CINEMA-GOING OF THE 1960S Matthew Jones:. Memory is a curious, slippery thing. I’m a little too young to have been in the cinema in the 1960s myself, but when I think back to my early experiences of cinema-going in Derbyshire in the late 1980s and early 90s, what stands out isn’t necessarily the films I watched or the buildings I saw them in (though I do recalldetails of both).
GUIDANCE AND COURSES · LEARNING ON SCREEN Learn how to cite film, TV, radio and other media properly Create quality citations for audiovisual material with ease. Explore theresource
WATCH AND LISTEN · LEARNING ON SCREEN Watch and listen to over 2 million TV and Radio broadcasts, from today's programmes to as far back to 1955. Our easy to search and simple to cite system enables students, staff and Member institutions to record and save over 62 free to air channels, plus search back through and watch historical broadcasts. THE OPEN UNIVERSITY · LEARNING ON SCREEN We hope the television programmes we have produced with the BBC, Channel 4 and Sky Arts provide you with a useful resource to help inform and support your OU studies. ACCESSIBILITY STATEMENT · LEARNING ON SCREEN This accessibility statement applies to all Learning on Screen websites and online services developed by Learning on Screen with domain learningonscreen.ac.uk, including BoB (Box of Broadcasts) the On Demand service for Education. FILM AND THE HISTORIAN · LEARNING ON SCREEN The sixteen films produced by the Consortium between 1969 and 1999 can be divided into two series: the British Universities Historical Studies in Film Series (1969-1995) and the Archive Series (1974-1999).The main difference between the two was stylistic with the Historical Studies Series using scripted voice-over commentaries and the Archive Series using compilations of newsreel and archive HOW TO USE BOB · LEARNING ON SCREEN We use cookies to improve your browsing experience and to personalise content for you. See our privacy and cookie policy. LONDON BROADCASTING COMPANY The LBC/IRN Audio Archive is the most important commercial radio archive in the UK and provides a unique audio history of the period. This digitised collection focuses on the most noteworthy content – approximately 3,000 hours of recordings relating to news and currentaffairs.
NEWSREELS · LEARNING ON SCREEN Explore the little-known work the film director, while employed at Gaumont Sound News between 1929 and 1933 GRENFELL TOWER AND SOCIAL MURDER · LEARNING ON SCREEN We use cookies to improve your browsing experience and to personalise content for you. See our privacy and cookie policy. CULTURAL MEMORY AND BRITISH CINEMA-GOING OF THE 1960S Matthew Jones:. Memory is a curious, slippery thing. I’m a little too young to have been in the cinema in the 1960s myself, but when I think back to my early experiences of cinema-going in Derbyshire in the late 1980s and early 90s, what stands out isn’t necessarily the films I watched or the buildings I saw them in (though I do recalldetails of both).
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