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JEREMY DELLER
The Battle of Orgreave, 2001. "In 1998 I saw an advert for an open commission for Artangel. For years I had had this idea to re-enact this confrontation that I had witnessed as a young person on TV, of striking miners being chased up a hill and pursued through a village. It has since become an iconic image of the 1984 strike – having theJEREMY DELLER
Unconvention (1999) The Uses of Literacy (1997) The History of theWorld (1997)
JEREMY DELLER
Procession, 2009. "I like what has happened in Manchester, historically, politically, musically, and I've always enjoyed being there – so when I was asked to make a public artwork for Manchester International Festival in 2009, I assembled a procession of the city's people and their activities. It was mostly a celebration of publicspace and
JEREMY DELLER
Joy In People, 2012. Jeremy Deller first retrospective curated by Ralph Rugoff, Director, Hayward Gallery. The exhibition traveled to the Wiels Contemporary Art Centre in Brussels, the ICA, Philadelphia and the Contemporary Art Museum, St Louis. Exodus (2012)JEREMY DELLER
A lot of artists were having 'open studio' exhibitions at the time, but I didn't have a studio – I was living with my parents and was working from my bedroom at this point – so I decided to stage an 'open bedroom' and turn the slightly embarrassing situation of stillJEREMY DELLER
Folk Archive, 2005 (with Alan Kane) Folk Archive is a vibrant, visual account of contemporary popular British culture by the artists Jeremy Deller and Alan Kane. Bringing together drawing, painting, film, performance, costume, decoration, political opinion and humour, and some astonishing objects, Folk Archive celebrates activity from a vast range of British pastimes and pursuits, andJEREMY DELLER
Acid Brass, 1997. "Based on the connections I made in The History of the World, I decided to try to get a brass band to agree to perform a repertoire of acid house music. I was terrified of ringing up the bandleader of the Williams Fairey Band to ask if he would do this. I thought it would take lots of convincing and explaining – but heJEREMY DELLER
Memory Bucket, 2003. A documentary about Crawford, Texas (George Bush's hometown) and the siege in Waco, Texas. Bats leaving Frio Cave at dusk, Texas, 2003. Is God Boring, San Antonio, Texas, 2003. Cop with Flowers, San Antonio, Texas, 2003.DJEREMY DELLER
It Is What It Is, 2009. "This project started as the idea to create a mobile museum of the war in Iraq that would tour the US. Finding material for the museum proved difficult, until we were offered a car that had been used in previous exhibitions. From this car, used as a centrepiece, we constructed a room in the museum where the publiccould
JEREMY DELLERJOY IN PEOPLEPROJECTSLINKSCONTACTMUSICBATS Menu Jeremy Deller. Projects; Early Works; Bats; Music; Videos; Publications; Links; ContactJEREMY DELLER
The Battle of Orgreave, 2001. "In 1998 I saw an advert for an open commission for Artangel. For years I had had this idea to re-enact this confrontation that I had witnessed as a young person on TV, of striking miners being chased up a hill and pursued through a village. It has since become an iconic image of the 1984 strike – having theJEREMY DELLER
Unconvention (1999) The Uses of Literacy (1997) The History of theWorld (1997)
JEREMY DELLER
Procession, 2009. "I like what has happened in Manchester, historically, politically, musically, and I've always enjoyed being there – so when I was asked to make a public artwork for Manchester International Festival in 2009, I assembled a procession of the city's people and their activities. It was mostly a celebration of publicspace and
JEREMY DELLER
Joy In People, 2012. Jeremy Deller first retrospective curated by Ralph Rugoff, Director, Hayward Gallery. The exhibition traveled to the Wiels Contemporary Art Centre in Brussels, the ICA, Philadelphia and the Contemporary Art Museum, St Louis. Exodus (2012)JEREMY DELLER
A lot of artists were having 'open studio' exhibitions at the time, but I didn't have a studio – I was living with my parents and was working from my bedroom at this point – so I decided to stage an 'open bedroom' and turn the slightly embarrassing situation of stillJEREMY DELLER
Folk Archive, 2005 (with Alan Kane) Folk Archive is a vibrant, visual account of contemporary popular British culture by the artists Jeremy Deller and Alan Kane. Bringing together drawing, painting, film, performance, costume, decoration, political opinion and humour, and some astonishing objects, Folk Archive celebrates activity from a vast range of British pastimes and pursuits, andJEREMY DELLER
Acid Brass, 1997. "Based on the connections I made in The History of the World, I decided to try to get a brass band to agree to perform a repertoire of acid house music. I was terrified of ringing up the bandleader of the Williams Fairey Band to ask if he would do this. I thought it would take lots of convincing and explaining – but heJEREMY DELLER
Memory Bucket, 2003. A documentary about Crawford, Texas (George Bush's hometown) and the siege in Waco, Texas. Bats leaving Frio Cave at dusk, Texas, 2003. Is God Boring, San Antonio, Texas, 2003. Cop with Flowers, San Antonio, Texas, 2003.DJEREMY DELLER
It Is What It Is, 2009. "This project started as the idea to create a mobile museum of the war in Iraq that would tour the US. Finding material for the museum proved difficult, until we were offered a car that had been used in previous exhibitions. From this car, used as a centrepiece, we constructed a room in the museum where the publiccould
JEREMY DELLER
Iggy Pop Life Class (2016) 24 Hour Rockshow (2015) Do Touch (2015) Love Is Enough (2015) English Magic Re-Mix (2014) Justified and Ancient (2014) All That Is Solid Melts Into Air (2014) English Magic (2013) The Bruce Lacey Experience (2012)JEREMY DELLER
Beyond The White Walls (2012) Middle Class Hero (2012) Sacrilege (2012) The Bruce Lacey Experience (2012) So Many Ways To Hurt (2010) It Is What It Is (2009) Procession (2009) Our Hobby Is Depeche Mode (2006) The Battle of Orgreave (2001)JEREMY DELLER
Exodus (2012) Bat House (2009) Memory Bucket (2004) © All Right Reserved 1990-2016 Jeremy DellerJEREMY DELLER
Folk Archive, 2005 (with Alan Kane) Folk Archive is a vibrant, visual account of contemporary popular British culture by the artists Jeremy Deller and Alan Kane. Bringing together drawing, painting, film, performance, costume, decoration, political opinion and humour, and some astonishing objects, Folk Archive celebrates activity from a vast range of British pastimes and pursuits, andJEREMY DELLER
The Battle of Orgreave, 2001. "In 1998 I saw an advert for an open commission for Artangel. For years I had had this idea to re-enact this confrontation that I had witnessed as a young person on TV, of striking miners being chased up a hill and pursued through a village. It has since become an iconic image of the 1984 strike – having theJEREMY DELLER
The Uses of Literacy, 1997. "This was an early curatorial project, an examination of a kind of folk or vernacular culture, so it was a lot of things at once. I handed out flyers inviting fans of the Manic Street Preachers to make art for an exhibition that was going to be staged for one day in Norwich.JEREMY DELLER
Artist’s original concept. "Transport for London (TFL) asked me to design a cover for the Tube map, which I eventually did. The first idea, though, was to depict a bicycle symbol in the colours of the map. The word came back that it was a confusing message and unsuitable as you can’t take your bike on certain lines, which was kind of theJEREMY DELLER
Acid Brass, 1997. "Based on the connections I made in The History of the World, I decided to try to get a brass band to agree to perform a repertoire of acid house music. I was terrified of ringing up the bandleader of the Williams Fairey Band to ask if he would do this. I thought it would take lots of convincing and explaining – but heJEREMY DELLER
Speak To The Earth And It Will Tell You, 2007. "This is a long-term project with the Klein Gardens in the city of Münster. There are about 80 regulated Klein Garden societies in Münster. The members are very proud of the gardens – part allotments, part leisure gardens,with club houses in
JEREMY DELLER
culture in the 1990s. I wanted to celebrate something that wasn't active, dangerous or 'manly'. Something that is actually introverted, non-active and potentially depressing. It was originally a print, but then I later made a wall-painting and then a t-shirt. When this is installed as a wall painting, it often has a human component, a youngMenu
JEREMY DELLER
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