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JAZZ CHILL
Cheryl has also been the recipient of the prestigious Jim Weber Award, given to blues guitarist of the year, three times; in 2012, 2013 and 2015. She is a Delaney (out of Austin, TX) endorsed guitarist with 2 signature guitar models. JAZZ CHILL : SOLO ALBUM DEBUT BY NEW ORLEANS BASED PIANIST New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : JANUARY 2020 New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : NEW MUSIC RELEASES: THE BRITFUNK ASSOCIATION New Music Releases: The BritFunk Association, Ron Ellison, Jaga Jazzist. “Lifted” is the second album from The BritFunk Association, a band which includes founder and original members of Hi Tension, Light of the World, Beggar & Co and Incognito. Thirteen original tracks that maintain the early jazz funk influences of earlyKool & The Gang
JAZZ CHILL : DUSTY SPRINGFIELD THE COMPLETE ATLANTICAUTHOR: JAZZ CHILL New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : AFRICAN-JAZZ SAXOPHONIST ISAIAH KATUMWA As COVID-19 raged last summer and tension soared in the wake of the civil unrest that erupted after the death of George Floyd that occurred miles from his home, saxophonist Isaiah Katumwa was at work on his first major US release that he envisioned lifting spirits by uniting the world in dance. JAZZ CHILL : NOAH HAIDU SLOWLY: Song for Keith Jarrett was recorded at the end of 2020, a watershed year for pianist Noah Haidu. As critical accolades streamed in for his innovative multi-media release DOCTONE, Haidu was on the verge of realizing another ambitious project: recording a trio album with one of the greatest bass and drum combinations in jazz: Billy Hart and Buster Williams, whose own remarkable JAZZ CHILL : MADELEINE PEYROUX ANNOUNCES DELUXE REISSUE OF Craft Recordings announces the deluxe reissue of Madeleine Peyroux’s best-selling 2004 album, Careless Love. Set for release on August 27th and available for pre-order today, the collection includes the acclaimed, original album, plus a previously unreleased live set, captured in its entirety in 2005 at Spain’s Festival de Jazz deVitoria-Gasteiz.
JAZZ CHILL : PIANIST EDWARD SIMON PRESENTS THE ALBUM Pianist Edward Simon - a native of Venezuela who has made a name for himself over decades in America as a jazz pianist, bandleader and composer-arranger, along with being a Guggenheim Fellow and member of the hit SFJAZZ Collective - presents his latest album, Sorrows and Triumphs, via Sunnyside Records on April 20, 2018. JAZZ CHILL : THE DAVE BRUBECK QUARTET The Dave Brubeck Quartet - The Complete Columbia Studio Albums Collection focuses on the Quartet's studio LPs, which actually began with their second album, Brubeck Time (1954). The so-called 'classic' Dave Brubeck Quartet took shape with the entrance of drummer Joe Morello in 1956 and bassist Eugene Wright in 1958.JAZZ CHILL
Cheryl has also been the recipient of the prestigious Jim Weber Award, given to blues guitarist of the year, three times; in 2012, 2013 and 2015. She is a Delaney (out of Austin, TX) endorsed guitarist with 2 signature guitar models. JAZZ CHILL : SOLO ALBUM DEBUT BY NEW ORLEANS BASED PIANIST New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : JANUARY 2020 New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : NEW MUSIC RELEASES: THE BRITFUNK ASSOCIATION New Music Releases: The BritFunk Association, Ron Ellison, Jaga Jazzist. “Lifted” is the second album from The BritFunk Association, a band which includes founder and original members of Hi Tension, Light of the World, Beggar & Co and Incognito. Thirteen original tracks that maintain the early jazz funk influences of earlyKool & The Gang
JAZZ CHILL : DUSTY SPRINGFIELD THE COMPLETE ATLANTICAUTHOR: JAZZ CHILL New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : AFRICAN-JAZZ SAXOPHONIST ISAIAH KATUMWA As COVID-19 raged last summer and tension soared in the wake of the civil unrest that erupted after the death of George Floyd that occurred miles from his home, saxophonist Isaiah Katumwa was at work on his first major US release that he envisioned lifting spirits by uniting the world in dance. JAZZ CHILL : NOAH HAIDU SLOWLY: Song for Keith Jarrett was recorded at the end of 2020, a watershed year for pianist Noah Haidu. As critical accolades streamed in for his innovative multi-media release DOCTONE, Haidu was on the verge of realizing another ambitious project: recording a trio album with one of the greatest bass and drum combinations in jazz: Billy Hart and Buster Williams, whose own remarkable JAZZ CHILL : MADELEINE PEYROUX ANNOUNCES DELUXE REISSUE OF Craft Recordings announces the deluxe reissue of Madeleine Peyroux’s best-selling 2004 album, Careless Love. Set for release on August 27th and available for pre-order today, the collection includes the acclaimed, original album, plus a previously unreleased live set, captured in its entirety in 2005 at Spain’s Festival de Jazz deVitoria-Gasteiz.
JAZZ CHILL : PIANIST EDWARD SIMON PRESENTS THE ALBUM Pianist Edward Simon - a native of Venezuela who has made a name for himself over decades in America as a jazz pianist, bandleader and composer-arranger, along with being a Guggenheim Fellow and member of the hit SFJAZZ Collective - presents his latest album, Sorrows and Triumphs, via Sunnyside Records on April 20, 2018. JAZZ CHILL : THE DAVE BRUBECK QUARTET The Dave Brubeck Quartet - The Complete Columbia Studio Albums Collection focuses on the Quartet's studio LPs, which actually began with their second album, Brubeck Time (1954). The so-called 'classic' Dave Brubeck Quartet took shape with the entrance of drummer Joe Morello in 1956 and bassist Eugene Wright in 1958. JAZZ CHILL : SOLO ALBUM DEBUT BY NEW ORLEANS BASED PIANIST New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : JANUARY 2020 A very groovy record from Italian trumpet legend Fabrizo Bosso – one that features a group referred to as his Spiritual Trio, but a combo that's maybe got more of a soul jazz vibe overall – as the lineup features Alberto Marsico on organ and Alessandro Mnetto on drums! JAZZ CHILL : TONY MOMRELLE, PAUL EDIS & JAMIE MCCREDIE Tony Momrelle, Paul Edis & Jamie McCredie added to Cadogan Hall 5th June 2021 Jazz On A Summer’s Evening concert line-up JAZZ CHILL : NEW MUSIC RELEASES: JIMMY REITER, THE TIPTONS That is the spirit behind the band’s new single “Wabi Sabi” (out Feb 19, 2021). The track promises a forthcoming collection of new music from The Tipton's upcoming album Wabi Sabi (out April 2, 2021 on Sowiesound Records) to illustrate the sometimes unexpected beauty in our chaotic world. “Music for doing things”. JAZZ CHILL : LEGENDARY MUSIC LABEL PHILADELPHIA Legacy Recordings, the catalog division of Sony Music Entertainment, and Warner Chappell Music, the global publishing arm of Warner Music Group, are thrilled to announce today the launch of the yearlong campaign in 2021 to celebrate the 50th anniversary of one of music's most historic record labels, Philadelphia International Records. JAZZ CHILL : SCATMAN CROTHERS Benjamin Sherman ‘Scatman’ Crothers (1910-1986) was a true star of the stage, film, and television. He first started performing in clubs as a singer and drummer in his teens, and wound up performing on Chicago’s speak-easy circuit in the latter part of the ‘Roaring20’s.’
JAZZ CHILL : ALEX PUDDU Recording artist Alex Puddu, well-known especially for his discosex-funk soundtrack trilogy The Golden Age of Danish Pornography and for his music collaborations with artists such as Joe Bataan, Lonnie Jordan (War), and Gene Robinson Jr.(Breakwater) is ready with his 12th album Love After Dark.. Exploring the nightlife of 1977-79 and early 80s of disco, jazzfunk, and adult oriented soul and JAZZ CHILL : HENRY TURNER JR. & FLAVOR’S NEW CD “NOW” Supreme Music 2000 and Hit City Digital Records are pleased to announce the release of Henry Turner Jr.’s & Flavor’s new CD “Now.” The long awaited recording, written over a period of ten years, reflects the evolution of Henry's distinctive sound and songwriting creativity and showcases his ability to authentically capture the full spectrum of the human experience. JAZZ CHILL : NINA ERNST Berlin singer Nina Ernst has released a new album: "A Diva's Mind" (Label: Fina Flor, Rio de Janeiro). Originally it was supposed to be a CD to a self-written music comedy show about a failed diva. The result was a complex international music and video project. Nina Ernst, who released the highly acclaimed Bossa Nova CD "Nina Ernst canta Jobim JAZZ CHILL : PIANIST ALAN PASQUA'S SOLO ALBUM, "DAY DREAM" Pianist ALAN PASQUA's Solo Album, "DAY DREAM". Alan Pasqua is a piano legend. He’s performed and recorded with many of the top names in both jazz and pop. He was a member of The New Tony Williams Lifetime and appeared on the albums Believe It and Million Dollar Legs. He also performed with Jack DeJohnette, Paul Motian, Dave Holland, MichaelJAZZ CHILL
Cheryl has also been the recipient of the prestigious Jim Weber Award, given to blues guitarist of the year, three times; in 2012, 2013 and 2015. She is a Delaney (out of Austin, TX) endorsed guitarist with 2 signature guitar models. JAZZ CHILL : NEW MUSIC RELEASES: THE BRITFUNK ASSOCIATIONAUTHOR: JAZZCHILL
New Music Releases: The BritFunk Association, Ron Ellison, Jaga Jazzist. “Lifted” is the second album from The BritFunk Association, a band which includes founder and original members of Hi Tension, Light of the World, Beggar & Co and Incognito. Thirteen original tracks that maintain the early jazz funk influences of earlyKool & The Gang
JAZZ CHILL : DUSTY SPRINGFIELD THE COMPLETE ATLANTIC New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : JANUARY 2020 New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : READY OR NOT Ready Or Not – Thom Bell’s Philly Soul Arrangements & Productions 1965-1978. Along with Kenny Gamble and Leon Huff, Thom Bell was one of the three people responsible for The Sound Of Philadelphia, a lush, orchestrated take on soul music that dominated the charts in the early to mid-70s. Using the most unusual instrumentation JAZZ CHILL : RANDY BRECKER & ERIC MARIENTHAL Bringing Double Dealin’ to fruition was a bi-coastal affair as both musicians created from their own home based studios with Brecker in Long Island and Marienthal in Los Angeles. The duo sent files back and forth to one another and Brecker even admits that his attire for some of the session was PJs. “When the pandemic hit the mixing phase JAZZ CHILL : HENRY TURNER JR. & FLAVOR’S NEW CD “NOW”HENRY TURNER JR ATTORNEYHENRY TURNER JR LISTENING ROOMHENRY TURNER ACTORHENRY TURNER GAHENRY TURNER PHOTOGRAPHYASHBY TURNER Supreme Music 2000 and Hit City Digital Records are pleased to announce the release of Henry Turner Jr.’s & Flavor’s new CD “Now.” The long awaited recording, written over a period of ten years, reflects the evolution of Henry's distinctive sound and songwriting creativity and showcases his ability to authentically capture the full spectrum of the human experience. JAZZ CHILL : THE DAVE BRUBECK QUARTET The Dave Brubeck Quartet - The Complete Columbia Studio Albums Collection focuses on the Quartet's studio LPs, which actually began with their second album, Brubeck Time (1954). The so-called 'classic' Dave Brubeck Quartet took shape with the entrance of drummer Joe Morello in 1956 and bassist Eugene Wright in 1958. JAZZ CHILL : NEW MUSIC RELEASES: CALVIN RICHARDSON; NEALCALVIN RICHARDSON CDCALVIN RICHARDSON DISCOGSCALVIN RICHARDSON NEW ALBUMCALVIN RICHARDSON NEW ALBUM 2020 Calvin Richardson has for the past 20 years been one the best male vocalists to emerge out of the neo-soul movement, beginning with his breakthrough hit “ Keep On Pushing. ” He wrote Charlie ’ s Wilson ’ s hit “ There Goes My Baby, ” recorded duets with Angie Stone, guested on Raphael Saadiq ’ s “ Excuse Me ” and has regularly hit the Urban AC charts. JAZZ CHILL : PIANIST EDWARD SIMON PRESENTS THE ALBUM Pianist Edward Simon - a native of Venezuela who has made a name for himself over decades in America as a jazz pianist, bandleader and composer-arranger, along with being a Guggenheim Fellow and member of the hit SFJAZZ Collective - presents his latest album, Sorrows and Triumphs, via Sunnyside Records on April 20, 2018.JAZZ CHILL
Cheryl has also been the recipient of the prestigious Jim Weber Award, given to blues guitarist of the year, three times; in 2012, 2013 and 2015. She is a Delaney (out of Austin, TX) endorsed guitarist with 2 signature guitar models. JAZZ CHILL : NEW MUSIC RELEASES: THE BRITFUNK ASSOCIATIONAUTHOR: JAZZCHILL
New Music Releases: The BritFunk Association, Ron Ellison, Jaga Jazzist. “Lifted” is the second album from The BritFunk Association, a band which includes founder and original members of Hi Tension, Light of the World, Beggar & Co and Incognito. Thirteen original tracks that maintain the early jazz funk influences of earlyKool & The Gang
JAZZ CHILL : DUSTY SPRINGFIELD THE COMPLETE ATLANTIC New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : JANUARY 2020 New music releases, news and information from the world of jazz, soul, R&B, funk, fusion, smooth jazz, world, reggae & beyond. JAZZ CHILL : READY OR NOT Ready Or Not – Thom Bell’s Philly Soul Arrangements & Productions 1965-1978. Along with Kenny Gamble and Leon Huff, Thom Bell was one of the three people responsible for The Sound Of Philadelphia, a lush, orchestrated take on soul music that dominated the charts in the early to mid-70s. Using the most unusual instrumentation JAZZ CHILL : RANDY BRECKER & ERIC MARIENTHAL Bringing Double Dealin’ to fruition was a bi-coastal affair as both musicians created from their own home based studios with Brecker in Long Island and Marienthal in Los Angeles. The duo sent files back and forth to one another and Brecker even admits that his attire for some of the session was PJs. “When the pandemic hit the mixing phase JAZZ CHILL : HENRY TURNER JR. & FLAVOR’S NEW CD “NOW”HENRY TURNER JR ATTORNEYHENRY TURNER JR LISTENING ROOMHENRY TURNER ACTORHENRY TURNER GAHENRY TURNER PHOTOGRAPHYASHBY TURNER Supreme Music 2000 and Hit City Digital Records are pleased to announce the release of Henry Turner Jr.’s & Flavor’s new CD “Now.” The long awaited recording, written over a period of ten years, reflects the evolution of Henry's distinctive sound and songwriting creativity and showcases his ability to authentically capture the full spectrum of the human experience. JAZZ CHILL : THE DAVE BRUBECK QUARTET The Dave Brubeck Quartet - The Complete Columbia Studio Albums Collection focuses on the Quartet's studio LPs, which actually began with their second album, Brubeck Time (1954). The so-called 'classic' Dave Brubeck Quartet took shape with the entrance of drummer Joe Morello in 1956 and bassist Eugene Wright in 1958. JAZZ CHILL : NEW MUSIC RELEASES: CALVIN RICHARDSON; NEALCALVIN RICHARDSON CDCALVIN RICHARDSON DISCOGSCALVIN RICHARDSON NEW ALBUMCALVIN RICHARDSON NEW ALBUM 2020 Calvin Richardson has for the past 20 years been one the best male vocalists to emerge out of the neo-soul movement, beginning with his breakthrough hit “ Keep On Pushing. ” He wrote Charlie ’ s Wilson ’ s hit “ There Goes My Baby, ” recorded duets with Angie Stone, guested on Raphael Saadiq ’ s “ Excuse Me ” and has regularly hit the Urban AC charts. JAZZ CHILL : PIANIST EDWARD SIMON PRESENTS THE ALBUM Pianist Edward Simon - a native of Venezuela who has made a name for himself over decades in America as a jazz pianist, bandleader and composer-arranger, along with being a Guggenheim Fellow and member of the hit SFJAZZ Collective - presents his latest album, Sorrows and Triumphs, via Sunnyside Records on April 20, 2018. JAZZ CHILL : NEW MUSIC RELEASES: JIMMY REITER, THE TIPTONS That is the spirit behind the band’s new single “Wabi Sabi” (out Feb 19, 2021). The track promises a forthcoming collection of new music from The Tipton's upcoming album Wabi Sabi (out April 2, 2021 on Sowiesound Records) to illustrate the sometimes unexpected beauty in our chaotic world. “Music for doing things”. JAZZ CHILL : MOKA EFTI ORCHESTRA NEW ALBUM Moka Efti Orchestra is an international sensation that first gained notoriety on the hit Netflix series “Babylon Berlin.” The 14 member ensemble were first cast as musicians for the series and are all renowned players. JAZZ CHILL : GLORIA LORING The high energy pop tune “Best of Me” features a chorus we can all connect with as we aspire to be better people: “Every step I take/Every mistake I make/It’s showing me who I am tonight/For all of the doors that close/Another one opens wide/Here comes the best of me for the rest of my life”. Loring brings a deep sense of heartfelt JAZZ CHILL : ORRIN EVANS Smoke Sessions Records proudly announces the July 23 release of The Magic of Now, Orrin Evans’ sixth leader album for the label, and the 20th of the 46-year-old pianist-composer’s luminous career. Recorded in the midst of the upheavals set in motion by the COVID-19 pandemic, this latest recording of Evans’ kaleidoscopic artistic journey JAZZ CHILL : CHRISTIAN MCBRIDE Seven-time GRAMMY® Award-winning jazz artist Christian McBride and Qobuz, the Hi-Res streaming and download service, have teamed up to release The Q Sessions EP tomorrow, April 30, just in time for International Jazz Day. JAZZ CHILL : BRAZILIAN-BORN, PARIS-BASED ARTIST, DOM LA Brazilian-born, Paris-based artist, Dom La Nena, releases "Tempo". Dom La Nena releases a stunning music video for her song “Todo Tiene Su Fin.”. The song first debuted with Complex who said, “La Nena puts her talents as a producer to full use, employing minimalist arrangements to maximum effect.”. The new single is from theforthcoming
JAZZ CHILL : CHRISTIAN MCBRIDE BIG BAND: FOR JIMMY, WES Now, the pair pay tribute with For Jimmy, Wes and Oliver, the third release by the GRAMMY® Award-winning Christian McBride Big Band. Due for release on September 25 via Mack Avenue Records, For Jimmy, Wes and Oliver echoes the format of the original Smith/Montgomery summit meetings, with a balance of big band and quartet tracks. JAZZ CHILL : JOHN PATITUCCI Letter For Paul. In 1972, my family moved from New York to the Bay Area of Northern California. I was in my early teens and had started playing electric bass a few years earlier. JAZZ CHILL : NEW MUSIC RELEASES: CALVIN RICHARDSON; NEAL Calvin Richardson has for the past 20 years been one the best male vocalists to emerge out of the neo-soul movement, beginning with his breakthrough hit “ Keep On Pushing. ” He wrote Charlie ’ s Wilson ’ s hit “ There Goes My Baby, ” recorded duets with Angie Stone, guested on Raphael Saadiq ’ s “ Excuse Me ” and has regularly hit the Urban AC charts. JAZZ CHILL : THE REBIRTH OF CD101.9 SMOOTH JAZZ IN NEW Based on yesterday’s registrations of 1063NewYork.com and CD1063NewYork.com the return of Smooth AC could be in the offing. The CD moniker was used on Emmis’ Smooth Jazz/AC “CD 101.9” WQCD from 1988 until 2008 when itJAZZ CHILL
Bringing you the latest news and information from the world of jazzand beyond...
THURSDAY, NOVEMBER 21, 2019 TWO-TIME GRAMMY NOMINATED JAZZ AND R&B DUO THE BAYLOR PROJECT FREE ATHARLEM STAGE
Harlem Stage, the legendary uptown venue that for over 35 years has promoted the creative legacy of Harlem and artists of color from around the corner and across the globe, is proud to present its Fall 2019 season of performances. The season is curated by Monique Martin, Director of Programming for Harlem Stage, and will celebrate the centennial legacy of the Harlem Renaissance. This season also welcomes legendary rock goddess, Nona Hendryx, as the Artistic Director for Harlem Stage’s new year-long initiative focusing on Sun Ra and Afrofuturism. The initiative will present performances that interweave music, technology, literature and dance to celebrate the legacy of visionary and pioneer of Afrofuturism, Sun Ra, along with the contributions of the countless artists he has inspired. Through these two powerful themes, which will carry into the 2020 season, Harlem Stage will reflect on and celebrate the past, present and artistic future of Harlem and explore how the Harlem Renaissance continues to be a rich source of inspiration across the globe while Afrofuturism continues to push the boundaries of our artistic imagination. On December 5th, Harlem Stage in partnership with Carnegie Hall Citywide will present a FREE concert from two-time Grammy nominated, The Baylor Project. The Baylors will raise the audience up and inspire them to clap along as they entice ears with the swinging mid-tempo tune of original compositions and new arrangements of classicpieces.
The Baylor Project is the husband-and-wife team of vocalist Jean Baylor and drummer Marcus Baylor. The collaboration is deeply rooted in the heart and soul of Jazz, with influences of gospel, blues, and soul. Their debut CD "The Journey" released on their own label, Be A Light, topped the Billboard Jazz Chart at Number 8 and a year later garnered 2 Grammy nominations for Best Jazz Vocal Album and Best TraditionalR&B Performance.
Jean Baylor is well-equipped with an agile mezzo-soprano range and combines a fresh, whimsical approach to phrasing with clever improvisation resulting in singing of such vocal purity that it embraces the soul. She has performed with such stars as Marcus Miller and Buster Williams. Marcus Baylor is a former member and drummer of the Grammy Award-winning jazz quartet “Yellowjackets,” and since then has come into his own as a composer, arranger, producer and bandleader. He has previously performed alongside Cassandra Wilson, John Scofield, and Kenny Garrett, among others. Lead support for Carnegie Hall Citywide is provided by the Howard Gilman Foundation. Additional support is provided by the A.L. And Jennie L. Lucia Foundation.EVENT DETAILS
Carnegie Hall Citywide: The Baylor Project Thursday, December 5 @ 7:30pm Harlem Stage Gatehouse- 150 Convent Avenue (at West 135th Street) Tickets: FREE with RSVP https://harlemstage.secure.force.com/ticket/#sections_a0F0W00000qYdEQUA0 Posted by Jazz Chillat 11:48 AM
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NEW MUSIC RELEASES: LEON WARE, ALEXIS JOI, ORI BAREL LEON WARE - INSIDE IS LOVE A great moment in the career of the mighty Leon Ware – a set recorded after his famous 70s work for Motown, and before his return to fame at Elektra – but still with a super-tight quality that shows that Leon was always great, no matter what the setting! Leon's warm, mellow, and totally right on the money here – serving up some wicked midtempo grooves that sparkle way more than most of his contemporaries – and which even rise above most of the other work on TK records at the time! Ware wrote and produced the whole set himself – with that masterful studio approach that first rose to prominence on Marvin Gaye's album I Want You – and like that classic set, the whole thing here is great – never a clunker or a bit of filler at all. Titles include the great "What's Your Name" – an extremely catchy two-step number, with a hook that will ring in your head long after the track is over – and other cuts include "Inside Is Love", "Try It Out", "Club Sashay", "Inside Your Love", and "Love Is A Simple Thing". ~Dusty Groove
ALEXIS JOI - MORE THAN LOVE Alexis Joi, one of San Diego’s most polished voices, has released her latest musical project to the world, “More Than Love”. More Than Love is Alexis’ first Jazz project featuring pianists Ron Kobayashi and Irving Flores, bassists Henry (The Skipper) Franklin and Will Lyle, drummers Al Williams and Julien Cantelm, Nolan Shaheed on trumpet, and Louis Venezuela on guitar. This album consists of seven Jazz standards and four original songs. With strong vocals and masterful musicianship, this album is an instant classic. The album’s title and second single, “More Than Love” was written by Alexis Joi’s husband Isaiah Ham. The arrangement of the music was masterfully provided by producer and bassist Kevin Cooper. Cooper also provided production for the titled track “Stay Right Here” and also produced and wrote titled track “Springtime”. The final track on the album, “Philanthropy”, is a tune written by Phil Morrison and also can be found on Mikole Kaar’s project “Turning East”. More Than Love is an amazing collection of standards and new Jazz tunes. Joi’s use of Gospel, Classical and Operatic training offers a unique interpretation of America's greatest art form, Jazz. Alexis Joi will have touring dates to follow.ORI
BAREL - CENTRIFUGAL FORCE FOR PLAYER PIANO Albany Records has released a new album from composer Ori Barel featuring music for Player Piano. Featuring Barel's 4 part composition Centrifugal Force, a work inspired by robotic art, Barel comments: "We live in a culture where things happen extremely fast and so much information is condensed. I wanted to create a piece that would explore that aspect of our culture using elements of traditional and free jazz as well as silent film music, culminating in a musical fusion of today's technological world with pieces of the past. Using the player piano, I explored rhythms and tempos that would have been impossible for a performer to play accurately. To create a twist on this aesthetic, some sections of the piece accentuate the machine element and others sound like a performer is playing. This interplay between extreme fast and slow speeds fascinates me: an automated world contrasting a fake manual world." Posted by Jazz Chillat 10:19 AM
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UNA NOCHE CON RUBÉN BLADES FROM THE JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS FEATURING RUBÉN BLADES RECEIVES GRAMMY® NOMINATION FOR “BEST LATIN JAZZ ALBUM Blue Engine Records proudly announces Una Noche con Rubén Blades from the Jazz at Lincoln Center Orchestra with Wynton Marsalis featuring Rubén Blades has been nominated for “Best Latin Jazz Album” for the 62nd annual GRAMMY® Awards, as announced by the Recording Academy® this morning. This is the first album GRAMMY® nomination for Blue Engine Records. The 62nd annual GRAMMY® Awards will take place on January 26, 2020, at the Staples Center in Los Angeles, CA. Rubén Blades — the salsa giant and nine-time GRAMMY® Award-winning singer, songwriter, actor, and activist — collaborated with the Jazz at Lincoln Center Orchestra with Wynton Marsalis in 2014 for an extraordinary series of performances on the Jazz at Lincoln Center stage. On these very special style-straddling, Americas-spanning nights, the worlds of salsa and swing collided. Music-directed by Jazz at Lincoln Center Orchestra bassist Carlos Henriquez (called an “emerging master in the Latin jazz idiom” by DownBeat magazine), Una Noche con Rubén Blades features Blades backed by the Jazz at Lincoln Center Orchestra with Wynton Marsalis. The group, performs Blades’s own beloved compositions including “Pedro Navaja,” “Patria,” and “El Cantante,” as well as swing-era standards like “Too Close for Comfort” and “Begin theBeguine.”
“I’ve known Rubén Blades since I was two years old—or at least I feel like I have,” Henriquez says. “His albums—and the sound and the warmth they generated–filled my family’s apartment at 146th and Brook Avenue in the Bronx, and his music was one of my earliest influences.” “Jazz is the story of taking old parts and building something new,” he continues. “When Rubén joined us for our performances at Jazz at Lincoln Center’s Rose Theater, we did exactly that using the Great American Songbook and the Afro-Cuban rhythms that propel all the wonderful music that Rubén sang that evening. The music I arranged for Rubén Blades to perform with the Orchestra sounds like Panama, New Orleans, and New York all mixed into one. Those sounds form the heart of all our stories as musicians, and in combining them we reaffirmed that we’re all in this together.” The album was released on October 19, 2018 and received critical praise from outlets including Rolling Stone, NPR Music, and New York Times, which called the original concert “radically beautiful.” Billboard Magazine sums up the release best stating, “Ruben Blades surrounds himself with a robust music ensemble: who put a new spin on hisclassics.”
Posted by Jazz Chillat 9:13 AM
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GARY CORBEN'S GODS IN BRASIL _Joao Donato and Gary McFarland meets Anglo Polish Brazilian Bossa Pop with a 1960s and 70s feel._ In the mid 90s Gary lived in Rio sharing a flat with Kassin, then in an unknown local band but later to become one of Brazil’s greatest producers working with Gal Costa, Caetano Veloso and Gilles Peterson. Back then Gary used to constantly write songs but could never be persuaded to do anything with them. But the songs would stick in Kassin’s head and plague him for years. Over the following decades Kassin would regularly ask ‘what about your album?’ and Gary would shrug and say, yeah, maybe, one day. Then, in 2018 Kassin played in London with members of multi-platinum Polish supergroup Mitch & Mitch and this time when Kassin posed the question, Gary said ‘Yes! Let’s do it, but we have to do it in Poland with these guys.” This led to recording Gods in Brasil at the Polish Radio Studios in Warsaw with the Mitch & Mitch guys and a bunch of classical sessions musicians and finishing off in Kassin’s studio in Rio with some special guests.The record turned out so well that Gods in Brasil Vol 2 is already under way.The album touches on the classic sounds of 60s and 70s Brazilian records with nods to Gary McFarland on the way. The song Juanito Caminante is already a favourite with Joao Donato who was a huge influence on the sound of the album. The arrangements were shared between Alberto Continentino and Ryszard Borowski of the Polish Radio Big Band.Gods in Brasil will be released on Mad About Records via Bandcamp on vinyl, and special editions on cassette and MiniDisc. Gary helped develop the world’s first digital distribution system in the mid 90s and ran the service in Rio where he got deeply involved in the local music scene. He later founded cult reissue label Whatmusic and reissued over 80 albums on vinyl and CD as well as reissue series for EMI Odeon and recently the CBC’s hidden archive of classic albums from the 60s and 70s. Posted by Jazz Chillat 2:14 AM
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WEDNESDAY, NOVEMBER 20, 2019 NEW MUSIC RELEASES: ORNETTE COLEMAN; MELBA MOORE; THE MARK KELSO JAZZPROJECT
ORNETTE COLEMAN – THE SHAPE OF JAZZ TO COME Presented here are three seminal albums by the great Ornette Coleman (1930-2015): The Shape of Jazz to Come, featuring the debut of the splendid piano-less quartet with Don Cherry, Charlie Haden and Billy Higgins; Change of the Century, with the same personnel, and Something Else!!!!, which marked the debut recording by the Ornette Coleman Quintet, also showcasing Cherry and Higgins. THE SHAPE OF JAZZ TO COME ****(CROWN AWARD) PENGUIN GUIDE TO JAZZ: Brash as the titles are, the music is surprisingly introspective and thoughtful. Most of the essential Coleman pieces are to be found here, though interestingly only one of them--'Lonely Woman'--has ever come close to repertory status. (Richard Cook & Brian Morton) *****ALL MUSIC: THE SHAPE OF JAZZ TO COME Any understanding of jazz's avant-garde should begin here. (Steve Huey) *****ALL MUSIC: CHANGE OF THE CENTURY An absolutely essential purchase and some of the most brilliant work of Coleman's career. (Steve Huey) ****ALL MUSIC: SOMETHING ELSE!!!!This record swings from the rafters of the human heart with the most unusually gifted, emotional, and lyrical line since Bill Evans first hit the scene. (Thom Jurek). MELBA MOORE – THE DAY I TURNED TO YOU Melba Moore is an American prolific five-octave, four Grammy-nominated Singer and Tony Award-winning actress. Broadway, contemporary Soul/R&B, Pop, Rock, Jazz, Gospel, and Classical Melba Moore was destined to be a star! It could have been her Grammy-nominated cover of the Aretha Franklin classic Lean On Me or her Tony Award-winning performance as LuttieBelle GussieMae Jenkins in Purlie that solidified her place in America's hearts, or when she became the first African-American woman to perform the role of Fantine in Les Misérables. She scored a string of Billboard charted hits - eight Top 10 R&B hits including two #1 smash hits and four Grammy nominations, AMA Nominations, and rewards received including a Tony Award, Ellis Island Award, Artist Guild Award, Trumpet Award of Excellence, NAACP Spingarn Award and History Makers Tribute. In the '80s and '90s, Melba Moore gifted us with classic jams like Lean On Me, This Is It, You Stepped Into My Life, Love's Comin' At Ya, Livin' For Your Love, Falling and A Little Bit More a #1 duet with Freddie Jackson. Melba Moore's produced a version of Lift Every Voice and Sing which was entered into the United States Congressional Record as the official Negro National Anthem in 1990, was just named an American Aural Treasure, by the National Recording Registry of the Library of Congress for Ms. Moore's co-produced recorded rendition of the anthem. Music is what God allows me to do declares Melba Moore. THE MARK KELSO JAZZ PROJECT - THE CHRONICLES OF FEZZIWIG Mark Kelso is an award-winning Jazz drummer who has worked with artists such as Donny McCaslin, Pat Metheny, Holly Cole, Gino Vannelli and numerous others. As the leader of the Juno nominated Jazz Exiles, Mark is no stranger to the world of music. Playing in every genre from Jazz to Pop to Latin to Orchestral, Mark has been able to finesse his technique as a drummer and composer, as well as open himself up to a wide variety of influences. The Chronicles of Fezziwig is the new solo project from Mark Kelso. Featuring all original music, this project is a departure from the Fusion styles of the Jazz Exiles, and instead explores a more traditional style. It once again shows the versatility of Mark Kelso as a musician, composer, and leader. Posted by Jazz Chillat 11:29 AM
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BIG BAND OF BROTHERS: A JAZZ CELEBRATION OF THE ALLMAN BROTHERS BAND New West Records will release Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band on November 22, 2019. Released in celebration of the 50th Anniversary of the Allman Brothers Band’s debut album, the 10-song set of jazz interpretations of Allman Brothers Band favorites features Marc Broussard and Ruthie Foster on vocals on two songs each. Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band also features Jack Pearson on guitar, who performed as a member of the Allman Brothers Band from 1997 to 1999. The celebrated trombonist Wycliffe Gordon of Jazz at Lincoln Center fame is featured as a soloist on “Don’t Want You No More,” and wrote the arrangement for “Statesboro Blues.” The 15-piece Big Band of Brothers was produced by Mark Lanter, Charles Driebe, and John Harvey and was recorded & mixed by Eric Bates at Bates Brothers Recording in Hueytown, AL. While jazz interpretations of Allman Brothers Band classics might come off as a surprise to some, the genre always held great inspiration for the band and its members. Gregg Allman, recalling the band’s early days, told the journalist Bob Beatty, “Jaimoe turned all of us on to so much neat stuff. He gave us a proper education about jazz and got us into Miles Davis and John Coltrane. Kind of Blue was always on the turntable -- Duane really got his head around that album -- and he also seriously dug Coltrane’s My Favorite Things.” While speaking to Relix in 2013, longtime Allman Brothers Band guitarist Warren Haynes offered this about founding member Duane Allman, “It’s interesting when you think about Duane’s roots in blues and R&B. As he was growing as a musician, jazz musicians were becoming more and more important to him. He talked a lot about how important Coltrane was in influencing him. It’s almost a cliche to say that you’ve been influenced by John Coltrane these days because it’s so obvious that he’s an icon. But for somebody in the early ‘70s to actually take that influence into a rock or pop sensibility was quite a stretch. Perhaps he helped to make Coltrane a universal influence in ways he didn’t even realize, the same way that people like Duane and Clapton contributed to the rediscovery of RobertJohnson.”
Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band will be available on compact disc, across digital retailers, and Peach Colored vinyl. Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band is now available for pre-order via New West Records. Big Band Of Brothers: A Jazz Celebration of the Allman Brothers BandTrack Listing:
1. Statesboro Blues featuring Marc Broussard 2. Don’t Want You No More featuring Wycliffe Gordon 3. It’s Not My Cross To Bear featuring Ruthie Foster4. Hot ‘Lanta
5. Whipping Post featuring Marc Broussard 6. Stand Back featuring Jack Pearson7. Dreams
8. In Memory Of Elizabeth Reed 9. Don’t Keep Me Wonderin’ featuring Ruthie Foster 10. Les Brers In A Minor Posted by Jazz Chillat 9:13 AM
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NEW MUSIC RELEASES: JOE MCPHEE / GRAHAM LAMBKIN / CHARLIE MCPHEE / OLIVER LAMBKIN, JAVIER SANTIAGO, YAZZ AHMED JOE MCPHEE / GRAHAM LAMBKIN / CHARLIE MCPHEE / OLIVER LAMBKIN - LIVEIN THE BATCAVE
The legendary Joe McPhee is back in his home turf of upstate New York – working in a mode that really goes back to his heritage in the avant scene – and at a level that's something of a family affair for all the members of the group! The music is a collaboration between Joe and his brother Charlie McPhee – and label owner/preservationist Graham Lambkin and his son Olivier Lambkin – recorded on the spot in Charlie's "Batcave", with a freewheeling sonic approach that takes us back to some of the earliest days of Joe's music. Instrumentation includes lots of odd reed moments – the notes don't list any specific details – but there's also vocalizations, offbeat percussion, and lots of elements from found objects and found sonic sources too – a real improvisatory party, in the best way possible. Titles include "High Above The Batcave", "IO Stand Accused", "Eulogy To The Paddock", and "Cable Flow". ~ Dusty Groove JAVIER SANTIAGO - PHOENIX B-SIDES We loved the Phoenix album by keyboardist Javier Santiago – and although this set bills itself as if it's a relation to that record, it's more of a completely different effort – but one that's equally fantastic as well! Santiago is a tremendous up-and-coming talent – a hell of a pianist, and also great on Fender Rhodes – working in that sense of rhythm that's been unlocked in the 21st Century by a few key figures in jazz – and which a new generation of players like Javier is taking in some wonderful directions of their own! The core group features really inventive rhythms from Corey Fanville on drums and Zach Brown on bass – and the work features an guest performances on a few tracks each from Dayna Stephens on tenor and soprano, Nir Felder on guitar, and Ben Flacks on soprano and tenor. Titles include "Change Is The Only Constant", "For Unity", "Cedar Avenue", "A Second Chance", "Aries' Peace", "A Day In The Life Of A Tree", "Beautiful Love", and "King Klave's Return". ~ Dusty Groove YAZZ AHMED - POLYHYMNIA A spacious second set from British/Bahraini trumpeter Yazz Ahmed – a record that features dedications to feminist inspirations on every single track – but which has a soaring, righteous quality that marks Ahmed as an inspirational force of her own! The songs are long, and the music is rich in textural elements – strong trumpet solos from the leader, but also a globe's worth of contributions from other members of the contemporary London scene in which Ahmed's been making waves for the past few years – with a level of expression that maybe matches some of our favorite recent jazz releases on the Brownswood label! If you know the charms of the London scene in recent years, you'll have plenty to love here – and will find yourself adding Yazz to a list of artists to keep your ears on. And if you don't, this album's a great place to begin your musical discovery – on titles that include "Ruby Bridges", "Barbara", "Lahan Al-Mansour", "One Girl Among Many", and "Deeds Not Words". ~ Dusty Groove Posted by Jazz Chillat 8:53 AM
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TUESDAY, NOVEMBER 19, 2019 THE NICK FRASER / KRIS DAVIS / TONY MALABY TRIO RELEASE 'ZONING"The
Nick Fraser / Kris Davis / Tony Malaby Trio is a group featuring compositions by Nick Fraser and improvised pieces by the trio. They released their debut, Too Many Continents on the Portuguese Clean Feed Records label in 2015. "This album rewards repeated listenings. It’s wholly musical, well paced, and there’s not a wasted note within. There’s an undeniable bond between the three, and this kinship results in a totally organic, balanced session. Nick Fraser’s Too Many Continents is a grand slam. " ~ Peter Gough, freejazz.org "Fraser allows his collaborators free rein in a program that combines three of his charts with four cooperative creations, the borders between the two modes remaining deliciously unclear. Malaby delights in blurring and obscuring his conceptual impulses with impetuous and unpredictable blowing. With her patented amalgam of minimalist gesture invoking the likes of Morton Feldman and the dash of Cecil Taylor, Davis brings a sense of structure to even the most off-the-wall settings. Fraser harnesses both these talents in a wonderfully edgy set packed with contrapuntal interplay." ~ John Sharpe, New York CityJazz Record
Nick Fraser (leader, drums, compositions) has been an active and engaging presence in the Toronto new jazz and improvised music community for over twenty years. He has performed with a veritable "who's who" of Canadian jazz and improvised music and with such international artists as Marilyn Crispell, Anthony Braxton and David Binney. For ten years, he co-led the group Drumheller, who released four critically acclaimed recordings. "Fraser not so much plays the drums as hurls himself whole body and soul against skin and metal... truly talented." ~ Bill Stunt, CBC Radio Pianist-composer Kris Davis has blossomed as one of the singular talents on the New York jazz scene, a deeply thoughtful, resolutely individual artist who offers “uncommon creative adventure,” according to JazzTimes. “Davis draws you in so effortlessly that the brilliance of what she’s doing doesn’t hit you until the piece has slipped" ~ Jazz Times Originally from Tucson, Arizona, Tony Malaby (saxophone) has been based in New York since 1995 and has been a member of many notable jazz groups including Charlie Haden’s Liberation Music Orchestra, Paul Motian's Electric Bebop Band, Fred Hersch's quintet, and bands of his own. “One of New York City's most in-demand tenor saxophonists, Tony Malaby has become one of the most distinctive artists of his time." ~ Troy Collins, All About Jazz New York Lina Allemano is a Canadian trumpeter, improviser, and composer based in Toronto ON since 1993. She has an active international career, performing and recording cutting-edge contemporary music primarily in free-jazz and improvised / experimental settings, but also working in a wide array of other genres. For the past several years, Lina has been splitting her time between Toronto and Berlin, with one foot in Berlin's flourishing and uncompromising art-music scene and the other foot in Toronto's vibrant but somewhat under-the-radar experimental-music scene. "(Trumpeter) Lina Allemano is one of the most exciting new voices of the last few years" . Originally from Germany, Ingrid Laubrock is a saxophonist/composer based in Brooklyn since 2009. Laubrock is interested in exploring the borders between musical realms and creating multi-layered, dense and often evocative sound worlds.She has worked with: Anthony Braxton, Muhal Richards Abrams, Dave Douglas, Kenny Wheeler, Jason Moran, Tim Berne, William Parker, Tom Rainey, Mary Halvorson, Kris Davis, Tyshawn Sorey, Craig Taborn, Luc Ex, Django Bates’ Human Chain, The Continuum Ensemble, Wet Ink and many others. Posted by Jazz Chillat 10:36 AM
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DAVID SANBORN PRESENTS THE FIRST SEASON OF HIS NEW SHOW "SANBORNSESSIONS"
David Sanborn, veteran saxophonist and six time Grammy Award winner announced today that he will soon present the first episode of his new music show, Sanborn Sessions. The new series is hosted by Sanborn and features a diverse roster of accomplished artists from a variety of genres and generations. In its initial season Sanborn welcomes Kandace Springs, Terrace Martin, Michael McDonald, Brian Owens, Bob James, Jonatha Brooke, Charlie Hunter and Cyriille Aimee. Bucking conventional presentation, the show lets viewers become voyeurs as world class musicians come together to discuss, explore and play music. "To me this show is not just about dialogue," Sanborn says. "It's absolutely essential that we keep this authentic. Because then they get the real unfiltered stuff. This show comes out of humor and friendship and just trying to get on the same musical wavelength. It's intimate, fly-on-the-wall stuff." While Sanborn Sessions is inventive in its lack of script, teleprompter, or studio audience, a good part of the impetus for recording the series came from Sanborn's celebrated NBC music show in the late 1980s. Called Night Music, the show paired Sanborn with such legends as Eric Clapton, Lou Reed, Dizzy Gillespie, and Miles Davis,to name a few.
Brian Owens, David Sanborn & Michael McDonald With his new show, the holder of eight Gold albums and one Platinum continues to explore the essence of music through candid conversations and free-flowing studio sessions. Full episodes contain the deeper conversations, behind-the-scenes lead-ins to the music, and the performances themselves. Original song recordings that come from Sanborn Sessions will also be issued for individual consumption across digital audio platforms. The series is co-produced and sponsored by music equipment juggernaut Sweetwater. "I've been a longtime fan and customer of Sweetwater," Sanborn says. "They are the ultimate destination for musicians and they have been the perfect partner for us in bringing this vision tolife."
A true homegrown project, the show is executive produced by David's nephew, Noah, brother-in-law, Steve, and David himself. Episodes will be released starting on December 3rd, and can be viewed along with the trailer at sanbornsessions.com , as well as on the Sanborn Sessions YouTube channel. Posted by Jazz Chillat 9:50 AM
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ECHT! - INSTRUMENTAL, FUTURISTIC FOUR-PIECE ABSORBED IN JAZZ +ELECTRONIC MUSIC
ECHT! – an instrumental, futuristic four-piece inspired by the concepts absorbed in electronic music and musical production. Having crystallized their innovative style and sound on the Brussels scene, this group of visionary music makers are pleased to announce the release of their debut EP ‘DOUF’, released 29th November via groove-heavy record label Sdban Ultra. Recorded in an empty space in Colfontaine, Hainaut in just three days, ECHT! draw on influences including Electro, Hip-Hop, Psychedelic Groove, Footwork, Trap, Funk and Futuristic Jazz. Artists that excite them include Jonwayne, DJ Rashad, Deantoni Parks, J Dilla, Dorian Concept and Aphex Twin. Across 8 tracks consumed as one continuous 16-minute mix of swirling beats and edgy offbeat rhythms, ECHT! weave together a musical collage of sound - equal parts acoustic andelectric.
"R2-D2 is the fruit of a night jam. We found that kind of sampled piano riff combined with space-full yet heavy hip-hop groove. We wanted to add some of our weirdest, most futuristic sounds (the name 'R2-D2' refers to one of those) and a robotic gimmick emerged. Then we alternated this part with a frenetic, condensed flow growing more and more to finally submerge you. This tune reflects our approach: we try to integrate the inhuman heritage of electronic music and "re-humanize" it in an instrumental performance".ECHT!
Tracks like the sonic sound explosion of ‘Bonjour’, the scatter rhythms and busy hi-hats of ‘Tsht’ and the abstract beats and subby bass of ‘Mad Merckx’ are symptomatic of the ECHT! sound that is heavy in groove and deep in intrigue. ECHT! look to emulate the producer’s off-beats, the compressor’s swell, the repeating samples or the DJ’s transitions. Echt means ‘vrai de vrai’ - ‘true’ or ‘real’ in brusseleir (Brabantian dialect of Brussels). It is a direct reference to the fact that their sound transmission is ‘real’, performed with conventional musical instruments as oppose to computer music which the production might suggest. It also relates to the fact that none of the members of the band are originally from Brussels – bassist Federico Pecoraro is from Italy, keyboardist Dorian Dumont is from France and drummer Martin Méreau and guitarist Florent Jeunieauxare both from Mons.
Elsewhere, debut single ‘R2D2’ is a raw, gritty musical adventure while the skittish future funk of ‘Chicago Stuk’ and subtle vibrations of ‘So Zat’ offer further explorations into the world of ECHT! “’DOUF is our tribute to Teklife DJs such as DJ Rashad, DJ Earl, Taso and DJ Spinn”, says keyboardist Dorian Dumont. ECHT! are Martin Méreau: drums, Dorian Dumont: keys, Florent Jeunieaux: guitar, Federico Pecoraro: bass. Posted by Jazz Chillat 2:20 AM
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MONDAY, NOVEMBER 18, 2019 KELLEY JOHNSON, A TRUE JAZZ SINGER RELEASES HER 5TH CD -- SOMETHINGGOOD
There are many vocalists with lovely voices who mine the Great American Songbook for material; however, very few have the depth and jazz chops of KELLEY JOHNSON. A vocalist and arranger, Johnson doesn’t rehash familiar standards. She understands the music from the inside out, and with her spot-on phrasing and silky, rich timbre, she is certainly one of the finest purveyors of sophisticated lyrics on the scene today. Johnson’s newest album, SOMETHING GOOD, is a program of 10 mostly familiar songs that she re-imagines with fresh and personal interpretations. Her voice is warm and sexy with an effortless sense of swing that never overwhelms the material with faux hipness. There is an ease to her delivery that makes it sound as effortless as breathing. SOMETHING GOOD is Johnson’s fifth CD. Her previous projects include Home (2011), Live at Birdland (2004), which she taped in one special night at the historic New York City club, Music is the Magic (2003), which earned her First Place in the International JazzConnect Vocal Competition, and Make Someone Happy (1998), her debut CD that she recorded with renowned pianist Fred Hersch. Each of her recordings have garnered critical acclaim. The Seattle Weekly said, "With a strong, engaging voice that's winsome without being sweet, Johnson is the kind of singer you can lose yourself in for an evening.” Johnson grew up in the Midwest, but has lived in Seattle for many years, where she performs regularly in and around the city. She participated on lengthy tours abroad in 2004 and 2008 for the U.S. State Department’s Jazz Ambassadors program. Begun in 1956, the program today is sponsored by the Bureau of Educational and Cultural Affairs in partnership with the John F. Kennedy Center for the Performing Arts. The group performed in Turkey, Azerbaijan, Japan, Eastern Europe, Central Asia, Russia, Suriname, and Central America. After one tour, Johnson received an email from an appreciative fan from Kyrgyzstan that read, "I felt your spirit through the meanings of your songs, the spirit of a revolutionary person who is for a true and fair world of people." Indeed, Johnson chose the songs on SOMETHING GOOD not just because they’re great songs, but because they resonate with her on a deeper level. “These songs are about being an artist, being a partner, and being a daughter,” says Johnson. “Like most people, I’m trying to maintain meaningful relationships and continue pursuing love and music with all the glory and humility that we need to keep our balance in an ever-changing world. Whether a song is about art or love or spiritual pursuit, it’s really all the same path to acceptance.” Johnson’s philosophical outlook grew from a tumultuous and very loving upbringing, surrounded by art and music. Her mother was a visual artist who bought and fixed up houses to subsidize her career. Home for Johnson was a transient thing. Her mother filled her art studio with the music of the 60s and 70s, and Johnson grew up listening to R&B, country, jazz, and especially the blues. When her mother was severely injured in an auto accident, her family took in boarders to make ends meet. Among their guests were singers, songwriters, actors, and comedians. The house was full of art and music and interesting, creative people. By the time the family moved to Milwaukee, Johnson was in love with jazz. She listened to Billie, Miles, Keith Jarrett and Betty Carter records and hung out in the city’s clubs, listening to local jazz musicians. She went on to pursue her own musical aspirations at The Wisconsin Conservatory of Music, from which she graduated Magna Cum Laude. She has also servedas an
assistant professor at Cornish College of the Arts and Director of the Seattle Metropolitan Urban League’s Children’s Jazz Chorus, among countless other musical ventures. The musicianship on SOMETHING GOOD is top-notch and features some of the best musicians from the Pacific Northwest, including her husband, pianist JOHN HANSEN. Johnson and Hansen have been married and performing together for over 20 years. Hansen is one of the most in-demand jazz pianists and finest jazz soloists in the Northwest. Renowned jazz host Jim Wilke said of Hansen, "Highly talented, unassuming, and offering his best effort in every musical situation, John Hansen is a versatile sideman, accompanist and soloist who's a valued part of several top recording and performing jazz groups.” Also joining Johnson are bass player MICHAEL GLYNN, who has performed with jazz legends such as Bud Shank, Jon Hendricks, Bobby Shew, Dave Grusin, and Eric Alexander, to name just a few; Houston-raised, NY drummer KENDRICK SCOTT, who records as a leader on the Blue Note label; and the versatile multi-instrumentalist JAY THOMAS, one of Seattle’s storied legends who has performed with a Who’s Who of top jazz artists, and has recorded with Ray Brown and Elvin Jones,among many others.
Johnson opens SOMETHING GOOD with Stephen Sondheim’s “Anyone Can Whistle,” a song that posits that allowing oneself to experience love is as easy as learning to whistle. “Goodbye to Love” was originally a pop song composed by Richard Carpenter and John Bettis, and first performed by The Carpenters. But the arrangement by Johnson and Hansen turn the song into a straight-ahead jazz tune with solid scatting. Johnson adds a suggestive element to Cole Porter’s “You Do Something to Me” and demonstrates her creative phrasing on a subtly swinging version of “Lullaby of Birdland.” Johnson was attracted to the clever lyrics of “Let’s Do It,” and her swinging, sensual interpretation mines them perfectly. Her arrangement of Leonard Bernstein and Adolph Green’s “Some Other Time” takes the song into new territory with unexpected changes in meter. Johnson loves Carmen McRae’s version of “Tip Toe Gently,” but rather than emulate McRae, Johnson takes the song in a new direction. Johnson and Hansen made it new with a re-harmonization of “Unforgettable,” which features a seductive muted trumpet performance by Thomas. Johnson closes the CD with “You for Me,” an upbeat love song first performed by Blossom Dearie, and “Something Good” -- a perfect description of the music on this album, composed by Richard Rodgers (after Hammerstein’s death) for the film version of The Sound ofMusic.
Kelley Johnson is endlessly creative. She plays with time and melody like a horn player, while her voice has a luminous quality. She and Hansen are also inventive arrangers, and their takes on these classics make them sound completely fresh and new. Posted by Jazz Chillat 3:30 PM
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THIRD COAST PERCUSSION - FIELDS Cedille Records releases "Fields," the latest album from Third Coast Percussion, with music composed by Devonté Hynes (aka Blood Orange).The first album to feature Hynes' classical compositions, "Fields" includes three works written for and arranged by Third CoastPercussion
Over the past several years, Third Coast Percussion's albums for the dynamic Cedille Records have included 2018's "Paddle to the Sea," whose title track was collaboratively composed by all four members of the quartet; and 2016's "Third Coast Percussion | Steve Reich," the winner of the 2017 GRAMMY Award for Best Chamber Music Performance. This fall, TCP continues to expand the possibilities of the percussion repertoire with the release of "Fields," featuring the first-ever recordings of classical compositions by Devonté Hynes (aka BloodOrange).
Although he is best known as a performer and producer in the R&B and pop music spheres, classical music was the first music Dev knew, first as an observer at his older sister's piano lessons, and later as a young cellist. Even today, Dev still considers classical music the foundation of his musical background, citing Claude Debussy, Erik Satie, Giacomo Puccini, and Philip Glass as particular influences on his sense of melody and timbre. Third Coast Percussion, though longtime fans of Dev's work as Blood Orange, first came to know him personally through the choreographer Emma Portner. TCP was at the time immersed in a collaborative project with Hubbard Street Dance Chicago, and Portner was one of the choreographers involved. She had worked with Dev on several of his music videos, and suggested him as a natural fit for this project, and for TCP's adventurous style. Dev composed all the music for the project in a Digital Audio Workstation, and sent recordings and sheet music to Third Coast Percussion for them to orchestrate for their own instruments. Each of the four members of TCP worked on arranging and orchestrating a different section, offering feedback on each other's work, and eventually sending their versions back to Dev and the choreographers. Although this was TCP's first time working with a composer in this way, their naturally collaborative ethos made the process exhilarating and ultimately liberating. "This was the first time I've written music that I've never played, and I love that," said Dev. "It's something I've always been striving to get to. Seeing what Third Coast Percussion had done with these pieces was magical." The actual music is a blend of Dev's love of classical and minimalist music with many of the characteristic elements of his work as Blood Orange-lush and powerful synth pads, beautiful melodies, intricate, light, bubbly rhythmic structures. In "Perfectly Voiceless," a wall of Philip Glass-esque old school minimalism parts to reveal a catchy pop melody; "There was Nothing" blends epic synthesizer sounds with bowed mallet percussion instruments, and includes moments of meditative lyricism reminiscent of Lou Harrison; and the expressive harmonies buried in the hazy textures of "For All Its Fury" point to Dev's loveof Debussy.
"We've always felt that the future of classical music depends on deepening the collaborative process and removing the strict barriers between composers and performers," TCP writes in the liner notes to the album. "Dev gave us a beautiful field to play in, and we think the music that resulted couldn't have been created any other way." Producer, multi-instrumentalist, composer, songwriter, and vocalist Devonté Hynes is one of the most influential voices in music today. Raised in England, Hynes started out as a teenage punk in the UK band Test Icicles before releasing two orchestral acoustic pop records as Lightspeed Champion. In 2011, he released Coastal Grooves, the first of four solo albums under the moniker Blood Orange. His 2016 album, Freetown Sound, was released to critical acclaim and saw Hynes defined as one of the foremost musical voices of his time, receiving comparisons to the likes of Kendrick Lamar and D'Angelo for his own searing and soothing personal document of life as a black man in America. His 2018 album, Negro Swan, was released to equally rapturous response, exploring elements of black depression and identity. His most recent release, the 2019 mixtape Angel's Pulse, which Hynes describes as an epilogue to Negro Swan, further explores and builds upon those thematic elements. He has collaborated with Solange Knowles, fka twigs, A$AP Rocky, Puff Daddy, Janet Mock, Mariah Carey, and many more, and was recently one of four artists invited to the Kennedy Center to perform alongside Philip Glass. In addition to his production work, he scored the film Palo Alto, directed by GiaCoppola.
Posted by Jazz Chillat 7:32 AM
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SUNDAY, NOVEMBER 17, 2019 MILTON NASCIMENTO'S MARIA MARIA TO BE RELEASED ON VINYL FOR THE FIRSTTIME
Far Out Recordings proudly presents Milton Nascimento’s Maria Maria. Recorded in 1976 and unreleased until almost thirty years later, the album was written as the soundtrack to a ballet which dealt with the legacy of slavery in Brazil. Raw, atmospheric and emotionally charged, Maria Maria reveals one of Brazil’s greatest ever songwriters at his creative peak. Featuring an all-star cast of fellow Brazilian legends including Nana Vasconcelos, Joao Donato, Paulinho Jobim, and members of Som Imaginario, Maria Maria holds what Milton considers to be the definitive versions of some of his classic songs, including ‘Os Escravos De Jó’ and ‘Maria Maria’. Originally released in 2003 as a double CD package, with Milton Nascimento's 1980 follow up ballet soundtrack Ultimo Trem, Maria Maria will be available on vinyl for the very first time from December 2019, with Ultimo Trem set for vinyl release early 2020. Milton Nascimento possesses one of the most immediately recognizable voices in Brazilian music: high and sweet and as breathtakingly sublime as that of any soul singer. It was this voice that the legendary Brazilian singer Elis Regina fell in love with back in 1964, having heard Milton perform his song ‘Canção do Sal (Sultry Song)’ at a private party in Sao Paulo. Ellis went on to record the song in 1967 -giving Milton his first hit in Brazil and beginning a career that has spanned over 50 years. Born in Rio on the 26th October 1942, Milton moved with his adoptive parents at the age of 18 months to Tres Pontas, a rural town in the state of Minas Gerais, 500 miles north of Rio. He began his musical career as a young teenager, singing in a crooner style he learnt from listening to Brazilian singers and US groups such as The Platters on the radio. Hungry for more opportunities to perform, Milton moved to Belo Horizonte, the capital of Minas Gerais, at the age of twenty. By the beginning of the 60s Milton had made a name for himself both as an accomplished singer and guitarist. Milton became part of a local network of musicians, film makers, dancers, theatre directors and writers that included the journalist and song writer Fernando Brant as well as lyricist Marcio Borges and his younger brother Lo Borges. Together these four wrote and produced what would become Milton’s milestone album, ‘Clube da Esquina (Club on the Corner)’. The originality of ‘Club da Esquina’ shaped the local scene, and it reflects the essence of ‘the Nascimento Sound’. Milton’s religious upbringing as an Afro-Brazilian Catholic saw him exposed to church choral music from an early age. His love of this genre of music is apparent in both his celestial falsetto and vocal choral arrangements. This collection also displays his early fascination with evocative, non-verbal, scat-style singing, spare, harmonic guitar work and local folk music, jazz androck.
In 1976, Milton and Fernando Brant teamed up with a new contemporary dance company called Grupo Corpo, whose Argentinian choreographer Oscar Araiz, would become a collaborator with the two musicians. Together, they conceived a show based on the composite life story of the daughter of a black slave called Maria. Nascimento wrote music to Brant’s lyrics and “Maria Maria” was premiered in the main theatre of the Belo Horizonte Palacio das Artes that year. “Fernando wrote the lyrics for the ballet, but there were originally no lyrics for the theme song, “Maria Maria’”. Milton and Fernando worked on the lyrics together, basing them on folk stories about black women of the countryside. Adds Milton “These memories are mostly things that we witnessed – Fernando and I – rather than what we experienced ourselves. Milton’s music is impressionistic, emotional and romantic. Relying on songs without lyrics as well as evocative vocalizing and choruses, Milton experimented heavily with Afro-Brazilian percussion and taped jungle sounds. His composing method for these recordings was highly unconventional: “I wrote the music for ‘Maria Maria’ in a tiny Rio apartment with friends and their kids running around and having fun! I love to be in noisy places, surrounded by people”, he says. The music on ‘Maria Maria’ was performed by an impressive group of young musicians who are today household names in Brazilian music, including Naná Vasconcelos (percussion and effects), Toninho Horta (guitars) and Paulo Moura (sax). Several vocalist including Naná Caymmi, Fafá de Belém, Beto Guedes, and Milton himself, had hits in years to come with reworkings of these songs. Milton says his compositions follow his visions “like a movie”, and he believes that reflects his long love affair with cinema. “I only began composing because of enjoying the movies so much,” he says. “I wrote my first song “Peace for the Coming Love” after seeing ‘Jules et Jim’ (the cult 60s French film directed by François Truffaut), with my friend Marcio Borges. We went early in the morning and watched it four or five times in a row, then went to Márcio’s home and wrote the song.” The songs also include solo spoken passages set to music, clearly influenced by this style of French art cinema. On the title track, Maria’s story is narrated and translated to music through the use of African Percussion, drums and metal signifying the field slave tools of the day. ‘Trabalhos (Works)’ runs to work rhythms and whipcracks: no words, just pain. ‘Lília’ documents the beating of the slave woman. After ‘A Chamada (The call)’ and the triumphant ‘Era Rei e Sou Escravo (I was a king now I am a slave’ things begin to turn and Milton employs tropical jungle cries to symbolize freedom. ‘Santos Catholicos x Candomble (Catholic Saints vs Candomble)’ represents the battle between African and European religions through the music of both sides. Milton’s heavenly falsetto pours into ‘Francisco’ and ‘Pai Grande (Great Father)’ and the outstanding ‘Eu Sou Uma Preta Velha Aqui Sentada no Sol (I’m an old black lady, sitting under the sun)’ conjures images of an old woman sitting deep in the forest, her memories painted in drums, piano and voices. Set for its first ever vinyl release, Maria Maria will be available on 2XLP from the 13th December 2019 via Far Out Recordings. Posted by Jazz Chillat 8:25 AM
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GRAMMY-NOMINATED RECORDING ARTIST DEBORAH COX HITS AN EMOTIONAL CORE WITH THE NEW R&B SINGLE ‘EASY WAY’ GRAMMY-nominated recording artist Deborah Cox hits an emotional core and the charts with the new R&B single, “Easy Way.” The triple-threat artist returns with an impressive debut at No. 2 on TIDAL’s streaming chart, and the single is catching fire among fans, digital and streaming sites including Apple, Spotify, and Pandora, among others. “Easy Way” is written by hit-maker Rico Love, and produced by Rico and DTown. Rico production credits include Usher, Beyoncé, Diddy, Chris Brown, Keri Hilson, Fergie, and Fantasia. While working on her seventh album recording, scheduled for release in 2020, Cox is overwhelmed with the response she has received on the new single. “My purpose has always been to speak about commitment and unconditional love,” she explains. “My mission is not to define it but rather to help one understand that self-love is where the journey begins. I don’t think people consider that. I find that people fantasize about love but don’t understand that if you want something to work, you have to fight for it, and you have to fight for it daily. I believe that’s why ‘Easy Way’ resonates with so manypeople.”
Rico Love draws inspiration about working with Cox on his new single from a quote he references by prolific writer E.M. Forster, “To make us feel small in the right way is a function of art, people can only make us feel small in the wrong way,” which succinctly sums up his collaboration with Cox. “I experience feeling small in the most amazing way while working with my dear friend, Deborah Cox,” says Rico. “I am fortunate that another one of my dreams came true. To have her trust me to be the practitioner of this art has blessed me tomy core.”
From R&B to Pop to Jazz, the “Nobody’s Supposed To Be Here” songstress has released six career albums, including her debut album, Deborah Cox, followed by One Wish, The Morning After, Remixed, Destination Moon, and The Promise. With an impressive career in entertainment, Deborah not only scaled the music charts with six top 20 Billboard magazine R&B singles and an impressive 13 No. 1 hits on Billboard’s Hot Dance Club Play chart, but she has also carved out her place within the worlds of Broadway, television, film, andfashion.
Last seen as Rachel Marron in the national sold-out tour, The Bodyguard: The Musical, Cox has continued her work on screen and stage in a number of key roles including the voice of Whitney Houston in Lifetime’s biopic Whitney, directed by Angela Bassett; and her starring role in the Asolo Repertory Theatre musical production Josephine, among others. The Canadian-born star continues her longstanding commitment to various social issues in the LGBTQ community and has been the recipient of numerous awards and honors including the Out Music Pillar Award and the Harvey Milk Foundation recognized her at the Diversity Honors ceremony for her efforts in the fight against HIV/AIDS in theLGBTQ community.
www.DeborahCox.com
Posted by Jazz Chillat 3:35 AM
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SATURDAY, NOVEMBER 16, 2019 BOWMAN TRIO - PERSISTANCE ‘Persistence’ is a strong effort, showcasing the young trio's knack at creating dynamic, sparse and memorable music which carries well the term "loft jazz" occasionally attached to it. Here, drummer Sami Nummela, trumpeter Tomi Nikku and bassist Joonas Tuuri present 9 strong originals, 8 of which are penned by Nummela and one by Nikku. On the course of the new album, Bowman Trio moves from the introspective, calm moments of 'Badwater', "Mac Elliot" and 'Mä en jaksa' to the full swing of 'The Chase' and the solid grind of 'Persistence'. The album closing track 'Sista sommardagen' ("The last day of summer" in Swedish) is a hauntingly beautiful, delicately breezy ballad. Two years in the making, the album is a testament to the album title and a fine example of a band taking time in developing their sound to perfection. Bowman Trio debuted in 2016 with the group's first LP also being the first release on Helsinki's We Jazz Records, and since then their reputation has grown in Finland and beyond. The trio is known for making music which invites the listener in and takes it sweet time in unraveling its secrets. Their sound is somewhat dry, naturally relaxed and there's a lot of room for manoeuvre within it for all of theplayers.
That being said, each of the musicians in the trio know how to play for their team, and the compositions move forward constantly and effortlessly. Bowman Trio makes music which always feels close to you, like you're right there in the room with the band. That's "loftjazz”.
Posted by Jazz Chillat 9:23 AM
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THE STAPLE SINGERS - COME GO WITH ME: THE STAX COLLECTION (DELUXE7-LP BOX SET)
Craft Recordingsis thrilled to announce the release of a vinyl box set celebrating one of music’s greatest gospel and soul groups, The Staple Singers. Set for a December 6th release date, Come Go With Me: The Stax Collectionpresents all of the group’s studio albums released on the iconic Memphis label, spanning 1968–1974, and features the Staples’ biggest hits, including “I’ll Take You There,” “Respect Yourself” and “If You’re Ready (Come Go with Me).” The six studio albums were cut from the original analog masters by Jeff Powellat Take Out Vinyl. The final, seventh disc offers rarities, non-album singles and several live recordings from the legendary 1972 Wattstax music festival. The seven discs come in heavyweight 180-gram vinylpressed at Memphis Record Pressing. Housed in a slipcase, the collection also includes a deluxe booklet with archival photos and new liner notes from American music specialist and curatorLevon Williams(formerly of the Stax Museum and the National Museum of African American Music), and folklorist, ethnomusicologist and writerDr. Langston Wilkins. The complete collection will also be released digitally, and the six studio albums will be available in hi-res 24-bit/192 kHz and 24-bit/96 kHz formats for the first time. By the time that the Staple Singers signed to Stax in 1968, the family quartet—helmed by patriarch Roebuck "Pops" Staples, with daughters Cleothaand Mavis, and son Pervis (later replaced by his sister Yvonne)—had long graduated from the gospel circuit. The Chicago group had become well known in the counterculture and folk scenes and were performing alongside major rock acts like Big Brother and the Holding Companyand the Grateful Dead. The Staples had also become formidable voices in the Civil Rights movement, and many of their songs preached a message of empowerment and racial equality. In the fall of ’68, the group went into the studio to record their first album for Stax, Soul Folk in Action, working with producer Steve Cropperand songwriter Homer Banks. The sessions were set against a backdrop of social and political turmoil, which climaxed with the assassination of Dr. Martin Luther King, Jr.in Memphis. The Staple Singers were known for writing politically charged “message songs,” and the year’s events certainly inspired many of the tracks on this album, including “Long Walk to D.C.” and “The Ghetto.” In their liner notes, Levon Williams and Langston Wilkins write that both of these songs “Truly tapped into the experiences and emotions of Black America at the close of the ’60s. The former is a tribute to the 1963 March on Washington told from the perspective of a poor yet hopeful African American person willing to use their last dimes to make it to the rally … Conversely, the somber and haunting ‘The Ghetto’ takes listeners deep into the isolation and despair of inner-city life.” Also notable to this album are stunning covers of The Band’s “The Weight” and Otis Redding’s “(Sittin’ On) The Dock of the Bay,” recorded in tribute to the fallen Stax star, who died tragically just a year earlier in a plane crash. The Staple Singers returned to the studio with Cropper the following year to record We’ll Get Over(1970). Highlights include the standout message song “When Will We Be Paid,” as well as covers of tracks like Sly & the Family Stone’s “Everyday People” and Gladys Knight & the Pips’ “The End of the Road.” Though both Soul Folk in Actionand We’ll Get Overcarried powerful messages and tight-knit harmonies, neither had commercial success. And so, for the band’s third album, Stax co-president Al Bell(who signed the band) took the helm as producer. Williams and Wilkins note that “As a long-time DJ, Bell’s ear for what moves Black listeners, both literally and metaphorically, had been keenly crafted over several years. Bell hosted shows that had both sacred and secular followings and had amassed a wealth of experience from watching, noting and deeply understanding the impact music has on varied audiences. His ear was essentially priceless.” With support from the Muscle Shoals Rhythm Section(also known as “The Swampers”), the Staple Singers found a winning team with Bell, and the resulting album, 1971’s The Staple Swingers, would be their first charting record, peaking at No. 9 on Billboard’stop R&B albums. The LP offered a funkier sound from the group, with high-energy singles like “Heavy Makes You Happy (Sha-Na-Boom Boom)” and the Smokey Robinsoncover “You’ve Got to Earn It.” The group reunited with the Swampers and Bell for 1972’s Be Altitude: Respect Yourself, an album that transformed the Staple Singers into mainstream stars. Peaking at No. 19 on the Billboard200, the groove-filled album featured the Staples’ first No. 1 hit—the infectious “I’ll Take You There,” and “Respect Yourself,” a song which Williams and Wilkins declare “Encapsulates the Staple Singers’ entire career.” The powerful message song not only resonated with African Americans but also with many women across the country as they, too, fought for equal opportunity. The group’s 1973 follow-up, Be What You Are, featured the Top Ten hit “If You’re Ready (Come Go With Me),” popular single "Touch a Hand, Make a Friend” and the sweetly harmonized “Love Comes in All Colors,” while the Staple Singers’ final album with Stax—1974’s City in the Sky—includes such highlights as the politically charged “Washington We’re Watching You,” “Back Road into Town” and “Who Made the Man,” which marked a return to the group’s gospel roots. The final disc in Come Go With Me: The Stax Collectionoffers a selection of live tracks from the Staple Singers’ energetic performance at Wattstax, as well as B-sides like “Stay With Us,” non-album singles like “Oh La De Da” and rarities that include “Walking in Water Over Our Head” and “Trippin’ on Your Love.” Following their time at Stax, the Staple Singers continued to tour and record throughout the ’70s and early ’80s. They were inducted into the Rock & Roll Hall of Fame in 1999and received a GRAMMY® Lifetime Achievement Award in 2005. In recent years, Mavis Staples has been back in the spotlight—headlining tours and reaching a new generation of fans with her solo records. In 2016, she was the subject of a documentary (Mavis!)and ended the year as a Kennedy Center Honoree. Posted by Jazz Chillat 3:59 AM
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FRIDAY, NOVEMBER 15, 2019 CHET BAKER’S THE LEGENDARY RIVERSIDE ALBUMS RELEASED Craft Recordings is pleased to announce the release of Chet Baker’s The Legendary Riverside Albums on November 15th.The deluxe five-LP box set presents the artist’s output as a leader for the renowned jazz label, recorded and released between 1958 and 1959: (Chet Baker Sings) It Could Happen To You,Chet Baker In New York, Chetand Chet Baker Plays The Best Of Lerner And Loewe. The recordings, which feature such icons as Bill Evans, Johnny Griffin and Kenny Burrell, have been cut from their original analog master tapes by Kevin Grayat Cohearent Audio and pressed on 180-gram vinylat RTI. Also included is a bonus disc of choice outtakes and alternates from Baker’s Riverside sessions, plus a collectible photo print and a 16-page booklet filled with photos and insightful new liner notes by jazz historian Doug Ramsey. The complete collection will also be released digitally, including in hi-res 192/24 and 96/24 formats. Few musicians have embodied the romantic—and ultimately tragic—jazz figure as totally as Chesney “Chet” Baker (1929–88). Unschooled yet eloquent in his music, and a fast-liver who survived for nearly six decades, the Baker mystique has only reinforced one of the most haunting trumpet styles and ingenious approaches to jazz singing. The Los Angeles–based musician rose to fame in the early ’50s, playing with established artists like Charlie Parker, Gerry Mulligan and pianist Russ Freeman—partnerships which would solidify his status as a major jazz star. By the end of the decade, when he signed a four-album deal with the New York–based label Riverside, Baker had become known for his trademark West Coast “cool jazz” style. However, these recordings—which pair the artist with some of the best East Coast players—demonstrate Baker’s versatility as a modern trumpeter who could play with even the hardest boppers. Baker’s 1958 recording session debut for Riverside, which resulted in the album release (Chet Baker Sings) It Could Happen To You, offers a modern, hipper take on standards like “Old Devil Moon,” “You’re Driving Me Crazy,” and “How Long Has This Been Going On?” The only album in this collection not produced by the label’s co-founder, Orrin Keepnews (who initially objected to his Riverside partner Bill Grauer’s unilateral signing of Baker), Chet Baker Sings is unique in that the nimble artist sets aside his trumpet in several of the tracks, using only his vocals—and even scatting some of the improvised solos in a style that sounds very much like his lyrical trumpet playing.In his new liner notes, Doug Ramsey praises that the album contains “Baker’s most inventive and convincing vocal work.”While All Music calls the album “An essential title in Chet Baker's 30-plus-year canon.” A month after his Chet Baker Sings sessions, the artist went back into the studio to record Chet Baker In New York with a stellar lineup of Philly Joe Jones on drums, tough-tenor Johnny Griffin, bebop veteran Al Haigon piano and bassist Paul Chambers. The song selection, which ranges from laid-back and serene to hard-driving bop, features top-notch performances and impressive solos from all musicians involved. Highlights include the Miles Davis–penned tune “Solar,” the ballad standard “Polka Dots and Moonbeams” and the effervescent “Hotel 49.” 1959’s instrumental outing, Chet, focuses on ballads and features an all-star cast that includes pianist Bill Evans, guitarist Kenny Burrell, flutist Herbie Mann and Pepper Adams on the baritone saxophone. Baker shines in his languid and tuneful approach to tracks like “Alone Together,” “It Never Entered My Mind” and “September Song.” All About Jazz called the album “Asession that allows the trumpeter to take his introspective time, encouraged by Evans' spare accompaniment to transform these standards into vibrant, impressionistic etchings.” Baker’s final album for Riverside, 1959’s Chet Baker Plays The Best Of Lerner And Loewe, finds the trumpeter offering his renditions of tunes by lyricist Alan Jay Lerner and composer Frederick Loewe who, together, penned some of the most famous songs on Broadway. Baker, joined by an ensemble that once again included Bill Evans, Pepper Adams and Herbie Mann—along with the great Zoot Sims on tenor saxophone—covers material from My Fair Lady, Gigi, Brigadoon andPaint Your Wagon.
In addition to the four LPs, The Legendary Riverside Albums also includes a fifth disc, featuring outtakes and alternate takes from Baker’s recording sessions with the label. Doug Ramsey points out several highlights, including “Chet’s playing into a Harmon mute on the new version of ‘The More I See You’ and the spaciousness of his open horn in the Matt Dennis–Tom Adair classic ‘Everything Happens To Me.’ There is also a rarity, ‘While My Lady Sleeps.’” Ramsey adds that Baker’s version of the song “Underlines pianist Drew’s finely honed ability to concentrate on his partner’s phrasing and harmonic turns, and supply perfect support.’” Though Baker’s Riverside era preceded even more troubling times for the artist, these recordings find the artist in excellent form, joined by some of New York’s finest musicians, proving his brilliance as an inspired original, and as one of the great jazz musicians of the 20thcentury.
TRACK LISTING
DISC ONE
Chet Baker Sings: It Could Happen to YouSide 1
Do It The Hard Way
I’m Old Fashioned
You’re Driving Me Crazy My Heart Stood StillSide 2
The More I See You
Everything Happens To Me Dancing On The Ceiling How Long Has This Been Going On?Old Devil Moon
DISC TWO
Chet Baker In New YorkSide 1
Fair Weather
Polka Dots and MoonbeamsHotel 49
Side 2
Solar
Blue Thoughts
When Lights Are Low
DISC THREE
Chet
Side 1
Alone Together
How High The Moon
It Never Entered My Mind’Tis Autumn
Side 2
If You Could See Me NowSeptember Song
You’d Be So Nice To Come Home ToTime On My Hands
You And The Night And The MusicDISC FOUR
Chet Baker Plays The Best Of Lerner And LoeweSide 1
I’ve Grown Accustomed To Her Face I Could Have Danced All Night The Heather On The Hill On The Street Where You LiveSide 2
Almost Like Being In Love Thank Heaven For Little GirlsI Talk To The Trees
Show Me
DISC FIVE
Bonus LP: Outtakes and AlternatesSide 1
While My Lady Sleeps (Take 10) You Make Me Feel So Young (Take 5) The More I See You (Take 8, Alternate) Everything Happens To Me (Take 2, Alternate)Side 2
Soft Winds
Early Morning Mood
Posted by Jazz Chillat 4:04 PM
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New Music Releases: Josh Lawrence - Triptych; Big Beat – Sounds Good, Feels Good; Nick Fraser / Kris Davis / Tony Malaby - Zoning Josh Lawrence - Triptych A really wonderful album from trumpeter Josh Lawrence – a very strong-voiced talent who's got a way of...*
Chloe Perrier & The French Heart Jazz Band - Petite Fleur A true musical citizen of the world, French born, NYC based vocalist Chloe Perrier has one goal every time she and her French Heart Jaz...*
New Music Releases: Gerald Cleaver – Violent Hour At Firehouse 12; Ron Carter – Foursight: Stockholm Vol. 1; Brotzmann / Schlippenbach/ Bennink
Gerald Cleaver – Violent Hour At Firehouse 12 On his new recording, Violet Hour Live at Firehouse 12, Cleaver reconvenes this allst...*
JAMES BROWN: 'LIVE AT HOME WITH HIS BAD SELF' CONCERT NEWLY MIXED FORRELEASE
The 50th anniversary of James Brown's October 1, 1969 homecoming concert in Augusta, Georgia, will be celebrated with the first-eve...*
New Music Releases: Booker T Jones, Tom Grant / Phil Baker, Club desBelugas
Booker T Jones – Note By Note In an emotional musical journey, Booker T explores new takes on the songs that make up the fabric of...
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New Music Releases: Jim Beard & Jon Herington; Jazzy Ladies Of Society Hill Records; Jan Harbeck Jim Beard & Jon Herington - Chunks & Chairknobs Steely Dan sidemen pianist Jim Beard and guitarist Jon Herington join forc...*
Musician and Composer Damien Sneed Presents ‘A Tribute to Aretha Franklin: The Queen of Soul’ at Dizzy’s Club Coca-Cola Tonight,Monday, October 28
Musician and composer Damien Sneed pays homage to his mentor Aretha Franklin tonight, Monday Nights with WBGO: “Damien Sneed Presents AT...
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Professor Wouassa - Yobale Ma! After their brilliant label debut with "Grow Yes Yes" in 2017, Professor Wouassa now returns with their brand new third album ...*
Contemporary Guitarist and co-creator of the Imrat guitar Todd Mosby releases fifth album: ‘Open Waters' Produced by Windham Hill Records founder Will Ackerman, and with a sound described as "an album to daydream to", Open Waters ...*
New Music From: Such, Jonathan Jurion, Palm Unit Such - Wide Nose Full Lips Not the first album we've heard from Such, but a set that has us listening to her music with fresh e... JAZZCHILL@OUTLOOK.COMName
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